room40
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{"id":8601072533754,"title":"Zimoun \/\/ Guitar Studies I-III CD+BOOKLET","handle":"zimoun-guitar-studies-i-iii-cd-booklet","description":"\u003cp\u003eスイスの実験音楽家Zimounが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。レーベルオーナーLawrence Englishとの対談や写真を掲載したブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの「Guitar Studies」シリーズでは、ギターが発する音やノイズだけを扱ってきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eギターを手で弾くというオーソドックスな方法もありますが、それよりも小型のDCモーターで作動させたりすることの方が多かったです。レコーディングには様々なマイクを使用し、ピックアップの接触も緩く、アンプも様々なものを使用しました。部分的に欠陥のある小さなおもちゃのアンプから、60年代のアナログトレモロ付きの美しいマグナトーンアンプ、10歳の時に初めてギターと一緒に買った古いフェンダーアンプなどです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eまた、録音した音を段ボールの筒の中や広さの違う部屋など、様々な環境で再生して、録音し直しました。そうすることで、音に自然な響きや空間性を持たせることができました。また、テーブルの上に置いた裸のスピーカー膜にギターの信号を送り、膜の上に砂を載せて歪ませた音も作りました。膜と砂の摩擦によって、さまざまな形の歪みが生まれます。ギターをどのように変形させるか、様々な反復のプロセスを試したのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eどの作品でもループは使っていません。各作品の各レイヤーについて、約1時間の間、私が探っていたものをすべて録音しました。このようにして、私は数え切れないほどの時間の音をまとめました。ほとんど無限に続くオーバーレイと長い録音時間によって、私はある種の活気を達成しようとしました。全く同じということはないけれど、どこかに行ってしまうということもない。そういう意味で、これらの作品は彫刻的な要素も強く持っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロセスの後、私は録音の微細構造について作業を始めました。例えば、いくつかの曲でイコライザーをゆっくりずらしながら録音していきました。また、これらを様々なコントローラーやアナログ・イコライザーを使ってライブ演奏しました。このアプローチによって、個々の周波数が長い時間をかけて存在感を増したり、他の周波数と混ざり合ったりするようになりました。比喩的に言えば、これはランプ（または様々なランプ）を使って彫刻を様々な角度から照らしたり、光の緩やかな変化を作り出し、彫刻の知覚に影響を与えるのと似ています。また、異なる音のステージでは、これはさらに音響心理学的な現象を引き起こすことができます。これらの方法を通して、私は音の微細な構造とその展開に複雑さを生み出そうとしました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3900595271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card featuring exclusive reductions of the pieces + a book featuring an in conversation between Zimoun and Lawrence English, plus archival documentation and photographs examining Zimoun's work across mediums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWith the Guitar Studies series I’ve dealt solely with noises and sounds produced by guitars.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePartly I played the guitars by hand in a more conventional way, but more often I prepared them, or activated them by using small DC motors. I used various microphones for the recordings, as well as the loose contact of a pickup and many different amps; from a small toy amp that was partially defective to a beautiful Magnatone amp with analogue tremolo from the sixties and an old Fender Amp I bought together with my first guitar when I was 10 years old.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI also played recorded sounds back in different environments, for example inside a cardboard tube or in different rooms with various sizes, and then recorded them again. This way I added natural resonate and spatiality to the sounds. I also created a distorted sounds by sending the signal of the guitar to a naked speaker membrane lying on the table, and then put some sand on the membrane itself. The friction between the membrane and the sand then created various forms of distortion. I was trying to test various processes of iteration to discover how transformed the guitar might\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e become.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI did not work with loops in any of the compositions. For each layer in each piece, I recorded whatever I was exploring over the whole period of about an hour. In this way, I put together countless hours of sounds. Through the almost endless overlaying and long recording takes, I have tried to achieve a kind of liveliness, even if at the same time no major changes happen in the composition. It’s never exactly the same, but never going somewhere else either. In that sense these compositions also have a strong sculptural component.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter this process, I started working on the microstructures of the recordings. For example, I recorded slow equalizer shifts in some of these tracks over the whole period of time. I also played these live via various controllers and analogue equalizers. This approach allowed the individual frequencies to become more present over long periods of time or mix with others. Figuratively speaking, this is similar to using a lamp (or various lamps) to illuminate a sculpture from different perspectives, or to create slow changes in light, which affects our perception of the sculpture. At different sonic stages, this can also provoke additional psychoacoustic phenomena. Through these methods I have tried to create a complexity in the microstructures of the sounds and their evolutions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll three compositions last about an hour each. Digitally, they are released in their full length, while the CD contains shortened versions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zimoun\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:14:28+09:00","created_at":"2024-08-19T10:13:51+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":334000,"price_min":334000,"price_max":334000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581165064442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zimoun \/\/ Guitar Studies I-III CD+BOOKLET","public_title":null,"options":["Default Title"],"price":334000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106","\/\/tobirarecords.com\/cdn\/shop\/products\/gu2_77161ccf-5435-4863-b8ea-eae410f54e03.jpg?v=1657500105"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106","options":["Title"],"media":[{"alt":null,"id":30094769127674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106","width":700},{"alt":null,"id":30094769160442,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu2_77161ccf-5435-4863-b8ea-eae410f54e03.jpg?v=1657500105"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu2_77161ccf-5435-4863-b8ea-eae410f54e03.jpg?v=1657500105","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスの実験音楽家Zimounが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。レーベルオーナーLawrence Englishとの対談や写真を掲載したブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの「Guitar Studies」シリーズでは、ギターが発する音やノイズだけを扱ってきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eギターを手で弾くというオーソドックスな方法もありますが、それよりも小型のDCモーターで作動させたりすることの方が多かったです。レコーディングには様々なマイクを使用し、ピックアップの接触も緩く、アンプも様々なものを使用しました。部分的に欠陥のある小さなおもちゃのアンプから、60年代のアナログトレモロ付きの美しいマグナトーンアンプ、10歳の時に初めてギターと一緒に買った古いフェンダーアンプなどです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eまた、録音した音を段ボールの筒の中や広さの違う部屋など、様々な環境で再生して、録音し直しました。そうすることで、音に自然な響きや空間性を持たせることができました。また、テーブルの上に置いた裸のスピーカー膜にギターの信号を送り、膜の上に砂を載せて歪ませた音も作りました。膜と砂の摩擦によって、さまざまな形の歪みが生まれます。ギターをどのように変形させるか、様々な反復のプロセスを試したのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eどの作品でもループは使っていません。各作品の各レイヤーについて、約1時間の間、私が探っていたものをすべて録音しました。このようにして、私は数え切れないほどの時間の音をまとめました。ほとんど無限に続くオーバーレイと長い録音時間によって、私はある種の活気を達成しようとしました。全く同じということはないけれど、どこかに行ってしまうということもない。そういう意味で、これらの作品は彫刻的な要素も強く持っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロセスの後、私は録音の微細構造について作業を始めました。例えば、いくつかの曲でイコライザーをゆっくりずらしながら録音していきました。また、これらを様々なコントローラーやアナログ・イコライザーを使ってライブ演奏しました。このアプローチによって、個々の周波数が長い時間をかけて存在感を増したり、他の周波数と混ざり合ったりするようになりました。比喩的に言えば、これはランプ（または様々なランプ）を使って彫刻を様々な角度から照らしたり、光の緩やかな変化を作り出し、彫刻の知覚に影響を与えるのと似ています。また、異なる音のステージでは、これはさらに音響心理学的な現象を引き起こすことができます。これらの方法を通して、私は音の微細な構造とその展開に複雑さを生み出そうとしました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3900595271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card featuring exclusive reductions of the pieces + a book featuring an in conversation between Zimoun and Lawrence English, plus archival documentation and photographs examining Zimoun's work across mediums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWith the Guitar Studies series I’ve dealt solely with noises and sounds produced by guitars.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePartly I played the guitars by hand in a more conventional way, but more often I prepared them, or activated them by using small DC motors. I used various microphones for the recordings, as well as the loose contact of a pickup and many different amps; from a small toy amp that was partially defective to a beautiful Magnatone amp with analogue tremolo from the sixties and an old Fender Amp I bought together with my first guitar when I was 10 years old.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI also played recorded sounds back in different environments, for example inside a cardboard tube or in different rooms with various sizes, and then recorded them again. This way I added natural resonate and spatiality to the sounds. I also created a distorted sounds by sending the signal of the guitar to a naked speaker membrane lying on the table, and then put some sand on the membrane itself. The friction between the membrane and the sand then created various forms of distortion. I was trying to test various processes of iteration to discover how transformed the guitar might\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e become.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI did not work with loops in any of the compositions. For each layer in each piece, I recorded whatever I was exploring over the whole period of about an hour. In this way, I put together countless hours of sounds. Through the almost endless overlaying and long recording takes, I have tried to achieve a kind of liveliness, even if at the same time no major changes happen in the composition. It’s never exactly the same, but never going somewhere else either. In that sense these compositions also have a strong sculptural component.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter this process, I started working on the microstructures of the recordings. For example, I recorded slow equalizer shifts in some of these tracks over the whole period of time. I also played these live via various controllers and analogue equalizers. This approach allowed the individual frequencies to become more present over long periods of time or mix with others. Figuratively speaking, this is similar to using a lamp (or various lamps) to illuminate a sculpture from different perspectives, or to create slow changes in light, which affects our perception of the sculpture. At different sonic stages, this can also provoke additional psychoacoustic phenomena. Through these methods I have tried to create a complexity in the microstructures of the sounds and their evolutions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll three compositions last about an hour each. Digitally, they are released in their full length, while the CD contains shortened versions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zimoun\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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スイスの実験音楽家Zimounが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。レーベルオーナーLawrence Englishとの対談や写真を掲載したブックレットが付属。 以下、作家による解説です。 この「Guitar Studies」シリーズでは、ギターが発する音やノイズだけを扱ってきました。ギターを手で弾くというオーソドックスな方法もありますが、それよりも小型のDCモーターで作動させたりすることの方が多かったです。レコーディングには様々なマイクを使用し、ピックアップの接触も緩く、アンプも様々なものを使用しました。部分的に欠陥のある小さなおもちゃのアンプから、60年代のアナログトレモロ付きの美しいマグナトーンアンプ、10歳の時に初めてギターと一緒に買った古いフェンダーアンプなどです。また、録音した音を段ボールの筒の中や広さの違う部屋など、様々な環境で再生して、録音し直しました。そうすることで、音に自然な響きや空間性を持たせることができました。また、テーブルの上に置いた裸のスピーカー膜にギターの信号を送り、膜の上に砂を載せて歪ませた音も作りました。膜と砂の摩擦によって、さまざまな形の歪みが生まれます。ギターをどのように変形させるか、様々な反復のプロセスを試したのです。どの作品でもループは使っていません。各作品の各レイヤーについて、約1時間の間、私が探っていたものをすべて録音しました。このようにして、私は数え切れないほどの時間の音をまとめました。ほとんど無限に続くオーバーレイと長い録音時間によって、私はある種の活気を達成しようとしました。全く同じということはないけれど、どこかに行ってしまうということもない。そういう意味で、これらの作品は彫刻的な要素も強く持っています。このプロセスの後、私は録音の微細構造について作業を始めました。例えば、いくつかの曲でイコライザーをゆっくりずらしながら録音していきました。また、これらを様々なコントローラーやアナログ・イコライザーを使ってライブ演奏しました。このアプローチによって、個々の周波数が長い時間をかけて存在感を増したり、他の周波数と混ざり合ったりするようになりました。比喩的に言えば、これはランプ（または様々なランプ）を使って彫刻を様々な角度から照らしたり、光の緩やかな変化を作り出し、彫刻の知覚に影響を与えるのと似ています。また、異なる音のステージでは、これはさらに音響心理学的な現象を引き起こすことができます。これらの方法を通して、私は音の微細な構造とその展開に複雑さを生み出そうとしました。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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クイックビュー
