Hakuna Kulala / Nyege Nyege Tapes / Heat Crimes
クイックビュー
{"id":8744681832698,"title":"HHY \u0026 The Kampala Unit \/\/ Turbo Meltdown LP","handle":"hhy-the-kampala-unit-turbo-meltdown-lp","description":"\u003cp\u003e\u003cspan\u003eポルトガルのレフトフィールドダンス作家Jonathan Saldhanaとウガンダのホルン奏者Florence NandawulaによるデュオHHY \u0026amp; The Kampala Unitが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003egqom〜レフトフィールド・トライバルテクノ7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R3UuM9hlARA?si=s9mZCINQnfJUmf8L\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases April 11, 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. APEXPREDATOR\u003cbr\u003e2. MOLECULAR RIFF\u003cbr\u003e3. NEON VEIL COLLAPSE\u003cbr\u003e4. PHANTOM ROOM\u003cbr\u003e5. RESONANCE RIOT \u003cbr\u003e6. TURBO DOMINION\u003cbr\u003e7. VICIOUS BLISS \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAnchored by splintering syncopated beats and dramatic brass arrangements, 'TURBO MELTDOWN' is the forward-facing second chapter from HHY \u0026amp; The Kampala Unit - aka Portuguese sonic alchemist Jonathan Uliel Saldanha and Ugandan vocalist and horn player Florence Nandawula. The duo composed this one on the road, advancing the spiritual narrative they lavishly sketched out on 2020's 'Lithium Blast' and venturing into gloomier backstreets, adding cinematic pressure to their energetic fusion of mutant rhythms and apocalyptic fanfares. \u003cbr\u003e\u003cbr\u003eNandawula and Saldhana devised the project as a way to alloy their shared interest in diverse interconnected sounds - from gqom, jungle and funk to vintage horror soundtracks - and they view HHY \u0026amp; The Kampala unit as a collective effort. There's an extended cast on show here, with contributions from the Ugandan Homeland Brass Band's Kintu Jacob on trombone, and Congolese Afrofuturist collective Fulu Miziki's Sekelembele on percussion and vocals. On stage, they're also joined by dancer Junia and multidisciplinary artist Exocé Kasongo, both of whom help translate the collective's sonic\u003cspan class=\"bcTruncateMore\"\u003e concept into a hard-hitting, visceral experience. \u003cbr\u003e\u003cbr\u003eTense marching band snares lead us ominously into opener 'APEXPREDATOR', cut with gqom-inspired percussive snaps and backed up by Nandawula's audacious horns, that split the difference between Funkadelic and Prince. It's music that tramples over any pre-conceived genre boundaries, fitting gurgling AutoTuned adlibs and noisy electrical interference between its surging kicks. This time around, HHY \u0026amp; The Kampala unit train their gaze on storytelling, composing a spine-chilling, sci-fi tinged soundtrack to a disturbing dystopian future. \u003cbr\u003e\u003cbr\u003eOn 'NEON VEIL COLLAPSE', Nandawula's reverberating trumpet and trombone blasts perforate a dense mass of woody traditional rhythms that Saldanha interrupts with rave-ready hoover womps, and she captures the spectacle of Akira Ifukube's iconic 'Godzilla' OST (famously sampled by Pharoahe Monch on 'Simon Says') on 'RESONANCE RIOT', adding some monster movie zest to Saldanha's pneumatic ballroom-like thrust. 'TURBO MELTDOWN' is an album that never stops advancing, crashing through the neon-lit wreckage of a doomed civilization and orchestrating a party at the end of the world.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HHY \u0026amp; The Kampala Unit\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : NYEGE NYEGE TAPES\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003eNNT071\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-14T20:15:24+09:00","created_at":"2025-03-14T20:00:17+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47191797956858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HHY \u0026 The Kampala Unit \/\/ Turbo Meltdown LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1596454229_10.jpg?v=1741950814"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1596454229_10.jpg?v=1741950814","options":["Title"],"media":[{"alt":null,"id":35745225638138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1596454229_10.jpg?v=1741950814"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1596454229_10.jpg?v=1741950814","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eポルトガルのレフトフィールドダンス作家Jonathan Saldhanaとウガンダのホルン奏者Florence NandawulaによるデュオHHY \u0026amp; The Kampala Unitが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003egqom〜レフトフィールド・トライバルテクノ7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R3UuM9hlARA?si=s9mZCINQnfJUmf8L\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases April 11, 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. APEXPREDATOR\u003cbr\u003e2. MOLECULAR RIFF\u003cbr\u003e3. NEON VEIL COLLAPSE\u003cbr\u003e4. PHANTOM ROOM\u003cbr\u003e5. RESONANCE RIOT \u003cbr\u003e6. TURBO DOMINION\u003cbr\u003e7. VICIOUS BLISS \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAnchored by splintering syncopated beats and dramatic brass arrangements, 'TURBO MELTDOWN' is the forward-facing second chapter from HHY \u0026amp; The Kampala Unit - aka Portuguese sonic alchemist Jonathan Uliel Saldanha and Ugandan vocalist and horn player Florence Nandawula. The duo composed this one on the road, advancing the spiritual narrative they lavishly sketched out on 2020's 'Lithium Blast' and venturing into gloomier backstreets, adding cinematic pressure to their energetic fusion of mutant rhythms and apocalyptic fanfares. \u003cbr\u003e\u003cbr\u003eNandawula and Saldhana devised the project as a way to alloy their shared interest in diverse interconnected sounds - from gqom, jungle and funk to vintage horror soundtracks - and they view HHY \u0026amp; The Kampala unit as a collective effort. There's an extended cast on show here, with contributions from the Ugandan Homeland Brass Band's Kintu Jacob on trombone, and Congolese Afrofuturist collective Fulu Miziki's Sekelembele on percussion and vocals. On stage, they're also joined by dancer Junia and multidisciplinary artist Exocé Kasongo, both of whom help translate the collective's sonic\u003cspan class=\"bcTruncateMore\"\u003e concept into a hard-hitting, visceral experience. \u003cbr\u003e\u003cbr\u003eTense marching band snares lead us ominously into opener 'APEXPREDATOR', cut with gqom-inspired percussive snaps and backed up by Nandawula's audacious horns, that split the difference between Funkadelic and Prince. It's music that tramples over any pre-conceived genre boundaries, fitting gurgling AutoTuned adlibs and noisy electrical interference between its surging kicks. This time around, HHY \u0026amp; The Kampala unit train their gaze on storytelling, composing a spine-chilling, sci-fi tinged soundtrack to a disturbing dystopian future. \u003cbr\u003e\u003cbr\u003eOn 'NEON VEIL COLLAPSE', Nandawula's reverberating trumpet and trombone blasts perforate a dense mass of woody traditional rhythms that Saldanha interrupts with rave-ready hoover womps, and she captures the spectacle of Akira Ifukube's iconic 'Godzilla' OST (famously sampled by Pharoahe Monch on 'Simon Says') on 'RESONANCE RIOT', adding some monster movie zest to Saldanha's pneumatic ballroom-like thrust. 'TURBO MELTDOWN' is an album that never stops advancing, crashing through the neon-lit wreckage of a doomed civilization and orchestrating a party at the end of the world.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HHY \u0026amp; The Kampala Unit\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : NYEGE NYEGE TAPES\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003eNNT071\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガルのレフトフィールドダンス作家Jonathan Saldhanaとウガンダのホルン奏者Florence NandawulaによるデュオHHY & The Kampala Unitが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースするレコードです。 gqom〜レフトフィールド・トライバルテクノ7曲を収録。 レーベルその他作品はこちら /// Click here to see more...
¥4,358
![Aeson Zervas // s/t LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ae1_6f01e253-9ca2-4686-865a-f9b1c4ea001d_medium.jpg?v=1741163411)
クイックビュー
{"id":8738463023354,"title":"Aeson Zervas \/\/ s\/t LP [COLOR]","handle":"aeson-zervas-s-t-lp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eギリシャの実験フォルクローレ作家Aeson Zervasが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験フォルクローレ〜ダンジョンシンセ9曲を収録。白盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギリシャ西部のメソロンギ地方出身であること以外、ほとんど何も知らない隠遁アーティストによるデビュー作。不気味なアンビエント・チェンバースペクターがテーマで、そのサウンドは数十年前、あるいはほんの数週間前に生み出されたものかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAeson Zervasは、最近、クリストス・コンドロプロスやニコラス・ラファエル・ハジラスカリスのライブ・アダルト・エンターテインメント、クリスチャン・ラブ・フォーラム、エル・ヘル・エルなど、ジェイ・グラス・ダブスは言うに及ばず、アテネをユーロ・アヴァンギャルドとエクスペリメンタル・イン・ビトウィーンの磁石にしたプロジェクトの星雲のような、独創的なスピリットを我々に与えてくれたこの国から現れた、また新たな謎である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAeson Zervasの音楽は、彼の同胞の誰よりも控えめなサウンドを響かせながら、時空を超えたエーテル的な空間と、時代を超えたノスタルジックなロマンスを共有している。彼の8部構成のデビューアルバムは、不気味に虹色に輝くプラズマの中で、ギリシャの民族音楽とクラシック音楽の亡霊をゆっくりと動くアレンジで呼び起こす。クレジットされていない声や楽器が催眠術のような能面的な煙に包まれ、月明かりに照らされた煙のように心を落ち着かせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまるでジェームス・カービーがギリシャでの過去世や精神探求を回想しているかのような『The Caretaker』の催眠術のような魅力とソワソワした官能性を明らかに共有しているが、ドミニク・ラワレのベルギーの屋根裏部屋での瞑想のような厳粛な美しさもどこか思い起こさせる。ブラックメタルに近いダンジョンの陰鬱さと難解なシンセサイザーの明滅の微妙な華やかさによって際立ち、心を不思議な喜びの異常な状態へと揺さぶる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e良いものを知っているなら、見逃せない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1421578896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Repress - 2nd edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Χωρίς τίτλο 1 05:00\u003cbr\u003e2. Χωρίς τίτλο 2 02:18\u003cbr\u003e3. Χωρίς τίτλο 3 03:12\u003cbr\u003e4. Χωρίς τίτλο 4 02:50\u003cbr\u003e5. Χωρίς τίτλο 5 04:40\u003cbr\u003e6. Χωρίς τίτλο 6 04:40\u003cbr\u003e7. Χωρίς τίτλο 6 05:08\u003cbr\u003e8. Χωρίς τίτλο 7 05:14\u003cbr\u003e9. Χωρίς τίτλο 8 03:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHEAT CRIMES:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProperly deep and mysterious future-primitivism on the debut recordings from a reclusive artist about whom we know almost nothing except that they hail from the Mesolongi region of western Greece. Uncanny ambient chamber spectres are the order of the day, with a sound that could have been conjured decades or just weeks ago - who knows - giving something like The Caretaker processing crates of rebetika instead of the usual ballroom dirges.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAeson Zervas is yet another enigma to emerge from a country that, in recent times, has gifted us the inventive spirits of Christos Chondropoulos’ and Nikolas Rafael Hadjilaskaris’ nebula of projects spanning Live Adult Entertainment, Christian Love Forum and ElHellEll - not to mention Jay Glass Dubs - and which has made Athens a magnet for the Euro avant garde and experimental in-betweeners.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZervas’ music exists in a space out of time, manifesting a more discreet sound than any of his compatriots, but sharing a feel for displaced, etheric space and timeless, nostalgic romance. His eight-part debut album summons the ghosts of Greek folk and classical music in slow moving arrangements set in eerily iridescent plasma. Uncredited voices and instrumentation are wreathed in hypnotic, noumenal plumes that settle on the mind like smoke\u003cspan class=\"bcTruncateMore\"\u003e caught by moonlight.\u003cbr\u003e\u003cbr\u003eHe clearly shares the hypnagogic allure and sozzled sensuality of The Caretaker, as though James Kirby was reminiscing on a past life or spirit quest in Greece, but he also somehow reminds us of the solemn beauty of Dominique Lawalrée’s Belgian attic meditations, distinguished by subtle flourishes of near black metal dungeon gloom and arcane synth flickers that jolt the mind into unusual states of curious delight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aeson Zervas\u003c\/p\u003e\n\u003cp\u003eLabel : HEAT CRIMES\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC010\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T13:37:50+09:00","created_at":"2025-03-05T17:31:46+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","lp","new","nyege nyege tapes","post newage","strange beats"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172413128954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aeson Zervas \/\/ s\/t LP [COLOR]","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_6f01e253-9ca2-4686-865a-f9b1c4ea001d.jpg?v=1741163411","\/\/tobirarecords.com\/cdn\/shop\/files\/ae2_0a658302-7a69-4a74-a45a-d16d1011382f.jpg?v=1741163412"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_6f01e253-9ca2-4686-865a-f9b1c4ea001d.jpg?v=1741163411","options":["Title"],"media":[{"alt":null,"id":35665033593082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_6f01e253-9ca2-4686-865a-f9b1c4ea001d.jpg?v=1741163411"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_6f01e253-9ca2-4686-865a-f9b1c4ea001d.jpg?v=1741163411","width":700},{"alt":null,"id":35665033625850,"position":2,"preview_image":{"aspect_ratio":1.173,"height":1023,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2_0a658302-7a69-4a74-a45a-d16d1011382f.jpg?v=1741163412"},"aspect_ratio":1.173,"height":1023,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2_0a658302-7a69-4a74-a45a-d16d1011382f.jpg?v=1741163412","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eギリシャの実験フォルクローレ作家Aeson Zervasが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験フォルクローレ〜ダンジョンシンセ9曲を収録。白盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギリシャ西部のメソロンギ地方出身であること以外、ほとんど何も知らない隠遁アーティストによるデビュー作。不気味なアンビエント・チェンバースペクターがテーマで、そのサウンドは数十年前、あるいはほんの数週間前に生み出されたものかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAeson Zervasは、最近、クリストス・コンドロプロスやニコラス・ラファエル・ハジラスカリスのライブ・アダルト・エンターテインメント、クリスチャン・ラブ・フォーラム、エル・ヘル・エルなど、ジェイ・グラス・ダブスは言うに及ばず、アテネをユーロ・アヴァンギャルドとエクスペリメンタル・イン・ビトウィーンの磁石にしたプロジェクトの星雲のような、独創的なスピリットを我々に与えてくれたこの国から現れた、また新たな謎である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAeson Zervasの音楽は、彼の同胞の誰よりも控えめなサウンドを響かせながら、時空を超えたエーテル的な空間と、時代を超えたノスタルジックなロマンスを共有している。彼の8部構成のデビューアルバムは、不気味に虹色に輝くプラズマの中で、ギリシャの民族音楽とクラシック音楽の亡霊をゆっくりと動くアレンジで呼び起こす。クレジットされていない声や楽器が催眠術のような能面的な煙に包まれ、月明かりに照らされた煙のように心を落ち着かせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまるでジェームス・カービーがギリシャでの過去世や精神探求を回想しているかのような『The Caretaker』の催眠術のような魅力とソワソワした官能性を明らかに共有しているが、ドミニク・ラワレのベルギーの屋根裏部屋での瞑想のような厳粛な美しさもどこか思い起こさせる。ブラックメタルに近いダンジョンの陰鬱さと難解なシンセサイザーの明滅の微妙な華やかさによって際立ち、心を不思議な喜びの異常な状態へと揺さぶる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e良いものを知っているなら、見逃せない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1421578896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Repress - 2nd edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Χωρίς τίτλο 1 05:00\u003cbr\u003e2. Χωρίς τίτλο 2 02:18\u003cbr\u003e3. Χωρίς τίτλο 3 03:12\u003cbr\u003e4. Χωρίς τίτλο 4 02:50\u003cbr\u003e5. Χωρίς τίτλο 5 04:40\u003cbr\u003e6. Χωρίς τίτλο 6 04:40\u003cbr\u003e7. Χωρίς τίτλο 6 05:08\u003cbr\u003e8. Χωρίς τίτλο 7 05:14\u003cbr\u003e9. Χωρίς τίτλο 8 03:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHEAT CRIMES:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProperly deep and mysterious future-primitivism on the debut recordings from a reclusive artist about whom we know almost nothing except that they hail from the Mesolongi region of western Greece. Uncanny ambient chamber spectres are the order of the day, with a sound that could have been conjured decades or just weeks ago - who knows - giving something like The Caretaker processing crates of rebetika instead of the usual ballroom dirges.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAeson Zervas is yet another enigma to emerge from a country that, in recent times, has gifted us the inventive spirits of Christos Chondropoulos’ and Nikolas Rafael Hadjilaskaris’ nebula of projects spanning Live Adult Entertainment, Christian Love Forum and ElHellEll - not to mention Jay Glass Dubs - and which has made Athens a magnet for the Euro avant garde and experimental in-betweeners.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZervas’ music exists in a space out of time, manifesting a more discreet sound than any of his compatriots, but sharing a feel for displaced, etheric space and timeless, nostalgic romance. His eight-part debut album summons the ghosts of Greek folk and classical music in slow moving arrangements set in eerily iridescent plasma. Uncredited voices and instrumentation are wreathed in hypnotic, noumenal plumes that settle on the mind like smoke\u003cspan class=\"bcTruncateMore\"\u003e caught by moonlight.\u003cbr\u003e\u003cbr\u003eHe clearly shares the hypnagogic allure and sozzled sensuality of The Caretaker, as though James Kirby was reminiscing on a past life or spirit quest in Greece, but he also somehow reminds us of the solemn beauty of Dominique Lawalrée’s Belgian attic meditations, distinguished by subtle flourishes of near black metal dungeon gloom and arcane synth flickers that jolt the mind into unusual states of curious delight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aeson Zervas\u003c\/p\u003e\n\u003cp\u003eLabel : HEAT CRIMES\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC010\u003c\/span\u003e\u003c\/p\u003e"}
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※4月中旬再入荷後発送します ギリシャの実験フォルクローレ作家Aeson Zervasが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした再発レコードです。 実験フォルクローレ〜ダンジョンシンセ9曲を収録。白盤です。 以下、レーベルによる解説です。 "ギリシャ西部のメソロンギ地方出身であること以外、ほとんど何も知らない隠遁アーティストによるデビュー作。不気味なアンビエント・チェンバースペクターがテーマで、そのサウンドは数十年前、あるいはほんの数週間前に生み出されたものかもしれない。 Aeson Zervasは、最近、クリストス・コンドロプロスやニコラス・ラファエル・ハジラスカリスのライブ・アダルト・エンターテインメント、クリスチャン・ラブ・フォーラム、エル・ヘル・エルなど、ジェイ・グラス・ダブスは言うに及ばず、アテネをユーロ・アヴァンギャルドとエクスペリメンタル・イン・ビトウィーンの磁石にしたプロジェクトの星雲のような、独創的なスピリットを我々に与えてくれたこの国から現れた、また新たな謎である。 Aeson Zervasの音楽は、彼の同胞の誰よりも控えめなサウンドを響かせながら、時空を超えたエーテル的な空間と、時代を超えたノスタルジックなロマンスを共有している。彼の8部構成のデビューアルバムは、不気味に虹色に輝くプラズマの中で、ギリシャの民族音楽とクラシック音楽の亡霊をゆっくりと動くアレンジで呼び起こす。クレジットされていない声や楽器が催眠術のような能面的な煙に包まれ、月明かりに照らされた煙のように心を落ち着かせる。 まるでジェームス・カービーがギリシャでの過去世や精神探求を回想しているかのような『The Caretaker』の催眠術のような魅力とソワソワした官能性を明らかに共有しているが、ドミニク・ラワレのベルギーの屋根裏部屋での瞑想のような厳粛な美しさもどこか思い起こさせる。ブラックメタルに近いダンジョンの陰鬱さと難解なシンセサイザーの明滅の微妙な華やかさによって際立ち、心を不思議な喜びの異常な状態へと揺さぶる。 良いものを知っているなら、見逃せない。"...
¥4,358
![De Schuurman // Bubbling Forever LP [COLOR]](http://tobirarecords.com/cdn/shop/files/bub1_medium.jpg?v=1741163240)
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{"id":8738460926202,"title":"De Schuurman \/\/ Bubbling Forever LP [COLOR]","handle":"de-schuurman-bubbling-forever-lp-color","description":"\u003cp\u003e\u003cspan\u003eオランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2025年3月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesから300部限定でリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eバブリング・ハウス13曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オランダの奇才ギレルモ・シューマンの最も重要な初期作品を集めた2021年の「Bubbling Inside」をリリースして以来、このDJ兼プロデューサーは絶え間なくツアーを行い、彼の足を前面に押し出したハイブリッドなスタイルを広く世界に紹介してきた。オランダのアフロ・ディアスポラ的なバブリングサウンドをルーツとするこのスタイルは、ダンスホール、エレクトロ、EDM、R\u0026amp;Bを混ぜ合わせた爽快なカクテルで、1980年代後半に表面化し、90年代から00年代にかけてデン・ハーグの活気あるクラブシーンを席巻した。このジャンルの共同創始者である叔父のDJ Chippieに刺激され、De Schuurmanは00年代後半にこのムーブメントを活性化させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBubbling Foreverは、アシッドなレーザーシンセ、アンティル・タンブ・パーカッション、うねるようなヴォーカルスニペットなど、デン・ハーグでの初期からのサウンドのバックボーンである重要なダンスホール・スイングを軸にした、忘れがたい作品だ。前作と同様、このコレクションはヴィンテージカットとヒネリの効いた新作の幅広いセットで、De Schuurmanワールドへの完璧なイントロダクションであるカールしたRawで始まる。また、De Schuurmanの音楽は比較的熱を帯びているが、予想外の軽快さに恵まれており、動きを要求するのではなく、むしろ官能的に動きを引き出す。例えばStylez Twoでは、激しいスクリームとブレイクネック・ビートがスチール・ドラムのチャイムと陽気なホイッスルに邪魔され、スウェットボックスとカーニバルの間でムードを二分している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、De Schuurmanの最大の才能は、あらゆる音楽地図からアイデアを吸収する能力だ。Scratchinでは切迫したターンテーブリストのスクラップとノスタルジックな8ビットのブリープを融合させ、Bubbling Meets KasekoではDJエレクトロと組んでビッグルームのエアホーンやゆらゆらとしたシンセとスリナムの伝統的なメロディやパーカッションを融合させている。さらにGangster Sht 2では、バブリングOGのDJチャッキーも参加し、ラップ・サンプルとATLのトラップ・パーカッションをフリップさせ、旋風を巻き起こすピークタイム・バンガーに仕上げている。Fucked Up Industrieでは、しゃっくりするようなカリビアン・ステップにピリッとしたリード・ザップを重ね、Fashion Weekでは、突き刺すようなウッドブロックのひびきにプラスチッキーなフルートをカーブさせ、アルバムを水平方向に導いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092853541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" red vinyl. Repress - 2nd edition of 300.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Raw 04:22\u003cbr\u003e2. Bounce (Exclusive Real 09 Bubbling) 02:07\u003cbr\u003e3. Biennale Dakar 05:18\u003cbr\u003e4. Bubbling Meets Kaseko 03:53\u003cbr\u003e5. Stylez two 02:45\u003cbr\u003e6. Scratchin 02:16\u003cbr\u003e7. De Schuurman \u0026amp; Dj Chuckie - Gangster Sht 02:51\u003cbr\u003e8. Fucked Up Industrie 03:23\u003cbr\u003e9. Kaboela Style 02:42\u003cbr\u003e10. Ayaa 05:03\u003cbr\u003e11. Broejaa 03:06\u003cbr\u003e12. Fashion Week 02:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince the release of 2021's 'Bubbling Inside' - a collection of Dutch wunderkind Guillermo Schuurman's most vital early productions, plus a few recent additions - the DJ and producer has been touring incessantly, introducing the wider world to his feet-forward, hybrid style. Rooted in the Netherlands' Afro-diasporic bubbling sound, it's an effervescent cocktail of dancehall, electro, EDM and R\u0026amp;B that fizzed to the surface back in the late 1980s, dominating Den Haag's vibrant club scene in the '90s and '00s. Spurred on by his uncle DJ Chippie, who helped co-found the genre, De Schuurman revitalized the movement in the late '00s, and has been instrumental in bringing bubbling back to the main stage, puzzling out its intersections with trap, techno and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Bubbling Forever' is another unforgettable arsenal of acidic laser synths, Antillean tambu percussion and swirling vocal snippets, all anchored to an all-important dancehall swing - the backbone of the sound since its earliest days in Den Haag. Like its predecessor, the collection is a wide-reaching set of vintage cuts and twitchy new productions, kicking off with the curled 'Raw', an immaculate introduction to De Schuurman's world: cybernetic electronic swooshes, backed by rattling percussion and the\u003cspan class=\"bcTruncateMore\"\u003e kind of kicks that don't cut, they bounce. And although it's relatively hotfooted, De Schuurman's music is blessed with unexpected lightness, coaxing movement sensually rather than demanding it. On 'Stylez Two' for example, fiery screams and breakneck beats are disencumbered by steel drum chimes and cheery whistles, splitting the mood between the sweatbox and the carnival.\u003cbr\u003e\u003cbr\u003eBut De Schuurman's greatest talent is his ability to absorb ideas from all across the musical map. 'Scratchin' fuses urgent turntablist scrapes with nostalgic 8-bit bleeps, and on 'Bubbling Meets Kaseko', he teams up with DJ Electro to blend big-room air horns and wobbly synths with traditional Surinamese melodies and percussion. He even brings bubbling OG DJ Chuckie along on 'Gangster Sht 2', flipping rap samples and stuttering ATL trap percussion into a whirlwind peak-time banger. And there even a few moments when De Schuurman takes a breather and turns down the tempo a little: he pulls back on 'Fucked Up Industrie', layering tangy lead zaps over a hiccuping Caribbean step, and leads the album out horizontally with 'Fashion Week', curving plasticky flutes around piercing woodblock cracks.\u003cbr\u003e\u003cbr\u003eBubbling might be approaching its fourth decade, but with producers like De Schuurman constantly breathing new life into the formula, it's not about to disappear any time soon. 'Bubbling Forever' is some of the most viscous, energetic and original dancefloor material you're likely to hear this year. Play loud!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : De Schuurman\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT060\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T13:48:35+09:00","created_at":"2025-03-05T17:29:01+09:00","vendor":"Tobira Records","type":"","tags":["field recording","house","lp","new","nyege nyege tapes","techno \/ house"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172408410362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"De Schuurman \/\/ Bubbling Forever LP [COLOR]","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bub1.jpg?v=1741163240","\/\/tobirarecords.com\/cdn\/shop\/files\/bub2.jpg?v=1741163240"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bub1.jpg?v=1741163240","options":["Title"],"media":[{"alt":null,"id":35665025466618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bub1.jpg?v=1741163240"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bub1.jpg?v=1741163240","width":700},{"alt":null,"id":35665025499386,"position":2,"preview_image":{"aspect_ratio":1.329,"height":903,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bub2.jpg?v=1741163240"},"aspect_ratio":1.329,"height":903,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bub2.jpg?v=1741163240","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eオランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2025年3月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesから300部限定でリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eバブリング・ハウス13曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オランダの奇才ギレルモ・シューマンの最も重要な初期作品を集めた2021年の「Bubbling Inside」をリリースして以来、このDJ兼プロデューサーは絶え間なくツアーを行い、彼の足を前面に押し出したハイブリッドなスタイルを広く世界に紹介してきた。オランダのアフロ・ディアスポラ的なバブリングサウンドをルーツとするこのスタイルは、ダンスホール、エレクトロ、EDM、R\u0026amp;Bを混ぜ合わせた爽快なカクテルで、1980年代後半に表面化し、90年代から00年代にかけてデン・ハーグの活気あるクラブシーンを席巻した。このジャンルの共同創始者である叔父のDJ Chippieに刺激され、De Schuurmanは00年代後半にこのムーブメントを活性化させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBubbling Foreverは、アシッドなレーザーシンセ、アンティル・タンブ・パーカッション、うねるようなヴォーカルスニペットなど、デン・ハーグでの初期からのサウンドのバックボーンである重要なダンスホール・スイングを軸にした、忘れがたい作品だ。前作と同様、このコレクションはヴィンテージカットとヒネリの効いた新作の幅広いセットで、De Schuurmanワールドへの完璧なイントロダクションであるカールしたRawで始まる。また、De Schuurmanの音楽は比較的熱を帯びているが、予想外の軽快さに恵まれており、動きを要求するのではなく、むしろ官能的に動きを引き出す。例えばStylez Twoでは、激しいスクリームとブレイクネック・ビートがスチール・ドラムのチャイムと陽気なホイッスルに邪魔され、スウェットボックスとカーニバルの間でムードを二分している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、De Schuurmanの最大の才能は、あらゆる音楽地図からアイデアを吸収する能力だ。Scratchinでは切迫したターンテーブリストのスクラップとノスタルジックな8ビットのブリープを融合させ、Bubbling Meets KasekoではDJエレクトロと組んでビッグルームのエアホーンやゆらゆらとしたシンセとスリナムの伝統的なメロディやパーカッションを融合させている。さらにGangster Sht 2では、バブリングOGのDJチャッキーも参加し、ラップ・サンプルとATLのトラップ・パーカッションをフリップさせ、旋風を巻き起こすピークタイム・バンガーに仕上げている。Fucked Up Industrieでは、しゃっくりするようなカリビアン・ステップにピリッとしたリード・ザップを重ね、Fashion Weekでは、突き刺すようなウッドブロックのひびきにプラスチッキーなフルートをカーブさせ、アルバムを水平方向に導いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092853541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" red vinyl. Repress - 2nd edition of 300.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Raw 04:22\u003cbr\u003e2. Bounce (Exclusive Real 09 Bubbling) 02:07\u003cbr\u003e3. Biennale Dakar 05:18\u003cbr\u003e4. Bubbling Meets Kaseko 03:53\u003cbr\u003e5. Stylez two 02:45\u003cbr\u003e6. Scratchin 02:16\u003cbr\u003e7. De Schuurman \u0026amp; Dj Chuckie - Gangster Sht 02:51\u003cbr\u003e8. Fucked Up Industrie 03:23\u003cbr\u003e9. Kaboela Style 02:42\u003cbr\u003e10. Ayaa 05:03\u003cbr\u003e11. Broejaa 03:06\u003cbr\u003e12. Fashion Week 02:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince the release of 2021's 'Bubbling Inside' - a collection of Dutch wunderkind Guillermo Schuurman's most vital early productions, plus a few recent additions - the DJ and producer has been touring incessantly, introducing the wider world to his feet-forward, hybrid style. Rooted in the Netherlands' Afro-diasporic bubbling sound, it's an effervescent cocktail of dancehall, electro, EDM and R\u0026amp;B that fizzed to the surface back in the late 1980s, dominating Den Haag's vibrant club scene in the '90s and '00s. Spurred on by his uncle DJ Chippie, who helped co-found the genre, De Schuurman revitalized the movement in the late '00s, and has been instrumental in bringing bubbling back to the main stage, puzzling out its intersections with trap, techno and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Bubbling Forever' is another unforgettable arsenal of acidic laser synths, Antillean tambu percussion and swirling vocal snippets, all anchored to an all-important dancehall swing - the backbone of the sound since its earliest days in Den Haag. Like its predecessor, the collection is a wide-reaching set of vintage cuts and twitchy new productions, kicking off with the curled 'Raw', an immaculate introduction to De Schuurman's world: cybernetic electronic swooshes, backed by rattling percussion and the\u003cspan class=\"bcTruncateMore\"\u003e kind of kicks that don't cut, they bounce. And although it's relatively hotfooted, De Schuurman's music is blessed with unexpected lightness, coaxing movement sensually rather than demanding it. On 'Stylez Two' for example, fiery screams and breakneck beats are disencumbered by steel drum chimes and cheery whistles, splitting the mood between the sweatbox and the carnival.\u003cbr\u003e\u003cbr\u003eBut De Schuurman's greatest talent is his ability to absorb ideas from all across the musical map. 'Scratchin' fuses urgent turntablist scrapes with nostalgic 8-bit bleeps, and on 'Bubbling Meets Kaseko', he teams up with DJ Electro to blend big-room air horns and wobbly synths with traditional Surinamese melodies and percussion. He even brings bubbling OG DJ Chuckie along on 'Gangster Sht 2', flipping rap samples and stuttering ATL trap percussion into a whirlwind peak-time banger. And there even a few moments when De Schuurman takes a breather and turns down the tempo a little: he pulls back on 'Fucked Up Industrie', layering tangy lead zaps over a hiccuping Caribbean step, and leads the album out horizontally with 'Fashion Week', curving plasticky flutes around piercing woodblock cracks.\u003cbr\u003e\u003cbr\u003eBubbling might be approaching its fourth decade, but with producers like De Schuurman constantly breathing new life into the formula, it's not about to disappear any time soon. 'Bubbling Forever' is some of the most viscous, energetic and original dancefloor material you're likely to hear this year. Play loud!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : De Schuurman\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT060\u003c\/span\u003e\u003c\/p\u003e"}
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オランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2025年3月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesから300部限定でリリースした再発レコードです。（オリジナルは2024年リリース） バブリング・ハウス13曲を収録。赤盤です。 以下、レーベルによる解説です。 "オランダの奇才ギレルモ・シューマンの最も重要な初期作品を集めた2021年の「Bubbling Inside」をリリースして以来、このDJ兼プロデューサーは絶え間なくツアーを行い、彼の足を前面に押し出したハイブリッドなスタイルを広く世界に紹介してきた。オランダのアフロ・ディアスポラ的なバブリングサウンドをルーツとするこのスタイルは、ダンスホール、エレクトロ、EDM、R&Bを混ぜ合わせた爽快なカクテルで、1980年代後半に表面化し、90年代から00年代にかけてデン・ハーグの活気あるクラブシーンを席巻した。このジャンルの共同創始者である叔父のDJ Chippieに刺激され、De Schuurmanは00年代後半にこのムーブメントを活性化させた。 Bubbling Foreverは、アシッドなレーザーシンセ、アンティル・タンブ・パーカッション、うねるようなヴォーカルスニペットなど、デン・ハーグでの初期からのサウンドのバックボーンである重要なダンスホール・スイングを軸にした、忘れがたい作品だ。前作と同様、このコレクションはヴィンテージカットとヒネリの効いた新作の幅広いセットで、De Schuurmanワールドへの完璧なイントロダクションであるカールしたRawで始まる。また、De Schuurmanの音楽は比較的熱を帯びているが、予想外の軽快さに恵まれており、動きを要求するのではなく、むしろ官能的に動きを引き出す。例えばStylez...
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{"id":8738458534138,"title":"Het Zweet s\/t LP","handle":"het-zweet-s-t-lp","description":"\u003cp\u003e\u003cspan\u003e1980年代に活動していたオランダのインダストリアル作家／楽器製作者Het Zweetが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルHeat Crimeからリリースした再発レコードです。(オリジナルは1983年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eミニマルなストレンジビーツ〜ドローン4曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Het Zweetの最初のセルフタイトルのテープは1983年にリリースされたもので、後に1987年にリリースされた同名のアルバムと混同してはならない。このプロジェクトは、2013年に惜しまれつつこの世を去ったオランダ人のマリエン・ヴァン・オアーズによって考案されたもので、自作楽器を駆使した神秘的で儀式的な展開の軌跡を残している。Het Zweetは、ヴァン・オアーズが最も神秘的で原始的な作品であり、初歩的な音を、先祖伝来のリズムの幾何学に立ち返った波打つようなパーカッシブなアトモスフェアに形成し、その反復を鉄のような工業時代の汚れにまみれさせている。ヴァン・オアーズの名前はオランダ語で「汗」を意味し、そのマンタには明らかに屈強なクオリティーがある。これらは決して単なるループではなく、忍耐強く深いリスナーに報いる、瞑想的な忍耐の技なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラックVocusは、このアルバムで最も呪われた曲であり、約12分間に渡って、ドゥームメタルの希薄でカリギナスなエネルギーを詠唱に吹き込んだ、スペクトルのような減速したグルーヴが続く。ピッチを歪ませたシンセはほとんど修道僧のようだが、ヴァン・オアーズのかろうじて聞き取れるヴォーカリゼーションの隣で謎めいて鳴り響く、糖蜜のようなゆっくりとしたヴォーカル・サイクルによってすぐに中断される。Tribusでは、ヴァン・オアーズのキネティックなドラミングが前面に押し出されているが、儀式的なクオリティーが消えることはなく、彼の周期的なイントネーションが、小石のようなポット・アンド・パン・クラックと洞窟のようなオシレーションに彩りを添えている。これは、MuslimgauzeとZ'EVの間に位置する音楽で、ヴァン・オアーズのトランスのようなパターンと混乱させるエフェクトのすぐ下に横たわる要素のグルーヴを感じ取ることができる忍耐強いリスナーのために作られている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTribusでは、ヴァン・オアーズがその魔力をさらに強め、気だるげでのっぺりとしたビートを奏で、赤を貫きながら不気味な歪みを生み出している。紛れもなくサイケデリック・ギアであるこの曲は、小声でうめくホワイトノイズとテンプル・チャイムに分解され、ヴァン・オアーズは息を整えるのに使った後、霧笛のような自作パイプに向かって咆哮し、リズムを再起動させる。クローザーのIndusは、このアルバムで最も集中し、最も峻厳な曲で、15分近くにわたって体操のようなドラムワークが続き、バックで柔らかく煮えたぎるヴォーカルのマントラが添えられている。インダストリアルでもなく、ダークアンビエントでもなく、ニューエイジでもないこの音楽は、文化的な歴史に根ざした音楽であり、長い間忘れ去られていた儀式を、演奏者とリスナーの肉体的、精神的な忍耐の偉業として再構築している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755521524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. Edition of 250. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vocus 11:18\u003cbr\u003e2. Tribus 14:43\u003cbr\u003e3. Slindus 12:46\u003cbr\u003e4. Indus 14:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHEAT CRIMES:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMade up of four lengthy hallucinogenic incantations, Het Zweet's first self-titled tape was originally released in 1983 and shouldn't be confused with the later 1987-released album of the same name. The project was conceived by Dutchman Marien Van Oers, who sadly passed away in 2013, leaving behind a breadcrumb trail of mysterious, ritualistic deployments pieced together using an arsenal of home-made instruments. And 'Het Zweet' finds Van Oers at his most mystifying and most primal, forming rudimentary sounds into surging, percussive atmospheres that peer back towards ancestral rhythmic geometries and caking his repetitions in ferric, industrial-era dirt. The name itself means \"sweat\" in Dutch, and there's an identifiably herculean quality to Van Oers' mantas - these aren't simply loops, by any means, but contemplative feats of endurance that reward patient, deep listeners.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Vocus' is the album's most haunted stretch, almost 12 minutes of spectral decelerated gloop that infuses a sequence of chants with the dilatory, caliginous energy of doom metal. There's an almost monastic quality to the pitch-skewed synths that introduce the composition, but that's quickly interrupted by molasses slow\u003cspan class=\"bcTruncateMore\"\u003e vocal cycles that rumble enigmatically next to Van Oers' barely audible vocalizations. The artist's kinetic drumming is thrust into the foreground on 'Tribus', but the ritual quality never disappears, his cyclic intonations adding color to the pebbly pots 'n pans cracks and cavernous oscillations. It's music that lodges itself between Muslimgauze and Z'EV, crafted for patient listeners who can perceive the elemental grooves lying just beneath Van Oers' trance-like patterns and discombobulating effects.\u003cbr\u003e\u003cbr\u003eOn 'Tribus', Van Oers intensifies the magick, playing a languid, lop-sided beat that twangs as it pierces the red, creating its own eerie distortion. Unmistakably psychedelic gear, it breaks down into wisps of guttural, groaning white noise and temple chimes that Van Oers uses to catch his breath before bellowing into a foghorn-like home-made pipe and rebooting the rhythm. And the closer 'Indus' is the album's most focused, starkest stretch, almost 15 minutes of gymnastic drumwork that's accompanied by a vocal mantra that simmers softly in the background. Over four decades later, 'Het Zweet' is still startlingly unique material; not quite industrial, not quite dark ambient and definitely not new age, it's music that's plugged into cultural history, re-imagining long-forgotten ceremonies as a feat of physical and spiritual endurance for both the performer and the listener.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Het Zweet\u003c\/p\u003e\n\u003cp\u003eLabel : HEAT CRIMES\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC013\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T14:26:35+09:00","created_at":"2025-03-05T17:25:58+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","nyege nyege tapes","strange beats"],"price":494000,"price_min":494000,"price_max":494000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172404707578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Het Zweet s\/t LP","public_title":null,"options":["Default Title"],"price":494000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/het1.jpg?v=1741163078","\/\/tobirarecords.com\/cdn\/shop\/files\/het2.jpg?v=1741163078"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/het1.jpg?v=1741163078","options":["Title"],"media":[{"alt":null,"id":35665019502842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/het1.jpg?v=1741163078"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/het1.jpg?v=1741163078","width":700},{"alt":null,"id":35665019535610,"position":2,"preview_image":{"aspect_ratio":0.657,"height":1200,"width":788,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/het2.jpg?v=1741163078"},"aspect_ratio":0.657,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/het2.jpg?v=1741163078","width":788}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e1980年代に活動していたオランダのインダストリアル作家／楽器製作者Het Zweetが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルHeat Crimeからリリースした再発レコードです。(オリジナルは1983年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eミニマルなストレンジビーツ〜ドローン4曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Het Zweetの最初のセルフタイトルのテープは1983年にリリースされたもので、後に1987年にリリースされた同名のアルバムと混同してはならない。このプロジェクトは、2013年に惜しまれつつこの世を去ったオランダ人のマリエン・ヴァン・オアーズによって考案されたもので、自作楽器を駆使した神秘的で儀式的な展開の軌跡を残している。Het Zweetは、ヴァン・オアーズが最も神秘的で原始的な作品であり、初歩的な音を、先祖伝来のリズムの幾何学に立ち返った波打つようなパーカッシブなアトモスフェアに形成し、その反復を鉄のような工業時代の汚れにまみれさせている。ヴァン・オアーズの名前はオランダ語で「汗」を意味し、そのマンタには明らかに屈強なクオリティーがある。これらは決して単なるループではなく、忍耐強く深いリスナーに報いる、瞑想的な忍耐の技なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラックVocusは、このアルバムで最も呪われた曲であり、約12分間に渡って、ドゥームメタルの希薄でカリギナスなエネルギーを詠唱に吹き込んだ、スペクトルのような減速したグルーヴが続く。ピッチを歪ませたシンセはほとんど修道僧のようだが、ヴァン・オアーズのかろうじて聞き取れるヴォーカリゼーションの隣で謎めいて鳴り響く、糖蜜のようなゆっくりとしたヴォーカル・サイクルによってすぐに中断される。Tribusでは、ヴァン・オアーズのキネティックなドラミングが前面に押し出されているが、儀式的なクオリティーが消えることはなく、彼の周期的なイントネーションが、小石のようなポット・アンド・パン・クラックと洞窟のようなオシレーションに彩りを添えている。これは、MuslimgauzeとZ'EVの間に位置する音楽で、ヴァン・オアーズのトランスのようなパターンと混乱させるエフェクトのすぐ下に横たわる要素のグルーヴを感じ取ることができる忍耐強いリスナーのために作られている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTribusでは、ヴァン・オアーズがその魔力をさらに強め、気だるげでのっぺりとしたビートを奏で、赤を貫きながら不気味な歪みを生み出している。紛れもなくサイケデリック・ギアであるこの曲は、小声でうめくホワイトノイズとテンプル・チャイムに分解され、ヴァン・オアーズは息を整えるのに使った後、霧笛のような自作パイプに向かって咆哮し、リズムを再起動させる。クローザーのIndusは、このアルバムで最も集中し、最も峻厳な曲で、15分近くにわたって体操のようなドラムワークが続き、バックで柔らかく煮えたぎるヴォーカルのマントラが添えられている。インダストリアルでもなく、ダークアンビエントでもなく、ニューエイジでもないこの音楽は、文化的な歴史に根ざした音楽であり、長い間忘れ去られていた儀式を、演奏者とリスナーの肉体的、精神的な忍耐の偉業として再構築している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755521524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. Edition of 250. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vocus 11:18\u003cbr\u003e2. Tribus 14:43\u003cbr\u003e3. Slindus 12:46\u003cbr\u003e4. Indus 14:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHEAT CRIMES:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMade up of four lengthy hallucinogenic incantations, Het Zweet's first self-titled tape was originally released in 1983 and shouldn't be confused with the later 1987-released album of the same name. The project was conceived by Dutchman Marien Van Oers, who sadly passed away in 2013, leaving behind a breadcrumb trail of mysterious, ritualistic deployments pieced together using an arsenal of home-made instruments. And 'Het Zweet' finds Van Oers at his most mystifying and most primal, forming rudimentary sounds into surging, percussive atmospheres that peer back towards ancestral rhythmic geometries and caking his repetitions in ferric, industrial-era dirt. The name itself means \"sweat\" in Dutch, and there's an identifiably herculean quality to Van Oers' mantas - these aren't simply loops, by any means, but contemplative feats of endurance that reward patient, deep listeners.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Vocus' is the album's most haunted stretch, almost 12 minutes of spectral decelerated gloop that infuses a sequence of chants with the dilatory, caliginous energy of doom metal. There's an almost monastic quality to the pitch-skewed synths that introduce the composition, but that's quickly interrupted by molasses slow\u003cspan class=\"bcTruncateMore\"\u003e vocal cycles that rumble enigmatically next to Van Oers' barely audible vocalizations. The artist's kinetic drumming is thrust into the foreground on 'Tribus', but the ritual quality never disappears, his cyclic intonations adding color to the pebbly pots 'n pans cracks and cavernous oscillations. It's music that lodges itself between Muslimgauze and Z'EV, crafted for patient listeners who can perceive the elemental grooves lying just beneath Van Oers' trance-like patterns and discombobulating effects.\u003cbr\u003e\u003cbr\u003eOn 'Tribus', Van Oers intensifies the magick, playing a languid, lop-sided beat that twangs as it pierces the red, creating its own eerie distortion. Unmistakably psychedelic gear, it breaks down into wisps of guttural, groaning white noise and temple chimes that Van Oers uses to catch his breath before bellowing into a foghorn-like home-made pipe and rebooting the rhythm. And the closer 'Indus' is the album's most focused, starkest stretch, almost 15 minutes of gymnastic drumwork that's accompanied by a vocal mantra that simmers softly in the background. Over four decades later, 'Het Zweet' is still startlingly unique material; not quite industrial, not quite dark ambient and definitely not new age, it's music that's plugged into cultural history, re-imagining long-forgotten ceremonies as a feat of physical and spiritual endurance for both the performer and the listener.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Het Zweet\u003c\/p\u003e\n\u003cp\u003eLabel : HEAT CRIMES\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC013\u003c\/span\u003e\u003c\/p\u003e"}
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1980年代に活動していたオランダのインダストリアル作家／楽器製作者Het Zweetが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルHeat Crimeからリリースした再発レコードです。(オリジナルは1983年リリース） ミニマルなストレンジビーツ〜ドローン4曲を収録。180g重量盤です。 以下、レーベルによる解説です。 "Het Zweetの最初のセルフタイトルのテープは1983年にリリースされたもので、後に1987年にリリースされた同名のアルバムと混同してはならない。このプロジェクトは、2013年に惜しまれつつこの世を去ったオランダ人のマリエン・ヴァン・オアーズによって考案されたもので、自作楽器を駆使した神秘的で儀式的な展開の軌跡を残している。Het Zweetは、ヴァン・オアーズが最も神秘的で原始的な作品であり、初歩的な音を、先祖伝来のリズムの幾何学に立ち返った波打つようなパーカッシブなアトモスフェアに形成し、その反復を鉄のような工業時代の汚れにまみれさせている。ヴァン・オアーズの名前はオランダ語で「汗」を意味し、そのマンタには明らかに屈強なクオリティーがある。これらは決して単なるループではなく、忍耐強く深いリスナーに報いる、瞑想的な忍耐の技なのだ。 オープニングトラックVocusは、このアルバムで最も呪われた曲であり、約12分間に渡って、ドゥームメタルの希薄でカリギナスなエネルギーを詠唱に吹き込んだ、スペクトルのような減速したグルーヴが続く。ピッチを歪ませたシンセはほとんど修道僧のようだが、ヴァン・オアーズのかろうじて聞き取れるヴォーカリゼーションの隣で謎めいて鳴り響く、糖蜜のようなゆっくりとしたヴォーカル・サイクルによってすぐに中断される。Tribusでは、ヴァン・オアーズのキネティックなドラミングが前面に押し出されているが、儀式的なクオリティーが消えることはなく、彼の周期的なイントネーションが、小石のようなポット・アンド・パン・クラックと洞窟のようなオシレーションに彩りを添えている。これは、MuslimgauzeとZ'EVの間に位置する音楽で、ヴァン・オアーズのトランスのようなパターンと混乱させるエフェクトのすぐ下に横たわる要素のグルーヴを感じ取ることができる忍耐強いリスナーのために作られている。 Tribusでは、ヴァン・オアーズがその魔力をさらに強め、気だるげでのっぺりとしたビートを奏で、赤を貫きながら不気味な歪みを生み出している。紛れもなくサイケデリック・ギアであるこの曲は、小声でうめくホワイトノイズとテンプル・チャイムに分解され、ヴァン・オアーズは息を整えるのに使った後、霧笛のような自作パイプに向かって咆哮し、リズムを再起動させる。クローザーのIndusは、このアルバムで最も集中し、最も峻厳な曲で、15分近くにわたって体操のようなドラムワークが続き、バックで柔らかく煮えたぎるヴォーカルのマントラが添えられている。インダストリアルでもなく、ダークアンビエントでもなく、ニューエイジでもないこの音楽は、文化的な歴史に根ざした音楽であり、長い間忘れ去られていた儀式を、演奏者とリスナーの肉体的、精神的な忍耐の偉業として再構築している。" レーベルその他作品はこちら /// Click here to see...
