Alga Marghen
クイックビュー
{"id":8692135297274,"title":"Smegma \/\/ The Smegma Christmas Album LP","handle":"smegma-the-smegma-christmas-album-lp","description":"\u003cp\u003eアメリカ・LAのフリーフォームバンドSmegmaが、2024年12月にイタリアの実験レーベルAlga Marghenから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eカオスなフリージャズ7曲を収録。一点一点異なるアートワークです。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1973年10月末、リッキー・リーツ・ハバハバ・バンドは解散した。必要なのは 「ミュージシャンのいないバンド 」だということになり、実験的でワイルドなジャム・セッションが何度も行われた。そして11月23日、特にインスピレーションを受けたジャムが 「Cat Cheese 」と名付けられ、SMEGMAというバンドが誕生した。一緒に音楽を始めてまだ数ヶ月しか経っていなかったが、3曲のオリジナル曲とエルビス・プレスリーのカヴァーを含む 「Live in the studio 」クリスマス・アルバムをレコーディングすることに決めた！新進のサウンド・エンジニア、マイク・ラストラがサンディエゴのガレージで初のスタジオ・レコーディング・セッションを提供してくれ、数回のリハーサルの後、すべてのトラックがワンテイクで録音され、歴史が作られた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e昔ながらの曲をやりたかったので、リード・バーンズとリチャード・ワグナーの2人の意欲的な 「ミュージシャン 」に協力を依頼し、Smegmaのメンバー4人しかセッションに参加できなかったので、「ダニー 」ダントン・ダッジ（14歳）もスカウトした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eもちろん、当時カセットにダビングされたのは2、3枚だけだった。エース・オブ・スペースはその1枚を受け取り、すぐに我々のグループへの最初の参加者となったが、50年経った今、このアルバムはようやく初めて一般に公開されることになった！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1. “Santa Bring My Baby Back (To Me)” Lead Vocal: Ju Suk\u003cbr\u003eA2. “Auto Suk” Lead Vocal: Ju Suk\u003cbr\u003eA3. “Whatever (for now)” Solo Flute: Amy\u003cbr\u003eA4. “Christmas Trees Are Free” (Words: A.B. Lloyd) Vocals: Fats \u0026amp; The Kid\u003cbr\u003eB1. “Beans In My Eye” (edit) Solo Flute: Amy\u003cbr\u003eB2. The Cheez Stands Alone (Improv.) Group Vocals\u003cbr\u003eB3. “Happy Holidays” (TK version) Words, Music \u0026amp; Vocals: Fats\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Smegma\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTES 178LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-04T07:30:42+09:00","created_at":"2025-01-02T12:50:07+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":417000,"price_min":417000,"price_max":417000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47001387860218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Smegma \/\/ The Smegma Christmas Album LP","public_title":null,"options":["Default Title"],"price":417000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652","options":["Title"],"media":[{"alt":null,"id":35370706501882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのフリーフォームバンドSmegmaが、2024年12月にイタリアの実験レーベルAlga Marghenから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eカオスなフリージャズ7曲を収録。一点一点異なるアートワークです。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1973年10月末、リッキー・リーツ・ハバハバ・バンドは解散した。必要なのは 「ミュージシャンのいないバンド 」だということになり、実験的でワイルドなジャム・セッションが何度も行われた。そして11月23日、特にインスピレーションを受けたジャムが 「Cat Cheese 」と名付けられ、SMEGMAというバンドが誕生した。一緒に音楽を始めてまだ数ヶ月しか経っていなかったが、3曲のオリジナル曲とエルビス・プレスリーのカヴァーを含む 「Live in the studio 」クリスマス・アルバムをレコーディングすることに決めた！新進のサウンド・エンジニア、マイク・ラストラがサンディエゴのガレージで初のスタジオ・レコーディング・セッションを提供してくれ、数回のリハーサルの後、すべてのトラックがワンテイクで録音され、歴史が作られた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e昔ながらの曲をやりたかったので、リード・バーンズとリチャード・ワグナーの2人の意欲的な 「ミュージシャン 」に協力を依頼し、Smegmaのメンバー4人しかセッションに参加できなかったので、「ダニー 」ダントン・ダッジ（14歳）もスカウトした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eもちろん、当時カセットにダビングされたのは2、3枚だけだった。エース・オブ・スペースはその1枚を受け取り、すぐに我々のグループへの最初の参加者となったが、50年経った今、このアルバムはようやく初めて一般に公開されることになった！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1. “Santa Bring My Baby Back (To Me)” Lead Vocal: Ju Suk\u003cbr\u003eA2. “Auto Suk” Lead Vocal: Ju Suk\u003cbr\u003eA3. “Whatever (for now)” Solo Flute: Amy\u003cbr\u003eA4. “Christmas Trees Are Free” (Words: A.B. Lloyd) Vocals: Fats \u0026amp; The Kid\u003cbr\u003eB1. “Beans In My Eye” (edit) Solo Flute: Amy\u003cbr\u003eB2. The Cheez Stands Alone (Improv.) Group Vocals\u003cbr\u003eB3. “Happy Holidays” (TK version) Words, Music \u0026amp; Vocals: Fats\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Smegma\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTES 178LP\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのフリーフォームバンドSmegmaが、2024年12月にイタリアの実験レーベルAlga Marghenから200部限定でリリースしたレコードです。 カオスなフリージャズ7曲を収録。一点一点異なるアートワークです。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "1973年10月末、リッキー・リーツ・ハバハバ・バンドは解散した。必要なのは 「ミュージシャンのいないバンド 」だということになり、実験的でワイルドなジャム・セッションが何度も行われた。そして11月23日、特にインスピレーションを受けたジャムが 「Cat Cheese 」と名付けられ、SMEGMAというバンドが誕生した。一緒に音楽を始めてまだ数ヶ月しか経っていなかったが、3曲のオリジナル曲とエルビス・プレスリーのカヴァーを含む 「Live in the...
¥4,170
クイックビュー
{"id":8692133200122,"title":"John Tchicai, Cadentia Nova Danica \/\/ Mc Gub Gub \/ Ode to Skt. John \/ Pladepip LP","handle":"john-tchicai-cadentia-nova-danica-mc-gub-gub-ode-to-skt-john-pladepip-lp","description":"\u003cp\u003eデンマークのサックス奏者John Tchicai（1936-2012）率いるフリージャズバンドCadentia Nova Danicaが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ〜フリージャズ3曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Mc Gub Gub \u003cbr\u003e2. Ode to Skt. John \u003cbr\u003e3. Pladepip \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"This revelatory album positions John Tchicai’s large ensemble, Cadentia Nova Danica (CND), in the broad context of international new music activity. All previous releases by the group presented them as a free jazz unit. There were only three—their self-titled release on Polydor (1968); “Afrodisiaca” (MPS, 1969); and “Live at Jazzhus Montmartre” (Storyville), recorded in 1967 but not released until 2016. They are all on jazz labels, so the bias is perhaps understandable.\u003c\/p\u003e\n\u003cp\u003e CND was a great free jazz group, to be sure. But the band and its leader were willing to experiment with a wide range of musical developments outside of jazz and incorporate them into their music. This LP encompasses a collaboration with classical composer Svend Erik Werner, an experiment with taped sound collage, and a remarkable sui generis composition by Tchicai. With the addition of this album to CND’s discography, a broader and deeper portrait of the band’s courageous spirit begins to emerge.\u003c\/p\u003e\n\u003cp\u003e Tchicai formed the group just after returning to his native Denmark in 1966 after four highly productive years in New York. Upon his return to Copenhagen he immediately sought out musicians with whom he could form a band. He was soon working with an ensemble that included trumpeter Hugh Steinmetz and altoist Karsten Vogel. By late 1966 they became Cadentia Nova Danica (New Danish Cadence). They made their Danish debut at Café Montmartre and quickly developed a reputation as one of the most creative bands in Europe. They remained together until 1971, when Tchicai entered the ashram of Swami Narayanananda for an extended period of meditation during which he didn’t publicly perform.\u003c\/p\u003e\n\u003cp\u003e Tchicai was absorbing new ideas from all directions. Even in New York, he drew inspiration from other art forms. Ayler’s “New York Eye and Ear Control”, in which he took part, was improvised to a film by Michael Snow. Some concerts had a theatrical aspect with Tchicai appearing in face paint or costume. He also composed and performed “Scandinavian Discoveries”, an extended composition for jazz quartet and string quartet that used both standard and graphic notation. The return to Europe gave him access to influences from classical and non-Western musics that would have been unavailable to him in the US. In Denmark, Tchicai crossed paths with other musicians, photographers, filmmakers, and artists willing to exchange ideas and work together. As a result, performances by CND began to reflect influences from other media and other cultures. Tchicai for example absorbed African influences directly from the African musicians living in Europe and made them a permanent part of CND.\u003c\/p\u003e\n\u003cp\u003e To a greater extent than in the U.S., classical composers and improvising musicians in Europe took an interest in each other’s work, and CND sometimes collaborated with classical composers who were looking for experimental settings to explore. One situation found them performing in a subway station where the chimes that signaled the train doors were closing were used as cues to play a line of the composition. They once performed on a spinning carousel at a fairground, where the music was captured getting louder and softer as the musicians passed by fixed mics. There was also a noteworthy collaboration with the improvising composers of Musica Electronica Viva.\u003c\/p\u003e\n\u003cp\u003e The cryptically, if absurdly, titled “Mc Gub Gub, (I–VIII)” is a stunning example of the creative ways Tchicai used ostinatos to structure his compositions and provide a supporting trellis for improvisation. Recorded during a Danish Avantgarde Jazz concert that also included the Contemporary Jazz Quintet, the piece opens with the band loosely repeating a phrase. There’s a constant interchange between composition and improvisation. The written passages also function as transitions between improvised sections, in one case setting up a piano solo whose fluidity contrasts starkly with the angular writing. Many of the transitions are abrupt jump cuts. But in one case the written phrase gradually dissolves as more and more players abandon it to begin improvising. Tchicai and his ensemble explore many relationships between written and improvised on a piece that’s both urgent and playful.\u003c\/p\u003e\n\u003cp\u003e Danish composer Svend Erik Werner, the producer of CND broadcasts during the band’s extended residency at the Danish Broadcasting Corporation in 1969 and 1970, was among those who took an interest in writing for the group. “Ode to St. John” is contemporary in form and outlook but based on methods taken from Gregorian music. It also makes room for improvisation from members of Cadentia Nova Danica. Although vividly contrasting, the two modes of musicmaking speak to one another. The alto saxophone and trumpet duet has a songlike, vocal quality in keeping with the spirit, if not the form, of Gregorian music. It’s a rewarding meeting—and sometimes clash—between ancient and modern.\u003c\/p\u003e\n\u003cp\u003e “Pladepip,” Tchicai’s foray into musique concréte, another modern classical genre, is unlike anything else in Tchicai’s recorded canon. Two full-band improvisations bookend a remarkable audio tape created by Tchicai. At the time, he was a collector of 78s and he took several of them and gouged their surfaces so they would skip and create repeated phrases, much like the ostinatos in his improvising and composing. He then assembled the patterns into a sound collage. The tape is jittery and discontinuous, all hard angles and abrupt phrases. The group improvisations, on the other hand, are soft-edged clouds of sound that develop with a slow pulsing flow. The extreme contrast between sections creates the piece’s surreal drama.\u003c\/p\u003e\n\u003cp\u003e The wide-open borders between musics, the band’s palpable joy in exploration, and their bon homie make this an important addition to Cadentia Nova Danica’s recorded legacy. \"\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2FFCND177\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-02T14:31:50+09:00","created_at":"2025-01-02T12:46:22+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":417000,"price_min":417000,"price_max":417000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47001378849018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai, Cadentia Nova Danica \/\/ Mc Gub Gub \/ Ode to Skt. John \/ Pladepip LP","public_title":null,"options":["Default Title"],"price":417000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791987050","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566","options":["Title"],"media":[{"alt":null,"id":35370700636410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのサックス奏者John Tchicai（1936-2012）率いるフリージャズバンドCadentia Nova Danicaが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ〜フリージャズ3曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Mc Gub Gub \u003cbr\u003e2. Ode to Skt. John \u003cbr\u003e3. Pladepip \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"This revelatory album positions John Tchicai’s large ensemble, Cadentia Nova Danica (CND), in the broad context of international new music activity. All previous releases by the group presented them as a free jazz unit. There were only three—their self-titled release on Polydor (1968); “Afrodisiaca” (MPS, 1969); and “Live at Jazzhus Montmartre” (Storyville), recorded in 1967 but not released until 2016. They are all on jazz labels, so the bias is perhaps understandable.\u003c\/p\u003e\n\u003cp\u003e CND was a great free jazz group, to be sure. But the band and its leader were willing to experiment with a wide range of musical developments outside of jazz and incorporate them into their music. This LP encompasses a collaboration with classical composer Svend Erik Werner, an experiment with taped sound collage, and a remarkable sui generis composition by Tchicai. With the addition of this album to CND’s discography, a broader and deeper portrait of the band’s courageous spirit begins to emerge.\u003c\/p\u003e\n\u003cp\u003e Tchicai formed the group just after returning to his native Denmark in 1966 after four highly productive years in New York. Upon his return to Copenhagen he immediately sought out musicians with whom he could form a band. He was soon working with an ensemble that included trumpeter Hugh Steinmetz and altoist Karsten Vogel. By late 1966 they became Cadentia Nova Danica (New Danish Cadence). They made their Danish debut at Café Montmartre and quickly developed a reputation as one of the most creative bands in Europe. They remained together until 1971, when Tchicai entered the ashram of Swami Narayanananda for an extended period of meditation during which he didn’t publicly perform.\u003c\/p\u003e\n\u003cp\u003e Tchicai was absorbing new ideas from all directions. Even in New York, he drew inspiration from other art forms. Ayler’s “New York Eye and Ear Control”, in which he took part, was improvised to a film by Michael Snow. Some concerts had a theatrical aspect with Tchicai appearing in face paint or costume. He also composed and performed “Scandinavian Discoveries”, an extended composition for jazz quartet and string quartet that used both standard and graphic notation. The return to Europe gave him access to influences from classical and non-Western musics that would have been unavailable to him in the US. In Denmark, Tchicai crossed paths with other musicians, photographers, filmmakers, and artists willing to exchange ideas and work together. As a result, performances by CND began to reflect influences from other media and other cultures. Tchicai for example absorbed African influences directly from the African musicians living in Europe and made them a permanent part of CND.\u003c\/p\u003e\n\u003cp\u003e To a greater extent than in the U.S., classical composers and improvising musicians in Europe took an interest in each other’s work, and CND sometimes collaborated with classical composers who were looking for experimental settings to explore. One situation found them performing in a subway station where the chimes that signaled the train doors were closing were used as cues to play a line of the composition. They once performed on a spinning carousel at a fairground, where the music was captured getting louder and softer as the musicians passed by fixed mics. There was also a noteworthy collaboration with the improvising composers of Musica Electronica Viva.\u003c\/p\u003e\n\u003cp\u003e The cryptically, if absurdly, titled “Mc Gub Gub, (I–VIII)” is a stunning example of the creative ways Tchicai used ostinatos to structure his compositions and provide a supporting trellis for improvisation. Recorded during a Danish Avantgarde Jazz concert that also included the Contemporary Jazz Quintet, the piece opens with the band loosely repeating a phrase. There’s a constant interchange between composition and improvisation. The written passages also function as transitions between improvised sections, in one case setting up a piano solo whose fluidity contrasts starkly with the angular writing. Many of the transitions are abrupt jump cuts. But in one case the written phrase gradually dissolves as more and more players abandon it to begin improvising. Tchicai and his ensemble explore many relationships between written and improvised on a piece that’s both urgent and playful.\u003c\/p\u003e\n\u003cp\u003e Danish composer Svend Erik Werner, the producer of CND broadcasts during the band’s extended residency at the Danish Broadcasting Corporation in 1969 and 1970, was among those who took an interest in writing for the group. “Ode to St. John” is contemporary in form and outlook but based on methods taken from Gregorian music. It also makes room for improvisation from members of Cadentia Nova Danica. Although vividly contrasting, the two modes of musicmaking speak to one another. The alto saxophone and trumpet duet has a songlike, vocal quality in keeping with the spirit, if not the form, of Gregorian music. It’s a rewarding meeting—and sometimes clash—between ancient and modern.\u003c\/p\u003e\n\u003cp\u003e “Pladepip,” Tchicai’s foray into musique concréte, another modern classical genre, is unlike anything else in Tchicai’s recorded canon. Two full-band improvisations bookend a remarkable audio tape created by Tchicai. At the time, he was a collector of 78s and he took several of them and gouged their surfaces so they would skip and create repeated phrases, much like the ostinatos in his improvising and composing. He then assembled the patterns into a sound collage. The tape is jittery and discontinuous, all hard angles and abrupt phrases. The group improvisations, on the other hand, are soft-edged clouds of sound that develop with a slow pulsing flow. The extreme contrast between sections creates the piece’s surreal drama.\u003c\/p\u003e\n\u003cp\u003e The wide-open borders between musics, the band’s palpable joy in exploration, and their bon homie make this an important addition to Cadentia Nova Danica’s recorded legacy. \"\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2FFCND177\u003c\/span\u003e\u003c\/p\u003e"}
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デンマークのサックス奏者John Tchicai（1936-2012）率いるフリージャズバンドCadentia Nova Danicaが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。 スプリチュアル・ジャズ〜フリージャズ3曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available...
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{"id":8692121927930,"title":"John Tchicai, Don Cherry, Sahib Shihab \/\/ Beautiful United Harmony Happening \/ The Education of an Amphibian LP","handle":"john-tchicai-don-cherry-sahib-shihab-beautiful-united-harmony-happening-the-education-of-an-amphibian-lp","description":"\u003cp\u003eジャズ作家John TchicaiとDon Cherry、Sahib Shihabが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formaliberaは、デンマークの作曲家、マルチ・インストゥルメンタリストJohn Tchicaiの作品を記録したシリーズの第一弾を発表できることを大変嬉しく思う。この新しいLPは、ドン・チェリーとの 「Beautiful United Harmony Happening 」とサヒブ・シーハブとの 「Education Of An Amphibian 」という2つの未発表音源を収録している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiはニューヨークで目覚ましい4年間を過ごした後、1966年7月に母国デンマークに戻った。その短い期間に、彼はニューヨーク・アート・カルテットやニューヨーク・コンテンポラリー・ファイヴといった小さなフリージャズ・アンサンブルや、アルバート・アイラーとの 「New York Eye and Ear Control 」やジョン・コルトレーンの 「Ascension 」といったアルバムで、ソロ、集団即興、作曲の関係を再定義し、拡大することに貢献した。どのアーティストのキャリアにおいても、最も肥沃な時期のひとつであったことは間違いない。しかし、ヨーロッパに戻ると、Tchicaiは主に（それだけではないが）大編成のアンサンブル音楽に目を向けた。ニューヨークでのブレークスルーは失われることなく、大編成の文脈に移され、さらなる探求の道が開かれた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai八重奏団による 「The Education of an Amphibian 」は、「Komponist Udøver Ensemble」、すなわち 「Composing Improvisers Orchestra 」の最初の試みであり、即興と作曲の境界をさらに曖昧にするアプローチである。1966年10月に録音されたこの作品では、Tchicaiが作曲家であり、指導者であり、サウンドのオーガナイザーであり、現代クラシックとアフリカの影響から引き出された幅広い音楽的ボキャブラリーの探求者であることが示されている。Tchicaiはこのバンドを集団として構想したが、彼の感性が色濃く反映されている。バンドメンバーが演奏する緩やかな枠組みは彼が決めた。彼が作曲したテーマは、最も抽象的なフレーズでさえ叙情的に感じさせる。これらの簡潔で反復的なメロディーは、演奏を区切り、構成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作品の多くは、まさに即興の作曲である。演奏の冒頭を飾る緊密な声のハーモニー、メロディーを供給するドラムのモチーフ、ソリストを支える繊細な背景素材は、作品を終結へと導く要素として機能する自発的な創作である。各楽器が織り成す高次の対位法に参加するエネルギッシュなグループ即興は、コンサートのハイライトである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個々のソリストも、オクテットの緊密な即興アンサンブル・ワークも、グループのユニークなサウンドに等しく貢献している。トランペッターのヒュー・スタインメッツは、この時期Tchicaiと頻繁に共演しており、バンドに強いジャズ・センスをもたらしている（彼はこのレコーディングの年にデンマーク・ジャズ・アカデミーからデンマークの年間最優秀ジャズ・ミュージシャンに選ばれている）。1964年にコペンハーゲンに移住したアフリカ系アメリカ人のサックス・フルート奏者シャヒブ・シャハブは、バップを取り入れたクレプスキュラーなフルート・ソロを聴かせる。ジャズではほとんど耳にしたことのないクラシック楽器、ハープシコードのピエト・クイテルスの爆発的なソロは、作品に驚くべき新しい音色を挿入している。打楽器奏者たちは、従来のジャズとは全く異なる機能を果たしており、「スウィング」する義務はなく、アンサンブルのパッセージでメロディックに、あるいはテクスチャー的に機能することが多い。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『ビューティフル・ユナイテッド・ハーモニー・ハプニング』は、それとは異なるものであり、学際的な演奏の新しい様式を取り入れる機会なのだ。デンマークに戻った当初から、Tchicaiは音楽家だけでなく、あらゆる芸術形態のアーティストを探し、ハプニングを企画し始めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカデンティア・ノヴァ・ダニカのメンバーが参加した最後の公演のひとつだが、彼らは、スワミ・ナラヤナンダの弟子たちによる5人の合唱団（チカイはこのヨギのアシュラムに住み、自ら合唱団を組織していた）、ダイアン・ブラック・ダンス・シアター、そしてトランペッターでマルチ・インストゥルメンタリストのドン・チェリーという、まさにカテゴリーを超えたアンサンブルの構成要素のひとつに過ぎない（そして、それが中心とは言い難い）。Tchicaiとチェリーは、ジャズ・ミュージシャンとして出発し、伝統的な音楽と実験的な音楽、そして演奏に耳を傾けながら、その枠を広げていった。両者とも、真摯な精神的求道者であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのマルチメディア・イベントは、実験的な現代アートと儀式主義的な宗教的／瞑想的実践との関係を問うものである。当時、Tchicaiはこう書いている。「私は、自分自身の中にある本物の生命の源と、本物の音楽の源を見つけることに興味があります。この2つの事柄は非常に密接に結びついていると思う。私は人間についてある種のスピリチュアルな信念を持っているが、こうした音楽の源泉を見つけるには、ヨガや禅の教えを調べるのが一番だ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの演奏から間もなく、Tchicaiは精神的な研究に専念するために音楽制作をやめた。これは、彼が4年後にステージに復帰するまでの見送りにふさわしいものだった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Beautiful United Harmony Happening\u003cbr\u003e2. The Education of an Amphibian\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formalibera is very pleased to present the first of a series of released documenting the work of Danish composer and multi-instrumentalist John Tchicai. This new LP features two previously unpublished recordings, “Beautiful United Harmony Happening” with Don Cherry and “Education Of An Amphibian” with Sahib Shihab.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tchicai returned to his native Denmark in July 1966 after spending a remarkable four years in New York City. In that short span, he helped redefine and expand the relationship between soloing, collective improvisation, and composition in small free jazz ensembles such as the New York Art Quartet, the New York Contemporary Five, and on albums such as “New York Eye and Ear Control” with Albert Ayler and John Coltrane’s “Ascension”. It certainly counts as one of the most fertile periods in any artist’s career. Yet when he returned to Europe, Tchicai turned his attention primarily (although not exclusively) to large ensemble music. The breakthroughs made in New York were not lost, but transferred to a large group context, opening up further avenues of exploration.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “The Education of an Amphibian” by the John Tchicai Octet represents a first try at “Komponist Udøver Ensemble,” or “Composing Improvisers Orchestra,” an approach that further blurred boundaries between improvisation and composition. Recorded in October 1966, the piece presents Tchicai as composer and guiding presence; an organizer of sounds; and an explorer of a widening musical vocabulary drawn from contemporary classical and African influences. Tchicai conceived of the band as a collective, yet it very much reflects his sensibilities. He determined the loose framework within which the band members play. His composed themes that make even the most abstract phrases seem lyrical. These concise, repetitive melodies punctuate and structure the performance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Much of the piece is truly an improvised composition. The closely voiced harmonies that open the performance, the drum motifs that supply a melody, the subtle background material supporting soloists are spontaneous creations that function as elements advancing the piece toward its conclusion. An energized group improvisation, with each instrument participating in an interwoven, higher-order counterpoint, is a highlight of the concert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Individual soloists, as well as the octet’s closely attuned improvised ensemble work, contribute equally to the group’s unique sound. Trumpeter Hugh Steinmetz, a frequent Tchicai collaborator during this period, brings a strong jazz sensibility to the band (he was elected Danish Jazz Musician of the Year by the Danish Jazz Academy the year of this recording). Saxophonist-flutist Shahib Shahab, an African American ex-pat who moved to Copenhagen in 1964, takes a crepuscular, bop-inflected flute solo. Piet Kuiters’ explosive solo on harpsichord, a classical instrument nearly unheard of in jazz interjects startling new timbres into the piece. The percussionists function quite differently than in conventional jazz, they are not obligated to “swing” and often function melodically or texturally in ensemble passages.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “Beautiful United Harmony Happening” is something different—an opportunity to embrace new modes of interdisciplinary performance. From the beginning of his return to Denmark, Tchicai sought out not only musicians, but artists in all artforms and began to organize happenings.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Although rarely noted, ideas linked to Fluxus, performance art, and happenings were a large influence of Tchicai’s thinking at this time. All these related movements sought to blur or erase boundaries between media and set up juxtapositions between styles and artforms that disrupted received ideas of “high” and “low” art. Participation by non-artists introduced elements that challenged ideas about virtuosity and legitimate expression. Random elements were embraced, and non-Western music and concepts were welcome. Tchicai quite often used many these revolutionary ideas with Cadentia Nova Danica and in happenings he organized at this time. This performance, heard here in an excerpt from the full two-hour performance, is very much in this vein.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e It is one of the last performances involving members of Cadentia Nova Danica, but they are only one component (and hardly the focus) of an ensemble that included a five-member chorus of disciples of the Swami Narayanananda (Tchicai lived at the yogi’s ashram and had organized the choir himself), the Diane Black Dance Theatre, and Don Cherry, a trumpeter and multi-instrumentalist truly beyond category. Tchicai and Cherry followed similar paths through music, starting as jazz musicians and broadening their frames of reference with an ear for traditional and experimental forms of music and performance as they evolved. Both were earnest spiritual seekers.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The multimedia event interrogates the relationship between experimental contemporary art and ritualist religious\/meditative practice. At the time, Tchicai wrote, “I’m interested in finding the genuine source of life in myself and the genuine source of music. I think those two considerations are tied up very much. I have certain spiritual beliefs about human beings, and the best place to find these sources of music are to look into the yoga and Zen teachings.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Not long after this performance, Tchicai stopped music making to devote himself to his spiritual studies. This was a fitting send off until his return to the stage four years later.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: John Tchicai, Don Cherry, Sahib Shihab\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1FFJT176\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-02T14:24:00+09:00","created_at":"2025-01-02T12:28:37+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":417000,"price_min":417000,"price_max":417000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47001343230202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai, Don Cherry, Sahib Shihab \/\/ Beautiful United Harmony Happening \/ The Education of an Amphibian LP","public_title":null,"options":["Default Title"],"price":417000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791987043","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458","options":["Title"],"media":[{"alt":null,"id":35370627105018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジャズ作家John TchicaiとDon Cherry、Sahib Shihabが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formaliberaは、デンマークの作曲家、マルチ・インストゥルメンタリストJohn Tchicaiの作品を記録したシリーズの第一弾を発表できることを大変嬉しく思う。この新しいLPは、ドン・チェリーとの 「Beautiful United Harmony Happening 」とサヒブ・シーハブとの 「Education Of An Amphibian 」という2つの未発表音源を収録している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiはニューヨークで目覚ましい4年間を過ごした後、1966年7月に母国デンマークに戻った。その短い期間に、彼はニューヨーク・アート・カルテットやニューヨーク・コンテンポラリー・ファイヴといった小さなフリージャズ・アンサンブルや、アルバート・アイラーとの 「New York Eye and Ear Control 」やジョン・コルトレーンの 「Ascension 」といったアルバムで、ソロ、集団即興、作曲の関係を再定義し、拡大することに貢献した。どのアーティストのキャリアにおいても、最も肥沃な時期のひとつであったことは間違いない。しかし、ヨーロッパに戻ると、Tchicaiは主に（それだけではないが）大編成のアンサンブル音楽に目を向けた。ニューヨークでのブレークスルーは失われることなく、大編成の文脈に移され、さらなる探求の道が開かれた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai八重奏団による 「The Education of an Amphibian 」は、「Komponist Udøver Ensemble」、すなわち 「Composing Improvisers Orchestra 」の最初の試みであり、即興と作曲の境界をさらに曖昧にするアプローチである。1966年10月に録音されたこの作品では、Tchicaiが作曲家であり、指導者であり、サウンドのオーガナイザーであり、現代クラシックとアフリカの影響から引き出された幅広い音楽的ボキャブラリーの探求者であることが示されている。Tchicaiはこのバンドを集団として構想したが、彼の感性が色濃く反映されている。バンドメンバーが演奏する緩やかな枠組みは彼が決めた。彼が作曲したテーマは、最も抽象的なフレーズでさえ叙情的に感じさせる。これらの簡潔で反復的なメロディーは、演奏を区切り、構成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作品の多くは、まさに即興の作曲である。演奏の冒頭を飾る緊密な声のハーモニー、メロディーを供給するドラムのモチーフ、ソリストを支える繊細な背景素材は、作品を終結へと導く要素として機能する自発的な創作である。各楽器が織り成す高次の対位法に参加するエネルギッシュなグループ即興は、コンサートのハイライトである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個々のソリストも、オクテットの緊密な即興アンサンブル・ワークも、グループのユニークなサウンドに等しく貢献している。トランペッターのヒュー・スタインメッツは、この時期Tchicaiと頻繁に共演しており、バンドに強いジャズ・センスをもたらしている（彼はこのレコーディングの年にデンマーク・ジャズ・アカデミーからデンマークの年間最優秀ジャズ・ミュージシャンに選ばれている）。1964年にコペンハーゲンに移住したアフリカ系アメリカ人のサックス・フルート奏者シャヒブ・シャハブは、バップを取り入れたクレプスキュラーなフルート・ソロを聴かせる。ジャズではほとんど耳にしたことのないクラシック楽器、ハープシコードのピエト・クイテルスの爆発的なソロは、作品に驚くべき新しい音色を挿入している。