{"id":8601072075002,"title":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","handle":"aki-onda-brisbane-september-25-2004-tape","description":"\u003cp\u003e過去にDinzu Artefactsなどから発表している日本の実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ〜ドローン46分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:09:58+09:00","created_at":"2024-08-19T10:09:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","room40","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581162705146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","options":["Title"],"media":[{"alt":null,"id":28965875024122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","width":700},{"alt":null,"id":28965875056890,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDinzu Artefactsなどから発表している日本の実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ〜ドローン46分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にDinzu Artefactsなどから発表している日本の実験音楽家Aki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。 コラージュ〜ドローン46分を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥2,180
クイックビュー
{"id":8556008767738,"title":"Stuart Argabright \u0026 AfterAfter \/\/ LA Drones TAPE","handle":"stuart-argabright-afterafter-la-drones-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのポストインダストリアル作家Stuart Argabright \u0026amp; AfterAfterが、2024年3月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e悪夢のようなコラージュ・ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3417736133\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in matte laminate case. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Malibu Waves 07:46\u003cbr\u003e2. Replicants Skip A Rope 11:04\u003cbr\u003e3. Mirror Canyon Sunset 05:47\u003cbr\u003e4. Barefoot Dawn - Part I Monster Mash Parade \/\/ Part II Sentries Chatter 13:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStuart Argabright:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eI had gone to LA in early summer of 2021 to help produce a mix tape for Stefan. The tracking went well and I began thinking we might get in some time to do some cassette based work while we were hot.\u003cbr\u003e\u003cbr\u003eThis worked out too, we recorded across three or four days. I had brought a selection of tapes with voices on them and Stefan had at least 6 or 8 different decks. Almost all of them could playback slower too.\u003cbr\u003e\u003cbr\u003eOnce we had our tapes loaded we would take off into something else new and in the moment. The result sometimes drifted and blurred, becoming like a kind of pitched down or screwed Lower Broadway jam.\u003cbr\u003e\u003cbr\u003eBlue Dream...Blue Agave, blue neon path, to Whole Foods.\u003cbr\u003e\u003cbr\u003eWe went to Japan Town. Drove across town one evening to the ocean drive up to Malibu and waves were coming in, through a haze.\u003cbr\u003e\u003cbr\u003eNorth to Encino and stayed some nights in Toluca Lake. Then McArthur Park and somewhere else we heard Venice Beach chimes.\u003cbr\u003e\u003cbr\u003eThe Bradbury was in the neighbourhood - that classic set for the interior of JR Sébastien living quarters in the cyberpunk classic Blade Runner … as well as for the Outer Limits episode starring Rau Culp - The Demon with the Glass Hand, written by Harlan Ellison and aired 1963-64-65.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stuart Argabright \u0026amp; AfterAfter\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-12T10:13:44+09:00","created_at":"2024-07-11T16:30:28+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","room40","tape"],"price":205000,"price_min":205000,"price_max":205000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385067884794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stuart Argabright \u0026 AfterAfter \/\/ LA Drones TAPE","public_title":null,"options":["Default Title"],"price":205000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_61d168c8-dfa1-42a8-bfe8-fabe551ac0cd.jpg?v=1720683008","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_0410489b-d87b-4faf-b52f-c2b739ad4d51.jpg?v=1720683008"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_61d168c8-dfa1-42a8-bfe8-fabe551ac0cd.jpg?v=1720683008","options":["Title"],"media":[{"alt":null,"id":34523877966074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_61d168c8-dfa1-42a8-bfe8-fabe551ac0cd.jpg?v=1720683008"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_61d168c8-dfa1-42a8-bfe8-fabe551ac0cd.jpg?v=1720683008","width":700},{"alt":null,"id":34523877998842,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_0410489b-d87b-4faf-b52f-c2b739ad4d51.jpg?v=1720683008"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_0410489b-d87b-4faf-b52f-c2b739ad4d51.jpg?v=1720683008","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのポストインダストリアル作家Stuart Argabright \u0026amp; AfterAfterが、2024年3月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e悪夢のようなコラージュ・ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3417736133\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in matte laminate case. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Malibu Waves 07:46\u003cbr\u003e2. Replicants Skip A Rope 11:04\u003cbr\u003e3. Mirror Canyon Sunset 05:47\u003cbr\u003e4. Barefoot Dawn - Part I Monster Mash Parade \/\/ Part II Sentries Chatter 13:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStuart Argabright:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eI had gone to LA in early summer of 2021 to help produce a mix tape for Stefan. The tracking went well and I began thinking we might get in some time to do some cassette based work while we were hot.\u003cbr\u003e\u003cbr\u003eThis worked out too, we recorded across three or four days. I had brought a selection of tapes with voices on them and Stefan had at least 6 or 8 different decks. Almost all of them could playback slower too.\u003cbr\u003e\u003cbr\u003eOnce we had our tapes loaded we would take off into something else new and in the moment. The result sometimes drifted and blurred, becoming like a kind of pitched down or screwed Lower Broadway jam.\u003cbr\u003e\u003cbr\u003eBlue Dream...Blue Agave, blue neon path, to Whole Foods.\u003cbr\u003e\u003cbr\u003eWe went to Japan Town. Drove across town one evening to the ocean drive up to Malibu and waves were coming in, through a haze.\u003cbr\u003e\u003cbr\u003eNorth to Encino and stayed some nights in Toluca Lake. Then McArthur Park and somewhere else we heard Venice Beach chimes.\u003cbr\u003e\u003cbr\u003eThe Bradbury was in the neighbourhood - that classic set for the interior of JR Sébastien living quarters in the cyberpunk classic Blade Runner … as well as for the Outer Limits episode starring Rau Culp - The Demon with the Glass Hand, written by Harlan Ellison and aired 1963-64-65.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stuart Argabright \u0026amp; AfterAfter\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカのポストインダストリアル作家Stuart Argabright & AfterAfterが、2024年3月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたカセットです。 悪夢のようなコラージュ・ドローン4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
¥2,050
クイックビュー
{"id":8556000116986,"title":"France Jobin \/\/ Infinite Probabilities (Particle 2) CD","handle":"france-jobin-infinite-probabilities-particle-2-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eカナダ・モントリオールのアンビエント作家France Jobinが、2024年5月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン〜アンビエントドローン2曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/france-jobin-a-sequence-of-moments-in-time-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1292492403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Unified quantum state 18:18\u003cbr\u003e2. Superposition 19:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : France Jobin\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-12T10:01:51+09:00","created_at":"2024-07-11T16:27:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385041768698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"France Jobin \/\/ Infinite Probabilities (Particle 2) CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_a2a5591b-5f14-49e1-a87c-a79cb04ce8e2.jpg?v=1720682738","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_cd8ec675-024d-44f5-ab95-b5e4165b4c4a.jpg?v=1720682738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_a2a5591b-5f14-49e1-a87c-a79cb04ce8e2.jpg?v=1720682738","options":["Title"],"media":[{"alt":null,"id":34523798012154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_a2a5591b-5f14-49e1-a87c-a79cb04ce8e2.jpg?v=1720682738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_a2a5591b-5f14-49e1-a87c-a79cb04ce8e2.jpg?v=1720682738","width":700},{"alt":null,"id":34523798044922,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_cd8ec675-024d-44f5-ab95-b5e4165b4c4a.jpg?v=1720682738"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_cd8ec675-024d-44f5-ab95-b5e4165b4c4a.jpg?v=1720682738","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eカナダ・モントリオールのアンビエント作家France Jobinが、2024年5月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン〜アンビエントドローン2曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/france-jobin-a-sequence-of-moments-in-time-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1292492403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Unified quantum state 18:18\u003cbr\u003e2. Superposition 19:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : France Jobin\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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¥2,380
クイックビュー
{"id":8555995726074,"title":"Pinkcourtesyphone \/\/ Arise in Sinking Feelings CD","handle":"pinkcourtesyphone-arise-in-sinking-feelings-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAの音響レーベルLINE主宰pinkcourtesyphone aka Richard Chartierが、2024年5月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系アンビエントドローン〜ドローン8曲、1時間以上を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/pinkcourtesyphone-shouting-at-nuance-2xlp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1703472952\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the pinkish gate 01:08\u003cbr\u003e2. within moments \/ when static alludes to apprehension 17:05\u003cbr\u003e3. foregone inconclusion 02:06\u003cbr\u003e4. a stunning blandness 03:28\u003cbr\u003e5. notes on vacuuming 06:15\u003cbr\u003e6. pre-sumptuous \/ post-sumptuous 06:54\u003cbr\u003e7. gesturing at an object until it is gone 13:43\u003cbr\u003e8. to be expected 12:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e...\u003c\/i\u003e\u003cem\u003e'Arise in Sinking Feelings', an unmistakable pinkcourtesy mood, simply combinations of magic and memory that spin out within moments before our delighted senses... a fanciful flight of neurosis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo one who is anyone has heard it and even they were met with incomprehension. \"A Stunning Blandness!\" read the headlines.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album includes a printed insert of inspiration. Use it to gain maximum benefits from your study of Pinkcourtesyphone. Read and imbibe the insert while you listen to the recording. The Room40 Media Institute recommends the ‘Double Sensory’ method of\u003cspan class=\"bcTruncateMore\"\u003e absorbing sonic information. Its consistent use will greatly increase your powers of concentration and retention.\u003cbr\u003e\u003cbr\u003eLet your feelings sink as you let Pinkcourtesyphone sink in... its secret can destroy you in its unyielding grasp.