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{"id":8738455290106,"title":"VÍZ \/\/ Danse des Larmes LP [PRE-ORDER]","handle":"viz-danse-des-larmes-lp","description":"\u003cp\u003e\u003cspan\u003eハンガリーの実験アンビエント作家VÍZが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e「東欧のメランコリー」をコンセプトにした実験アンビエント〜アンビエントドローン8\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=762680043\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 28, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eden X\u003cbr\u003e2. Danse des Larmes\u003cbr\u003e3. Hyperálom\u003cbr\u003e4. Angel’s Throat 04:14\u003cbr\u003e5. 222\u003cbr\u003e6. Vali 2.0\u003cbr\u003e7. Tűz Tó\u003cbr\u003e8. Eternia Now\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHEAT CRIMES:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn her moonlit second solo album, Hungarian Transylvanian vocalist, composer and performer Réka Csiszér composes an uncanny and chilling soundtrack that muddles the physical and spiritual realms, balancing crumbling realities with confident self-actualization. 'Danse des Larmes' is based on sketches commissioned for a theater production, and Csiszér widens the original concept of \"Eastern European melancholy\" by painting dreamlike memories from her childhood - of alienation, unconscious trauma and distress - into a hypnotic sequence of soundscapes that hum with tension, mystery and transcendence. She pulls from industrial music, dark ambient, Eastern European folk music and vintage horror soundtracks, smudging sludgy drones, dense electro-acoustic textures and her own breathtaking choral vocals until the roots vanish almost completely, leaving only ghostly traces behind.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows Csiszér's acclaimed VÍZ debut 'Veils', a bold seven part audiovisual \"body horror soundtrack\" that spiraled out from her long-held interests in theater, cinema and opera. Those elements are still present on 'Danse des Larmes', but by examining her past, Csiszér is able to reach into the future, amalgamating gothic horror and speculative science-fiction. This is never more evident\u003cspan class=\"bcTruncateMore\"\u003e than on the album's eerie opening track 'Eden X', that juxtaposes wheezing synthesizer textures with soul-stirring choral echoes that liquefy into Csiszér's oily ambience. As the track washes to a close, Csiszér suspends her sounds in the silence, letting the obscured harmonies and rusted noise peer beyond the veil, setting the scene perfectly for the vastly different title track. Here, the influence of folk music bubbles to the surface, with distorted, eerily familiar vocal rotations that crack over woody environmental sounds. \"I dreamt a dream tonight, that dreamers often lie,\" a processed voice speaks into the phantasmal forest. \"In lovers arms they fade and die, I talk of dreams, I talk of lies, I dream of you, I dream of I.\"\u003cbr\u003e\u003cbr\u003eCsiszér's voice is clearer still on the giallo-influenced 'Hyperálom', calling confidently across hymnal rhythms and woozy analog throbs, and on 'Angel's Throat', it's thrust into a parallel universe, reverberating wordlessly before Csiszér dexterously sculpts it into terrifying ferric shrieks and gaseous vapors. Elsewhere, she pays tribute to iconic Hungarian composer Mihály Víg on 'Vali 2.0', offering her own interpretation of 'Kész az egész', a piece featured in Béla Tarr’s 1987 film 'Kárhozat'. In Csiszér's hands, Víg's sardonic original is lifted into the clouds, obscured by celestial pads that drape around Csiszér's sensual, Julee Cruise-like vocals. It's a cunning way for Csiszér to trigger a memory and immediately obfuscate it, leaving a sense compelling disorientation in its wake. And that sense of terror and awe swirls throughout the album, questioning the horror of childhood trauma and the confusing echoes of the past and replacing it with something beautiful, and something new.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : VÍZ\u003c\/p\u003e\n\u003cp\u003eLabel : HEAT CRIMES\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC018\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-14T19:57:29+09:00","created_at":"2025-03-05T17:23:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","nyege nyege tapes"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172399759610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"VÍZ \/\/ Danse des Larmes LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e3b3da1b-61fa-4985-b570-563c04d0fddc.jpg?v=1741162891","\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_36f39634-419c-41a6-b38f-3fa1d53b6285.jpg?v=1741162891"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e3b3da1b-61fa-4985-b570-563c04d0fddc.jpg?v=1741162891","options":["Title"],"media":[{"alt":null,"id":35665011900666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e3b3da1b-61fa-4985-b570-563c04d0fddc.jpg?v=1741162891"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e3b3da1b-61fa-4985-b570-563c04d0fddc.jpg?v=1741162891","width":700},{"alt":null,"id":35665011933434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_36f39634-419c-41a6-b38f-3fa1d53b6285.jpg?v=1741162891"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_36f39634-419c-41a6-b38f-3fa1d53b6285.jpg?v=1741162891","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eハンガリーの実験アンビエント作家VÍZが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e「東欧のメランコリー」をコンセプトにした実験アンビエント〜アンビエントドローン8\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=762680043\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ HEAT CRIMES releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 28, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eden X\u003cbr\u003e2. Danse des Larmes\u003cbr\u003e3. Hyperálom\u003cbr\u003e4. Angel’s Throat 04:14\u003cbr\u003e5. 222\u003cbr\u003e6. Vali 2.0\u003cbr\u003e7. Tűz Tó\u003cbr\u003e8. Eternia Now\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHEAT CRIMES:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn her moonlit second solo album, Hungarian Transylvanian vocalist, composer and performer Réka Csiszér composes an uncanny and chilling soundtrack that muddles the physical and spiritual realms, balancing crumbling realities with confident self-actualization. 'Danse des Larmes' is based on sketches commissioned for a theater production, and Csiszér widens the original concept of \"Eastern European melancholy\" by painting dreamlike memories from her childhood - of alienation, unconscious trauma and distress - into a hypnotic sequence of soundscapes that hum with tension, mystery and transcendence. She pulls from industrial music, dark ambient, Eastern European folk music and vintage horror soundtracks, smudging sludgy drones, dense electro-acoustic textures and her own breathtaking choral vocals until the roots vanish almost completely, leaving only ghostly traces behind.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows Csiszér's acclaimed VÍZ debut 'Veils', a bold seven part audiovisual \"body horror soundtrack\" that spiraled out from her long-held interests in theater, cinema and opera. Those elements are still present on 'Danse des Larmes', but by examining her past, Csiszér is able to reach into the future, amalgamating gothic horror and speculative science-fiction. This is never more evident\u003cspan class=\"bcTruncateMore\"\u003e than on the album's eerie opening track 'Eden X', that juxtaposes wheezing synthesizer textures with soul-stirring choral echoes that liquefy into Csiszér's oily ambience. As the track washes to a close, Csiszér suspends her sounds in the silence, letting the obscured harmonies and rusted noise peer beyond the veil, setting the scene perfectly for the vastly different title track. Here, the influence of folk music bubbles to the surface, with distorted, eerily familiar vocal rotations that crack over woody environmental sounds. \"I dreamt a dream tonight, that dreamers often lie,\" a processed voice speaks into the phantasmal forest. \"In lovers arms they fade and die, I talk of dreams, I talk of lies, I dream of you, I dream of I.\"\u003cbr\u003e\u003cbr\u003eCsiszér's voice is clearer still on the giallo-influenced 'Hyperálom', calling confidently across hymnal rhythms and woozy analog throbs, and on 'Angel's Throat', it's thrust into a parallel universe, reverberating wordlessly before Csiszér dexterously sculpts it into terrifying ferric shrieks and gaseous vapors. Elsewhere, she pays tribute to iconic Hungarian composer Mihály Víg on 'Vali 2.0', offering her own interpretation of 'Kész az egész', a piece featured in Béla Tarr’s 1987 film 'Kárhozat'. In Csiszér's hands, Víg's sardonic original is lifted into the clouds, obscured by celestial pads that drape around Csiszér's sensual, Julee Cruise-like vocals. It's a cunning way for Csiszér to trigger a memory and immediately obfuscate it, leaving a sense compelling disorientation in its wake. And that sense of terror and awe swirls throughout the album, questioning the horror of childhood trauma and the confusing echoes of the past and replacing it with something beautiful, and something new.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : VÍZ\u003c\/p\u003e\n\u003cp\u003eLabel : HEAT CRIMES\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHC018\u003c\/span\u003e\u003c\/p\u003e"}
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ハンガリーの実験アンビエント作家VÍZが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。 「東欧のメランコリー」をコンセプトにした実験アンビエント〜アンビエントドローン8曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege Nyege Tapes...
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{"id":8738449588474,"title":"Masaka Masaka \/\/ Barely Making Much LP [COLOR]","handle":"masaka-masaka-barely-making-much-lp-color","description":"\u003cp\u003e\u003cspan\u003eウガンダの作家Masaka Masakaが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege \/ Hakuna Kulalaからリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGqom〜トラップ〜アンビエント〜ダウンテンポ〜ダブなどジャンルを横断する14曲を収録。シルバー盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウガンダで育ったマルチ・アーティストのイアン・ニャンジ（別名Masaka Masaka）は、常に音楽を作りたいと考えていた。彼は、カンパラの温暖なマーチソン湾を見下ろす丘、マキンディエにある友人のスタジオで初歩的なヒップホップビートを作り始めた。「ここでは、みんな同じものを聴いているように見えるんだ」と彼は説明するが、ニャンジーは群衆に従うことには興味がなかった。街中を定期的に通勤している間、彼の心はディーン・ブラント、スラウソン・マローン、アルカ、ジェプグマフィア、ヴェジンのサウンドにひびいていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBarely Making Muchは、彫刻的であると同時に探検的でもある、広大で野心的なアルバムである。Masaka Masakaは、Nyege Nyegeのカンパラのスタジオで断片的な2年間をかけてこのアルバムを書き上げ、ジャングル、実験的ヒップホップ、テクノ、燻製されたダブワイズなアンビエントミュージックなど、相互に結びついた音のごちゃまぜに手を入れた。特にマンチェスターのソケットヘッドから聴いたルーズでオープンマインドなプロダクションスタイルに魅了され、「Before I go」では、スタッターするスネアと粉っぽいブレイクが織り成すほつれたタペストリーが、ジャジーな陶酔感を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ecut right throughでは、Masaka Masakaが、アフロ・ブラジリアンスタイルのヴォーカル・チョップ、トラップ・ハイハット・ロール、鋸歯状のシンセサイザーベースが織り成す格子の中で、架空のピアノヒットを曲げる。風通しがよくエネルギッシュなこのトラックは、ハットが虫の鳴き声のような音に変化し、ウッディなハンドドラムとクッションになると、予期せぬ方向転換をする。elv9tでは、雰囲気のあるバックルームのパッドと、サウンドシステム向きのブーミーなサザンラップを組み合わせ、キネティックな「let me out」では、ハードテクノを自分のイメージに作り変え、4\/4のキックをグリッドから外してベテランダンサーを戸惑わせ、渦巻くサイケデリックなシンセファズでさらに釘を打ち込む。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMasaka Masakaは、催眠術のようなタイトルトラックや儚い映画のようなフィナーレ「it's okay to dance alone」のような、より瞑想的なモードでも勢いを維持し、別世界のようなヴォーカル・ループと不規則なパーカッションを溶けたようなアンビエンスに渦巻かせている。Barely Making Muchは、魅力的で多動的なデビュー作であり、その影響を袖にまとい、幾重にも重なり、微妙なジェスチャーを詰め込んだ、リゼルギーで文学的なミックステープのように演奏する。冷静沈着でミステリアスなこの作品は、カンパラのアンダーグラウンドの軽薄な一面をさらけ出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3338737744\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768991357\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl. Repress - 2nd edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mental Construct 03:20\u003cbr\u003e2. Before I Go 03:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Come with me to Goma 02:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Cut Right Through 02:42\u003cbr\u003e\u003c\/span\u003e5. 6pm Waiting on You 01:41\u003cbr\u003e6. Days of Nothingness 01:47\u003cbr\u003e7. Let Me Out 02:22\u003cbr\u003e8. Elv8t 02:53\u003cbr\u003e9. Barely Making Much 01:37\u003cbr\u003e10. Gone 03:49\u003cbr\u003e11. Nothing Makes Sense 01:48\u003cbr\u003e12. NRG 02:12\u003cbr\u003e13. Sacrifice 02:54\u003cbr\u003e14. It's Okay to Dance Alone 03:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHakuna Kulala :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrowing up in Uganda, multi-disciplinary artist Ian Nnyanzi (aka Masaka Masaka) always knew he wanted to make music, he just needed enough time and breathing room to figure out what exactly his contribution had to be. He cut his teeth fashioning rudimentary hip-hop beats at a friend's studio on Makindye, a hill that overlooks Kampala's balmy Murchison Bay, and quickly realized that he wanted more. \"Out here, everyone seems okay to listen to the same thing,\" he explains, and Nnyanzi wasn't interested in following the crowd. During regular commutes across the city, his mind was being cracked open by sounds from Dean Blunt, Slauson Malone, Arca, Jpegmafia and Vegyn; he knew he needed to show Kampala something similarly distinct.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Barely Making Much' is a sprawling, ambitious album that's as sculptural as it is explorative, reaching through genre membranes and refusing to stay still for a second. Masaka Masaka wrote it over a fragmented two year period at Nyege Nyege's Kampala studio, and tapped into a jumble of interconnected sounds, from jungle and experimental hip-hop to techno and smoked-out, dubwise ambient music. He was particularly absorbed by the loose, open-minded production style he heard from Manchester's Sockethead, who\u003cspan class=\"bcTruncateMore\"\u003e makes an appearance on 'Before I go', a frayed tapestry of stuttering snares and floury breaks that billows into jazzy euphoria.\u003cbr\u003e\u003cbr\u003eOn 'cut right through', Masaka Masaka bends fictile piano hits through a lattice of Afro-Brazilian-style vocal chops, trap hi-hat rolls and serrated, synthesized bass thumps. Airy and energetic, the track makes an unexpected left turn when the hats transform into insectoid rasps that cushion a woody hand drum patter. Elsewhere, Nnyanzi isn't afraid to go straight for the jugular: on 'elv9t' he sets atmospheric, back room pads against booming, soundsystem-ready Southern rap subs, and on the kinetic 'let me out', he remolds hard techno in his image, knocking the 4\/4 kick off grid to perplex seasoned dancers, and hammering the nail in further with swirling, psychedelic synth fuzz.\u003cbr\u003e\u003cbr\u003eEven when Masaka Masaka's working in a more contemplative mode - like on the hypnotic title track and the fragile cinematic finale 'it's okay to dance alone' - he maintains the momentum, swirling otherworldly vocal loops and erratic percussion into pools of melted ambience. 'Barely Making Much' is a charming, hyperactive debut that wears its influences on its sleeve, playing like a lysergic, literate mixtape packed with layers and subtle gestures. Cool-headed and mysterious, it exposes the twilit side of the Kampala underground\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masaka Masaka\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK054\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T14:07:23+09:00","created_at":"2025-03-05T17:16:22+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","hiphop \/ funk","house","lp","new","techno \/ house"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172386488570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Masaka Masaka \/\/ Barely Making Much LP [COLOR]","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459","\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_ea8d9ace-8ef4-4d15-889a-f8671a245888.jpg?v=1741162459"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459","options":["Title"],"media":[{"alt":null,"id":35664992370938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak.jpg?v=1741162459","width":700},{"alt":null,"id":35664992403706,"position":2,"preview_image":{"aspect_ratio":0.905,"height":1200,"width":1086,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_ea8d9ace-8ef4-4d15-889a-f8671a245888.jpg?v=1741162459"},"aspect_ratio":0.905,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_ea8d9ace-8ef4-4d15-889a-f8671a245888.jpg?v=1741162459","width":1086}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eウガンダの作家Masaka Masakaが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege \/ Hakuna Kulalaからリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGqom〜トラップ〜アンビエント〜ダウンテンポ〜ダブなどジャンルを横断する14曲を収録。シルバー盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウガンダで育ったマルチ・アーティストのイアン・ニャンジ（別名Masaka Masaka）は、常に音楽を作りたいと考えていた。彼は、カンパラの温暖なマーチソン湾を見下ろす丘、マキンディエにある友人のスタジオで初歩的なヒップホップビートを作り始めた。「ここでは、みんな同じものを聴いているように見えるんだ」と彼は説明するが、ニャンジーは群衆に従うことには興味がなかった。街中を定期的に通勤している間、彼の心はディーン・ブラント、スラウソン・マローン、アルカ、ジェプグマフィア、ヴェジンのサウンドにひびいていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBarely Making Muchは、彫刻的であると同時に探検的でもある、広大で野心的なアルバムである。Masaka Masakaは、Nyege Nyegeのカンパラのスタジオで断片的な2年間をかけてこのアルバムを書き上げ、ジャングル、実験的ヒップホップ、テクノ、燻製されたダブワイズなアンビエントミュージックなど、相互に結びついた音のごちゃまぜに手を入れた。特にマンチェスターのソケットヘッドから聴いたルーズでオープンマインドなプロダクションスタイルに魅了され、「Before I go」では、スタッターするスネアと粉っぽいブレイクが織り成すほつれたタペストリーが、ジャジーな陶酔感を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ecut right throughでは、Masaka Masakaが、アフロ・ブラジリアンスタイルのヴォーカル・チョップ、トラップ・ハイハット・ロール、鋸歯状のシンセサイザーベースが織り成す格子の中で、架空のピアノヒットを曲げる。風通しがよくエネルギッシュなこのトラックは、ハットが虫の鳴き声のような音に変化し、ウッディなハンドドラムとクッションになると、予期せぬ方向転換をする。elv9tでは、雰囲気のあるバックルームのパッドと、サウンドシステム向きのブーミーなサザンラップを組み合わせ、キネティックな「let me out」では、ハードテクノを自分のイメージに作り変え、4\/4のキックをグリッドから外してベテランダンサーを戸惑わせ、渦巻くサイケデリックなシンセファズでさらに釘を打ち込む。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMasaka Masakaは、催眠術のようなタイトルトラックや儚い映画のようなフィナーレ「it's okay to dance alone」のような、より瞑想的なモードでも勢いを維持し、別世界のようなヴォーカル・ループと不規則なパーカッションを溶けたようなアンビエンスに渦巻かせている。Barely Making Muchは、魅力的で多動的なデビュー作であり、その影響を袖にまとい、幾重にも重なり、微妙なジェスチャーを詰め込んだ、リゼルギーで文学的なミックステープのように演奏する。冷静沈着でミステリアスなこの作品は、カンパラのアンダーグラウンドの軽薄な一面をさらけ出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3338737744\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768991357\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl. Repress - 2nd edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mental Construct 03:20\u003cbr\u003e2. Before I Go 03:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Come with me to Goma 02:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Cut Right Through 02:42\u003cbr\u003e\u003c\/span\u003e5. 6pm Waiting on You 01:41\u003cbr\u003e6. Days of Nothingness 01:47\u003cbr\u003e7. Let Me Out 02:22\u003cbr\u003e8. Elv8t 02:53\u003cbr\u003e9. Barely Making Much 01:37\u003cbr\u003e10. Gone 03:49\u003cbr\u003e11. Nothing Makes Sense 01:48\u003cbr\u003e12. NRG 02:12\u003cbr\u003e13. Sacrifice 02:54\u003cbr\u003e14. It's Okay to Dance Alone 03:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHakuna Kulala :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrowing up in Uganda, multi-disciplinary artist Ian Nnyanzi (aka Masaka Masaka) always knew he wanted to make music, he just needed enough time and breathing room to figure out what exactly his contribution had to be. He cut his teeth fashioning rudimentary hip-hop beats at a friend's studio on Makindye, a hill that overlooks Kampala's balmy Murchison Bay, and quickly realized that he wanted more. \"Out here, everyone seems okay to listen to the same thing,\" he explains, and Nnyanzi wasn't interested in following the crowd. During regular commutes across the city, his mind was being cracked open by sounds from Dean Blunt, Slauson Malone, Arca, Jpegmafia and Vegyn; he knew he needed to show Kampala something similarly distinct.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Barely Making Much' is a sprawling, ambitious album that's as sculptural as it is explorative, reaching through genre membranes and refusing to stay still for a second. Masaka Masaka wrote it over a fragmented two year period at Nyege Nyege's Kampala studio, and tapped into a jumble of interconnected sounds, from jungle and experimental hip-hop to techno and smoked-out, dubwise ambient music. He was particularly absorbed by the loose, open-minded production style he heard from Manchester's Sockethead, who\u003cspan class=\"bcTruncateMore\"\u003e makes an appearance on 'Before I go', a frayed tapestry of stuttering snares and floury breaks that billows into jazzy euphoria.\u003cbr\u003e\u003cbr\u003eOn 'cut right through', Masaka Masaka bends fictile piano hits through a lattice of Afro-Brazilian-style vocal chops, trap hi-hat rolls and serrated, synthesized bass thumps. Airy and energetic, the track makes an unexpected left turn when the hats transform into insectoid rasps that cushion a woody hand drum patter. Elsewhere, Nnyanzi isn't afraid to go straight for the jugular: on 'elv9t' he sets atmospheric, back room pads against booming, soundsystem-ready Southern rap subs, and on the kinetic 'let me out', he remolds hard techno in his image, knocking the 4\/4 kick off grid to perplex seasoned dancers, and hammering the nail in further with swirling, psychedelic synth fuzz.\u003cbr\u003e\u003cbr\u003eEven when Masaka Masaka's working in a more contemplative mode - like on the hypnotic title track and the fragile cinematic finale 'it's okay to dance alone' - he maintains the momentum, swirling otherworldly vocal loops and erratic percussion into pools of melted ambience. 'Barely Making Much' is a charming, hyperactive debut that wears its influences on its sleeve, playing like a lysergic, literate mixtape packed with layers and subtle gestures. Cool-headed and mysterious, it exposes the twilit side of the Kampala underground\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masaka Masaka\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK054\u003c\/span\u003e\u003c\/p\u003e"}
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ウガンダの作家Masaka Masakaが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege / Hakuna Kulalaからリリースした再発レコードです。（オリジナルは2024年リリース） Gqom〜トラップ〜アンビエント〜ダウンテンポ〜ダブなどジャンルを横断する14曲を収録。シルバー盤です。 以下、レーベルによる解説です。 "ウガンダで育ったマルチ・アーティストのイアン・ニャンジ（別名Masaka Masaka）は、常に音楽を作りたいと考えていた。彼は、カンパラの温暖なマーチソン湾を見下ろす丘、マキンディエにある友人のスタジオで初歩的なヒップホップビートを作り始めた。「ここでは、みんな同じものを聴いているように見えるんだ」と彼は説明するが、ニャンジーは群衆に従うことには興味がなかった。街中を定期的に通勤している間、彼の心はディーン・ブラント、スラウソン・マローン、アルカ、ジェプグマフィア、ヴェジンのサウンドにひびいていた。 Barely Making Muchは、彫刻的であると同時に探検的でもある、広大で野心的なアルバムである。Masaka Masakaは、Nyege...
¥4,358
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{"id":8738447229178,"title":"KINGDOM MOLONGI \/\/ Kembo LP [COLOR] [PRE-ORDER]","handle":"kingdom-molongi-kembo-lp-color-pre-order","description":"\u003cp\u003e\u003cspan\u003eポルトガルの実験ダンス作家Jonathan Uliel Saldanhaと、コンゴの7人組合唱\u003cem\u003e団Kingdom Ulfame合唱団によるグループ\u003c\/em\u003eKINGDOM MOLONGIが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege \/ Hakuna Kulalaからリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e声をメインソースにした10曲を収録。白盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"HHY＆The Macumbas\/The Kampala Unitのジョナサン・ウリエル・サルダーニャは、ノイジーで実験的な作品でよく知られているが、人間の声が持つ可能性に長い間魅了されてきた。Khōrus Anima'、'Del'、'Plethora'といった合唱曲をすでに多数作曲しており、前作の'Santa Viscera Tua'は150人の声楽家のための野心的なプロジェクトだった。『Kembo』では、これらの経験を大きく発展させ、ウガンダを拠点とする7人組のコンゴ人歌手グループ、キングダム・ウルファメ合唱団とともに、声楽の共通性と共有される精神性を検証している。このコラボレーションは、ニェゲ・ニェゲのカンパラのスタジオで始まり、サルダーニャと合唱団は、リンガラ語、スワヒリ語、キコンゴ語、フランス語の要素から作られた想像上の言語で一緒に歌いながら、時間をかけて自分たちの方向性を考えた。言語以前のコミュニケーション、典礼音楽、グロッソラリア（異言で話すこととして知られる）を考慮しながら、彼らの即興はトランスへと発展し、サルダーニャの控えめな電子補強はメロディーとハーモニーにアクセントをつけるためだけに使われた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e冒頭のBoya Kotalaでは、サルダーニャのコラール・ドローンと不吉なシンセサイザーベースの上で、グループの痛烈なソロが交錯する。神聖な音楽を注意深く参照しながらも、予想される型にはまらず、催眠術のような蒸気が組曲全体に漂う。Tokumisa Nzambeは、リズミカルなチャントと幾重にも重なるメロディーの爆発で装飾された合唱団のもつれたフレーズに、もろい電子音響のパルスを加えている。Hosanaでは「ハレルヤ」と繰り返し、おなじみの賛美歌に戻り、歓喜に満ちた声のクレッシェンドへと発展する。その後の「Nzambe Bolingo」では、グループの熱のこもった朗読が、刻まれたパーカッシブな発声と呼気に貫かれている。また、Maloba ya Motema Nangaiでは、クラシックソウルやゴスペルに対する彼らの理解が、現代的な応用ではなく、音楽のルーツに語りかける名人芸のような言葉のないフレーズとともに、表面化している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKemboは、言葉そのものの変容性だけでなく、言葉やテーマが歴史の中を転がりながらどのように形を変えていくのか、様々な民俗的伝統、特異なポップフォーム、多様な準宗教的表現からの影響を拾い上げながら、時間についても調査したアルバムだ。しかし何よりも、KINGDOM MOLONGIは、声と精神の永続的な関係、そして合唱音楽の変容の力を強調することに成功している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TpnYYIKJnNo?si=EEETqA6zeetBZvPd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=91062342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 28, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" white vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Boya Kotala 05:00\u003cbr\u003e2. Tokumisa Nzambe\u003cbr\u003e3. Hosana\u003cbr\u003e4. Esengo Eleki\u003cbr\u003e5. Nzambe Bolingo\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Volca outi Wapi\u003cbr\u003e\u003c\/span\u003e7. Emanuel\u003cbr\u003e8. Maloba ya Motema Nangai\u003cbr\u003e9. Obongi\u003cbr\u003e10. Mystic\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProlific Portuguese musician and visual artist Jonathan Uliel Saldanha - of HHY \u0026amp; The Macumbas\/The Kampala Unit - might be best known for his noisy, experimental excursions, but he's long been fascinated by the possibilities offered by the human voice. He's already composed a slew of choral pieces, such as 'Khōrus Anima', 'Del' and 'Plethora', and his last, 'Santa Viscera Tua', was an ambitious project for 150 voices. On 'Kembo', he builds on these experiences significantly, examining the commonality and shared spirituality of vocal music alongside the Kingdom Ulfame Choir, a seven-piece Uganda-based group of Congolese singers. The collaboration began at Nyege Nyege's Kampala studio, where Saldanha and the choir took the time to figure out their direction, singing together in an imagined language concocted from elements of Lingala, Swahili, Kikongo and French. Considering pre-linguistic communication, liturgical music and glossolalia (better known as speaking in tongues), their improvisations evolved into trances, with Saldanha's discreet electronic augmentations used only to accent the melodies and\u003cspan class=\"bcTruncateMore\"\u003e harmonies.\u003cbr\u003e\u003cbr\u003eThis process stands out immediately on opening track 'Boya Kotala' when the group trade poignant solos over Saldanha's aerated choral drones and ominous synthesized bass. The voices are suspended in time, cautiously referencing sacred music but disregarding the expected tropes, leaving hypnotic vapors that gust through the entire suite. 'Tokumisa Nzambe' is remarkably different, adding a brittle electro-acoustic pulse to the choir's tangled phrases that are ornamented with rhythmic chants and layered melodic outbursts. \"Hallelujah,\" they repeat on 'Hosana', reaching back to familiar praise songs and building to a jubilant crescendo of voices. And later, on 'Nzambe Bolingo', the group's impassioned recitations are threaded through chopped, percussive vocalizations and exhalations. Taking a brief breather, Kingdom Molongi's words coalesce into a calming lullaby on the hushed 'Emanuel', and their appreciation of classic soul and gospel fizzes to the surface on 'Maloba ya Motema Nangai' with virtuosic wordless phrases that speak to the roots of the music, not its contemporary application.\u003cbr\u003e\u003cbr\u003e'Kembo' is an album that investigates not just the mutability of language itself, but time, wondering how words and themes are reshaped as they tumble through history, picking up influences from various folk traditions, idiosyncratic pop forms and diverse quasi-religious expressions. Most of all though, Kingdom Molongi manage to highlight the enduring relationship between the voice and the spirit, and the transformative power of choral music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KINGDOM MOLONGI\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT059\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T14:19:21+09:00","created_at":"2025-03-05T17:13:05+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","nyege nyege tapes"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172382621946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KINGDOM MOLONGI \/\/ Kembo LP [COLOR] [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kem1_8c236e57-c33b-489e-84f9-8bc7dd0f1fb1.jpg?v=1741162252","\/\/tobirarecords.com\/cdn\/shop\/files\/kem2.jpg?v=1741162252"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kem1_8c236e57-c33b-489e-84f9-8bc7dd0f1fb1.jpg?v=1741162252","options":["Title"],"media":[{"alt":null,"id":35664981295354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kem1_8c236e57-c33b-489e-84f9-8bc7dd0f1fb1.jpg?v=1741162252"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kem1_8c236e57-c33b-489e-84f9-8bc7dd0f1fb1.jpg?v=1741162252","width":700},{"alt":null,"id":35664981328122,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kem2.jpg?v=1741162252"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kem2.jpg?v=1741162252","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eポルトガルの実験ダンス作家Jonathan Uliel Saldanhaと、コンゴの7人組合唱\u003cem\u003e団Kingdom Ulfame合唱団によるグループ\u003c\/em\u003eKINGDOM MOLONGIが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege \/ Hakuna Kulalaからリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e声をメインソースにした10曲を収録。白盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"HHY＆The Macumbas\/The Kampala Unitのジョナサン・ウリエル・サルダーニャは、ノイジーで実験的な作品でよく知られているが、人間の声が持つ可能性に長い間魅了されてきた。Khōrus Anima'、'Del'、'Plethora'といった合唱曲をすでに多数作曲しており、前作の'Santa Viscera Tua'は150人の声楽家のための野心的なプロジェクトだった。『Kembo』では、これらの経験を大きく発展させ、ウガンダを拠点とする7人組のコンゴ人歌手グループ、キングダム・ウルファメ合唱団とともに、声楽の共通性と共有される精神性を検証している。このコラボレーションは、ニェゲ・ニェゲのカンパラのスタジオで始まり、サルダーニャと合唱団は、リンガラ語、スワヒリ語、キコンゴ語、フランス語の要素から作られた想像上の言語で一緒に歌いながら、時間をかけて自分たちの方向性を考えた。言語以前のコミュニケーション、典礼音楽、グロッソラリア（異言で話すこととして知られる）を考慮しながら、彼らの即興はトランスへと発展し、サルダーニャの控えめな電子補強はメロディーとハーモニーにアクセントをつけるためだけに使われた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e冒頭のBoya Kotalaでは、サルダーニャのコラール・ドローンと不吉なシンセサイザーベースの上で、グループの痛烈なソロが交錯する。神聖な音楽を注意深く参照しながらも、予想される型にはまらず、催眠術のような蒸気が組曲全体に漂う。Tokumisa Nzambeは、リズミカルなチャントと幾重にも重なるメロディーの爆発で装飾された合唱団のもつれたフレーズに、もろい電子音響のパルスを加えている。Hosanaでは「ハレルヤ」と繰り返し、おなじみの賛美歌に戻り、歓喜に満ちた声のクレッシェンドへと発展する。その後の「Nzambe Bolingo」では、グループの熱のこもった朗読が、刻まれたパーカッシブな発声と呼気に貫かれている。また、Maloba ya Motema Nangaiでは、クラシックソウルやゴスペルに対する彼らの理解が、現代的な応用ではなく、音楽のルーツに語りかける名人芸のような言葉のないフレーズとともに、表面化している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKemboは、言葉そのものの変容性だけでなく、言葉やテーマが歴史の中を転がりながらどのように形を変えていくのか、様々な民俗的伝統、特異なポップフォーム、多様な準宗教的表現からの影響を拾い上げながら、時間についても調査したアルバムだ。しかし何よりも、KINGDOM MOLONGIは、声と精神の永続的な関係、そして合唱音楽の変容の力を強調することに成功している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TpnYYIKJnNo?si=EEETqA6zeetBZvPd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=91062342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 28, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" white vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Boya Kotala 05:00\u003cbr\u003e2. Tokumisa Nzambe\u003cbr\u003e3. Hosana\u003cbr\u003e4. Esengo Eleki\u003cbr\u003e5. Nzambe Bolingo\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Volca outi Wapi\u003cbr\u003e\u003c\/span\u003e7. Emanuel\u003cbr\u003e8. Maloba ya Motema Nangai\u003cbr\u003e9. Obongi\u003cbr\u003e10. Mystic\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProlific Portuguese musician and visual artist Jonathan Uliel Saldanha - of HHY \u0026amp; The Macumbas\/The Kampala Unit - might be best known for his noisy, experimental excursions, but he's long been fascinated by the possibilities offered by the human voice. He's already composed a slew of choral pieces, such as 'Khōrus Anima', 'Del' and 'Plethora', and his last, 'Santa Viscera Tua', was an ambitious project for 150 voices. On 'Kembo', he builds on these experiences significantly, examining the commonality and shared spirituality of vocal music alongside the Kingdom Ulfame Choir, a seven-piece Uganda-based group of Congolese singers. The collaboration began at Nyege Nyege's Kampala studio, where Saldanha and the choir took the time to figure out their direction, singing together in an imagined language concocted from elements of Lingala, Swahili, Kikongo and French. Considering pre-linguistic communication, liturgical music and glossolalia (better known as speaking in tongues), their improvisations evolved into trances, with Saldanha's discreet electronic augmentations used only to accent the melodies and\u003cspan class=\"bcTruncateMore\"\u003e harmonies.\u003cbr\u003e\u003cbr\u003eThis process stands out immediately on opening track 'Boya Kotala' when the group trade poignant solos over Saldanha's aerated choral drones and ominous synthesized bass. The voices are suspended in time, cautiously referencing sacred music but disregarding the expected tropes, leaving hypnotic vapors that gust through the entire suite. 'Tokumisa Nzambe' is remarkably different, adding a brittle electro-acoustic pulse to the choir's tangled phrases that are ornamented with rhythmic chants and layered melodic outbursts. \"Hallelujah,\" they repeat on 'Hosana', reaching back to familiar praise songs and building to a jubilant crescendo of voices. And later, on 'Nzambe Bolingo', the group's impassioned recitations are threaded through chopped, percussive vocalizations and exhalations. Taking a brief breather, Kingdom Molongi's words coalesce into a calming lullaby on the hushed 'Emanuel', and their appreciation of classic soul and gospel fizzes to the surface on 'Maloba ya Motema Nangai' with virtuosic wordless phrases that speak to the roots of the music, not its contemporary application.\u003cbr\u003e\u003cbr\u003e'Kembo' is an album that investigates not just the mutability of language itself, but time, wondering how words and themes are reshaped as they tumble through history, picking up influences from various folk traditions, idiosyncratic pop forms and diverse quasi-religious expressions. Most of all though, Kingdom Molongi manage to highlight the enduring relationship between the voice and the spirit, and the transformative power of choral music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KINGDOM MOLONGI\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT059\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガルの実験ダンス作家Jonathan Uliel Saldanhaと、コンゴの7人組合唱団Kingdom Ulfame合唱団によるグループKINGDOM MOLONGIが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege / Hakuna Kulalaからリリースした再発レコードです。（オリジナルは2024年リリース） 声をメインソースにした10曲を収録。白盤です。 以下、レーベルによる解説です。 "HHY＆The Macumbas/The Kampala...
