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Idjah Hadidjah & Jugala Jaipongan // Jaipongan Music of West Java 2xLP

Idjah Hadidjah & Jugala Jaipongan // Jaipongan Music of West Java 2xLP

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1960年代初頭、インドネシア政府は自国特有の音楽文化を育てるべく、西洋音楽とりわけロックを全面的に禁止しました。しかし保守的になることを恐れた一部の音楽家が古典芸能を現代にアップデートしようと試み、生まれたジャンルがジャイポンガンです。ガムランの音色をベースにドラムが多用されているのが特徴です。1枚目にはジャイポンガン提唱者グンビラ率いるジュガラ・オーケストラと、国民的歌手イジャ・ハディジャによる演奏を、2枚目には各国のアーティストによるリワークを収録。

The form of jaipongan we know today was born from the fields of Java where an early form of music called ketuk-tilu echoed over fields during harvest times. Known for intense and complex drumming coordinated with equally dynamic solo female dancing, ketuk-tilu performances included a rebab (a small upright bowed instrument), a gong, and ketuk-tilu (“three kettle gongs”). Though the original performance context of this music revolved around planting and harvesting rituals, with the singer accepting male dancing partners, over time ketuk-tilu became an outlet for village life expressing fertility, sensuality, eroticism, and, at times, socially accepted prostitution. Activities in the first half of the twentieth century that were best suited amongst the elements of harvest and outside of urban criticism.
- Hive Mind Records

Artist : Idjah Hadidjah & Jugala Jaipongan

Label : Hive Mind Records

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1960年代初頭、インドネシア政府は自国特有の音楽文化を育てるべく、西洋音楽とりわけロックを全面的に禁止しました。しかし保守的になることを恐れた一部の音楽家が古典芸能を現代にアップデートしようと試み、生まれたジャンルがジャイポンガンです。ガムランの音色をベースにドラムが多用されているのが特徴です。1枚目にはジャイポンガン提唱者グンビラ率いるジュガラ・オーケストラと、国民的歌手イジャ・ハディジャによる演奏を、2枚目には各国のアーティストによるリワークを収録。

The form of jaipongan we know today was born from the fields of Java where an early form of music called ketuk-tilu echoed over fields during harvest times. Known for intense and complex drumming coordinated with equally dynamic solo female dancing, ketuk-tilu performances included a rebab (a small upright bowed instrument), a gong, and ketuk-tilu (“three kettle gongs”). Though the original performance context of this music revolved around planting and harvesting rituals, with the singer accepting male dancing partners, over time ketuk-tilu became an outlet for village life expressing fertility, sensuality, eroticism, and, at times, socially accepted prostitution. Activities in the first half of the twentieth century that were best suited amongst the elements of harvest and outside of urban criticism.
- Hive Mind Records

Artist : Idjah Hadidjah & Jugala Jaipongan

Label : Hive Mind Records