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pinkcourtesyphone\u003c\/p\u003e\n\u003cp\u003eLabel : Rooom40\u003c\/p\u003e","published_at":"2024-07-12T09:48:43+09:00","created_at":"2024-07-11T16:24:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","room40"],"price":259000,"price_min":259000,"price_max":259000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385021583610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pinkcourtesyphone \/\/ Arise in Sinking Feelings CD","public_title":null,"options":["Default Title"],"price":259000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/feel1_58bd10cf-0e68-490f-83f0-d852755e07d9.jpg?v=1720682586","\/\/tobirarecords.com\/cdn\/shop\/files\/feel2_f66e270f-482c-47db-a059-c87d51a0c8ac.jpg?v=1720682586"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/feel1_58bd10cf-0e68-490f-83f0-d852755e07d9.jpg?v=1720682586","options":["Title"],"media":[{"alt":null,"id":34523755938042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/feel1_58bd10cf-0e68-490f-83f0-d852755e07d9.jpg?v=1720682586"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/feel1_58bd10cf-0e68-490f-83f0-d852755e07d9.jpg?v=1720682586","width":700},{"alt":null,"id":34523755970810,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/feel2_f66e270f-482c-47db-a059-c87d51a0c8ac.jpg?v=1720682586"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/feel2_f66e270f-482c-47db-a059-c87d51a0c8ac.jpg?v=1720682586","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAの音響レーベルLINE主宰pinkcourtesyphone aka Richard Chartierが、2024年5月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系アンビエントドローン〜ドローン8曲、1時間以上を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/pinkcourtesyphone-shouting-at-nuance-2xlp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1703472952\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the pinkish gate 01:08\u003cbr\u003e2. within moments \/ when static alludes to apprehension 17:05\u003cbr\u003e3. foregone inconclusion 02:06\u003cbr\u003e4. a stunning blandness 03:28\u003cbr\u003e5. notes on vacuuming 06:15\u003cbr\u003e6. pre-sumptuous \/ post-sumptuous 06:54\u003cbr\u003e7. gesturing at an object until it is gone 13:43\u003cbr\u003e8. to be expected 12:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e...\u003c\/i\u003e\u003cem\u003e'Arise in Sinking Feelings', an unmistakable pinkcourtesy mood, simply combinations of magic and memory that spin out within moments before our delighted senses... a fanciful flight of neurosis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo one who is anyone has heard it and even they were met with incomprehension. \"A Stunning Blandness!\" read the headlines.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album includes a printed insert of inspiration. Use it to gain maximum benefits from your study of Pinkcourtesyphone. Read and imbibe the insert while you listen to the recording. The Room40 Media Institute recommends the ‘Double Sensory’ method of\u003cspan class=\"bcTruncateMore\"\u003e absorbing sonic information. Its consistent use will greatly increase your powers of concentration and retention.\u003cbr\u003e\u003cbr\u003eLet your feelings sink as you let Pinkcourtesyphone sink in... its secret can destroy you in its unyielding grasp.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pinkcourtesyphone\u003c\/p\u003e\n\u003cp\u003eLabel : Rooom40\u003c\/p\u003e"}
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アメリカ・LAの音響レーベルLINE主宰pinkcourtesyphone aka Richard Chartierが、2024年5月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。 ディープリスニング系アンビエントドローン〜ドローン8曲、1時間以上を収録。ブックレット付属。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
¥2,590
クイックビュー
{"id":8555979800826,"title":"Olivier Cong \/\/ Tropical Church CD","handle":"olivier-cong-tropical-church-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e香港のアンビエント作家Oliver Congが、2024年7月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e古筝や尺八、エレクトロニクスによるネオクラシカル・アンビエントドローン13曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3081182632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I am afraid of\u003cbr\u003e2. solace\u003cbr\u003e3. They don’t sleep on the beach anymore 05:07\u003cbr\u003e4. moon dance\u003cbr\u003e5. WIND EATER\u003cbr\u003e6. burning\u003cbr\u003e7. solitude study\u003cbr\u003e8. when the labour is for love 05:17\u003cbr\u003e9. dok\u003cbr\u003e10. Solid sun\u003cbr\u003e11. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e闔家平安\u003cbr\u003e\u003c\/span\u003e12. A saint about to fall\u003cbr\u003e13. prayer of mine\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Olivier Cong:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations echoing through streets of skyscrapers in Hong Kong. They sounded like a piece of nostalgic happening, infusing sounds that I was most familiar with in this sacred architecture.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was when I decided to compose a series of work, featuring eclectic sounds of my city. Also inspired by the late Ryuichi Sakamoto, whom I revere, his exercise of restraint and Eastern philosophy led me to explore the ambience that made up my daily life, experimenting and reconstructing them with familiar instrumentations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn “Tropical Church\", you will experience music composed of piano, ambient electronics, shakuhachi, Chinese yuan, guzheng and spoken words, which I think represent my feelings for home —\u003cspan class=\"bcTruncateMore\"\u003e Hong Kong. And to me, home is an old church that harbours a myriad of unspoken emotions, flowing from the West to East. Complex history hidden within the dampen pillars, the sounds of the city and the footsteps of the everyday people that liven up the streets.\u003cbr\u003e\u003cbr\u003eMost notably in the first track, “I am afraid of”, voice recordings of anonymous strangers were collected describing their deepest fears. I’m most touched by the answers as they’ve shown me the same fears of death, love and being alone we all share.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Olivier Cong\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-12T09:59:15+09:00","created_at":"2024-07-11T16:13:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46384930685178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Olivier Cong \/\/ Tropical Church CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ol1.jpg?v=1720681939","\/\/tobirarecords.com\/cdn\/shop\/files\/ol2.jpg?v=1720681939"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ol1.jpg?v=1720681939","options":["Title"],"media":[{"alt":null,"id":34523579056378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ol1.jpg?v=1720681939"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ol1.jpg?v=1720681939","width":700},{"alt":null,"id":34523579121914,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ol2.jpg?v=1720681939"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ol2.jpg?v=1720681939","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e香港のアンビエント作家Oliver Congが、2024年7月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e古筝や尺八、エレクトロニクスによるネオクラシカル・アンビエントドローン13曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3081182632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I am afraid of\u003cbr\u003e2. solace\u003cbr\u003e3. They don’t sleep on the beach anymore 05:07\u003cbr\u003e4. moon dance\u003cbr\u003e5. WIND EATER\u003cbr\u003e6. burning\u003cbr\u003e7. solitude study\u003cbr\u003e8. when the labour is for love 05:17\u003cbr\u003e9. dok\u003cbr\u003e10. Solid sun\u003cbr\u003e11. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e闔家平安\u003cbr\u003e\u003c\/span\u003e12. A saint about to fall\u003cbr\u003e13. prayer of mine\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Olivier Cong:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations echoing through streets of skyscrapers in Hong Kong. They sounded like a piece of nostalgic happening, infusing sounds that I was most familiar with in this sacred architecture.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was when I decided to compose a series of work, featuring eclectic sounds of my city. Also inspired by the late Ryuichi Sakamoto, whom I revere, his exercise of restraint and Eastern philosophy led me to explore the ambience that made up my daily life, experimenting and reconstructing them with familiar instrumentations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn “Tropical Church\", you will experience music composed of piano, ambient electronics, shakuhachi, Chinese yuan, guzheng and spoken words, which I think represent my feelings for home —\u003cspan class=\"bcTruncateMore\"\u003e Hong Kong. And to me, home is an old church that harbours a myriad of unspoken emotions, flowing from the West to East. Complex history hidden within the dampen pillars, the sounds of the city and the footsteps of the everyday people that liven up the streets.\u003cbr\u003e\u003cbr\u003eMost notably in the first track, “I am afraid of”, voice recordings of anonymous strangers were collected describing their deepest fears. I’m most touched by the answers as they’ve shown me the same fears of death, love and being alone we all share.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Olivier Cong\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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香港のアンビエント作家Oliver Congが、2024年7月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。 古筝や尺八、エレクトロニクスによるネオクラシカル・アンビエントドローン13曲を収録。エンボス加工スリーブ仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
¥2,380
クイックビュー
{"id":8555976851706,"title":"Jon Rose \/\/ Aeolian Tendency CD","handle":"jon-rose-aeolian-tendency-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオーストラリアの楽器製作者／実験音楽家Jon Roseが、2024年7月に同国ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e自身が手がけたエオリアン楽器（風を原動力として奏でる楽器）によるドローン4曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"巨大な波が岸に打ち寄せ、砂丘が何千年もかけて隆起し、サイクロンが木々や家屋を根こそぎにし、銀河系を吹き抜ける風が惑星を混乱させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eもっとささやかなことだが、私は1979年以来、エオリアン楽器を作り続けている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムに収録されている2つのエオリアン楽器、モノリス2021とチューブ2022は、オーストラリア中部で経験する風の強弱の変化に対応することに重点を置いてデザインした。これらの楽器のボディは、四方を複数の弦で囲まれている。1.25メートルのモノリスは合板製で、ピアノ線と釣り糸で36本の弦が張られている。チューブは文字通り2メートルの塩ビ管で、釣り糸だけが取り付けられている。風向きが変わったり、隣接する弦を巻き込みたい場合は、手動で調整することができる。モノリスは各ブリッジにコンタクトマイクをカットしてセットアップし、チューブは内部にエアマイクを挿入して録音した。チューニングの合理性は、弦の張り、太さ、材質と同様に、「興奮」状態にあるときの実際のピッチ、つまりこのヴァイオリニストの直感に関係している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらのエオリアン実験は現在も進行中であり、フォン・カーラン渦効果と予測不可能な風パターンの両方を同時に扱う楽器の設計に役立つかもしれない。これまでの結果は、数々の音の驚きを生み出している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1128321014\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. First Tendency. The Monolith recorded 10.11.2022. 05:41\u003cbr\u003e2. Second Tendency. The Monolith recorded 13.1.2023.\u003cbr\u003e3. Third Tendency. The Tube recorded 15.1.2023.\u003cbr\u003e4. Fourth Tendency. The Monolith recorded 2.11.2022.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jon Rose:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI designed the two recent aeolian instruments heard on this album, the Monolith 2021 and the Tube 2022, with a focus on engaging with the variable windy conditions experienced in central Australia. The bodies of these instruments are flanked on all sides by multiple strings. The 1.25-meter Monolith is made of plywood, with 36 strings of both piano wire and fishing line. The Tube is literally a 2-meter PVC pipe and is fitted with fishing line only. Discrete adjustments can be manually made if the wind shifts or if the operator wishes to engage other adjacent strings, often resulting in microtonal beats. The Monolith is set up with contact microphones cut into each bridge, and the Tube was recorded with air microphones inserted\u003cspan class=\"bcTruncateMore\"\u003e internally. Tuning rational has as much to do with tautness, thickness, and material quality of string as actual pitch when in a state of ‘excitation’ - this violinist’s intuition.