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{"id":8728891687162,"title":"Judgitzu \/\/ Sator Arepo LP","handle":"judgitzu-sator-arepo-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eフランスの自称パンク民族音楽学者Judgitzuが、2023年10月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e呪術的なトライバル・テクノ〜ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Sator Arepo（サトル・スクエア）は、5つの回文からなる古代の言葉のパズルであり、西洋世界のさまざまな史跡に刻まれている。その起源は不明だが、この正方形には長い間呪術的な効果があると考えられており、病気や邪悪なものから身を守ったり、狂気を治したり、誰かが呪術の罪を犯しているかどうかを判断するために使われてきた。自称 \"パンク民族音楽学者 \"であるアコースティックミュージシャンのジュリアン・ヘイロンは、この神秘的なシンボルをJudgitzuのデビューアルバムの出発点として使用し、ケルトの伝統と再びつながろうと試み、その神聖なメッセージが現代のタンザニアのダンスミュージックとどのように調和するかを探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eヘイロンは10年以上にわたって世界中を旅し、インドネシア、オーストラリア、カンボジア、中国、バングラデシュなどのフィールドレコーディングを集め、自身のレーベルLes Cartes Postales Sonoresで発表してきた。この頃、彼は精霊が関わる儀式に魅了されるようになり、ブルターニュに戻ったときに自分の祖先を調べるようになった。\"風景の中に多くの遺物が残っていて、精霊の力がまだ感じられる \"とヘイロンは説明する。彼は「Sator Arepo」でこのケルトの神秘主義を、古代世界にまで遡るゼンハーモニック音階（標準的な12音平均律以外のチューニング）を使った濁ったドローンと魔術的なシンセの音色で表現している。これらのサウンドは、タンザニア滞在中に得た情報をもとに、テンポの速いSF的なリズムで補強されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eその最も驚くべき例が「Miracle」で、蛇のような、バグパイプのようなエレクトロニック・ウェイルを、ブロックのようなパーカッションの贅沢なクラスターに重ねた、サウンドシステムの実験である。シッソ、デューク、ジェイ・ミッタのような先鋭的なプロデューサーたちによって世界的に広められたダルエスサラームのストリートに響き渡る175BPMの熱狂的なパルスを原動力とするヘイロンは、今日の最も切迫したダンスフォームと古代の古風な儀式との間に類似点を見出そうと、稀有な会話を切り出した。「\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003eVitalimetre」では、オランダのハードスタイルやギャバーとハーモニーを奏で、歪んだドローンを狂ったように吹き出すキックとラチェットするパーカッションに乗せている。「L'or Des Fous」は、より瞑想的な路線をとり、ピッチのゆがんだ音の表情豊かなシートでヘイロンのエキセントリックな音色を優先させ、エネルギーに満ちたガラガラのビートの上をゴーストウォークする。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e「Sator Arepo」で、このフランス人プロデューサーは、私たちが忘れかけている世界を掴み、私たちのほとんどがほとんど理解していない風景と重ね合わせながら、その到達点をさらに深めている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hKbKnqoKQ9M?si=UuMxHG6xm4Vk1Xg8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eL'or Des Fous\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eMandragore\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eVitalimetre\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eDagyde\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eMiracle\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eSylphe\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eSator Arepo \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe Sator Arepo, or Sator Square, is an ancient word puzzle comprising five palindromes that's etched on various historical sites throughout the Western world. Its origins are unknown, but the square has long been thought to hold magical properties, used as a charm against illness and evil, to cure insanity or to determine whether someone was guilty of witchcraft. Self-styled \"punk ethnomusicologist\", acoustician and musician Julien Hairon uses this mystical symbol as the starting point for his debut Judgitzu album in an attempt to reconnect with his Celtic heritage, exploring how its hallowed messages might harmonize with contemporary Tanzanian dance music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHairon has been traveling across the world for over a decade, collecting field recordings from countries such as Indonesia, Australia, Cambodia, China and Bangladesh, and presenting them on his Les Cartes Postales Sonores label, re-issuing any curious cassettes and CDs he came across on the PetPets' TAPES imprint. It was during this time that he became fascinated by rituals that involved spirits, prompting him to examine his own ancestry when he returned to Brittany. \"Many artifacts in the landscape remain,\" Hairon explains, \"and the power of spirits is still palpable.\" He\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003erepresents this Celtic mysticism on 'Sator Arepo' with murky drones and magickal synth tones, using xenharmonic scales (tuning outside of standard 12-tone equal temperament) that reach back to the ancient world. These sounds are augmented with fast-paced, sci-fi rhythms informed by his time in Tanzania; \"Singeli has contaminated me,\" admits the producer.\u003cbr\u003e\u003cbr\u003eThe most astonishing example of this is 'Miracle', a thrusting soundsystem experiment that layers serpentine, bagpipe-esque electronic wails over extravagant clusters of blocky percussion. Driven by the frenetic 175BPM pulse that echoes through the streets of Dar Es Salaam - popularized globally by forward-thinking producers like Sisso, Duke and Jay Mitta - Hairon opens up a rare conversation, seeking to draw parallels between today's most urgent dance forms and the archaic rituals of antiquity. On 'Vitalimetre', Hairon drives his sonic palette into the red, harmonizing with Dutch hardstyle and gabber, and splaying distorted drones over maddeningly blown-out kicks and ratcheting percussion. 'L'or Des Fous' takes a more meditative route, prioritizing Hairon's eccentric tonality with expressive sheets of pitch-warped sound that ghost walk across energized, rattling beats.\u003cbr\u003e\u003cbr\u003eIf you heard Hairon's last Judgitzu release 'Umeme \/ Kelele', described by Boomkat as \"one of 2019's deadliest dancefloor sessions,\" then you'll know how mindboggling this material can be. And with 'Sator Arepo', the French producer deepens his reach, grasping a world that we've almost forgotten and juxtaposing it with a landscape most of us barely comprehend.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judgitzu\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Nyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCAT No : NNT047lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-23T11:12:39+09:00","created_at":"2025-02-22T17:44:00+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145075802362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Judgitzu \/\/ Sator Arepo LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900776","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260","\/\/tobirarecords.com\/cdn\/shop\/files\/0033520260_10.jpg?v=1697426269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260","options":["Title"],"media":[{"alt":null,"id":32563580043514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1650889672_16.jpg?v=1697426260","width":700},{"alt":null,"id":32563580403962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033520260_10.jpg?v=1697426269"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033520260_10.jpg?v=1697426269","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eフランスの自称パンク民族音楽学者Judgitzuが、2023年10月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e呪術的なトライバル・テクノ〜ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Sator Arepo（サトル・スクエア）は、5つの回文からなる古代の言葉のパズルであり、西洋世界のさまざまな史跡に刻まれている。その起源は不明だが、この正方形には長い間呪術的な効果があると考えられており、病気や邪悪なものから身を守ったり、狂気を治したり、誰かが呪術の罪を犯しているかどうかを判断するために使われてきた。自称 \"パンク民族音楽学者 \"であるアコースティックミュージシャンのジュリアン・ヘイロンは、この神秘的なシンボルをJudgitzuのデビューアルバムの出発点として使用し、ケルトの伝統と再びつながろうと試み、その神聖なメッセージが現代のタンザニアのダンスミュージックとどのように調和するかを探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eヘイロンは10年以上にわたって世界中を旅し、インドネシア、オーストラリア、カンボジア、中国、バングラデシュなどのフィールドレコーディングを集め、自身のレーベルLes Cartes Postales Sonoresで発表してきた。この頃、彼は精霊が関わる儀式に魅了されるようになり、ブルターニュに戻ったときに自分の祖先を調べるようになった。\"風景の中に多くの遺物が残っていて、精霊の力がまだ感じられる \"とヘイロンは説明する。彼は「Sator Arepo」でこのケルトの神秘主義を、古代世界にまで遡るゼンハーモニック音階（標準的な12音平均律以外のチューニング）を使った濁ったドローンと魔術的なシンセの音色で表現している。これらのサウンドは、タンザニア滞在中に得た情報をもとに、テンポの速いSF的なリズムで補強されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eその最も驚くべき例が「Miracle」で、蛇のような、バグパイプのようなエレクトロニック・ウェイルを、ブロックのようなパーカッションの贅沢なクラスターに重ねた、サウンドシステムの実験である。シッソ、デューク、ジェイ・ミッタのような先鋭的なプロデューサーたちによって世界的に広められたダルエスサラームのストリートに響き渡る175BPMの熱狂的なパルスを原動力とするヘイロンは、今日の最も切迫したダンスフォームと古代の古風な儀式との間に類似点を見出そうと、稀有な会話を切り出した。「\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003eVitalimetre」では、オランダのハードスタイルやギャバーとハーモニーを奏で、歪んだドローンを狂ったように吹き出すキックとラチェットするパーカッションに乗せている。「L'or Des Fous」は、より瞑想的な路線をとり、ピッチのゆがんだ音の表情豊かなシートでヘイロンのエキセントリックな音色を優先させ、エネルギーに満ちたガラガラのビートの上をゴーストウォークする。\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e「Sator Arepo」で、このフランス人プロデューサーは、私たちが忘れかけている世界を掴み、私たちのほとんどがほとんど理解していない風景と重ね合わせながら、その到達点をさらに深めている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hKbKnqoKQ9M?si=UuMxHG6xm4Vk1Xg8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eL'or Des Fous\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eMandragore\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eVitalimetre\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eDagyde\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eMiracle\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eSylphe\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eSator Arepo \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe Sator Arepo, or Sator Square, is an ancient word puzzle comprising five palindromes that's etched on various historical sites throughout the Western world. Its origins are unknown, but the square has long been thought to hold magical properties, used as a charm against illness and evil, to cure insanity or to determine whether someone was guilty of witchcraft. Self-styled \"punk ethnomusicologist\", acoustician and musician Julien Hairon uses this mystical symbol as the starting point for his debut Judgitzu album in an attempt to reconnect with his Celtic heritage, exploring how its hallowed messages might harmonize with contemporary Tanzanian dance music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHairon has been traveling across the world for over a decade, collecting field recordings from countries such as Indonesia, Australia, Cambodia, China and Bangladesh, and presenting them on his Les Cartes Postales Sonores label, re-issuing any curious cassettes and CDs he came across on the PetPets' TAPES imprint. It was during this time that he became fascinated by rituals that involved spirits, prompting him to examine his own ancestry when he returned to Brittany. \"Many artifacts in the landscape remain,\" Hairon explains, \"and the power of spirits is still palpable.\" He\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003erepresents this Celtic mysticism on 'Sator Arepo' with murky drones and magickal synth tones, using xenharmonic scales (tuning outside of standard 12-tone equal temperament) that reach back to the ancient world. These sounds are augmented with fast-paced, sci-fi rhythms informed by his time in Tanzania; \"Singeli has contaminated me,\" admits the producer.\u003cbr\u003e\u003cbr\u003eThe most astonishing example of this is 'Miracle', a thrusting soundsystem experiment that layers serpentine, bagpipe-esque electronic wails over extravagant clusters of blocky percussion. Driven by the frenetic 175BPM pulse that echoes through the streets of Dar Es Salaam - popularized globally by forward-thinking producers like Sisso, Duke and Jay Mitta - Hairon opens up a rare conversation, seeking to draw parallels between today's most urgent dance forms and the archaic rituals of antiquity. On 'Vitalimetre', Hairon drives his sonic palette into the red, harmonizing with Dutch hardstyle and gabber, and splaying distorted drones over maddeningly blown-out kicks and ratcheting percussion. 'L'or Des Fous' takes a more meditative route, prioritizing Hairon's eccentric tonality with expressive sheets of pitch-warped sound that ghost walk across energized, rattling beats.\u003cbr\u003e\u003cbr\u003eIf you heard Hairon's last Judgitzu release 'Umeme \/ Kelele', described by Boomkat as \"one of 2019's deadliest dancefloor sessions,\" then you'll know how mindboggling this material can be. And with 'Sator Arepo', the French producer deepens his reach, grasping a world that we've almost forgotten and juxtaposing it with a landscape most of us barely comprehend.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judgitzu\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Nyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCAT No : NNT047lp\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの自称パンク民族音楽学者Judgitzuが、2023年10月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 呪術的なトライバル・テクノ〜ドローン・テクノ7曲を収録。 以下、レーベルによる解説です。 "Sator Arepo（サトル・スクエア）は、5つの回文からなる古代の言葉のパズルであり、西洋世界のさまざまな史跡に刻まれている。その起源は不明だが、この正方形には長い間呪術的な効果があると考えられており、病気や邪悪なものから身を守ったり、狂気を治したり、誰かが呪術の罪を犯しているかどうかを判断するために使われてきた。自称 "パンク民族音楽学者 "であるアコースティックミュージシャンのジュリアン・ヘイロンは、この神秘的なシンボルをJudgitzuのデビューアルバムの出発点として使用し、ケルトの伝統と再びつながろうと試み、その神聖なメッセージが現代のタンザニアのダンスミュージックとどのように調和するかを探求している。 ヘイロンは10年以上にわたって世界中を旅し、インドネシア、オーストラリア、カンボジア、中国、バングラデシュなどのフィールドレコーディングを集め、自身のレーベルLes Cartes Postales Sonoresで発表してきた。この頃、彼は精霊が関わる儀式に魅了されるようになり、ブルターニュに戻ったときに自分の祖先を調べるようになった。"風景の中に多くの遺物が残っていて、精霊の力がまだ感じられる "とヘイロンは説明する。彼は「Sator...
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{"id":8728891654394,"title":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","handle":"normal-nada-the-krakmaxter-tribal-progressive-heavy-metal-lp-1","description":"\u003cp\u003e\u003cspan\u003eポルトガル・リスボンのクドゥーロ作家Normal Nada the Krakmaxterが、2023年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・クドゥーロ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"リスボンのアンダーグラウンド音楽界から現れた最もエキセントリックな人物の一人であるテテウは、Qraqmaxter、CiclOFF、Erre Menteなど、さまざまな影のある名で活動してきた。作曲家であると同時に才能豊かなビジュアル・アーティストでもある彼は、ドローイングで哲学的な神話を展開することで知られ、主にボールペンを使って精巧なアニメ風のプロジェクトをスケッチしている。ノーマル・ナダはテテウの最も永続的なプロジェクトであり、ゲームチェンジャーとなったEP『Transmutação Cerebral』から丸8年、ついに待望のデビュー・アルバムが完成した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『TRIBAL PROGRESSIVE HEAVY METAL 』は、アフリカとポルトガルの音楽形態に対する彼の深い知識から発展したナダのメタ・クドゥーロ・マルチバースに具現化されている。数年前、彼はアーカイヴやミックス、リッピングをオリジナルトラックとともに共有するアーカイヴ主義者、ジャンル史家として確立されていた。彼のトラックはアンゴラのクドゥーロやタラシーニャの構造に根ざしているが、Normal Nadaはそれを出発点として、トラップ、ベース・ミュージック、ヘヴィ・メタル、アンビエントの要素を詩的に重ね合わせ、個人的でユニークなストーリーを語る。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beautiful Chaos 03:57\u003cbr\u003e2. Batida 8 02:26\u003cbr\u003e3. Batida Hard Trance 2 03:17\u003cbr\u003e4. Batida 2 Dance 02:27\u003cbr\u003e5. Tribal Progressive Heavy Metal 03:41\u003cbr\u003e6. Da Gamer 03:15\u003cbr\u003e7. Nai Na Chi 03:00\u003cbr\u003e8. Alive 03:37\u003cbr\u003e9. Victory Dance 02:33\u003cbr\u003e10. Dedicado ao sem abrigo esperanca ou quando a esperanca morre 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr\u003e\u003cbr\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr\u003e\u003cbr\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT047lp\u003c\/p\u003e","published_at":"2025-02-24T06:16:14+09:00","created_at":"2025-02-22T17:43:19+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","techno \/ house"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145075769594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900820","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701","\/\/tobirarecords.com\/cdn\/shop\/files\/pro2_56291c0d-3e74-49bc-9f68-dcb94ec9d8a7.jpg?v=1740213701"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701","options":["Title"],"media":[{"alt":null,"id":35610003996922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701","width":700},{"alt":null,"id":35610004029690,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2_56291c0d-3e74-49bc-9f68-dcb94ec9d8a7.jpg?v=1740213701"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2_56291c0d-3e74-49bc-9f68-dcb94ec9d8a7.jpg?v=1740213701","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eポルトガル・リスボンのクドゥーロ作家Normal Nada the Krakmaxterが、2023年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・クドゥーロ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"リスボンのアンダーグラウンド音楽界から現れた最もエキセントリックな人物の一人であるテテウは、Qraqmaxter、CiclOFF、Erre Menteなど、さまざまな影のある名で活動してきた。作曲家であると同時に才能豊かなビジュアル・アーティストでもある彼は、ドローイングで哲学的な神話を展開することで知られ、主にボールペンを使って精巧なアニメ風のプロジェクトをスケッチしている。ノーマル・ナダはテテウの最も永続的なプロジェクトであり、ゲームチェンジャーとなったEP『Transmutação Cerebral』から丸8年、ついに待望のデビュー・アルバムが完成した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『TRIBAL PROGRESSIVE HEAVY METAL 』は、アフリカとポルトガルの音楽形態に対する彼の深い知識から発展したナダのメタ・クドゥーロ・マルチバースに具現化されている。数年前、彼はアーカイヴやミックス、リッピングをオリジナルトラックとともに共有するアーカイヴ主義者、ジャンル史家として確立されていた。彼のトラックはアンゴラのクドゥーロやタラシーニャの構造に根ざしているが、Normal Nadaはそれを出発点として、トラップ、ベース・ミュージック、ヘヴィ・メタル、アンビエントの要素を詩的に重ね合わせ、個人的でユニークなストーリーを語る。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beautiful Chaos 03:57\u003cbr\u003e2. Batida 8 02:26\u003cbr\u003e3. Batida Hard Trance 2 03:17\u003cbr\u003e4. Batida 2 Dance 02:27\u003cbr\u003e5. Tribal Progressive Heavy Metal 03:41\u003cbr\u003e6. Da Gamer 03:15\u003cbr\u003e7. Nai Na Chi 03:00\u003cbr\u003e8. Alive 03:37\u003cbr\u003e9. Victory Dance 02:33\u003cbr\u003e10. Dedicado ao sem abrigo esperanca ou quando a esperanca morre 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr\u003e\u003cbr\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr\u003e\u003cbr\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT047lp\u003c\/p\u003e"}
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ポルトガル・リスボンのクドゥーロ作家Normal Nada the Krakmaxterが、2023年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 レフトフィールド・クドゥーロ10曲を収録。 以下、レーベルによる解説です。 "リスボンのアンダーグラウンド音楽界から現れた最もエキセントリックな人物の一人であるテテウは、Qraqmaxter、CiclOFF、Erre Menteなど、さまざまな影のある名で活動してきた。作曲家であると同時に才能豊かなビジュアル・アーティストでもある彼は、ドローイングで哲学的な神話を展開することで知られ、主にボールペンを使って精巧なアニメ風のプロジェクトをスケッチしている。ノーマル・ナダはテテウの最も永続的なプロジェクトであり、ゲームチェンジャーとなったEP『Transmutação Cerebral』から丸8年、ついに待望のデビュー・アルバムが完成した。 『TRIBAL PROGRESSIVE HEAVY...
¥3,366
![DJ Finale // Mille Morceau LP [COLOR]](http://tobirarecords.com/cdn/shop/products/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697_medium.jpg?v=1681981762)
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{"id":8728890900730,"title":"DJ Finale \/\/ Mille Morceau LP [COLOR]","handle":"dj-finale-mille-morceau-lp-color-1","description":"\u003cp\u003eコンゴ共和国のダンス作家DJ Finaleが、2023年3月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1940年代にアフリカで流行したダンスジャンルスークースを取り入れた14曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"コンゴ民主共和国のFulu Mizikiバンドのメンバーであり、ゴミを再利用して実験的なリズム音楽を作る長年のエコ活動家集団であるキンシャサのDJ Finaleは、自国の歴史に飛び込んで勇敢なハイブリッドダンスサウンドを考案している。20世紀半ばにキューバ・ルンバのリズムとジャズの柔軟なエモーションから発展したサウンド、スークース（クワッサ・クワッサ）という人気のあるテンプレートをベースに、Finaleは音楽の融合と革新のホットスポットであるキンシャサを表現している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eスークースは当初、伝統的な楽器で演奏されていたが、Finaleは最小限の電子的アプローチをとり、おなじみのリズムをドンボロなどのコンゴのトラッドモダンなスタイルに溶け込ませている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「Mille Morceau」は、コンゴ民主共和国の過去と現在を考察したものである。キンシャサの豊かな歴史を祝うと同時に、エネルギッシュで若々しいコンテンポラリーシーンを誇りに思い、国境を越えて遠くまで目を向けられるようになった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120565893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mesami 03:01\u003cbr\u003e2. Bende 02:12\u003cbr\u003e3. Mutangila 04:33\u003cbr\u003e4. Congo 02:06\u003cbr\u003e5. Halula 02:13\u003cbr\u003e6. Sebe 04:08\u003cbr\u003e7. Tikanga 06:28\u003cbr\u003e8. Tsakula 03:01\u003cbr\u003e9. Two Seven 03:03\u003cbr\u003e10. Tuyende 03:20\u003cbr\u003e11. Kraut 02:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA member of of the Democratic Republic of Congo's Fulu Miziki band, the long-running eco activist collective forging experimental rhythmic music from repurposed trash, Kinshasa's DJ Finale dives into his country's history to brainstorm a dauntless hybrid dance sound. Kinshasa has long been a hotspot of musical fusion and innovation, and Finale builds on the popular template of soukous, or kwassa kwassa - a sound that developed in the mid-20th century from the rhythms of Cuban rumba and flexible emotionality of jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile soukous was initially performed with traditional instruments, Finale takes a minimal electronic approach, melting familiar rhythms into other Congolese trad-moderne styles like n'dombolo. 'Basss 30' bolts a brittle swinging beat over white noise bursts and acidic synth sounds; 'Pitschu Debou' features Fulu Miziki's Deboul on vocals, and folds soukous guitar riffs into a stark neo-trap frame; 'Tobandi' is raw and industrial, like Muslimgauze but aimed at the late night\/early morning club set, with dangerous blasts of whirring electronics and jerky Congolese rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Mille Morceau\" is a thoughtful mitigation of the Democratic Republic of Congo's past and present. It celebrates Kinshasa's rich history, while remaining proud of an energetic, youthful contemporary scene that's ready to look far beyond the borders.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Finale\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-24T06:18:37+09:00","created_at":"2025-02-22T17:37:59+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hakuna kulala","hiphop \/ funk","lp","new"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145073443066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Finale \/\/ Mille Morceau LP [COLOR]","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900455","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_0bf55ad7-61fd-4ad2-9d7e-f13dd41f8f9c.jpg?v=1681981762"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762","options":["Title"],"media":[{"alt":null,"id":31856910958842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_94e54fc4-d6b9-4182-87c8-ddf508a4b697.jpg?v=1681981762","width":700},{"alt":null,"id":31856910991610,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_0bf55ad7-61fd-4ad2-9d7e-f13dd41f8f9c.jpg?v=1681981762"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_0bf55ad7-61fd-4ad2-9d7e-f13dd41f8f9c.jpg?v=1681981762","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴ共和国のダンス作家DJ Finaleが、2023年3月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1940年代にアフリカで流行したダンスジャンルスークースを取り入れた14曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"コンゴ民主共和国のFulu Mizikiバンドのメンバーであり、ゴミを再利用して実験的なリズム音楽を作る長年のエコ活動家集団であるキンシャサのDJ Finaleは、自国の歴史に飛び込んで勇敢なハイブリッドダンスサウンドを考案している。20世紀半ばにキューバ・ルンバのリズムとジャズの柔軟なエモーションから発展したサウンド、スークース（クワッサ・クワッサ）という人気のあるテンプレートをベースに、Finaleは音楽の融合と革新のホットスポットであるキンシャサを表現している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eスークースは当初、伝統的な楽器で演奏されていたが、Finaleは最小限の電子的アプローチをとり、おなじみのリズムをドンボロなどのコンゴのトラッドモダンなスタイルに溶け込ませている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「Mille Morceau」は、コンゴ民主共和国の過去と現在を考察したものである。キンシャサの豊かな歴史を祝うと同時に、エネルギッシュで若々しいコンテンポラリーシーンを誇りに思い、国境を越えて遠くまで目を向けられるようになった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120565893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mesami 03:01\u003cbr\u003e2. Bende 02:12\u003cbr\u003e3. Mutangila 04:33\u003cbr\u003e4. Congo 02:06\u003cbr\u003e5. Halula 02:13\u003cbr\u003e6. Sebe 04:08\u003cbr\u003e7. Tikanga 06:28\u003cbr\u003e8. Tsakula 03:01\u003cbr\u003e9. Two Seven 03:03\u003cbr\u003e10. Tuyende 03:20\u003cbr\u003e11. Kraut 02:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA member of of the Democratic Republic of Congo's Fulu Miziki band, the long-running eco activist collective forging experimental rhythmic music from repurposed trash, Kinshasa's DJ Finale dives into his country's history to brainstorm a dauntless hybrid dance sound. Kinshasa has long been a hotspot of musical fusion and innovation, and Finale builds on the popular template of soukous, or kwassa kwassa - a sound that developed in the mid-20th century from the rhythms of Cuban rumba and flexible emotionality of jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile soukous was initially performed with traditional instruments, Finale takes a minimal electronic approach, melting familiar rhythms into other Congolese trad-moderne styles like n'dombolo. 'Basss 30' bolts a brittle swinging beat over white noise bursts and acidic synth sounds; 'Pitschu Debou' features Fulu Miziki's Deboul on vocals, and folds soukous guitar riffs into a stark neo-trap frame; 'Tobandi' is raw and industrial, like Muslimgauze but aimed at the late night\/early morning club set, with dangerous blasts of whirring electronics and jerky Congolese rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Mille Morceau\" is a thoughtful mitigation of the Democratic Republic of Congo's past and present. It celebrates Kinshasa's rich history, while remaining proud of an energetic, youthful contemporary scene that's ready to look far beyond the borders.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Finale\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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コンゴ共和国のダンス作家DJ Finaleが、2023年3月にウガンダのNyege Nyegeからリリースしたレコードです。 1940年代にアフリカで流行したダンスジャンルスークースを取り入れた14曲を収録。 以下、レーベルによる解説です。 "コンゴ民主共和国のFulu Mizikiバンドのメンバーであり、ゴミを再利用して実験的なリズム音楽を作る長年のエコ活動家集団であるキンシャサのDJ Finaleは、自国の歴史に飛び込んで勇敢なハイブリッドダンスサウンドを考案している。20世紀半ばにキューバ・ルンバのリズムとジャズの柔軟なエモーションから発展したサウンド、スークース（クワッサ・クワッサ）という人気のあるテンプレートをベースに、Finaleは音楽の融合と革新のホットスポットであるキンシャサを表現している。スークースは当初、伝統的な楽器で演奏されていたが、Finaleは最小限の電子的アプローチをとり、おなじみのリズムをドンボロなどのコンゴのトラッドモダンなスタイルに溶け込ませている。「Mille Morceau」は、コンゴ民主共和国の過去と現在を考察したものである。キンシャサの豊かな歴史を祝うと同時に、エネルギッシュで若々しいコンテンポラリーシーンを誇りに思い、国境を越えて遠くまで目を向けられるようになった。" レーベルその他作品はこちら /// Click here to see more Hakuna...
¥3,366
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{"id":8728890769658,"title":"Lady Aicha \u0026 Pisko Crane's Original Fulu Miziki of Kinshasa \/\/ N'Djila Wa Mudujimu LP","handle":"lady-aicha-pisko-cranes-original-fulu-miziki-of-kinshasa-ndjila-wa-mudujimu-lp","description":"\u003cp\u003e\u003cspan\u003eコンゴ共和国キンシャサのLady Aicha \u0026amp; Pisko Crane's Original Fulu Miziki of Kinshasaが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアフロ・ポストパンク11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416480001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3996326710\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416480001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mesami 03:01\u003cbr\u003e2. Bende 02:12\u003cbr\u003e3. Mutangila 04:33\u003cbr\u003e4. Congo 02:06\u003cbr\u003e5. Halula 02:13\u003cbr\u003e6. Sebe 04:08\u003cbr\u003e7. Tikanga 06:28\u003cbr\u003e8. Tsakula 03:01\u003cbr\u003e9. Two Seven 03:03\u003cbr\u003e10. Tuyende 03:20\u003cbr\u003e11. Kraut 02:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono Nº1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground – their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful\u003cspan class=\"bcTruncateMore\"\u003e central focus.\u003cbr\u003e\u003cbr\u003eInfluenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track ‘Tikanga’ racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY \u0026amp; The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lady Aicha \u0026amp; Pisko Crane's Original Fulu Miziki of Kinshasa\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT043lp\u003c\/p\u003e","published_at":"2025-02-24T06:31:28+09:00","created_at":"2025-02-22T17:37:18+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145073115386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lady Aicha \u0026 Pisko Crane's Original Fulu Miziki of Kinshasa \/\/ N'Djila Wa Mudujimu LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900479","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_5551c153-2281-4d9b-a333-357cf2ed364f.jpg?v=1740213290","\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_ad7d0456-ba54-409c-a0e8-2365f9f98831.jpg?v=1740213290"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_5551c153-2281-4d9b-a333-357cf2ed364f.jpg?v=1740213290","options":["Title"],"media":[{"alt":null,"id":35609998131450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_5551c153-2281-4d9b-a333-357cf2ed364f.jpg?v=1740213290"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_5551c153-2281-4d9b-a333-357cf2ed364f.jpg?v=1740213290","width":700},{"alt":null,"id":35609998164218,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_ad7d0456-ba54-409c-a0e8-2365f9f98831.jpg?v=1740213290"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_ad7d0456-ba54-409c-a0e8-2365f9f98831.jpg?v=1740213290","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eコンゴ共和国キンシャサのLady Aicha \u0026amp; Pisko Crane's Original Fulu Miziki of Kinshasaが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアフロ・ポストパンク11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416480001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3996326710\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416480001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mesami 03:01\u003cbr\u003e2. Bende 02:12\u003cbr\u003e3. Mutangila 04:33\u003cbr\u003e4. Congo 02:06\u003cbr\u003e5. Halula 02:13\u003cbr\u003e6. Sebe 04:08\u003cbr\u003e7. Tikanga 06:28\u003cbr\u003e8. Tsakula 03:01\u003cbr\u003e9. Two Seven 03:03\u003cbr\u003e10. Tuyende 03:20\u003cbr\u003e11. Kraut 02:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono Nº1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground – their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful\u003cspan class=\"bcTruncateMore\"\u003e central focus.\u003cbr\u003e\u003cbr\u003eInfluenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track ‘Tikanga’ racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY \u0026amp; The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lady Aicha \u0026amp; Pisko Crane's Original Fulu Miziki of Kinshasa\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT043lp\u003c\/p\u003e"}
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コンゴ共和国キンシャサのLady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasaが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 アフロ・ポストパンク11曲を収録。 レーベルその他作品はこちら ///...
¥3,366
クイックビュー
{"id":8728890147066,"title":"Metal Preyers \/\/ Shadow Swamps LP","handle":"metal-preyers-shadow-swamps-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ／イギリスのレフトフィールド・ダンスデュオ\u003c\/span\u003e\u003cspan\u003eMetal Preyersが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・ストレンジビーツ〜実験アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/90rLwunQU5E?si=x85OKm98lE1i0C_M\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2590254476\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4170788911\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Murking Shadows 03:17\u003cbr\u003e2. Ecto Green Code 01:25\u003cbr\u003e3. The Preyers Forest 03:20\u003cbr\u003e4. Scream Dreamer 03:50\u003cbr\u003e5. Metal Preyers feat Sockethead - Red Swines 02:05\u003cbr\u003e6. Crater Creature 01:05\u003cbr\u003e7. Carpenters Cabin 03:05\u003cbr\u003e8. Slime Things Accent 03:25|\u003cbr\u003e9. Wasp Faced Invasions 01:38\u003cbr\u003e10. Metal Preyers feat Lord Tusk - Metal Mans Revolt 01:56\u003cbr\u003e11. On Her Way 04:00\u003cbr\u003e12. Metal Preyers feat Lord Tusk - Gremlin Gurgle 01:52\u003cbr\u003e13. Shadow Swamps 01:57\u003cbr\u003e14. Escape - The Sunrise 01:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing 2020's acclaimed self-titled debut album, Metal Preyers take the left hand path into a gloomy backwater filled with haunted creatures and fraught with peril. \"Shadow Swamps\" again finds London-based Jesse Hackett handling the music and Chicago's Mariano Chavez fashioning the album's visual identity, which this time includes a short film and book for a fully immersive experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Shadow Swamps\" is the soundtrack to a pitch-black fairy tale about a father and daughter as they journey through a swamp avoiding gremlins, red swines and crater creatures. Musically, it pivots between the clattering Czech new wave experimentation of \"Valerie and her Week of Wonders\" composer Luboš Fišer, or the magical, eccentric lounge of Birmingham's Broadcast, and the grinding industrial grot of Italian pioneer Maurizio Bianchi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis time around, Hackett has roped in production assists from his six year-old-daughter Wonder - who used phone memos to record herself singing - veteran Metal Preyers collaborator Lord TusK, and Manchester-based painter, DJ and producer Richard Harris, aka Sockethead. The crew inks an unsettling, richly\u003cspan class=\"bcTruncateMore\"\u003e textured sonic landscape, with claws of rhythmic smoke curling around chiming otherworldly xylophone, disembodied fiddle drones echoing over screwed 'n chopped beatbox dirt and half-heard magical vocals buried under clouds of white noise.\u003cbr\u003e\u003cbr\u003eIt's an eerie experience from beginning to end, somewhere between 1980s DIY tape music and the quirky soundtracks to the Quay Brothers' cult stop-motion animated shorts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT038lp\u003c\/p\u003e","published_at":"2025-02-24T06:27:33+09:00","created_at":"2025-02-22T17:31:49+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145071640826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Metal Preyers \/\/ Shadow Swamps LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170106","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099","\/\/tobirarecords.com\/cdn\/shop\/files\/met2_d53ac44c-5948-428d-bfce-1fb81f5296bc.jpg?v=1740213099"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099","options":["Title"],"media":[{"alt":null,"id":35609996296442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099","width":700},{"alt":null,"id":35609996329210,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/met2_d53ac44c-5948-428d-bfce-1fb81f5296bc.jpg?v=1740213099"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/met2_d53ac44c-5948-428d-bfce-1fb81f5296bc.jpg?v=1740213099","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ／イギリスのレフトフィールド・ダンスデュオ\u003c\/span\u003e\u003cspan\u003eMetal Preyersが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・ストレンジビーツ〜実験アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/90rLwunQU5E?si=x85OKm98lE1i0C_M\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2590254476\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4170788911\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Murking Shadows 03:17\u003cbr\u003e2. Ecto Green Code 01:25\u003cbr\u003e3. The Preyers Forest 03:20\u003cbr\u003e4. Scream Dreamer 03:50\u003cbr\u003e5. Metal Preyers feat Sockethead - Red Swines 02:05\u003cbr\u003e6. Crater Creature 01:05\u003cbr\u003e7. Carpenters Cabin 03:05\u003cbr\u003e8. Slime Things Accent 03:25|\u003cbr\u003e9. Wasp Faced Invasions 01:38\u003cbr\u003e10. Metal Preyers feat Lord Tusk - Metal Mans Revolt 01:56\u003cbr\u003e11. On Her Way 04:00\u003cbr\u003e12. Metal Preyers feat Lord Tusk - Gremlin Gurgle 01:52\u003cbr\u003e13. Shadow Swamps 01:57\u003cbr\u003e14. Escape - The Sunrise 01:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing 2020's acclaimed self-titled debut album, Metal Preyers take the left hand path into a gloomy backwater filled with haunted creatures and fraught with peril. \"Shadow Swamps\" again finds London-based Jesse Hackett handling the music and Chicago's Mariano Chavez fashioning the album's visual identity, which this time includes a short film and book for a fully immersive experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Shadow Swamps\" is the soundtrack to a pitch-black fairy tale about a father and daughter as they journey through a swamp avoiding gremlins, red swines and crater creatures. Musically, it pivots between the clattering Czech new wave experimentation of \"Valerie and her Week of Wonders\" composer Luboš Fišer, or the magical, eccentric lounge of Birmingham's Broadcast, and the grinding industrial grot of Italian pioneer Maurizio Bianchi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis time around, Hackett has roped in production assists from his six year-old-daughter Wonder - who used phone memos to record herself singing - veteran Metal Preyers collaborator Lord TusK, and Manchester-based painter, DJ and producer Richard Harris, aka Sockethead. The crew inks an unsettling, richly\u003cspan class=\"bcTruncateMore\"\u003e textured sonic landscape, with claws of rhythmic smoke curling around chiming otherworldly xylophone, disembodied fiddle drones echoing over screwed 'n chopped beatbox dirt and half-heard magical vocals buried under clouds of white noise.\u003cbr\u003e\u003cbr\u003eIt's an eerie experience from beginning to end, somewhere between 1980s DIY tape music and the quirky soundtracks to the Quay Brothers' cult stop-motion animated shorts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT038lp\u003c\/p\u003e"}
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アメリカ／イギリスのレフトフィールド・ダンスデュオMetal Preyersが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポストインダストリアル・ストレンジビーツ〜実験アンビエント14曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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クイックビュー
{"id":8728889917690,"title":"Clube Tormenta \/\/ O Som Do Labirinto OST LP [COLOR]","handle":"clube-tormenta-o-som-do-labirinto-ost-lp-color","description":"\u003cp\u003e\u003cspan\u003eブラジル・サンパウロのクリエイター集団Clube Tormentaが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e彼が製作したホラー映画のサウンドトラック集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v8zDeAijT1I?si=u3kgW3T9i7uAVVkE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=825605113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" coke bottle clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 177th - Final Início 01:33\u003cbr\u003e2. Digestivo - Vasca 03:25\u003cbr\u003e3. Mundoscuros - Carne Viva 03:58\u003cbr\u003e4. Alada - Running 02:56\u003cbr\u003e5. MTMA - O Pesadelo 02:06\u003cbr\u003e6. Odete - Cemitério 02:07\u003cbr\u003e7. 177th - Together 03:42\u003cbr\u003e8. Fkoff1963 - Sonata dos Sonhos 01:12\u003cbr\u003e9. Alada - Precisão Cirúrgica 03:50\u003cbr\u003e10. Fkoff1963 - Labirinto 00:27\u003cbr\u003e11. Digestivo - Refúgio 04:36\u003cbr\u003e12. Alada - Tension 05:15\u003cbr\u003e13. Bruxax - Scream 03:17\u003cbr\u003e14. !luuli - Ooh The Horror 01:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in the Brazilian capital of São Paulo, the TORMENTA collective has long offered an alternative vision of the city's rich and colorful musical heritage. Operating as an ongoing series of DIY parties, creative agency and record label, TORMENTA has welcomed challenging sounds into São Paulo and released music from a cross section of Brazilian artists, including Fkoff1963, 177th \u0026amp; Digestivo. Their musical output is unrestrained: pop edits and unhinged hard dance rubs against errated heavy metal and lifted ambient drone. Anything's possible, as long as there's a social conscience and a middle finger to expectation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019, TORMENTA put together a short film for the online edition of Nyege Nyege Festival. Since the crew is made up of obsessive horror movie fans, the direction was clear. \"O Som do Labirinto\" (The Labyrinth's Sound), is a terrifying and psychedelic audiovisual experience that's centered around a journalist attempting to examine a series of mysterious gatherings. Casting a side-eye to VICE's notorious series of fish out of water documentaries, the film drags its protagonist to hell through a series of grueling mental trials, all accompanied by TORMENTA's bloody toolbox of tortuous sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis full-length soundtrack finds the collective\u003cspan class=\"bcTruncateMore\"\u003e exposing their deep horror movie knowledge and finally flexing their film score muscle. The crew's ragged club DNA is still present, but mainlined into a Frankenstein's monster of John Carpenter synths, haunted piano loops and gruesome Lustmord-esque dark ambient drones. Alada's 'Running' straps a familiar hoover bass to bloodcurdling low-end rumbles and sparse, propulsive kicks; MTMA's 'O Pesadelo' sounds like broken clocks and music boxes at the \"Evil Dead\" cabin; 177th's 'Together' is a nightmarish beatless rave anthem that's like Lorenzo Senni on a bad trip; and Bruxax's 'Scream' is a full-on sludge metal freak-out that could sit alongside a Rob Zombie movie.\u003cbr\u003e\u003cbr\u003eThe \"O Som Do Labirinto OST\" is Brazilian experimental club music in corpse paint holding a jack-o-lantern and weilding a bloody knife. Be afraid.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clube Tormenta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT no : NNT035lp-C1\u003c\/p\u003e","published_at":"2025-02-24T06:35:32+09:00","created_at":"2025-02-22T17:28:35+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","nyege nyege tapes","strange beats"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145070919930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Clube Tormenta \/\/ O Som Do Labirinto OST LP [COLOR]","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170083","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/som1_056544af-3f7a-439b-9fa2-7add0656b274.jpg?v=1740212815","\/\/tobirarecords.com\/cdn\/shop\/files\/som2_c6d39e24-0ce1-4e66-a37b-ab1b865bf189.jpg?v=1740212816"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/som1_056544af-3f7a-439b-9fa2-7add0656b274.jpg?v=1740212815","options":["Title"],"media":[{"alt":null,"id":35609993249018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som1_056544af-3f7a-439b-9fa2-7add0656b274.jpg?v=1740212815"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som1_056544af-3f7a-439b-9fa2-7add0656b274.jpg?v=1740212815","width":700},{"alt":null,"id":35609993281786,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som2_c6d39e24-0ce1-4e66-a37b-ab1b865bf189.jpg?v=1740212816"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som2_c6d39e24-0ce1-4e66-a37b-ab1b865bf189.jpg?v=1740212816","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eブラジル・サンパウロのクリエイター集団Clube Tormentaが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e彼が製作したホラー映画のサウンドトラック集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v8zDeAijT1I?si=u3kgW3T9i7uAVVkE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=825605113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" coke bottle clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 177th - Final Início 01:33\u003cbr\u003e2. Digestivo - Vasca 03:25\u003cbr\u003e3. Mundoscuros - Carne Viva 03:58\u003cbr\u003e4. Alada - Running 02:56\u003cbr\u003e5. MTMA - O Pesadelo 02:06\u003cbr\u003e6. Odete - Cemitério 02:07\u003cbr\u003e7. 177th - Together 03:42\u003cbr\u003e8. Fkoff1963 - Sonata dos Sonhos 01:12\u003cbr\u003e9. Alada - Precisão Cirúrgica 03:50\u003cbr\u003e10. Fkoff1963 - Labirinto 00:27\u003cbr\u003e11. Digestivo - Refúgio 04:36\u003cbr\u003e12. Alada - Tension 05:15\u003cbr\u003e13. Bruxax - Scream 03:17\u003cbr\u003e14. !luuli - Ooh The Horror 01:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in the Brazilian capital of São Paulo, the TORMENTA collective has long offered an alternative vision of the city's rich and colorful musical heritage. Operating as an ongoing series of DIY parties, creative agency and record label, TORMENTA has welcomed challenging sounds into São Paulo and released music from a cross section of Brazilian artists, including Fkoff1963, 177th \u0026amp; Digestivo. Their musical output is unrestrained: pop edits and unhinged hard dance rubs against errated heavy metal and lifted ambient drone. Anything's possible, as long as there's a social conscience and a middle finger to expectation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019, TORMENTA put together a short film for the online edition of Nyege Nyege Festival. Since the crew is made up of obsessive horror movie fans, the direction was clear. \"O Som do Labirinto\" (The Labyrinth's Sound), is a terrifying and psychedelic audiovisual experience that's centered around a journalist attempting to examine a series of mysterious gatherings. Casting a side-eye to VICE's notorious series of fish out of water documentaries, the film drags its protagonist to hell through a series of grueling mental trials, all accompanied by TORMENTA's bloody toolbox of tortuous sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis full-length soundtrack finds the collective\u003cspan class=\"bcTruncateMore\"\u003e exposing their deep horror movie knowledge and finally flexing their film score muscle. The crew's ragged club DNA is still present, but mainlined into a Frankenstein's monster of John Carpenter synths, haunted piano loops and gruesome Lustmord-esque dark ambient drones. Alada's 'Running' straps a familiar hoover bass to bloodcurdling low-end rumbles and sparse, propulsive kicks; MTMA's 'O Pesadelo' sounds like broken clocks and music boxes at the \"Evil Dead\" cabin; 177th's 'Together' is a nightmarish beatless rave anthem that's like Lorenzo Senni on a bad trip; and Bruxax's 'Scream' is a full-on sludge metal freak-out that could sit alongside a Rob Zombie movie.\u003cbr\u003e\u003cbr\u003eThe \"O Som Do Labirinto OST\" is Brazilian experimental club music in corpse paint holding a jack-o-lantern and weilding a bloody knife. Be afraid.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clube Tormenta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT no : NNT035lp-C1\u003c\/p\u003e"}
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ブラジル・サンパウロのクリエイター集団Clube Tormentaが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 彼が製作したホラー映画のサウンドトラック集です。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8728889524474,"title":"Rian Treanor \u0026 Ocen James \/\/ Saccades LP","handle":"rian-treanor-ocen-james-saccades-lp-1","description":"\u003cp\u003eイギリス・ロザラムの実験ダンス作家Rian Treanor \u0026amp; Ocen Jamesが、2023年1月にウガンダのNyege Nyegeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4219333449\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bunga Bule 02:20\u003cbr\u003e2. As It Happens 04:18\u003cbr\u003e3. The Dead Centre 04:42\u003cbr\u003e4. Agoya 03:17\u003cbr\u003e5. Memory Pressure 03:11\u003cbr\u003e6. Naasaccade 05:09\u003cbr\u003e7. Rigi Rigi 05:20\u003cbr\u003e8. Tiyo Ki 04:00\u003cbr\u003e9. Casascade 03:14\u003cbr\u003e10. Remo Rom (Farmers Manual remix) 02:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2018, Rian Treanor left his home in Rotherham, UK, and headed to Kampala for a residency at Nyege Nyege's villa studio. The mind-expanding experience inspired his critically acclaimed 2020 full-length \"File Under UK Metaplasm\", but that wasn't the end of the story. Treanor also spent time working alongside Acholi fiddle player Ocen James, developing an improvisation-heavy collaboration that would push both musicians' idiosyncrasies into completely new places.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTreanor wanted this collaboration to be as tactile and reactive as a live performance with traditional instruments, so he set about working on a digital process that would synchronize with James' approach. Using physical modelling techniques, Treanor created an instrument that explored the tunings and sounds of the a'dungu, an arched harp, and the nah or nag. With Ocen playing his rigi rigi, a single string violin, they intuitively experimented with the spectral properties of sound, using texture and acoustic contours as their structural framework. They were able to develop a sound together that was unconventionally rooted in traditional Ugandan culture, but shuttled into different dimensions of noise, computer music and radical UK rave.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Saccades\" is the buffer between two vastly different sonic\u003cspan class=\"bcTruncateMore\"\u003e universes, united in respect and sprightly curiosity. Treanor's hyperactive computer-controlled rhythms are immediately identifiable on opening track 'Bunga Bule', but the sound palette is distinct: it's more flexible and less digital. James' expressionistic fiddle strokes are a revelation, contorted into hoarse squeals and rough vibrations that rub and flex off Treanor's tin can shuffle. The fertile back and forth continues through the ruff DSP tumble of 'As It Happens', before James cracks open the melodic core of his instrument on 'The Dead Centre', allowing Treanor to dispense with rhythm and meet his fiddle strokes with heavenly drones.\u003cbr\u003e\u003cbr\u003eEach track steps down a different avenue for the two artists, from the nightmarish microtonal twang of 'Memory Pressure' to the 4AM inverted sci-fi club pressure of 'Naasaccade' and the folky dancefloor swing of 'Rigi Rigi'. And when the album closes on a cacophonous remix from Vienna laptop noise pioneers Farmers Manual it's an unexpected gift that makes perfect sense. \"Saccades\" is a cross-cultural collaboration that swerves simplicity but refuses to over-complicate itself - it's about interaction, improvisation and passion.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Rian Treanor \u0026amp; Ocen James\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : NNT041lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-24T06:36:17+09:00","created_at":"2025-02-22T17:22:55+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145068855546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rian Treanor \u0026 Ocen James \/\/ Saccades LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170137","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018","\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_c9b1c663-5db0-4533-8877-18cc0127c4a5.jpg?v=1673837018"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018","options":["Title"],"media":[{"alt":null,"id":31380268646650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018","width":700},{"alt":null,"id":31380268679418,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_c9b1c663-5db0-4533-8877-18cc0127c4a5.jpg?v=1673837018"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_c9b1c663-5db0-4533-8877-18cc0127c4a5.jpg?v=1673837018","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロザラムの実験ダンス作家Rian Treanor \u0026amp; Ocen Jamesが、2023年1月にウガンダのNyege Nyegeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4219333449\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bunga Bule 02:20\u003cbr\u003e2. As It Happens 04:18\u003cbr\u003e3. The Dead Centre 04:42\u003cbr\u003e4. Agoya 03:17\u003cbr\u003e5. Memory Pressure 03:11\u003cbr\u003e6. Naasaccade 05:09\u003cbr\u003e7. Rigi Rigi 05:20\u003cbr\u003e8. Tiyo Ki 04:00\u003cbr\u003e9. Casascade 03:14\u003cbr\u003e10. Remo Rom (Farmers Manual remix) 02:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2018, Rian Treanor left his home in Rotherham, UK, and headed to Kampala for a residency at Nyege Nyege's villa studio. The mind-expanding experience inspired his critically acclaimed 2020 full-length \"File Under UK Metaplasm\", but that wasn't the end of the story. Treanor also spent time working alongside Acholi fiddle player Ocen James, developing an improvisation-heavy collaboration that would push both musicians' idiosyncrasies into completely new places.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTreanor wanted this collaboration to be as tactile and reactive as a live performance with traditional instruments, so he set about working on a digital process that would synchronize with James' approach. Using physical modelling techniques, Treanor created an instrument that explored the tunings and sounds of the a'dungu, an arched harp, and the nah or nag. With Ocen playing his rigi rigi, a single string violin, they intuitively experimented with the spectral properties of sound, using texture and acoustic contours as their structural framework. They were able to develop a sound together that was unconventionally rooted in traditional Ugandan culture, but shuttled into different dimensions of noise, computer music and radical UK rave.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Saccades\" is the buffer between two vastly different sonic\u003cspan class=\"bcTruncateMore\"\u003e universes, united in respect and sprightly curiosity. Treanor's hyperactive computer-controlled rhythms are immediately identifiable on opening track 'Bunga Bule', but the sound palette is distinct: it's more flexible and less digital. James' expressionistic fiddle strokes are a revelation, contorted into hoarse squeals and rough vibrations that rub and flex off Treanor's tin can shuffle. The fertile back and forth continues through the ruff DSP tumble of 'As It Happens', before James cracks open the melodic core of his instrument on 'The Dead Centre', allowing Treanor to dispense with rhythm and meet his fiddle strokes with heavenly drones.\u003cbr\u003e\u003cbr\u003eEach track steps down a different avenue for the two artists, from the nightmarish microtonal twang of 'Memory Pressure' to the 4AM inverted sci-fi club pressure of 'Naasaccade' and the folky dancefloor swing of 'Rigi Rigi'. And when the album closes on a cacophonous remix from Vienna laptop noise pioneers Farmers Manual it's an unexpected gift that makes perfect sense. \"Saccades\" is a cross-cultural collaboration that swerves simplicity but refuses to over-complicate itself - it's about interaction, improvisation and passion.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Rian Treanor \u0026amp; Ocen James\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : NNT041lp\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロザラムの実験ダンス作家Rian Treanor & Ocen Jamesが、2023年1月にウガンダのNyege Nyegeからリリースしたレコードです。 ポリリズム溢れるストレンジビーツ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala...