打楽器奏者たちは、従来のジャズとは全く異なる機能を果たしており、「スウィング」する義務はなく、アンサンブルのパッセージでメロディックに、あるいはテクスチャー的に機能することが多い。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『ビューティフル・ユナイテッド・ハーモニー・ハプニング』は、それとは異なるものであり、学際的な演奏の新しい様式を取り入れる機会なのだ。デンマークに戻った当初から、Tchicaiは音楽家だけでなく、あらゆる芸術形態のアーティストを探し、ハプニングを企画し始めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカデンティア・ノヴァ・ダニカのメンバーが参加した最後の公演のひとつだが、彼らは、スワミ・ナラヤナンダの弟子たちによる5人の合唱団（チカイはこのヨギのアシュラムに住み、自ら合唱団を組織していた）、ダイアン・ブラック・ダンス・シアター、そしてトランペッターでマルチ・インストゥルメンタリストのドン・チェリーという、まさにカテゴリーを超えたアンサンブルの構成要素のひとつに過ぎない（そして、それが中心とは言い難い）。Tchicaiとチェリーは、ジャズ・ミュージシャンとして出発し、伝統的な音楽と実験的な音楽、そして演奏に耳を傾けながら、その枠を広げていった。両者とも、真摯な精神的求道者であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのマルチメディア・イベントは、実験的な現代アートと儀式主義的な宗教的／瞑想的実践との関係を問うものである。当時、Tchicaiはこう書いている。「私は、自分自身の中にある本物の生命の源と、本物の音楽の源を見つけることに興味があります。この2つの事柄は非常に密接に結びついていると思う。私は人間についてある種のスピリチュアルな信念を持っているが、こうした音楽の源泉を見つけるには、ヨガや禅の教えを調べるのが一番だ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの演奏から間もなく、Tchicaiは精神的な研究に専念するために音楽制作をやめた。これは、彼が4年後にステージに復帰するまでの見送りにふさわしいものだった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Beautiful United Harmony Happening\u003cbr\u003e2. The Education of an Amphibian\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formalibera is very pleased to present the first of a series of released documenting the work of Danish composer and multi-instrumentalist John Tchicai. This new LP features two previously unpublished recordings, “Beautiful United Harmony Happening” with Don Cherry and “Education Of An Amphibian” with Sahib Shihab.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tchicai returned to his native Denmark in July 1966 after spending a remarkable four years in New York City. In that short span, he helped redefine and expand the relationship between soloing, collective improvisation, and composition in small free jazz ensembles such as the New York Art Quartet, the New York Contemporary Five, and on albums such as “New York Eye and Ear Control” with Albert Ayler and John Coltrane’s “Ascension”. It certainly counts as one of the most fertile periods in any artist’s career. Yet when he returned to Europe, Tchicai turned his attention primarily (although not exclusively) to large ensemble music. The breakthroughs made in New York were not lost, but transferred to a large group context, opening up further avenues of exploration.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “The Education of an Amphibian” by the John Tchicai Octet represents a first try at “Komponist Udøver Ensemble,” or “Composing Improvisers Orchestra,” an approach that further blurred boundaries between improvisation and composition. Recorded in October 1966, the piece presents Tchicai as composer and guiding presence; an organizer of sounds; and an explorer of a widening musical vocabulary drawn from contemporary classical and African influences. Tchicai conceived of the band as a collective, yet it very much reflects his sensibilities. He determined the loose framework within which the band members play. His composed themes that make even the most abstract phrases seem lyrical. These concise, repetitive melodies punctuate and structure the performance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Much of the piece is truly an improvised composition. The closely voiced harmonies that open the performance, the drum motifs that supply a melody, the subtle background material supporting soloists are spontaneous creations that function as elements advancing the piece toward its conclusion. An energized group improvisation, with each instrument participating in an interwoven, higher-order counterpoint, is a highlight of the concert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Individual soloists, as well as the octet’s closely attuned improvised ensemble work, contribute equally to the group’s unique sound. Trumpeter Hugh Steinmetz, a frequent Tchicai collaborator during this period, brings a strong jazz sensibility to the band (he was elected Danish Jazz Musician of the Year by the Danish Jazz Academy the year of this recording). Saxophonist-flutist Shahib Shahab, an African American ex-pat who moved to Copenhagen in 1964, takes a crepuscular, bop-inflected flute solo. Piet Kuiters’ explosive solo on harpsichord, a classical instrument nearly unheard of in jazz interjects startling new timbres into the piece. The percussionists function quite differently than in conventional jazz, they are not obligated to “swing” and often function melodically or texturally in ensemble passages.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “Beautiful United Harmony Happening” is something different—an opportunity to embrace new modes of interdisciplinary performance. From the beginning of his return to Denmark, Tchicai sought out not only musicians, but artists in all artforms and began to organize happenings.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Although rarely noted, ideas linked to Fluxus, performance art, and happenings were a large influence of Tchicai’s thinking at this time. All these related movements sought to blur or erase boundaries between media and set up juxtapositions between styles and artforms that disrupted received ideas of “high” and “low” art. Participation by non-artists introduced elements that challenged ideas about virtuosity and legitimate expression. Random elements were embraced, and non-Western music and concepts were welcome. Tchicai quite often used many these revolutionary ideas with Cadentia Nova Danica and in happenings he organized at this time. This performance, heard here in an excerpt from the full two-hour performance, is very much in this vein.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e It is one of the last performances involving members of Cadentia Nova Danica, but they are only one component (and hardly the focus) of an ensemble that included a five-member chorus of disciples of the Swami Narayanananda (Tchicai lived at the yogi’s ashram and had organized the choir himself), the Diane Black Dance Theatre, and Don Cherry, a trumpeter and multi-instrumentalist truly beyond category. Tchicai and Cherry followed similar paths through music, starting as jazz musicians and broadening their frames of reference with an ear for traditional and experimental forms of music and performance as they evolved. Both were earnest spiritual seekers.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The multimedia event interrogates the relationship between experimental contemporary art and ritualist religious\/meditative practice. At the time, Tchicai wrote, “I’m interested in finding the genuine source of life in myself and the genuine source of music. I think those two considerations are tied up very much. I have certain spiritual beliefs about human beings, and the best place to find these sources of music are to look into the yoga and Zen teachings.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Not long after this performance, Tchicai stopped music making to devote himself to his spiritual studies. This was a fitting send off until his return to the stage four years later.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: John Tchicai, Don Cherry, Sahib Shihab\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1FFJT176\u003c\/span\u003e\u003c\/p\u003e"}
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ジャズ作家John TchicaiとDon Cherry、Sahib Shihabが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースした共作レコードです。 スプリチュアル・ジャズ2曲を収録。インサート付属。 以下、レーベルによる解説です。 "Alga marghen / formaliberaは、デンマークの作曲家、マルチ・インストゥルメンタリストJohn Tchicaiの作品を記録したシリーズの第一弾を発表できることを大変嬉しく思う。この新しいLPは、ドン・チェリーとの 「Beautiful United...
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{"id":8588392726778,"title":"Lorenzo Abattoir \/\/ MESS (akt IV) LP","handle":"lorenzo-abattoir-mess-akt-iv-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリア・トリノの実験音楽家Lorenzo Abattoirが、2024年6月に同国実験レーベルAlga Marghenから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e呼吸法と動物の鳴き声の模倣をコンセプトにした物音〜ドローン8曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/lorenzo-abattoir-second-act-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"過去2年間、Lorenzo Abattoirの作品は、「非人間的な」存在の音を表現するための非言語のようなものを作り出すために、様々な呼吸法や増幅法を研究することに重点を置いてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの変容の第1幕は、『Disincarnazione』（2023年、Flag Day Records）で行われる。アーティストは、自らの肉体の状態や、何千年にもわたる進化の過程で蓄積された文化的構造から解放され、作品の媒体や道具としての動物の身体の音の可能性を探求する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e第2幕（Vice de Forme、2023年）、そして第3幕（Titania Tapes、2023年）と、この可能性の探求を続けるLorenzo Abattoirの新作は、この生き物に形を与えることに成功している。作家は、この新たな獣の姿を引き受け、その行動領域を明確にし、彼の実践に動きを取り入れる。彼の研究の第4の行為によって、Lorenzo Abattoirは、もはや人間ではないが完全な獣でもない、音の混乱状態にある新たな存在を聖別し、彼の音とパフォーマティブな世界での最初の一歩を踏み出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e増幅された音は、動物の身体の奥深さを探求することを可能にする非場所において、呼吸から動きまで、その身体のノイズ全体の中にいるハイブリッド霊長類の音像をリスナーに届ける。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3760132355\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3760132355\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3430763314\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. mist() 05:27\u003cbr\u003e2. mistery 03:05\u003cbr\u003e3. mistakes 03:21\u003cbr\u003e4. misread 03:51\u003cbr\u003e5. misunderstood 04:04\u003cbr\u003e6. mystic 03:58\u003cbr\u003e7. miss 03:04\u003cbr\u003e8. mess* 03:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOver the past two years, Lorenzo Abattoir's work has focused on researching various breathing and amplification techniques to create a sort of non-verbal language through which to express the sounds of an 'inhuman' being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first act of this transformation takes place in Disincarnazione (2023, Flag Day Records); the artist frees himself from his own corporeal state and the cultural structures sedimented over millennia of evolution to explore the sonic possibilities of the animal body as a medium and instrument of his work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContinuing to explore these possibilities in Second Act (Vice de Forme, 2023) and then Third Act (Titania Tapes, 2023), Lorenzo Abattoir's new work succeeds in giving shape to this creature. The artist assumes the form of this new beast, delineating its field of action and incorporating movement into his practice. With the fourth act of his research, Abattoir consecrates a new being in a state of sonic confusion, no longer human but not entirely beast, taking its first steps in his sonic and performative universe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe amplification delivers to the listener the sonic image of a hybrid primate amidst the entirety of the noises of its body, from breaths to movements, in a non-place that allows us to explore the depths of the animal body.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorenzo Abattoir\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003ePLANAM (Alga Marghen) \u003c\/p\u003e","published_at":"2024-08-10T17:10:35+09:00","created_at":"2024-08-07T18:55:17+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","monooto","new","recommended","sale22"],"price":426700,"price_min":426700,"price_max":426700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46527251611898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lorenzo Abattoir \/\/ MESS (akt IV) LP","public_title":null,"options":["Default Title"],"price":426700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mess1.jpg?v=1723024303","\/\/tobirarecords.com\/cdn\/shop\/files\/mess2.jpg?v=1723024303"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mess1.jpg?v=1723024303","options":["Title"],"media":[{"alt":null,"id":34673116709114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mess1.jpg?v=1723024303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mess1.jpg?v=1723024303","width":700},{"alt":null,"id":34673116741882,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mess2.jpg?v=1723024303"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mess2.jpg?v=1723024303","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリア・トリノの実験音楽家Lorenzo Abattoirが、2024年6月に同国実験レーベルAlga Marghenから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e呼吸法と動物の鳴き声の模倣をコンセプトにした物音〜ドローン8曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/lorenzo-abattoir-second-act-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"過去2年間、Lorenzo Abattoirの作品は、「非人間的な」存在の音を表現するための非言語のようなものを作り出すために、様々な呼吸法や増幅法を研究することに重点を置いてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの変容の第1幕は、『Disincarnazione』（2023年、Flag Day Records）で行われる。アーティストは、自らの肉体の状態や、何千年にもわたる進化の過程で蓄積された文化的構造から解放され、作品の媒体や道具としての動物の身体の音の可能性を探求する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e第2幕（Vice de Forme、2023年）、そして第3幕（Titania Tapes、2023年）と、この可能性の探求を続けるLorenzo Abattoirの新作は、この生き物に形を与えることに成功している。作家は、この新たな獣の姿を引き受け、その行動領域を明確にし、彼の実践に動きを取り入れる。彼の研究の第4の行為によって、Lorenzo Abattoirは、もはや人間ではないが完全な獣でもない、音の混乱状態にある新たな存在を聖別し、彼の音とパフォーマティブな世界での最初の一歩を踏み出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e増幅された音は、動物の身体の奥深さを探求することを可能にする非場所において、呼吸から動きまで、その身体のノイズ全体の中にいるハイブリッド霊長類の音像をリスナーに届ける。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3760132355\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3760132355\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3430763314\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. mist() 05:27\u003cbr\u003e2. mistery 03:05\u003cbr\u003e3. mistakes 03:21\u003cbr\u003e4. misread 03:51\u003cbr\u003e5. misunderstood 04:04\u003cbr\u003e6. mystic 03:58\u003cbr\u003e7. miss 03:04\u003cbr\u003e8. mess* 03:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOver the past two years, Lorenzo Abattoir's work has focused on researching various breathing and amplification techniques to create a sort of non-verbal language through which to express the sounds of an 'inhuman' being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first act of this transformation takes place in Disincarnazione (2023, Flag Day Records); the artist frees himself from his own corporeal state and the cultural structures sedimented over millennia of evolution to explore the sonic possibilities of the animal body as a medium and instrument of his work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContinuing to explore these possibilities in Second Act (Vice de Forme, 2023) and then Third Act (Titania Tapes, 2023), Lorenzo Abattoir's new work succeeds in giving shape to this creature. The artist assumes the form of this new beast, delineating its field of action and incorporating movement into his practice. With the fourth act of his research, Abattoir consecrates a new being in a state of sonic confusion, no longer human but not entirely beast, taking its first steps in his sonic and performative universe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe amplification delivers to the listener the sonic image of a hybrid primate amidst the entirety of the noises of its body, from breaths to movements, in a non-place that allows us to explore the depths of the animal body.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorenzo Abattoir\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003ePLANAM (Alga Marghen) \u003c\/p\u003e"}
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イタリア・トリノの実験音楽家Lorenzo Abattoirが、2024年6月に同国実験レーベルAlga Marghenから300部限定でリリースしたレコードです。 呼吸法と動物の鳴き声の模倣をコンセプトにした物音〜ドローン8曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 前作もオススメです。 以下、レーベルによる解説です。 "過去2年間、Lorenzo Abattoirの作品は、「非人間的な」存在の音を表現するための非言語のようなものを作り出すために、様々な呼吸法や増幅法を研究することに重点を置いてきた。 この変容の第1幕は、『Disincarnazione』（2023年、Flag Day Records）で行われる。アーティストは、自らの肉体の状態や、何千年にもわたる進化の過程で蓄積された文化的構造から解放され、作品の媒体や道具としての動物の身体の音の可能性を探求する。 第2幕（Vice...
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{"id":8411296760058,"title":"Herman Damen \/\/ Verbosonies and Phonographies LP+INSERTS","handle":"herman-damen-verbosonies-and-phonographies-lp-inserts","description":"\u003cp\u003eオランダの実験音楽家／美術家Herman Damenが、2024年3月にイタリアの実験レーベルAlga Marghenから220部限定でリリースしたレコード＋インサートです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1966-1973年に制作したコラージュ〜サウンドポエトリー8曲を収録。\u003c\/p\u003e\n\u003cp\u003eポスターや写真、ポストカード、コラージュなど21点のインサートが付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/77380545\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0VtM9zzi1DI?si=nRROuB8dVzefK-Dt\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1932502576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4060120382\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/76057519\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 21 inserts. Edition of 220. \u003c\/p\u003e\n\u003cp\u003eInserts included:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eKinetic Pouim\u003c\/em\u003e\u003cspan\u003e” (1966), drawing with notes and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eWhat to do with Poetry\u003c\/em\u003e\u003cspan\u003e” (1966-69), graphic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eReveil du Chaos\u003c\/em\u003e\u003cspan\u003e” (1967), excerpt of the score with notes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBetekste Condoom\u003c\/em\u003e\u003cspan\u003e” (1967), photo of condom poetry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eSix-Clus\u003c\/em\u003e\u003cspan\u003e” (1967), envelope with 5 graphic prints and score excerpt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eVerbosonies \u0026amp; Phonographies\u003c\/em\u003e\u003cspan\u003e” (1968), essay\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003e40+ Product of Holland\u003c\/em\u003e\u003cspan\u003e” (1968), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eCapsule-Pouim\u003c\/em\u003e\u003cspan\u003e” (1968), micro-poem in plastic envelope\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eOzon\u003c\/em\u003e\u003cspan\u003e” (1969), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003ePsychocybernetic Performance\u003c\/em\u003e\u003cspan\u003e” (1973), score and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBeveiliging\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eGrands Prix\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eArt Director\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe taal vormt het proeven voor\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe Radioaktieve-Vuilnisman\u003c\/em\u003e\u003cspan\u003e” (1975), poster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHemann Damen is a Dutch artist and language designer who, among \u003c\/em\u003e\u003cem\u003eother things, has created visual poems, performance works and \u003c\/em\u003e\u003cem\u003everbosonies – a genre that Damen developed where vocalised morphomic \u003c\/em\u003e\u003cem\u003eelements are assembled in different ways. In his works he has been \u003c\/em\u003e\u003cem\u003eexploring ‘kinetic language’ and the spatial aspects of language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDamen’s manifesto “Semiotic Theatre” states that his work “places \u003c\/em\u003e\u003cem\u003eitself outside official literature and wants to fascinate, shock or \u003c\/em\u003e\u003cem\u003eactivate people by combining and replacing writing and articulation \u003c\/em\u003e\u003cem\u003ewith extra-linguistic signs and techniques like pictures, drawings, \u003c\/em\u003e\u003cem\u003egraphics, photos, montages, collages, de-collages, projects, objects, \u003c\/em\u003e\u003cem\u003elight, darkness, signals, symbols, gestures, happenings, noise, \u003c\/em\u003e\u003cem\u003esilence, smells, tastes, situations, states, properties, streets, \u003c\/em\u003e\u003cem\u003elandscapes, etc…”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e But most of all, Hermann Damen work is SONICO, or disintegrated \u003c\/em\u003e\u003cem\u003elanguage treated via electronic means and GRAPHICO, or Kinetic \/ \u003c\/em\u003e\u003cem\u003eEdible \/ Political \/ Sexual \/ Capsule \/ Visual Poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSONICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The first side of this LP presents five verbosonies recorded \u003c\/em\u003e\u003cem\u003ebetween 1966 and 1970. “Automaton-Pouim”; “Voices”, a radiophonical \u003c\/em\u003e\u003cem\u003earrangement in six overlapping parts of sounds made with jaws, nose, \u003c\/em\u003e\u003cem\u003echeeks, lips, teeth, tongue, uvula and palate; “Monologue-Machine”, \u003c\/em\u003e\u003cem\u003econsisting of speech sounds from different languages and an \u003c\/em\u003e\u003cem\u003eextra-vocal sound in superposed layers, located in the space by using \u003c\/em\u003e\u003cem\u003ea four-track magnetophone; “Magic”, a multi-track improvisation with \u003c\/em\u003e\u003cem\u003ethe intentional use of a defective microphone; “Plastic-Elastic”, for \u003c\/em\u003e\u003cem\u003esynthetic voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The second side presents three phonographies recorded between 1967 \u003c\/em\u003e\u003cem\u003eand 1973. “Reveil du chaos”, an audio collage with tape manipulations \u003c\/em\u003e\u003cem\u003efor the experimental movie with the same tile; “Hommage à Orff”, the \u003c\/em\u003e\u003cem\u003esixth part of a work presented in 1970 at Stedelijk Museum, Amsterdam, \u003c\/em\u003e\u003cem\u003ea sonic piece activated by people entering a 5-edge room where amorph \u003c\/em\u003e\u003cem\u003ematerial graphic works (a, âme, amo, amor, amorf) were placed and thus \u003c\/em\u003e\u003cem\u003ecompleting the installation; “Psychocybernetic Performance”, created \u003c\/em\u003e\u003cem\u003eat the Electronic Music Studio in Stockholm for the Sixth Text-Sound \u003c\/em\u003e\u003cem\u003eFestival at Fylkingen in 1973.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGRAPHICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Hermann Damen was the founder and editor of the AH! Magazine, a \u003c\/em\u003e\u003cem\u003emagazine for ‘verbal plasticism’. Somehow parallel in contents with \u003c\/em\u003e\u003cem\u003ethe legendary Revue OU, Damen’s AH! occasionally also included vinyl \u003c\/em\u003e\u003cem\u003erecords and represented an ante-litteram multi-media.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Herman Damen\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-D 33VocSon174\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-30T15:27:35+09:00","created_at":"2024-04-30T14:50:04+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto","new","recommended"],"price":498800,"price_min":498800,"price_max":498800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45833693823226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Herman Damen \/\/ Verbosonies and Phonographies LP+INSERTS","public_title":null,"options":["Default Title"],"price":498800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3194.jpg?v=1714456206"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206","options":["Title"],"media":[{"alt":null,"id":33910530507002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2915,"width":2915,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206"},"aspect_ratio":1.0,"height":2915,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206","width":2915},{"alt":null,"id":33910530539770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2657,"width":2657,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3194.jpg?v=1714456206"},"aspect_ratio":1.0,"height":2657,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3194.jpg?v=1714456206","width":2657}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験音楽家／美術家Herman Damenが、2024年3月にイタリアの実験レーベルAlga Marghenから220部限定でリリースしたレコード＋インサートです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1966-1973年に制作したコラージュ〜サウンドポエトリー8曲を収録。\u003c\/p\u003e\n\u003cp\u003eポスターや写真、ポストカード、コラージュなど21点のインサートが付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/77380545\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0VtM9zzi1DI?si=nRROuB8dVzefK-Dt\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1932502576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4060120382\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/76057519\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 21 inserts. Edition of 220. \u003c\/p\u003e\n\u003cp\u003eInserts included:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eKinetic Pouim\u003c\/em\u003e\u003cspan\u003e” (1966), drawing with notes and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eWhat to do with Poetry\u003c\/em\u003e\u003cspan\u003e” (1966-69), graphic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eReveil du Chaos\u003c\/em\u003e\u003cspan\u003e” (1967), excerpt of the score with notes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBetekste Condoom\u003c\/em\u003e\u003cspan\u003e” (1967), photo of condom poetry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eSix-Clus\u003c\/em\u003e\u003cspan\u003e” (1967), envelope with 5 graphic prints and score excerpt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eVerbosonies \u0026amp; Phonographies\u003c\/em\u003e\u003cspan\u003e” (1968), essay\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003e40+ Product of Holland\u003c\/em\u003e\u003cspan\u003e” (1968), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eCapsule-Pouim\u003c\/em\u003e\u003cspan\u003e” (1968), micro-poem in plastic envelope\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eOzon\u003c\/em\u003e\u003cspan\u003e” (1969), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003ePsychocybernetic Performance\u003c\/em\u003e\u003cspan\u003e” (1973), score and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBeveiliging\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eGrands Prix\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eArt Director\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe taal vormt het proeven voor\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe Radioaktieve-Vuilnisman\u003c\/em\u003e\u003cspan\u003e” (1975), poster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHemann Damen is a Dutch artist and language designer who, among \u003c\/em\u003e\u003cem\u003eother things, has created visual poems, performance works and \u003c\/em\u003e\u003cem\u003everbosonies – a genre that Damen developed where vocalised morphomic \u003c\/em\u003e\u003cem\u003eelements are assembled in different ways. In his works he has been \u003c\/em\u003e\u003cem\u003eexploring ‘kinetic language’ and the spatial aspects of language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDamen’s manifesto “Semiotic Theatre” states that his work “places \u003c\/em\u003e\u003cem\u003eitself outside official literature and wants to fascinate, shock or \u003c\/em\u003e\u003cem\u003eactivate people by combining and replacing writing and articulation \u003c\/em\u003e\u003cem\u003ewith extra-linguistic signs and techniques like pictures, drawings, \u003c\/em\u003e\u003cem\u003egraphics, photos, montages, collages, de-collages, projects, objects, \u003c\/em\u003e\u003cem\u003elight, darkness, signals, symbols, gestures, happenings, noise, \u003c\/em\u003e\u003cem\u003esilence, smells, tastes, situations, states, properties, streets, \u003c\/em\u003e\u003cem\u003elandscapes, etc…”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e But most of all, Hermann Damen work is SONICO, or disintegrated \u003c\/em\u003e\u003cem\u003elanguage treated via electronic means and GRAPHICO, or Kinetic \/ \u003c\/em\u003e\u003cem\u003eEdible \/ Political \/ Sexual \/ Capsule \/ Visual Poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSONICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The first side of this LP presents five verbosonies recorded \u003c\/em\u003e\u003cem\u003ebetween 1966 and 1970. “Automaton-Pouim”; “Voices”, a radiophonical \u003c\/em\u003e\u003cem\u003earrangement in six overlapping parts of sounds made with jaws, nose, \u003c\/em\u003e\u003cem\u003echeeks, lips, teeth, tongue, uvula and palate; “Monologue-Machine”, \u003c\/em\u003e\u003cem\u003econsisting of speech sounds from different languages and an \u003c\/em\u003e\u003cem\u003eextra-vocal sound in superposed layers, located in the space by using \u003c\/em\u003e\u003cem\u003ea four-track magnetophone; “Magic”, a multi-track improvisation with \u003c\/em\u003e\u003cem\u003ethe intentional use of a defective microphone; “Plastic-Elastic”, for \u003c\/em\u003e\u003cem\u003esynthetic voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The second side presents three phonographies recorded between 1967 \u003c\/em\u003e\u003cem\u003eand 1973. “Reveil du chaos”, an audio collage with tape manipulations \u003c\/em\u003e\u003cem\u003efor the experimental movie with the same tile; “Hommage à Orff”, the \u003c\/em\u003e\u003cem\u003esixth part of a work presented in 1970 at Stedelijk Museum, Amsterdam, \u003c\/em\u003e\u003cem\u003ea sonic piece activated by people entering a 5-edge room where amorph \u003c\/em\u003e\u003cem\u003ematerial graphic works (a, âme, amo, amor, amorf) were placed and thus \u003c\/em\u003e\u003cem\u003ecompleting the installation; “Psychocybernetic Performance”, created \u003c\/em\u003e\u003cem\u003eat the Electronic Music Studio in Stockholm for the Sixth Text-Sound \u003c\/em\u003e\u003cem\u003eFestival at Fylkingen in 1973.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGRAPHICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Hermann Damen was the founder and editor of the AH! Magazine, a \u003c\/em\u003e\u003cem\u003emagazine for ‘verbal plasticism’. Somehow parallel in contents with \u003c\/em\u003e\u003cem\u003ethe legendary Revue OU, Damen’s AH! occasionally also included vinyl \u003c\/em\u003e\u003cem\u003erecords and represented an ante-litteram multi-media.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Herman Damen\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-D 33VocSon174\u003c\/span\u003e\u003c\/p\u003e"}
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オランダの実験音楽家／美術家Herman Damenが、2024年3月にイタリアの実験レーベルAlga Marghenから220部限定でリリースしたレコード＋インサートです。 彼が1966-1973年に制作したコラージュ〜サウンドポエトリー8曲を収録。 ポスターや写真、ポストカード、コラージュなど21点のインサートが付属。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available...