\u003cbr\u003e\u003cbr\u003eThese aeolian experiments are ongoing and may go some way to designing an instrument that simultaneously handles both the von Kárán vortex effect and unpredictable wind patterns. The results so far have generated numerous sonic surprises.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Rose\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-12T10:10:32+09:00","created_at":"2024-07-11T16:11:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46384911515898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jon Rose \/\/ Aeolian Tendency CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aeo1.jpg?v=1720681800","\/\/tobirarecords.com\/cdn\/shop\/files\/aeo2.jpg?v=1720681800"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aeo1.jpg?v=1720681800","options":["Title"],"media":[{"alt":null,"id":34523534852346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aeo1.jpg?v=1720681800"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aeo1.jpg?v=1720681800","width":700},{"alt":null,"id":34523534885114,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aeo2.jpg?v=1720681800"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aeo2.jpg?v=1720681800","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオーストラリアの楽器製作者／実験音楽家Jon Roseが、2024年7月に同国ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e自身が手がけたエオリアン楽器（風を原動力として奏でる楽器）によるドローン4曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"巨大な波が岸に打ち寄せ、砂丘が何千年もかけて隆起し、サイクロンが木々や家屋を根こそぎにし、銀河系を吹き抜ける風が惑星を混乱させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eもっとささやかなことだが、私は1979年以来、エオリアン楽器を作り続けている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムに収録されている2つのエオリアン楽器、モノリス2021とチューブ2022は、オーストラリア中部で経験する風の強弱の変化に対応することに重点を置いてデザインした。これらの楽器のボディは、四方を複数の弦で囲まれている。1.25メートルのモノリスは合板製で、ピアノ線と釣り糸で36本の弦が張られている。チューブは文字通り2メートルの塩ビ管で、釣り糸だけが取り付けられている。風向きが変わったり、隣接する弦を巻き込みたい場合は、手動で調整することができる。モノリスは各ブリッジにコンタクトマイクをカットしてセットアップし、チューブは内部にエアマイクを挿入して録音した。チューニングの合理性は、弦の張り、太さ、材質と同様に、「興奮」状態にあるときの実際のピッチ、つまりこのヴァイオリニストの直感に関係している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらのエオリアン実験は現在も進行中であり、フォン・カーラン渦効果と予測不可能な風パターンの両方を同時に扱う楽器の設計に役立つかもしれない。これまでの結果は、数々の音の驚きを生み出している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1128321014\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. First Tendency. The Monolith recorded 10.11.2022. 05:41\u003cbr\u003e2. Second Tendency. The Monolith recorded 13.1.2023.\u003cbr\u003e3. Third Tendency. The Tube recorded 15.1.2023.\u003cbr\u003e4. Fourth Tendency. The Monolith recorded 2.11.2022.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jon Rose:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI designed the two recent aeolian instruments heard on this album, the Monolith 2021 and the Tube 2022, with a focus on engaging with the variable windy conditions experienced in central Australia. The bodies of these instruments are flanked on all sides by multiple strings. The 1.25-meter Monolith is made of plywood, with 36 strings of both piano wire and fishing line. The Tube is literally a 2-meter PVC pipe and is fitted with fishing line only. Discrete adjustments can be manually made if the wind shifts or if the operator wishes to engage other adjacent strings, often resulting in microtonal beats. The Monolith is set up with contact microphones cut into each bridge, and the Tube was recorded with air microphones inserted\u003cspan class=\"bcTruncateMore\"\u003e internally. Tuning rational has as much to do with tautness, thickness, and material quality of string as actual pitch when in a state of ‘excitation’ - this violinist’s intuition.\u003cbr\u003e\u003cbr\u003eThese aeolian experiments are ongoing and may go some way to designing an instrument that simultaneously handles both the von Kárán vortex effect and unpredictable wind patterns. The results so far have generated numerous sonic surprises.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Rose\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの楽器製作者／実験音楽家Jon Roseが、2024年7月に同国ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。 自身が手がけたエオリアン楽器（風を原動力として奏でる楽器）によるドローン4曲を収録。エンボス加工スリーブ仕様です。 以下、作家本人による解説です。 "巨大な波が岸に打ち寄せ、砂丘が何千年もかけて隆起し、サイクロンが木々や家屋を根こそぎにし、銀河系を吹き抜ける風が惑星を混乱させる。 もっとささやかなことだが、私は1979年以来、エオリアン楽器を作り続けている。 このアルバムに収録されている2つのエオリアン楽器、モノリス2021とチューブ2022は、オーストラリア中部で経験する風の強弱の変化に対応することに重点を置いてデザインした。これらの楽器のボディは、四方を複数の弦で囲まれている。1.25メートルのモノリスは合板製で、ピアノ線と釣り糸で36本の弦が張られている。チューブは文字通り2メートルの塩ビ管で、釣り糸だけが取り付けられている。風向きが変わったり、隣接する弦を巻き込みたい場合は、手動で調整することができる。モノリスは各ブリッジにコンタクトマイクをカットしてセットアップし、チューブは内部にエアマイクを挿入して録音した。チューニングの合理性は、弦の張り、太さ、材質と同様に、「興奮」状態にあるときの実際のピッチ、つまりこのヴァイオリニストの直感に関係している。 これらのエオリアン実験は現在も進行中であり、フォン・カーラン渦効果と予測不可能な風パターンの両方を同時に扱う楽器の設計に役立つかもしれない。これまでの結果は、数々の音の驚きを生み出している。 " レーベルその他作品はこちら /// Click here to see more Room40...
¥2,380
クイックビュー
{"id":8555969052922,"title":"Yui Onodera \/\/ 1982 CD","handle":"yui-onodera-1982-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e岩手出身東京在住のアンビエント作家Yui Onoderaが、2024年7月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eギターやピアノ、カセットによるドリーミーなアンビエントドローン10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"生まれ故郷の岩手に数日間滞在し、限られた素材とオールドメディアを使って音素材を制作した。十数年前、岩手は東日本大震災で壊滅的な被害を受けた。私の記憶に残っていた多くの古いものが瓦礫となり、解体され、新しい風景がそこにあった。『1982』の全曲をそのまま古いテープレコーダーからバウンスした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音の「劣化と再生」への興味からこのアルバムを制作した。ギターとシンセサイザーを新しい方法で扱ったので、テープレコーダーやエフェクターを多用した。ギターは、テクノロジーや不完全さよりも、アンビエントなテクスチャーの延長であってほしかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生と加工。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは、00年代初頭のコンピューターとオーディオ技術の進化と民主化から大きな恩恵を受けた。リアルタイム・オーディオ合成やグラニュラー・シンセシスなど、人間には作り出せない音に魅了された。それから20数年経った今、私はコンピューターでは作り出せない音に魅了されている。それは、消えつつある古い技術による劣化や偶発的な摩耗も含めた摩耗が生み出す独特の音響の質感である。昔の岩手での思い出のようだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2hRqGeC6c5k?si=MgfMYamDnItPnuFy\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 1982 I\u003cbr\u003e2. 1982 II\u003cbr\u003e3. 1982 III 01:42\u003cbr\u003e4. 1982 IV\u003cbr\u003e5. 1982 V\u003cbr\u003e6. 1982 VI\u003cbr\u003e7. 1982 VII 04:09\u003cbr\u003e8. 1982 VIII\u003cbr\u003e9. 1982 IX\u003cbr\u003e10. 1982 X\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Yui Onodera:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album that comes out of my interest in sonic \"degradation and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003erebuilding\". I treated the guitar and synthesiser in a lot of new ways, so using a lot of tape recorders and\/or pedal effects. I wanted the guitar to be an extension of the ambient textures rather than technology and imperfection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe raw and the processed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe benefited greatly from the evolution and democratization of computer and audio technology in the early '00s. I was fascinated by sounds that could not be created by humans, such as real-time audio synthesis and granular synthesis. Now, 20-odd years later, I am fascinated by sounds that cannot be created with a computer. It was a unique acoustic texture created by deterioration and wear, including accidental wear, due to old technology that is disappearing. It's like a memory of my old days in Iwate.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yui Onodera\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-11T16:27:15+09:00","created_at":"2024-07-11T16:05:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46384865411322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yui Onodera \/\/ 1982 CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ono1.jpg?v=1720681358","\/\/tobirarecords.com\/cdn\/shop\/files\/ono2.jpg?v=1720681358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ono1.jpg?v=1720681358","options":["Title"],"media":[{"alt":null,"id":34523414364410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ono1.jpg?v=1720681358"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ono1.jpg?v=1720681358","width":700},{"alt":null,"id":34523414397178,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ono2.jpg?v=1720681358"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ono2.jpg?v=1720681358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e岩手出身東京在住のアンビエント作家Yui Onoderaが、2024年7月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eギターやピアノ、カセットによるドリーミーなアンビエントドローン10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"生まれ故郷の岩手に数日間滞在し、限られた素材とオールドメディアを使って音素材を制作した。十数年前、岩手は東日本大震災で壊滅的な被害を受けた。私の記憶に残っていた多くの古いものが瓦礫となり、解体され、新しい風景がそこにあった。『1982』の全曲をそのまま古いテープレコーダーからバウンスした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音の「劣化と再生」への興味からこのアルバムを制作した。ギターとシンセサイザーを新しい方法で扱ったので、テープレコーダーやエフェクターを多用した。ギターは、テクノロジーや不完全さよりも、アンビエントなテクスチャーの延長であってほしかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生と加工。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは、00年代初頭のコンピューターとオーディオ技術の進化と民主化から大きな恩恵を受けた。リアルタイム・オーディオ合成やグラニュラー・シンセシスなど、人間には作り出せない音に魅了された。それから20数年経った今、私はコンピューターでは作り出せない音に魅了されている。それは、消えつつある古い技術による劣化や偶発的な摩耗も含めた摩耗が生み出す独特の音響の質感である。昔の岩手での思い出のようだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2hRqGeC6c5k?si=MgfMYamDnItPnuFy\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 1982 I\u003cbr\u003e2. 1982 II\u003cbr\u003e3. 1982 III 01:42\u003cbr\u003e4. 1982 IV\u003cbr\u003e5. 1982 V\u003cbr\u003e6. 1982 VI\u003cbr\u003e7. 1982 VII 04:09\u003cbr\u003e8. 1982 VIII\u003cbr\u003e9. 1982 IX\u003cbr\u003e10. 1982 X\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Yui Onodera:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album that comes out of my interest in sonic \"degradation and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003erebuilding\". I treated the guitar and synthesiser in a lot of new ways, so using a lot of tape recorders and\/or pedal effects. I wanted the guitar to be an extension of the ambient textures rather than technology and imperfection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe raw and the processed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe benefited greatly from the evolution and democratization of computer and audio technology in the early '00s. I was fascinated by sounds that could not be created by humans, such as real-time audio synthesis and granular synthesis. Now, 20-odd years later, I am fascinated by sounds that cannot be created with a computer. It was a unique acoustic texture created by deterioration and wear, including accidental wear, due to old technology that is disappearing. It's like a memory of my old days in Iwate.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yui Onodera\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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岩手出身東京在住のアンビエント作家Yui Onoderaが、2024年7月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。 ギターやピアノ、カセットによるドリーミーなアンビエントドローン10曲を収録。 以下、作家本人による解説です。 "生まれ故郷の岩手に数日間滞在し、限られた素材とオールドメディアを使って音素材を制作した。十数年前、岩手は東日本大震災で壊滅的な被害を受けた。私の記憶に残っていた多くの古いものが瓦礫となり、解体され、新しい風景がそこにあった。『1982』の全曲をそのまま古いテープレコーダーからバウンスした。 音の「劣化と再生」への興味からこのアルバムを制作した。ギターとシンセサイザーを新しい方法で扱ったので、テープレコーダーやエフェクターを多用した。ギターは、テクノロジーや不完全さよりも、アンビエントなテクスチャーの延長であってほしかった。 生と加工。 私たちは、00年代初頭のコンピューターとオーディオ技術の進化と民主化から大きな恩恵を受けた。リアルタイム・オーディオ合成やグラニュラー・シンセシスなど、人間には作り出せない音に魅了された。それから20数年経った今、私はコンピューターでは作り出せない音に魅了されている。それは、消えつつある古い技術による劣化や偶発的な摩耗も含めた摩耗が生み出す独特の音響の質感である。昔の岩手での思い出のようだ。" レーベルその他作品はこちら /// Click here to see more Room40 releases...