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![Duke // Early Instrumentals LP [COLOR]](http://tobirarecords.com/cdn/shop/files/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10_medium.jpg?v=1699088971)
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{"id":8728889458938,"title":"Duke \/\/ Early Instrumentals LP [COLOR]","handle":"duke-early-instrumentals-lp-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eタンザニア・ダルエスサラームのシンゲリ作家Dukeが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e過去作とは異なりボーカル無しのシンゲリ11曲を収録。青盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"MCZOとともに世界をツアーし、18歳のときから自身のスタジオPamoja Recordsを率いてきた影響力のあるシンゲリプロデューサーDukeは現在26歳で、タンザニアで最も多忙なクラブアルケミストのひとりだ。ソロデビュー作『Uingizaji Hewa』では、ダルエスサラームに根付くハード＆ファスト・クラブテンプレートに、バスタライムスやエミネム、そしてこのジャンルのベテランであるジェイミッタやシッソの200bpmを取り入れた、独特の \"ヒップホップ・シンゲリ \"サウンドを聴かせてくれた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2021年の \"Sounds of Pamoja \"では、Dukeのスタジオ、特にDogo Kibo、MC Kidene、Pirato MC、MC Kukeのようなこの街の最高の若手MCたちとの仕事ぶりを詳しく見せてくれた。『\u003cmeta charset=\"utf-8\"\u003eEarly Instrumentals』では、発掘されたジャンルを溶かすようなシングリの突然変異のセレクションが、ヴォーカルなしで丸裸にされており、Dukeの進化の深さを目の当たりにすることができる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eこの11曲入りセットには、現代的なレイヴサウンドとUSラップのアティテュード、そしてタンザニアのダンス史の融合という彼の先見性を表現した、これまでにないハイブリッドなダンスミュージックが収録されている。シンゲリのルーツは、東アフリカと中東の伝統的なダンスのリズムとメロディーを融合させたタラアブにあるが、Dukeはこのサウンドを、シンセを中心としたシンコペーションの花火のような、快活で未来的なサウンドへと導いている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Early Instrumentals \"は、デュークの盛り上がるダンスカクテルのこれまでで最もバラエティに富んだ作品だ。このジャンルはヘッドフォンで聴くものではなく、動くためのものだとリスナーに確信させる、身体的な呼びかけである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2522052390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSingeli bt\u003c\/li\u003e\n\u003cli\u003eDUKELO FL SING\u003c\/li\u003e\n\u003cli\u003eBEAT KALI DUKE\u003c\/li\u003e\n\u003cli\u003ebit kai p mc.\u003c\/li\u003e\n\u003cli\u003eDUKE SEBENE AK 47\u003c\/li\u003e\n\u003cli\u003eDUKE SELECTA\u003c\/li\u003e\n\u003cli\u003eF2\u003c\/li\u003e\n\u003cli\u003eKKKKKKKKKKKKKKK\u003c\/li\u003e\n\u003cli\u003esebene funguo duke\u003c\/li\u003e\n\u003cli\u003eWADA PANGA 1 02:24\u003c\/li\u003e\n\u003cli\u003eunti\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHaving toured the world with MCZO and been at the helm of his own studio Pamoja Records since he was just 18, influential singeli producer Duke, now 26, is one of Tanzania's busiest club alchemists. On his acclaimed solo debut \"Uingizaji Hewa\" we were introduced to his idiosyncratic \"hip-hop singeli\" sound, a slower cousin to the Dar es Salaam-rooted hard 'n fast club template that takes as much special sauce from Busta Rhymes and Eminem as it does the 200bpm clatter of genre veterans Jay Mitta and Sisso.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 2021's \"Sounds of Pamoja\"complilation, we were treated to a closer look into Duke's studio, and specifically at his work with the city's best young MCs like Dogo Kibo, MC Kidene, Pirato MC and MC Kuke. \"Early Instrumentals\" allows us to witness the depth of Duke's evolution, with a selection of unearthed genre melting singeli mutations laid completely bare without vocals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis 11-track set features some of his most arresting hybrid dance music yet, expressing his visionary fusion of contemporary rave sounds, US rap attitude and Tanzanian dance history. While the roots of singeli are in taraab, a popular fusion of East African and Middle Eastern traditional dance rhythms and melodies, Duke steers the sound into a synth-led, syncopated firework display that\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e sounds spry and futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCentered around a bumping staccato melody and urgent synth strings 'DUKELO FL SING' echoes the lo-swung swagger of early Dr. Dre productions, but kicks the tempo into overdrive, decorating any gaps with flickering late-nite synths. 'BEAT KALI DUKE' meanwhile drives carnival trance leads through hard and fast rolls of kick drums, whistles and woodblock cracks. It's not all completely high speed either: 'DUKE SELECTA' is almost Afro-house, with slow, sexy bass and woozy vocal melodies, and 'KKKKKKKKKKKKKKK' absorbs the propulsive spirit of South African gqom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Early Instrumentals\" is the most varied picture we've been presented yet of Duke's rousing dance cocktail. It's a physical call to action that assures listeners the genre is for movement, not headphone listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duke\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2025-02-23T11:11:08+09:00","created_at":"2025-02-22T17:20:45+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","house","lp","new","techno \/ house"],"price":336600,"price_min":336600,"price_max":336600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145068790010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duke \/\/ Early Instrumentals LP [COLOR]","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170069","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_9aeb88d9-2f05-45ba-ae79-0d9f33d42526.jpg?v=1699088971"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971","options":["Title"],"media":[{"alt":null,"id":32642127266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_0cef16f9-69cb-4314-9149-c4ba1edaaa10.jpg?v=1699088971","width":700},{"alt":null,"id":32642127298810,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_9aeb88d9-2f05-45ba-ae79-0d9f33d42526.jpg?v=1699088971"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_9aeb88d9-2f05-45ba-ae79-0d9f33d42526.jpg?v=1699088971","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eタンザニア・ダルエスサラームのシンゲリ作家Dukeが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e過去作とは異なりボーカル無しのシンゲリ11曲を収録。青盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"MCZOとともに世界をツアーし、18歳のときから自身のスタジオPamoja Recordsを率いてきた影響力のあるシンゲリプロデューサーDukeは現在26歳で、タンザニアで最も多忙なクラブアルケミストのひとりだ。ソロデビュー作『Uingizaji Hewa』では、ダルエスサラームに根付くハード＆ファスト・クラブテンプレートに、バスタライムスやエミネム、そしてこのジャンルのベテランであるジェイミッタやシッソの200bpmを取り入れた、独特の \"ヒップホップ・シンゲリ \"サウンドを聴かせてくれた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2021年の \"Sounds of Pamoja \"では、Dukeのスタジオ、特にDogo Kibo、MC Kidene、Pirato MC、MC Kukeのようなこの街の最高の若手MCたちとの仕事ぶりを詳しく見せてくれた。『\u003cmeta charset=\"utf-8\"\u003eEarly Instrumentals』では、発掘されたジャンルを溶かすようなシングリの突然変異のセレクションが、ヴォーカルなしで丸裸にされており、Dukeの進化の深さを目の当たりにすることができる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eこの11曲入りセットには、現代的なレイヴサウンドとUSラップのアティテュード、そしてタンザニアのダンス史の融合という彼の先見性を表現した、これまでにないハイブリッドなダンスミュージックが収録されている。シンゲリのルーツは、東アフリカと中東の伝統的なダンスのリズムとメロディーを融合させたタラアブにあるが、Dukeはこのサウンドを、シンセを中心としたシンコペーションの花火のような、快活で未来的なサウンドへと導いている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Early Instrumentals \"は、デュークの盛り上がるダンスカクテルのこれまでで最もバラエティに富んだ作品だ。このジャンルはヘッドフォンで聴くものではなく、動くためのものだとリスナーに確信させる、身体的な呼びかけである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2522052390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSingeli bt\u003c\/li\u003e\n\u003cli\u003eDUKELO FL SING\u003c\/li\u003e\n\u003cli\u003eBEAT KALI DUKE\u003c\/li\u003e\n\u003cli\u003ebit kai p mc.\u003c\/li\u003e\n\u003cli\u003eDUKE SEBENE AK 47\u003c\/li\u003e\n\u003cli\u003eDUKE SELECTA\u003c\/li\u003e\n\u003cli\u003eF2\u003c\/li\u003e\n\u003cli\u003eKKKKKKKKKKKKKKK\u003c\/li\u003e\n\u003cli\u003esebene funguo duke\u003c\/li\u003e\n\u003cli\u003eWADA PANGA 1 02:24\u003c\/li\u003e\n\u003cli\u003eunti\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHaving toured the world with MCZO and been at the helm of his own studio Pamoja Records since he was just 18, influential singeli producer Duke, now 26, is one of Tanzania's busiest club alchemists. On his acclaimed solo debut \"Uingizaji Hewa\" we were introduced to his idiosyncratic \"hip-hop singeli\" sound, a slower cousin to the Dar es Salaam-rooted hard 'n fast club template that takes as much special sauce from Busta Rhymes and Eminem as it does the 200bpm clatter of genre veterans Jay Mitta and Sisso.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 2021's \"Sounds of Pamoja\"complilation, we were treated to a closer look into Duke's studio, and specifically at his work with the city's best young MCs like Dogo Kibo, MC Kidene, Pirato MC and MC Kuke. \"Early Instrumentals\" allows us to witness the depth of Duke's evolution, with a selection of unearthed genre melting singeli mutations laid completely bare without vocals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis 11-track set features some of his most arresting hybrid dance music yet, expressing his visionary fusion of contemporary rave sounds, US rap attitude and Tanzanian dance history. While the roots of singeli are in taraab, a popular fusion of East African and Middle Eastern traditional dance rhythms and melodies, Duke steers the sound into a synth-led, syncopated firework display that\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e sounds spry and futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCentered around a bumping staccato melody and urgent synth strings 'DUKELO FL SING' echoes the lo-swung swagger of early Dr. Dre productions, but kicks the tempo into overdrive, decorating any gaps with flickering late-nite synths. 'BEAT KALI DUKE' meanwhile drives carnival trance leads through hard and fast rolls of kick drums, whistles and woodblock cracks. It's not all completely high speed either: 'DUKE SELECTA' is almost Afro-house, with slow, sexy bass and woozy vocal melodies, and 'KKKKKKKKKKKKKKK' absorbs the propulsive spirit of South African gqom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Early Instrumentals\" is the most varied picture we've been presented yet of Duke's rousing dance cocktail. It's a physical call to action that assures listeners the genre is for movement, not headphone listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duke\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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タンザニア・ダルエスサラームのシンゲリ作家Dukeが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 過去作とは異なりボーカル無しのシンゲリ11曲を収録。青盤です。 以下、レーベルによる解説です。 "MCZOとともに世界をツアーし、18歳のときから自身のスタジオPamoja Recordsを率いてきた影響力のあるシンゲリプロデューサーDukeは現在26歳で、タンザニアで最も多忙なクラブアルケミストのひとりだ。ソロデビュー作『Uingizaji Hewa』では、ダルエスサラームに根付くハード＆ファスト・クラブテンプレートに、バスタライムスやエミネム、そしてこのジャンルのベテランであるジェイミッタやシッソの200bpmを取り入れた、独特の "ヒップホップ・シンゲリ "サウンドを聴かせてくれた。2021年の "Sounds of Pamoja "では、Dukeのスタジオ、特にDogo...
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{"id":8686954447098,"title":"Jako Maron \/\/ Mahavélouz LP","handle":"jako-maron-mahavelouz-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e伝統音楽マロヤを再構築した7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6\/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ（バスドラム）とサティ（ハイハット）のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré po saviré（立ち上がれ）」では催眠術のようなロールを生み出し、アメモウトウラオプのアシッドなボブレ・ツワングをゴムのようなバックで奏でている。Maronはこの曲を「精霊と人々をひとつにする呼びかけ」と表現し、突き刺すようなフィードバックの鳴き声を使ってボブレと調和させ、アルバム全体を支える声を紹介している。Bék dann dir (try harder)」では、ガラスのようなKorg PolysixのチャイムとMachinedrumの音でボブレを増強し、「Zésprimaron」（マロンの魂）では、儀式へと私たちをいざない、リズムを儀式的な鼓動にシャッフルし、スクエルシーなシンセサウンドでトランス状態へと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマロンは、「1 piton 3 filaos」（1つの丘と3本の木）でライブでのボブレ実験を終えているが、これは彼の最も野心的なフュージョンであり、アメモウトウラオプの熱狂的な演奏の合間に、幻覚的なフルートとテクノイドのスタブが無重量に立ち上っている。しかし、彼の調査はこれで終わりではない。Maronは「Mahavélouz」に、ボブレをシンセティックに再現した音色の研究を加えている。「Mdé prototrash」では、彼のモジュラーシステムによって特徴的なピング音が再現され、Maronの波打つようなパーカッションと一緒にブンブン、プチプチと、オリジナルの楽器とほとんど見分けがつかない。「dann kér Mahaveli」（素晴らしい土地の中心で）では、サウンドはより不気味だが、合成された鳥の鳴き声や魅惑的なワーブルに結びつけられ、それに劣らず影響を与えている。「Mahavélouz」は、前作よりもさらに特異で、Maronにとって大胆な前進であり、古代の土台の上に驚異的な新種のダンス・ミュージックを構築している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1232149772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in February 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paré po saviré 03:00\u003cbr\u003e2. Dann kér Mahaveli\u003cbr\u003e3. Bék dann dir\u003cbr\u003e4. DEUS ex Maloya\u003cbr\u003e5. Mdé prototrash\u003cbr\u003e6. Zésprimaron\u003cbr\u003e7. Un Piton 3 Filaos\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Jako Maron reimagined Réunion island's politically-charged maloya sound on 'The electro Maloya experiments of Jako Maron', he focused on the genre's distinctive, revolutionary rhythms. Electro-plating the call-and-response thuds, he used the language of techno to upset the expected template, disrupting maloya's 6\/8 pulse with modular bleeps and Roland kicks. He takes a different approach on 'Mahavélouz', focusing on the bobre, traditional maloya's only melodic instrument, a long bow amplified by a calabash that's known as the berimbau in Brazil. Maron was fascinated by the bobre's unique sonic signature, and noted that when it's usually played, it's drowned out by the louder percussive instruments. So he enlisted Zan Amemoutoulaop to play a series of solos, using them to guide the album's four lead tracks and distorting and compressing the serrated hits until they stood confidently in front of his undulating roulér (bass drum) and sati (hi-hat) patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"These four pieces are the culmination of my research into electronic maloya,\" explains Maron. \"There's no need for words on this music; the bobre is the voice, and it is an ancestral voice. It's a reimagining of maloya kabaré in an electro form.\" This is the music that Maron has used to drive his recent live performances, so it\u003cspan class=\"bcTruncateMore\"\u003e prioritizes maloya's dancefloor potential. Swapping the traditional roulér and sati sounds for TR-606, TR-909 and TR-707 hits, he generates a hypnotic roll on opening track 'Paré po saviré' (rise up), forming a rubbery backdrop for Amemoutoulaop's acidic bobre twangs. Maron describes the track as a \"call to bring spirits and people together\", and using piercing feedback squeals to harmonize with the bobre, he introduces us to the voice that anchors the entire album. On 'Bék dann dir (try harder), he augments the bobre with glassy Korg Polysix chimes and Machinedrum sounds, and 'Zésprimaron'(the Maron spirit), ushers us towards a ceremony, shuffling his rhythm into a ritualistic throb, and using squelchy synth sounds to flutter into a trance.\u003cbr\u003e\u003cbr\u003eMaron concludes his live bobre experiments with '1 piton 3 filaos' (one hill and three trees), and it's his most ambitious fusion, with hallucinatory flutes and technoid stabs rising weightlessly in-between Amemoutoulaop's frenetic performance. But this isn't the end of his investigation: Maron fleshes out 'Mahavélouz' with tonal studies that replicate the bobre synthetically. On 'Mdé prototrash', the characteristic ping is re-created by his modular system, and it's almost indistinguishable from the original instrument, buzzing and popping alongside Maron's surging percussion. The sound is more uncanny on 'dann kér Mahaveli' (in the heart of marvelous land) but no less affecting, knotted around synthetic bird calls and entrancing warbles. Even more idiosyncratic than its predecessors, 'Mahavélouz' is a bold step forward for Maron that builds on ancient foundations to construct a staggeringly new kind of dance music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-12-23T07:37:14+09:00","created_at":"2024-12-22T15:03:42+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46974218469626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jako Maron \/\/ Mahavélouz LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","options":["Title"],"media":[{"alt":null,"id":35335615840506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","width":700},{"alt":null,"id":35335615873274,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e伝統音楽マロヤを再構築した7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6\/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ（バスドラム）とサティ（ハイハット）のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré po saviré（立ち上がれ）」では催眠術のようなロールを生み出し、アメモウトウラオプのアシッドなボブレ・ツワングをゴムのようなバックで奏でている。Maronはこの曲を「精霊と人々をひとつにする呼びかけ」と表現し、突き刺すようなフィードバックの鳴き声を使ってボブレと調和させ、アルバム全体を支える声を紹介している。Bék dann dir (try harder)」では、ガラスのようなKorg PolysixのチャイムとMachinedrumの音でボブレを増強し、「Zésprimaron」（マロンの魂）では、儀式へと私たちをいざない、リズムを儀式的な鼓動にシャッフルし、スクエルシーなシンセサウンドでトランス状態へと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマロンは、「1 piton 3 filaos」（1つの丘と3本の木）でライブでのボブレ実験を終えているが、これは彼の最も野心的なフュージョンであり、アメモウトウラオプの熱狂的な演奏の合間に、幻覚的なフルートとテクノイドのスタブが無重量に立ち上っている。しかし、彼の調査はこれで終わりではない。Maronは「Mahavélouz」に、ボブレをシンセティックに再現した音色の研究を加えている。「Mdé prototrash」では、彼のモジュラーシステムによって特徴的なピング音が再現され、Maronの波打つようなパーカッションと一緒にブンブン、プチプチと、オリジナルの楽器とほとんど見分けがつかない。「dann kér Mahaveli」（素晴らしい土地の中心で）では、サウンドはより不気味だが、合成された鳥の鳴き声や魅惑的なワーブルに結びつけられ、それに劣らず影響を与えている。「Mahavélouz」は、前作よりもさらに特異で、Maronにとって大胆な前進であり、古代の土台の上に驚異的な新種のダンス・ミュージックを構築している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1232149772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in February 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paré po saviré 03:00\u003cbr\u003e2. Dann kér Mahaveli\u003cbr\u003e3. Bék dann dir\u003cbr\u003e4. DEUS ex Maloya\u003cbr\u003e5. Mdé prototrash\u003cbr\u003e6. Zésprimaron\u003cbr\u003e7. Un Piton 3 Filaos\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Jako Maron reimagined Réunion island's politically-charged maloya sound on 'The electro Maloya experiments of Jako Maron', he focused on the genre's distinctive, revolutionary rhythms. Electro-plating the call-and-response thuds, he used the language of techno to upset the expected template, disrupting maloya's 6\/8 pulse with modular bleeps and Roland kicks. He takes a different approach on 'Mahavélouz', focusing on the bobre, traditional maloya's only melodic instrument, a long bow amplified by a calabash that's known as the berimbau in Brazil. Maron was fascinated by the bobre's unique sonic signature, and noted that when it's usually played, it's drowned out by the louder percussive instruments. So he enlisted Zan Amemoutoulaop to play a series of solos, using them to guide the album's four lead tracks and distorting and compressing the serrated hits until they stood confidently in front of his undulating roulér (bass drum) and sati (hi-hat) patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"These four pieces are the culmination of my research into electronic maloya,\" explains Maron. \"There's no need for words on this music; the bobre is the voice, and it is an ancestral voice. It's a reimagining of maloya kabaré in an electro form.\" This is the music that Maron has used to drive his recent live performances, so it\u003cspan class=\"bcTruncateMore\"\u003e prioritizes maloya's dancefloor potential. Swapping the traditional roulér and sati sounds for TR-606, TR-909 and TR-707 hits, he generates a hypnotic roll on opening track 'Paré po saviré' (rise up), forming a rubbery backdrop for Amemoutoulaop's acidic bobre twangs. Maron describes the track as a \"call to bring spirits and people together\", and using piercing feedback squeals to harmonize with the bobre, he introduces us to the voice that anchors the entire album. On 'Bék dann dir (try harder), he augments the bobre with glassy Korg Polysix chimes and Machinedrum sounds, and 'Zésprimaron'(the Maron spirit), ushers us towards a ceremony, shuffling his rhythm into a ritualistic throb, and using squelchy synth sounds to flutter into a trance.\u003cbr\u003e\u003cbr\u003eMaron concludes his live bobre experiments with '1 piton 3 filaos' (one hill and three trees), and it's his most ambitious fusion, with hallucinatory flutes and technoid stabs rising weightlessly in-between Amemoutoulaop's frenetic performance. But this isn't the end of his investigation: Maron fleshes out 'Mahavélouz' with tonal studies that replicate the bobre synthetically. On 'Mdé prototrash', the characteristic ping is re-created by his modular system, and it's almost indistinguishable from the original instrument, buzzing and popping alongside Maron's surging percussion. The sound is more uncanny on 'dann kér Mahaveli' (in the heart of marvelous land) but no less affecting, knotted around synthetic bird calls and entrancing warbles. Even more idiosyncratic than its predecessors, 'Mahavélouz' is a bold step forward for Maron that builds on ancient foundations to construct a staggeringly new kind of dance music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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※4月中旬発送開始します マダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースするレコードです。 伝統音楽マロヤを再構築した7曲を収録。 以下、レーベルによる解説です。 "Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ（バスドラム）とサティ（ハイハット）のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。...
¥4,358
クイックビュー
{"id":8666369458426,"title":"popon \/\/ bubu TAPE","handle":"popon-bubu-tape","description":"\u003cp\u003e日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878689868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Knock 05:08\u003cbr\u003e2. Banana 08:50\u003cbr\u003e3. Casajizochan 03:35\u003cbr\u003e4. Bubu 03:06\u003cbr\u003e5. Sokkyooo 08:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese sound artist and improviser popon began her musical journey as the singer in a punk band before swerving into more experimental territory. Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:27:52+09:00","created_at":"2024-11-16T15:45:30+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","tape","techno \/ house"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864906715386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"popon \/\/ bubu TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","options":["Title"],"media":[{"alt":null,"id":35195325907194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","width":700},{"alt":null,"id":35195325939962,"position":2,"preview_image":{"aspect_ratio":1.288,"height":932,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451"},"aspect_ratio":1.288,"height":932,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878689868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Knock 05:08\u003cbr\u003e2. Banana 08:50\u003cbr\u003e3. Casajizochan 03:35\u003cbr\u003e4. Bubu 03:06\u003cbr\u003e5. Sokkyooo 08:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese sound artist and improviser popon began her musical journey as the singer in a punk band before swerving into more experimental territory. Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。 ポストインダストリアル・テクノ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥2,137
クイックビュー
{"id":8666368868602,"title":"Mariam Rezaei \/\/ BOWN TAPE","handle":"mariam-rezaei-bown-tape","description":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3087144594\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:47:25+09:00","created_at":"2024-11-16T15:43:06+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","jazz","monooto","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864904454394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mariam Rezaei \/\/ BOWN TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","options":["Title"],"media":[{"alt":null,"id":35195321712890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","width":700},{"alt":null,"id":35195321745658,"position":2,"preview_image":{"aspect_ratio":0.865,"height":1200,"width":1038,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"},"aspect_ratio":0.865,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282","width":1038}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3087144594\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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イギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。 巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases...
¥2,137
クイックビュー
{"id":8666367361274,"title":"Daisy Ray \/\/ Buddies 4 Life TAPE","handle":"daisy-ray-buddies-4-life-tape","description":"\u003cp\u003eベルギーの実験ポップ作家Daisy Rayが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから120本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ベッドルーム・ポップ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601271783\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 120. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Detective Walk 05:14\u003cbr\u003e2. Buddies 4 Life 05:17\u003cbr\u003e3. Birds in Your Yard 05:13\u003cbr\u003e4. Refuge 02:10\u003cbr\u003e5. Knock Knock 06:23\u003cbr\u003e6. Doggy on a Leash 06:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eChasing a blink ’n miss debut LP Belgium’s Daisy Ray returns to the label with a new batch of screwed selections ranging from new beat gunk to lo-fi digidub and grimy noise, somewhere between Petronn Sphene, Lolina and Ace of Bass?!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe manic energy that underlined Daisy Ray’s studio set ’Shelly’ earlier this year is fully unleashed in-the-moment on ’Buddies 4 Life’, throwing down six bits of “Belgian art-pop, C86 dreams and screwed dub” from her many years performing in DIY spaces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShe struts on a properly Lolina-adjacent flex with the naif digidub nursery rhyming melody of ‘Knock Knock’ and on the Casio taps of ‘Buddies 4 Life’, which also sounds like some delirious Brenday Ray x Ace Of Bass collab. The squashed turmoil of ‘Refuge’snags like Novoline’s distorted flip of 2 Unlimited in the demented bullet ‘Doggy On a Leash’, while the queered synth tone of ‘Birds in Your Yard’ is a cruder echo of DJ Niraha and Christian Love Forum’s noirish enigmas, and the technoid meat motor ‘Detective Walk’ is built of the same sorta substance that goes into Gretchen Aury’s (The Ephemeron Loop\/Tristwch y Fenywod) Petronn Sphene gear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daisy Ray\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-22T09:32:41+09:00","created_at":"2024-11-16T15:37:36+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","heat crimes","new","tape"],"price":222800,"price_min":222800,"price_max":222800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864897114362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daisy Ray \/\/ Buddies 4 Life TAPE","public_title":null,"options":["Default Title"],"price":222800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bu1_6a2636d8-cee0-4079-a009-dc9953eaa321.jpg?v=1731738967","\/\/tobirarecords.com\/cdn\/shop\/files\/bu2_5418ce4c-e846-4187-bb16-81124619c091.jpg?v=1731738967"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bu1_6a2636d8-cee0-4079-a009-dc9953eaa321.jpg?v=1731738967","options":["Title"],"media":[{"alt":null,"id":35195313193210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bu1_6a2636d8-cee0-4079-a009-dc9953eaa321.jpg?v=1731738967"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bu1_6a2636d8-cee0-4079-a009-dc9953eaa321.jpg?v=1731738967","width":700},{"alt":null,"id":35195313225978,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bu2_5418ce4c-e846-4187-bb16-81124619c091.jpg?v=1731738967"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bu2_5418ce4c-e846-4187-bb16-81124619c091.jpg?v=1731738967","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの実験ポップ作家Daisy Rayが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから120本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ベッドルーム・ポップ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601271783\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 120. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Detective Walk 05:14\u003cbr\u003e2. Buddies 4 Life 05:17\u003cbr\u003e3. Birds in Your Yard 05:13\u003cbr\u003e4. Refuge 02:10\u003cbr\u003e5. Knock Knock 06:23\u003cbr\u003e6. Doggy on a Leash 06:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eChasing a blink ’n miss debut LP Belgium’s Daisy Ray returns to the label with a new batch of screwed selections ranging from new beat gunk to lo-fi digidub and grimy noise, somewhere between Petronn Sphene, Lolina and Ace of Bass?!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe manic energy that underlined Daisy Ray’s studio set ’Shelly’ earlier this year is fully unleashed in-the-moment on ’Buddies 4 Life’, throwing down six bits of “Belgian art-pop, C86 dreams and screwed dub” from her many years performing in DIY spaces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShe struts on a properly Lolina-adjacent flex with the naif digidub nursery rhyming melody of ‘Knock Knock’ and on the Casio taps of ‘Buddies 4 Life’, which also sounds like some delirious Brenday Ray x Ace Of Bass collab. 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ベルギーの実験ポップ作家Daisy Rayが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから120本限定でリリースしたカセットです。 実験ベッドルーム・ポップ6曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available...
¥2,228
クイックビュー
{"id":8666366083322,"title":"Troposphere 7 \/\/ Grey Parrots TAPE","handle":"troposphere-7-grey-parrots-tape","description":"\u003cp\u003eコンゴのgqom作家Rey Sapienzとアメリカ出身韓国在住のエレクトロニック作家MB JonesによるデュオTroposphere 7が、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験gqom〜コラージュ・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2327915493\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3805559477\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in frosted clam-shell case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Boda Boda Ride 04:10\u003cbr\u003e2. Butu Na Moyi 03:29\u003cbr\u003e3. Mwinda 03:12\u003cbr\u003e4. Isabyre 03:45\u003cbr\u003e5. Mpuku 02:44\u003cbr\u003e6. Atmosfer 04:09\u003cbr\u003e7. Fog 03:01\u003cbr\u003e8. Korean Weather Report 03:31\u003cbr\u003e9. Grey Parrots 06:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack in 2007, ambitious Congolese scientist Jean-Patrice Keka Ohemba Okese established the Democratic Republic of Congo's first space program. He called his family of rockets \"Troposphere\", and used his own money to fund a series of launches that were progressively more complex. After learning from his successes and a few failures, Keka crowdfunded Troposphere 6 in 2019, intending to send a satellite into space to photograph the earth at a 200km altitude.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Troposphere 7\" is MB Jones' dedication to the DRC's enigmatic space program, named after a rocket that has yet to be conceptualized. Jones - a former US special agent from Masachussets who defected to the Republic of Korea - is already notorious for his decompressed K-pop experiments on Feeding Tube and DRAMA, but \"Troposphere 7\" explores radically different territory. Recorded in Uganda with Hakuna Kulala's Rey Sapienz, it's a mysterious blend of electronic funk, dimly lit 4\/4, and abstract, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first few seconds of opening track 'Boda Boda Ride' land us directly in Kampala, with the familiar sound of the city's motorcycle taxis eventually dissolving into white noise, synth\u003cspan class=\"bcTruncateMore\"\u003e drones and a squelchy Detroit-inspired rhythm. Like Actress's criminally underrated Thriller 12\"s crossed with Kelis-era Neptunes, it's cosmic dance music that's grounded in the 2020s East African landscape. The sound extends further on 'Butu Na Moyi', dipping into pulsing 4\/4 and echoing Digital Mystikz's bleakest dubs.\u003cbr\u003e\u003cbr\u003e1980s movie soundtrack synths bubble over reverberating sci-fi FX on 'Mwinda', and rhythmic elements slowly disappear, giving way to 'Isabyre' with its mind-altering synth splatter and untangled percussive rolls. 'Atmospher' is deeper still, allowing gloomy interplanetary drones to wash over Jones' peculiar sonic landscape. He brings each element together on closing track 'Grey Parrots', finding a UK funky groove in textured environmental recordings, kalimba, and bleeping electronics. Cosmic shit.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Troposphere 7\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:40:03+09:00","created_at":"2024-11-16T15:30:43+09:00","vendor":"Tobira Records","type":"","tags":["new","nyege nyege tapes","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864892723450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Troposphere 7 \/\/ Grey Parrots TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547","\/\/tobirarecords.com\/cdn\/shop\/files\/parr2.jpg?v=1731738547"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547","options":["Title"],"media":[{"alt":null,"id":35195300315386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1.jpg?v=1731738547","width":700},{"alt":null,"id":35195300348154,"position":2,"preview_image":{"aspect_ratio":1.271,"height":944,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr2.jpg?v=1731738547"},"aspect_ratio":1.271,"height":944,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr2.jpg?v=1731738547","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴのgqom作家Rey Sapienzとアメリカ出身韓国在住のエレクトロニック作家MB JonesによるデュオTroposphere 7が、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験gqom〜コラージュ・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2327915493\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945888964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3805559477\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in frosted clam-shell case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Boda Boda Ride 04:10\u003cbr\u003e2. Butu Na Moyi 03:29\u003cbr\u003e3. Mwinda 03:12\u003cbr\u003e4. Isabyre 03:45\u003cbr\u003e5. Mpuku 02:44\u003cbr\u003e6. Atmosfer 04:09\u003cbr\u003e7. Fog 03:01\u003cbr\u003e8. Korean Weather Report 03:31\u003cbr\u003e9. Grey Parrots 06:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack in 2007, ambitious Congolese scientist Jean-Patrice Keka Ohemba Okese established the Democratic Republic of Congo's first space program. He called his family of rockets \"Troposphere\", and used his own money to fund a series of launches that were progressively more complex. After learning from his successes and a few failures, Keka crowdfunded Troposphere 6 in 2019, intending to send a satellite into space to photograph the earth at a 200km altitude.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Troposphere 7\" is MB Jones' dedication to the DRC's enigmatic space program, named after a rocket that has yet to be conceptualized. Jones - a former US special agent from Masachussets who defected to the Republic of Korea - is already notorious for his decompressed K-pop experiments on Feeding Tube and DRAMA, but \"Troposphere 7\" explores radically different territory. Recorded in Uganda with Hakuna Kulala's Rey Sapienz, it's a mysterious blend of electronic funk, dimly lit 4\/4, and abstract, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first few seconds of opening track 'Boda Boda Ride' land us directly in Kampala, with the familiar sound of the city's motorcycle taxis eventually dissolving into white noise, synth\u003cspan class=\"bcTruncateMore\"\u003e drones and a squelchy Detroit-inspired rhythm. Like Actress's criminally underrated Thriller 12\"s crossed with Kelis-era Neptunes, it's cosmic dance music that's grounded in the 2020s East African landscape. The sound extends further on 'Butu Na Moyi', dipping into pulsing 4\/4 and echoing Digital Mystikz's bleakest dubs.\u003cbr\u003e\u003cbr\u003e1980s movie soundtrack synths bubble over reverberating sci-fi FX on 'Mwinda', and rhythmic elements slowly disappear, giving way to 'Isabyre' with its mind-altering synth splatter and untangled percussive rolls. 'Atmospher' is deeper still, allowing gloomy interplanetary drones to wash over Jones' peculiar sonic landscape. He brings each element together on closing track 'Grey Parrots', finding a UK funky groove in textured environmental recordings, kalimba, and bleeping electronics. Cosmic shit.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Troposphere 7\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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コンゴのgqom作家Rey Sapienzとアメリカ出身韓国在住のエレクトロニック作家MB JonesによるデュオTroposphere 7が、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから100本限定でリリースしたカセットです。 フロア棒立ち系実験gqom〜コラージュ・ストレンジビーツ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna...