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{"id":8227323937018,"title":"Staalplaatsoundsystem \u0026 Lola Landscape Architects \/\/ Composed Nature \/ Yokomono Pro LP","handle":"staalplaatsoundsystem-lola-landscape-architects-composed-nature-yokomono-pro-lp","description":"\u003cp\u003eオランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eインスタレーション2作を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター（Centrum voor Beeldende Kunst Dordrecht）のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver Me Timbers」と題された楽曲が作られた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStaalplaat Soundsystemによる「Yokomono pro」は、もともとインドのKhoj（ニューデリーの国際芸術家協会）のために開発された。この作品は、社会的な音やコミュニケーションとしてのクラクションの騒音について問いかけている。インドの交通の信じられないほどの量と大きさ、そしてそれが生み出す音が、このプロジェクトのインスピレーションとなった。彼らのコミュニケーション言語はクラクションで話されているようで、ヨーロッパでウインカーを使うのと同じように、必要なことはすべてクラクションで合図する。私たちは、この車の合図という現象を傍受し、いわゆる意味のある構造の中に重ね合わせようとした。30台のオート人力車を雇い、クラクションを遠隔操作するための技術的な準備をした。これによって、あらかじめ決められたルートを自動車が走るのと同期して、リズミカルなパターンを演奏することが可能になった。クラクションを鳴らすタクシーを合唱団として使い、声のパターンとダイナミックな空間的な動きの組み合わせを形成し、それによって未決定のサウンド・コレオグラフィーが生み出される。\" 注釈と図表を含む4ページのインサート付属。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UXeq-MKUNFo?si=wyE7HjDYpo113hur\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Composed Nature (A Composition For Of 64 Trees) 18:12\u003cbr\u003eB Yokomono Pro (A Composition For Of 30 Cars) 10:48\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"LP Produced by Staalplaat Soundsystem in order to document their recent sonic activities and researches, this LP record is focused on 2 projects. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects, is an installation developed for the Centrum voor Beeldende Kunst Dordrecht, consisting of a matrix of 64 trees. Controllable mechanical vibrators are mounted on individual trees and are operated through custom made software. The sound of each tree can vary from a barely audible noise to a heavy ‘Green noise’, thereby offering different sound textures to be played. To play the trees, many spatial sonic patterns have been programmed, and a musical composition titled ‘Shiver Me Timbers’ has been written. ‘Yokomono pro’ by Staalplaat Soundsystem, was originally developed for the Indian Khoj (International Artists Association in New Delhi). This piece questions horn noise as a social sound and communication. The incredible volume and size of Indian traffic and the sounds it produces, was the inspiration for this project. Their communication language seems to be spoken with the horn; signaling with it everything needed, much the way we use indicator lights in Europe. We seek to intercept this phenomenon of car signaling and overlay it within a so-called meaningful structure. 30 auto rickshaws were hired and prepared technically in order to remotely take over control of their horns. This enabled to synchronously play rhythmic patterns as the autos drive along a pre-determined route. Using the taxis with their horns as a choir, it forms a combination of voice patterns and dynamic spatial movements which in turn create an undetermined sound choreography.” Includes a 4-page insert with notes and diagrams.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staalplaatsoundsystem \u0026amp; Lola Landscape Architects\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2024-03-17T09:38:46+09:00","created_at":"2024-03-17T09:38:12+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","field recording","lp","monooto","new"],"price":374400,"price_min":374400,"price_max":374400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45358948843770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Staalplaatsoundsystem \u0026 Lola Landscape Architects \/\/ Composed Nature \/ Yokomono Pro LP","public_title":null,"options":["Default Title"],"price":374400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896","\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471_bbd3d66c-3af7-46e3-a3aa-146127c24a1c.jpg?v=1710635896"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896","options":["Title"],"media":[{"alt":null,"id":33396167573754,"position":1,"preview_image":{"aspect_ratio":0.992,"height":599,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896"},"aspect_ratio":0.992,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896","width":594},{"alt":null,"id":33396167672058,"position":2,"preview_image":{"aspect_ratio":0.988,"height":600,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471_bbd3d66c-3af7-46e3-a3aa-146127c24a1c.jpg?v=1710635896"},"aspect_ratio":0.988,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471_bbd3d66c-3af7-46e3-a3aa-146127c24a1c.jpg?v=1710635896","width":593}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eインスタレーション2作を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター（Centrum voor Beeldende Kunst Dordrecht）のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver Me Timbers」と題された楽曲が作られた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStaalplaat Soundsystemによる「Yokomono pro」は、もともとインドのKhoj（ニューデリーの国際芸術家協会）のために開発された。この作品は、社会的な音やコミュニケーションとしてのクラクションの騒音について問いかけている。インドの交通の信じられないほどの量と大きさ、そしてそれが生み出す音が、このプロジェクトのインスピレーションとなった。彼らのコミュニケーション言語はクラクションで話されているようで、ヨーロッパでウインカーを使うのと同じように、必要なことはすべてクラクションで合図する。私たちは、この車の合図という現象を傍受し、いわゆる意味のある構造の中に重ね合わせようとした。30台のオート人力車を雇い、クラクションを遠隔操作するための技術的な準備をした。これによって、あらかじめ決められたルートを自動車が走るのと同期して、リズミカルなパターンを演奏することが可能になった。クラクションを鳴らすタクシーを合唱団として使い、声のパターンとダイナミックな空間的な動きの組み合わせを形成し、それによって未決定のサウンド・コレオグラフィーが生み出される。\" 注釈と図表を含む4ページのインサート付属。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UXeq-MKUNFo?si=wyE7HjDYpo113hur\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Composed Nature (A Composition For Of 64 Trees) 18:12\u003cbr\u003eB Yokomono Pro (A Composition For Of 30 Cars) 10:48\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"LP Produced by Staalplaat Soundsystem in order to document their recent sonic activities and researches, this LP record is focused on 2 projects. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects, is an installation developed for the Centrum voor Beeldende Kunst Dordrecht, consisting of a matrix of 64 trees. Controllable mechanical vibrators are mounted on individual trees and are operated through custom made software. The sound of each tree can vary from a barely audible noise to a heavy ‘Green noise’, thereby offering different sound textures to be played. To play the trees, many spatial sonic patterns have been programmed, and a musical composition titled ‘Shiver Me Timbers’ has been written. ‘Yokomono pro’ by Staalplaat Soundsystem, was originally developed for the Indian Khoj (International Artists Association in New Delhi). This piece questions horn noise as a social sound and communication. The incredible volume and size of Indian traffic and the sounds it produces, was the inspiration for this project. Their communication language seems to be spoken with the horn; signaling with it everything needed, much the way we use indicator lights in Europe. We seek to intercept this phenomenon of car signaling and overlay it within a so-called meaningful structure. 30 auto rickshaws were hired and prepared technically in order to remotely take over control of their horns. This enabled to synchronously play rhythmic patterns as the autos drive along a pre-determined route. Using the taxis with their horns as a choir, it forms a combination of voice patterns and dynamic spatial movements which in turn create an undetermined sound choreography.” Includes a 4-page insert with notes and diagrams.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staalplaatsoundsystem \u0026amp; Lola Landscape Architects\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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オランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベルAlga Marghenからリリースした共作レコードです。 インスタレーション2作を収録。ブックレット付属。 以下、レーベルによる解説です。 "Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター（Centrum voor Beeldende Kunst Dordrecht）のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver...
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{"id":8225262502138,"title":"Eliane Radigue \/\/ Jouet Electronique \/ Elemental I LP","handle":"eliane-radigue-jouet-electronique-elemental-i-lp-1","description":"\u003cp\u003eフランスのドローン作家Eliane Radigueが、2018年にイタリアの実験レーベルAlga Margenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフィードバックとオープンリールによるドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7zraQSVa_eE?si=OJuTSWUMax3Nr44o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Jouet Electronique 11:55\u003cbr\u003eB Elemental I (12:06) --\u0026gt;\u003cbr\u003e ---B1 Air - Vent 3:11\u003cbr\u003e ---B2 Feu 5:30\u003cbr\u003e ---B3 Terre - Eau - Pluie 2:44\u003cbr\u003e ---B4 Mer 0:42\u003c\/p\u003e\n\u003cp\u003eArtist : Eliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eplana-R alga029\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-03-17T09:41:24+09:00","created_at":"2024-03-15T19:49:32+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","new"],"price":386000,"price_min":386000,"price_max":386000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45348861313274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eliane Radigue \/\/ Jouet Electronique \/ Elemental I LP","public_title":null,"options":["Default Title"],"price":386000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_2f0b43cf-8284-4d58-ae06-a32c2fee9773.jpg?v=1710499774","\/\/tobirarecords.com\/cdn\/shop\/files\/jou2_e7c1c58d-3fa9-4fb4-aae0-b8a656d707a2.jpg?v=1710499774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_2f0b43cf-8284-4d58-ae06-a32c2fee9773.jpg?v=1710499774","options":["Title"],"media":[{"alt":null,"id":33386702340346,"position":1,"preview_image":{"aspect_ratio":1.002,"height":598,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_2f0b43cf-8284-4d58-ae06-a32c2fee9773.jpg?v=1710499774"},"aspect_ratio":1.002,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_2f0b43cf-8284-4d58-ae06-a32c2fee9773.jpg?v=1710499774","width":599},{"alt":null,"id":33386702373114,"position":2,"preview_image":{"aspect_ratio":1.014,"height":591,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou2_e7c1c58d-3fa9-4fb4-aae0-b8a656d707a2.jpg?v=1710499774"},"aspect_ratio":1.014,"height":591,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou2_e7c1c58d-3fa9-4fb4-aae0-b8a656d707a2.jpg?v=1710499774","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Eliane Radigueが、2018年にイタリアの実験レーベルAlga Margenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフィードバックとオープンリールによるドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7zraQSVa_eE?si=OJuTSWUMax3Nr44o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Jouet Electronique 11:55\u003cbr\u003eB Elemental I (12:06) --\u0026gt;\u003cbr\u003e ---B1 Air - Vent 3:11\u003cbr\u003e ---B2 Feu 5:30\u003cbr\u003e ---B3 Terre - Eau - Pluie 2:44\u003cbr\u003e ---B4 Mer 0:42\u003c\/p\u003e\n\u003cp\u003eArtist : Eliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eplana-R alga029\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのドローン作家Eliane Radigueが、2018年にイタリアの実験レーベルAlga Margenからリリースしたレコードです。 フィードバックとオープンリールによるドローン4曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
¥3,860
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{"id":8225254080762,"title":"Papiro \/\/ Con un occhio aperto LP","handle":"papiro-con-un-occhio-aperto-lp","description":"\u003cp\u003e\u003cspan\u003eスイス／イタリアのストレンジビーツ作家Papiroが、2024年3月にイタリアの実験レーベル\u003c\/span\u003e\u003cspan\u003eAlga Marghenから300部限定で\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜アコースティック・ドローン4\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePlanam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAlmost a decade on from his last full length for the label, the \u003c\/em\u003e\u003cem\u003ereligiously themed “Teopatia”, Marco Papiro returns to Planam with \u003c\/em\u003e\u003cem\u003e“Con un occhio aperto”, his most challenging and ambitious work to \u003c\/em\u003e\u003cem\u003edate. Known as one of the most dedicated contemporary investigators of \u003c\/em\u003e\u003cem\u003ethe potential of analogue synthesizers, the musicality and personal \u003c\/em\u003e\u003cem\u003etouch of Papiro’s work stand apart from a field dominated by gear \u003c\/em\u003e\u003cem\u003efetishism and nostalgia. In recent years, one of the unique \u003c\/em\u003e\u003cem\u003eingredients of Papiro’s music has been his use of synthesised human \u003c\/em\u003e\u003cem\u003evoices, often lending his productions a dimension of uncanniness. \u003c\/em\u003e\u003cem\u003eHere, he pushes this aspect of his work much further, presenting a \u003c\/em\u003e\u003cem\u003esuite of four pieces where most listeners would be hard pressed to \u003c\/em\u003e\u003cem\u003etrace the sounds they hear back to electronic sources.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The opening title piece, “Con un occhio aperto” (i.e. “With One \u003c\/em\u003e\u003cem\u003eEye Open”), begins with metallic textures, similar to bowed cymbals or \u003c\/em\u003e\u003cem\u003egongs, which are soon joined by waves of percussive sound, both \u003c\/em\u003e\u003cem\u003edrum-like and metallic. Irregularly rising to the surface and receding \u003c\/em\u003e\u003cem\u003einto the background, at times reminiscent of natural rhythms of rain, \u003c\/em\u003e\u003cem\u003ewind, or sea, these percussive textures are accompanied by haunting \u003c\/em\u003e\u003cem\u003evoice-like tones, at once strikingly realistic and disorienting in \u003c\/em\u003e\u003cem\u003etheir non-human patterns of articulation and attack. Like the voices, \u003c\/em\u003e\u003cem\u003ethe percussive sounds can at times be almost indistinguishable from \u003c\/em\u003e\u003cem\u003ereal cowbells, gongs, or hand drums, precisely mimicking their attack, \u003c\/em\u003e\u003cem\u003edecay, resonance, and spatial diffusion. At the same time, however, \u003c\/em\u003e\u003cem\u003ethey possess an unsettling, unreal quality, producing in the listener \u003c\/em\u003e\u003cem\u003ea feeling of disorientation that Papiro links to dreams. Perhaps the \u003c\/em\u003e\u003cem\u003eclosest parallel to these overlapping waves of rattling, pulsating \u003c\/em\u003e\u003cem\u003epercussive sounds and eerie extended tones is Jon Gibson’s classic \u003c\/em\u003e\u003cem\u003e“Visitations”, where the line between instrumental, electronic, and \u003c\/em\u003e\u003cem\u003enatural sound is blurred in a mesmerising drift. Here, the ambiguity \u003c\/em\u003e\u003cem\u003eis heightened even further through the electronic origins of the \u003c\/em\u003e\u003cem\u003eseemingly acoustic sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e On “La caverna” (i.e. “The Cavern”) and “Superfici” (i.e. \u003c\/em\u003e\u003cem\u003e“Surfaces”), Papiro continues the exploration of synthetic textures, \u003c\/em\u003e\u003cem\u003ebut in a more monolithic direction. On “La caverna”, we are treated to \u003c\/em\u003e\u003cem\u003eshimmering, glassy overtones, patiently sounded over a mysterious \u003c\/em\u003e\u003cem\u003eburble of clicks and pops. On “Superfici”, the complex resonance of \u003c\/em\u003e\u003cem\u003esynthetic bells conjures an atmosphere of ritual or meditation. In \u003c\/em\u003e\u003cem\u003eboth pieces, the slow movement and sustained focus on unstable \u003c\/em\u003e\u003cem\u003eharmonic phenomenon comes across almost as a kind of otherworldly take \u003c\/em\u003e\u003cem\u003eon Romanian Spectralism, cleansing the ears for the luscious closing \u003c\/em\u003e\u003cem\u003eepic, “Vita segreta dei peli” (i.e. “The Secret Life Of Hairs”). Rich,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003epiano-like chiming tones form the foundation of the piece, slowly \u003c\/em\u003e\u003cem\u003erepeating melodic patterns until they are gradually transformed in the \u003c\/em\u003e\u003cem\u003eclosing moments into something closer to bowed strings. Threaded \u003c\/em\u003e\u003cem\u003ethrough this hypnotic arrangement, we hear, for the first time on the \u003c\/em\u003e\u003cem\u003erecord, recognisable synthesizer figures, alongside long tones \u003c\/em\u003e\u003cem\u003eperformed on alto flute and bass clarinet by Christoph Bösch and \u003c\/em\u003e\u003cem\u003eToshiko Sakakibara (members of Basel’s Ensemble Phoenix). While \u003c\/em\u003e\u003cem\u003eentirely in keeping with the restrained, uncanny sound world of the \u003c\/em\u003e\u003cem\u003eremainder of the LP, this closing piece has a gently psychedelic \u003c\/em\u003e\u003cem\u003equality, something like a slowed-down, stretched-out take on \u003c\/em\u003e\u003cem\u003eBattiato’s “Sulle corde di Aries”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e Like “Teopatia”, “Con un occhio aperto” arrives in a sleeve \u003c\/em\u003e\u003cem\u003ebearing beautiful and comical self-portrait photographs of his father. \u003c\/em\u003e\u003cem\u003eWhile on the earlier release, he styles himself as a saint, here he \u003c\/em\u003e\u003cem\u003eappears as a fur-clad hunter: a fitting image for this singular, \u003c\/em\u003e\u003cem\u003eexploratory music, which, like the photographs, is at once playful and \u003c\/em\u003e\u003cem\u003eprimal.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Papiro\u003c\/p\u003e\n\u003cp\u003eLabel : Planam (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003ePLANAM049\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-03-15T20:13:52+09:00","created_at":"2024-03-15T19:35:53+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45348797808890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Papiro \/\/ Con un occhio aperto LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"PLANAM049","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e5feba15-5a4b-41ad-89f3-6b9b3590fe28.jpg?v=1710498955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e5feba15-5a4b-41ad-89f3-6b9b3590fe28.jpg?v=1710498955","options":["Title"],"media":[{"alt":null,"id":33386632478970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e5feba15-5a4b-41ad-89f3-6b9b3590fe28.jpg?v=1710498955"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_e5feba15-5a4b-41ad-89f3-6b9b3590fe28.jpg?v=1710498955","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eスイス／イタリアのストレンジビーツ作家Papiroが、2024年3月にイタリアの実験レーベル\u003c\/span\u003e\u003cspan\u003eAlga Marghenから300部限定で\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜アコースティック・ドローン4\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePlanam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAlmost a decade on from his last full length for the label, the \u003c\/em\u003e\u003cem\u003ereligiously themed “Teopatia”, Marco Papiro returns to Planam with \u003c\/em\u003e\u003cem\u003e“Con un occhio aperto”, his most challenging and ambitious work to \u003c\/em\u003e\u003cem\u003edate. Known as one of the most dedicated contemporary investigators of \u003c\/em\u003e\u003cem\u003ethe potential of analogue synthesizers, the musicality and personal \u003c\/em\u003e\u003cem\u003etouch of Papiro’s work stand apart from a field dominated by gear \u003c\/em\u003e\u003cem\u003efetishism and nostalgia. In recent years, one of the unique \u003c\/em\u003e\u003cem\u003eingredients of Papiro’s music has been his use of synthesised human \u003c\/em\u003e\u003cem\u003evoices, often lending his productions a dimension of uncanniness. \u003c\/em\u003e\u003cem\u003eHere, he pushes this aspect of his work much further, presenting a \u003c\/em\u003e\u003cem\u003esuite of four pieces where most listeners would be hard pressed to \u003c\/em\u003e\u003cem\u003etrace the sounds they hear back to electronic sources.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The opening title piece, “Con un occhio aperto” (i.e. “With One \u003c\/em\u003e\u003cem\u003eEye Open”), begins with metallic textures, similar to bowed cymbals or \u003c\/em\u003e\u003cem\u003egongs, which are soon joined by waves of percussive sound, both \u003c\/em\u003e\u003cem\u003edrum-like and metallic. Irregularly rising to the surface and receding \u003c\/em\u003e\u003cem\u003einto the background, at times reminiscent of natural rhythms of rain, \u003c\/em\u003e\u003cem\u003ewind, or sea, these percussive textures are accompanied by haunting \u003c\/em\u003e\u003cem\u003evoice-like tones, at once strikingly realistic and disorienting in \u003c\/em\u003e\u003cem\u003etheir non-human patterns of articulation and attack. Like the voices, \u003c\/em\u003e\u003cem\u003ethe percussive sounds can at times be almost indistinguishable from \u003c\/em\u003e\u003cem\u003ereal cowbells, gongs, or hand drums, precisely mimicking their attack, \u003c\/em\u003e\u003cem\u003edecay, resonance, and spatial diffusion. At the same time, however, \u003c\/em\u003e\u003cem\u003ethey possess an unsettling, unreal quality, producing in the listener \u003c\/em\u003e\u003cem\u003ea feeling of disorientation that Papiro links to dreams. Perhaps the \u003c\/em\u003e\u003cem\u003eclosest parallel to these overlapping waves of rattling, pulsating \u003c\/em\u003e\u003cem\u003epercussive sounds and eerie extended tones is Jon Gibson’s classic \u003c\/em\u003e\u003cem\u003e“Visitations”, where the line between instrumental, electronic, and \u003c\/em\u003e\u003cem\u003enatural sound is blurred in a mesmerising drift. Here, the ambiguity \u003c\/em\u003e\u003cem\u003eis heightened even further through the electronic origins of the \u003c\/em\u003e\u003cem\u003eseemingly acoustic sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e On “La caverna” (i.e. “The Cavern”) and “Superfici” (i.e. \u003c\/em\u003e\u003cem\u003e“Surfaces”), Papiro continues the exploration of synthetic textures, \u003c\/em\u003e\u003cem\u003ebut in a more monolithic direction. On “La caverna”, we are treated to \u003c\/em\u003e\u003cem\u003eshimmering, glassy overtones, patiently sounded over a mysterious \u003c\/em\u003e\u003cem\u003eburble of clicks and pops. On “Superfici”, the complex resonance of \u003c\/em\u003e\u003cem\u003esynthetic bells conjures an atmosphere of ritual or meditation. In \u003c\/em\u003e\u003cem\u003eboth pieces, the slow movement and sustained focus on unstable \u003c\/em\u003e\u003cem\u003eharmonic phenomenon comes across almost as a kind of otherworldly take \u003c\/em\u003e\u003cem\u003eon Romanian Spectralism, cleansing the ears for the luscious closing \u003c\/em\u003e\u003cem\u003eepic, “Vita segreta dei peli” (i.e. “The Secret Life Of Hairs”). Rich,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003epiano-like chiming tones form the foundation of the piece, slowly \u003c\/em\u003e\u003cem\u003erepeating melodic patterns until they are gradually transformed in the \u003c\/em\u003e\u003cem\u003eclosing moments into something closer to bowed strings. Threaded \u003c\/em\u003e\u003cem\u003ethrough this hypnotic arrangement, we hear, for the first time on the \u003c\/em\u003e\u003cem\u003erecord, recognisable synthesizer figures, alongside long tones \u003c\/em\u003e\u003cem\u003eperformed on alto flute and bass clarinet by Christoph Bösch and \u003c\/em\u003e\u003cem\u003eToshiko Sakakibara (members of Basel’s Ensemble Phoenix). While \u003c\/em\u003e\u003cem\u003eentirely in keeping with the restrained, uncanny sound world of the \u003c\/em\u003e\u003cem\u003eremainder of the LP, this closing piece has a gently psychedelic \u003c\/em\u003e\u003cem\u003equality, something like a slowed-down, stretched-out take on \u003c\/em\u003e\u003cem\u003eBattiato’s “Sulle corde di Aries”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e Like “Teopatia”, “Con un occhio aperto” arrives in a sleeve \u003c\/em\u003e\u003cem\u003ebearing beautiful and comical self-portrait photographs of his father. \u003c\/em\u003e\u003cem\u003eWhile on the earlier release, he styles himself as a saint, here he \u003c\/em\u003e\u003cem\u003eappears as a fur-clad hunter: a fitting image for this singular, \u003c\/em\u003e\u003cem\u003eexploratory music, which, like the photographs, is at once playful and \u003c\/em\u003e\u003cem\u003eprimal.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Papiro\u003c\/p\u003e\n\u003cp\u003eLabel : Planam (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003ePLANAM049\u003c\/span\u003e\u003c\/p\u003e"}