¥2,380
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{"id":8555125342458,"title":"øjeRum \/\/ Your Soft Absence CD","handle":"ojerum-your-soft-absence-cd","description":"\u003cp\u003eデンマークのアンビエント作家øjeRumが、2023年12月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Your Soft Absenceは、加工されたサイン波とサンプリングされた管楽器の組曲です。幼い頃の感情への憧れ、無意識の不思議な感覚、本質がなくただ存在する状態、あるいは思い出そうとするたびに絶えず遠ざかっていく記憶のようなものです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2270866698\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePortrait Of The Green Twilight 15:30\u003c\/li\u003e\n\u003cli\u003eThe Breath Wavers From The Earth's Ear\u003c\/li\u003e\n\u003cli\u003eTomorrow We Commemorate The Falling Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by øjeRum\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Your Soft Absence is a suite of processed sine waves and sampled wind instruments. It’s a narrative of a particular feeling of absence that’s haunting me; perhaps best described as the longing for a childhood emotion, a feeling of unconscious wonder, a state of simply being without an essence or perhaps like a memory continuously receding whenever I try recalling it, seemingly closest and most present at a certain distance, with a certain absence.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-10T21:51:36+09:00","created_at":"2024-07-10T21:50:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46380560154874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"øjeRum \/\/ Your Soft Absence CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852","\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_0482e2cc-0efb-49c6-b9f2-08efba0105e9.jpg?v=1699407853"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852","options":["Title"],"media":[{"alt":null,"id":32655560343802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab1_d1bf602f-b729-4917-8ae6-cd8566c9ae83.jpg?v=1699407852","width":700},{"alt":null,"id":32655560376570,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_0482e2cc-0efb-49c6-b9f2-08efba0105e9.jpg?v=1699407853"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ab2_0482e2cc-0efb-49c6-b9f2-08efba0105e9.jpg?v=1699407853","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのアンビエント作家øjeRumが、2023年12月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Your Soft Absenceは、加工されたサイン波とサンプリングされた管楽器の組曲です。幼い頃の感情への憧れ、無意識の不思議な感覚、本質がなくただ存在する状態、あるいは思い出そうとするたびに絶えず遠ざかっていく記憶のようなものです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2270866698\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePortrait Of The Green Twilight 15:30\u003c\/li\u003e\n\u003cli\u003eThe Breath Wavers From The Earth's Ear\u003c\/li\u003e\n\u003cli\u003eTomorrow We Commemorate The Falling Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by øjeRum\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Your Soft Absence is a suite of processed sine waves and sampled wind instruments. It’s a narrative of a particular feeling of absence that’s haunting me; perhaps best described as the longing for a childhood emotion, a feeling of unconscious wonder, a state of simply being without an essence or perhaps like a memory continuously receding whenever I try recalling it, seemingly closest and most present at a certain distance, with a certain absence.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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デンマークのアンビエント作家øjeRumが、2023年12月にオーストラリアの実験レーベルroom40からリリースしたCDです。 ドリーミーなアンビエントドローン3曲を収録。 以下、作家本人による解説です。 "Your Soft Absenceは、加工されたサイン波とサンプリングされた管楽器の組曲です。幼い頃の感情への憧れ、無意識の不思議な感覚、本質がなくただ存在する状態、あるいは思い出そうとするたびに絶えず遠ざかっていく記憶のようなものです。" レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
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![Beatriz Ferreyra // UFO Forest + LP [BLACK / COLOR]](http://tobirarecords.com/cdn/shop/files/ufo1_medium.jpg?v=1699408652)
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{"id":8555121705210,"title":"Beatriz Ferreyra \/\/ UFO Forest + LP [BLACK \/ COLOR]","handle":"beatriz-ferreyra-ufo-forest-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアルゼンチンの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所\u003c\/span\u003e実験音楽家（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e御年86歳）\u003c\/span\u003eBeatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー（Liquid Architecture）のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとはいえ、彼女の作品が私（そして他の多くの人々もそうであろう）にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガで\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『UFO Forest +』には、テープベースの音楽とコンピューターベースの作品の両方が収められている。ここに収録された作品は、別世界のような感覚を無理なく表現し、ダイナミックで豊かなサウンド作品を創り出す彼女の才能を象徴している。Beatriz Ferreyraは、彼女独自の音世界を創り上げてきた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1467705816\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUFO Forest 14:14\u003c\/li\u003e\n\u003cli\u003eVuelo de signos y remolinos 02:54\u003c\/li\u003e\n\u003cli\u003eCercles des rondes 10:56\u003c\/li\u003e\n\u003cli\u003eVivencias def 11:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use\u003cspan class=\"bcTruncateMore\"\u003e of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward.\u003cbr\u003e\u003cbr\u003eUFO Forest + collects together works from both her practices in tape based music and also computer based works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here is lies the proof.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-10T21:44:28+09:00","created_at":"2024-07-10T21:42:55+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","room40"],"price":378800,"price_min":378800,"price_max":393500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46380542787834,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beatriz Ferreyra \/\/ UFO Forest + LP [BLACK \/ COLOR] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":378800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46380542820602,"title":"Clear Vinyl","option1":"Clear Vinyl","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beatriz Ferreyra \/\/ UFO Forest + LP [BLACK \/ COLOR] - Clear Vinyl","public_title":"Clear Vinyl","options":["Clear Vinyl"],"price":393500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1720615202","\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1720615202"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","options":["Color"],"media":[{"alt":null,"id":32655589474554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","width":700},{"alt":null,"id":32655589540090,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1720615202"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1720615202","width":1200},{"alt":null,"id":32655589507322,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1720615202"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1720615202","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアルゼンチンの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所\u003c\/span\u003e実験音楽家（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e御年86歳）\u003c\/span\u003eBeatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー（Liquid Architecture）のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとはいえ、彼女の作品が私（そして他の多くの人々もそうであろう）にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガで\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『UFO Forest +』には、テープベースの音楽とコンピューターベースの作品の両方が収められている。ここに収録された作品は、別世界のような感覚を無理なく表現し、ダイナミックで豊かなサウンド作品を創り出す彼女の才能を象徴している。Beatriz Ferreyraは、彼女独自の音世界を創り上げてきた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1467705816\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUFO Forest 14:14\u003c\/li\u003e\n\u003cli\u003eVuelo de signos y remolinos 02:54\u003c\/li\u003e\n\u003cli\u003eCercles des rondes 10:56\u003c\/li\u003e\n\u003cli\u003eVivencias def 11:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use\u003cspan class=\"bcTruncateMore\"\u003e of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward.\u003cbr\u003e\u003cbr\u003eUFO Forest + collects together works from both her practices in tape based music and also computer based works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here is lies the proof.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アルゼンチンの大御所実験音楽家（御年86歳）Beatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。 物音コラージュ〜ドローン4曲を収録。DLコード付属。 以下、レーベルオーナーLawrence Englishによる解説です。 "Beatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー（Liquid Architecture）のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。とはいえ、彼女の作品が私（そして他の多くの人々もそうであろう）にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガでBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、Beatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。Beatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。Beatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。『UFO Forest...