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クイックビュー
{"id":8666364870906,"title":"DJ Chengz \/\/ St Lucian Kuduro MIXTAPE","handle":"dj-chengz-st-lucian-kuduro-mixtape-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカリブ海のDJ Chengzが、2020年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたミックステープです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eクドゥーロ影響下のカリブ海最新ダンスミュージックジャンル'デネリーセグメント'中心の67分ミックスです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/854928700\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\" title=\"Nyege Nyege Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eNyege Nyege Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\/dj-chengz-lucian-kuduros-mix-tape-side-a\" title=\"DJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eDJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMixtape cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Absolutely fire showcase of St. Lucia’s Kuduro Soca or “Dennery Segment” sound, a local style notorious for slack lyrics and its hi-NRG pace, here served up spicy as fuck by one of the Caribbean island’s premiere DJs for Uganda’s Nyege Nyege Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePacking pure heat from the town of Dennery in St. Lucia’s Mabouya Valley, DJ Chengz’ mixtape extends an unmissable introduction to Dennery Segment, a fast and grimy offshoot of the Angola “Hard ass” style of Kurudo that’s been banned in the region for its blend of salacious lyrics and rave-inciting rhythms. Also incorporating strong influence from Zouk and Lucian drums, Dennery Segment is a super strong example of punkishly road level party music from the Afro-Caribbean diaspora that highlights the pronounced, technoid Portuguese accent dominating global dancefloor dialogues right now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCatching 67 minutes of rudely stripped down drum loops and hooks locked with MCs chatting sexually charged filth in Kwéyòl (Saint Lucian Creole), the mix arguably recalls the energy of Carnival as much as the grime and Soca that went into UKF, and bristles with the electric rawness of early Marfox and classic Príncipe. But\u003cspan class=\"bcTruncateMore\"\u003e the defining feature is really the raunchy lyrical content, working in a long tradition of XXX-rated Soca styles but with a bang up-to-the-second sense of economy and directness touching on everything from alcohol problems to “Sex like spaghetti”, and galvanised by the jabbing, gruffly rhythmelodic urgency of the productions.\u003cbr\u003e\u003cbr\u003eLittle known beyond the region, perhaps aside from diaspora carnivals in US and EU, the infectious percolations of Dennery Segment are bound to incite fervent reactions with all discerning dancers and listeners who love it as rugged and rawly stylish as it comes. DJ Chengz’ expertly selected and blended mixtape is the ideal entry point to Kuduro’s latest mutation for anyone with hips and ears attuned to thrilling new music from the tropics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Chengz\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T20:50:48+09:00","created_at":"2024-11-16T15:24:19+09:00","vendor":"Tobira Records","type":"","tags":["field recording","house","new","nyege nyege tapes","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864889348346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Chengz \/\/ St Lucian Kuduro MIXTAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164","\/\/tobirarecords.com\/cdn\/shop\/files\/ku2.jpg?v=1731738164"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164","options":["Title"],"media":[{"alt":null,"id":35195286651130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_116c94c8-9292-47ee-8b85-61cd5ea24657.jpg?v=1731738164","width":700},{"alt":null,"id":35195286683898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2.jpg?v=1731738164"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2.jpg?v=1731738164","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカリブ海のDJ Chengzが、2020年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたミックステープです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eクドゥーロ影響下のカリブ海最新ダンスミュージックジャンル'デネリーセグメント'中心の67分ミックスです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/854928700\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\" title=\"Nyege Nyege Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eNyege Nyege Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/nyege-nyege-tapes\/dj-chengz-lucian-kuduros-mix-tape-side-a\" title=\"DJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eDJ CHENGZ LUCIAN KUDUROS MIX TAPE SIDE A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMixtape cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Absolutely fire showcase of St. Lucia’s Kuduro Soca or “Dennery Segment” sound, a local style notorious for slack lyrics and its hi-NRG pace, here served up spicy as fuck by one of the Caribbean island’s premiere DJs for Uganda’s Nyege Nyege Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePacking pure heat from the town of Dennery in St. Lucia’s Mabouya Valley, DJ Chengz’ mixtape extends an unmissable introduction to Dennery Segment, a fast and grimy offshoot of the Angola “Hard ass” style of Kurudo that’s been banned in the region for its blend of salacious lyrics and rave-inciting rhythms. Also incorporating strong influence from Zouk and Lucian drums, Dennery Segment is a super strong example of punkishly road level party music from the Afro-Caribbean diaspora that highlights the pronounced, technoid Portuguese accent dominating global dancefloor dialogues right now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCatching 67 minutes of rudely stripped down drum loops and hooks locked with MCs chatting sexually charged filth in Kwéyòl (Saint Lucian Creole), the mix arguably recalls the energy of Carnival as much as the grime and Soca that went into UKF, and bristles with the electric rawness of early Marfox and classic Príncipe. But\u003cspan class=\"bcTruncateMore\"\u003e the defining feature is really the raunchy lyrical content, working in a long tradition of XXX-rated Soca styles but with a bang up-to-the-second sense of economy and directness touching on everything from alcohol problems to “Sex like spaghetti”, and galvanised by the jabbing, gruffly rhythmelodic urgency of the productions.\u003cbr\u003e\u003cbr\u003eLittle known beyond the region, perhaps aside from diaspora carnivals in US and EU, the infectious percolations of Dennery Segment are bound to incite fervent reactions with all discerning dancers and listeners who love it as rugged and rawly stylish as it comes. DJ Chengz’ expertly selected and blended mixtape is the ideal entry point to Kuduro’s latest mutation for anyone with hips and ears attuned to thrilling new music from the tropics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Chengz\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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カリブ海のDJ Chengzが、2020年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたミックステープです。 クドゥーロ影響下のカリブ海最新ダンスミュージックジャンル'デネリーセグメント'中心の67分ミックスです。 Nyege Nyege Tapes · DJ CHENGZ LUCIAN KUDUROS MIX...
¥2,137
![Scotch Rolex, Shackleton & Omutaba // The Three Hands of Doom 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c_medium.jpg?v=1731738023)
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{"id":8666363625722,"title":"Scotch Rolex, Shackleton \u0026 Omutaba \/\/ The Three Hands of Doom 12inch [COLOR]","handle":"scotch-rolex-shackleton-omutaba-the-three-hands-of-doom-12inch-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eストレンジビーツ作家Scotch Rolex, Shackleton \u0026amp; Omutaba\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12\"です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=790186388\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ring Dirt 05:40\u003cbr\u003e2. Insect Vibration 08:44\u003cbr\u003e3. Burnt Earth 10:20\u003cbr\u003e4. The Three Hands of Doom 07:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeavy, heavy, heavyyyyy rhythmic madness from Shackleton, Scotch Rolex and Omutaba, invoking new rhythmic traditions on an enchanted debut album for Nyege Nyege Tapes, twisting galvanic rhythms from HHY \u0026amp; The Kampala Unit's Omutaba into sozzled, psychedelic peregrinations. Dubby, kinetic and viciously mind-bending, it's peak gear if you're into anything from African Head Charge to Mark Ernestus' Ndagga Rhythm Force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeading on from Shackleton and Scotch Rolex’s maiden merger, ‘Death by Tickling’ in 2023, the duo pull in the dextrous limbs of Omutaba - known from his work with STILL, Metal Preyers and HHY \u0026amp; The Kampala Unit - for a dervishing session of dubbed-out and tumbling polyrhythms and psychoactive vibes as Three Hands of Doom. Shackleton’s hand on the tiller is patently apparent but, as with his recent works with Heather Leigh and Wacław Zimpel, he proves a mutable collaborator and porous to the shared spirits of fellow electronic music journeymen Scotch Rolex and Uganda’s Omutaba in four swingeing sections defined by their joint ability to diffract the flow between rolling and irregular grooves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ring Dirt’ opens the session with a limber display\u003cspan class=\"bcTruncateMore\"\u003e of monotone strings and suspenseful synth work that calls to mind Can sent economy class to the equator for ritual teachings. Enlightened, they proceed thru the lush, whorling metric calculations of ‘Insect Vibration’, layering shivering incantations and worm-charming subs with a frisson of field recordings. At this point fully attuned to each other, Omutaba’s Ugandan drumming is felt most powerfully meshed into the 10 minute matrix of rug-pulling and thunderous detonations to ‘Burnt Earth’, before they all buckle into the outright dread of a standout eponymous title tune that appears to follow rhythms from the Congo thru West Africa, to Haiti, via Japan and Berlin, and back to Uganda.\u003cbr\u003e\u003cbr\u003eBoth Shackleton and Ishihara have been on blistering form in the last couple of years, and 'Three Hands of Doom' feels like both a continuation and an extension of last year's 'Death By Tickling', weaponizing Omutaba's exhilarating playing into something that feels much, much more than the sum of its parts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scotch Rolex, Shackleton \u0026amp; Omutaba\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:37:51+09:00","created_at":"2024-11-16T15:21:45+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":445800,"price_min":445800,"price_max":445800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864885678330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scotch Rolex, Shackleton \u0026 Omutaba \/\/ The Three Hands of Doom 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":445800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023","\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","options":["Title"],"media":[{"alt":null,"id":35195273052410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","width":700},{"alt":null,"id":35195273085178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023","width":1200},{"alt":null,"id":35195273117946,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eストレンジビーツ作家Scotch Rolex, Shackleton \u0026amp; Omutaba\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12\"です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=790186388\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ring Dirt 05:40\u003cbr\u003e2. Insect Vibration 08:44\u003cbr\u003e3. Burnt Earth 10:20\u003cbr\u003e4. The Three Hands of Doom 07:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeavy, heavy, heavyyyyy rhythmic madness from Shackleton, Scotch Rolex and Omutaba, invoking new rhythmic traditions on an enchanted debut album for Nyege Nyege Tapes, twisting galvanic rhythms from HHY \u0026amp; The Kampala Unit's Omutaba into sozzled, psychedelic peregrinations. Dubby, kinetic and viciously mind-bending, it's peak gear if you're into anything from African Head Charge to Mark Ernestus' Ndagga Rhythm Force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeading on from Shackleton and Scotch Rolex’s maiden merger, ‘Death by Tickling’ in 2023, the duo pull in the dextrous limbs of Omutaba - known from his work with STILL, Metal Preyers and HHY \u0026amp; The Kampala Unit - for a dervishing session of dubbed-out and tumbling polyrhythms and psychoactive vibes as Three Hands of Doom. Shackleton’s hand on the tiller is patently apparent but, as with his recent works with Heather Leigh and Wacław Zimpel, he proves a mutable collaborator and porous to the shared spirits of fellow electronic music journeymen Scotch Rolex and Uganda’s Omutaba in four swingeing sections defined by their joint ability to diffract the flow between rolling and irregular grooves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ring Dirt’ opens the session with a limber display\u003cspan class=\"bcTruncateMore\"\u003e of monotone strings and suspenseful synth work that calls to mind Can sent economy class to the equator for ritual teachings. Enlightened, they proceed thru the lush, whorling metric calculations of ‘Insect Vibration’, layering shivering incantations and worm-charming subs with a frisson of field recordings. At this point fully attuned to each other, Omutaba’s Ugandan drumming is felt most powerfully meshed into the 10 minute matrix of rug-pulling and thunderous detonations to ‘Burnt Earth’, before they all buckle into the outright dread of a standout eponymous title tune that appears to follow rhythms from the Congo thru West Africa, to Haiti, via Japan and Berlin, and back to Uganda.\u003cbr\u003e\u003cbr\u003eBoth Shackleton and Ishihara have been on blistering form in the last couple of years, and 'Three Hands of Doom' feels like both a continuation and an extension of last year's 'Death By Tickling', weaponizing Omutaba's exhilarating playing into something that feels much, much more than the sum of its parts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scotch Rolex, Shackleton \u0026amp; Omutaba\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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※4月中旬再入荷後発送します ストレンジビーツ作家Scotch Rolex, Shackleton & Omutabaが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12"です。 サイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more...
¥4,458
クイックビュー
{"id":8666361594106,"title":"Ekuka Moriss Sirikiti \/\/ TE-KWARO ALANGO-EKUKA LP","handle":"ekuka-moriss-sirikiti-ekuka-2x12inch","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフリカン・プリミティブフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378950938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. MITO MON OMEGU 04:03\u003cbr\u003e2. AKEMU MEDE IPWODO DAKO 03:21\u003cbr\u003e3. KWALO JAMI AMON TOO 03:53\u003cbr\u003e4. ICO AWILO KOTI ME KWALO ORANGA 03:47\u003cbr\u003e5. TEC ME OT JOK 04:11\u003cbr\u003e6. PE IYEL CWARI ABONGO BAL 05:28\u003cbr\u003e7. ONYO OCOLO 02:46\u003cbr\u003e8. NYEGENYEGE OYOMO YII JO 03:24\u003cbr\u003e9. OPWODO DAKO PI KUNYU OMOGO 04:55\u003cbr\u003e10. CIL PACO 03:29 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cem\u003eThe first studio album from lukeme maestro and legendary Langi griot Ekuka Morris Sirikiti, 'TE-KWARO ALANGO-EKUKU' is an emotional and historical milestone. In 2018, Nyege Nyege Tapes combed through the artist's work forensically on 'Ekuka', picking out the finest examples of his sound from recordings made by keen-eared listeners who caught his performances on Ugandan radio. Ekuka had never kept any of these tracks; living frugally in Lira, Northern Uganda, he doesn't even own a device to listen to the music. So when he eventually heard the anthology, it triggered an epiphany. The songs - recorded between 1978 and 2003 - brought memories flooding back; some of his bandmates have long since passed away, and Ekuka was suddenly reminded of old friendships and long-forgotten life events. \u003cbr\u003e\u003cbr\u003eFollowing this revelation, and for the first time in his life, Ekuka finally stepped into a proper studio, spending two weeks re-discovering and re-recording his old songs. These new versions capture the artist's virtuosity in microscopic detail: the characteristic rattling sound of his lukeme, an ancient African thumb piano, takes pride of place, but his assertive, agile voice also sounds as if it's been unlocked. On previous recordings, his words were often obscured by saturation, distortion and radio static, and here they're presented\u003cspan class=\"bcTruncateMore\"\u003e with startling clarity as he deconstructs social issues, telling winding, poetic (and often humorous) stories in the griot tradition. Sparse polyrhythmic percussion rattles against the euphoric rhythmelodic thumb piano tones, while Ekuka's voice anchors the music in the daily realities of Northern Uganda. \u003cbr\u003e\u003cbr\u003eOn the opening track 'MITO MON OMEGU', Ekuka stacks quivering lukeme phrases into a tense rhythmic foundation, dancing around the buzzing notes with clipped, casual rhymes that untangle the stresses and strains of romancing a brother's wife. And he travels further into the moral grey zone on 'ICO AWILO KOTI ME KWALO ORANGA', telling the tale of a man who buys a coat to steal beans over an irregular, woody rhythmic knock. The album's de-facto single 'TEC ME OT JOK' is about local witch doctors, and is the first song Ekuka has accompanied with a video. Colorful and cinematic, it juxtaposes footage of his performance - showcasing his lukeme playing in vivid detail - with local dances and narrative snippets that dramatize the interplay between a medicine man and his community. \u003cbr\u003e\u003cbr\u003eEukua is an endlessly inquisitive presence, mixing public service announcements ('ONYO OCOLO' is about paying taxes, while 'CIL PACO' details personal hygiene) with questions about village morals, like on 'OPWODO DAKO PI KUNYU OMOGO' when he recounts an incident when a woman is beaten for harvesting cassava. Everything's presented with an invitation to dance and to reflect, delivered with pathos and mischievous charm by an artist who's seen life's full spectrum in intimate detail. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ekuka Moriss Sirikiti\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:33:33+09:00","created_at":"2024-11-16T15:13:51+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","strange beats"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864877125882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ekuka Moriss Sirikiti \/\/ TE-KWARO ALANGO-EKUKA LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","options":["Title"],"media":[{"alt":null,"id":35195659452666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","width":1200},{"alt":null,"id":35195659550970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフリカン・プリミティブフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378950938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. MITO MON OMEGU 04:03\u003cbr\u003e2. AKEMU MEDE IPWODO DAKO 03:21\u003cbr\u003e3. KWALO JAMI AMON TOO 03:53\u003cbr\u003e4. ICO AWILO KOTI ME KWALO ORANGA 03:47\u003cbr\u003e5. TEC ME OT JOK 04:11\u003cbr\u003e6. PE IYEL CWARI ABONGO BAL 05:28\u003cbr\u003e7. ONYO OCOLO 02:46\u003cbr\u003e8. NYEGENYEGE OYOMO YII JO 03:24\u003cbr\u003e9. OPWODO DAKO PI KUNYU OMOGO 04:55\u003cbr\u003e10. CIL PACO 03:29 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cem\u003eThe first studio album from lukeme maestro and legendary Langi griot Ekuka Morris Sirikiti, 'TE-KWARO ALANGO-EKUKU' is an emotional and historical milestone. In 2018, Nyege Nyege Tapes combed through the artist's work forensically on 'Ekuka', picking out the finest examples of his sound from recordings made by keen-eared listeners who caught his performances on Ugandan radio. Ekuka had never kept any of these tracks; living frugally in Lira, Northern Uganda, he doesn't even own a device to listen to the music. So when he eventually heard the anthology, it triggered an epiphany. The songs - recorded between 1978 and 2003 - brought memories flooding back; some of his bandmates have long since passed away, and Ekuka was suddenly reminded of old friendships and long-forgotten life events. \u003cbr\u003e\u003cbr\u003eFollowing this revelation, and for the first time in his life, Ekuka finally stepped into a proper studio, spending two weeks re-discovering and re-recording his old songs. These new versions capture the artist's virtuosity in microscopic detail: the characteristic rattling sound of his lukeme, an ancient African thumb piano, takes pride of place, but his assertive, agile voice also sounds as if it's been unlocked. On previous recordings, his words were often obscured by saturation, distortion and radio static, and here they're presented\u003cspan class=\"bcTruncateMore\"\u003e with startling clarity as he deconstructs social issues, telling winding, poetic (and often humorous) stories in the griot tradition. Sparse polyrhythmic percussion rattles against the euphoric rhythmelodic thumb piano tones, while Ekuka's voice anchors the music in the daily realities of Northern Uganda. \u003cbr\u003e\u003cbr\u003eOn the opening track 'MITO MON OMEGU', Ekuka stacks quivering lukeme phrases into a tense rhythmic foundation, dancing around the buzzing notes with clipped, casual rhymes that untangle the stresses and strains of romancing a brother's wife. And he travels further into the moral grey zone on 'ICO AWILO KOTI ME KWALO ORANGA', telling the tale of a man who buys a coat to steal beans over an irregular, woody rhythmic knock. The album's de-facto single 'TEC ME OT JOK' is about local witch doctors, and is the first song Ekuka has accompanied with a video. Colorful and cinematic, it juxtaposes footage of his performance - showcasing his lukeme playing in vivid detail - with local dances and narrative snippets that dramatize the interplay between a medicine man and his community. \u003cbr\u003e\u003cbr\u003eEukua is an endlessly inquisitive presence, mixing public service announcements ('ONYO OCOLO' is about paying taxes, while 'CIL PACO' details personal hygiene) with questions about village morals, like on 'OPWODO DAKO PI KUNYU OMOGO' when he recounts an incident when a woman is beaten for harvesting cassava. Everything's presented with an invitation to dance and to reflect, delivered with pathos and mischievous charm by an artist who's seen life's full spectrum in intimate detail. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ekuka Moriss Sirikiti\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 アフリカン・プリミティブフォーク10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala /...
¥4,358
クイックビュー
{"id":8666361200890,"title":"DJ ZNOBIA \/\/ Inventor Vol 2 LP","handle":"dj-znobia-inventor-vol-2-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2024年10月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから180部限定でリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした10曲を収録。4シリーズの2作目です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dj-znobia-inventor-vol-1-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=319355838\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sofre 03:37\u003cbr\u003e2. Wo Adji Wo feat Os Bonitos 03:59\u003cbr\u003e3. Sombras 03:40\u003cbr\u003e4. Danca Da Ma Ju 04:23\u003cbr\u003e5. ku duro ou hunderground 03:25\u003cbr\u003e6. Choro do Corno 03:30\u003cbr\u003e7. Assim ja nu ta da 03:36\u003cbr\u003e8. Monandengue (Belinha) 03:29\u003cbr\u003e9. Beat Cursor 03:17\u003cbr\u003e10. Fortes Lembrancas 03:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second volume of Nyege Nyege's career-spanning DJ Znobia retrospective, 'Inventor Vol. 2' continues the vital story of one of Africa's most influential artists - a producer, singer and DJ who's spent three decades inking his signature onto kuduro and tarraxinha. The label combed through Znobia's vast archives to assemble the four-volume set, picking out the most essential moments from over 700 tracks written between the late 1990s and the mid 2000s; these aren't just the expected dancefloor heaters either, but a sprawling anthology that shines a spotlight on Znobia's innovation and unhinged mastery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn 'Inventor Vol. 2', Angola-born Sebastião Lopes' light-hearted sense of humor floats visibly to the surface. He samples the viral \"Baby T-Pain\" YouTube clip and flips it into a hypnotic wail on 'Choro do Corno', offsetting the melodic Auto-Tune layers with his idiosyncratic slowed-down kuduro thuds. Meanwhile, on the chaotic 'Beat Cursor', Znobia raids the Windows sound library, turning eerily familiar error chimes and message alert sirens into percussion that jerks and sways around urgent hand drum rolls and neck-snapping snares. But elsewhere, the magic that led vocal breakouts like 'Marimba' to cult status is thrust into the\u003cspan class=\"bcTruncateMore\"\u003e foreground.\u003cbr\u003e\u003cbr\u003eLopes' slippery, robotic voice curls through syrupy beats and FL Studio-powered electronic harp plucks on 'Sofre', mimics an early Talkbox on the electro-powered 'Dance Da Ma Ju' and shimmers into a soft, romantic coo on 'Monandengue'. Each track highlights the Angolan original's voracious appetite for experimentation, and expresses the parallels between Znobia's kuduro and tarraxinha innovations, and similar future-facing Afro-diasporic moves made in grime, early techno or Brazilian funk. Just check the wheezing synths, haunted flutes and hollow, driving percussion on 'Kuduro ou Hunderground', or the pizzicato blasts and garbled oscillations that shadow Os Bonitos' elastic rhymes on stand-out 'Wo Adji Wo'.\u003cbr\u003e\u003cbr\u003eFrom humble beginnings, learning to mix with just a couple of semba LPs, DJ Znobia took his cues from local traditional sounds and used their groove to power a new musical movement. And with 'Inventor Vol. 2' we're provided with another piece of the puzzle, a sequence of visions that have provided the wider world with modernism, eccentricity and vision. We're still feeling the shockwaves, decades later.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:06:53+09:00","created_at":"2024-11-16T15:11:20+09:00","vendor":"Tobira Records","type":"","tags":["field recording","house","lp","new","nyege nyege tapes"],"price":398900,"price_min":398900,"price_max":398900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864874209530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ ZNOBIA \/\/ Inventor Vol 2 LP","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353","\/\/tobirarecords.com\/cdn\/shop\/files\/dj2.jpg?v=1731737353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353","options":["Title"],"media":[{"alt":null,"id":35195251982586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj1_920f5e24-2760-4061-9c8e-12baac257430.jpg?v=1731737353","width":700},{"alt":null,"id":35195252015354,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj2.jpg?v=1731737353"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dj2.jpg?v=1731737353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2024年10月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから180部限定でリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした10曲を収録。4シリーズの2作目です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dj-znobia-inventor-vol-1-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3271606125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=319355838\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sofre 03:37\u003cbr\u003e2. Wo Adji Wo feat Os Bonitos 03:59\u003cbr\u003e3. Sombras 03:40\u003cbr\u003e4. Danca Da Ma Ju 04:23\u003cbr\u003e5. ku duro ou hunderground 03:25\u003cbr\u003e6. Choro do Corno 03:30\u003cbr\u003e7. Assim ja nu ta da 03:36\u003cbr\u003e8. Monandengue (Belinha) 03:29\u003cbr\u003e9. Beat Cursor 03:17\u003cbr\u003e10. Fortes Lembrancas 03:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second volume of Nyege Nyege's career-spanning DJ Znobia retrospective, 'Inventor Vol. 2' continues the vital story of one of Africa's most influential artists - a producer, singer and DJ who's spent three decades inking his signature onto kuduro and tarraxinha. The label combed through Znobia's vast archives to assemble the four-volume set, picking out the most essential moments from over 700 tracks written between the late 1990s and the mid 2000s; these aren't just the expected dancefloor heaters either, but a sprawling anthology that shines a spotlight on Znobia's innovation and unhinged mastery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn 'Inventor Vol. 2', Angola-born Sebastião Lopes' light-hearted sense of humor floats visibly to the surface. He samples the viral \"Baby T-Pain\" YouTube clip and flips it into a hypnotic wail on 'Choro do Corno', offsetting the melodic Auto-Tune layers with his idiosyncratic slowed-down kuduro thuds. Meanwhile, on the chaotic 'Beat Cursor', Znobia raids the Windows sound library, turning eerily familiar error chimes and message alert sirens into percussion that jerks and sways around urgent hand drum rolls and neck-snapping snares. But elsewhere, the magic that led vocal breakouts like 'Marimba' to cult status is thrust into the\u003cspan class=\"bcTruncateMore\"\u003e foreground.\u003cbr\u003e\u003cbr\u003eLopes' slippery, robotic voice curls through syrupy beats and FL Studio-powered electronic harp plucks on 'Sofre', mimics an early Talkbox on the electro-powered 'Dance Da Ma Ju' and shimmers into a soft, romantic coo on 'Monandengue'. Each track highlights the Angolan original's voracious appetite for experimentation, and expresses the parallels between Znobia's kuduro and tarraxinha innovations, and similar future-facing Afro-diasporic moves made in grime, early techno or Brazilian funk. Just check the wheezing synths, haunted flutes and hollow, driving percussion on 'Kuduro ou Hunderground', or the pizzicato blasts and garbled oscillations that shadow Os Bonitos' elastic rhymes on stand-out 'Wo Adji Wo'.\u003cbr\u003e\u003cbr\u003eFrom humble beginnings, learning to mix with just a couple of semba LPs, DJ Znobia took his cues from local traditional sounds and used their groove to power a new musical movement. And with 'Inventor Vol. 2' we're provided with another piece of the puzzle, a sequence of visions that have provided the wider world with modernism, eccentricity and vision. We're still feeling the shockwaves, decades later.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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アンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2024年10月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから180部限定でリリースしたレコードです。 彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした10曲を収録。4シリーズの2作目です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala...
¥3,989
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{"id":8666360545530,"title":"Arsenal Mikebe \/\/ DRUM MACHINE 12inch","handle":"arsenal-mikebe-drum-machine-12inch","description":"\u003cp\u003eウガンダ・カンパラのストレンジビーツトリオArsenal Mikebeが、2024年9月にカンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける実験アフロビート〜ストレンジビーツ〜トライバル・テクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4211317050\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Okuleekaana 03:12\u003cbr\u003e2. Amazina 07:18\u003cbr\u003e3. Omuzimu 04:04\u003cbr\u003e4. Boiller Omukka 08:25\u003cbr\u003e5. Masiini 03:59\u003cbr\u003e6. Bell Ghost 03:40\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in Kampala, Arsenal Mikebe are a groundbreaking Ugandan ensemble who playfully dance around the fringes of of acoustic and electronic music, infusing tempo-fluxed polyrhythms with dizzying chants and ghostly synthetic drones. The band is made up of percussionists Ssentongo Moses, Dratele Epiphany, Luyambi Vincent de Paul and was co-founded by Portugese sonic alchemist Jonathan Uliel Saldanha, together they straddle a unique custom instrument dreamt up by Ugandan master sculptor Henry Segamwenge, better known simply as Sega. By reverse engineering Roland's iconic TR-808 beatbox, they devised a steel-cast \"percussion machine\" that allows Arsenal Mikebe to seamlessly integrate bass-heavy electronic sounds into their frenetic performances, and it's this device that lies at the core of their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'DRUM MACHINE' is a rhythmic masterclass that's impossible to slot into any particular niche or other. Moses, Vincent and Dratele's kinetic beats appear to bisect each other, slipping between time signatures as fluidly as they pierce the membrane between the organic and the digital. On opening track 'Okuleekaana', brushy high-end hits coalesce into quivering patterns that bounce off the trio's guttural chants before the track's shuttled into peak-time by an\u003cspan class=\"bcTruncateMore\"\u003e ear-splitting distorted kick. Harsh death metal-style growls echo and spiral into the distance, and Sega's percussion machine is nudged into overdrive, its smorgasbord of distinctive pulses lifted skyward by glassy, evocative synths and resonant twangs.\u003cbr\u003e\u003cbr\u003eIt's extreme music, in a sense, but Arsenal Mikebe command startling dynamics, veering off course whenever possible. 'Omuzimu' is the perfect example, a labyrinth of itchy rhythms and anxious pauses that only slowly converges into a discernible beat, with its jerky bumps and muted crashes underpinned by eerie, almost inaudible B-movie whines and stifled shouts. And on the lengthy 'Boiller Omukka', the trio sing soulfully and wordlessly over feverish hollow thuds and cowbell knocks, referencing traditional Ugandan song forms while simultaneously excavating the bones of techno. It all builds up to the rubbery, intense 'Bell Ghost', that carves energetic vocal snippets into an undulating rhythmic concertina and fractalizes the atmosphere with swirling, psychedelic flutes and haunted intonations.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arsenal Mikebe\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T17:55:07+09:00","created_at":"2024-11-16T15:08:22+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":398900,"price_min":398900,"price_max":398900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864871719162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arsenal Mikebe \/\/ DRUM MACHINE 12inch","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138","\/\/tobirarecords.com\/cdn\/shop\/files\/mik2_e6612627-7041-4af3-aba1-2b48de4a4f15.jpg?v=1731737138"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138","options":["Title"],"media":[{"alt":null,"id":35195246477562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_5e7a30c7-b333-4825-9870-4a26df663a9a.jpg?v=1731737138","width":700},{"alt":null,"id":35195246510330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik2_e6612627-7041-4af3-aba1-2b48de4a4f15.jpg?v=1731737138"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik2_e6612627-7041-4af3-aba1-2b48de4a4f15.jpg?v=1731737138","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダ・カンパラのストレンジビーツトリオArsenal Mikebeが、2024年9月にカンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける実験アフロビート〜ストレンジビーツ〜トライバル・テクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444291646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4211317050\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Okuleekaana 03:12\u003cbr\u003e2. Amazina 07:18\u003cbr\u003e3. Omuzimu 04:04\u003cbr\u003e4. Boiller Omukka 08:25\u003cbr\u003e5. Masiini 03:59\u003cbr\u003e6. Bell Ghost 03:40\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in Kampala, Arsenal Mikebe are a groundbreaking Ugandan ensemble who playfully dance around the fringes of of acoustic and electronic music, infusing tempo-fluxed polyrhythms with dizzying chants and ghostly synthetic drones. The band is made up of percussionists Ssentongo Moses, Dratele Epiphany, Luyambi Vincent de Paul and was co-founded by Portugese sonic alchemist Jonathan Uliel Saldanha, together they straddle a unique custom instrument dreamt up by Ugandan master sculptor Henry Segamwenge, better known simply as Sega. By reverse engineering Roland's iconic TR-808 beatbox, they devised a steel-cast \"percussion machine\" that allows Arsenal Mikebe to seamlessly integrate bass-heavy electronic sounds into their frenetic performances, and it's this device that lies at the core of their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'DRUM MACHINE' is a rhythmic masterclass that's impossible to slot into any particular niche or other. Moses, Vincent and Dratele's kinetic beats appear to bisect each other, slipping between time signatures as fluidly as they pierce the membrane between the organic and the digital. On opening track 'Okuleekaana', brushy high-end hits coalesce into quivering patterns that bounce off the trio's guttural chants before the track's shuttled into peak-time by an\u003cspan class=\"bcTruncateMore\"\u003e ear-splitting distorted kick. Harsh death metal-style growls echo and spiral into the distance, and Sega's percussion machine is nudged into overdrive, its smorgasbord of distinctive pulses lifted skyward by glassy, evocative synths and resonant twangs.\u003cbr\u003e\u003cbr\u003eIt's extreme music, in a sense, but Arsenal Mikebe command startling dynamics, veering off course whenever possible. 'Omuzimu' is the perfect example, a labyrinth of itchy rhythms and anxious pauses that only slowly converges into a discernible beat, with its jerky bumps and muted crashes underpinned by eerie, almost inaudible B-movie whines and stifled shouts. And on the lengthy 'Boiller Omukka', the trio sing soulfully and wordlessly over feverish hollow thuds and cowbell knocks, referencing traditional Ugandan song forms while simultaneously excavating the bones of techno. It all builds up to the rubbery, intense 'Bell Ghost', that carves energetic vocal snippets into an undulating rhythmic concertina and fractalizes the atmosphere with swirling, psychedelic flutes and haunted intonations.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arsenal Mikebe\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ウガンダ・カンパラのストレンジビーツトリオArsenal Mikebeが、2024年9月にカンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポリリズムで畳み掛ける実験アフロビート〜ストレンジビーツ〜トライバル・テクノ6曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
¥3,989
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{"id":8157856563450,"title":"Ratigan Era \/\/ Era LP","handle":"ratigan-era-era-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e ウガンダ・カンパラのラッパーRatigan Eraが、2024年1月にカンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eルガンダ語、パトワ語、スペイン語、英語を用いたアフロ・ダンスホール〜Gqom7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ダンスホールはジャマイカで生まれたかもしれないが、ここ数十年の間にこの人気ジャンルの蔓は世界中に伸びている。カンパラのRatigan Eraは、東アフリカのユーモアとガーナやナイジェリアから輸入したハイパーメロディックなアフロビーツの要素を融合させ、ダンスホールにウガンダ独特のひねりを加えている。多才なMCである彼は、ヴィブス・カーテル、ビジー・シグナル、マヴァドといったジャマイカの音楽を聴いて育った-彼の故郷カウェンペでは、それを避ける方法はほとんどなかった-。彼はこの多様な影響を、ルガンダ語、パトワ語、スペイン語、英語の間で煮えたぎるような、完全にユニークなアフロ・ダンスホールの流れへと発展させ、現代のアフリカを特徴づける文化のるつぼや方言を反映させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、パラソのウガンダのヒット曲「Nsaba」への印象的なフィーチャリングでブレイクし、そのトラックはナイトクラブやオートバイのラウドスピーカー、あるいはコンビニエンスストアから国中に響き渡った。ハクナクララで最も境界線を押し広げるプロデューサーたちによるフューチャリスティックなビートをバックに、Gqomのようなヴォーカルと印象的なチャントが激しく独創的に織り成すファーストアルバム『Era』が完成した。コンゴ出身のプロデューサー、クリスマンが手綱を取る「Gorilla Attack」は、スキリベンやスケングといったブレイクスルー・アーティストによる最近のジャマイカン・チョップの展開と呼応するダウンテンポのグルーヴを提供する。ラティガンは、クリスマンのGQOMにインスパイアされたローエンド・ワンプと腐食したシンセの間を潜り抜け、スマートで器用なフロウと舌を巻くような歌詞で注目を集める。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eモダン・インスティテュートとゴールデン・ティーチャーのリチャード・マクマスターが手掛けた「Top Strike Force」は、ラティガンがアンセミックな反復と氷のように冷たいオートチューニングの慟哭の間を行き来できるよう、ひょろひょろとしたミニマル・ビートの中にスペースを空けている。注目のトラック「Badman Style」では、HHY \u0026amp; The Kampala Unitのジョナサン・ウリエル・サルダンハ（別名リチウム・ビーツ）によるトラップとダンスホールのハイブリッド・ビートをバックに、ラティガンの小声が響く。MCヤラーのコラボレーターであるデブマスターは「Gan Dem」に参加し、ラティガンのダブルタイム・ラップとサウンドシステムを破壊するローリング・サブをマッチさせ、アメリカのベテラン・ノイズメーカー、クシュ・アローラは「Cool and Deadly」で魔法の粉を振りまき、世界的な低音の突然変異、ジャマイカと東アフリカのつながりを活性化させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、カンパラの色とりどりの音とフレーズを正確にスナップショットしている。ラティガンの大らかな個性は、カンパラの景色、音、匂いを、親しみやすく、地元に根ざした熱狂的なリズムで、遠くまで伝えてくれる。それは、私たちが切実に必要としている未来なのかもしれない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RUi0x_X-4Z4?si=uwo5wrwBBL9wH9fF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lXb5s_ldIQI?si=NE4jVawiPeXOCET4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGorilla Attack\u003c\/li\u003e\n\u003cli\u003eTop Strike Force\u003c\/li\u003e\n\u003cli\u003eBaman Style\u003c\/li\u003e\n\u003cli\u003eFour Corners\u003c\/li\u003e\n\u003cli\u003eGan Dem 02:34\u003c\/li\u003e\n\u003cli\u003eDrop It Down\u003c\/li\u003e\n\u003cli\u003ePussy\u003c\/li\u003e\n\u003cli\u003eCool \u0026amp; Deadly\u003c\/li\u003e\n\u003cli\u003eI Feel Alright\u003c\/li\u003e\n\u003cli\u003eBark 02:45\u003c\/li\u003e\n\u003cli\u003eOn My List\u003c\/li\u003e\n\u003cli\u003eStop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDancehall might have emerged in Jamaica, but over the last few decades the popular genre's tendrils have stretched out across the globe. In Kampala, Ratigan Era is adding a distinct Ugandan twist to dancehall, fusing it with East African humor and hyper-melodic afrobeats elements imported from Ghana and Nigeria. The versatile MC grew up listening to Jamaican music like Vybz Kartel, Busy Signal and Mavado - in his hometown of Kawempe there was almost no way to avoid it - and it blurred into the background, blending with local church music, US hip-hop and radio pop. He developed this diverse range of influences into a completely unique Afro-dancehall flow that simmers between Luganda, patois, Spanish and English, reflecting the melting pot of cultures and dialects that characterizes contemporary Africa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRatigan broke out with a memorable feature on Pallaso's Ugandan hit 'Nsaba', a track that echoed throughout the country booming from nightclubs, motorcycle loudspeakers or from convenience stores. Now he's assembled his first album \"Era\", a furiously inventive interweaving of rubbery vocals and memorable chants backed by futuristic beats from Hakuna Kulala's most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e boundary-pushing producers. Congolese producer Chrisman takes the reins on 'Gorilla Attack', providing a downtempo groove that echoes recent Jamaican chop deployments from breakthrough artists like Skillibeng and Skeng. For his part, Ratigan ducks and dives between Chrisman's gqom-inspired low end womps and corrosive synths, commanding attention with his smart, dextrous flow and tongue-twisting lyrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Modern Institute and Golden Teacher's Richard McMaster handles 'Top Strike Force' leaving space in his wiry, minimal beats for Ratigan to flit between anthemic repetitions and ice-cold AutoTuned wails. On stand-out track 'Badman Style', Ratigan's guttural patois is measured against a dizzy trap-dancehall hybrid beat from HHY \u0026amp; The Kampala Unit's Jonathan Uliel Saldanha, aka Lithium Beats, while on the surreal 'Drop it Down', Japanese mad scientist Scotch Rolex brings out Ratigan's cheeky sense of humor with toytown bleeps and laser zaps. MC Yallah collaborator Debmaster appears on 'Gan Dem', meeting Ratigan's double-time raps with soundsystem destroying rolling subs, and veteran US noisemaker Kush Arora sprinkles magic dust on 'Cool and Deadly', galvanizing the link between global bass mutations, Jamaica and East Africa.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd despite the grab-bag of producers and inspirations, \"Ratigan\" is a strikingly coherent listening experience that accurately snapshots Kampala's colorful froth of sounds and phrases. Ratigan's outsized personality is welcoming and captivating, providing the sights, sounds and smells of the city with a frenetic rhythm that's as intimate and local as it is far-reaching. It might just be the future we so desperately need.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ratigan Era\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2024-01-28T08:15:42+09:00","created_at":"2024-01-27T13:46:43+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","new","techno \/ house"],"price":326000,"price_min":326000,"price_max":326000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45102416527610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ratigan Era \/\/ Era LP","public_title":null,"options":["Default Title"],"price":326000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805","\/\/tobirarecords.com\/cdn\/shop\/files\/era2.jpg?v=1706330805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805","options":["Title"],"media":[{"alt":null,"id":33065613689082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era1.jpg?v=1706330805","width":700},{"alt":null,"id":33065613721850,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era2.jpg?v=1706330805"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/era2.jpg?v=1706330805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e ウガンダ・カンパラのラッパーRatigan Eraが、2024年1月にカンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eルガンダ語、パトワ語、スペイン語、英語を用いたアフロ・ダンスホール〜Gqom7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ダンスホールはジャマイカで生まれたかもしれないが、ここ数十年の間にこの人気ジャンルの蔓は世界中に伸びている。カンパラのRatigan Eraは、東アフリカのユーモアとガーナやナイジェリアから輸入したハイパーメロディックなアフロビーツの要素を融合させ、ダンスホールにウガンダ独特のひねりを加えている。多才なMCである彼は、ヴィブス・カーテル、ビジー・シグナル、マヴァドといったジャマイカの音楽を聴いて育った-彼の故郷カウェンペでは、それを避ける方法はほとんどなかった-。彼はこの多様な影響を、ルガンダ語、パトワ語、スペイン語、英語の間で煮えたぎるような、完全にユニークなアフロ・ダンスホールの流れへと発展させ、現代のアフリカを特徴づける文化のるつぼや方言を反映させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、パラソのウガンダのヒット曲「Nsaba」への印象的なフィーチャリングでブレイクし、そのトラックはナイトクラブやオートバイのラウドスピーカー、あるいはコンビニエンスストアから国中に響き渡った。ハクナクララで最も境界線を押し広げるプロデューサーたちによるフューチャリスティックなビートをバックに、Gqomのようなヴォーカルと印象的なチャントが激しく独創的に織り成すファーストアルバム『Era』が完成した。コンゴ出身のプロデューサー、クリスマンが手綱を取る「Gorilla Attack」は、スキリベンやスケングといったブレイクスルー・アーティストによる最近のジャマイカン・チョップの展開と呼応するダウンテンポのグルーヴを提供する。ラティガンは、クリスマンのGQOMにインスパイアされたローエンド・ワンプと腐食したシンセの間を潜り抜け、スマートで器用なフロウと舌を巻くような歌詞で注目を集める。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eモダン・インスティテュートとゴールデン・ティーチャーのリチャード・マクマスターが手掛けた「Top Strike Force」は、ラティガンがアンセミックな反復と氷のように冷たいオートチューニングの慟哭の間を行き来できるよう、ひょろひょろとしたミニマル・ビートの中にスペースを空けている。注目のトラック「Badman Style」では、HHY \u0026amp; The Kampala Unitのジョナサン・ウリエル・サルダンハ（別名リチウム・ビーツ）によるトラップとダンスホールのハイブリッド・ビートをバックに、ラティガンの小声が響く。MCヤラーのコラボレーターであるデブマスターは「Gan Dem」に参加し、ラティガンのダブルタイム・ラップとサウンドシステムを破壊するローリング・サブをマッチさせ、アメリカのベテラン・ノイズメーカー、クシュ・アローラは「Cool and Deadly」で魔法の粉を振りまき、世界的な低音の突然変異、ジャマイカと東アフリカのつながりを活性化させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラティガンは、カンパラの色とりどりの音とフレーズを正確にスナップショットしている。ラティガンの大らかな個性は、カンパラの景色、音、匂いを、親しみやすく、地元に根ざした熱狂的なリズムで、遠くまで伝えてくれる。それは、私たちが切実に必要としている未来なのかもしれない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RUi0x_X-4Z4?si=uwo5wrwBBL9wH9fF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lXb5s_ldIQI?si=NE4jVawiPeXOCET4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGorilla Attack\u003c\/li\u003e\n\u003cli\u003eTop Strike Force\u003c\/li\u003e\n\u003cli\u003eBaman Style\u003c\/li\u003e\n\u003cli\u003eFour Corners\u003c\/li\u003e\n\u003cli\u003eGan Dem 02:34\u003c\/li\u003e\n\u003cli\u003eDrop It Down\u003c\/li\u003e\n\u003cli\u003ePussy\u003c\/li\u003e\n\u003cli\u003eCool \u0026amp; Deadly\u003c\/li\u003e\n\u003cli\u003eI Feel Alright\u003c\/li\u003e\n\u003cli\u003eBark 02:45\u003c\/li\u003e\n\u003cli\u003eOn My List\u003c\/li\u003e\n\u003cli\u003eStop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDancehall might have emerged in Jamaica, but over the last few decades the popular genre's tendrils have stretched out across the globe. In Kampala, Ratigan Era is adding a distinct Ugandan twist to dancehall, fusing it with East African humor and hyper-melodic afrobeats elements imported from Ghana and Nigeria. The versatile MC grew up listening to Jamaican music like Vybz Kartel, Busy Signal and Mavado - in his hometown of Kawempe there was almost no way to avoid it - and it blurred into the background, blending with local church music, US hip-hop and radio pop. He developed this diverse range of influences into a completely unique Afro-dancehall flow that simmers between Luganda, patois, Spanish and English, reflecting the melting pot of cultures and dialects that characterizes contemporary Africa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRatigan broke out with a memorable feature on Pallaso's Ugandan hit 'Nsaba', a track that echoed throughout the country booming from nightclubs, motorcycle loudspeakers or from convenience stores. Now he's assembled his first album \"Era\", a furiously inventive interweaving of rubbery vocals and memorable chants backed by futuristic beats from Hakuna Kulala's most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e boundary-pushing producers. Congolese producer Chrisman takes the reins on 'Gorilla Attack', providing a downtempo groove that echoes recent Jamaican chop deployments from breakthrough artists like Skillibeng and Skeng. For his part, Ratigan ducks and dives between Chrisman's gqom-inspired low end womps and corrosive synths, commanding attention with his smart, dextrous flow and tongue-twisting lyrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Modern Institute and Golden Teacher's Richard McMaster handles 'Top Strike Force' leaving space in his wiry, minimal beats for Ratigan to flit between anthemic repetitions and ice-cold AutoTuned wails. On stand-out track 'Badman Style', Ratigan's guttural patois is measured against a dizzy trap-dancehall hybrid beat from HHY \u0026amp; The Kampala Unit's Jonathan Uliel Saldanha, aka Lithium Beats, while on the surreal 'Drop it Down', Japanese mad scientist Scotch Rolex brings out Ratigan's cheeky sense of humor with toytown bleeps and laser zaps. MC Yallah collaborator Debmaster appears on 'Gan Dem', meeting Ratigan's double-time raps with soundsystem destroying rolling subs, and veteran US noisemaker Kush Arora sprinkles magic dust on 'Cool and Deadly', galvanizing the link between global bass mutations, Jamaica and East Africa.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd despite the grab-bag of producers and inspirations, \"Ratigan\" is a strikingly coherent listening experience that accurately snapshots Kampala's colorful froth of sounds and phrases. Ratigan's outsized personality is welcoming and captivating, providing the sights, sounds and smells of the city with a frenetic rhythm that's as intimate and local as it is far-reaching. It might just be the future we so desperately need.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ratigan Era\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダ・カンパラのラッパーRatigan Eraが、2024年1月にカンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。 ルガンダ語、パトワ語、スペイン語、英語を用いたアフロ・ダンスホール〜Gqom7曲を収録。 以下、レーベルによる解説です。 "ダンスホールはジャマイカで生まれたかもしれないが、ここ数十年の間にこの人気ジャンルの蔓は世界中に伸びている。カンパラのRatigan Eraは、東アフリカのユーモアとガーナやナイジェリアから輸入したハイパーメロディックなアフロビーツの要素を融合させ、ダンスホールにウガンダ独特のひねりを加えている。多才なMCである彼は、ヴィブス・カーテル、ビジー・シグナル、マヴァドといったジャマイカの音楽を聴いて育った-彼の故郷カウェンペでは、それを避ける方法はほとんどなかった-。彼はこの多様な影響を、ルガンダ語、パトワ語、スペイン語、英語の間で煮えたぎるような、完全にユニークなアフロ・ダンスホールの流れへと発展させ、現代のアフリカを特徴づける文化のるつぼや方言を反映させた。 ラティガンは、パラソのウガンダのヒット曲「Nsaba」への印象的なフィーチャリングでブレイクし、そのトラックはナイトクラブやオートバイのラウドスピーカー、あるいはコンビニエンスストアから国中に響き渡った。ハクナクララで最も境界線を押し広げるプロデューサーたちによるフューチャリスティックなビートをバックに、Gqomのようなヴォーカルと印象的なチャントが激しく独創的に織り成すファーストアルバム『Era』が完成した。コンゴ出身のプロデューサー、クリスマンが手綱を取る「Gorilla Attack」は、スキリベンやスケングといったブレイクスルー・アーティストによる最近のジャマイカン・チョップの展開と呼応するダウンテンポのグルーヴを提供する。ラティガンは、クリスマンのGQOMにインスパイアされたローエンド・ワンプと腐食したシンセの間を潜り抜け、スマートで器用なフロウと舌を巻くような歌詞で注目を集める。モダン・インスティテュートとゴールデン・ティーチャーのリチャード・マクマスターが手掛けた「Top Strike Force」は、ラティガンがアンセミックな反復と氷のように冷たいオートチューニングの慟哭の間を行き来できるよう、ひょろひょろとしたミニマル・ビートの中にスペースを空けている。注目のトラック「Badman Style」では、HHY & The...