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スイス／イタリアのストレンジビーツ作家Papiroが、2024年3月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。 サイケデリックなストレンジビーツ〜アコースティック・ドローン4曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
¥3,980
クイックビュー
{"id":8225246707962,"title":"Papiro \/\/ Teopatia LP","handle":"papiro-teopatia-lp","description":"\u003cp\u003e\u003cspan\u003eスイス／イタリアのストレンジビーツ作家Papiroが、2024年3月にイタリアの実験レーベル\u003c\/span\u003e\u003cspan\u003eAlga Marghenから300部限定で\u003c\/span\u003e\u003cspan\u003eリリースした再発レコードです。（オリジナルは2014年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜ドローン7\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1414209514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1805067453\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1414209514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTeopatia 11:23\u003c\/li\u003e\n\u003cli\u003eUna storia verissima 00:46\u003c\/li\u003e\n\u003cli\u003eÀ u u à à u u Chi è è 06:09\u003c\/li\u003e\n\u003cli\u003ePsicopompa 04:53\u003c\/li\u003e\n\u003cli\u003eCome si moltiplica la luce 04:32\u003c\/li\u003e\n\u003cli\u003eEstasi interiore 02:52\u003c\/li\u003e\n\u003cli\u003eIl giardino blu 06:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePlanam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEnchanting, bizarre and blissful at times, the subtitle of \u003c\/em\u003e\u003cem\u003ethis album describes it as \"Messa in scena arcaica per strumenti \u003c\/em\u003e\u003cem\u003eelettronici e voci ingannevoli\" -- a play on words which could be \u003c\/em\u003e\u003cem\u003etranslated as \"Mass in an archaic scene (or archaic enactment) for \u003c\/em\u003e\u003cem\u003eelectronic instruments and deceptive voices.\" The Italian graphic \u003c\/em\u003e\u003cem\u003edesigner and musician Marco Papiro deliberately plays with different \u003c\/em\u003e\u003cem\u003eforms of religious music, and loosely oscillates between the spiritual \u003c\/em\u003e\u003cem\u003eand the illusory world, starting with the cover, where we can see a \u003c\/em\u003e\u003cem\u003eself-portrait of his father disguised as a saint with a steering wheel \u003c\/em\u003e\u003cem\u003ein place of the halo. As for the voices, they are deceptive in a \u003c\/em\u003e\u003cem\u003edouble sense -- not only because they seem to promise eternal bliss, \u003c\/em\u003e\u003cem\u003ebut also because they are completely artificial, and have been \u003c\/em\u003e\u003cem\u003emasterfully created -- like everything here -- from scratch, with an \u003c\/em\u003e\u003cem\u003earray of aged modular synthesizers. It's the thin line between the \u003c\/em\u003e\u003cem\u003ehuman warmth and the eeriness of its simulation that makes up the \u003c\/em\u003e\u003cem\u003efascination of the music on “Teopatia”, which, by the way, is the term \u003c\/em\u003e\u003cem\u003eused to describe an indirect divine contact. Though this record might \u003c\/em\u003e\u003cem\u003ebe too odd to become a religious classic, it might very well help \u003c\/em\u003e\u003cem\u003efuture generations understand the turmoil of an early 21st-century \u003c\/em\u003e\u003cem\u003eyouth converting to synthesizers after growing up with Catholicism.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Papiro\u003c\/p\u003e\n\u003cp\u003eLabel : Planam \u003c\/p\u003e\n\u003cp\u003eCAT No.: PLANAM033\u003c\/p\u003e","published_at":"2024-03-15T20:06:13+09:00","created_at":"2024-03-15T19:30:21+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","new","strange beats"],"price":385000,"price_min":385000,"price_max":385000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45348770021626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Papiro \/\/ Teopatia LP","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/papiro1.jpg?v=1710498623"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/papiro1.jpg?v=1710498623","options":["Title"],"media":[{"alt":null,"id":33386602922234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/papiro1.jpg?v=1710498623"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/papiro1.jpg?v=1710498623","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eスイス／イタリアのストレンジビーツ作家Papiroが、2024年3月にイタリアの実験レーベル\u003c\/span\u003e\u003cspan\u003eAlga Marghenから300部限定で\u003c\/span\u003e\u003cspan\u003eリリースした再発レコードです。（オリジナルは2014年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜ドローン7\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1414209514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1805067453\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1414209514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTeopatia 11:23\u003c\/li\u003e\n\u003cli\u003eUna storia verissima 00:46\u003c\/li\u003e\n\u003cli\u003eÀ u u à à u u Chi è è 06:09\u003c\/li\u003e\n\u003cli\u003ePsicopompa 04:53\u003c\/li\u003e\n\u003cli\u003eCome si moltiplica la luce 04:32\u003c\/li\u003e\n\u003cli\u003eEstasi interiore 02:52\u003c\/li\u003e\n\u003cli\u003eIl giardino blu 06:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePlanam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEnchanting, bizarre and blissful at times, the subtitle of \u003c\/em\u003e\u003cem\u003ethis album describes it as \"Messa in scena arcaica per strumenti \u003c\/em\u003e\u003cem\u003eelettronici e voci ingannevoli\" -- a play on words which could be \u003c\/em\u003e\u003cem\u003etranslated as \"Mass in an archaic scene (or archaic enactment) for \u003c\/em\u003e\u003cem\u003eelectronic instruments and deceptive voices.\" The Italian graphic \u003c\/em\u003e\u003cem\u003edesigner and musician Marco Papiro deliberately plays with different \u003c\/em\u003e\u003cem\u003eforms of religious music, and loosely oscillates between the spiritual \u003c\/em\u003e\u003cem\u003eand the illusory world, starting with the cover, where we can see a \u003c\/em\u003e\u003cem\u003eself-portrait of his father disguised as a saint with a steering wheel \u003c\/em\u003e\u003cem\u003ein place of the halo. As for the voices, they are deceptive in a \u003c\/em\u003e\u003cem\u003edouble sense -- not only because they seem to promise eternal bliss, \u003c\/em\u003e\u003cem\u003ebut also because they are completely artificial, and have been \u003c\/em\u003e\u003cem\u003emasterfully created -- like everything here -- from scratch, with an \u003c\/em\u003e\u003cem\u003earray of aged modular synthesizers. It's the thin line between the \u003c\/em\u003e\u003cem\u003ehuman warmth and the eeriness of its simulation that makes up the \u003c\/em\u003e\u003cem\u003efascination of the music on “Teopatia”, which, by the way, is the term \u003c\/em\u003e\u003cem\u003eused to describe an indirect divine contact. Though this record might \u003c\/em\u003e\u003cem\u003ebe too odd to become a religious classic, it might very well help \u003c\/em\u003e\u003cem\u003efuture generations understand the turmoil of an early 21st-century \u003c\/em\u003e\u003cem\u003eyouth converting to synthesizers after growing up with Catholicism.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Papiro\u003c\/p\u003e\n\u003cp\u003eLabel : Planam \u003c\/p\u003e\n\u003cp\u003eCAT No.: PLANAM033\u003c\/p\u003e"}
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スイス／イタリアのストレンジビーツ作家Papiroが、2024年3月にイタリアの実験レーベルAlga Marghenから300部限定でリリースした再発レコードです。（オリジナルは2014年リリース） サイケデリックなストレンジビーツ〜ドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ----------------------------...
¥3,850
クイックビュー
{"id":8225039024378,"title":"Hans Krüsi \/\/ EX HK. LP","handle":"hans-krusi-ex-hk-lp","description":"\u003cp\u003eスイスのアール・ブリュット作家Hans Krüsi\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1920–1995) による最初で最後の作品の\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年4月再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eいつまでも色褪せないミュージック・コンクレート5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zPMvEEb5ifM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 EX HK. (Excerpts)\u003cbr\u003eA2 EX HK. (Excerpts)\u003cbr\u003eA3 EX HK. (Excerpts)\u003cbr\u003eA4 EX HK. (Excerpts)\u003cbr\u003eB EX HK. (Excerpts)\u003c\/p\u003e\n\u003cp\u003eArtist : Hans Krüsi \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2024-03-15T12:30:07+09:00","created_at":"2024-03-15T12:29:30+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","monooto","new"],"price":417000,"price_min":417000,"price_max":417000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45347834462458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hans Krüsi \/\/ EX HK. LP","public_title":null,"options":["Default Title"],"price":417000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_9dc63829-d617-494e-a2e0-c5c8ece302b2.jpg?v=1710473376","\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_98f9546a-4034-496f-98bb-ed7e99c35338.jpg?v=1710473376","\/\/tobirarecords.com\/cdn\/shop\/files\/ha3_9dd344e3-81fd-493f-9f0f-7bcac296a70a.jpg?v=1710473376","\/\/tobirarecords.com\/cdn\/shop\/files\/ha4_f86560b0-b1d2-4ec2-a3d9-277e43a209e2.jpg?v=1710473376"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_9dc63829-d617-494e-a2e0-c5c8ece302b2.jpg?v=1710473376","options":["Title"],"media":[{"alt":null,"id":33384827388154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_9dc63829-d617-494e-a2e0-c5c8ece302b2.jpg?v=1710473376"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_9dc63829-d617-494e-a2e0-c5c8ece302b2.jpg?v=1710473376","width":600},{"alt":null,"id":33384827420922,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_98f9546a-4034-496f-98bb-ed7e99c35338.jpg?v=1710473376"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_98f9546a-4034-496f-98bb-ed7e99c35338.jpg?v=1710473376","width":600},{"alt":null,"id":33384827453690,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha3_9dd344e3-81fd-493f-9f0f-7bcac296a70a.jpg?v=1710473376"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha3_9dd344e3-81fd-493f-9f0f-7bcac296a70a.jpg?v=1710473376","width":600},{"alt":null,"id":33384827486458,"position":4,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha4_f86560b0-b1d2-4ec2-a3d9-277e43a209e2.jpg?v=1710473376"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha4_f86560b0-b1d2-4ec2-a3d9-277e43a209e2.jpg?v=1710473376","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスのアール・ブリュット作家Hans Krüsi\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1920–1995) による最初で最後の作品の\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年4月再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eいつまでも色褪せないミュージック・コンクレート5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zPMvEEb5ifM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 EX HK. (Excerpts)\u003cbr\u003eA2 EX HK. (Excerpts)\u003cbr\u003eA3 EX HK. (Excerpts)\u003cbr\u003eA4 EX HK. (Excerpts)\u003cbr\u003eB EX HK. (Excerpts)\u003c\/p\u003e\n\u003cp\u003eArtist : Hans Krüsi \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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スイスのアール・ブリュット作家Hans Krüsi (1920–1995) による最初で最後の作品の2023年4月再発盤です。 いつまでも色褪せないミュージック・コンクレート5曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
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{"id":8053545697530,"title":"Eliane Radigue \/\/ Vice - Versa, Etc. LP","handle":"eliane-radigue-vice-versa-etc-12","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所ドローン作家Eliane Radigueが、2018年にイタリアの実験レーベルAlga Marghenからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Vice - Versa, Etc. (Mix 1) 12:14\u003cbr\u003eB Vice - Versa, Etc. (Mix 2) 16:16\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAlga Marghen very proudly presents a remastered version of Vice-Versa, Etc..., an LP originally included in the first 400 copies of Eliane Radigue's Feedback Works 2LP. Vice-Versa, Etc... was originally a small handmade box, signed and numbered and released on the occasion of a show at Lara Vincy's gallery in 1970. The box contained a reel of magnetic tape and the instructions for use. It indicates that all playback speeds are possible, forward or backward, as well as any combination of two channels, on several recorders, ad libitum. This LP presents two versions done by Emmanuel Hoelterbach following the indications of Eliane Radigue to the letter, respecting her composition methods. There is no doubt that Eliane Radigue's vocabulary is based on observing and entering into dialog with the fundamental behavior of sounds: pulsing, beating, sustained, very light, a subtle and delicate evolution. When she moved from feedback sounds to the ARP synthesizer, she naturally continued the same music -- a continuity where the original use of feedback sounds stands out for its cruder and more savage inner character. One could say that somehow it's the very texture of the sounds, which leads the form of her compositions. At the same time, this approach favors an intense sensuality in the listening.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliane Radigue \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-11-02T07:53:42+09:00","created_at":"2023-10-28T14:21:49+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696370446586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eliane Radigue \/\/ Vice - Versa, Etc. LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/elia1.jpg?v=1698470512","\/\/tobirarecords.com\/cdn\/shop\/files\/elia2.jpg?v=1698470512"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/elia1.jpg?v=1698470512","options":["Title"],"media":[{"alt":null,"id":32613903401210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elia1.jpg?v=1698470512"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elia1.jpg?v=1698470512","width":500},{"alt":null,"id":32613903433978,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elia2.jpg?v=1698470512"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elia2.jpg?v=1698470512","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所ドローン作家Eliane Radigueが、2018年にイタリアの実験レーベルAlga Marghenからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Vice - Versa, Etc. (Mix 1) 12:14\u003cbr\u003eB Vice - Versa, Etc. (Mix 2) 16:16\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAlga Marghen very proudly presents a remastered version of Vice-Versa, Etc..., an LP originally included in the first 400 copies of Eliane Radigue's Feedback Works 2LP. Vice-Versa, Etc... was originally a small handmade box, signed and numbered and released on the occasion of a show at Lara Vincy's gallery in 1970. The box contained a reel of magnetic tape and the instructions for use. It indicates that all playback speeds are possible, forward or backward, as well as any combination of two channels, on several recorders, ad libitum. This LP presents two versions done by Emmanuel Hoelterbach following the indications of Eliane Radigue to the letter, respecting her composition methods. There is no doubt that Eliane Radigue's vocabulary is based on observing and entering into dialog with the fundamental behavior of sounds: pulsing, beating, sustained, very light, a subtle and delicate evolution. When she moved from feedback sounds to the ARP synthesizer, she naturally continued the same music -- a continuity where the original use of feedback sounds stands out for its cruder and more savage inner character. One could say that somehow it's the very texture of the sounds, which leads the form of her compositions. At the same time, this approach favors an intense sensuality in the listening.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliane Radigue \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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{"id":8053544157434,"title":"Eliane Radigue \/\/ Feedback Works 1969-1970 LP","handle":"eliane-radigue-feedback-works-1969-1970-lp","description":"\u003cp\u003eフランスの大御所ドローン作家Eliane Radigueが、1969-1970年に制作した3曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jr5he-HGuEg?si=XInncRA4BWK7WFHs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WWFb3o-tu20?si=A_5Oy1H5j1CWOWCq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Stress-Osaka (June 1969) 11:35\u003cbr\u003eA2 Usral (April 1969) 13:32\u003cbr\u003eB Omnht (1970) 19:42\u003c\/p\u003e\n\u003cp\u003eArtist : Éliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-11-02T07:43:14+09:00","created_at":"2023-10-28T14:10:29+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp"],"price":421800,"price_min":421800,"price_max":421800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696364155130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eliane Radigue \/\/ Feedback Works 1969-1970 LP","public_title":null,"options":["Default Title"],"price":421800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_5037b8c2-0a51-426b-8f9a-3cd55bd662f2.jpg?v=1698469831","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_0a5b4ae3-0475-4db1-a88b-7fc16f4f8729.jpg?v=1698469831","\/\/tobirarecords.com\/cdn\/shop\/files\/el3_3b9e8f41-a292-44de-bfd5-c2cb1d9834ff.jpg?v=1698469831","\/\/tobirarecords.com\/cdn\/shop\/files\/el4_7196dd40-d8c1-46f3-a11b-9322553cc30d.jpg?v=1698469831"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_5037b8c2-0a51-426b-8f9a-3cd55bd662f2.jpg?v=1698469831","options":["Title"],"media":[{"alt":null,"id":32613857886458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_5037b8c2-0a51-426b-8f9a-3cd55bd662f2.jpg?v=1698469831"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_5037b8c2-0a51-426b-8f9a-3cd55bd662f2.jpg?v=1698469831","width":600},{"alt":null,"id":32613857919226,"position":2,"preview_image":{"aspect_ratio":1.007,"height":596,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_0a5b4ae3-0475-4db1-a88b-7fc16f4f8729.jpg?v=1698469831"},"aspect_ratio":1.007,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_0a5b4ae3-0475-4db1-a88b-7fc16f4f8729.jpg?v=1698469831","width":600},{"alt":null,"id":32613857951994,"position":3,"preview_image":{"aspect_ratio":0.99,"height":600,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el3_3b9e8f41-a292-44de-bfd5-c2cb1d9834ff.jpg?v=1698469831"},"aspect_ratio":0.99,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el3_3b9e8f41-a292-44de-bfd5-c2cb1d9834ff.jpg?v=1698469831","width":594},{"alt":null,"id":32613857984762,"position":4,"preview_image":{"aspect_ratio":0.975,"height":600,"width":585,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el4_7196dd40-d8c1-46f3-a11b-9322553cc30d.jpg?v=1698469831"},"aspect_ratio":0.975,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el4_7196dd40-d8c1-46f3-a11b-9322553cc30d.jpg?v=1698469831","width":585}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの大御所ドローン作家Eliane Radigueが、1969-1970年に制作した3曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jr5he-HGuEg?si=XInncRA4BWK7WFHs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WWFb3o-tu20?si=A_5Oy1H5j1CWOWCq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Stress-Osaka (June 1969) 11:35\u003cbr\u003eA2 Usral (April 1969) 13:32\u003cbr\u003eB Omnht (1970) 19:42\u003c\/p\u003e\n\u003cp\u003eArtist : Éliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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フランスの大御所ドローン作家Eliane Radigueが、1969-1970年に制作した3曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ---------------------------- 12"...