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![Natalie Beridze // Of Which One Knows LP [BLACK / COLOR]](http://tobirarecords.com/cdn/shop/files/on1_7feae78a-8719-45ce-80d4-fd2e81136a92_medium.jpg?v=1701421535)
クイックビュー
{"id":8099222716666,"title":"Natalie Beridze \/\/ Of Which One Knows LP [BLACK \/ COLOR]","handle":"natalie-beridze-of-which-one-knows-lp-color-black","description":"\u003cp\u003eジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2022年にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、ストリングスによるネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=749836814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Available on 12\" black vinyl or 12\" grey\/clear vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsh Wednesday 04:06\u003c\/li\u003e\n\u003cli\u003eSio 06:07\u003c\/li\u003e\n\u003cli\u003eX It 02:58\u003c\/li\u003e\n\u003cli\u003eDrift 05:14\u003c\/li\u003e\n\u003cli\u003eDoor Part II 03:01\u003c\/li\u003e\n\u003cli\u003eFreddy's Cut 05:55\u003c\/li\u003e\n\u003cli\u003eDoor Part I 02:15\u003c\/li\u003e\n\u003cli\u003eForensic Of The Thread 06:40\u003c\/li\u003e\n\u003cli\u003eSadness 02:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eOf Which One Knows', was written and produced between 2007-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuch unreleased material is a quintessential backdrop to an artist’s processes, as it has obviously never landed in any full bodies of work. It does however gain humble significance, which feels approachable, which is about absence and hence always fresh, drifting somewhere between remembrance and obliviousness.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Natalie Beridze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Room40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-05T15:04:05+09:00","created_at":"2023-12-01T18:05:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","room40"],"price":368800,"price_min":368800,"price_max":383500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44833580744954,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40125520019706,"product_id":8099222716666,"position":3,"created_at":"2023-12-01T18:05:33+09:00","updated_at":"2023-12-01T18:05:34+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534","variant_ids":[44833580744954]},"available":false,"name":"Natalie Beridze \/\/ Of Which One Knows LP [BLACK \/ COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":368800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32777842458874,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44833580712186,"title":"Grey\/Clear vinyl","option1":"Grey\/Clear vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40125520118010,"product_id":8099222716666,"position":2,"created_at":"2023-12-01T18:05:33+09:00","updated_at":"2023-12-01T18:05:35+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535","variant_ids":[44833580712186]},"available":true,"name":"Natalie Beridze \/\/ Of Which One Knows LP [BLACK \/ COLOR] - Grey\/Clear vinyl","public_title":"Grey\/Clear vinyl","options":["Grey\/Clear vinyl"],"price":383500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32777842426106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535","\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535","options":["Color"],"media":[{"alt":null,"id":32777842393338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_7feae78a-8719-45ce-80d4-fd2e81136a92.jpg?v=1701421535","width":700},{"alt":null,"id":32777842426106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_5783987f-7df3-488a-a040-f7fa9de291b3.jpg?v=1701421535","width":1200},{"alt":null,"id":32777842458874,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_282e3bf1-2209-4bcc-b00c-796c4d268f54.jpg?v=1701421534","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2022年にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、ストリングスによるネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=749836814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Available on 12\" black vinyl or 12\" grey\/clear vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsh Wednesday 04:06\u003c\/li\u003e\n\u003cli\u003eSio 06:07\u003c\/li\u003e\n\u003cli\u003eX It 02:58\u003c\/li\u003e\n\u003cli\u003eDrift 05:14\u003c\/li\u003e\n\u003cli\u003eDoor Part II 03:01\u003c\/li\u003e\n\u003cli\u003eFreddy's Cut 05:55\u003c\/li\u003e\n\u003cli\u003eDoor Part I 02:15\u003c\/li\u003e\n\u003cli\u003eForensic Of The Thread 06:40\u003c\/li\u003e\n\u003cli\u003eSadness 02:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eOf Which One Knows', was written and produced between 2007-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuch unreleased material is a quintessential backdrop to an artist’s processes, as it has obviously never landed in any full bodies of work. It does however gain humble significance, which feels approachable, which is about absence and hence always fresh, drifting somewhere between remembrance and obliviousness.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Natalie Beridze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Room40\u003c\/span\u003e\u003c\/p\u003e"}
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ジョージア・トビリシのネオクラシカル作家Natalie Beridzeが、2022年にオーストラリアの実験レーベルroom40からリリースしたレコードです。 声やピアノ、ストリングスによるネオクラシカル・アンビエント〜アンビエントドローン9曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Includes...
¥3,688
![Eugene Carchesio + Adam Betts // Circle Drum Music LP [COLOR / BLACK]](http://tobirarecords.com/cdn/shop/files/eu1_621880fd-e908-423f-89ac-d73c971908e3_medium.jpg?v=1699408462)
クイックビュー
{"id":8073118449914,"title":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK]","handle":"eugene-carchesio-adam-betts-circle-drum-music-lp-color-black","description":"\u003cp\u003eオーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eパルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene Carchesioとイギリスの\u003cmeta charset=\"utf-8\"\u003eAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数年前、\u003cmeta charset=\"utf-8\"\u003eEugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、\u003cmeta charset=\"utf-8\"\u003eEugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。\u003cmeta charset=\"utf-8\"\u003eEugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしている\u003cmeta charset=\"utf-8\"\u003eAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAdamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。\u003cbr\u003e\u003cbr\u003eその結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。\u003cbr\u003e\u003cbr\u003eこのような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4214867450\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" purple swirl vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA 01:52\u003c\/li\u003e\n\u003cli\u003eB 01:00\u003c\/li\u003e\n\u003cli\u003eC 00:37\u003c\/li\u003e\n\u003cli\u003eD 01:20\u003c\/li\u003e\n\u003cli\u003eE 03:00\u003c\/li\u003e\n\u003cli\u003eF 01:56\u003c\/li\u003e\n\u003cli\u003eG 01:28\u003c\/li\u003e\n\u003cli\u003eH 01:18\u003c\/li\u003e\n\u003cli\u003eI 01:00\u003c\/li\u003e\n\u003cli\u003eJ 00:58\u003c\/li\u003e\n\u003cli\u003eK 01:42\u003c\/li\u003e\n\u003cli\u003eL 01:12\u003c\/li\u003e\n\u003cli\u003eM 01:06\u003c\/li\u003e\n\u003cli\u003eN 01:07\u003c\/li\u003e\n\u003cli\u003eO 01:36\u003c\/li\u003e\n\u003cli\u003eP 02:13\u003c\/li\u003e\n\u003cli\u003eQ 02:28\u003c\/li\u003e\n\u003cli\u003eR 01:06\u003c\/li\u003e\n\u003cli\u003eS 01:12\u003c\/li\u003e\n\u003cli\u003eT 00:44\u003c\/li\u003e\n\u003cli\u003eU 01:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eText by Lawrence English:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We’d first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly\u003cspan class=\"bcTruncateMore\"\u003e. Somehow, watching Adam lug those weights made me think he’d be the perfect candidate to work with Eugene on this project. To my delight, he agreed.\u003cbr\u003e\u003cbr\u003eWhat results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It’s also a record of careful listening and generous exploration.\u003cbr\u003e\u003cbr\u003eIt’s not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Eugene Carchesio + Adam Betts\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-11-11T07:26:04+09:00","created_at":"2023-11-08T10:54:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","room40","strange beats"],"price":358800,"price_min":358800,"price_max":373500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745113567482,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40010153394426,"product_id":8073118449914,"position":3,"created_at":"2023-11-08T10:54:20+09:00","updated_at":"2023-11-08T10:54:22+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462","variant_ids":[44745113567482]},"available":false,"name":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":358800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32655583903994,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44745113600250,"title":"Purple Swirl Vinyl","option1":"Purple Swirl Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40010153459962,"product_id":8073118449914,"position":2,"created_at":"2023-11-08T10:54:20+09:00","updated_at":"2023-11-08T10:54:22+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","variant_ids":[44745113600250]},"available":true,"name":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK] - Purple Swirl Vinyl","public_title":"Purple Swirl Vinyl","options":["Purple Swirl Vinyl"],"price":373500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32655583871226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","options":["Color"],"media":[{"alt":null,"id":32655583838458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","width":700},{"alt":null,"id":32655583871226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","width":1200},{"alt":null,"id":32655583903994,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eパルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene Carchesioとイギリスの\u003cmeta charset=\"utf-8\"\u003eAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数年前、\u003cmeta charset=\"utf-8\"\u003eEugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、\u003cmeta charset=\"utf-8\"\u003eEugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。\u003cmeta charset=\"utf-8\"\u003eEugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしている\u003cmeta charset=\"utf-8\"\u003eAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAdamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。\u003cbr\u003e\u003cbr\u003eその結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。\u003cbr\u003e\u003cbr\u003eこのような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4214867450\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" purple swirl vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA 01:52\u003c\/li\u003e\n\u003cli\u003eB 01:00\u003c\/li\u003e\n\u003cli\u003eC 00:37\u003c\/li\u003e\n\u003cli\u003eD 01:20\u003c\/li\u003e\n\u003cli\u003eE 03:00\u003c\/li\u003e\n\u003cli\u003eF 01:56\u003c\/li\u003e\n\u003cli\u003eG 01:28\u003c\/li\u003e\n\u003cli\u003eH 01:18\u003c\/li\u003e\n\u003cli\u003eI 01:00\u003c\/li\u003e\n\u003cli\u003eJ 00:58\u003c\/li\u003e\n\u003cli\u003eK 01:42\u003c\/li\u003e\n\u003cli\u003eL 01:12\u003c\/li\u003e\n\u003cli\u003eM 01:06\u003c\/li\u003e\n\u003cli\u003eN 01:07\u003c\/li\u003e\n\u003cli\u003eO 01:36\u003c\/li\u003e\n\u003cli\u003eP 02:13\u003c\/li\u003e\n\u003cli\u003eQ 02:28\u003c\/li\u003e\n\u003cli\u003eR 01:06\u003c\/li\u003e\n\u003cli\u003eS 01:12\u003c\/li\u003e\n\u003cli\u003eT 00:44\u003c\/li\u003e\n\u003cli\u003eU 01:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eText by Lawrence English:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We’d first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly\u003cspan class=\"bcTruncateMore\"\u003e. Somehow, watching Adam lug those weights made me think he’d be the perfect candidate to work with Eugene on this project. To my delight, he agreed.\u003cbr\u003e\u003cbr\u003eWhat results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It’s also a record of careful listening and generous exploration.\u003cbr\u003e\u003cbr\u003eIt’s not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Eugene Carchesio + Adam Betts\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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オーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。 パルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。 以下、レーベルオーナーLawrence Englishによる解説です。 "時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene CarchesioとイギリスのAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。数年前、Eugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、Eugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。Eugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。ほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしているAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。 Adamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。その結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。このような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。" レーベルその他作品はこちら /// Click here to...