¥3,260
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{"id":8065880523002,"title":"WULFFLUW XCIV \/\/ Toxica 12\"","handle":"wulffluw-xciv-toxica-12","description":"\u003cp\u003eGqom作家\u003cspan data-mce-fragment=\"1\"\u003eNikita Grunt\u003c\/span\u003eが、2023年10月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサイバーパンク・カーニバルのようなGqom〜ミニマルテクノ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=334742373\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake a Ride 02:35\u003c\/li\u003e\n\u003cli\u003efeat Chrisman - Tetemeka 02:29\u003c\/li\u003e\n\u003cli\u003eKluck 02:21\u003c\/li\u003e\n\u003cli\u003eNaughty 02:56\u003c\/li\u003e\n\u003cli\u003eExp 03:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWULFFLUW XCIV brings his borderless productions to the label's ongoing Whitelabel series following a slew of dancefloor agitations from T5UMT5UMU, Menzi \u0026amp; Scratchclart, and others. \"Toxica EP\" builds on the mutant fusion of 2020's acclaimed \"Ngoma Injection\", stripping back the woozy psychedelia and chromium ambience and replacing it with pure soundsystem pressure. 'Take a Ride' bends acid techno machinery around rubbery East African rhythms, anchoring block party hedonism with a 4\/4 bump that wouldn't be out of place in Kreuzberg and vocal shakes straight from São Paulo. But this isn't a mindless mashup of aesthetics, its a conversation with the world's fringe agitators, using stylistic and rhythmic strokes to highlight commonality, not exclusivity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHakuna Kulala's own Chrisman appears on 'Tetemeka', and the two producers adapt the syrupy tarraxinha inversions the Congolese engineer perfected on last year's \"Makila\" full-length. Low, resonant gqom atmospheres underpin the entire track, but WULFFLUW XCIV's squeaky toy synths prevent it from slipping into darkness. Elsewhere 'Kluck' distorts the timeline completely, wedging flute-led Latin American tribal sounds into a riddim vs. trap superstructure, and 'Exp' sublimes speed dembow into delirious trance and minimal techno vapors. The boundaries between dance subgenres are slowly dissolving, and WULFFLUW XCIV's digital-era intermixture sounds like the cyberpunk carnival we're all desperately in need of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WULFFLUW XCIV\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-11-07T06:22:42+09:00","created_at":"2023-11-04T18:06:18+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":271000,"price_min":271000,"price_max":271000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728679235834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"WULFFLUW XCIV \/\/ Toxica 12\"","public_title":null,"options":["Default Title"],"price":271000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779","\/\/tobirarecords.com\/cdn\/shop\/files\/wu2_d842e5e6-a6cd-48ab-8704-342490471565.jpg?v=1699088780"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779","options":["Title"],"media":[{"alt":null,"id":32642121302266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu.jpg?v=1699088779","width":700},{"alt":null,"id":32642121335034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu2_d842e5e6-a6cd-48ab-8704-342490471565.jpg?v=1699088780"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wu2_d842e5e6-a6cd-48ab-8704-342490471565.jpg?v=1699088780","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGqom作家\u003cspan data-mce-fragment=\"1\"\u003eNikita Grunt\u003c\/span\u003eが、2023年10月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサイバーパンク・カーニバルのようなGqom〜ミニマルテクノ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=334742373\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake a Ride 02:35\u003c\/li\u003e\n\u003cli\u003efeat Chrisman - Tetemeka 02:29\u003c\/li\u003e\n\u003cli\u003eKluck 02:21\u003c\/li\u003e\n\u003cli\u003eNaughty 02:56\u003c\/li\u003e\n\u003cli\u003eExp 03:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWULFFLUW XCIV brings his borderless productions to the label's ongoing Whitelabel series following a slew of dancefloor agitations from T5UMT5UMU, Menzi \u0026amp; Scratchclart, and others. \"Toxica EP\" builds on the mutant fusion of 2020's acclaimed \"Ngoma Injection\", stripping back the woozy psychedelia and chromium ambience and replacing it with pure soundsystem pressure. 'Take a Ride' bends acid techno machinery around rubbery East African rhythms, anchoring block party hedonism with a 4\/4 bump that wouldn't be out of place in Kreuzberg and vocal shakes straight from São Paulo. But this isn't a mindless mashup of aesthetics, its a conversation with the world's fringe agitators, using stylistic and rhythmic strokes to highlight commonality, not exclusivity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHakuna Kulala's own Chrisman appears on 'Tetemeka', and the two producers adapt the syrupy tarraxinha inversions the Congolese engineer perfected on last year's \"Makila\" full-length. Low, resonant gqom atmospheres underpin the entire track, but WULFFLUW XCIV's squeaky toy synths prevent it from slipping into darkness. Elsewhere 'Kluck' distorts the timeline completely, wedging flute-led Latin American tribal sounds into a riddim vs. trap superstructure, and 'Exp' sublimes speed dembow into delirious trance and minimal techno vapors. The boundaries between dance subgenres are slowly dissolving, and WULFFLUW XCIV's digital-era intermixture sounds like the cyberpunk carnival we're all desperately in need of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WULFFLUW XCIV\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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Gqom作家Nikita Gruntが、2023年10月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースした12"です。 サイバーパンク・カーニバルのようなGqom〜ミニマルテクノ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
¥2,710
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{"id":8021907112186,"title":"DJ ZNOBIA \/\/ Inventor Vol 1 LP","handle":"dj-znobia-inventor-vol-1-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代後半、DJ ZNOBIAは、ブラジルに次いで世界で2番目にポルトガル語を話す国である南西アフリカのエネルギーとスピリットを表現する新しいジャンルを創り出す旅に出た。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDJ ZNOBIAは当初、マイケルジャクソンが特に好きなダンサーとして名を馳せたが、その後フルーティループスでプロデュースを独学。アンゴラの伝統的なリズムとエレクトロニックビートの融合に触発され、さまざまなサウンドやスタイルを試し始めた。たゆまぬ努力の結果、彼は最終的にアンゴラの音楽シーンに革命を起こすジャンル、クドゥーロを開発した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル語で「ハード・アス」を意味するクドゥーロは、センバ、キラパンガ、カズクタといったアンゴラの伝統音楽の要素と現代的なエレクトロビートを組み合わせ、ハイエナジーで感染力のあるサウンドを生み出している。DJ ZNOBIAは、シンセサイザー、ドラムマシン、サンプリングされたボーカルを革新的に使用することで、クドゥーロに独特の個性を与え、瞬く間にこのジャンルのパイオニアとして、また主要プロデューサーとして認知されるようになった。彼の作品の多くが、アンゴラが2002年に終結したばかりのひどい内戦の渦中にあったという事実が、彼の物語をより注目すべきものにしている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の画期的なプロダクションによって、DJ ZNOBIAはアンゴラ国内だけでなく、アメリカやヨーロッパなど国際的にクドゥーロが広く普及する道を開いた。彼の「Batida 13 Horas」などのトラックは、このジャンルのアンセムとなり、地元アーティストとのコラボレーションは、クドゥーロをメインストリームに押し上げるのに貢献した。クドゥーロは、ポルトガルのアフロ・ディアスポラ・コミュニティ、特にプリンシペ・ディスコのDJやプロデューサー、DJ Marfox、DJ Nervoso、Niggafoxらに多大な影響を与えてきた。2008年、クドゥーロが初めて国際的なシーンに登場したのは、イギリスとスリランカのラップ界のスーパースターM.I.A.が、M.I.A.の2007年のアルバム『Kala』に収録されたシングル「Sound of Kuduro」で、DJ ZNOBIAとブラカ・ソン・システマとコラボしたときだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eプロデューサー、DJ、MC、そして公人としてのDJ ZNOBIAの影響は、過去30年以上に渡ってアンゴラ文化に多大な影響を与えてきた。彼はまた、キゾンバのいとこで、セクシーでパーカッシブな音楽とダンスで大人気のジャンル、タラヒーニャのパイオニアの1人とみなされている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146340253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMarimba 03:47\u003c\/li\u003e\n\u003cli\u003eZabinamina feat Puto Prata 03:48\u003c\/li\u003e\n\u003cli\u003eU uu 03:34\u003c\/li\u003e\n\u003cli\u003eWo 03:25\u003c\/li\u003e\n\u003cli\u003eCuba em Angola 03:42\u003c\/li\u003e\n\u003cli\u003eEsfregado 03:37\u003c\/li\u003e\n\u003cli\u003eLamento feat Ricardo 03:18\u003c\/li\u003e\n\u003cli\u003eTirou Ponto feat Nakobeta 03:41\u003c\/li\u003e\n\u003cli\u003ePausa 03:26\u003c\/li\u003e\n\u003cli\u003eTom e Jerry 03:50\u003c\/li\u003e\n\u003cli\u003ePiquena 03:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA massive honor to be releasing the first in a four volume retrospective of one of Africa’s most influential musicians of the last 30 years - kuduro and tarraxinha pioneer and originator DJ Znobia. A genius of street music and the pivotal visionary of Angola’s digital musical modernism, Znobia is the inventor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNyege Nyege Tapes went through over 700 tracks in Znobia’s archive (with double that number reputed to have been lost) to prepare a 4 Volume retrospective of his musical output from the late 90s to mid 2000s. Hailing from the musseke - or shantytown - of Barrio Do Rangel in the Angolan capital of Luanda, DJ Znobia was born Sebastião Lopes in 1979.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the late 1990s, DJ Znobia embarked on a journey to create a new genre that would capture the energy and spirit of the South West African country, the second biggest Portuguese speaking country in the world after Brazil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZnobia initially found renown as a dancer particularly fond of Michael Jackson, before teaching himself how to produce with Fruity Loops. Inspired by the fusion of traditional Angolan rhythms with electronic beats, he began experimenting with different sounds and styles. Through his tireless efforts, he eventually developed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e a genre that would revolutionise the Angolan music scene: kuduro.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKuduro, which means \"hard ass\" in Portuguese, combines elements of traditional Angolan music such as semba, kilapanga, and kazukuta with modern electronic beats, resulting in a high-energy and infectious sound. DJ Znobia's innovative use of synthesisers, drum machines, and sampled vocals gave kuduro its distinctive character, and he quickly gained recognition as the genre's pioneer and leading producer. The fact that much of his output happened while Angola was in the grip of a terrible civil war, which only ended in 2002, makes his story even more remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his groundbreaking productions, DJ Znobia paved the way for the widespread popularity of kuduro both in Angola and internationally in America and Europe. His tracks, such as “Batida 13 Horas'' became anthems of the genre, and his collaborations with local artists helped to propel kuduro into the mainstream. Kuduro has been hugely influential in Afro-diasporan communities in Portugal , and especially with the Príncipe Discos DJs and producers such as Dj Marfox, Dj Nervoso and Niggafox. In 2008, kuduro first arrived on the international scene, when British-Sri Lankan rap superstar M.I.A. collaborated with Znobia and Buraka Son Sistema on the single Sound of Kuduro which appeared on M.I.A.’s 2007 album Kala.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJ Znobia's influence as a producer, DJ, MC and public figure has had a great imprint in Angolan culture for the better part of the last three decades. He is also considered one of the pioneers of the hugely popular tarraxinha genre of music and dance; the sexy, percussive cousin of kizomba; the name means “little screw\/ screwdriver”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-09-20T18:16:45+09:00","created_at":"2023-09-20T18:16:45+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","house","lp","new"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44576661242106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ ZNOBIA \/\/ Inventor Vol 1 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526","\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","options":["Title"],"media":[{"alt":null,"id":32473828065530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","width":700},{"alt":null,"id":32473828098298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526","width":1200},{"alt":null,"id":32473828131066,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代後半、DJ ZNOBIAは、ブラジルに次いで世界で2番目にポルトガル語を話す国である南西アフリカのエネルギーとスピリットを表現する新しいジャンルを創り出す旅に出た。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDJ ZNOBIAは当初、マイケルジャクソンが特に好きなダンサーとして名を馳せたが、その後フルーティループスでプロデュースを独学。アンゴラの伝統的なリズムとエレクトロニックビートの融合に触発され、さまざまなサウンドやスタイルを試し始めた。たゆまぬ努力の結果、彼は最終的にアンゴラの音楽シーンに革命を起こすジャンル、クドゥーロを開発した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル語で「ハード・アス」を意味するクドゥーロは、センバ、キラパンガ、カズクタといったアンゴラの伝統音楽の要素と現代的なエレクトロビートを組み合わせ、ハイエナジーで感染力のあるサウンドを生み出している。DJ ZNOBIAは、シンセサイザー、ドラムマシン、サンプリングされたボーカルを革新的に使用することで、クドゥーロに独特の個性を与え、瞬く間にこのジャンルのパイオニアとして、また主要プロデューサーとして認知されるようになった。彼の作品の多くが、アンゴラが2002年に終結したばかりのひどい内戦の渦中にあったという事実が、彼の物語をより注目すべきものにしている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の画期的なプロダクションによって、DJ ZNOBIAはアンゴラ国内だけでなく、アメリカやヨーロッパなど国際的にクドゥーロが広く普及する道を開いた。彼の「Batida 13 Horas」などのトラックは、このジャンルのアンセムとなり、地元アーティストとのコラボレーションは、クドゥーロをメインストリームに押し上げるのに貢献した。クドゥーロは、ポルトガルのアフロ・ディアスポラ・コミュニティ、特にプリンシペ・ディスコのDJやプロデューサー、DJ Marfox、DJ Nervoso、Niggafoxらに多大な影響を与えてきた。2008年、クドゥーロが初めて国際的なシーンに登場したのは、イギリスとスリランカのラップ界のスーパースターM.I.A.が、M.I.A.の2007年のアルバム『Kala』に収録されたシングル「Sound of Kuduro」で、DJ ZNOBIAとブラカ・ソン・システマとコラボしたときだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eプロデューサー、DJ、MC、そして公人としてのDJ ZNOBIAの影響は、過去30年以上に渡ってアンゴラ文化に多大な影響を与えてきた。彼はまた、キゾンバのいとこで、セクシーでパーカッシブな音楽とダンスで大人気のジャンル、タラヒーニャのパイオニアの1人とみなされている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146340253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMarimba 03:47\u003c\/li\u003e\n\u003cli\u003eZabinamina feat Puto Prata 03:48\u003c\/li\u003e\n\u003cli\u003eU uu 03:34\u003c\/li\u003e\n\u003cli\u003eWo 03:25\u003c\/li\u003e\n\u003cli\u003eCuba em Angola 03:42\u003c\/li\u003e\n\u003cli\u003eEsfregado 03:37\u003c\/li\u003e\n\u003cli\u003eLamento feat Ricardo 03:18\u003c\/li\u003e\n\u003cli\u003eTirou Ponto feat Nakobeta 03:41\u003c\/li\u003e\n\u003cli\u003ePausa 03:26\u003c\/li\u003e\n\u003cli\u003eTom e Jerry 03:50\u003c\/li\u003e\n\u003cli\u003ePiquena 03:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA massive honor to be releasing the first in a four volume retrospective of one of Africa’s most influential musicians of the last 30 years - kuduro and tarraxinha pioneer and originator DJ Znobia. A genius of street music and the pivotal visionary of Angola’s digital musical modernism, Znobia is the inventor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNyege Nyege Tapes went through over 700 tracks in Znobia’s archive (with double that number reputed to have been lost) to prepare a 4 Volume retrospective of his musical output from the late 90s to mid 2000s. Hailing from the musseke - or shantytown - of Barrio Do Rangel in the Angolan capital of Luanda, DJ Znobia was born Sebastião Lopes in 1979.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the late 1990s, DJ Znobia embarked on a journey to create a new genre that would capture the energy and spirit of the South West African country, the second biggest Portuguese speaking country in the world after Brazil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZnobia initially found renown as a dancer particularly fond of Michael Jackson, before teaching himself how to produce with Fruity Loops. Inspired by the fusion of traditional Angolan rhythms with electronic beats, he began experimenting with different sounds and styles. Through his tireless efforts, he eventually developed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e a genre that would revolutionise the Angolan music scene: kuduro.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKuduro, which means \"hard ass\" in Portuguese, combines elements of traditional Angolan music such as semba, kilapanga, and kazukuta with modern electronic beats, resulting in a high-energy and infectious sound. DJ Znobia's innovative use of synthesisers, drum machines, and sampled vocals gave kuduro its distinctive character, and he quickly gained recognition as the genre's pioneer and leading producer. The fact that much of his output happened while Angola was in the grip of a terrible civil war, which only ended in 2002, makes his story even more remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his groundbreaking productions, DJ Znobia paved the way for the widespread popularity of kuduro both in Angola and internationally in America and Europe. His tracks, such as “Batida 13 Horas'' became anthems of the genre, and his collaborations with local artists helped to propel kuduro into the mainstream. Kuduro has been hugely influential in Afro-diasporan communities in Portugal , and especially with the Príncipe Discos DJs and producers such as Dj Marfox, Dj Nervoso and Niggafox. In 2008, kuduro first arrived on the international scene, when British-Sri Lankan rap superstar M.I.A. collaborated with Znobia and Buraka Son Sistema on the single Sound of Kuduro which appeared on M.I.A.’s 2007 album Kala.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJ Znobia's influence as a producer, DJ, MC and public figure has had a great imprint in Angolan culture for the better part of the last three decades. He is also considered one of the pioneers of the hugely popular tarraxinha genre of music and dance; the sexy, percussive cousin of kizomba; the name means “little screw\/ screwdriver”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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アンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。 以下、レーベルによる解説です。 "過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。Nyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。1990年代後半、DJ...
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{"id":8002640150778,"title":"Elvin Brandhi \u0026 Lord Spikeheart \/\/ Drunk in Love LP","handle":"elvin-brandhi-lord-spikeheart-drunk-in-love-lp","description":"\u003cp\u003eドイツ・ベルリンの実験ビートメイカーElvin Brandhiと、ケニア・ナイロビのノイズデュオDuma片割れLord Spikeheartが、2023年8月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハードコアgqom〜実験グライム8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1105756642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCruxify all the prophets 04:18\u003c\/li\u003e\n\u003cli\u003eDRUNK IN LOVE 05:01\u003c\/li\u003e\n\u003cli\u003eDEATH CODE E666 05:03\u003c\/li\u003e\n\u003cli\u003e666.6668 feat Makossiri 04:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb666 07:47\u003c\/li\u003e\n\u003cli\u003edo you like feeling awakeee33 cult 8 again 03:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb5 avecaffection 2 02:37\u003c\/li\u003e\n\u003cli\u003eINTRACLOUD666.6 06:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they connected in Kampala back in 2019, Elvin Brandhi and Lord Spikeheart have been recording restlessly, developing a shared musical language that compliments their individual expressions. Both innovative improvisors motivated by the extreme potential of performance, they manufacture a synergistic shriek on their debut set, fluxing between jagged DIY noise, chilly sacred ambience, ratcheting hard dance and quirky leftfield pop. And despite their backgrounds, neither Brandhi nor Spikeheart have approached anything quite so piercing and direct. It's music that sits a few paces from the established timeline, doggedly avoiding contemporary trends and screaming hoarsely at passers by.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn and raised in Bridgend, Wales, Elvin Brandhi has built a reputation for her virtuosic collision of rubberized freeform vocalizing and skillful, irreverent production. Since breaking out as half of father-daughter improv duo Yeah You when she was just a teenager, she's released a slew of acclaimed solo projects including 2019's 'Headroof' recorded in Uganda with a host of Nyege collaborators. She has also collaborated with artists like Drew McDowall from Coil, Pat Thomas and Ziúr. Nairobi-based rapper-producer Lord Spikeheart meanwhile is best known for lending his unmistakable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e growl to Sub Pop-signed noise-metal duo Duma. Anyone who's seen their live shows will be acutely aware of Spikeheart's power on the mic, and he brings that same energy to this project, trading snarls and syllables with Brandhi over rasping industrialized detritus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo's fierce vocal interplay is the heart of their collaboration. On 'Cruxify all the prophets', Brandhi's guttural croaks appear to dematerialize into granulated electronics, transforming into emotional wails before Spikeheart's unmistakable death metal shouts writhe into the sunlight. Intermittently piped through electronics, the voices alternate between chilly cybernetic wails and sickly human spits and coughs, finding an unsteady balance between grindcore gutter punk and Atlanta street rap. Songs spark into life and then flicker into nothingness, switching momentum seemingly randomly before taking unexpected turns; 'DEATH CODE E666' is a terrifying noise lullaby that pivots into classical abstraction, 'whiom8warwomb666' is a long-form rhythmic tongue-twister that oscillates through pneumatic dizziness into grotesque sound art expressionism, and 'do you like feeling awakeee33' reforms squelchy hyperpop into cogwheel whirrs and disquieting cackles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTruly labyrinthine and never predictable, this partnership is a reminder that experimental music can be crucial and progressive without losing its vitality, or its wit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elvin Brandhi \u0026amp; Lord Spikeheart\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-08-07T17:33:22+09:00","created_at":"2023-08-07T14:35:12+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","strange beats","techno \/ house"],"price":319000,"price_min":319000,"price_max":319000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44434620350714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Elvin Brandhi \u0026 Lord Spikeheart \/\/ Drunk in Love LP","public_title":null,"options":["Default Title"],"price":319000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514","\/\/tobirarecords.com\/cdn\/shop\/files\/love2_83137958-92bb-4a8c-963c-77bc44dafab1.jpg?v=1691386514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514","options":["Title"],"media":[{"alt":null,"id":32305438359802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_5b034904-a88c-44a5-9efd-da094b5060c6.jpg?v=1691386514","width":700},{"alt":null,"id":32305438392570,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love2_83137958-92bb-4a8c-963c-77bc44dafab1.jpg?v=1691386514"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love2_83137958-92bb-4a8c-963c-77bc44dafab1.jpg?v=1691386514","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験ビートメイカーElvin Brandhiと、ケニア・ナイロビのノイズデュオDuma片割れLord Spikeheartが、2023年8月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハードコアgqom〜実験グライム8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1105756642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCruxify all the prophets 04:18\u003c\/li\u003e\n\u003cli\u003eDRUNK IN LOVE 05:01\u003c\/li\u003e\n\u003cli\u003eDEATH CODE E666 05:03\u003c\/li\u003e\n\u003cli\u003e666.6668 feat Makossiri 04:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb666 07:47\u003c\/li\u003e\n\u003cli\u003edo you like feeling awakeee33 cult 8 again 03:31\u003c\/li\u003e\n\u003cli\u003ewhiom8warwomb5 avecaffection 2 02:37\u003c\/li\u003e\n\u003cli\u003eINTRACLOUD666.6 06:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they connected in Kampala back in 2019, Elvin Brandhi and Lord Spikeheart have been recording restlessly, developing a shared musical language that compliments their individual expressions. Both innovative improvisors motivated by the extreme potential of performance, they manufacture a synergistic shriek on their debut set, fluxing between jagged DIY noise, chilly sacred ambience, ratcheting hard dance and quirky leftfield pop. And despite their backgrounds, neither Brandhi nor Spikeheart have approached anything quite so piercing and direct. It's music that sits a few paces from the established timeline, doggedly avoiding contemporary trends and screaming hoarsely at passers by.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn and raised in Bridgend, Wales, Elvin Brandhi has built a reputation for her virtuosic collision of rubberized freeform vocalizing and skillful, irreverent production. Since breaking out as half of father-daughter improv duo Yeah You when she was just a teenager, she's released a slew of acclaimed solo projects including 2019's 'Headroof' recorded in Uganda with a host of Nyege collaborators. She has also collaborated with artists like Drew McDowall from Coil, Pat Thomas and Ziúr. Nairobi-based rapper-producer Lord Spikeheart meanwhile is best known for lending his unmistakable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e growl to Sub Pop-signed noise-metal duo Duma. Anyone who's seen their live shows will be acutely aware of Spikeheart's power on the mic, and he brings that same energy to this project, trading snarls and syllables with Brandhi over rasping industrialized detritus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo's fierce vocal interplay is the heart of their collaboration. On 'Cruxify all the prophets', Brandhi's guttural croaks appear to dematerialize into granulated electronics, transforming into emotional wails before Spikeheart's unmistakable death metal shouts writhe into the sunlight. Intermittently piped through electronics, the voices alternate between chilly cybernetic wails and sickly human spits and coughs, finding an unsteady balance between grindcore gutter punk and Atlanta street rap. Songs spark into life and then flicker into nothingness, switching momentum seemingly randomly before taking unexpected turns; 'DEATH CODE E666' is a terrifying noise lullaby that pivots into classical abstraction, 'whiom8warwomb666' is a long-form rhythmic tongue-twister that oscillates through pneumatic dizziness into grotesque sound art expressionism, and 'do you like feeling awakeee33' reforms squelchy hyperpop into cogwheel whirrs and disquieting cackles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTruly labyrinthine and never predictable, this partnership is a reminder that experimental music can be crucial and progressive without losing its vitality, or its wit.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elvin Brandhi \u0026amp; Lord Spikeheart\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ドイツ・ベルリンの実験ビートメイカーElvin Brandhiと、ケニア・ナイロビのノイズデュオDuma片割れLord Spikeheartが、2023年8月にHakuna Kulalaからリリースした共作レコードです。 ハードコアgqom〜実験グライム8曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at...
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{"id":7995615707386,"title":"Optiki Mousiki \/\/ Tomos 2 2xLP","handle":"optiki-mousiki-tomos-2-2x12","description":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka \u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisが、1994年に自主リリースしたカセットの再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cbr\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストの\u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ（Optiki Mousiki）名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、\u003cmeta charset=\"utf-8\"\u003eDrygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル（歌、詠唱、話し声）がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2023-07-17T09:12:34+09:00","created_at":"2023-07-16T17:22:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","heat crimes","lp","new","post newage","strange beats"],"price":423000,"price_min":423000,"price_max":423000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44348824060154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Optiki Mousiki \/\/ Tomos 2 2xLP","public_title":null,"options":["Default Title"],"price":423000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","options":["Title"],"media":[{"alt":null,"id":32231192559866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","width":700},{"alt":null,"id":32231192592634,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka \u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisが、1994年に自主リリースしたカセットの再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cbr\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストの\u003cmeta charset=\"utf-8\"\u003eCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ（Optiki Mousiki）名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、\u003cmeta charset=\"utf-8\"\u003eDrygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル（歌、詠唱、話し声）がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、1994年に自主リリースしたカセットの再発2枚組レコードです。 サイケデリックなストレンジビーツ〜エキゾチック・アンビエント4曲を収録。 以下、レーベルによる解説です。 "1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ（Optiki Mousiki）名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。Drygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。その結果、例えばタンジェリン・ドリームの "Zeit "やディアマンダ・ガラスの...
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{"id":7987863126266,"title":"The Ephemeron Loop \/\/ Psychonautic Escapism 2xLP","handle":"the-ephemeron-loop-psychonautic-escapism-2xlp","description":"\u003cp\u003eイギリスのエレクトロニック作家The Ephemeron Loopが、2023年6月にギリシャ・アテネの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeat Crimesからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ノイズ〜ダブテクノ〜ドリームポップ〜グラインドコアまでを縦横無尽に往来する8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3905949755\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Comes in clear poly bag. Edition of 500.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn from the fractal innerworld of Vymethoxy Redspiders, better known as Urocerus Gigas from Leeds-based xenofeminist crisis energy rock duo Guttersnipe, The Ephemeron Loop's debut is a synaesthetic acid bath that cracks open the doors of perception to reveal a sonic landscape of ineffable beauty, divine femininity and continual transformation. \"Psychonautic Escapism\" sublimes Guttersnipe's teeth-gnashing spacegrind aesthetic leaving washes of dream pop ambience, dilated speedcore fusillades and shapeshifting psychedelic dub effects. It's an album that lodges itself creatively between Cocteau Twins, Arca, Basic Channel and Napalm Death, lysergically fluxing imperceptibly between seemingly contradictory sonics and philosophies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMiss VR took 14 long, difficult years to write the album, which developed cautiously as she broke through the misery of her pre-transition life with shoegaze music, rave and psychedelic drugs in Leeds' queer underground. An existence languishing in negativity, soundtracked by extreme music was replaced with the opportunity to experience euphoria, elation and ecstatic freedom, emotions that coalesce sensually on \"Psychonautic Escapism\". These formative experiences are the album's initial building blocks\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, assembled between 2007 and 2018 as Miss VR came to grips with her reality as an autistic\/ADHD trans woman and the multi-dimensional psychotropic experiences that assisted that realization. And as V's worldview expanded and shifted as she lived a fresh life, the music itself developed spiritually.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, after being impressed with producer Ross Halden's work with Guttersnipe, Miss VR asked him to assist her with developing The Ephemeron Loop's fragmented songs and visions. \"I learned a lot about why people don’t usually combine various kinds of sounds or styles in music,\" she admits. \"It is very difficult to get it to all work together!\" But after two-and-a-half years of the duo navigating a \"labyrinth of fragmented Reason 5 and Logic projects,\" re-recording and processing, and working tirelessly on complex arrangements and compositions, they eventually found a light at the end of the tunnel. The finished album is towering and ambitious, Escher-like in its illusory reconstruction of familiar elements into brain-altering forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album begins with 'Psychonautic Escapism (Cold Alienation)', decorating Miss VR’s disembodied moans with throbbing dub techno synths, insectoid digital percussion and disorientating high-BPM electronics. Her vocals hover weightlessly between My Bloody Valentine's Bilinda Butcher and Cocteau Twins' Elizabeth Fraser, and on 'Lattice Dysmorphism of Lysothymic Oneiroid Cytoterrain' drift against grinding industrial hardcore kicks, serrated bass and Lorenzo Senni-esque trance pointillism. On 'Trench Through Pink Death', Miss VR’s voice mutates into a shrill scream as she directs the music from splattered free-flowing doom into harsh hyper-speed death metal and breakcore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWoven together with both precision and delicacy, \"Psychonautic Escapism\" turns a rough patchwork of ideas, experiences, feelings and vivid emotions into a glorious neon tapestry. In living and exploring the realities of autism, ADHD and trans identity, Vymethoxy Redspiders has masterminded a sonic language that feels fresh, urgent and shockingly honest. Psychedelic is a term that gets thrown around far too loosely at the moment - in this case there's just no better way of describing the album's scope.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ephemeron Loop\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2023-06-24T08:18:08+09:00","created_at":"2023-06-23T19:26:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","heat crimes","lp","noise","techno \/ house"],"price":455000,"price_min":455000,"price_max":455000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295043580154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Ephemeron Loop \/\/ Psychonautic Escapism 2xLP","public_title":null,"options":["Default Title"],"price":455000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991","\/\/tobirarecords.com\/cdn\/shop\/files\/es2_13d9b04e-7714-463e-8a5c-34abd0c46893.jpg?v=1687515991"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991","options":["Title"],"media":[{"alt":null,"id":32146940199162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es1_a5d26089-8110-47bf-afb4-dc67b1a88383.jpg?v=1687515991","width":700},{"alt":null,"id":32146940264698,"position":2,"preview_image":{"aspect_ratio":0.952,"height":1200,"width":1142,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es2_13d9b04e-7714-463e-8a5c-34abd0c46893.jpg?v=1687515991"},"aspect_ratio":0.952,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/es2_13d9b04e-7714-463e-8a5c-34abd0c46893.jpg?v=1687515991","width":1142}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのエレクトロニック作家The Ephemeron Loopが、2023年6月にギリシャ・アテネの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeat Crimesからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ノイズ〜ダブテクノ〜ドリームポップ〜グラインドコアまでを縦横無尽に往来する8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3905949755\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Comes in clear poly bag. Edition of 500.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn from the fractal innerworld of Vymethoxy Redspiders, better known as Urocerus Gigas from Leeds-based xenofeminist crisis energy rock duo Guttersnipe, The Ephemeron Loop's debut is a synaesthetic acid bath that cracks open the doors of perception to reveal a sonic landscape of ineffable beauty, divine femininity and continual transformation. \"Psychonautic Escapism\" sublimes Guttersnipe's teeth-gnashing spacegrind aesthetic leaving washes of dream pop ambience, dilated speedcore fusillades and shapeshifting psychedelic dub effects. It's an album that lodges itself creatively between Cocteau Twins, Arca, Basic Channel and Napalm Death, lysergically fluxing imperceptibly between seemingly contradictory sonics and philosophies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMiss VR took 14 long, difficult years to write the album, which developed cautiously as she broke through the misery of her pre-transition life with shoegaze music, rave and psychedelic drugs in Leeds' queer underground. An existence languishing in negativity, soundtracked by extreme music was replaced with the opportunity to experience euphoria, elation and ecstatic freedom, emotions that coalesce sensually on \"Psychonautic Escapism\". These formative experiences are the album's initial building blocks\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, assembled between 2007 and 2018 as Miss VR came to grips with her reality as an autistic\/ADHD trans woman and the multi-dimensional psychotropic experiences that assisted that realization. And as V's worldview expanded and shifted as she lived a fresh life, the music itself developed spiritually.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, after being impressed with producer Ross Halden's work with Guttersnipe, Miss VR asked him to assist her with developing The Ephemeron Loop's fragmented songs and visions. \"I learned a lot about why people don’t usually combine various kinds of sounds or styles in music,\" she admits. \"It is very difficult to get it to all work together!\" But after two-and-a-half years of the duo navigating a \"labyrinth of fragmented Reason 5 and Logic projects,\" re-recording and processing, and working tirelessly on complex arrangements and compositions, they eventually found a light at the end of the tunnel. The finished album is towering and ambitious, Escher-like in its illusory reconstruction of familiar elements into brain-altering forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album begins with 'Psychonautic Escapism (Cold Alienation)', decorating Miss VR’s disembodied moans with throbbing dub techno synths, insectoid digital percussion and disorientating high-BPM electronics. Her vocals hover weightlessly between My Bloody Valentine's Bilinda Butcher and Cocteau Twins' Elizabeth Fraser, and on 'Lattice Dysmorphism of Lysothymic Oneiroid Cytoterrain' drift against grinding industrial hardcore kicks, serrated bass and Lorenzo Senni-esque trance pointillism. On 'Trench Through Pink Death', Miss VR’s voice mutates into a shrill scream as she directs the music from splattered free-flowing doom into harsh hyper-speed death metal and breakcore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWoven together with both precision and delicacy, \"Psychonautic Escapism\" turns a rough patchwork of ideas, experiences, feelings and vivid emotions into a glorious neon tapestry. In living and exploring the realities of autism, ADHD and trans identity, Vymethoxy Redspiders has masterminded a sonic language that feels fresh, urgent and shockingly honest. Psychedelic is a term that gets thrown around far too loosely at the moment - in this case there's just no better way of describing the album's scope.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ephemeron Loop\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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イギリスのエレクトロニック作家The Ephemeron Loopが、2023年6月にギリシャ・アテネのHeat Crimesからリリースした2枚組レコードです。 アンビエント・ノイズ〜ダブテクノ〜ドリームポップ〜グラインドコアまでを縦横無尽に往来する8曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥4,550
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{"id":7966978474234,"title":"DJ Travella \/\/ Mr Mixondo LP","handle":"dj-travella-mr-mixondo-lp","description":"\u003cp\u003eタンザニア・ダルエスサラームのシンゲリ作家DJ Travellaが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e19歳で制作したレフトフィールド・シンゲリ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4256284788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt only 19 years old, Dar Es Salaam's DJ Travella represents a new wave of singeli producers who are driving Tanzania's breakneck dance sound into fresh, innovative spaces. Unaffiliated with any of the well-known studios like Sisso and Pamoja, Hamadi Hassani's music points singeli's fusion of taraab and techno towards the stars, locating a cyber-singeli style that's dense, kinetic and unashamedly sexy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHassani started producing at 15, and a few years later his debut is a jagged set of hi-nrg dance music that pulls influence from across the globe, folding together elements of dembow, rave, R\u0026amp;B, and trap. But nothing's straightforward: opening track 'Crazy Beat Music Umeme 2' juxtaposes grinding 200bpm rhythmic intensity with urgent plucked strings, sounding like Timbaland conjuring a Thunderdome soundtrack for a Tanzanian street party.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Crazy Beat Music Umeme 4' is even more barbed, with neon rave synths and hand-jammed percussion that's one part 808 Mafia and one part DJ Diaki. On 'London Bandcamp', Travella meshes hi-speed singeli backbeats with downtempo dembow kicks, squeezing out unexpected sleaze in the process, while on 'London Uwoteeee' there's an almost romantic sparkle, with ethereal\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e vocals draped across woodblock cracks and whistles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Travella sounds most nimble when giving the nod to Atlanta, and his merging of earworm synth hooks and neck-snapping East African rhythms on tracks like 'London Jomon Beat' will leave no doubt that the young producer is capable of bending singeli completely to his will.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Travella\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-05-02T10:06:15+09:00","created_at":"2023-05-01T12:37:21+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":323000,"price_min":323000,"price_max":323000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203503517946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Travella \/\/ Mr Mixondo LP","public_title":null,"options":["Default Title"],"price":323000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243","\/\/tobirarecords.com\/cdn\/shop\/files\/mix2.jpg?v=1682912243"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243","options":["Title"],"media":[{"alt":null,"id":31903472058618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix1.jpg?v=1682912243","width":700},{"alt":null,"id":31903472091386,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix2.jpg?v=1682912243"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mix2.jpg?v=1682912243","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eタンザニア・ダルエスサラームのシンゲリ作家DJ Travellaが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e19歳で制作したレフトフィールド・シンゲリ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4256284788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt only 19 years old, Dar Es Salaam's DJ Travella represents a new wave of singeli producers who are driving Tanzania's breakneck dance sound into fresh, innovative spaces. Unaffiliated with any of the well-known studios like Sisso and Pamoja, Hamadi Hassani's music points singeli's fusion of taraab and techno towards the stars, locating a cyber-singeli style that's dense, kinetic and unashamedly sexy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHassani started producing at 15, and a few years later his debut is a jagged set of hi-nrg dance music that pulls influence from across the globe, folding together elements of dembow, rave, R\u0026amp;B, and trap. But nothing's straightforward: opening track 'Crazy Beat Music Umeme 2' juxtaposes grinding 200bpm rhythmic intensity with urgent plucked strings, sounding like Timbaland conjuring a Thunderdome soundtrack for a Tanzanian street party.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Crazy Beat Music Umeme 4' is even more barbed, with neon rave synths and hand-jammed percussion that's one part 808 Mafia and one part DJ Diaki. On 'London Bandcamp', Travella meshes hi-speed singeli backbeats with downtempo dembow kicks, squeezing out unexpected sleaze in the process, while on 'London Uwoteeee' there's an almost romantic sparkle, with ethereal\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e vocals draped across woodblock cracks and whistles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Travella sounds most nimble when giving the nod to Atlanta, and his merging of earworm synth hooks and neck-snapping East African rhythms on tracks like 'London Jomon Beat' will leave no doubt that the young producer is capable of bending singeli completely to his will.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Travella\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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タンザニア・ダルエスサラームのシンゲリ作家DJ Travellaが、2023年5月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースした再発レコードです。 19歳で制作したレフトフィールド・シンゲリ13曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege Nyege Tapes...