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{"id":8053542813946,"title":"Aldo Clementi \/\/ Collage LP","handle":"aldo-clementi-collage-lp","description":"\u003cp\u003eイタリアの実験音楽家Aldo Clementi(1925-2011)が、2023年10月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1960年代に制作したレアな未発表音源4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Alga Marghenが、\u003cmeta charset=\"utf-8\"\u003eMarino Zuccheriの技術協力のもと、ミラノのRAI音楽スタジオで実現した磁気テープのための未発表作品「Collage2」と「Collage3」（Dies irae）を発表。これらの作品は、Aldo Clementi が1960年代に電子音楽に強い関心を持ち、現在も継続していることを示す貴重な証言である。エレクトロニック・コンポジション「\u003cmeta charset=\"utf-8\"\u003eCollage2」は1960年の作品。Clementiにとって初めての電子音楽の実験であり、彼の独創的で一貫した構造主義への固執は、その頃に書かれたいくつかの器楽作品に反映されている。\u003cmeta charset=\"utf-8\"\u003eCollage3の最初のアイデアは1966年に遡り、ビートルズの曲 \"Michelle \"に短い電子コラージュを施したものだった。作曲家は、\"シンメトリーと固定されたブロックの世界から湧き出る、生々しく有機的な音色の自然な井戸 \"を使うことで、一般的になった古い概念や決まり文句を置き換えたいと考えた。この独創的なアイデアは、RAI（イタリアのラジオ局）が\u003cmeta charset=\"utf-8\"\u003eClementiに長大な作品の作曲を依頼したとき、劇的な変化を遂げた。ゼロから始めたいという彼の最初の願望に、より長い時間の問題が加わった。\u003cmeta charset=\"utf-8\"\u003eClementiがこの曲に \"Dies irae \"という最終的なタイトルをつけたのは、この曲をほぼ完成させたときだった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nELNYix9V2Q?si=NLvQcPziBo-1sN6-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DqT9miCmAi4?si=2ZK-sPC8qxpZoqM-\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Collage II (1960)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Fantasia Su roBErto FABriCiAni (1980\/81)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Collage III\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Dies Irae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlga marghen proudly perents the previously unreleased “Collage 2” and “Collage 3 (Dies irae)” for magnetic tape, both realised at the Studio di Fonologia Muisicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi’s intense and ongoing interest in electronic music in the 1960s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe electronic composition “Collage 2” dates from 1960. It was the first experiment with electronic music for Clementi whose original and consistence adherence to structuralism is reflected in several of his instrumental works written around that time. About this piece the composer has commented: «The title and the technique, both of the same name, are the result of my having conceived the work in terms of compositional planes created independently and later superimposed; this gives rise to absorption or emergence, intersection or isolation, all absolutely and deliberately unpredictable. The difficulties implicit in the acoustics, and consequently in the effect, of this kind of treatment, are taken for granted and accepted from the start».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first idea of “Collage 3” dates back to 1966, in the form of a short electronic collage on the Beatles’ song “Michelle”. The composer wanted to replace old concepts and clichés which had become popular and common, through the use of «natural wells of timbre, live and organic, springing from a world of symmetry and fixed blocks». This original idea underwent a drastic transformation when the RAI (the Italian radio) commissioned Clementi to write a longer work. To his initial desire to start from scratch was added the problem of a longer duration. It was only when Clementi had almost completed the piece that he gave it its final title of “Dies irae”, owing to the extreme tension that accompanied its composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis LP is completed by “Fantasia su roBErto FABbriCiAni” (1982) in a brand new realization live recorded on October 13th, 2022 with Alvise Vidolin as sound engineer. Following a practice adopted most famously by Bach, Brahms and Shostakovich, the “Fantasia su roBErto FABbriCiAni” for flute and tape is based on the notes corresponding to the letters in Fabbriciani’s name according to the German musical nomenclature (B flat, E, F, A, B flat, C, A). \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is how Clementi describes his approaches to the electronic processing of the pre recorded tape: «My stylistic purpose was to create a delirious labyrinth around the solo instrument like an enormous growth of vegetation that chokes out a little plant».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e«Today it is incumbent on music to ponder anew upon itself, just as music has an urgent need for self-reflection». This is how Adorno expressed himself, at a time long gone but focusing on a need that is perhaps still close to us. It is precisely in this need for “self-reflection”, in this continuous and inexhaustible “questioning” that perhaps one of the most profound teachings of Aldo Clementi compositional mastery resides; a musical legacy of rare coherence and fascination that constitutes an inescapable point of reference for the ethical ideal and the palpable existential tension it testifies to us. In its highest expressions, music allows one to subtly perceive its inherent gnoseological vocation. The work of Aldo Clementi embody one of the most striking and exemplary demonstrations of this.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aldo Clementi \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-10-30T18:32:33+09:00","created_at":"2023-10-28T14:00:33+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","monooto","new"],"price":393400,"price_min":393400,"price_max":393400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696341676282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aldo Clementi \/\/ Collage LP","public_title":null,"options":["Default Title"],"price":393400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235","options":["Title"],"media":[{"alt":null,"id":32613819318522,"position":1,"preview_image":{"aspect_ratio":1.007,"height":542,"width":546,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235"},"aspect_ratio":1.007,"height":542,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235","width":546}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Aldo Clementi(1925-2011)が、2023年10月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1960年代に制作したレアな未発表音源4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Alga Marghenが、\u003cmeta charset=\"utf-8\"\u003eMarino Zuccheriの技術協力のもと、ミラノのRAI音楽スタジオで実現した磁気テープのための未発表作品「Collage2」と「Collage3」（Dies irae）を発表。これらの作品は、Aldo Clementi が1960年代に電子音楽に強い関心を持ち、現在も継続していることを示す貴重な証言である。エレクトロニック・コンポジション「\u003cmeta charset=\"utf-8\"\u003eCollage2」は1960年の作品。Clementiにとって初めての電子音楽の実験であり、彼の独創的で一貫した構造主義への固執は、その頃に書かれたいくつかの器楽作品に反映されている。\u003cmeta charset=\"utf-8\"\u003eCollage3の最初のアイデアは1966年に遡り、ビートルズの曲 \"Michelle \"に短い電子コラージュを施したものだった。作曲家は、\"シンメトリーと固定されたブロックの世界から湧き出る、生々しく有機的な音色の自然な井戸 \"を使うことで、一般的になった古い概念や決まり文句を置き換えたいと考えた。この独創的なアイデアは、RAI（イタリアのラジオ局）が\u003cmeta charset=\"utf-8\"\u003eClementiに長大な作品の作曲を依頼したとき、劇的な変化を遂げた。ゼロから始めたいという彼の最初の願望に、より長い時間の問題が加わった。\u003cmeta charset=\"utf-8\"\u003eClementiがこの曲に \"Dies irae \"という最終的なタイトルをつけたのは、この曲をほぼ完成させたときだった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nELNYix9V2Q?si=NLvQcPziBo-1sN6-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DqT9miCmAi4?si=2ZK-sPC8qxpZoqM-\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Collage II (1960)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Fantasia Su roBErto FABriCiAni (1980\/81)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Collage III\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Dies Irae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlga marghen proudly perents the previously unreleased “Collage 2” and “Collage 3 (Dies irae)” for magnetic tape, both realised at the Studio di Fonologia Muisicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi’s intense and ongoing interest in electronic music in the 1960s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe electronic composition “Collage 2” dates from 1960. It was the first experiment with electronic music for Clementi whose original and consistence adherence to structuralism is reflected in several of his instrumental works written around that time. About this piece the composer has commented: «The title and the technique, both of the same name, are the result of my having conceived the work in terms of compositional planes created independently and later superimposed; this gives rise to absorption or emergence, intersection or isolation, all absolutely and deliberately unpredictable. The difficulties implicit in the acoustics, and consequently in the effect, of this kind of treatment, are taken for granted and accepted from the start».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first idea of “Collage 3” dates back to 1966, in the form of a short electronic collage on the Beatles’ song “Michelle”. The composer wanted to replace old concepts and clichés which had become popular and common, through the use of «natural wells of timbre, live and organic, springing from a world of symmetry and fixed blocks». This original idea underwent a drastic transformation when the RAI (the Italian radio) commissioned Clementi to write a longer work. To his initial desire to start from scratch was added the problem of a longer duration. It was only when Clementi had almost completed the piece that he gave it its final title of “Dies irae”, owing to the extreme tension that accompanied its composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis LP is completed by “Fantasia su roBErto FABbriCiAni” (1982) in a brand new realization live recorded on October 13th, 2022 with Alvise Vidolin as sound engineer. Following a practice adopted most famously by Bach, Brahms and Shostakovich, the “Fantasia su roBErto FABbriCiAni” for flute and tape is based on the notes corresponding to the letters in Fabbriciani’s name according to the German musical nomenclature (B flat, E, F, A, B flat, C, A). \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is how Clementi describes his approaches to the electronic processing of the pre recorded tape: «My stylistic purpose was to create a delirious labyrinth around the solo instrument like an enormous growth of vegetation that chokes out a little plant».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e«Today it is incumbent on music to ponder anew upon itself, just as music has an urgent need for self-reflection». This is how Adorno expressed himself, at a time long gone but focusing on a need that is perhaps still close to us. It is precisely in this need for “self-reflection”, in this continuous and inexhaustible “questioning” that perhaps one of the most profound teachings of Aldo Clementi compositional mastery resides; a musical legacy of rare coherence and fascination that constitutes an inescapable point of reference for the ethical ideal and the palpable existential tension it testifies to us. In its highest expressions, music allows one to subtly perceive its inherent gnoseological vocation. The work of Aldo Clementi embody one of the most striking and exemplary demonstrations of this.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aldo Clementi \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験音楽家Aldo Clementi(1925-2011)が、2023年10月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1960年代に制作したレアな未発表音源4曲を収録。 以下、レーベルによる解説です。 "Alga Marghenが、Marino Zuccheriの技術協力のもと、ミラノのRAI音楽スタジオで実現した磁気テープのための未発表作品「Collage2」と「Collage3」（Dies irae）を発表。これらの作品は、Aldo Clementi が1960年代に電子音楽に強い関心を持ち、現在も継続していることを示す貴重な証言である。エレクトロニック・コンポジション「Collage2」は1960年の作品。Clementiにとって初めての電子音楽の実験であり、彼の独創的で一貫した構造主義への固執は、その頃に書かれたいくつかの器楽作品に反映されている。Collage3の最初のアイデアは1966年に遡り、ビートルズの曲 "Michelle "に短い電子コラージュを施したものだった。作曲家は、"シンメトリーと固定されたブロックの世界から湧き出る、生々しく有機的な音色の自然な井戸 "を使うことで、一般的になった古い概念や決まり文句を置き換えたいと考えた。この独創的なアイデアは、RAI（イタリアのラジオ局）がClementiに長大な作品の作曲を依頼したとき、劇的な変化を遂げた。ゼロから始めたいという彼の最初の願望に、より長い時間の問題が加わった。Clementiがこの曲に "Dies...
¥3,934
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{"id":8053541634298,"title":"Phill Niblock \/\/ Boston III\/Tenor\/Index LP","handle":"phil-niblock-boston-iii-tenor-index-lp","description":"\u003cp\u003eアメリカの実験音楽家Phill Niblockが、2023年10月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1969年-1972年に制作したレアな未発表音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA面はシャーマニックなミニマルドローン、B面はギターとテナーサックスを用いたドローン計3曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TEi406kGTHo?si=05M1HPsmzoKGwytn\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3dPAVctZyPE?si=NU3edJJZfU-gau6H\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Boston III (1972) 25:20\u003cbr\u003eB1 Tenor (1972) 13:18\u003cbr\u003eB2 Index (1969) 7:43\u003c\/p\u003e\n\u003cp\u003eArtist : Phil Niblock\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen \u003c\/p\u003e","published_at":"2023-10-30T18:07:23+09:00","created_at":"2023-10-28T13:53:08+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","new","recommended"],"price":393400,"price_min":393400,"price_max":393400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696339382522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phill Niblock \/\/ Boston III\/Tenor\/Index LP","public_title":null,"options":["Default Title"],"price":393400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ph2_0e69aadf-df62-4345-9e7c-857b9dd97b73.jpg?v=1698468790"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ph2_0e69aadf-df62-4345-9e7c-857b9dd97b73.jpg?v=1698468790","options":["Title"],"media":[{"alt":null,"id":32613813747962,"position":1,"preview_image":{"aspect_ratio":1.002,"height":499,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ph2_0e69aadf-df62-4345-9e7c-857b9dd97b73.jpg?v=1698468790"},"aspect_ratio":1.002,"height":499,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ph2_0e69aadf-df62-4345-9e7c-857b9dd97b73.jpg?v=1698468790","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Phill Niblockが、2023年10月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1969年-1972年に制作したレアな未発表音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA面はシャーマニックなミニマルドローン、B面はギターとテナーサックスを用いたドローン計3曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TEi406kGTHo?si=05M1HPsmzoKGwytn\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3dPAVctZyPE?si=NU3edJJZfU-gau6H\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Boston III (1972) 25:20\u003cbr\u003eB1 Tenor (1972) 13:18\u003cbr\u003eB2 Index (1969) 7:43\u003c\/p\u003e\n\u003cp\u003eArtist : Phil Niblock\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen \u003c\/p\u003e"}
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アメリカの実験音楽家Phill Niblockが、2023年10月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1969年-1972年に制作したレアな未発表音源です。 A面はシャーマニックなミニマルドローン、B面はギターとテナーサックスを用いたドローン計3曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available...
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{"id":7974890635514,"title":"Smegma \/\/ Infringements LP","handle":"smegma-infringements-12","description":"\u003cp\u003eLAFMSのSmegaが、2022年にAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 230. Black 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Infringements\u003cbr\u003eA2 Rainy Day Mushroom Pillow\u003cbr\u003eB1 I'll Have Julie Nixon Eisenhower For My Appetizer (Sour Lungs To My Surprise)\u003c\/p\u003e\n\u003cp\u003eArtist : Smegma \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-08-06T04:31:37+09:00","created_at":"2023-05-12T15:06:54+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230596296954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Smegma \/\/ Infringements LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/smeg1.jpg?v=1683871616","\/\/tobirarecords.com\/cdn\/shop\/files\/smeg2.jpg?v=1683871616","\/\/tobirarecords.com\/cdn\/shop\/files\/smeg3.jpg?v=1683871616"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg1.jpg?v=1683871616","options":["Title"],"media":[{"alt":null,"id":31959449731322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg1.jpg?v=1683871616"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg1.jpg?v=1683871616","width":600},{"alt":null,"id":31959449764090,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg2.jpg?v=1683871616"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg2.jpg?v=1683871616","width":600},{"alt":null,"id":31959449796858,"position":3,"preview_image":{"aspect_ratio":1.024,"height":585,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg3.jpg?v=1683871616"},"aspect_ratio":1.024,"height":585,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/smeg3.jpg?v=1683871616","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLAFMSのSmegaが、2022年にAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 230. Black 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Infringements\u003cbr\u003eA2 Rainy Day Mushroom Pillow\u003cbr\u003eB1 I'll Have Julie Nixon Eisenhower For My Appetizer (Sour Lungs To My Surprise)\u003c\/p\u003e\n\u003cp\u003eArtist : Smegma \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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LAFMSのSmegaが、2022年にAlga Marghenからリリースしたレコードです。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ----------------------------...
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{"id":7974889160954,"title":"Gavin Bryars, Massimo Bartolini \/\/ In Là LP","handle":"gavin-bryars-massimo-bartolini-in-la-lp","description":"\u003cp\u003eイギリスの実験音楽家／作曲家Gavin Bryarsとイタリアの美術家Massimo Bartoliniが、2023年4月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリア・プラトの現代美術センターで行ったインスタレーション用に制作したミニマル・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「In Là」は、Gavin Bryarsととイタリアのビジュアルアーティスト\u003cmeta charset=\"utf-8\"\u003eMassimo Bartoliniのコラボレーションによる成果です。イタリア・プラトのルイジ・ペッチ現代美術センターで大規模なインスタレーションとして上演された（オープニングは2022年秋、展覧会は2023年5月まで開催）\u003cmeta charset=\"utf-8\"\u003eBartoliniは、回顧展の中心作品として、足場をパイプオルガンバーに変え、美術館の7つの部屋にわたって天井から吊るしました。アルガ・マーゲンのLP盤の2面を構成するのは、\u003cmeta charset=\"utf-8\"\u003eBryarsが作曲した、この特異なオルガンが奏でる音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの \"In là \"の音楽は、\"The Sinking of The Titanic\" や \"Jesus' Blood Never Failed Me Yet\" といった代表作を作曲する以前の、1970年代前半の彼の実験的で概念的な領域に直接言及しています。「In Là」では、美術館の各部屋に物理的に音が広がり、空間の連続性に配慮して配置されながら、同時にリスナーがその全体像を完全に体験することができない、インスタレーションの広大な空間での作曲作業を紹介しています。そのため、作品のLPレコードは、ライブでリアルタイムに行われる聴覚的な冒険を補完し、作品の豊かな音色や詩的な構造について、他の方法では得られない現象や知覚を明らかにすることができるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの音楽的背景はよく知られていますが（1960年代前半に即興演奏家のデレク・ベイリーやトニー・オックスレーと活動したジャズベーシストとしてスタートし、その後作曲家のジョン・ケージやコーネリアス・カルデューと活動、ポーツマスシンフォニアの設立、ブライアン・イーノとのコラボレーションによるオブスクアレコードシリーズ）、Bartoliniの音に対する詩的つながりはあまり知られていません。建築物や家庭用品を改造して音を出すという初期の実践は、やがてBartoliniを足場のチューブをオルガンのパイプに改造したインスタレーションに導きました。2008年以降、さまざまな形態で、さまざまな建築的背景との関連で構想されたこれらの作品は、最も視覚的な楽器であるバロック・オルガンや、建設現場での足場の使用と明らかに関連しています。これらの参照から、楽器であり建築であり、高度なエンジニアリングの作品であり、神に登るための「はしご」であるという性質を持っています。バロックのオルガンが音楽の不可視性を可視化するのであれば、\u003cmeta charset=\"utf-8\"\u003eBartoliniの足場は機械を増幅し、その呼吸を拡張し、音楽に変えてしまいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eプラトの現代美術センター、ルイジ・ペッチでの個展のために制作されたオルガンは、これらのシリーズの中で最大のものであり、作家が構想したインスタレーションの中でも最大のものです。\u003cmeta charset=\"utf-8\"\u003eBartoliniは、美術館の天井を貫く構造体から吊り下げられ、床からわずか数センチの高さに吊り下げられた足場チューブの連続する75メートルの壁を作り、展示スペースの10室のうち7室を貫通させます。この複雑な構造のために、\u003cmeta charset=\"utf-8\"\u003eBryarsは特定のポリフォニック・スコアを作曲するよう依頼されました。各部屋にユニークなメロディーを割り当て、豊かなレイヤーのサウンドスケープを作り出し、空間を移動する鑑賞者と共に常に変化していきます。曲の支配的な調性（ラ）を意味するタイトルが示すように、スコアは常に「彼方」、手の届かないところにあり、一人のリスナーがその全体を体験することはなく、実際にはオルガンの形そのものなのです。\"\u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1512453754\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e*In Là“ is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, (the opening was in autumn of 2022 and the exhibition is still running until May this year), Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen’s LP edition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of “In là” by Gavin Bryars directly refers to his experimental and conceptual territory of the early 1970s, prior to the composition of seminal works like “The Sinking of The Titanic” and “Jesus' Blood Never Failed Me Yet”. “In Là” presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in its totality by the listener. This allows the LP documentation of the work to become a singular complement to the live, real-time aural adveture, unveiling phenomena and perceptions of the work’s rich tones and poetic structures that would otherwise be unavailable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Gavin Bryars background in music is well documented (started as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley, later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno to the Obscure Records series), the connections of Massimo Bartolini’s poetic to sound as less known. The early practice of modifying architectural or domestic devices into sound producers, eventually led Massimo Bartolini to create installations made of scaffolding tubes which are modified into the pipes of an organ. Conceived in different forms and in relation to different architectural contexts since 2008, these works clearly relate to Baroque organs, the most visual of musical instruments, and to the use of scaffolding in construction sites. From these references they adopt the quality of being part instrument part architecture, a work of sophisticated engineering, a “ladder” for climbing up to God. If Baroque organs render visible the intangibility of music, though, Bartolini’s scaffolding amplifies a machine, extends its breath, turning it into music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe organ conceived for the solo survey at Centro per l’arte contemporanea Luigi Pecci in Prato is the largest incarnation of these series and altogether the largest installation ever conceived by the artist. Hung from a structure that runs along the museum ceiling and suspended just centimeters above the floor, Bartolini built a continuous 75-meters-long wall of scaffolding tubes which winds through seven of the ten rooms of the exhibition space. For this structure of complex engineering Gavin Bryars was invited to compose a specific polyphonic score. Assigning each room a unique melody, the composition creates a richly layered soundscape that is constantly shifting with the viewer as they move through the space. As the title suggests—alluding to the dominant tonality (La) of the piece—the score is always “beyond,” out of reach, never experienced in its entirety by a single listener as, in fact, the shape of the organ itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEdition of 400 numbered copies, including an insert with liner notes and photo documentation of the installation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1 In Là \u003cem\u003e17:26\u003c\/em\u003e\u003cbr\u003e2 In Là \u003cem\u003e15:48\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gavin Bryars\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-12T15:08:18+09:00","created_at":"2023-05-12T14:37:30+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","recommended"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230572212474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gavin Bryars, Massimo Bartolini \/\/ In Là LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852","\/\/tobirarecords.com\/cdn\/shop\/files\/ga3_64629b28-091d-46d1-b4f0-0ac56c233a48.jpg?v=1683869853","\/\/tobirarecords.com\/cdn\/shop\/files\/ga4_0efffb6f-ac90-4ca6-82e1-e087694895b3.jpg?v=1683869852","\/\/tobirarecords.com\/cdn\/shop\/files\/ga5_9c3a530d-e00c-4efd-a881-c860be3c5c23.jpg?v=1683869852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852","options":["Title"],"media":[{"alt":null,"id":31959291625722,"position":1,"preview_image":{"aspect_ratio":0.99,"height":600,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852"},"aspect_ratio":0.99,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852","width":594},{"alt":null,"id":31959291658490,"position":2,"preview_image":{"aspect_ratio":0.972,"height":600,"width":583,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga3_64629b28-091d-46d1-b4f0-0ac56c233a48.jpg?v=1683869853"},"aspect_ratio":0.972,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga3_64629b28-091d-46d1-b4f0-0ac56c233a48.jpg?v=1683869853","width":583},{"alt":null,"id":31959291691258,"position":3,"preview_image":{"aspect_ratio":0.987,"height":600,"width":592,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga4_0efffb6f-ac90-4ca6-82e1-e087694895b3.jpg?v=1683869852"},"aspect_ratio":0.987,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga4_0efffb6f-ac90-4ca6-82e1-e087694895b3.jpg?v=1683869852","width":592},{"alt":null,"id":31959291724026,"position":4,"preview_image":{"aspect_ratio":0.993,"height":600,"width":596,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga5_9c3a530d-e00c-4efd-a881-c860be3c5c23.jpg?v=1683869852"},"aspect_ratio":0.993,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga5_9c3a530d-e00c-4efd-a881-c860be3c5c23.jpg?v=1683869852","width":596}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家／作曲家Gavin Bryarsとイタリアの美術家Massimo Bartoliniが、2023年4月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリア・プラトの現代美術センターで行ったインスタレーション用に制作したミニマル・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「In Là」は、Gavin Bryarsととイタリアのビジュアルアーティスト\u003cmeta charset=\"utf-8\"\u003eMassimo Bartoliniのコラボレーションによる成果です。イタリア・プラトのルイジ・ペッチ現代美術センターで大規模なインスタレーションとして上演された（オープニングは2022年秋、展覧会は2023年5月まで開催）\u003cmeta charset=\"utf-8\"\u003eBartoliniは、回顧展の中心作品として、足場をパイプオルガンバーに変え、美術館の7つの部屋にわたって天井から吊るしました。アルガ・マーゲンのLP盤の2面を構成するのは、\u003cmeta charset=\"utf-8\"\u003eBryarsが作曲した、この特異なオルガンが奏でる音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの \"In là \"の音楽は、\"The Sinking of The Titanic\" や \"Jesus' Blood Never Failed Me Yet\" といった代表作を作曲する以前の、1970年代前半の彼の実験的で概念的な領域に直接言及しています。「In Là」では、美術館の各部屋に物理的に音が広がり、空間の連続性に配慮して配置されながら、同時にリスナーがその全体像を完全に体験することができない、インスタレーションの広大な空間での作曲作業を紹介しています。そのため、作品のLPレコードは、ライブでリアルタイムに行われる聴覚的な冒険を補完し、作品の豊かな音色や詩的な構造について、他の方法では得られない現象や知覚を明らかにすることができるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの音楽的背景はよく知られていますが（1960年代前半に即興演奏家のデレク・ベイリーやトニー・オックスレーと活動したジャズベーシストとしてスタートし、その後作曲家のジョン・ケージやコーネリアス・カルデューと活動、ポーツマスシンフォニアの設立、ブライアン・イーノとのコラボレーションによるオブスクアレコードシリーズ）、Bartoliniの音に対する詩的つながりはあまり知られていません。建築物や家庭用品を改造して音を出すという初期の実践は、やがてBartoliniを足場のチューブをオルガンのパイプに改造したインスタレーションに導きました。2008年以降、さまざまな形態で、さまざまな建築的背景との関連で構想されたこれらの作品は、最も視覚的な楽器であるバロック・オルガンや、建設現場での足場の使用と明らかに関連しています。これらの参照から、楽器であり建築であり、高度なエンジニアリングの作品であり、神に登るための「はしご」であるという性質を持っています。バロックのオルガンが音楽の不可視性を可視化するのであれば、\u003cmeta charset=\"utf-8\"\u003eBartoliniの足場は機械を増幅し、その呼吸を拡張し、音楽に変えてしまいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eプラトの現代美術センター、ルイジ・ペッチでの個展のために制作されたオルガンは、これらのシリーズの中で最大のものであり、作家が構想したインスタレーションの中でも最大のものです。\u003cmeta charset=\"utf-8\"\u003eBartoliniは、美術館の天井を貫く構造体から吊り下げられ、床からわずか数センチの高さに吊り下げられた足場チューブの連続する75メートルの壁を作り、展示スペースの10室のうち7室を貫通させます。この複雑な構造のために、\u003cmeta charset=\"utf-8\"\u003eBryarsは特定のポリフォニック・スコアを作曲するよう依頼されました。各部屋にユニークなメロディーを割り当て、豊かなレイヤーのサウンドスケープを作り出し、空間を移動する鑑賞者と共に常に変化していきます。曲の支配的な調性（ラ）を意味するタイトルが示すように、スコアは常に「彼方」、手の届かないところにあり、一人のリスナーがその全体を体験することはなく、実際にはオルガンの形そのものなのです。\"\u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1512453754\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e*In Là“ is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, (the opening was in autumn of 2022 and the exhibition is still running until May this year), Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen’s LP edition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of “In là” by Gavin Bryars directly refers to his experimental and conceptual territory of the early 1970s, prior to the composition of seminal works like “The Sinking of The Titanic” and “Jesus' Blood Never Failed Me Yet”. “In Là” presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in its totality by the listener. This allows the LP documentation of the work to become a singular complement to the live, real-time aural adveture, unveiling phenomena and perceptions of the work’s rich tones and poetic structures that would otherwise be unavailable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Gavin Bryars background in music is well documented (started as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley, later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno to the Obscure Records series), the connections of Massimo Bartolini’s poetic to sound as less known. The early practice of modifying architectural or domestic devices into sound producers, eventually led Massimo Bartolini to create installations made of scaffolding tubes which are modified into the pipes of an organ. Conceived in different forms and in relation to different architectural contexts since 2008, these works clearly relate to Baroque organs, the most visual of musical instruments, and to the use of scaffolding in construction sites. From these references they adopt the quality of being part instrument part architecture, a work of sophisticated engineering, a “ladder” for climbing up to God. If Baroque organs render visible the intangibility of music, though, Bartolini’s scaffolding amplifies a machine, extends its breath, turning it into music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe organ conceived for the solo survey at Centro per l’arte contemporanea Luigi Pecci in Prato is the largest incarnation of these series and altogether the largest installation ever conceived by the artist. Hung from a structure that runs along the museum ceiling and suspended just centimeters above the floor, Bartolini built a continuous 75-meters-long wall of scaffolding tubes which winds through seven of the ten rooms of the exhibition space. For this structure of complex engineering Gavin Bryars was invited to compose a specific polyphonic score. Assigning each room a unique melody, the composition creates a richly layered soundscape that is constantly shifting with the viewer as they move through the space. As the title suggests—alluding to the dominant tonality (La) of the piece—the score is always “beyond,” out of reach, never experienced in its entirety by a single listener as, in fact, the shape of the organ itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEdition of 400 numbered copies, including an insert with liner notes and photo documentation of the installation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1 In Là \u003cem\u003e17:26\u003c\/em\u003e\u003cbr\u003e2 In Là \u003cem\u003e15:48\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gavin Bryars\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イギリスの実験音楽家／作曲家Gavin Bryarsとイタリアの美術家Massimo Bartoliniが、2023年4月にイタリアの実験レーベルAlga Marghenからリリースした共作レコードです。 イタリア・プラトの現代美術センターで行ったインスタレーション用に制作したミニマル・ドローン2曲を収録。 以下、レーベルによる解説です。 "「In Là」は、Gavin BryarsととイタリアのビジュアルアーティストMassimo Bartoliniのコラボレーションによる成果です。イタリア・プラトのルイジ・ペッチ現代美術センターで大規模なインスタレーションとして上演された（オープニングは2022年秋、展覧会は2023年5月まで開催）Bartoliniは、回顧展の中心作品として、足場をパイプオルガンバーに変え、美術館の7つの部屋にわたって天井から吊るしました。アルガ・マーゲンのLP盤の2面を構成するのは、Bryarsが作曲した、この特異なオルガンが奏でる音楽です。Bryarsの "In là "の音楽は、"The Sinking...