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{"id":8073105015034,"title":"Amby Downs \/\/ Ngunmal CD","handle":"amby-downs-ngunmal-cd","description":"\u003cp\u003eオーストラリアの美術家／実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のローエンドなドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAmby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101297798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNgunmal\u003c\/li\u003e\n\u003cli\u003eI Am Holding My Breath\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The work of Amby Downs, aka Murri\/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is heavily worn by the weight of colonial aggression and obfuscation. She is a collector, a researcher and a surgeon, stitching together these pieces of connective tissue, and through doing so she creates the opportunity to imagine, perhaps even re-imagine, the stories that have forged her very being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNgunmal and I Am Holding My Breath are two long form works that exist both as sound pieces and as audio visual installations. They are pieces that operate in the realm of the physical. They are loaded with a low frequency energy that breathes, sighs and yearns. There’s a sense of simultaneous constriction and expansion in her compositions, a quality that draws you in deeper and\u003cspan class=\"bcTruncateMore\"\u003e deeper. This depth is sensed as pressure. In some respects her sound works mimmic the research that feeds into them; even the smallest crack, the tiniest murmuring, can be split open to reveal an entire cavern of sound.\u003cbr\u003e\u003cbr\u003eAmby Downs, and Palmer’s practice more broadly, asks us to make ourselves available. It asks us to be vulnerable to places and situations of not knowing, to be uncertain, to being unsettled. It prompts us to recognise within ourselves the way we operate in the day to day, and through doing so opens us up to experience these wildly intense, provocative and ultimately beautiful works.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amby Downs\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-11-11T07:14:50+09:00","created_at":"2023-11-08T10:40:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745078964474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amby Downs \/\/ Ngunmal CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","options":["Title"],"media":[{"alt":null,"id":32655547990266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","width":700},{"alt":null,"id":32655548023034,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの美術家／実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のローエンドなドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAmby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101297798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNgunmal\u003c\/li\u003e\n\u003cli\u003eI Am Holding My Breath\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The work of Amby Downs, aka Murri\/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is heavily worn by the weight of colonial aggression and obfuscation. She is a collector, a researcher and a surgeon, stitching together these pieces of connective tissue, and through doing so she creates the opportunity to imagine, perhaps even re-imagine, the stories that have forged her very being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNgunmal and I Am Holding My Breath are two long form works that exist both as sound pieces and as audio visual installations. They are pieces that operate in the realm of the physical. They are loaded with a low frequency energy that breathes, sighs and yearns. There’s a sense of simultaneous constriction and expansion in her compositions, a quality that draws you in deeper and\u003cspan class=\"bcTruncateMore\"\u003e deeper. This depth is sensed as pressure. In some respects her sound works mimmic the research that feeds into them; even the smallest crack, the tiniest murmuring, can be split open to reveal an entire cavern of sound.\u003cbr\u003e\u003cbr\u003eAmby Downs, and Palmer’s practice more broadly, asks us to make ourselves available. It asks us to be vulnerable to places and situations of not knowing, to be uncertain, to being unsettled. It prompts us to recognise within ourselves the way we operate in the day to day, and through doing so opens us up to experience these wildly intense, provocative and ultimately beautiful works.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amby Downs\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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オーストラリアの美術家／実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。 メロディ皆無のローエンドなドローン2曲を収録。 以下、レーベルによる解説です。 『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。 Amby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。" レーベルその他作品はこちら /// Click here to...
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{"id":8073100755194,"title":"Fabio Perletta \/\/ Nessun Legame con la Polvere CD","handle":"fabio-perletta-nessun-legame-con-la-polvere-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e※11\/19のTobira x Void企画に出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eピアノと物音による実験アンビエント〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースのタイトル「Nessun Legame con la Polvere（埃に執着しない）」は、禅の物語と、私のプロジェクト「I Fiori Non Vedono Mai I Propri Semi（花は自分の種を見ない）」の10個の彫刻のうちの1つである小さな木箱から引用している。この作品は2020年、イタリアのポリナリアの森でAequusol Autumnus MMXXの一環として展示された。この展覧会には音がなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生命、私たちが構成する物質、そして私たちが毎日使用する物体は、それ自体で実体として考えることはできず、むしろこれらの物事の間の関係、それらが互いに影響し合う方法として考えるべきであることは、今や明らかである。それ自体のもつれや特殊な性質でさえも、それらが他のものに影響を与え、作用する方法にほかならない。これは量子物理学が長年採用してきた視点であり、私たちの生物学や感情の基礎でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e世界を認識するとき、私たちは厳密に局所化された視点を確立する。『Nessun Legame con la Polvere』は、相互影響の網の目である。永遠に行ったり来たりする出会い、予測不可能な方法で他と交差する音、時間の経過とともに沈殿し、再浮上する断片、知らず知らずのうちに舵を別のコースではなく、あるコースに向けた個人的な出来事。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nessun Legame con la Polvere』は、失われた友人、死、そしてそれと対をなす生命の並外れた力についての瞑想である。この作品のタイトルは、私がこれまで述べてきたことを裏切っているようだが、私はその逆説的で奇妙な謎解きの中で、物事の価値を本当に理解することを学んだ。私は、目的、私たちの存在に対する答え、意味や神を求めることなく、より広い意味で人生の複雑さを熟考する視点を受け入れた。塵に執着しないことは、可能性を開き、可能性を歓迎する。\u003cbr\u003e\u003cbr\u003eこの作品が、耳を傾けながら何らかの光を生み出し、あなたと世界の影、その波紋や小さな隙間、限りなく小さなものと得体の知れない広大な宇宙との間に新たな関係を生み出すことを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=521671964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD includes fold-out booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSenza Titolo I\u003c\/li\u003e\n\u003cli\u003eSenza Titolo II\u003c\/li\u003e\n\u003cli\u003eSenza Titolo III\u003c\/li\u003e\n\u003cli\u003eSenza Titolo IV 04:28\u003c\/li\u003e\n\u003cli\u003eSenza Titolo V\u003c\/li\u003e\n\u003cli\u003eSenza Titolo VI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Fabio Perletta:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is now clear that life, the matter we are made of, and the objects we use every day cannot be considered entities in their own right but rather as relationships between these things, the way they affect each other. Even their own tangibility and particular properties are nothing but the way they influence and act on other things. It is a perspective that quantum physics has adopted for many years, but also the basis of our biology, of our feelings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen we perceive the world we establish a strictly localised perspective which in turn can generate a more extended and widespread resonance within and around us. ‘Nessun Legame con la Polvere’ is a web of mutual influences; encounters that come and go forever; sounds that intersect with others in unpredictable ways, fragments sedimented over time and resurfaced\u003cspan class=\"bcTruncateMore\"\u003e, personal happenings that unwittingly steered the rudder towards one course rather than another.\u003cbr\u003e\u003cbr\u003e‘Nessun Legame con la Polvere’ is a meditation on lost friends, death and its counterpart, the extraordinary force of life. Although the title of this work seems to betray what I have stated so far, it is in its paradoxical, bizarre riddle that I learnt to really appreciate the value of things. I embraced a perspective that contemplates life's complexity in a broader sense, without looking for a purpose, an alleged answer to our existence, a meaning or God. Having no attachment to dust opens up to possibilities, it welcomes likelihoods.\u003cbr\u003e\u003cbr\u003eI hope that this work can generate some light while listening, and create new relationships between you and the shadows of the world, their ripples and little openings, between the infinitely small and the unknowable vastness of the universe.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Fabio Perletta\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-09T17:31:07+09:00","created_at":"2023-11-08T10:35:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","monooto","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745064120570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fabio Perletta \/\/ Nessun Legame con la Polvere CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","options":["Title"],"media":[{"alt":null,"id":32655530655994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","width":700},{"alt":null,"id":32655530688762,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e※11\/19のTobira x Void企画に出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eピアノと物音による実験アンビエント〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースのタイトル「Nessun Legame con la Polvere（埃に執着しない）」は、禅の物語と、私のプロジェクト「I Fiori Non Vedono Mai I Propri Semi（花は自分の種を見ない）」の10個の彫刻のうちの1つである小さな木箱から引用している。この作品は2020年、イタリアのポリナリアの森でAequusol Autumnus MMXXの一環として展示された。この展覧会には音がなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生命、私たちが構成する物質、そして私たちが毎日使用する物体は、それ自体で実体として考えることはできず、むしろこれらの物事の間の関係、それらが互いに影響し合う方法として考えるべきであることは、今や明らかである。それ自体のもつれや特殊な性質でさえも、それらが他のものに影響を与え、作用する方法にほかならない。これは量子物理学が長年採用してきた視点であり、私たちの生物学や感情の基礎でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e世界を認識するとき、私たちは厳密に局所化された視点を確立する。『Nessun Legame con la Polvere』は、相互影響の網の目である。永遠に行ったり来たりする出会い、予測不可能な方法で他と交差する音、時間の経過とともに沈殿し、再浮上する断片、知らず知らずのうちに舵を別のコースではなく、あるコースに向けた個人的な出来事。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nessun Legame con la Polvere』は、失われた友人、死、そしてそれと対をなす生命の並外れた力についての瞑想である。この作品のタイトルは、私がこれまで述べてきたことを裏切っているようだが、私はその逆説的で奇妙な謎解きの中で、物事の価値を本当に理解することを学んだ。私は、目的、私たちの存在に対する答え、意味や神を求めることなく、より広い意味で人生の複雑さを熟考する視点を受け入れた。塵に執着しないことは、可能性を開き、可能性を歓迎する。\u003cbr\u003e\u003cbr\u003eこの作品が、耳を傾けながら何らかの光を生み出し、あなたと世界の影、その波紋や小さな隙間、限りなく小さなものと得体の知れない広大な宇宙との間に新たな関係を生み出すことを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=521671964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD includes fold-out booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSenza Titolo I\u003c\/li\u003e\n\u003cli\u003eSenza Titolo II\u003c\/li\u003e\n\u003cli\u003eSenza Titolo III\u003c\/li\u003e\n\u003cli\u003eSenza Titolo IV 04:28\u003c\/li\u003e\n\u003cli\u003eSenza Titolo V\u003c\/li\u003e\n\u003cli\u003eSenza Titolo VI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Fabio Perletta:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is now clear that life, the matter we are made of, and the objects we use every day cannot be considered entities in their own right but rather as relationships between these things, the way they affect each other. Even their own tangibility and particular properties are nothing but the way they influence and act on other things. It is a perspective that quantum physics has adopted for many years, but also the basis of our biology, of our feelings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen we perceive the world we establish a strictly localised perspective which in turn can generate a more extended and widespread resonance within and around us. ‘Nessun Legame con la Polvere’ is a web of mutual influences; encounters that come and go forever; sounds that intersect with others in unpredictable ways, fragments sedimented over time and resurfaced\u003cspan class=\"bcTruncateMore\"\u003e, personal happenings that unwittingly steered the rudder towards one course rather than another.\u003cbr\u003e\u003cbr\u003e‘Nessun Legame con la Polvere’ is a meditation on lost friends, death and its counterpart, the extraordinary force of life. Although the title of this work seems to betray what I have stated so far, it is in its paradoxical, bizarre riddle that I learnt to really appreciate the value of things. I embraced a perspective that contemplates life's complexity in a broader sense, without looking for a purpose, an alleged answer to our existence, a meaning or God. Having no attachment to dust opens up to possibilities, it welcomes likelihoods.\u003cbr\u003e\u003cbr\u003eI hope that this work can generate some light while listening, and create new relationships between you and the shadows of the world, their ripples and little openings, between the infinitely small and the unknowable vastness of the universe.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Fabio Perletta\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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※11/19のTobira x Void企画に出演します イタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。 ピアノと物音による実験アンビエント〜ドローン7曲を収録。 以下、作家本人による解説です。 "このリリースのタイトル「Nessun Legame con la Polvere（埃に執着しない）」は、禅の物語と、私のプロジェクト「I Fiori Non...