¥3,230
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{"id":7966975983866,"title":"Kabeaushé \/\/ The Comming of Gaze LP","handle":"kabeaushe-the-comming-of-gaze-lp","description":"\u003cp\u003eケニアのエレクトロニック・ポップ作家Kabeaushéが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験的な\u003cmeta charset=\"utf-8\"\u003eエレクトロニック・ポップ〜ヒップホップ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1a0ailuH1sU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220278418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they were just a child growing up on the banks of the Kagera, the huge river that curls throughout East Africa, Kenyan multi-instrumentalist, singer and producer Kabeaushé realized there was a sparkle inside that set them apart from their peers. As other kids assembled hierarchies and favored aggressive competition, Kabeaushé became obsessed with compassion, cuteness and ecstatic softness; uninterested in friction, they were driven by a search for bliss that, in time, directed them towards music. Inspired by Prince, Grace Jones, Bollywood soundtracks and, more recently, the boundlessly creative hybrid sounds of Tyler the Creater, Kabochi slowly began assembling a unique style that melts together music and theater, cooking up songs that are as supple and funky as they are gentle and self-aware.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Coming of Gaze\" is the Shé’s ambitious debut statement, an album that's as meticulously conceived as an acrobatic stage-show, and as flexible as a silk scarf. Within seconds of opening track 'Andnoword' we're gifted a sense of Kabeaushé’s genre-free vision, as gospel-funk chorals are punctuated with overdriven TR-808 thumps, chipmunked raps, angular guitar fuzz and dancefloor-ready rhythms. It's like an exuberant fusion of Kanye West\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, OutKast and Spank Rock, re-painted in East African neons. On 'Bully Me' Kabochi breaks down the complexities of their character, sweetly cooing over brittle Atlanta-influenced trills, flipping dexterously between earworm choruses and rubbery raps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey reinterpret the unmistakable \"Trading Places\" vocal sample (that was notoriously lifted on Masters at Work's influential 'The Ha Dance') on 'Caracas' re-Africanizing it and shaping it into sultry, futuristic funk in a contextual shift that characterizes the album's self-aware musical literacy. And you can hear the Shé’s knowledge of NYC rap bonafides on 'Dichotomous Key', a riff on The Notorious BIG's 'Hypnotize' that shifts from an inverted, fractured beat into bare minimal electro, simultaneously highlighting Kabochi's production skills and their versatility on the mic. Elsewhere, on 'Karachi', the Shé pushes the tempo up, screaming \"gimme a sign\" breathlessly over pounding club-primed kicks and wiry synths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The Coming of Gaze\" is as layered and charged with cultural revolution as any of the litany of albums it references. Kabeaushé isn't interested in playing the clout game, they're making a statement: they're here, they're doing it on their own, and they're gonna be as extravagant and as cute as they want.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kabeaushé\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-05-01T15:31:08+09:00","created_at":"2023-05-01T12:33:01+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hakuna kulala","hiphop \/ funk","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203490115834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kabeaushé \/\/ The Comming of Gaze LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983","\/\/tobirarecords.com\/cdn\/shop\/files\/comm2.jpg?v=1682911983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983","options":["Title"],"media":[{"alt":null,"id":31903461540090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1.jpg?v=1682911983","width":700},{"alt":null,"id":31903461572858,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2.jpg?v=1682911983"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2.jpg?v=1682911983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eケニアのエレクトロニック・ポップ作家Kabeaushéが、2023年5月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験的な\u003cmeta charset=\"utf-8\"\u003eエレクトロニック・ポップ〜ヒップホップ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1a0ailuH1sU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220278418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince they were just a child growing up on the banks of the Kagera, the huge river that curls throughout East Africa, Kenyan multi-instrumentalist, singer and producer Kabeaushé realized there was a sparkle inside that set them apart from their peers. As other kids assembled hierarchies and favored aggressive competition, Kabeaushé became obsessed with compassion, cuteness and ecstatic softness; uninterested in friction, they were driven by a search for bliss that, in time, directed them towards music. Inspired by Prince, Grace Jones, Bollywood soundtracks and, more recently, the boundlessly creative hybrid sounds of Tyler the Creater, Kabochi slowly began assembling a unique style that melts together music and theater, cooking up songs that are as supple and funky as they are gentle and self-aware.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Coming of Gaze\" is the Shé’s ambitious debut statement, an album that's as meticulously conceived as an acrobatic stage-show, and as flexible as a silk scarf. Within seconds of opening track 'Andnoword' we're gifted a sense of Kabeaushé’s genre-free vision, as gospel-funk chorals are punctuated with overdriven TR-808 thumps, chipmunked raps, angular guitar fuzz and dancefloor-ready rhythms. It's like an exuberant fusion of Kanye West\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, OutKast and Spank Rock, re-painted in East African neons. On 'Bully Me' Kabochi breaks down the complexities of their character, sweetly cooing over brittle Atlanta-influenced trills, flipping dexterously between earworm choruses and rubbery raps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey reinterpret the unmistakable \"Trading Places\" vocal sample (that was notoriously lifted on Masters at Work's influential 'The Ha Dance') on 'Caracas' re-Africanizing it and shaping it into sultry, futuristic funk in a contextual shift that characterizes the album's self-aware musical literacy. And you can hear the Shé’s knowledge of NYC rap bonafides on 'Dichotomous Key', a riff on The Notorious BIG's 'Hypnotize' that shifts from an inverted, fractured beat into bare minimal electro, simultaneously highlighting Kabochi's production skills and their versatility on the mic. Elsewhere, on 'Karachi', the Shé pushes the tempo up, screaming \"gimme a sign\" breathlessly over pounding club-primed kicks and wiry synths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The Coming of Gaze\" is as layered and charged with cultural revolution as any of the litany of albums it references. Kabeaushé isn't interested in playing the clout game, they're making a statement: they're here, they're doing it on their own, and they're gonna be as extravagant and as cute as they want.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kabeaushé\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ケニアのエレクトロニック・ポップ作家Kabeaushéが、2023年5月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースしたデビューレコードです。 実験的なエレクトロニック・ポップ〜ヒップホップ12曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ----------------------------...
¥2,890
クイックビュー
{"id":7966975525114,"title":"Scratchclart \u0026 Menzi \/\/ Beyond Gqom \u0026 Grime 12\"","handle":"scratchclart-menzi-beyond-gqom-grime-12","description":"\u003cp\u003eGqom作家Scratchclart \u0026amp; Menziが、2023年4月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作12です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールド・グライム〜Gqom5\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3033792358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs a Londoner, Scratchclart has always embraced the city's melting pot of influences that seep into the city from around the globe. And just as Detroit techno and Chicago house fused with Jamaican dancehall to splinter rave into a spectrum of microgenres in the 1980s and '90s, African sounds - from Afrobeats to gqom - are currently reprogramming the DNA of British dance music, whether it's drill, grime or breakbeat. This conversation is evident on Scratchclart's visionary \"DRMTRK\" series of EPs, and solidified more readily on last year's \"Afrotek\", where he collaborated with South African producer Mxshi Mo and Baltimore beatmaker :3LON. On \"Scratchclart \u0026amp; Menzi\", he progresses further, linking with one of Durban's most celebrated, and most outward looking dance music pioneers - Menzi Shabane. Cutting his teeth as part of early gqom duo Infamous Boiz, Menzi has produced for some of South Africa's most prominent stars, including Babes Wodumo, Moonchild Sanelly, Mahotella Queens, Zolani Mahola and Zakes Bantwini. His sound has always been hard to pinpoint, simmering between kinetic taxi techno and expertly engineered cinematic club music without pausing for breath.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scratchclart \u0026amp; Menzi\" is a fluid back-and-forth between these two musical vanguards that excavates commonalities in their\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e approaches and exploits sonic loopholes, reworking their respective sounds into an energetic fusion of android diasporic bass pressure. First, Scratchclart strips Menzi's 'Shandis' down to its bare bones, channeling the spirit of RnG into a syrupy and soulful cybergqom shiver of elegiac pads and rattling Durban toms. Menzi's deconstruction of \"DRMTRK EP III\" banger 'Drm Walk' is equally as mindbending, swinging Scratchclart's rhythm and submerging it in rainfall and siren blares, slowly reassembling it into a downtempo sub-heavy groan. The duo's head-to-head 'Q' is even more impressive, opening in a fanfare of cinematic strings before dissolving into a tweaky froth of clicking drums, square wave synths, vocal cuts and woozy atmospheres; it's pure tension, never offering us the conclusion it threatens, but keeping us on our toes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMenzi's delirious remix of 'IC3' (the \"DRMTRK EP VII\" track that evolved into Lady Lykez' anthemic 'Muhammad Ali') might be the EP's most upfront floor-filler, repositioning the original's pneumatic bump on a warehouse floor of chants, cybernetic squelches and echoing fx. But the most unexpected turn is a fresh version of Scratchclart's grimey 'Nasty Nasty Nasty', that interrupts the cheeky bassline with amapiano-influenced machine-gun toms, and rocked-powered zero-g sound design. \"Scratchclart \u0026amp; Menzi\" is futuristic music from beginning to end that rips through established genre logic, emerging with concepts that lodge themselves not in South Africa or London, but somewhere beyond the solar system. We're not worthy.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scratchclart \u0026amp; Menzi\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-05-02T10:10:37+09:00","created_at":"2023-05-01T12:31:00+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":247000,"price_min":247000,"price_max":247000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203489329402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scratchclart \u0026 Menzi \/\/ Beyond Gqom \u0026 Grime 12\"","public_title":null,"options":["Default Title"],"price":247000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4b103ab7-d51e-4ba1-a5b3-56a0ce5d64d1.jpg?v=1682911862"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862","options":["Title"],"media":[{"alt":null,"id":31903457902842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e2dbdce3-a691-44d3-b86e-612ec515aec7.jpg?v=1682911862","width":700},{"alt":null,"id":31903457935610,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4b103ab7-d51e-4ba1-a5b3-56a0ce5d64d1.jpg?v=1682911862"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4b103ab7-d51e-4ba1-a5b3-56a0ce5d64d1.jpg?v=1682911862","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGqom作家Scratchclart \u0026amp; Menziが、2023年4月にウガンダのレフトフィールドダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした共作12です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールド・グライム〜Gqom5\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3033792358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs a Londoner, Scratchclart has always embraced the city's melting pot of influences that seep into the city from around the globe. And just as Detroit techno and Chicago house fused with Jamaican dancehall to splinter rave into a spectrum of microgenres in the 1980s and '90s, African sounds - from Afrobeats to gqom - are currently reprogramming the DNA of British dance music, whether it's drill, grime or breakbeat. This conversation is evident on Scratchclart's visionary \"DRMTRK\" series of EPs, and solidified more readily on last year's \"Afrotek\", where he collaborated with South African producer Mxshi Mo and Baltimore beatmaker :3LON. On \"Scratchclart \u0026amp; Menzi\", he progresses further, linking with one of Durban's most celebrated, and most outward looking dance music pioneers - Menzi Shabane. Cutting his teeth as part of early gqom duo Infamous Boiz, Menzi has produced for some of South Africa's most prominent stars, including Babes Wodumo, Moonchild Sanelly, Mahotella Queens, Zolani Mahola and Zakes Bantwini. His sound has always been hard to pinpoint, simmering between kinetic taxi techno and expertly engineered cinematic club music without pausing for breath.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scratchclart \u0026amp; Menzi\" is a fluid back-and-forth between these two musical vanguards that excavates commonalities in their\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e approaches and exploits sonic loopholes, reworking their respective sounds into an energetic fusion of android diasporic bass pressure. First, Scratchclart strips Menzi's 'Shandis' down to its bare bones, channeling the spirit of RnG into a syrupy and soulful cybergqom shiver of elegiac pads and rattling Durban toms. Menzi's deconstruction of \"DRMTRK EP III\" banger 'Drm Walk' is equally as mindbending, swinging Scratchclart's rhythm and submerging it in rainfall and siren blares, slowly reassembling it into a downtempo sub-heavy groan. The duo's head-to-head 'Q' is even more impressive, opening in a fanfare of cinematic strings before dissolving into a tweaky froth of clicking drums, square wave synths, vocal cuts and woozy atmospheres; it's pure tension, never offering us the conclusion it threatens, but keeping us on our toes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMenzi's delirious remix of 'IC3' (the \"DRMTRK EP VII\" track that evolved into Lady Lykez' anthemic 'Muhammad Ali') might be the EP's most upfront floor-filler, repositioning the original's pneumatic bump on a warehouse floor of chants, cybernetic squelches and echoing fx. But the most unexpected turn is a fresh version of Scratchclart's grimey 'Nasty Nasty Nasty', that interrupts the cheeky bassline with amapiano-influenced machine-gun toms, and rocked-powered zero-g sound design. \"Scratchclart \u0026amp; Menzi\" is futuristic music from beginning to end that rips through established genre logic, emerging with concepts that lodge themselves not in South Africa or London, but somewhere beyond the solar system. We're not worthy.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scratchclart \u0026amp; Menzi\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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Gqom作家Scratchclart & Menziが、2023年4月にウガンダのレフトフィールドダンスレーベルHakuna Kulalaからリリースした共作12です。 レフトフィールド・グライム〜Gqom5曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at...
¥2,470
クイックビュー
{"id":7834236387578,"title":"T5UMUT5UMU \/\/ Sea of Trees 12\"","handle":"t5umut5umu-sea-of-trees-lp","description":"\u003cp\u003e日本のgqom作家T5UMUT5UMUが、2022年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。gqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197061053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eArtist : T5UMUT5UMU\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-11-11T08:57:28+09:00","created_at":"2022-11-10T13:51:07+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":254000,"price_min":254000,"price_max":254000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43635128008954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"T5UMUT5UMU \/\/ Sea of Trees 12\"","public_title":null,"options":["Default Title"],"price":254000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869","options":["Title"],"media":[{"alt":null,"id":30966755557626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869"},"aspect_ratio":1.0,"height":2048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_ad8a8d6c-72d6-45aa-ac74-0d488c93f6a3.jpg?v=1668055869","width":2048}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のgqom作家T5UMUT5UMUが、2022年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした12\"です。gqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197061053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Black 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eArtist : T5UMUT5UMU\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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{"id":7811034022138,"title":"Mbulelo \/\/ Kalibre LP","handle":"mbulelo-kalibre-lp","description":"\u003cp\u003e南アフリカのgqom作家Mbueloが、2022年8月にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるgqom4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206322428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-six year old South African producer Mbulelo Mehlomakhulu grew up with a passion for house music. He began releasing music early at only 18, working with Blaque Core's Profound Nation and issuing a slew of records under the Xerophytic Soul moniker. Achieving local and global success with tracks like 'Ancient Cultures', he began to pioneer a more experimental sound - a cross between Durban's dark, propulsive gqom sound and vintage Detroit techno. This forward-thinking composite didn't go unnoticed, and Mehlomakhulu was tapped by Derrick May to release \"The Robotics People\" EP on Transmat in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow Mehlomakhulu returns with four stargazing hybrid compositions that again dance in the shared sonic space between Detroit and Durban. Gqom's slow, sensual pulse carries 'Play the Beat' with chants and echoing cowbell smacks swallowed into a wormhole of squashed analog bass and reverberating Underground Resistance stabs. Title track 'Kalibre' is less florid, but commands the dancefloor with clattering South African drums, ballroom slams and the ticking urgency of Chicago's DJ Sneak.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Uranus' and 'God's Groove' lift the dancefloor to a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e higher plain, spiritually connecting with Carl Craig's historic early run and layering synthetic neon pads and cinematic shimmering effects. Mbulelo's sound is smart and poignant, and completely his own. By linking contemporary South African dance music to Detroit's pioneering 1980s techno vision, he makes a connection that's never felt more current.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mbulelo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-22T13:38:34+09:00","created_at":"2022-10-16T09:07:06+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43548294971642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mbulelo \/\/ Kalibre LP","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828","\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_75136fbc-987f-4028-b1a1-dca099d25e68.jpg?v=1665878829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828","options":["Title"],"media":[{"alt":null,"id":30758875398394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_93f956a4-765d-4de4-93f2-e850f4808cd4.jpg?v=1665878828","width":700},{"alt":null,"id":30758875431162,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_75136fbc-987f-4028-b1a1-dca099d25e68.jpg?v=1665878829"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_75136fbc-987f-4028-b1a1-dca099d25e68.jpg?v=1665878829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのgqom作家Mbueloが、2022年8月にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるgqom4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206322428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-six year old South African producer Mbulelo Mehlomakhulu grew up with a passion for house music. He began releasing music early at only 18, working with Blaque Core's Profound Nation and issuing a slew of records under the Xerophytic Soul moniker. Achieving local and global success with tracks like 'Ancient Cultures', he began to pioneer a more experimental sound - a cross between Durban's dark, propulsive gqom sound and vintage Detroit techno. This forward-thinking composite didn't go unnoticed, and Mehlomakhulu was tapped by Derrick May to release \"The Robotics People\" EP on Transmat in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow Mehlomakhulu returns with four stargazing hybrid compositions that again dance in the shared sonic space between Detroit and Durban. Gqom's slow, sensual pulse carries 'Play the Beat' with chants and echoing cowbell smacks swallowed into a wormhole of squashed analog bass and reverberating Underground Resistance stabs. Title track 'Kalibre' is less florid, but commands the dancefloor with clattering South African drums, ballroom slams and the ticking urgency of Chicago's DJ Sneak.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Uranus' and 'God's Groove' lift the dancefloor to a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e higher plain, spiritually connecting with Carl Craig's historic early run and layering synthetic neon pads and cinematic shimmering effects. Mbulelo's sound is smart and poignant, and completely his own. By linking contemporary South African dance music to Detroit's pioneering 1980s techno vision, he makes a connection that's never felt more current.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mbulelo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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{"id":7811030778106,"title":"Chrisman \/\/ Makila LP [COLOR]","handle":"chrisman-makila-lp-color","description":"\u003cp\u003eコンゴのgqom作家Chrismanが、2022年6月にウガンダの実験ダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e重いビートのポストインダストリアル・テクノ〜gqom10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2324198424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWhite 12\" vinyl with black spatter.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhile Chrisman's \"Ku Mwezi\" ep mostly explored gqom and trap influenced Afrohouse mutations, his debut album heads in a different direction. On \"Makila\", Chrisman provides an experimental vision of the taraxina sound: a molasses-slow fusion of the Angolan kuduro and kizobma dance templates that dips in-and-out of fuzzy drones and syrupy gqom.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 'Angels of Kivu', he pushes the clicking skeletal rhythm into the background, allowing electrified likembé melodies to take pride of place. It sounds like Congolese legends Konono No.1 shocked into a psychedelic electronic future by way of Durban.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Fatiliya' pushes more solidly into taraxina territory, with familiar saw synths accenting low 'n slow kicks and air blast leads. The backbone is Angolan, but Chrisman approaches his music with a full awareness of Atlanta trap and gqom, never ignoring the gut-rattling pressure of sub bass. That's never more evident than on the title track, where he constructs a haunted atmosphere of bells and drones to sit beneath staccato percussive hits and and winding drill slaps.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Makila\" is challenging music that takes divergent African forms and melts them together with next level skill and sleight of hand. It's another bold step for East African electronic music that underscores the wild creativity and talent emerging from the Democratic Republic of Congo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chrisman\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-30T09:57:44+09:00","created_at":"2022-10-16T09:01:54+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":276000,"price_min":276000,"price_max":276000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43548287041786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chrisman \/\/ Makila LP [COLOR]","public_title":null,"options":["Default Title"],"price":276000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ee481023-bc3a-489a-906e-9c07c43fbe10.jpg?v=1665878516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515","options":["Title"],"media":[{"alt":null,"id":30758844662010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_450a1cc1-ccfa-4642-8da6-bd13cbae0ca7.jpg?v=1665878515","width":700},{"alt":null,"id":30758844694778,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ee481023-bc3a-489a-906e-9c07c43fbe10.jpg?v=1665878516"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ee481023-bc3a-489a-906e-9c07c43fbe10.jpg?v=1665878516","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴのgqom作家Chrismanが、2022年6月にウガンダの実験ダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e重いビートのポストインダストリアル・テクノ〜gqom10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2324198424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWhite 12\" vinyl with black spatter.\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhile Chrisman's \"Ku Mwezi\" ep mostly explored gqom and trap influenced Afrohouse mutations, his debut album heads in a different direction. On \"Makila\", Chrisman provides an experimental vision of the taraxina sound: a molasses-slow fusion of the Angolan kuduro and kizobma dance templates that dips in-and-out of fuzzy drones and syrupy gqom.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 'Angels of Kivu', he pushes the clicking skeletal rhythm into the background, allowing electrified likembé melodies to take pride of place. It sounds like Congolese legends Konono No.1 shocked into a psychedelic electronic future by way of Durban.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Fatiliya' pushes more solidly into taraxina territory, with familiar saw synths accenting low 'n slow kicks and air blast leads. The backbone is Angolan, but Chrisman approaches his music with a full awareness of Atlanta trap and gqom, never ignoring the gut-rattling pressure of sub bass. That's never more evident than on the title track, where he constructs a haunted atmosphere of bells and drones to sit beneath staccato percussive hits and and winding drill slaps.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Makila\" is challenging music that takes divergent African forms and melts them together with next level skill and sleight of hand. It's another bold step for East African electronic music that underscores the wild creativity and talent emerging from the Democratic Republic of Congo.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chrisman\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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![Tony Gallardo // Selected Works LP [COLOR]](http://tobirarecords.com/cdn/shop/products/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65_medium.jpg?v=1665803915)
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{"id":7810607841530,"title":"Tony Gallardo \/\/ Selected Works LP [COLOR]","handle":"tony-gallardo-selected-works-lp-translucent-magenta","description":"\u003cp\u003eメキシコのアウトサイダー作家Tony Gallardoが、2022年1月にウガンダの実験ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールドひねくれポップ〜EBM10曲を収録。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3921288471\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition Vinyl of 500. Pressed on translucent magenta 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eEnigmatic pop outsider Tony Gallardo makes music that's perpetually perched on the outskirts of Mexico's fertile electronic underground. Since 2008, he has been releasing music that inhabits its own artistic universe, a cross between Frank Zappa, Daniel Johnston, The Knife, OutKast and Rosa Pistola. He co-founded the Cocobass label, pioneered the fusion of L.A. noise and cumbia known as ruidosón and has released music under a plethora of monikers: dark techno as Boi Patrol, ramshackle electronic pop as María y José, experimental surf rock as El Capricho and experimental dembow as La Fiebre X.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Selected Works\" assembles some of Gallardo's most crucial material from a run of EPs released between 2008 and 2013. These tracks show the breadth of his output, running through sleazy, neon electro ('Bruja', 'Mi Presa'), neck-snapping tropical dance music ('Kibosé', 'La Conquista'), and eerie Mexican trap ('Plata O Plomo', 'Ultra'). It's introspective, haunted music from one of Mexico's most original and most under-appreciated artists that paints a picture of a psychedelic musical landscape that's hard to resist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne listen to the album's closer 'Club Negro'\u003cspan class=\"bcTruncateMore\"\u003e, originally released in 2013, should tell you all you need to know. This track is the perfect introduction to the world of Tony Gallardo, with screwed 'n chopped Spanish vocals, doomy syncopated beatbox rhythms and wobbly houseparty electronics.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Gallardo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-30T10:11:43+09:00","created_at":"2022-10-15T12:18:34+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546223051002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tony Gallardo \/\/ Selected Works LP [COLOR]","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915","\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_36f0f1ff-b101-42ff-9508-a0a3a239e69d.jpg?v=1665803915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915","options":["Title"],"media":[{"alt":null,"id":30752353648890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_bc9ce0c6-83e1-4c45-92e8-ee098bcded65.jpg?v=1665803915","width":700},{"alt":null,"id":30752353681658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_36f0f1ff-b101-42ff-9508-a0a3a239e69d.jpg?v=1665803915"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_36f0f1ff-b101-42ff-9508-a0a3a239e69d.jpg?v=1665803915","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコのアウトサイダー作家Tony Gallardoが、2022年1月にウガンダの実験ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールドひねくれポップ〜EBM10曲を収録。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3921288471\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition Vinyl of 500. Pressed on translucent magenta 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eEnigmatic pop outsider Tony Gallardo makes music that's perpetually perched on the outskirts of Mexico's fertile electronic underground. Since 2008, he has been releasing music that inhabits its own artistic universe, a cross between Frank Zappa, Daniel Johnston, The Knife, OutKast and Rosa Pistola. He co-founded the Cocobass label, pioneered the fusion of L.A. noise and cumbia known as ruidosón and has released music under a plethora of monikers: dark techno as Boi Patrol, ramshackle electronic pop as María y José, experimental surf rock as El Capricho and experimental dembow as La Fiebre X.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Selected Works\" assembles some of Gallardo's most crucial material from a run of EPs released between 2008 and 2013. These tracks show the breadth of his output, running through sleazy, neon electro ('Bruja', 'Mi Presa'), neck-snapping tropical dance music ('Kibosé', 'La Conquista'), and eerie Mexican trap ('Plata O Plomo', 'Ultra'). It's introspective, haunted music from one of Mexico's most original and most under-appreciated artists that paints a picture of a psychedelic musical landscape that's hard to resist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne listen to the album's closer 'Club Negro'\u003cspan class=\"bcTruncateMore\"\u003e, originally released in 2013, should tell you all you need to know. This track is the perfect introduction to the world of Tony Gallardo, with screwed 'n chopped Spanish vocals, doomy syncopated beatbox rhythms and wobbly houseparty electronics.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Gallardo\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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メキシコのアウトサイダー作家Tony Gallardoが、2022年1月にウガンダの実験ダンスレーベルHakuna Kulalaからリリースしたレコードです。 レフトフィールドひねくれポップ〜EBM10曲を収録。ピンク盤です。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
¥2,980
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{"id":7649235894522,"title":"Oyisse \/\/ Elembo 12\"","handle":"oyisse-elembo-lp","description":"\u003cp\u003eコンゴのGqom作家Oyisseが、2021年にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eドス黒い\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2732919746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLaunching Hakuna Kulala's new club white label series, is young Congolese, Kampala-based DJ \u0026amp; producer Oyisse. Oyisse drops a pure gem of a debut EP featuring 4 fresh tracks of slower and somber forward-thinking club music bridging abstract electronics, obscure gqom and trap with various Central African influences, rude esoteric voices from Congolese singer, Sekelemebele and a cascade of futurist imagination. A clever, harmonious balance of kicks and sophisticated experimentation that will grace our ears and bodies on the floor.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oyisse\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-06-22T16:18:57+09:00","created_at":"2022-06-21T14:36:44+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42903900160250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oyisse \/\/ Elembo 12\"","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805","\/\/tobirarecords.com\/cdn\/shop\/products\/el2_b65dbea1-05b5-4b38-bba4-733d74177e87.jpg?v=1655789805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805","options":["Title"],"media":[{"alt":null,"id":29941254979834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_90023f20-e79d-4cb2-891c-c44863691aa1.jpg?v=1655789805","width":700},{"alt":null,"id":29941255012602,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_b65dbea1-05b5-4b38-bba4-733d74177e87.jpg?v=1655789805"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_b65dbea1-05b5-4b38-bba4-733d74177e87.jpg?v=1655789805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンゴのGqom作家Oyisseが、2021年にウガンダのHakuna Kulalaからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eドス黒い\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2732919746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLaunching Hakuna Kulala's new club white label series, is young Congolese, Kampala-based DJ \u0026amp; producer Oyisse. Oyisse drops a pure gem of a debut EP featuring 4 fresh tracks of slower and somber forward-thinking club music bridging abstract electronics, obscure gqom and trap with various Central African influences, rude esoteric voices from Congolese singer, Sekelemebele and a cascade of futurist imagination. A clever, harmonious balance of kicks and sophisticated experimentation that will grace our ears and bodies on the floor.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oyisse\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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コンゴのGqom作家Oyisseが、2021年にウガンダのHakuna Kulalaからリリースした12"です。 ドス黒いGqom4曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ----------------------------...
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{"id":8738452898042,"title":"NET GALA \/\/ GALAPAGGOT LP","handle":"net-gala-galapaggot-lp","description":"\u003cp\u003e\u003cspan\u003e韓国のレフトフィールド／クィア作家NET GALAが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験ダンスホール〜ジュークフットワーク〜実験トランス11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"多様な音楽的引用と不可解な曖昧さが絡み合ったNET GALAのデビューアルバムは、ダンスフロアを正面から狙ったノイズアルバムか、不可解な歪みによって混濁し不明瞭になった未来志向のクラブ・トランスミッションのどちらかであり、もしかしたらその両方かもしれない。このタイトルは、ガラパゴスの韓国語・英語（コングリッシュ）発音とNET GALAのクィアアイデンティティーだけでなく、グローバルビジネスの中で孤立し、局地的な発展を表す言葉である「ガラパゴス・シンドローム」にも言及した皮肉なものだ。NET GALAの手にかかれば、これは彼らの特異でハイブリッドなサウンドと、グローバルな北の息苦しい構造から切り離された、同様に独特なクィアネスを表す適切な比喩となる。そして、11曲の熱狂的でエキセントリックなトラックを通して、彼らは緩やかなジャンルの記号とクィア文化の引用を再構成し、これらのモチーフが新しい枠組みの中で何を意味するのかを考え出す。韓国には確立された定義がほとんどないため、NET GALAには比較的真っ白なキャンバスが与えられ、答えよりも謎めいた音の風景を描くことができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGalapaggotは、NET GALAがここ数年、熱心に磨き上げてきたサウンドを展開している。彼らは地元のLGBTQ集団Shade Seoulのメンバーとして、悪名高いCakeshopという会場で定期的に演奏し、2019年にNBDKNWからまばゆいばかりの1st EP「[re:FLEX*ion]」をリリースした後、2021年にSVBKVLTからリリースされた「신파 SHINPA」のドラマ性を高めるために、20世紀初頭のメロドラマ的な演劇スタイルであるシンパグクの研究に時間を費やした。今回はさらに広い視野を持ち、ダンスミュージックが粉々に砕け散る前にどこまで押し進められるかを調査している。サンプルは見苦しい場所に詰め込まれ、多くのクラブ・サブジャンルの主要な記号であるスネアやハットは排除され、あるいは代替音と交換されている。その結果、おなじみのエネルギーが脈打つが、まったく型破りなサウンドのアルバムが誕生した。フットワーク、ボールルーム、グラインドコア、ハード・トランスへの賛辞は、ギザギザの音の歪みとハイパーアクティブなリズムのクセで曖昧にされ、引き裂かれ、まばゆいばかりの新しい形に組み合わされている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602573767\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Joappa 03:11\u003cbr\u003e2. Paran 03:49\u003cbr\u003e3. Vulgaress (Eh, Eh) 02:41\u003cbr\u003e4. Kick Comes The Time 04:23\u003cbr\u003e5. KATRINAKATRINAKATRINA 03:36\u003cbr\u003e6. Warp This Pussy (For Kitty) 02:24\u003cbr\u003e7. Retrograde (But I Won't Run Away From You) 04:56\u003cbr\u003e8. The Dog (Feat. Supermotel K) 03:59\u003cbr\u003e9. Cistem Boom 03:39\u003cbr\u003e10. Rac Cap Cu (Feat. Ran Cap Duoi) 03:59\u003cbr\u003e11. No More Drama 04:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Hakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA twisted web of diverse musical references and puzzling ambiguities, NET GALA's debut full-length is either a noise album that's aimed squarely at the dancefloor or a future-proofed club transmission that's been muddled and obscured by incomprehensible distortions - maybe it's both. The title has been on the South Korean producer's mind since 2020, a tongue-in-cheek reference not just to the Korean-English (Konglish) pronunciation of Galápagos and NET GALA's queer identity, but to \"Galápagos Syndrome\", a term to describe isolated, localized developments within global businesses. In NET GALA's hands, it's an apt metaphor for both their idiosyncratic, hybrid sound and their similarly distinctive dissection of queerness away from the stifling structures of the global north. And across 11 frenetic, eccentric tracks, they reconfigure loose genre signifiers and queer cultural references, figuring out what these motifs might mean within a new framework. There are few entrenched definitions in South Korea, which gives NET GALA with a relatively blank canvas to paint an enigmatic sonic landscape that provides more questions than answers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Galapaggot' develops a sound NET GALA has been\u003cspan class=\"bcTruncateMore\"\u003e diligently refining over the last few years. They cut their teeth as a member of the local LGBTQ collective Shade Seoul, playing regularly at the notorious Cakeshop venue, and after releasing their dazzling first EP '[re:FLEX*ion]' on NBDKNW in 2019, spent time researching Shinpageuk, an early 20th century melodramatic theatrical style, to heighten the drama of 2021's SVBKVLT-released '신파 SHINPA'. This time around, they take an even broader view, surveying how far they're able to push dance music before it shatters into pieces. Samples are shoehorned into unseemly places, and snares and hats - the primary signifiers of many club sub-genres - have been eliminated, or swapped with alternate sounds. The result is an album that pulses with a familiar energy, but sounds completely unconventional. Nods to footwork, ballroom, grindcore and hard trance are obscured with jagged sonic contortions and hyperactive rhythmic quirks, ripped up and assembled into dazzling new shapes...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : NET GALA\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK058\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T13:57:16+09:00","created_at":"2025-03-05T17:20:31+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","techno \/ house"],"price":435800,"price_min":435800,"price_max":435800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47172395434234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"NET GALA \/\/ GALAPAGGOT LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/net.jpg?v=1741162697","\/\/tobirarecords.com\/cdn\/shop\/files\/net2_5d055f02-ecab-474d-b08b-d76a3175189f.jpg?v=1741162697"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/net.jpg?v=1741162697","options":["Title"],"media":[{"alt":null,"id":35665004265722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/net.jpg?v=1741162697"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/net.jpg?v=1741162697","width":700},{"alt":null,"id":35665004298490,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/net2_5d055f02-ecab-474d-b08b-d76a3175189f.jpg?v=1741162697"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/net2_5d055f02-ecab-474d-b08b-d76a3175189f.jpg?v=1741162697","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e韓国のレフトフィールド／クィア作家NET GALAが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験ダンスホール〜ジュークフットワーク〜実験トランス11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"多様な音楽的引用と不可解な曖昧さが絡み合ったNET GALAのデビューアルバムは、ダンスフロアを正面から狙ったノイズアルバムか、不可解な歪みによって混濁し不明瞭になった未来志向のクラブ・トランスミッションのどちらかであり、もしかしたらその両方かもしれない。このタイトルは、ガラパゴスの韓国語・英語（コングリッシュ）発音とNET GALAのクィアアイデンティティーだけでなく、グローバルビジネスの中で孤立し、局地的な発展を表す言葉である「ガラパゴス・シンドローム」にも言及した皮肉なものだ。NET GALAの手にかかれば、これは彼らの特異でハイブリッドなサウンドと、グローバルな北の息苦しい構造から切り離された、同様に独特なクィアネスを表す適切な比喩となる。そして、11曲の熱狂的でエキセントリックなトラックを通して、彼らは緩やかなジャンルの記号とクィア文化の引用を再構成し、これらのモチーフが新しい枠組みの中で何を意味するのかを考え出す。韓国には確立された定義がほとんどないため、NET GALAには比較的真っ白なキャンバスが与えられ、答えよりも謎めいた音の風景を描くことができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGalapaggotは、NET GALAがここ数年、熱心に磨き上げてきたサウンドを展開している。彼らは地元のLGBTQ集団Shade Seoulのメンバーとして、悪名高いCakeshopという会場で定期的に演奏し、2019年にNBDKNWからまばゆいばかりの1st EP「[re:FLEX*ion]」をリリースした後、2021年にSVBKVLTからリリースされた「신파 SHINPA」のドラマ性を高めるために、20世紀初頭のメロドラマ的な演劇スタイルであるシンパグクの研究に時間を費やした。今回はさらに広い視野を持ち、ダンスミュージックが粉々に砕け散る前にどこまで押し進められるかを調査している。サンプルは見苦しい場所に詰め込まれ、多くのクラブ・サブジャンルの主要な記号であるスネアやハットは排除され、あるいは代替音と交換されている。その結果、おなじみのエネルギーが脈打つが、まったく型破りなサウンドのアルバムが誕生した。フットワーク、ボールルーム、グラインドコア、ハード・トランスへの賛辞は、ギザギザの音の歪みとハイパーアクティブなリズムのクセで曖昧にされ、引き裂かれ、まばゆいばかりの新しい形に組み合わされている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602573767\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Joappa 03:11\u003cbr\u003e2. Paran 03:49\u003cbr\u003e3. Vulgaress (Eh, Eh) 02:41\u003cbr\u003e4. Kick Comes The Time 04:23\u003cbr\u003e5. KATRINAKATRINAKATRINA 03:36\u003cbr\u003e6. Warp This Pussy (For Kitty) 02:24\u003cbr\u003e7. Retrograde (But I Won't Run Away From You) 04:56\u003cbr\u003e8. The Dog (Feat. Supermotel K) 03:59\u003cbr\u003e9. Cistem Boom 03:39\u003cbr\u003e10. Rac Cap Cu (Feat. Ran Cap Duoi) 03:59\u003cbr\u003e11. No More Drama 04:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Hakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA twisted web of diverse musical references and puzzling ambiguities, NET GALA's debut full-length is either a noise album that's aimed squarely at the dancefloor or a future-proofed club transmission that's been muddled and obscured by incomprehensible distortions - maybe it's both. The title has been on the South Korean producer's mind since 2020, a tongue-in-cheek reference not just to the Korean-English (Konglish) pronunciation of Galápagos and NET GALA's queer identity, but to \"Galápagos Syndrome\", a term to describe isolated, localized developments within global businesses. In NET GALA's hands, it's an apt metaphor for both their idiosyncratic, hybrid sound and their similarly distinctive dissection of queerness away from the stifling structures of the global north. And across 11 frenetic, eccentric tracks, they reconfigure loose genre signifiers and queer cultural references, figuring out what these motifs might mean within a new framework. There are few entrenched definitions in South Korea, which gives NET GALA with a relatively blank canvas to paint an enigmatic sonic landscape that provides more questions than answers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Galapaggot' develops a sound NET GALA has been\u003cspan class=\"bcTruncateMore\"\u003e diligently refining over the last few years. They cut their teeth as a member of the local LGBTQ collective Shade Seoul, playing regularly at the notorious Cakeshop venue, and after releasing their dazzling first EP '[re:FLEX*ion]' on NBDKNW in 2019, spent time researching Shinpageuk, an early 20th century melodramatic theatrical style, to heighten the drama of 2021's SVBKVLT-released '신파 SHINPA'. This time around, they take an even broader view, surveying how far they're able to push dance music before it shatters into pieces. Samples are shoehorned into unseemly places, and snares and hats - the primary signifiers of many club sub-genres - have been eliminated, or swapped with alternate sounds. The result is an album that pulses with a familiar energy, but sounds completely unconventional. Nods to footwork, ballroom, grindcore and hard trance are obscured with jagged sonic contortions and hyperactive rhythmic quirks, ripped up and assembled into dazzling new shapes...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : NET GALA\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHK058\u003c\/span\u003e\u003c\/p\u003e"}
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韓国のレフトフィールド／クィア作家NET GALAが、2025年3月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした再発レコードです。（オリジナルは2024年リリース） 実験ダンスホール〜ジュークフットワーク〜実験トランス11曲を収録。 以下、レーベルによる解説です。 "多様な音楽的引用と不可解な曖昧さが絡み合ったNET GALAのデビューアルバムは、ダンスフロアを正面から狙ったノイズアルバムか、不可解な歪みによって混濁し不明瞭になった未来志向のクラブ・トランスミッションのどちらかであり、もしかしたらその両方かもしれない。このタイトルは、ガラパゴスの韓国語・英語（コングリッシュ）発音とNET GALAのクィアアイデンティティーだけでなく、グローバルビジネスの中で孤立し、局地的な発展を表す言葉である「ガラパゴス・シンドローム」にも言及した皮肉なものだ。NET GALAの手にかかれば、これは彼らの特異でハイブリッドなサウンドと、グローバルな北の息苦しい構造から切り離された、同様に独特なクィアネスを表す適切な比喩となる。そして、11曲の熱狂的でエキセントリックなトラックを通して、彼らは緩やかなジャンルの記号とクィア文化の引用を再構成し、これらのモチーフが新しい枠組みの中で何を意味するのかを考え出す。韓国には確立された定義がほとんどないため、NET GALAには比較的真っ白なキャンバスが与えられ、答えよりも謎めいた音の風景を描くことができる。 Galapaggotは、NET GALAがここ数年、熱心に磨き上げてきたサウンドを展開している。彼らは地元のLGBTQ集団Shade Seoulのメンバーとして、悪名高いCakeshopという会場で定期的に演奏し、2019年にNBDKNWからまばゆいばかりの1st EP「[re:FLEX*ion]」をリリースした後、2021年にSVBKVLTからリリースされた「신파...
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{"id":8728889327866,"title":"Duma s\/t LP","handle":"duma-s-t-lp","description":"\u003cp\u003eクロアチアのDumaが、2022年にウガンダのNyege Nyegeからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003e実験グラインドコア9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2365939451\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2287342242\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eVinyl repress - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angels and Abysses 03:10\u003cbr\u003e2. Corners in Nihil 03:29\u003cbr\u003e3. Omni featuring Chrisman 04:10\u003cbr\u003e4. Lionsblood 05:32\u003cbr\u003e5. Uganda with Sam 02:56\u003cbr\u003e6. Kill Yourself Before They Kill You 03:50\u003cbr\u003e7. Pembe 666 04:00\u003cbr\u003e8. Sin Nature 04:32\u003cbr\u003e9. The Echoes of the Beyond 06:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Martin Khanja (aka Lord Spike Heart) and Sam Karugu emerge from Nairobi's flourishing underground metal scene as former members of the bands Lust of a Dying Breed and Seeds of Datura. Together in 2019 they formed Duma (Darkness in Kikuyu) with Sam abandoning bass for production and guitars and Lord Spike Heart providing extreme vocals to the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded at Nyege Nyege Studios in Kampala over three months in mid 2019 their self-titled debut album fuses the frenetic euphoria, unrelenting physicality and rebellious attitude of hardcore punk and trash metal with bone-crunching breakcore and raw, nihilist industrial noise through a claustrophobic vortex of visceral screams.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe savant mix of brutally adrenalized drums, caustic industrial trap, shredding grindcore inspired guitars and abrupt speed changes create a darkly atmospheric menace and is lethal on tracks like the opener \"Angels and Abysses\" , \"Omni\" or \"Uganda with Sam\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe gruelling slow techno dirges and monolithic vocals on \"Pembe 666\" or \"Sin Nature\" add a pinch of dramatic inevitability bringing a new sense of theatricality and terrifying fate awaiting into the record's progression.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA sinister sonic aggression of feral intensity with\u003cspan class=\"bcTruncateMore\"\u003e disregard for styles, Duma promises to impact the burgeoning African metal scene moving it into totally new, boundary-challenging experimental territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duma\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT022lp\u003c\/p\u003e","published_at":"2025-02-24T06:41:10+09:00","created_at":"2025-02-22T17:17:12+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","noise","nyege nyege tapes","techno \/ house"],"price":336600,"price_min":336600,"price_max":336600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145068462330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Duma s\/t LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170281","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076","\/\/tobirarecords.com\/cdn\/shop\/files\/dum2_38e9600c-7c92-4169-bf47-7fb022c4fcc0.jpg?v=1740212076"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076","options":["Title"],"media":[{"alt":null,"id":35609982238970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076","width":700},{"alt":null,"id":35609982271738,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum2_38e9600c-7c92-4169-bf47-7fb022c4fcc0.jpg?v=1740212076"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum2_38e9600c-7c92-4169-bf47-7fb022c4fcc0.jpg?v=1740212076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eクロアチアのDumaが、2022年にウガンダのNyege Nyegeからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003e実験グラインドコア9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2365939451\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2287342242\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eVinyl repress - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angels and Abysses 03:10\u003cbr\u003e2. Corners in Nihil 03:29\u003cbr\u003e3. Omni featuring Chrisman 04:10\u003cbr\u003e4. Lionsblood 05:32\u003cbr\u003e5. Uganda with Sam 02:56\u003cbr\u003e6. Kill Yourself Before They Kill You 03:50\u003cbr\u003e7. Pembe 666 04:00\u003cbr\u003e8. Sin Nature 04:32\u003cbr\u003e9. The Echoes of the Beyond 06:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Martin Khanja (aka Lord Spike Heart) and Sam Karugu emerge from Nairobi's flourishing underground metal scene as former members of the bands Lust of a Dying Breed and Seeds of Datura. Together in 2019 they formed Duma (Darkness in Kikuyu) with Sam abandoning bass for production and guitars and Lord Spike Heart providing extreme vocals to the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded at Nyege Nyege Studios in Kampala over three months in mid 2019 their self-titled debut album fuses the frenetic euphoria, unrelenting physicality and rebellious attitude of hardcore punk and trash metal with bone-crunching breakcore and raw, nihilist industrial noise through a claustrophobic vortex of visceral screams.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe savant mix of brutally adrenalized drums, caustic industrial trap, shredding grindcore inspired guitars and abrupt speed changes create a darkly atmospheric menace and is lethal on tracks like the opener \"Angels and Abysses\" , \"Omni\" or \"Uganda with Sam\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe gruelling slow techno dirges and monolithic vocals on \"Pembe 666\" or \"Sin Nature\" add a pinch of dramatic inevitability bringing a new sense of theatricality and terrifying fate awaiting into the record's progression.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA sinister sonic aggression of feral intensity with\u003cspan class=\"bcTruncateMore\"\u003e disregard for styles, Duma promises to impact the burgeoning African metal scene moving it into totally new, boundary-challenging experimental territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duma\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT022lp\u003c\/p\u003e"}
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クロアチアのDumaが、2022年にウガンダのNyege Nyegeからリリースした再発レコードです。（オリジナルは2020年リリース） 実験グラインドコア9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege Nyege Tapes...