¥3,880
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{"id":7895857529082,"title":"Eliane Radigue \/\/ In Memoriam-Ostinato \/ Danse des Dakinis LP","handle":"eliane-radigue-in-memoriam-ostinato-danse-des-dakinis-lp","description":"\u003cp\u003eフランスの大御所ドローン作家Eliane Radigueによるフィードバックワークシリーズ最終章です。 \u003c\/p\u003e\n\u003cp\u003eミニマルドローン2曲を収録。ゲートフォルド仕様です。 \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLP in gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003ealga marghen very proudly presents the last chapter from the feedback works documentation series, a brand new lp including \"in memoriam-ostinato\" and \"danse des dakinis\", two previous unreleased tracks by eliane radigue. among the works of fixed duration from the feedback period, \"in memoriam-ostinato\" is the link between \"jouet electronique\" (alga marghen lp, cat. alga029) and \"opus 17\" (alga marghen 2lp, cat. alga045), and allows us to understand the evolution of her approach. it is a measured gesture, slow, it is music without any major event, an extending state, contemplation. \"in memoriam-ostinato\" is a game of mirroring symbols which glide into a non-measured, bent and elastic, temporality. the ear ventures into it, lets itself go and gets lost. as eliane radigue recalls: \"this piece was commissioned for a happening, mémorial. it was a sort of secular procession to the castle of verderonne, a beautiful place. the pools bordering the edifice were lit, and everyone was dressed or draped in mauve. it terminated in one of the grand salons of the castle where i played \"in memoriam-ostinato\".\" eliane radigue's working method and her aesthetic direction are evident in this work from 1969: her very own unique temporal space of sonic experiences. even though it bears the same name as the third part of \"adnos iii\", \"danse des dakinis\" is a peculiar work in eliane's oeuvre. conceived in a short time, with all kind of tapes from the composer's past work, it fluently shows a kaleidoscopic vision of radigue's sensibility for sound. in 1998 she put together a curious self-portrait in sound. the piece seems to resonate between two mountains. an echo folds time untiringly. we are in the memoir echo-chamber of eliane radigue's spirit, a hall of mirrors that reflects and multiplies her, diffracting her as through a prism. or, more precisely, reflecting her sensibility at different stages of her life. there is a feedback ostinato conceived around 1969 and which refers to \"in memoriam-ostinato\" and \"opus 17\". all through \"danse des dakinis\" we plonge into the sound of a creek recorded at mills college campus that brings us back to the field-recordings from the beginning of the 1960s, made on the coasts of the mediterranean sea. such elements construct \"elemental1\" (alga marghen lp, cat. alga029) as well. there are also some discreet interventions on the arp 2500 synthesizer. it is indeed a peculiar work, which doesn't have the same features of her other compositions, especially at that time of her compositional path. there is an explanation for the composer producing this kind of sound material in 1998, and not limited to the sound waves of the arp synthesizer. invited to a workshop at mills college in 1998, eliane radigue could not load herself down with her bulky instrument on such a trip. so she left with just a few tapes taken from her own collection, drawn from different periods, and composed \"danse des dakinis\" with those old elements. there is tension in this composition, a certain wildness, an unpredictability of elements, those which are recognized as fundamental elements, which give structure to the universe. such versatility will surprise those who know the music of eliane radigue, it is a unique but powerful example of her way of dealing with sound, of exposing herself with it, integrating with it. in this elaine radigue is faithful to the theme suggested by the title: a dakini is a female deity in vajrayana buddhism or a female demon in hinduism. spirits of nature, they are witches, or female demons in india and the himalayas. in tibetan buddhism they can be subjugated earthly deities, wrathful female forms of bodhisattvas or buddhas, or simply historic or legendary figures. the dakinis symbolize a wild and natural state and, according to a buddhistic interpretation, absence of ego or mental obstacles, nature itself revealed.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Éliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-01-16T15:13:04+09:00","created_at":"2023-01-16T14:42:10+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp"],"price":468000,"price_min":468000,"price_max":468000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43897228656890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eliane Radigue \/\/ In Memoriam-Ostinato \/ Danse des Dakinis LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_1eac1c43-20dd-4a10-a870-679f59faff29.jpg?v=1673847731"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_1eac1c43-20dd-4a10-a870-679f59faff29.jpg?v=1673847731","options":["Title"],"media":[{"alt":null,"id":31380843266298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_1eac1c43-20dd-4a10-a870-679f59faff29.jpg?v=1673847731"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_1eac1c43-20dd-4a10-a870-679f59faff29.jpg?v=1673847731","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの大御所ドローン作家Eliane Radigueによるフィードバックワークシリーズ最終章です。 \u003c\/p\u003e\n\u003cp\u003eミニマルドローン2曲を収録。ゲートフォルド仕様です。 \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLP in gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003ealga marghen very proudly presents the last chapter from the feedback works documentation series, a brand new lp including \"in memoriam-ostinato\" and \"danse des dakinis\", two previous unreleased tracks by eliane radigue. among the works of fixed duration from the feedback period, \"in memoriam-ostinato\" is the link between \"jouet electronique\" (alga marghen lp, cat. alga029) and \"opus 17\" (alga marghen 2lp, cat. alga045), and allows us to understand the evolution of her approach. it is a measured gesture, slow, it is music without any major event, an extending state, contemplation. \"in memoriam-ostinato\" is a game of mirroring symbols which glide into a non-measured, bent and elastic, temporality. the ear ventures into it, lets itself go and gets lost. as eliane radigue recalls: \"this piece was commissioned for a happening, mémorial. it was a sort of secular procession to the castle of verderonne, a beautiful place. the pools bordering the edifice were lit, and everyone was dressed or draped in mauve. it terminated in one of the grand salons of the castle where i played \"in memoriam-ostinato\".\" eliane radigue's working method and her aesthetic direction are evident in this work from 1969: her very own unique temporal space of sonic experiences. even though it bears the same name as the third part of \"adnos iii\", \"danse des dakinis\" is a peculiar work in eliane's oeuvre. conceived in a short time, with all kind of tapes from the composer's past work, it fluently shows a kaleidoscopic vision of radigue's sensibility for sound. in 1998 she put together a curious self-portrait in sound. the piece seems to resonate between two mountains. an echo folds time untiringly. we are in the memoir echo-chamber of eliane radigue's spirit, a hall of mirrors that reflects and multiplies her, diffracting her as through a prism. or, more precisely, reflecting her sensibility at different stages of her life. there is a feedback ostinato conceived around 1969 and which refers to \"in memoriam-ostinato\" and \"opus 17\". all through \"danse des dakinis\" we plonge into the sound of a creek recorded at mills college campus that brings us back to the field-recordings from the beginning of the 1960s, made on the coasts of the mediterranean sea. such elements construct \"elemental1\" (alga marghen lp, cat. alga029) as well. there are also some discreet interventions on the arp 2500 synthesizer. it is indeed a peculiar work, which doesn't have the same features of her other compositions, especially at that time of her compositional path. there is an explanation for the composer producing this kind of sound material in 1998, and not limited to the sound waves of the arp synthesizer. invited to a workshop at mills college in 1998, eliane radigue could not load herself down with her bulky instrument on such a trip. so she left with just a few tapes taken from her own collection, drawn from different periods, and composed \"danse des dakinis\" with those old elements. there is tension in this composition, a certain wildness, an unpredictability of elements, those which are recognized as fundamental elements, which give structure to the universe. such versatility will surprise those who know the music of eliane radigue, it is a unique but powerful example of her way of dealing with sound, of exposing herself with it, integrating with it. in this elaine radigue is faithful to the theme suggested by the title: a dakini is a female deity in vajrayana buddhism or a female demon in hinduism. spirits of nature, they are witches, or female demons in india and the himalayas. in tibetan buddhism they can be subjugated earthly deities, wrathful female forms of bodhisattvas or buddhas, or simply historic or legendary figures. the dakinis symbolize a wild and natural state and, according to a buddhistic interpretation, absence of ego or mental obstacles, nature itself revealed.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Éliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、ナムジュンパイクともコラボレーションを展開している彫刻家Takisの未発表音源です。 アートワークのような磁石で動く物体を用いた物音ドローン作品です。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
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{"id":7622997639418,"title":"Walter Marchetti \/\/ In Terram Utopicam LP","handle":"walter-marchetti-in-terram-utopicam-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1973-1975年作品です。\u003c\/p\u003e\n\u003cp\u003e手製楽器を用いたコラージュやピアノと小石によるコンテンポラリーなど3曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LJ7xDaJfLZo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_7g2BIfqPVA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePreviously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes the same materials as the original 1978 Cramps LP titled In Terram Utopicam, or 'J'aimerais Jouer Avec Un Piano Qui Aurait Une Grosse Queue' (1974\/75), 'Adversus' (Home-made electric music) (1966) and 'Osmanthus Fragrans' (Home-made electric music) (1973). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the original scores of 'J'aimerais Jouer' and 'Adversus', photos of the performance at the Venice Biennale. The full color inner sleeve reproduces photos of various Marchetti performances as well as the original In Terram Utopicam LP layout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:24:16+09:00","created_at":"2022-06-01T15:02:03+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":339000,"price_min":339000,"price_max":339000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812354527482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Walter Marchetti \/\/ In Terram Utopicam LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te2_bc427922-edae-45a6-8b78-de24344063e8.jpg?v=1654063324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_bc427922-edae-45a6-8b78-de24344063e8.jpg?v=1654063324","options":["Title"],"media":[{"alt":null,"id":29787799257338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_bc427922-edae-45a6-8b78-de24344063e8.jpg?v=1654063324"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_bc427922-edae-45a6-8b78-de24344063e8.jpg?v=1654063324","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1973-1975年作品です。\u003c\/p\u003e\n\u003cp\u003e手製楽器を用いたコラージュやピアノと小石によるコンテンポラリーなど3曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LJ7xDaJfLZo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_7g2BIfqPVA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePreviously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes the same materials as the original 1978 Cramps LP titled In Terram Utopicam, or 'J'aimerais Jouer Avec Un Piano Qui Aurait Une Grosse Queue' (1974\/75), 'Adversus' (Home-made electric music) (1966) and 'Osmanthus Fragrans' (Home-made electric music) (1973). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the original scores of 'J'aimerais Jouer' and 'Adversus', photos of the performance at the Venice Biennale. The full color inner sleeve reproduces photos of various Marchetti performances as well as the original In Terram Utopicam LP layout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Jean-Louis Braunの1973-1975年作品です。 手製楽器を用いたコラージュやピアノと小石によるコンテンポラリーなど3曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
¥3,390
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{"id":7622978994426,"title":"Walter Marchetti \/\/ La Caccia (Da Arpocrate Seduto Sul Loto) LP","handle":"walter-marchetti-la-caccia-da-arpocrate-seduto-sul-loto-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1965年作品です。\u003c\/p\u003e\n\u003cp\u003e擬似フィールドレコーディング2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0fc1hW_1P4k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePreviously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP). \u003cbr\u003eIncludes the same materials as the original 1974 Cramps LP titled La Caccia (1965). The LP sleeve reproduces the original scores, photos of both the 1965 ZAJ performances and of Marchetti recording La Caccia. \u003cbr\u003eThe full-color inner sleeve reproduces the original La Caccia LP layout.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-01T15:17:10+09:00","created_at":"2022-06-01T14:47:56+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":339000,"price_min":339000,"price_max":339000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812315271418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Walter Marchetti \/\/ La Caccia (Da Arpocrate Seduto Sul Loto) LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cac1.jpg?v=1654062478"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cac1.jpg?v=1654062478","options":["Title"],"media":[{"alt":null,"id":29787703574778,"position":1,"preview_image":{"aspect_ratio":0.939,"height":213,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cac1.jpg?v=1654062478"},"aspect_ratio":0.939,"height":213,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cac1.jpg?v=1654062478","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1965年作品です。\u003c\/p\u003e\n\u003cp\u003e擬似フィールドレコーディング2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0fc1hW_1P4k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePreviously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP). \u003cbr\u003eIncludes the same materials as the original 1974 Cramps LP titled La Caccia (1965). The LP sleeve reproduces the original scores, photos of both the 1965 ZAJ performances and of Marchetti recording La Caccia. \u003cbr\u003eThe full-color inner sleeve reproduces the original La Caccia LP layout.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Jean-Louis Braunの1965年作品です。 擬似フィールドレコーディング2曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
¥3,390
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{"id":8393683992826,"title":"Various Artists (Alga Marghen) \/\/ Avant Marghen Vol. 5 7xLP BOX","handle":"various-artists-avant-marghen-vol-5-7xlp-box","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghenが、2024年3月に80部限定でリリースした7枚組レコードBOXです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e収録作品は以下の通りです。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY?si=lGNg5NOmPcvnI1Kl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-T_gp0--WpY?si=DyU-X2fL22bs43gd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2BlF0GL9DtM?si=gTy7NogumR8F5SSX\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e7 x 12\" black vinyl in hand-numbered box. 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style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMarche Des Grands Barbares Blancs (1958)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:06\u003cbr\u003eC6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSalut À Vélémir Khlebnikov (1963)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:54\u003cbr\u003eC7\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eValse Japonaise (1953)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:59\u003cbr\u003eC8\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Équipée Sauvage (1953)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:48\u003cbr\u003eC9\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eImprovisation (1961)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:53\u003cbr\u003eC10\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eRoxana (1953)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:02\u003cbr\u003eD1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Arrivée Des Lettristes À Bruxelles (1968)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:30\u003cbr\u003eD2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLe Départ Des Lettristes À Bruxelles (1968)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003eD3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Alcôve (1963) Concerto Pour Une Voix De Femme Et Des Choeurs D'Hommes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:59\u003cbr\u003eD4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Ascension Du Phénix MB (1967)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:31\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Poet’s Tongue\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eE1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHamlet, For Two Voices\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:36\u003cbr\u003eE2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAritmetica\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:19\u003cbr\u003eF1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThree Spanish Pieces\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:21\u003cbr\u003eF2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:57\u003cbr\u003eF3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFirst Spanish Lesson\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:13\u003cbr\u003eF4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e45 Revoluciones Por Minuto\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:59\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11 Heldengesänge Und 3 Gedichte\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eG1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eProlog\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:37\u003cbr\u003eG2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTember Gordas\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:00\u003cbr\u003eG3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFonka Gersu\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:27\u003cbr\u003eG4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eArgons Tod Am Léman\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:21\u003cbr\u003eG5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSignal\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:03\u003cbr\u003eG6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAlwarts Neigungen\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:44\u003cbr\u003eH1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eNaskan\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:43\u003cbr\u003eH2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTagorli Froil\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:40\u003cbr\u003eH3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBalgus Ambambalgus\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:35\u003cbr\u003eH4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eZichtels Wunsch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:33\u003cbr\u003eH5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGankwast\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:14\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDe Mudge\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e(1:43)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eH6.1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrei Gedichte \/ Eins\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:13\u003cbr\u003eH6.2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrei Gedichte \/ Zwei\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:05\u003cbr\u003eH6.3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrei Gedichte \/ Drei\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:02\u003cbr\u003eH6.4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFinale\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:39\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWolman Et Son Double\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGil J Wolman–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePart I\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:34\u003cbr\u003eJ\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGil J Woman–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePart II\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:26\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePornéia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eK1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Três Cus Submeros Em Memoria De Joseph Pujol\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:48\u003cbr\u003ek2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Monologo Interior\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:51\u003cbr\u003eK3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Improviso De Violino Em Ré Menor E Feijoada Completa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:19\u003cbr\u003eK4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFilosofia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:08\u003cbr\u003eK5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFabula\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:31\u003cbr\u003eK6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEncontro\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:15\u003cbr\u003eK7\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohnson \u0026amp; Johnson\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:15\u003cbr\u003eK8\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBola De Cristal\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:42\u003cbr\u003eK9\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSometo\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:09\u003cbr\u003eK10\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMeta\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:22\u003cbr\u003eK11\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eNossa Senhora Da Sacanegem\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:16\u003cbr\u003eK12\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eO Urubu\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:42\u003cbr\u003eK13\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eOsma Pessa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:49\u003cbr\u003eK14\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBatom Marrom\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:13\u003cbr\u003eK15\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePikante\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:19\u003cbr\u003eK16\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAntropornofagia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:31\u003cbr\u003eK17\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eCabeça Feita\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:48\u003cbr\u003eK18\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eManifesto Pornô\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:01\u003cbr\u003eK19\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSem Titulo (Cu Cura Cuca Cara)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:38\u003cbr\u003eK20\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Acompanhar A Viuva Alegre\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:05\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eTLALAATALA\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eM\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJosé Luis Castillejo–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTLALAATALA\u003cbr\u003eN\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJosé Luis Castillejo–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTLALAATALA\u003c\/p\u003e\n\u003cp\u003e++++++\u003c\/p\u003e\n\u003cp\u003eText via Discogs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLP 1) Jean-Louis Brau \"Instrumentations verbales\" LP. First 80 copies from the original pressing of 350 copies issued in 2010. Jean-Louis Brau (1930-1985) approached everything in an explosive way, sometimes achieving some major results, like his sound poetry, as demonstrated by “Turn back nightingale” (1972), in which he makes references to François Dufrêne, on a background of disarticulated drums and pre-punk saturations. Also included on this one-sided LP are “Elégie Elémentaire” and “Ataloche Roche”, both recorded in 1961 during Isidore Isou's conference at the Musée d’Art Moderne in Paris, as well as “Instrumentation Verbale” and “Cantate pour l’interdiction de Mandrake”, both recorded in 1963 and first published in “Poésie Physique”, book w\/ 3 singles (Brau, Dufrêne, Wolman), privately issued by Wolman for Achèle, in 1965.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP2) Maurice Lemaitre \"Poemes et musiques lettristes et hyperphonie\" LP. First 80 copies from the long sold-out original pressing of 350 copies issued in 2014. An exceptionally wild sonic art and poetry document, Maurice Lemaitre \"Poemes et musiques lettristes et hyperphonie\" was recorded between 1952 and 1968. Neither Isou, nor Pomerand, Dufrene, Wolman, or Spacagna achieved what Lemaitre did. Lemaitre dares the unthinkable: neo-yeye rhythmic muzak destroyed by \"lettries\" disseminated with the biggest care. One more treasure: the very \"pop music\" oriented Lemaitre with his \"I wanna go home mister\" blues, here in a version with a borderline insane companion: Isidore Isou. Also included on this LP is a previously unreleased torrid \"concerto\" titled \"L'alcove\" for a lettrist male chorus and female solo orgasms, followed by \"L'ascension du Phenix M.B.\", a sound collage from 1967… No need of Yoko Ono's loops for another \"Revolution 9\", one year before Lemaitre cuts the tape with a scalpel, leaving the cuts exposed: home revolution in between two manifestos and three hypergraphic paintings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP3) Ulises Carrion \"The Poet’s Tongue\" LP. First 80 copies from the immediately sold-out original pressing of 270 copies issued in 2012. Ulises Carrión's audio works clearly reflect his passion for language, its structures, sounds and meanings. His many initiatives and projects bear witness to his boundless obsessions with communication and circulation of works and ideas as a cultural strategy. All pieces from this LP, recorded at the Instituut voor Sonologie in Utrecht between September and October 1977, have in common their refusal of discursiveness. They are not meant to be true or beautiful. Each piece is a series of vocal units that unfolds according to simple rules. Their beginning and end are arbitrary – they could go on infinitely. They should go on. They go on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP4) Anton Bruhin “11 Heldengesänge und 3 Gedichte” LP with 4-page insert. First 80 copies from the original pressing of 350 copies issued in 2014. “11 Heldengesänge und 3 Gedichte” is a sound poem which takes us into a medieval world of minstrels and errant knights, a phantasmagoria in text and sound. It is also a modern document of the not-yet-existing electronic Sampling Art in the 1970s. Like an anthropologist Anton Bruhin presents this fictional culture inventing its language and music as well as drawing its objects: a hat, a cup, an arm, a flag, a wurst… everyday-life artifacts from an ancient time catalogued with scientific precision. In \"11 Heldengesänge und 3 Gedichte\", a masterpiece by Anton Bruhin, all is artificial and nothing is real, exactly like in our contemporary world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP5) Gil J Wolman “Wolman et son double” LP. First 80 copies from the original pressing of 385 copies issued in 2015. Antonin Artaud had a major impact on the future sound poets of the \"poésie physique,\" François Dufrene, Jean-Louis Brau and Gil J Wolman. The \"mégapneumie\" (poems of breath and sound) of Gil J Wolman appeared as soon as 1950 and eventually developed into an improvisation for breath and organic sounds originating from the throat and the whole body. The work seems to be designed to disturb the human aspect of speech. “Wolman et son double”, a previously unreleased recording probably from the late '70s, is Wolman's most theatrical -- as well as musical and lyrical -- piece. This is due to its experimental recording techniques; Wolman records a series of improvisations on a 30-minute track, then mixes them with a new series of mégapneumes and using manipulations with echo and Larsen effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP6) Eduardo Kac \u0026amp; Porn Art Movement \"Pornéia\" LP, also including an LP-size 40-page full-color book. First 80 copies from the instantly sold-out original pressing of 270 copies issued in 2016. These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of Eduardo Kac yell-poems. Kac fused existing coarse and curse words with parts of words, neologisms, salacious buffoonery, the antinormative scribblings of toilet-wall graffiti, commonplaces, blasphemy, expletives, agrammatisms, incorrect orthography, slangy expressions, lexical exorbitance, general obscenities, the gross and the grotesque, into a new whole. The LP also includes the Manifesto Pornô (1980) and four recordings of Flatographic Poems from 1982, in which Kac uses the flatus as a compositional unit and the mellifluous flatal flow as material. This anal poetry was the only series of works produced in the Movement to literally explore the internal side of the body.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP7) Jose Luis Castillejo “TLALAATALA” LP, limited to 80 copies featuring a dark-grey sleeve, only available with this boxset edition. A killer reading of Jose Luis Castillejo TLALAATALA book by Fernando Millan, recorded in Madrid in 2001. Writing, perhaps the art more subdued to avidity and ambition, an instrument of subjection since it was invented by priests and legislators, has been the last of the arts to seek for its liberation. Writing itself created the worst of our servitudes that still rules and dominates the world: literality. Because without literality any servitude to being of metaphorical and reflexive freedom would be impossible. As proved by TLALAATALA the liberation of writing must go through the elaboration of vacuous structures that should be perceived without being captured, without being fixed through numbers and signs. It goes through a writing where you can no longer state that “the written, written is”, since it establishes an imaginary and metaphorical reflection of the vacuity and of the mutual relation of processes and phenomena.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-VA alga0.5\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-30T15:13:00+09:00","created_at":"2024-04-28T18:35:02+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","monooto","new"],"price":2167600,"price_min":2167600,"price_max":2167600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45807853437178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Alga Marghen) \/\/ Avant Marghen Vol. 5 7xLP BOX","public_title":null,"options":["Default Title"],"price":2167600,"weight":2800,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/av1.jpg?v=1714296904","\/\/tobirarecords.com\/cdn\/shop\/files\/av.jpg?v=1714296905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/av1.jpg?v=1714296904","options":["Title"],"media":[{"alt":null,"id":33881511690490,"position":1,"preview_image":{"aspect_ratio":1.012,"height":593,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/av1.jpg?v=1714296904"},"aspect_ratio":1.012,"height":593,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/av1.jpg?v=1714296904","width":600},{"alt":null,"id":33881511723258,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/av.jpg?v=1714296905"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/av.jpg?v=1714296905","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghenが、2024年3月に80部限定でリリースした7枚組レコードBOXです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e収録作品は以下の通りです。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY?si=lGNg5NOmPcvnI1Kl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-T_gp0--WpY?si=DyU-X2fL22bs43gd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2BlF0GL9DtM?si=gTy7NogumR8F5SSX\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e7 x 12\" black vinyl in hand-numbered box. Edition of 80. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis luxury black boxset edition actually includes the fifth group of 7 LPs previously issued for the VocSon series. Each individual LP record includes a numbered Avant Marghen inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7 x LP Tracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInstrumentations Verbales\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJean-Louis Brau–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eElégie Elémentaire\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:22\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJean-Louis Brau–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAtaloche Roche\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:44\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJean-Louis Brau–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eInstrumentation Verbale\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:48\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJean-Louis Brau–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eCantate Pour L'Interdiction De Mandrake\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:36\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJean-Louis Brau–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTurn Back Nightingale\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:30\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePoemes Et Musiques Lettristes Et Hyperphonie\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eC1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eQuatre Lettries Sur Des Thèmes Rock (1962)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:23\u003cbr\u003eC2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLettre Rock (1957)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:02\u003cbr\u003eC3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEpître À Tristan Tzara (1959)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:28\u003cbr\u003eC4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eI Wanna Go Home Mister (1952)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:03\u003cbr\u003eC5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMarche Des Grands Barbares Blancs (1958)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:06\u003cbr\u003eC6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSalut À Vélémir Khlebnikov (1963)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:54\u003cbr\u003eC7\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eValse Japonaise (1953)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:59\u003cbr\u003eC8\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Équipée Sauvage (1953)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:48\u003cbr\u003eC9\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eImprovisation (1961)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:53\u003cbr\u003eC10\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eRoxana (1953)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:02\u003cbr\u003eD1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Arrivée Des Lettristes À Bruxelles (1968)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:30\u003cbr\u003eD2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLe Départ Des Lettristes À Bruxelles (1968)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003eD3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Alcôve (1963) Concerto Pour Une Voix De Femme Et Des Choeurs D'Hommes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:59\u003cbr\u003eD4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMaurice Lemaître–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eL'Ascension Du Phénix MB (1967)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:31\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Poet’s Tongue\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eE1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHamlet, For Two Voices\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:36\u003cbr\u003eE2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAritmetica\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:19\u003cbr\u003eF1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThree Spanish Pieces\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:21\u003cbr\u003eF2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:57\u003cbr\u003eF3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFirst Spanish Lesson\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:13\u003cbr\u003eF4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eUlises Carrión–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e45 Revoluciones Por Minuto\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:59\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11 Heldengesänge Und 3 Gedichte\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eG1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eProlog\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:37\u003cbr\u003eG2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTember Gordas\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:00\u003cbr\u003eG3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFonka Gersu\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:27\u003cbr\u003eG4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eArgons Tod Am Léman\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:21\u003cbr\u003eG5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSignal\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:03\u003cbr\u003eG6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAlwarts Neigungen\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:44\u003cbr\u003eH1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eNaskan\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:43\u003cbr\u003eH2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTagorli Froil\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:40\u003cbr\u003eH3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBalgus Ambambalgus\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:35\u003cbr\u003eH4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eZichtels Wunsch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:33\u003cbr\u003eH5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGankwast\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:14\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDe Mudge\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e(1:43)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eH6.1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrei Gedichte \/ Eins\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:13\u003cbr\u003eH6.2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrei Gedichte \/ Zwei\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:05\u003cbr\u003eH6.3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrei Gedichte \/ Drei\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:02\u003cbr\u003eH6.4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAnton Bruhin–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFinale\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:39\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWolman Et Son Double\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGil J Wolman–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePart I\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:34\u003cbr\u003eJ\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGil J Woman–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePart II\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:26\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePornéia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eK1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Três Cus Submeros Em Memoria De Joseph Pujol\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:48\u003cbr\u003ek2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Monologo Interior\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:51\u003cbr\u003eK3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Improviso De Violino Em Ré Menor E Feijoada Completa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:19\u003cbr\u003eK4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFilosofia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:08\u003cbr\u003eK5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eFabula\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:31\u003cbr\u003eK6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEncontro\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:15\u003cbr\u003eK7\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohnson \u0026amp; Johnson\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:15\u003cbr\u003eK8\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBola De Cristal\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:42\u003cbr\u003eK9\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSometo\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:09\u003cbr\u003eK10\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMeta\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:22\u003cbr\u003eK11\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eNossa Senhora Da Sacanegem\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:16\u003cbr\u003eK12\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eO Urubu\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:42\u003cbr\u003eK13\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eOsma Pessa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:49\u003cbr\u003eK14\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBatom Marrom\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:13\u003cbr\u003eK15\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePikante\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:19\u003cbr\u003eK16\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAntropornofagia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:31\u003cbr\u003eK17\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eCabeça Feita\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e0:48\u003cbr\u003eK18\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eManifesto Pornô\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:01\u003cbr\u003eK19\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSem Titulo (Cu Cura Cuca Cara)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:38\u003cbr\u003eK20\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEduardo Kac–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePoema Flatografico Para Acompanhar A Viuva Alegre\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:05\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eTLALAATALA\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eM\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJosé Luis Castillejo–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTLALAATALA\u003cbr\u003eN\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJosé Luis Castillejo–\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTLALAATALA\u003c\/p\u003e\n\u003cp\u003e++++++\u003c\/p\u003e\n\u003cp\u003eText via Discogs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLP 1) Jean-Louis Brau \"Instrumentations verbales\" LP. First 80 copies from the original pressing of 350 copies issued in 2010. Jean-Louis Brau (1930-1985) approached everything in an explosive way, sometimes achieving some major results, like his sound poetry, as demonstrated by “Turn back nightingale” (1972), in which he makes references to François Dufrêne, on a background of disarticulated drums and pre-punk saturations. Also included on this one-sided LP are “Elégie Elémentaire” and “Ataloche Roche”, both recorded in 1961 during Isidore Isou's conference at the Musée d’Art Moderne in Paris, as well as “Instrumentation Verbale” and “Cantate pour l’interdiction de Mandrake”, both recorded in 1963 and first published in “Poésie Physique”, book w\/ 3 singles (Brau, Dufrêne, Wolman), privately issued by Wolman for Achèle, in 1965.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP2) Maurice Lemaitre \"Poemes et musiques lettristes et hyperphonie\" LP. First 80 copies from the long sold-out original pressing of 350 copies issued in 2014. An exceptionally wild sonic art and poetry document, Maurice Lemaitre \"Poemes et musiques lettristes et hyperphonie\" was recorded between 1952 and 1968. Neither Isou, nor Pomerand, Dufrene, Wolman, or Spacagna achieved what Lemaitre did. Lemaitre dares the unthinkable: neo-yeye rhythmic muzak destroyed by \"lettries\" disseminated with the biggest care. One more treasure: the very \"pop music\" oriented Lemaitre with his \"I wanna go home mister\" blues, here in a version with a borderline insane companion: Isidore Isou. Also included on this LP is a previously unreleased torrid \"concerto\" titled \"L'alcove\" for a lettrist male chorus and female solo orgasms, followed by \"L'ascension du Phenix M.B.\", a sound collage from 1967… No need of Yoko Ono's loops for another \"Revolution 9\", one year before Lemaitre cuts the tape with a scalpel, leaving the cuts exposed: home revolution in between two manifestos and three hypergraphic paintings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP3) Ulises Carrion \"The Poet’s Tongue\" LP. First 80 copies from the immediately sold-out original pressing of 270 copies issued in 2012. Ulises Carrión's audio works clearly reflect his passion for language, its structures, sounds and meanings. His many initiatives and projects bear witness to his boundless obsessions with communication and circulation of works and ideas as a cultural strategy. All pieces from this LP, recorded at the Instituut voor Sonologie in Utrecht between September and October 1977, have in common their refusal of discursiveness. They are not meant to be true or beautiful. Each piece is a series of vocal units that unfolds according to simple rules. Their beginning and end are arbitrary – they could go on infinitely. They should go on. They go on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP4) Anton Bruhin “11 Heldengesänge und 3 Gedichte” LP with 4-page insert. First 80 copies from the original pressing of 350 copies issued in 2014. “11 Heldengesänge und 3 Gedichte” is a sound poem which takes us into a medieval world of minstrels and errant knights, a phantasmagoria in text and sound. It is also a modern document of the not-yet-existing electronic Sampling Art in the 1970s. Like an anthropologist Anton Bruhin presents this fictional culture inventing its language and music as well as drawing its objects: a hat, a cup, an arm, a flag, a wurst… everyday-life artifacts from an ancient time catalogued with scientific precision. In \"11 Heldengesänge und 3 Gedichte\", a masterpiece by Anton Bruhin, all is artificial and nothing is real, exactly like in our contemporary world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP5) Gil J Wolman “Wolman et son double” LP. First 80 copies from the original pressing of 385 copies issued in 2015. Antonin Artaud had a major impact on the future sound poets of the \"poésie physique,\" François Dufrene, Jean-Louis Brau and Gil J Wolman. The \"mégapneumie\" (poems of breath and sound) of Gil J Wolman appeared as soon as 1950 and eventually developed into an improvisation for breath and organic sounds originating from the throat and the whole body. The work seems to be designed to disturb the human aspect of speech. “Wolman et son double”, a previously unreleased recording probably from the late '70s, is Wolman's most theatrical -- as well as musical and lyrical -- piece. This is due to its experimental recording techniques; Wolman records a series of improvisations on a 30-minute track, then mixes them with a new series of mégapneumes and using manipulations with echo and Larsen effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP6) Eduardo Kac \u0026amp; Porn Art Movement \"Pornéia\" LP, also including an LP-size 40-page full-color book. First 80 copies from the instantly sold-out original pressing of 270 copies issued in 2016. These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of Eduardo Kac yell-poems. Kac fused existing coarse and curse words with parts of words, neologisms, salacious buffoonery, the antinormative scribblings of toilet-wall graffiti, commonplaces, blasphemy, expletives, agrammatisms, incorrect orthography, slangy expressions, lexical exorbitance, general obscenities, the gross and the grotesque, into a new whole. The LP also includes the Manifesto Pornô (1980) and four recordings of Flatographic Poems from 1982, in which Kac uses the flatus as a compositional unit and the mellifluous flatal flow as material. This anal poetry was the only series of works produced in the Movement to literally explore the internal side of the body.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLP7) Jose Luis Castillejo “TLALAATALA” LP, limited to 80 copies featuring a dark-grey sleeve, only available with this boxset edition. A killer reading of Jose Luis Castillejo TLALAATALA book by Fernando Millan, recorded in Madrid in 2001. Writing, perhaps the art more subdued to avidity and ambition, an instrument of subjection since it was invented by priests and legislators, has been the last of the arts to seek for its liberation. Writing itself created the worst of our servitudes that still rules and dominates the world: literality. Because without literality any servitude to being of metaphorical and reflexive freedom would be impossible. As proved by TLALAATALA the liberation of writing must go through the elaboration of vacuous structures that should be perceived without being captured, without being fixed through numbers and signs. It goes through a writing where you can no longer state that “the written, written is”, since it establishes an imaginary and metaphorical reflection of the vacuity and of the mutual relation of processes and phenomena.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-VA alga0.5\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghenが、2024年3月に80部限定でリリースした7枚組レコードBOXです。 収録作品は以下の通りです。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":8225037943034,"title":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","handle":"walter-marchetti-per-la-sete-dellorecchio-lp-1","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-03-15T12:28:26+09:00","created_at":"2024-03-15T12:28:04+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto","new"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45347830333690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692_09e1cb78-ed71-419e-a1d3-42ce3f15ca03.jpg?v=1710473286"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692_09e1cb78-ed71-419e-a1d3-42ce3f15ca03.jpg?v=1710473286","options":["Title"],"media":[{"alt":null,"id":33384821063930,"position":1,"preview_image":{"aspect_ratio":0.927,"height":2336,"width":2165,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692_09e1cb78-ed71-419e-a1d3-42ce3f15ca03.jpg?v=1710473286"},"aspect_ratio":0.927,"height":2336,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692_09e1cb78-ed71-419e-a1d3-42ce3f15ca03.jpg?v=1710473286","width":2165}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。 様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":8225032044794,"title":"Bellows \/\/ Handcut LP","handle":"bellows-handcut-lp","description":"\u003cp\u003eイタリア実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国実験レーベルSenufo Editions主宰Giuseppe Ielashiと同国物音作家Nicola Rattiによる物音テクノデュオBellowsが、2011年にリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系の物音テクノ13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4289947197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1353703807\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003cbr\u003e\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebellows is the duo of giuseppe ielasi and nicola ratti and ‘handcut’ is their second project. originally released on lp on alga marghen \/ planam, this cd reissue is expanded with 23 minutes of unreleased material recorded one year after the first sessions. for ‘handcut’, bellows used a simple technique of cutting \/ destroying and amplifying vinyl records with contact microphones, creating new grooves and physical loops while capturing the sounds on a revox tape machine with long tapeloops. no further processing or transformations were applied apart for a couple of effect pedals and sine waves. a sort of atmospheric and modern electronic music recorded at the beginning of the twentieth century on 78rpm shellac records.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bellows\u003c\/p\u003e\n\u003cp\u003elabel : Alga Marghen\u003c\/p\u003e","published_at":"2024-03-15T12:23:57+09:00","created_at":"2024-03-15T12:22:49+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","monooto","new","techno \/ house"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45347815719162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bellows \/\/ Handcut LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1026901757_16_2ffe1104-623a-4a40-8215-590983ca6bf1.jpg?v=1710472971"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1026901757_16_2ffe1104-623a-4a40-8215-590983ca6bf1.jpg?v=1710472971","options":["Title"],"media":[{"alt":null,"id":33384785248506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1026901757_16_2ffe1104-623a-4a40-8215-590983ca6bf1.jpg?v=1710472971"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1026901757_16_2ffe1104-623a-4a40-8215-590983ca6bf1.jpg?v=1710472971","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国実験レーベルSenufo Editions主宰Giuseppe Ielashiと同国物音作家Nicola Rattiによる物音テクノデュオBellowsが、2011年にリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系の物音テクノ13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4289947197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1353703807\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003cbr\u003e\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebellows is the duo of giuseppe ielasi and nicola ratti and ‘handcut’ is their second project. originally released on lp on alga marghen \/ planam, this cd reissue is expanded with 23 minutes of unreleased material recorded one year after the first sessions. for ‘handcut’, bellows used a simple technique of cutting \/ destroying and amplifying vinyl records with contact microphones, creating new grooves and physical loops while capturing the sounds on a revox tape machine with long tapeloops. no further processing or transformations were applied apart for a couple of effect pedals and sine waves. a sort of atmospheric and modern electronic music recorded at the beginning of the twentieth century on 78rpm shellac records.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bellows\u003c\/p\u003e\n\u003cp\u003elabel : Alga Marghen\u003c\/p\u003e"}
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{"id":8053544681722,"title":"Eliane Radigue \/\/ Opus 17 2xLP","handle":"eliane-radigue-opus-17-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所ドローン作家Eliane Radigueが、1970年に制作した5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UKY87AGoY88?si=ooWc72-_gsulA9F4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Etude 19:05\u003cbr\u003eB1 Maquette 11:16\u003cbr\u003eB2 Epure 15:19\u003cbr\u003eC Safari 21:54\u003cbr\u003eD Number 17 22:32\u003c\/p\u003e\n\u003cp\u003eArtist : Eliane Radigue \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-11-02T07:45:16+09:00","created_at":"2023-10-28T14:16:41+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","lp","new"],"price":547000,"price_min":547000,"price_max":547000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696366186746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eliane Radigue \/\/ Opus 17 2xLP","public_title":null,"options":["Default Title"],"price":547000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_ab13ea57-4941-4e67-98fa-cee9361790e8.jpg?v=1698470203","\/\/tobirarecords.com\/cdn\/shop\/files\/op2_e68b1ec8-06af-411a-98eb-c4e74591533f.jpg?v=1698470203","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_adcc98a6-f398-4feb-af1d-6e6aa05d6638.jpg?v=1698470204"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_ab13ea57-4941-4e67-98fa-cee9361790e8.jpg?v=1698470203","options":["Title"],"media":[{"alt":null,"id":32613882429690,"position":1,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_ab13ea57-4941-4e67-98fa-cee9361790e8.jpg?v=1698470203"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_ab13ea57-4941-4e67-98fa-cee9361790e8.jpg?v=1698470203","width":600},{"alt":null,"id":32613882462458,"position":2,"preview_image":{"aspect_ratio":0.962,"height":599,"width":576,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_e68b1ec8-06af-411a-98eb-c4e74591533f.jpg?v=1698470203"},"aspect_ratio":0.962,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_e68b1ec8-06af-411a-98eb-c4e74591533f.jpg?v=1698470203","width":576},{"alt":null,"id":32613882495226,"position":3,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_adcc98a6-f398-4feb-af1d-6e6aa05d6638.jpg?v=1698470204"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_adcc98a6-f398-4feb-af1d-6e6aa05d6638.jpg?v=1698470204","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所ドローン作家Eliane Radigueが、1970年に制作した5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UKY87AGoY88?si=ooWc72-_gsulA9F4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Etude 19:05\u003cbr\u003eB1 Maquette 11:16\u003cbr\u003eB2 Epure 15:19\u003cbr\u003eC Safari 21:54\u003cbr\u003eD Number 17 22:32\u003c\/p\u003e\n\u003cp\u003eArtist : Eliane Radigue \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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{"id":7974890963194,"title":"Damião Experiença \/\/ Planeta Lamma LP","handle":"damiao-experienca-planeta-lamma-lp","description":"\u003cp\u003eブラジルのアウトサイダー・シンガーソングライターDamião Experiença (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1935-2016)が、2022年にAlga Margenからリリースした再発コンピ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e魂を揺さぶるアウトサイダー・フォーク5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5種のアートワークをランダムでお送りします\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xqKLDHSSqac?si=7RYlrA8AyiYUtmIx\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SSYvMuKP0ek?si=nKlG8KHhZ052aJ_i\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 1308 Registrou Gravou Rose Oliria Experiença 1:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Ritmo Linguagem Planeta Lamma 18:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Planeta Lamma 1:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Sol 19:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Pé 2:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damião Experiença\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T08:53:32+09:00","created_at":"2023-05-12T15:13:08+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","field recording","folk \/ left-field pop","lp","recommended"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230601474298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Damião Experiença \/\/ Planeta Lamma LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2186.jpg?v=1690779167","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2.png?v=1684043351"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167","options":["Title"],"media":[{"alt":null,"id":31959484956922,"position":1,"preview_image":{"aspect_ratio":1.074,"height":515,"width":553,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167"},"aspect_ratio":1.074,"height":515,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167","width":553},{"alt":null,"id":31969630028026,"position":2,"preview_image":{"aspect_ratio":0.969,"height":2615,"width":2533,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2186.jpg?v=1690779167"},"aspect_ratio":0.969,"height":2615,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2186.jpg?v=1690779167","width":2533},{"alt":null,"id":31959484989690,"position":3,"preview_image":{"aspect_ratio":1.08,"height":512,"width":553,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2.png?v=1684043351"},"aspect_ratio":1.08,"height":512,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2.png?v=1684043351","width":553}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eブラジルのアウトサイダー・シンガーソングライターDamião Experiença (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1935-2016)が、2022年にAlga Margenからリリースした再発コンピ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e魂を揺さぶるアウトサイダー・フォーク5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5種のアートワークをランダムでお送りします\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xqKLDHSSqac?si=7RYlrA8AyiYUtmIx\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SSYvMuKP0ek?si=nKlG8KHhZ052aJ_i\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 1308 Registrou Gravou Rose Oliria Experiença 1:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Ritmo Linguagem Planeta Lamma 18:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Planeta Lamma 1:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Sol 19:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Pé 2:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damião Experiença\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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ブラジルのアウトサイダー・シンガーソングライターDamião Experiença (1935-2016)が、2022年にAlga Margenからリリースした再発コンピ盤です。 魂を揺さぶるアウトサイダー・フォーク5曲を収録。 5種のアートワークをランダムでお送りします レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available...
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{"id":7974890504442,"title":"Anima Sound \/\/ Underground Altena LP","handle":"anima-sound-underground-altena-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:30:13+09:00","created_at":"2023-05-12T15:03:37+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230592954618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anima Sound \/\/ Underground Altena LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","options":["Title"],"media":[{"alt":null,"id":31959430103290,"position":1,"preview_image":{"aspect_ratio":1.053,"height":570,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419"},"aspect_ratio":1.053,"height":570,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","width":600},{"alt":null,"id":31959430136058,"position":2,"preview_image":{"aspect_ratio":1.115,"height":392,"width":437,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419"},"aspect_ratio":1.115,"height":392,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","width":437},{"alt":null,"id":31959430168826,"position":3,"preview_image":{"aspect_ratio":1.155,"height":374,"width":432,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"},"aspect_ratio":1.155,"height":374,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418","width":432}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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ドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1973年に録音したクラウトロック〜フリージャズ2曲を収録。 以下、レーベルによる解説です。 "Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse...
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{"id":7974890242298,"title":"Anton Bruhin \/\/ Rotomotor \/ InOut LP","handle":"anton-bruhin-rotomotor-inout-lp","description":"\u003cp\u003e 1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベル\u003cspan\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eミュージック・コンクレート〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「InOut」はチューニングホイッスル、マウスハープ、フルート、おもちゃ、パーティーのギャグ楽器、パーカッション、ベル、電気カミソリ、プロペラ付き模型船のエンジン、バードコールホイッスル、CH-フォン、フィードバックスピーカー・マイク、サイレン、ダブルショーム、倒れるスプーン、ジューズハープ（短い音が2つだけ）を使った名作です。\u003c\/em\u003e\u003cem\u003eこの録音は1981年5月17日から5月22日にかけてチューリッヒで行われたもので、内蔵マイクと外部マイクを備えたサンヨーM7300Lステレオラジオカセットレコーダーに収録されています。レコーダーは録音待機状態にあり、録音ボタンと一時停止ボタンの両方が押されています。そして、Bruhinはマイクに向かって歌を歌ったり、音を出したりします。その際、PAUSEボタンを押すと、PAUSEは解除されます。その後、ほんの一瞬の間に再びPAUSEボタンを押します。これで、最初の短い音が録音されたことになります。InOutでは、このようにして何千もの非常に短い音が、幾何学的な不規則性と多様なパターンを持つ音響キルトのようなパッチワークのように追加されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「Rotomotor」は、「ein motorische Idiotikon」という副題が付けられた、Bruhinの代表作の一つで、28分の朗読作品です。1976年から1977年にかけてチューリッヒで書かれ、1978年8月にエティエンヌ・コノーのサンライズスタジオで録音されました。Rotomotorは、スイス・ドイツ方言の詩的なIdiotikonで、アルファベット順ではなく、文字の類似性によって単語が構成されています。（各単語は前の単語と1文字だけ異なる）この朗読には、0.6秒後に信号を繰り返す遅延装置が使用され、各単語は前の単語のエコーに重畳されます。このエコーは、一方では演奏のリズムを生み出し、他方では言葉の音響的変容をサポートします。ここでも、非常にシンプルなコンセプトが完璧に達成されています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9d8FsT2TXVI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in Zurich between May 17th and May 22nd, 1981, on a Sanyo M7300L stereo radio cassette recorder with both integrated and external microphone. The recorder is in the recording standby position, both RECORD and PAUSE buttons are pushed. Then Bruhin sings or plays a tone into the microphone. During this tone he releases the PAUSE button by pushing it. Subsequently he presses the PAUSE button again within a fraction of a second. Now the first short note is recorded. In InOut thousands of very short notes were added this way, like a patchwork, like an acoustic quilt with geometric irregularities and varied patterns.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotomotor, subtitled “ein motorische Idiotikon”, is a 28 minutes long reading representing one of Bruhin's major works. Written in Zurich between 1976 and 1977, then recorded in August 1978 at Etienne Conod’s Sunrise Studio. Rotomotoris a poetic Idiotikon of the swiss-german dialect where, instead of the straight alphabetical order, the words are organized according to the similarities of their letters (each word differ from the previous one by just one letter). For this reading a delay equipment which repeated the signal after 0.6 seconds was used and each word is superimposed to the echo of the preceding one. On one hand this echo generates the rhythm of the performance, on the other it supports the acoustic metamorphosis of the words. Again, a very simple concept perfectly accomplished.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Three Small Pieces 3:41\u003cbr\u003eA2 Ohne Titel 1:52\u003cbr\u003eA3 Bells 3:51\u003cbr\u003eA4 L'Art Informel 4:21\u003cbr\u003eA5 Nebelhorn 2:50\u003cbr\u003eA6 Ohne Titel 1:06\u003cbr\u003eB Rotomotor, Ein Motorisches Idiotikon 1978 28:22\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Bruhin\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:44:46+09:00","created_at":"2023-05-12T14:59:48+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230590693626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anton Bruhin \/\/ Rotomotor \/ InOut LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189","options":["Title"],"media":[{"alt":null,"id":31959410147578,"position":1,"preview_image":{"aspect_ratio":0.995,"height":599,"width":596,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189"},"aspect_ratio":0.995,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189","width":596}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e 1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベル\u003cspan\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eミュージック・コンクレート〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「InOut」はチューニングホイッスル、マウスハープ、フルート、おもちゃ、パーティーのギャグ楽器、パーカッション、ベル、電気カミソリ、プロペラ付き模型船のエンジン、バードコールホイッスル、CH-フォン、フィードバックスピーカー・マイク、サイレン、ダブルショーム、倒れるスプーン、ジューズハープ（短い音が2つだけ）を使った名作です。\u003c\/em\u003e\u003cem\u003eこの録音は1981年5月17日から5月22日にかけてチューリッヒで行われたもので、内蔵マイクと外部マイクを備えたサンヨーM7300Lステレオラジオカセットレコーダーに収録されています。レコーダーは録音待機状態にあり、録音ボタンと一時停止ボタンの両方が押されています。そして、Bruhinはマイクに向かって歌を歌ったり、音を出したりします。その際、PAUSEボタンを押すと、PAUSEは解除されます。その後、ほんの一瞬の間に再びPAUSEボタンを押します。これで、最初の短い音が録音されたことになります。InOutでは、このようにして何千もの非常に短い音が、幾何学的な不規則性と多様なパターンを持つ音響キルトのようなパッチワークのように追加されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「Rotomotor」は、「ein motorische Idiotikon」という副題が付けられた、Bruhinの代表作の一つで、28分の朗読作品です。1976年から1977年にかけてチューリッヒで書かれ、1978年8月にエティエンヌ・コノーのサンライズスタジオで録音されました。Rotomotorは、スイス・ドイツ方言の詩的なIdiotikonで、アルファベット順ではなく、文字の類似性によって単語が構成されています。（各単語は前の単語と1文字だけ異なる）この朗読には、0.6秒後に信号を繰り返す遅延装置が使用され、各単語は前の単語のエコーに重畳されます。このエコーは、一方では演奏のリズムを生み出し、他方では言葉の音響的変容をサポートします。ここでも、非常にシンプルなコンセプトが完璧に達成されています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9d8FsT2TXVI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in Zurich between May 17th and May 22nd, 1981, on a Sanyo M7300L stereo radio cassette recorder with both integrated and external microphone. The recorder is in the recording standby position, both RECORD and PAUSE buttons are pushed. Then Bruhin sings or plays a tone into the microphone. During this tone he releases the PAUSE button by pushing it. Subsequently he presses the PAUSE button again within a fraction of a second. Now the first short note is recorded. In InOut thousands of very short notes were added this way, like a patchwork, like an acoustic quilt with geometric irregularities and varied patterns.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotomotor, subtitled “ein motorische Idiotikon”, is a 28 minutes long reading representing one of Bruhin's major works. Written in Zurich between 1976 and 1977, then recorded in August 1978 at Etienne Conod’s Sunrise Studio. Rotomotoris a poetic Idiotikon of the swiss-german dialect where, instead of the straight alphabetical order, the words are organized according to the similarities of their letters (each word differ from the previous one by just one letter). For this reading a delay equipment which repeated the signal after 0.6 seconds was used and each word is superimposed to the echo of the preceding one. On one hand this echo generates the rhythm of the performance, on the other it supports the acoustic metamorphosis of the words. Again, a very simple concept perfectly accomplished.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Three Small Pieces 3:41\u003cbr\u003eA2 Ohne Titel 1:52\u003cbr\u003eA3 Bells 3:51\u003cbr\u003eA4 L'Art Informel 4:21\u003cbr\u003eA5 Nebelhorn 2:50\u003cbr\u003eA6 Ohne Titel 1:06\u003cbr\u003eB Rotomotor, Ein Motorisches Idiotikon 1978 28:22\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Bruhin\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 ミュージック・コンクレート〜サウンドポエトリー7曲を収録。 以下、レーベルによる解説です。 "「InOut」はチューニングホイッスル、マウスハープ、フルート、おもちゃ、パーティーのギャグ楽器、パーカッション、ベル、電気カミソリ、プロペラ付き模型船のエンジン、バードコールホイッスル、CH-フォン、フィードバックスピーカー・マイク、サイレン、ダブルショーム、倒れるスプーン、ジューズハープ（短い音が2つだけ）を使った名作です。この録音は1981年5月17日から5月22日にかけてチューリッヒで行われたもので、内蔵マイクと外部マイクを備えたサンヨーM7300Lステレオラジオカセットレコーダーに収録されています。レコーダーは録音待機状態にあり、録音ボタンと一時停止ボタンの両方が押されています。そして、Bruhinはマイクに向かって歌を歌ったり、音を出したりします。その際、PAUSEボタンを押すと、PAUSEは解除されます。その後、ほんの一瞬の間に再びPAUSEボタンを押します。これで、最初の短い音が録音されたことになります。InOutでは、このようにして何千もの非常に短い音が、幾何学的な不規則性と多様なパターンを持つ音響キルトのようなパッチワークのように追加されました。「Rotomotor」は、「ein motorische Idiotikon」という副題が付けられた、Bruhinの代表作の一つで、28分の朗読作品です。1976年から1977年にかけてチューリッヒで書かれ、1978年8月にエティエンヌ・コノーのサンライズスタジオで録音されました。Rotomotorは、スイス・ドイツ方言の詩的なIdiotikonで、アルファベット順ではなく、文字の類似性によって単語が構成されています。（各単語は前の単語と1文字だけ異なる）この朗読には、0.6秒後に信号を繰り返す遅延装置が使用され、各単語は前の単語のエコーに重畳されます。このエコーは、一方では演奏のリズムを生み出し、他方では言葉の音響的変容をサポートします。ここでも、非常にシンプルなコンセプトが完璧に達成されています。" レーベルその他作品はこちら /// Click here to see more Alga Marghen...