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{"id":8686956085498,"title":"Ale Hop \u0026 Titi Bakorta \/\/ Mapambazuko LP","handle":"ale-hop-titi-bakorta-mapambazuko-lp","description":"\u003cp\u003e\u003cspan\u003eペルーのダンス作家Ale HopとコンゴのギタリストTiti Bakortaが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアフロ・フュージョン9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKMRUとFlora Yin-Wongがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カンパラで録音された「Mapambazuko」は、ペルーのアーティストであり研究者でもあるアレハンドラ・カルデナス（別名Ale Hop）とコンゴのギタリストTiti Bakortaがペアを組み、それぞれのアプローチのはざまに位置する。2023年にNyege Nyege TapesからリリースされたBakortaのデビューアルバム「Molende」は、コンゴのスークとフォークサウンドのユニークなフュージョンを長年演奏してきた彼のエキセントリックな反芻であり、「Mapambazuko」はその続きで、カルデナスのサイケデリックなアフロ・ラテン・リズムと分断されたシンセの周りにBakortaのくねくねしたギターソロをループさせている。高い評価を得た「Agua Dulce」では、ローラ・ロブレスとともに伝統的なペルーのリズムを解体し、2021年の「The life of Insects」では、テラリウムの中から抽象的な宇宙を想像し、まったく異なる領域を横断した。ポップミュージック、電子音響の実験、前衛的なミニマリズムなど、これらすべての経験が「Mapambazuko」に生かされ、彼女はBakortaの高揚したテーマを繊細なサウンド・デザイン要素とパワフルで妥協のないドラムワークで歪めている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングの「Bonne année」は、カルデナスの熱狂的なリズムが徐々に硬さを増し、Bakortaの鮮やかなスークー風のフレーズを引き立てる。タイトルトラックでは、Bakortaのゴムのような即興演奏が、まるでカルデナスの解離したうなり声や鳴き声に跳ね返っているかのように聴こえる。サイケデリックなペルーのクンビアとコンゴのポップスの類似性を示す「Una cumbia en Kinshasa」では、彼らの世界はさらに顕著に衝突し、「Así baila el sintetizador」では、テンポを速め、Bakortaのフィクタルなリフをカルデナスのジリジリとした振動に混ぜる。アルバムのゴージャスなフィナーレを飾る「Nitaangaza」では、Bakortaがカルデナスのシロップのようなドロドロとした音に乗せて、めくるめくサイケロックの叫びを奏でる。そして、アルバムは3つのエクスクルーシブなリミックスで埋め尽くされている。ケニアのサウンドアーティストKMRUは、「Nitaangaza」からビートを取り除き、その潜在的な官能性を引き出し、軽快なパッドとソフトでハートフルなトーンを加えて、オリジナルトラックを再構成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女のリワークで、カルデナスは「Una cumbia en Kinshasa」をさらに好戦的なリズムで増強し、Bakortaのきらめくリフをさらにカットし、最終的にはトラックをおしゃべりのカオスへと導く。一方、Flora Yin-Wonは、「Así baila el sintetizador」のスルメのようなパーカッシブなバージョンでエンドクレジットに向かって行進する。不気味で人工的な風景を際立たせながら、Flora Yin-WonはBakortaとカルデナスの太陽に焼かれたグルーヴに月明かりを照らし、パーティーが終わりに近づくにつれ、必要なウインドダウンを提供する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240096970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins on the 10th of Janauary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 220. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Una cumbia en Kinshasa\u003cbr\u003e2. Mapambazuko\u003cbr\u003e3. La danza del pajarito\u003cbr\u003e4. Bonne année\u003cbr\u003e5. Así baila el sintetizador\u003cbr\u003e6. Nitaangaza\u003cbr\u003e7. Nitaangaza KMRU Remix\u003cbr\u003e8. Así baila el sintetizador - Flora Yin-Wong Remix\u003cbr\u003e9. B5 - Una cumbia en Kinshasa - Ale Hop Remix\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in Kampala, 'Mapambazuko' pairs Peruvian artist and researcher Alejandra Cárdenas (aka Ale Hop) with Congolese guitarist Titi Bakorta, who locate a balmy junction between their respective approaches. Bakorta's debut album 'Molende', released on Nyege Nyege Tapes in 2023, was an eccentric rumination on his years performing a unique fusion of Congolese soukous and folk sounds, and 'Mapambazuko' picks up where it left off, looping Bakorta's wiry guitar solos around Cárdenas' psychedelic Afro-Latin rhythms and fractured synths. Cárdenas' last run of albums have bounced her around the stylistic map: on the acclaimed 'Agua Dulce', she deconstructed traditional Peruvian rhythms with Laura Robles, while she traversed radically different territory on 2021's 'The life of Insects', imagining an abstract universe from the inside of a terrarium. All this experience - in pop music, electroacoustic experimentation and avant-garde minimalism - is applied to 'Mapambazuko' as she skews Bakorta's exuberant themes with subtle sound design elements and powerful, uncompromising drumwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener 'Bonne année' is a twitchy, effervescent party starter, with a frenetic rhythm from Cárdenas that gradually picks up grit, only enhancing the vivid soukous-inspired phrases from\u003cspan class=\"bcTruncateMore\"\u003e Bakorta. And on the title track, Bakorta's rubbery improvisations sound as if they're bouncing off Cárdenas' dissociated whirrs and squeals, while the duo's furious pulse holds their raw experimentation in check. Their worlds collide even more conspicuously on 'Una cumbia en Kinshasa', that identifies the similarities between psychedelic Peruvian cumbia and Congolese pop, and on 'Así baila el sintetizador' they ratchet up the tempo, smudging Bakorta's fictile riffs into Cárdenas' zesty oscillations. The acceleration only lets up on the album's gauzy finale 'Nitaangaza', where Bakorta plays dizzy psych-rock wails over Cárdenas' syrup-laced thuds and lopsided drones. And the album is filled out with three exclusive remixes. Kenyan sound artist KMRU strips the beat from 'Nitaangaza' and brings out its latent sensuality, adding light-headed pads and soft-hearted tones to re-contextualize the original track.\u003cbr\u003e\u003cbr\u003eOn her rework, Cárdenas augments 'Una cumbia en Kinshasa' with an even more belligerent rhythm, cutting further into Bakorta's glistening riffs and eventually guiding the track into chattering chaos. While Flora Yin-Wong marches towards the end credits with a sultry, percussive version of 'Así baila el sintetizador'. Slowing it down to a crawl and emphasizing the eerie, artificial landscape, Yin-Wong shines moonlight on Bakorta and Cárdenas' sun-baked grooves, providing the necessary wind-down as the party comes to an end.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ale Hop \u0026amp; Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-12-25T13:31:04+09:00","created_at":"2024-12-22T15:12:09+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","nyege nyege tapes","strange beats"],"price":435800,"price_min":435800,"price_max":435800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46974225711354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ale Hop \u0026 Titi Bakorta \/\/ Mapambazuko LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ale1.jpg?v=1734847842","\/\/tobirarecords.com\/cdn\/shop\/files\/ale2.jpg?v=1734847842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale1.jpg?v=1734847842","options":["Title"],"media":[{"alt":null,"id":35335638909178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale1.jpg?v=1734847842"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale1.jpg?v=1734847842","width":700},{"alt":null,"id":35335638941946,"position":2,"preview_image":{"aspect_ratio":1.332,"height":901,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale2.jpg?v=1734847842"},"aspect_ratio":1.332,"height":901,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ale2.jpg?v=1734847842","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eペルーのダンス作家Ale HopとコンゴのギタリストTiti Bakortaが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアフロ・フュージョン9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKMRUとFlora Yin-Wongがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カンパラで録音された「Mapambazuko」は、ペルーのアーティストであり研究者でもあるアレハンドラ・カルデナス（別名Ale Hop）とコンゴのギタリストTiti Bakortaがペアを組み、それぞれのアプローチのはざまに位置する。2023年にNyege Nyege TapesからリリースされたBakortaのデビューアルバム「Molende」は、コンゴのスークとフォークサウンドのユニークなフュージョンを長年演奏してきた彼のエキセントリックな反芻であり、「Mapambazuko」はその続きで、カルデナスのサイケデリックなアフロ・ラテン・リズムと分断されたシンセの周りにBakortaのくねくねしたギターソロをループさせている。高い評価を得た「Agua Dulce」では、ローラ・ロブレスとともに伝統的なペルーのリズムを解体し、2021年の「The life of Insects」では、テラリウムの中から抽象的な宇宙を想像し、まったく異なる領域を横断した。ポップミュージック、電子音響の実験、前衛的なミニマリズムなど、これらすべての経験が「Mapambazuko」に生かされ、彼女はBakortaの高揚したテーマを繊細なサウンド・デザイン要素とパワフルで妥協のないドラムワークで歪めている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングの「Bonne année」は、カルデナスの熱狂的なリズムが徐々に硬さを増し、Bakortaの鮮やかなスークー風のフレーズを引き立てる。タイトルトラックでは、Bakortaのゴムのような即興演奏が、まるでカルデナスの解離したうなり声や鳴き声に跳ね返っているかのように聴こえる。サイケデリックなペルーのクンビアとコンゴのポップスの類似性を示す「Una cumbia en Kinshasa」では、彼らの世界はさらに顕著に衝突し、「Así baila el sintetizador」では、テンポを速め、Bakortaのフィクタルなリフをカルデナスのジリジリとした振動に混ぜる。アルバムのゴージャスなフィナーレを飾る「Nitaangaza」では、Bakortaがカルデナスのシロップのようなドロドロとした音に乗せて、めくるめくサイケロックの叫びを奏でる。そして、アルバムは3つのエクスクルーシブなリミックスで埋め尽くされている。ケニアのサウンドアーティストKMRUは、「Nitaangaza」からビートを取り除き、その潜在的な官能性を引き出し、軽快なパッドとソフトでハートフルなトーンを加えて、オリジナルトラックを再構成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女のリワークで、カルデナスは「Una cumbia en Kinshasa」をさらに好戦的なリズムで増強し、Bakortaのきらめくリフをさらにカットし、最終的にはトラックをおしゃべりのカオスへと導く。一方、Flora Yin-Wonは、「Así baila el sintetizador」のスルメのようなパーカッシブなバージョンでエンドクレジットに向かって行進する。不気味で人工的な風景を際立たせながら、Flora Yin-WonはBakortaとカルデナスの太陽に焼かれたグルーヴに月明かりを照らし、パーティーが終わりに近づくにつれ、必要なウインドダウンを提供する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240096970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins on the 10th of Janauary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 220. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Una cumbia en Kinshasa\u003cbr\u003e2. Mapambazuko\u003cbr\u003e3. La danza del pajarito\u003cbr\u003e4. Bonne année\u003cbr\u003e5. Así baila el sintetizador\u003cbr\u003e6. Nitaangaza\u003cbr\u003e7. Nitaangaza KMRU Remix\u003cbr\u003e8. Así baila el sintetizador - Flora Yin-Wong Remix\u003cbr\u003e9. B5 - Una cumbia en Kinshasa - Ale Hop Remix\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in Kampala, 'Mapambazuko' pairs Peruvian artist and researcher Alejandra Cárdenas (aka Ale Hop) with Congolese guitarist Titi Bakorta, who locate a balmy junction between their respective approaches. Bakorta's debut album 'Molende', released on Nyege Nyege Tapes in 2023, was an eccentric rumination on his years performing a unique fusion of Congolese soukous and folk sounds, and 'Mapambazuko' picks up where it left off, looping Bakorta's wiry guitar solos around Cárdenas' psychedelic Afro-Latin rhythms and fractured synths. Cárdenas' last run of albums have bounced her around the stylistic map: on the acclaimed 'Agua Dulce', she deconstructed traditional Peruvian rhythms with Laura Robles, while she traversed radically different territory on 2021's 'The life of Insects', imagining an abstract universe from the inside of a terrarium. All this experience - in pop music, electroacoustic experimentation and avant-garde minimalism - is applied to 'Mapambazuko' as she skews Bakorta's exuberant themes with subtle sound design elements and powerful, uncompromising drumwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener 'Bonne année' is a twitchy, effervescent party starter, with a frenetic rhythm from Cárdenas that gradually picks up grit, only enhancing the vivid soukous-inspired phrases from\u003cspan class=\"bcTruncateMore\"\u003e Bakorta. And on the title track, Bakorta's rubbery improvisations sound as if they're bouncing off Cárdenas' dissociated whirrs and squeals, while the duo's furious pulse holds their raw experimentation in check. Their worlds collide even more conspicuously on 'Una cumbia en Kinshasa', that identifies the similarities between psychedelic Peruvian cumbia and Congolese pop, and on 'Así baila el sintetizador' they ratchet up the tempo, smudging Bakorta's fictile riffs into Cárdenas' zesty oscillations. The acceleration only lets up on the album's gauzy finale 'Nitaangaza', where Bakorta plays dizzy psych-rock wails over Cárdenas' syrup-laced thuds and lopsided drones. And the album is filled out with three exclusive remixes. Kenyan sound artist KMRU strips the beat from 'Nitaangaza' and brings out its latent sensuality, adding light-headed pads and soft-hearted tones to re-contextualize the original track.\u003cbr\u003e\u003cbr\u003eOn her rework, Cárdenas augments 'Una cumbia en Kinshasa' with an even more belligerent rhythm, cutting further into Bakorta's glistening riffs and eventually guiding the track into chattering chaos. While Flora Yin-Wong marches towards the end credits with a sultry, percussive version of 'Así baila el sintetizador'. Slowing it down to a crawl and emphasizing the eerie, artificial landscape, Yin-Wong shines moonlight on Bakorta and Cárdenas' sun-baked grooves, providing the necessary wind-down as the party comes to an end.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ale Hop \u0026amp; Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ペルーのダンス作家Ale HopとコンゴのギタリストTiti Bakortaが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。 アフロ・フュージョン9曲を収録。 KMRUとFlora Yin-Wongがリミックスで参加しています。 以下、レーベルによる解説です。 "カンパラで録音された「Mapambazuko」は、ペルーのアーティストであり研究者でもあるアレハンドラ・カルデナス（別名Ale Hop）とコンゴのギタリストTiti Bakortaがペアを組み、それぞれのアプローチのはざまに位置する。2023年にNyege Nyege TapesからリリースされたBakortaのデビューアルバム「Molende」は、コンゴのスークとフォークサウンドのユニークなフュージョンを長年演奏してきた彼のエキセントリックな反芻であり、「Mapambazuko」はその続きで、カルデナスのサイケデリックなアフロ・ラテン・リズムと分断されたシンセの周りにBakortaのくねくねしたギターソロをループさせている。高い評価を得た「Agua Dulce」では、ローラ・ロブレスとともに伝統的なペルーのリズムを解体し、2021年の「The...
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{"id":8666370736378,"title":"CRAVE \/\/ Inner War Delirium LP","handle":"crave-inner-war-delirium-lp","description":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:43:54+09:00","created_at":"2024-11-16T15:50:14+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","hiphop \/ funk","lp","new","techno \/ house"],"price":387600,"price_min":387600,"price_max":387600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864910811386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"CRAVE \/\/ Inner War Delirium LP","public_title":null,"options":["Default Title"],"price":387600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","options":["Title"],"media":[{"alt":null,"id":35195336818938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","width":700},{"alt":null,"id":35195336851706,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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フランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。 ポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
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{"id":8666369949946,"title":"Aeson Zervas \/\/ Hazlom TAPE","handle":"aeson-zervas-hazlom-tape","description":"\u003cp\u003eギリシャのストレンジビーツ作家Aeson Zervasが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・テクノ〜ブロークン・ストレンジビーツ9曲を収録。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=478564579\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Χωρίς τίτλο 9 06:15\u003cbr\u003e2. Χωρίς τίτλο 10 05:14\u003cbr\u003e3. Χωρίς τίτλο 11 04:17\u003cbr\u003e4. Χωρίς τίτλο 12 03:11\u003cbr\u003e5. Χωρίς τίτλο 13 05:32\u003cbr\u003e6. Χωρίς τίτλο 14 01:49\u003cbr\u003e7. Χωρίς τίτλο 15 01:42\u003cbr\u003e8. Χωρίς τίτλο 16 04:20\u003cbr\u003e9. Χωρίς τίτλο 17 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe enigma that is Aeson Zervas returns with an outstanding plot twist of electro-chaabi street rave abstractions paying homage to his patrilineal Egyptian roots with a rugged, drum-spurred set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePast meets present on nine swaggering renditions of the fiery Cairene street rave sound shotted by likes of EEK \u0026amp; Islam Chipsy that has emerged in ballistic permutations from the likes of ZULI, 3Phaz and 1127 in recent years. No doubt it’s bang up for it in a way that his preceding album did not hint at, and all the better for it, connecting threads between the deep past and heritage of Mediterranean rim musics that continue to inform and branch into the present.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePlangent horns and microtonal keyboards edge into weirder basslines gnawed by noise. Zervas’ zeroes in on the relationship between Greece and Egypt and the broader Arabic world here, but with a crucial artistic license that prompts him to mess with the aesthetic and find something fresh but timeless in the process, uncannily echoing in parts Actress’ hazed out take on Detroit techno.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aeson Zervas\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-22T09:30:07+09:00","created_at":"2024-11-16T15:47:39+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","strange beats","tape","techno \/ house"],"price":222800,"price_min":222800,"price_max":222800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864908189946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aeson Zervas \/\/ Hazlom TAPE","public_title":null,"options":["Default Title"],"price":222800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580","\/\/tobirarecords.com\/cdn\/shop\/files\/ae2.jpg?v=1731739580"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580","options":["Title"],"media":[{"alt":null,"id":35195330199802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580","width":700},{"alt":null,"id":35195330232570,"position":2,"preview_image":{"aspect_ratio":0.888,"height":1200,"width":1065,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2.jpg?v=1731739580"},"aspect_ratio":0.888,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2.jpg?v=1731739580","width":1065}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャのストレンジビーツ作家Aeson Zervasが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・テクノ〜ブロークン・ストレンジビーツ9曲を収録。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=478564579\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Χωρίς τίτλο 9 06:15\u003cbr\u003e2. Χωρίς τίτλο 10 05:14\u003cbr\u003e3. Χωρίς τίτλο 11 04:17\u003cbr\u003e4. Χωρίς τίτλο 12 03:11\u003cbr\u003e5. Χωρίς τίτλο 13 05:32\u003cbr\u003e6. Χωρίς τίτλο 14 01:49\u003cbr\u003e7. Χωρίς τίτλο 15 01:42\u003cbr\u003e8. Χωρίς τίτλο 16 04:20\u003cbr\u003e9. Χωρίς τίτλο 17 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe enigma that is Aeson Zervas returns with an outstanding plot twist of electro-chaabi street rave abstractions paying homage to his patrilineal Egyptian roots with a rugged, drum-spurred set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePast meets present on nine swaggering renditions of the fiery Cairene street rave sound shotted by likes of EEK \u0026amp; Islam Chipsy that has emerged in ballistic permutations from the likes of ZULI, 3Phaz and 1127 in recent years. No doubt it’s bang up for it in a way that his preceding album did not hint at, and all the better for it, connecting threads between the deep past and heritage of Mediterranean rim musics that continue to inform and branch into the present.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePlangent horns and microtonal keyboards edge into weirder basslines gnawed by noise. Zervas’ zeroes in on the relationship between Greece and Egypt and the broader Arabic world here, but with a crucial artistic license that prompts him to mess with the aesthetic and find something fresh but timeless in the process, uncannily echoing in parts Actress’ hazed out take on Detroit techno.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aeson Zervas\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャのストレンジビーツ作家Aeson Zervasが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから150本限定でリリースしたカセットです。 アラビック・テクノ〜ブロークン・ストレンジビーツ9曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available...
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{"id":8666368049402,"title":"Christian Love Forum \/\/ X-Nihilo TAPE","handle":"christian-love-forum-x-nihilo-tape","description":"\u003cp\u003eギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:58:43+09:00","created_at":"2024-11-16T15:40:24+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864899997946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christian Love Forum \/\/ X-Nihilo TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","options":["Title"],"media":[{"alt":null,"id":35195317485818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","width":700},{"alt":null,"id":35195317518586,"position":2,"preview_image":{"aspect_ratio":0.955,"height":1200,"width":1146,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"},"aspect_ratio":0.955,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115","width":1146}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。 アラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases...
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{"id":8666366542074,"title":"PÖ \/\/ Cociage TAPE","handle":"po-cociage-tape","description":"\u003cp\u003eフランス／ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3224793995\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Harvest 02:51\u003cbr\u003e2. Cociage 02:45\u003cbr\u003e3. Over The Clouds 04:50\u003cbr\u003e4. Wind 02:54\u003cbr\u003e5. Klafouti 02:49\u003cbr\u003e6. Pleasing You 02:30\u003cbr\u003e7. Fuck Jungle 04:08\u003cbr\u003e8. Nuit Blanche 02:12\u003cbr\u003e9. Galivanting 02:34\u003cbr\u003e10. Koundo 02:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving between France and Uganda, French-Ghanaian vocalist Pö possesses a unique perspective that shapes and deepens her artistic expression. \"Cociage\" is her incendiary debut release, and showcases a confident hybridization of vastly different sounds, from rap and noise to ambient and traditional folk. A member of electronic pop duo Poko Poko alongside Congolese producer Rey Sapienz, Pö creates her enveloping soundscapes almost exclusively with her voice. Looping it into hallucinatory textures, she juxtaposes transcendent shimmers with raspy, post-punk bulletins and quick-fire industrial rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'The Reaping' crashes into the frame with machine-strength kick drums that vibrate against Pö's spiraling ritual chants. It's her voice that holds everything together, looping and soaring with a level of intensity that can break down borders. The album's title track is even more jagged, highlighting Pö's assertive chants that punctuate pounding, distorted drums, sounding like a call to action primed to resonate through time itself. Hard to place sonically, it's music that's rooted in performance and improvisation, with as many thematic links to West African pop and chanson as there\u003cspan class=\"bcTruncateMore\"\u003e are to DIY noise and experimental electronics.\u003cbr\u003e\u003cbr\u003eIt's not all pulverizing intensity either. Pö's sensitive side emerges on 'Over The Clouds', a restrained mantra that sublimes her voice into ethereal pads and breathy, reverberating coos. Sounding like an even more supernatural take on Grouper's faded soundscapes, it's psychedelic new age music seen through a Pan-African lens, far away from the self-mythologizing West Coast private press scene. 'Fuck Jungle' meanwhile flips into a completely different gear, corrupting Pö's voice into an alien gurgle and layering it over scorched earth synths and siren blasts.\u003cbr\u003e\u003cbr\u003eWith \"Cociage\" Pö has defined a musical language that's steeped in cross-cultural history but feels frighteningly new. Urgent, political and defiant at every turn, it's an album that takes a megaphone and hotwires it, sending out a message that resonates on a spiritual level.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PÖ\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:46:44+09:00","created_at":"2024-11-16T15:33:32+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","new","nyege nyege tapes","tape","techno \/ house"],"price":213700,"price_min":213700,"price_max":213700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864894132474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"PÖ \/\/ Cociage TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","options":["Title"],"media":[{"alt":null,"id":35195305230586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","width":700},{"alt":null,"id":35195305263354,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス／ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3224793995\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Harvest 02:51\u003cbr\u003e2. Cociage 02:45\u003cbr\u003e3. Over The Clouds 04:50\u003cbr\u003e4. Wind 02:54\u003cbr\u003e5. Klafouti 02:49\u003cbr\u003e6. Pleasing You 02:30\u003cbr\u003e7. Fuck Jungle 04:08\u003cbr\u003e8. Nuit Blanche 02:12\u003cbr\u003e9. Galivanting 02:34\u003cbr\u003e10. Koundo 02:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving between France and Uganda, French-Ghanaian vocalist Pö possesses a unique perspective that shapes and deepens her artistic expression. \"Cociage\" is her incendiary debut release, and showcases a confident hybridization of vastly different sounds, from rap and noise to ambient and traditional folk. A member of electronic pop duo Poko Poko alongside Congolese producer Rey Sapienz, Pö creates her enveloping soundscapes almost exclusively with her voice. Looping it into hallucinatory textures, she juxtaposes transcendent shimmers with raspy, post-punk bulletins and quick-fire industrial rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'The Reaping' crashes into the frame with machine-strength kick drums that vibrate against Pö's spiraling ritual chants. It's her voice that holds everything together, looping and soaring with a level of intensity that can break down borders. The album's title track is even more jagged, highlighting Pö's assertive chants that punctuate pounding, distorted drums, sounding like a call to action primed to resonate through time itself. Hard to place sonically, it's music that's rooted in performance and improvisation, with as many thematic links to West African pop and chanson as there\u003cspan class=\"bcTruncateMore\"\u003e are to DIY noise and experimental electronics.\u003cbr\u003e\u003cbr\u003eIt's not all pulverizing intensity either. Pö's sensitive side emerges on 'Over The Clouds', a restrained mantra that sublimes her voice into ethereal pads and breathy, reverberating coos. Sounding like an even more supernatural take on Grouper's faded soundscapes, it's psychedelic new age music seen through a Pan-African lens, far away from the self-mythologizing West Coast private press scene. 'Fuck Jungle' meanwhile flips into a completely different gear, corrupting Pö's voice into an alien gurgle and layering it over scorched earth synths and siren blasts.\u003cbr\u003e\u003cbr\u003eWith \"Cociage\" Pö has defined a musical language that's steeped in cross-cultural history but feels frighteningly new. Urgent, political and defiant at every turn, it's an album that takes a megaphone and hotwires it, sending out a message that resonates on a spiritual level.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PÖ\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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{"id":8666365624570,"title":"Munchi \/\/ I Love Mambo Mixtape + Mambo Detonao EP TAPE","handle":"munchi-i-love-mambo-mixtape-mambo-detonao-ep-tape","description":"\u003cp\u003eオランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した： ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's After The End Of The World のために作られた。このミックステープは、Munchiにとって初めての本格的なもので、彼のオリジナル作品とドミニカン・マンボ・カノンのお気に入りのトラックをマッチさせたものだった。当時、ムンチはこの音楽に魅了され、手に入れられるものはすべてダウンロードし、「最も安っぽく、最もチープで、最もダーティで、最もフルーティーループスっぽい」トラックをインターネットの隅々まで探し回った。彼は、この時代が終わり、「洗練された、気取った、ほとんど魂のない」レゲトンが風景を支配するようになったことを嘆いている。「少なくとも、リズムが極めて生々しかった頃は、そこにエネルギーとスピリットを感じることができた。「生きていて、呼吸しているように感じた」。今聴いても、このミックスは当時と同じように生々しく、新鮮で、生命力に満ち、ドミニカ音楽の歴史の中で忘れられがちで、誤解されがちな瞬間の埃を払っているように聴こえる。どんな瞬間にも、トラックは完全に崩壊してしまいそうなほどもろく聞こえ、ただ、素早いビート・フリップ、ヴォーカル・チョップ、生意気なベース・ドロップによって補強される。Munchiは1時間以上にわたって、カリブ海のダンス・ミュージックに忘れがたい足跡を残したこのジャンルのスリルに付き合ってくれる。... 「I Love Mambo 」は、重要なミッシングリンクの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMunchiの『Detonao EP』は、2008年から2010年にかけてロッテルダムでレコーディングされた未発表音源を集めたもので、Munchiの名前を冠した作品の中では最も実験的でミニマルかつアップテンポな作品である。かつてドミニカ共和国のシーンを席巻したジャーキーで可塑的なスピード・ダンスを意図的に近似させ、マンボ・サウンドに独自のスピンを加えている。各トラックは、デチューンされたおもちゃ箱のようなピアノ、ラジオで流されるような声、安っぽくグロッキーなホーンなどで構成され、不穏なほどクリーンだ。オープニング・トラックの「Damu Mambo」は、ループしたヴォーカルと『X-ファイル』の口笛が鳴り響く前に、空洞のような音、ホラー映画の声、苦しげなエア・ホーン、ガラスを割る音、転がるスネアなどで視界に飛び込んでくる。 しかし、ムンチの天才的な才能は、ほとんどどんなものでも首尾一貫したグルーヴに仕上げる能力にある。ポルトガルのバティーダ・サウンドやタンザニアのハイ・ンルグ・シンゲリ（「Comenzo El Party」のパーカッシブなサウンドを聴いてほしい）とも類似点がある。Luis Esta Seguroski VIP'ではオランダの泡のようなスクレイプとベースラインのワンプをシャッフルし、催眠術のような'Ayoba Mambo'では心を揺さぶる'Percolator'のトリルを聴かせる。歴史的な教訓と奔放な文化的マッシュアップが息もつかせず聴き手を魅了する「Detonao」は、Munchiが独自の次元で活動していることを証明している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=723349453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 200.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMambo Detonao EP + 'I love Mambo' Mixtape with 60 minutes of original Mambo music exclusive to the tape only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Damu Mambo 03:35\u003cbr\u003e2. Que Maldito Disco 03:03\u003cbr\u003e3. Comenzo El Party 01:46\u003cbr\u003e4. Tamo En Olla, Pero Hay Mambo 01:32\u003cbr\u003e5. Luis Esta Seguroski VIP 01:59\u003cbr\u003e6. Ayoba Mambo 01:59\u003cbr\u003e7. Klk Frutilu 01:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \"I Love Mambo\" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this\u003cspan class=\"bcTruncateMore\"\u003e music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for \"the cheapest, cheesiest, dirtiest, most Fruityloops-ish\" tracks. He laments that this era has come and gone, leaving \"polished, pretentious and almost soulless\" reggaeton to dominate the landscape. \"At least when the rhythms were extremely raw you could feel the energy and spirit in it,\" he says. \"It felt like it was alive and breathing.\" Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … \"I Love Mambo\" serves as a critical missing link. Munchi's \"Detonao EP\" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and \"X-Files\"\u003ca rel=\"nofollow ugc\" href=\"http:\/\/whistles.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e\u003c\/a\u003e the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, \"Detonao\" is proof that Munchi is operating in a league of his own.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Munchi\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:06:29+09:00","created_at":"2024-11-16T15:27:54+09:00","vendor":"Tobira Records","type":"","tags":["house","new","nyege nyege tapes","strange beats","tape","techno \/ house"],"price":218800,"price_min":218800,"price_max":218800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864891478266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Munchi \/\/ I Love Mambo Mixtape + Mambo Detonao EP TAPE","public_title":null,"options":["Default Title"],"price":218800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","options":["Title"],"media":[{"alt":null,"id":35195293171962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","width":700},{"alt":null,"id":35195293204730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した： ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's After The End Of The World のために作られた。このミックステープは、Munchiにとって初めての本格的なもので、彼のオリジナル作品とドミニカン・マンボ・カノンのお気に入りのトラックをマッチさせたものだった。当時、ムンチはこの音楽に魅了され、手に入れられるものはすべてダウンロードし、「最も安っぽく、最もチープで、最もダーティで、最もフルーティーループスっぽい」トラックをインターネットの隅々まで探し回った。彼は、この時代が終わり、「洗練された、気取った、ほとんど魂のない」レゲトンが風景を支配するようになったことを嘆いている。「少なくとも、リズムが極めて生々しかった頃は、そこにエネルギーとスピリットを感じることができた。「生きていて、呼吸しているように感じた」。今聴いても、このミックスは当時と同じように生々しく、新鮮で、生命力に満ち、ドミニカ音楽の歴史の中で忘れられがちで、誤解されがちな瞬間の埃を払っているように聴こえる。どんな瞬間にも、トラックは完全に崩壊してしまいそうなほどもろく聞こえ、ただ、素早いビート・フリップ、ヴォーカル・チョップ、生意気なベース・ドロップによって補強される。Munchiは1時間以上にわたって、カリブ海のダンス・ミュージックに忘れがたい足跡を残したこのジャンルのスリルに付き合ってくれる。... 「I Love Mambo 」は、重要なミッシングリンクの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMunchiの『Detonao EP』は、2008年から2010年にかけてロッテルダムでレコーディングされた未発表音源を集めたもので、Munchiの名前を冠した作品の中では最も実験的でミニマルかつアップテンポな作品である。かつてドミニカ共和国のシーンを席巻したジャーキーで可塑的なスピード・ダンスを意図的に近似させ、マンボ・サウンドに独自のスピンを加えている。各トラックは、デチューンされたおもちゃ箱のようなピアノ、ラジオで流されるような声、安っぽくグロッキーなホーンなどで構成され、不穏なほどクリーンだ。オープニング・トラックの「Damu Mambo」は、ループしたヴォーカルと『X-ファイル』の口笛が鳴り響く前に、空洞のような音、ホラー映画の声、苦しげなエア・ホーン、ガラスを割る音、転がるスネアなどで視界に飛び込んでくる。 しかし、ムンチの天才的な才能は、ほとんどどんなものでも首尾一貫したグルーヴに仕上げる能力にある。ポルトガルのバティーダ・サウンドやタンザニアのハイ・ンルグ・シンゲリ（「Comenzo El Party」のパーカッシブなサウンドを聴いてほしい）とも類似点がある。Luis Esta Seguroski VIP'ではオランダの泡のようなスクレイプとベースラインのワンプをシャッフルし、催眠術のような'Ayoba Mambo'では心を揺さぶる'Percolator'のトリルを聴かせる。歴史的な教訓と奔放な文化的マッシュアップが息もつかせず聴き手を魅了する「Detonao」は、Munchiが独自の次元で活動していることを証明している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=723349453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 200.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMambo Detonao EP + 'I love Mambo' Mixtape with 60 minutes of original Mambo music exclusive to the tape only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Damu Mambo 03:35\u003cbr\u003e2. Que Maldito Disco 03:03\u003cbr\u003e3. Comenzo El Party 01:46\u003cbr\u003e4. Tamo En Olla, Pero Hay Mambo 01:32\u003cbr\u003e5. Luis Esta Seguroski VIP 01:59\u003cbr\u003e6. Ayoba Mambo 01:59\u003cbr\u003e7. Klk Frutilu 01:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \"I Love Mambo\" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this\u003cspan class=\"bcTruncateMore\"\u003e music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for \"the cheapest, cheesiest, dirtiest, most Fruityloops-ish\" tracks. He laments that this era has come and gone, leaving \"polished, pretentious and almost soulless\" reggaeton to dominate the landscape. \"At least when the rhythms were extremely raw you could feel the energy and spirit in it,\" he says. \"It felt like it was alive and breathing.\" Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … \"I Love Mambo\" serves as a critical missing link. Munchi's \"Detonao EP\" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and \"X-Files\"\u003ca rel=\"nofollow ugc\" href=\"http:\/\/whistles.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e\u003c\/a\u003e the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, \"Detonao\" is proof that Munchi is operating in a league of his own.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Munchi\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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オランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。 ジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。 カセットのみでの発表となります。 以下、レーベルによる解説です。 "Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した： ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's...
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{"id":8666362216698,"title":"Takkak Takkak \/\/ Takkak Takkak LP","handle":"takkak-takkak-takkak-takkak-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本／インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1737549570\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dedemit 01:17\u003cbr\u003e2. Garang 03:37\u003cbr\u003e3. Raung 05:28\u003cbr\u003e4. Raksasa 04:32\u003cbr\u003e5. Amok 04:29\u003cbr\u003e6. Kyouzon 04:04\u003cbr\u003e7. Mezame 04:20\u003cbr\u003e8. Salamander 04:44\u003cbr\u003e9. Takkatakka 06:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA playfully eccentric, pulsating mass of precarious polyrhythms and DIY drones, Takkak Takkak is a brand new project from prolific Berlin-based Japanese producer Shigeru Ishihara (aka Scotch Rolex) and Vilnius-based Indonesian composer and instrument builder Mo’ong Santoso Pribadi, best known as one half of Raja Kirik. The duo found common ground with their borderless enthusiasm for rhythm - hence their tongue-in-cheek, onomatopoeic moniker - and tasked themselves with hacking contemporary and traditional musics, fusing eardrum-piercing club sounds with wiry Asian traditional patterns and howling vocals. And although there are discernible fingerprints from across the musical map, Ishihara and Pribadi debut a sound that's doggedly unconventional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIshihara has spent the last few years obsessively producing and collaborating, working with Shackleton on 2023's 'Death By Tickling', assembling the Nyege stable on 2021's 'Tewari' and collaborating with artists as diverse as Duma, MC Yallah and Aunty Razyor. Pribadi meanwhile has developed his craft alongside Yennu Ariendra, challenging colonial oppression with deviously original music that modernizes medieval Javanese dance forms. His work as an experimental instrument builder - primarily working with\u003cspan class=\"bcTruncateMore\"\u003e found objects and trash - has set Pribadi in good stead for Takkak Takkak, where he goes toe-to-toe with Ishihara, who weaves trance-inducing rhythmic patterns, low-end thumps and dizzying effects around his collaborator's rusty twangs, woodblock clacks and xenharmonic chimes.\u003cbr\u003e\u003cbr\u003eOn the opening track (name here), rattly, tempo-fluxed percussion is caught in a vortex of brassy fanfares and thick subs, building furiously until it's interrupted with a cheeky answerphone bleep. It sets the stage for Garang, a punky, metallic tremor of guitar-like chugs, obscured vocals and fictile strings that wisp around driving kicks - there's gqom, drill and sweaty techno in there somewhere, transformed into a serrated, ritualistic buzz. Ishihara takes the mic on Amok, grunting over Pribadi's clattery beats and breathy handmade instruments, and the track mutates at the half-way point, spiraling into a hybrid of gamelan and diagonal bass music, pneumatic kicks vibrating against pinging metal.\u003cbr\u003e\u003cbr\u003eIt's an impressive balancing act; Takkak Takkak navigate their cross-continental palette with not only knowledge and skill, but a refreshing level of humor. This makes their music as infectious as it is fearless - it's experimental, sure, but Pribadi and Ishihara are having a blast, and they don't care who knows.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takkak Takkak\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:18:10+09:00","created_at":"2024-11-16T15:17:21+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":398900,"price_min":398900,"price_max":398900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864881254650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takkak Takkak \/\/ Takkak Takkak LP","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","options":["Title"],"media":[{"alt":null,"id":35195262894330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","width":700},{"alt":null,"id":35195262927098,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本／インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1737549570\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dedemit 01:17\u003cbr\u003e2. Garang 03:37\u003cbr\u003e3. Raung 05:28\u003cbr\u003e4. Raksasa 04:32\u003cbr\u003e5. Amok 04:29\u003cbr\u003e6. Kyouzon 04:04\u003cbr\u003e7. Mezame 04:20\u003cbr\u003e8. Salamander 04:44\u003cbr\u003e9. Takkatakka 06:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA playfully eccentric, pulsating mass of precarious polyrhythms and DIY drones, Takkak Takkak is a brand new project from prolific Berlin-based Japanese producer Shigeru Ishihara (aka Scotch Rolex) and Vilnius-based Indonesian composer and instrument builder Mo’ong Santoso Pribadi, best known as one half of Raja Kirik. The duo found common ground with their borderless enthusiasm for rhythm - hence their tongue-in-cheek, onomatopoeic moniker - and tasked themselves with hacking contemporary and traditional musics, fusing eardrum-piercing club sounds with wiry Asian traditional patterns and howling vocals. And although there are discernible fingerprints from across the musical map, Ishihara and Pribadi debut a sound that's doggedly unconventional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIshihara has spent the last few years obsessively producing and collaborating, working with Shackleton on 2023's 'Death By Tickling', assembling the Nyege stable on 2021's 'Tewari' and collaborating with artists as diverse as Duma, MC Yallah and Aunty Razyor. Pribadi meanwhile has developed his craft alongside Yennu Ariendra, challenging colonial oppression with deviously original music that modernizes medieval Javanese dance forms. His work as an experimental instrument builder - primarily working with\u003cspan class=\"bcTruncateMore\"\u003e found objects and trash - has set Pribadi in good stead for Takkak Takkak, where he goes toe-to-toe with Ishihara, who weaves trance-inducing rhythmic patterns, low-end thumps and dizzying effects around his collaborator's rusty twangs, woodblock clacks and xenharmonic chimes.\u003cbr\u003e\u003cbr\u003eOn the opening track (name here), rattly, tempo-fluxed percussion is caught in a vortex of brassy fanfares and thick subs, building furiously until it's interrupted with a cheeky answerphone bleep. It sets the stage for Garang, a punky, metallic tremor of guitar-like chugs, obscured vocals and fictile strings that wisp around driving kicks - there's gqom, drill and sweaty techno in there somewhere, transformed into a serrated, ritualistic buzz. Ishihara takes the mic on Amok, grunting over Pribadi's clattery beats and breathy handmade instruments, and the track mutates at the half-way point, spiraling into a hybrid of gamelan and diagonal bass music, pneumatic kicks vibrating against pinging metal.\u003cbr\u003e\u003cbr\u003eIt's an impressive balancing act; Takkak Takkak navigate their cross-continental palette with not only knowledge and skill, but a refreshing level of humor. This makes their music as infectious as it is fearless - it's experimental, sure, but Pribadi and Ishihara are having a blast, and they don't care who knows.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takkak Takkak\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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日本／インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8431499837690,"title":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","handle":"phelimuncasi-metal-preyers-izigqinamba-lp","description":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e","published_at":"2024-05-13T06:44:03+09:00","created_at":"2024-05-12T14:31:19+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":331000,"price_min":331000,"price_max":331000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45920860831994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","public_title":null,"options":["Default Title"],"price":331000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","options":["Title"],"media":[{"alt":null,"id":34001398431994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","width":700},{"alt":null,"id":34001398464762,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e"}
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南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。 実験アフロビート〜Gqom9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8109778338042,"title":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","handle":"nakibembe-embaire-group-nakibembe-embaire-group-lp-1","description":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール＆レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-12-11T19:14:44+09:00","created_at":"2023-12-11T19:13:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new","strange beats"],"price":303000,"price_min":303000,"price_max":303000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44873908388090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","public_title":null,"options":["Default Title"],"price":303000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","options":["Title"],"media":[{"alt":null,"id":32823109091578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","width":700},{"alt":null,"id":32823109124346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール＆レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ウガンダ・ブソガ王国の小さな村ナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。 ポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。 インドネシアのガムランガババンドGabber Modus Operandiも参加しています。 "ウガンダのブソガ王国（現存する4つの立憲君主制国家のひとつ）にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15～25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。ナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。8分間に及ぶ大曲「Omukazi...
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