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{"id":7974889980154,"title":"Anton Bruhin \/\/ Vogelsang \/ Vogelsong \/ Vogelsung \/ Vögelsäng 4xCD","handle":"anton-bruhin-vogelsang-vogelsong-vogelsung-vogelsang-4xcd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e 1960年から活動しているスイスの実験音楽家／口琴奏者\u003c\/span\u003eAnton Bruhinが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした再発4枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによるミュージック・コンクレート4曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1522803286\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Each CD comes in sleeve and presented in a slipcase. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1-1 Vogelsang 29:02\u003cbr\u003e2-1 Vogelsong 17:47\u003cbr\u003e3-1 Vogelsung 32:02\u003cbr\u003e4-1 Vögelsäng 23:47\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Bruhin\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-26T09:16:13+09:00","created_at":"2023-05-12T14:55:42+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","field recording","monooto"],"price":878000,"price_min":878000,"price_max":878000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230587351290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anton Bruhin \/\/ Vogelsang \/ Vogelsong \/ Vogelsung \/ Vögelsäng 4xCD","public_title":null,"options":["Default Title"],"price":878000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/anton1.jpg?v=1683870944","\/\/tobirarecords.com\/cdn\/shop\/files\/anton2.jpg?v=1683870944"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/anton1.jpg?v=1683870944","options":["Title"],"media":[{"alt":null,"id":31959388455162,"position":1,"preview_image":{"aspect_ratio":1.099,"height":494,"width":543,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anton1.jpg?v=1683870944"},"aspect_ratio":1.099,"height":494,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anton1.jpg?v=1683870944","width":543},{"alt":null,"id":31959388487930,"position":2,"preview_image":{"aspect_ratio":1.106,"height":490,"width":542,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anton2.jpg?v=1683870944"},"aspect_ratio":1.106,"height":490,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anton2.jpg?v=1683870944","width":542}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e 1960年から活動しているスイスの実験音楽家／口琴奏者\u003c\/span\u003eAnton Bruhinが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした再発4枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによるミュージック・コンクレート4曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1522803286\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Each CD comes in sleeve and presented in a slipcase. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1-1 Vogelsang 29:02\u003cbr\u003e2-1 Vogelsong 17:47\u003cbr\u003e3-1 Vogelsung 32:02\u003cbr\u003e4-1 Vögelsäng 23:47\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Bruhin\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベルAlga Marghenからリリースした再発4枚組CDです。 フィールドレコーディングによるミュージック・コンクレート4曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
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{"id":7623004979450,"title":"Malcolm Goldstein \/\/ Early Electronic \/ Tape Collage Music LP","handle":"malcolm-goldstein-early-electronic-tape-collage-music-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜コラージュ5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w0XDRM0jM1Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 350 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with 4 page insert with the score for \"Illuminations from Fantastic Gardens\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sheep Meadow 6:34\u003cbr\u003eA2 Images Of Cheng Hsieh 15:51\u003cbr\u003eB1 It Seemed To Me 5:42\u003cbr\u003eB2 Judson # 6 Piece 6:43\u003cbr\u003eB3 Illuminations From Fantastic Gardens\u003c\/p\u003e\n\u003cp\u003eText By – Arthur Rimbaud\u003cbr\u003e\u003cspan\u003eTranslated By – Louise Varèse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Sheep Meadow\" (1966)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Images of Cheng Hsieh\" (1967) for a dance by Carol Marcy at Judson Church\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"it seemed to me\" (1963) composed for a dance by Arlene Rothlein; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Judson # 6 Piece\" (1963) for Ruth Emerson; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Illuminations from Fantastic Gardens\" (1964) for vocal ensemble [for Elaine Summers, \"Fantastic Gardens: An Evening of Dance\"; 1964, Judson Dance Theater]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Malcolm Goldstein\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:52:39+09:00","created_at":"2022-06-01T15:09:51+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812385853690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Malcolm Goldstein \/\/ Early Electronic \/ Tape Collage Music LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792","options":["Title"],"media":[{"alt":null,"id":29787848048890,"position":1,"preview_image":{"aspect_ratio":1.007,"height":595,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792"},"aspect_ratio":1.007,"height":595,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜コラージュ5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w0XDRM0jM1Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 350 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with 4 page insert with the score for \"Illuminations from Fantastic Gardens\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sheep Meadow 6:34\u003cbr\u003eA2 Images Of Cheng Hsieh 15:51\u003cbr\u003eB1 It Seemed To Me 5:42\u003cbr\u003eB2 Judson # 6 Piece 6:43\u003cbr\u003eB3 Illuminations From Fantastic Gardens\u003c\/p\u003e\n\u003cp\u003eText By – Arthur Rimbaud\u003cbr\u003e\u003cspan\u003eTranslated By – Louise Varèse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Sheep Meadow\" (1966)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Images of Cheng Hsieh\" (1967) for a dance by Carol Marcy at Judson Church\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"it seemed to me\" (1963) composed for a dance by Arlene Rothlein; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Judson # 6 Piece\" (1963) for Ruth Emerson; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Illuminations from Fantastic Gardens\" (1964) for vocal ensemble [for Elaine Summers, \"Fantastic Gardens: An Evening of Dance\"; 1964, Judson Dance Theater]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Malcolm Goldstein\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。 アコースティック・ドローン〜コラージュ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":7623002161402,"title":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","handle":"walter-marchetti-per-la-sete-dellorecchio-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-01T15:28:49+09:00","created_at":"2022-06-01T15:05:42+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812377497850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259","options":["Title"],"media":[{"alt":null,"id":33384819654906,"position":1,"preview_image":{"aspect_ratio":0.927,"height":2336,"width":2165,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259"},"aspect_ratio":0.927,"height":2336,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259","width":2165}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。 様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":7622973554938,"title":"Ben Patterson \/\/ Born In The State Of FLUX\/us 2xCD","handle":"ben-patterson-born-in-the-state-of-flux-us-2xcd","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ugVISHVNn-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrack 1-1 composed 1960, performed and recorded at Via Telesio 19, Milan, Italy, May 5th 2010.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 \u0026amp; 1-3 composed 1961, recorded at Galerie Parnass, Wuppertal, Germany, June 9th 1962.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-4 (comp. 1960), 1-5 (comp.1962) \u0026amp; 2-1 (comp. 1995) recorded at Massive Arts, Milano, Italy, April 15h 1999.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 composed in 2003, recorded in Paris, France, May 4th 2003.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 composed in 2006, recorded in Wiesbaden, Germany, 2006.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 to 2-1 previously released on Alga Marghen – P 8NMN.028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 previously released on Alga Marghen – plana-P alga16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 previously released on Alga Marghen – plana-P 17VocSon061\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 1-1 previously unreleased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Patterson\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:50:00+09:00","created_at":"2022-06-01T14:43:55+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto"],"price":538000,"price_min":538000,"price_max":538000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812301082874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Patterson \/\/ Born In The State Of FLUX\/us 2xCD","public_title":null,"options":["Default Title"],"price":538000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236","\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","options":["Title"],"media":[{"alt":null,"id":29787676803322,"position":1,"preview_image":{"aspect_ratio":1.075,"height":465,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236"},"aspect_ratio":1.075,"height":465,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","width":500},{"alt":null,"id":29787676836090,"position":2,"preview_image":{"aspect_ratio":0.977,"height":599,"width":585,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236"},"aspect_ratio":0.977,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236","width":585},{"alt":null,"id":29787676868858,"position":3,"preview_image":{"aspect_ratio":0.967,"height":599,"width":579,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236"},"aspect_ratio":0.967,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236","width":579}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ugVISHVNn-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrack 1-1 composed 1960, performed and recorded at Via Telesio 19, Milan, Italy, May 5th 2010.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 \u0026amp; 1-3 composed 1961, recorded at Galerie Parnass, Wuppertal, Germany, June 9th 1962.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-4 (comp. 1960), 1-5 (comp.1962) \u0026amp; 2-1 (comp. 1995) recorded at Massive Arts, Milano, Italy, April 15h 1999.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 composed in 2003, recorded in Paris, France, May 4th 2003.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 composed in 2006, recorded in Wiesbaden, Germany, 2006.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 to 2-1 previously released on Alga Marghen – P 8NMN.028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 previously released on Alga Marghen – plana-P alga16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 previously released on Alga Marghen – plana-P 17VocSon061\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 1-1 previously unreleased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Patterson\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
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{"id":7622970048762,"title":"François Dufrêne \/\/ Oeuvre Désintégrale 3xCD BOX","handle":"francois-dufrene-oeuvre-desintegrale-3xcd-box","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ヌーヴォー・レアリスム一派フランス・パリの音響詩人〜コラージュ作家François Dufrêneが、1976年にリリースした3本組カセットの再発盤です。怒涛の18曲を収録。ライナーノート、ブックレット付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W6O3iIeVSDM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003eTracklist: \u003cbr\u003e1. Crirythme Pour Un Double Anniversaire Dedicated To Ginetta And Anouj\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e2. Kochel Que J'Aime\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e3. Le Chaval Lie A L'Art Rose \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e4. Est-Ouest \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e5. Tete A Terre Et Ventre Au Ciel (\u003c\/span\u003e\u003ca dir=\"auto\" href=\"https:\/\/www.youtube.com\/watch?v=W6O3iIeVSDM\u0026amp;t=2933s\" spellcheck=\"false\" class=\"yt-simple-endpoint style-scope yt-formatted-string\"\u003e48:53\u003c\/a\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e) \u003cbr\u003e6. Eryximatique, Suite Choregaroni - Que Tombeau De Pierre Larousse \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e7. Les Joyeux Sisyphe \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e8. Sature, Nain! (Crirythme) \u003cbr\u003e9. Cacochyme (Crirythme) \u003cbr\u003e10. Sature, Nain! (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e11. La Ressource Du Petit Peuple \u0026amp; Tenilom By Jean Molinet \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e12. Dit Du Vieux Marin By Coleridge \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e13. Belles Nuisances, Hantaz Nos Nuits \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e14. Sequences (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e15. Comptinuum (Extraits I) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e16. La Guitare En Long\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e17. PostcriRHYTHptum \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e18: Comptinuum (Extraits II) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François Dufrêne\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:46:02+09:00","created_at":"2022-06-01T14:39:33+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto","recommended"],"price":889000,"price_min":889000,"price_max":889000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812282896634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"François Dufrêne \/\/ Oeuvre Désintégrale 3xCD BOX","public_title":null,"options":["Default Title"],"price":889000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975","options":["Title"],"media":[{"alt":null,"id":29787661467898,"position":1,"preview_image":{"aspect_ratio":1.13,"height":177,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975"},"aspect_ratio":1.13,"height":177,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ヌーヴォー・レアリスム一派フランス・パリの音響詩人〜コラージュ作家François Dufrêneが、1976年にリリースした3本組カセットの再発盤です。怒涛の18曲を収録。ライナーノート、ブックレット付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W6O3iIeVSDM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003eTracklist: \u003cbr\u003e1. Crirythme Pour Un Double Anniversaire Dedicated To Ginetta And Anouj\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e2. Kochel Que J'Aime\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e3. Le Chaval Lie A L'Art Rose \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e4. Est-Ouest \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e5. Tete A Terre Et Ventre Au Ciel (\u003c\/span\u003e\u003ca dir=\"auto\" href=\"https:\/\/www.youtube.com\/watch?v=W6O3iIeVSDM\u0026amp;t=2933s\" spellcheck=\"false\" class=\"yt-simple-endpoint style-scope yt-formatted-string\"\u003e48:53\u003c\/a\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e) \u003cbr\u003e6. Eryximatique, Suite Choregaroni - Que Tombeau De Pierre Larousse \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e7. Les Joyeux Sisyphe \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e8. Sature, Nain! (Crirythme) \u003cbr\u003e9. Cacochyme (Crirythme) \u003cbr\u003e10. Sature, Nain! (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e11. La Ressource Du Petit Peuple \u0026amp; Tenilom By Jean Molinet \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e12. Dit Du Vieux Marin By Coleridge \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e13. Belles Nuisances, Hantaz Nos Nuits \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e14. Sequences (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e15. Comptinuum (Extraits I) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e16. La Guitare En Long\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e17. PostcriRHYTHptum \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e18: Comptinuum (Extraits II) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François Dufrêne\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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{"id":7622964379898,"title":"Walter Marchetti \/\/ De Musica Inversa 4xCD BOX","handle":"walter-marchetti-de-musica-inversa-4xcd-box","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cspan data-mce-fragment=\"1\"\u003eイタリアのフルクサスこと前衛芸術グループZAJの中心人物Walter Marchettiが、1965-1989年に残した音源をコンパイルした4枚組CD BOXです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e180ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD1, titled La Caccia, includes 'La Caccia' (1965), 'Adversus' (Home-made electric music) (1966) and 'Osmanthus fragrans' (Home-made electric music) (1973).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD2, titled In Terram Utopican, includes 'J'aimerais Jouer Avec Un Piano Qui Aurait Une Grosse Queue' (1974\/75) and 'Per La Sete Dell'orecchio' (1981).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD3, titled Natura Morta, includes the piece with the same title from 1980.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD4, titled Vandalia, includes 'Perpetuum Mobile' (1981), 'Song For John Cage' (1985) and 'Le Secche Del Delirio' (1989).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rLvLpjzW9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0fc1hW_1P4k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes in LP sized box with new book (180 pp) by Walter Marchetti titled \"De musica inversa: an instruction manual of both theory and practice for the proper and improper use of music\".\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD1: The 16-page booklet presents the orginal scores, photos of both the 1965 ZAJ performances and of Marchetti recording \"La caccia\" in the 1970s, photos of the concert at Galleria Multhipla in 1974, and the reproduction of the original \"La caccia\" LP layout.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD2: The 16-page booklet presents the original score of \"J'aimerais jouer\", photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original \"In terram utopicam\" LP layout.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD3: The 8-page booklet reproduces original photos of the performance at Milanopoesia in 1988, as well as the text titled \"In my music\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD4: The 8-page booklet presents the photo of the \"Perpetuum mobile\" performance at Musicalia in 1981, the score of \"Song for John Cage\", the photos of two \"Musica da camera\" installations, as well as the reproduction of the original \"Vandalia\" CD layout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:10:16+09:00","created_at":"2022-06-01T14:31:35+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto"],"price":1185000,"price_min":1185000,"price_max":1185000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812203958522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Walter Marchetti \/\/ De Musica Inversa 4xCD BOX","public_title":null,"options":["Default Title"],"price":1185000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_2a6c2100-06a2-4403-aad5-4492551d88d8.jpg?v=1654061496"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_2a6c2100-06a2-4403-aad5-4492551d88d8.jpg?v=1654061496","options":["Title"],"media":[{"alt":null,"id":29787623850234,"position":1,"preview_image":{"aspect_ratio":1.047,"height":427,"width":447,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_2a6c2100-06a2-4403-aad5-4492551d88d8.jpg?v=1654061496"},"aspect_ratio":1.047,"height":427,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_2a6c2100-06a2-4403-aad5-4492551d88d8.jpg?v=1654061496","width":447}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cspan data-mce-fragment=\"1\"\u003eイタリアのフルクサスこと前衛芸術グループZAJの中心人物Walter Marchettiが、1965-1989年に残した音源をコンパイルした4枚組CD BOXです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e180ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD1, titled La Caccia, includes 'La Caccia' (1965), 'Adversus' (Home-made electric music) (1966) and 'Osmanthus fragrans' (Home-made electric music) (1973).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD2, titled In Terram Utopican, includes 'J'aimerais Jouer Avec Un Piano Qui Aurait Une Grosse Queue' (1974\/75) and 'Per La Sete Dell'orecchio' (1981).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD3, titled Natura Morta, includes the piece with the same title from 1980.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD4, titled Vandalia, includes 'Perpetuum Mobile' (1981), 'Song For John Cage' (1985) and 'Le Secche Del Delirio' (1989).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rLvLpjzW9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0fc1hW_1P4k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes in LP sized box with new book (180 pp) by Walter Marchetti titled \"De musica inversa: an instruction manual of both theory and practice for the proper and improper use of music\".\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD1: The 16-page booklet presents the orginal scores, photos of both the 1965 ZAJ performances and of Marchetti recording \"La caccia\" in the 1970s, photos of the concert at Galleria Multhipla in 1974, and the reproduction of the original \"La caccia\" LP layout.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD2: The 16-page booklet presents the original score of \"J'aimerais jouer\", photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original \"In terram utopicam\" LP layout.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD3: The 8-page booklet reproduces original photos of the performance at Milanopoesia in 1988, as well as the text titled \"In my music\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD4: The 8-page booklet presents the photo of the \"Perpetuum mobile\" performance at Musicalia in 1981, the score of \"Song for John Cage\", the photos of two \"Musica da camera\" installations, as well as the reproduction of the original \"Vandalia\" CD layout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、イタリアのフルクサスこと前衛芸術グループZAJの中心人物Walter Marchettiが、1965-1989年に残した音源をコンパイルした4枚組CD BOXです。 180ページのブックレットが付属。 CD1, titled La Caccia, includes 'La Caccia' (1965),...
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{"id":7622963069178,"title":"Jean-Louis Brau \/\/ Instrumentation Verbales LP","handle":"jean-louis-brau-instrumentation-verbales-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Brau(1930-1985)が、1961-1973年に録音した音源集です。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ5曲を収録。350部限定の片面レコードです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 350. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Elégie Elémentaire\" and \"Ataloche Roche\": recorded in 1961. Tapes played during Isidore Isou's conference at the Musée d'Art Moderne de la Ville de Paris, November 1st, 1961 titled \"Du Letterism à l'Aphonisme\" (Acquaviva Archives) \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInstrumentation Verbale\" and \"Cantate pour l'interdiction de Mandrake\": recorded in 1963. First published in \"Poésie Physique\" book w \/ 3 singles (Brau, Dufrêne, Wolman), Achèle, 1965.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Turn Back Nightingale\": recorded in 1972. First published in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/www.discogs.com\/release\/474568\" rel=\"nofollow\" target=\"_blank\"\u003e\u003cspan\u003eL'autonomatopek\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e, single included in \"Poésie en question, Opus International, n ° 40\/41, 1973.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean-Louis Brau \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:02:32+09:00","created_at":"2022-06-01T14:28:23+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","monooto","sound poetry"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812196684026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jean-Louis Brau \/\/ Instrumentation Verbales LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304","options":["Title"],"media":[{"alt":null,"id":29787620901114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":200,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304"},"aspect_ratio":1.0,"height":200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Brau(1930-1985)が、1961-1973年に録音した音源集です。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ5曲を収録。350部限定の片面レコードです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 350. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Elégie Elémentaire\" and \"Ataloche Roche\": recorded in 1961. Tapes played during Isidore Isou's conference at the Musée d'Art Moderne de la Ville de Paris, November 1st, 1961 titled \"Du Letterism à l'Aphonisme\" (Acquaviva Archives) \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInstrumentation Verbale\" and \"Cantate pour l'interdiction de Mandrake\": recorded in 1963. First published in \"Poésie Physique\" book w \/ 3 singles (Brau, Dufrêne, Wolman), Achèle, 1965.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Turn Back Nightingale\": recorded in 1972. 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{"id":7622961725690,"title":"Luc Ferrari, GOL, Brunhild Ferrari \/\/ Exercices D'Improvisation LP","handle":"luc-ferrari-gol-brunhild-ferrari-exercices-dimprovisation-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。\u003c\/p\u003e\n\u003cp\u003e1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1278954511\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/golferrari\" title=\"fer_pre\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003efer_pre\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 350. \u003cmeta charset=\"utf-8\"\u003eIncludes an insert with full score.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erom the liner notes):\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eA sequence of exercises (5-7' each) [for stereo magnetic tape and instruments] that can be individual or collective improvisation for any instrument or group of instruments (maximum 8). Each exercise is based on continuity: harmonic or melodic color, rhythm, etc. They are intended for amateurs, professionals or students and may take place in concerts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari, GOL, Brunhild Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T14:56:23+09:00","created_at":"2022-06-01T14:25:28+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","monooto"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812189638906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Luc Ferrari, GOL, Brunhild Ferrari \/\/ Exercices D'Improvisation LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130","\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","options":["Title"],"media":[{"alt":null,"id":29787618869498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","width":600},{"alt":null,"id":29787618902266,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130","width":600},{"alt":null,"id":29787618935034,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。\u003c\/p\u003e\n\u003cp\u003e1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1278954511\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/golferrari\" title=\"fer_pre\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003efer_pre\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 350. \u003cmeta charset=\"utf-8\"\u003eIncludes an insert with full score.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erom the liner notes):\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eA sequence of exercises (5-7' each) [for stereo magnetic tape and instruments] that can be individual or collective improvisation for any instrument or group of instruments (maximum 8). Each exercise is based on continuity: harmonic or melodic color, rhythm, etc. They are intended for amateurs, professionals or students and may take place in concerts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari, GOL, Brunhild Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。 1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。 tobirarecs4 · fer_pre レーベルその他作品はこちら /// Click here to see more Alga...
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{"id":7622959497466,"title":"Maurizio Bianchi (M.B.) \/\/ Mectpyo Blut 2xLP","handle":"maurizio-bianchi-m-b-mectpyo-blut-2xlp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国インダストリアル作家Maurizio Bianchi (M.B.)が1980年に自主リリースしたカセットの2枚組再発盤です。\u003c\/p\u003e\n\u003cp\u003eオリジナルテープからのリマスター音源です。赤盤、ゲートフォルド仕様です。 \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PFUR4PgzO5I\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition limited to 300 copies in full color gatefold sleeve.\u003cbr\u003eFeaturing graphic materials from the original cassette edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"An hematopoietic experiment decomposed during the months of March and beginning of April\" at Mectpyo Studio, 1980.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MB\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T14:46:57+09:00","created_at":"2022-06-01T14:20:08+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","monooto","noise"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812177678586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Maurizio Bianchi (M.B.) \/\/ Mectpyo Blut 2xLP","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4350d88d-0390-4d3a-a791-023297167a44.jpg?v=1654060810","\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_48aa0704-8d81-48ac-b920-4371cef39b3b.jpg?v=1654060810","\/\/tobirarecords.com\/cdn\/shop\/products\/bl3_b07cd690-b60b-4d74-95c5-ec98babcdca3.jpg?v=1654060809"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4350d88d-0390-4d3a-a791-023297167a44.jpg?v=1654060810","options":["Title"],"media":[{"alt":null,"id":29787610120442,"position":1,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4350d88d-0390-4d3a-a791-023297167a44.jpg?v=1654060810"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4350d88d-0390-4d3a-a791-023297167a44.jpg?v=1654060810","width":600},{"alt":null,"id":29787610153210,"position":2,"preview_image":{"aspect_ratio":1.005,"height":597,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_48aa0704-8d81-48ac-b920-4371cef39b3b.jpg?v=1654060810"},"aspect_ratio":1.005,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_48aa0704-8d81-48ac-b920-4371cef39b3b.jpg?v=1654060810","width":600},{"alt":null,"id":29787610185978,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3_b07cd690-b60b-4d74-95c5-ec98babcdca3.jpg?v=1654060809"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3_b07cd690-b60b-4d74-95c5-ec98babcdca3.jpg?v=1654060809","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国インダストリアル作家Maurizio Bianchi (M.B.)が1980年に自主リリースしたカセットの2枚組再発盤です。\u003c\/p\u003e\n\u003cp\u003eオリジナルテープからのリマスター音源です。赤盤、ゲートフォルド仕様です。 \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PFUR4PgzO5I\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition limited to 300 copies in full color gatefold sleeve.\u003cbr\u003eFeaturing graphic materials from the original cassette edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"An hematopoietic experiment decomposed during the months of March and beginning of April\" at Mectpyo Studio, 1980.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MB\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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