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{"id":8014937915642,"title":"Tenniscoats \/\/ Totemo Aimasho (15th Anniversary Edition) CD","handle":"tenniscoats-totemo-aimasho-15th-anniversary-edition-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。（オリジナルは2007年リリース）\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eオーストラリアツアー中に録音したフォーク〜アンビエント・フォーク12曲を収録。エコウォレット、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e00年代初頭のある時、当時日本に住んでいたジョン・チャントラーが、東京で知り合ったミュージシャン、テニスコーツと録音したばかりの不思議な音源を送ってくれた。これが、その後長年の友人となり、音のインスピレーションの源泉となったサヤとウエノを私が初めて知ったきっかけだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2005年、メルボルンのガイ・ブラックマンとのつながりで、テニスコーツはオーストラリアツアーを行った。フォーティテュード・バレーのリックスカフェで開催された彼らのショーは、歌、即興、そしてメロディーの自由が乱れ飛ぶものだった。公演後、\u003cmeta charset=\"utf-8\"\u003eサヤとウエノ、ドラマーのキシダはさらに数日間ブリスベンに滞在し、この間に『トテモアイマショウ』の大部分が録音された。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコーディング自体は、友人のハインツ・リーグラーが小さなレコーディング・スペースを設けたオフィスビルを再利用して行われた。さまざまなオフィスを、やや隔離された録音ゾーンとして使うことができた。結果は驚くほど豊かで、オフィスの部屋の設計の賜物だと思う。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの特別な15周年記念盤のために、私は時間をかけて録音を見直し、リマスタリングを行った。このバージョンは、おそらく当時のセッションのダイナミクスをもう少し忠実に再現したものだろう。また、オリジナルの『トテモアイマショウ』セッションには含まれていなかったアーカイブ資料にも何日か目を通した。驚いたことに、レコードの中で私のお気に入りの曲のひとつであるCacoyのデモ・バージョンをいくつか見つけたし、他のアルバム曲のバリエーションや、レコードに収録されていない実験的な曲もいくつか見つけた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの音楽には、ある種の晴れやかな喜びがある。このレコードには、好奇心、多孔性、寛大さが同居している。それは、このコラボレーション、そして「トテモアイマショウ」の創作そのものに影響を与えた混合的な方法論である。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eジョンに感謝の言葉を送りたい。ジョンがいなければ、このプロジェクトも、その後の多くのつながりも生まれなかっただろう。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ETcHPQyGCNY?si=Nv-LGyhiPMmGbbOx\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8J0cng8aE9k?si=iyicK6xl5D692T9o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CDN8UiAuIpM?si=2aimX3QdcjJqmbod\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vuY-649zA-I?si=PI28wbxW9D3k1ze4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKquGvqL1sI?si=5o2acMenROrQRw8O\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome printed, Matte laminated and embossed sleeve with insert card. Includes previously unreleased demos and outtakes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Lawrence English:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSome time in the early 00s John Chantler, who was living in Japan at the time, sent me a couple of curious sound pieces he’d just recorded with musicians he’d met from Tokyo - Tenniscoats. This was my first introduction to Saya and Ueno, who have subsequently gone on to become longtime friends and a wellspring of sonic inspiration.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2005, through their connections to Guy Blackman in Melbourne, Tenniscoats under took a tour of Australia and as part of that visit I arranged a concert for them in Brisbane. Their show, held at Rics Cafe in Fortitude Valley, was a wildly-flowing flux of song, improvisation and sheer melodic freedom. Following the performance Saya, Ueno and drummer Yoshinari Kishida spent a few additional days in Brisbane, and it’s during this time that the majority of Totemo Aimasho was recorded.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe recording itself took place in a reappropriated office building, where my friend Heinz Riegler had set up a small recording space. We were able to use the various offices as somewhat isolated recording zones. The results were surprisingly rich, a testament to office room design I suppose.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor this special 15th anniversary edition, I spent\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esome time going back over the recordings to remaster them. This version is perhaps a bit more faithful to the dynamics of those sessions. I also spent some days going through archival materials that were not included in the original Totemo Aimasho sessions. To my surprise I found a couple of demo versions of Cacoy, one of my favourite pieces from the record, as well as some variations of other album pieces and also a couple of experiments not included on the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s a certain radiant joy to this music. The record is equal parts curiosity, porousness and generosity. It's a mixed methodology that informed this collaboration, and equally the creation of Totemo Aimasho itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to send a special note of thanks to John, without whom this project, and many subsequent other connections, would not have occurred.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-09-07T11:13:16+09:00","created_at":"2023-09-07T11:13:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44544150601978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tenniscoats \/\/ Totemo Aimasho (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808","options":["Title"],"media":[{"alt":null,"id":32414091608314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3145123702_16.jpg?v=1694052808","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。（オリジナルは2007年リリース）\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eオーストラリアツアー中に録音したフォーク〜アンビエント・フォーク12曲を収録。エコウォレット、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e00年代初頭のある時、当時日本に住んでいたジョン・チャントラーが、東京で知り合ったミュージシャン、テニスコーツと録音したばかりの不思議な音源を送ってくれた。これが、その後長年の友人となり、音のインスピレーションの源泉となったサヤとウエノを私が初めて知ったきっかけだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2005年、メルボルンのガイ・ブラックマンとのつながりで、テニスコーツはオーストラリアツアーを行った。フォーティテュード・バレーのリックスカフェで開催された彼らのショーは、歌、即興、そしてメロディーの自由が乱れ飛ぶものだった。公演後、\u003cmeta charset=\"utf-8\"\u003eサヤとウエノ、ドラマーのキシダはさらに数日間ブリスベンに滞在し、この間に『トテモアイマショウ』の大部分が録音された。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコーディング自体は、友人のハインツ・リーグラーが小さなレコーディング・スペースを設けたオフィスビルを再利用して行われた。さまざまなオフィスを、やや隔離された録音ゾーンとして使うことができた。結果は驚くほど豊かで、オフィスの部屋の設計の賜物だと思う。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの特別な15周年記念盤のために、私は時間をかけて録音を見直し、リマスタリングを行った。このバージョンは、おそらく当時のセッションのダイナミクスをもう少し忠実に再現したものだろう。また、オリジナルの『トテモアイマショウ』セッションには含まれていなかったアーカイブ資料にも何日か目を通した。驚いたことに、レコードの中で私のお気に入りの曲のひとつであるCacoyのデモ・バージョンをいくつか見つけたし、他のアルバム曲のバリエーションや、レコードに収録されていない実験的な曲もいくつか見つけた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこの音楽には、ある種の晴れやかな喜びがある。このレコードには、好奇心、多孔性、寛大さが同居している。それは、このコラボレーション、そして「トテモアイマショウ」の創作そのものに影響を与えた混合的な方法論である。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eジョンに感謝の言葉を送りたい。ジョンがいなければ、このプロジェクトも、その後の多くのつながりも生まれなかっただろう。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ETcHPQyGCNY?si=Nv-LGyhiPMmGbbOx\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8J0cng8aE9k?si=iyicK6xl5D692T9o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CDN8UiAuIpM?si=2aimX3QdcjJqmbod\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vuY-649zA-I?si=PI28wbxW9D3k1ze4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKquGvqL1sI?si=5o2acMenROrQRw8O\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome printed, Matte laminated and embossed sleeve with insert card. Includes previously unreleased demos and outtakes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Lawrence English:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSome time in the early 00s John Chantler, who was living in Japan at the time, sent me a couple of curious sound pieces he’d just recorded with musicians he’d met from Tokyo - Tenniscoats. This was my first introduction to Saya and Ueno, who have subsequently gone on to become longtime friends and a wellspring of sonic inspiration.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2005, through their connections to Guy Blackman in Melbourne, Tenniscoats under took a tour of Australia and as part of that visit I arranged a concert for them in Brisbane. Their show, held at Rics Cafe in Fortitude Valley, was a wildly-flowing flux of song, improvisation and sheer melodic freedom. Following the performance Saya, Ueno and drummer Yoshinari Kishida spent a few additional days in Brisbane, and it’s during this time that the majority of Totemo Aimasho was recorded.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe recording itself took place in a reappropriated office building, where my friend Heinz Riegler had set up a small recording space. We were able to use the various offices as somewhat isolated recording zones. The results were surprisingly rich, a testament to office room design I suppose.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor this special 15th anniversary edition, I spent\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esome time going back over the recordings to remaster them. This version is perhaps a bit more faithful to the dynamics of those sessions. I also spent some days going through archival materials that were not included in the original Totemo Aimasho sessions. To my surprise I found a couple of demo versions of Cacoy, one of my favourite pieces from the record, as well as some variations of other album pieces and also a couple of experiments not included on the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s a certain radiant joy to this music. The record is equal parts curiosity, porousness and generosity. It's a mixed methodology that informed this collaboration, and equally the creation of Totemo Aimasho itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to send a special note of thanks to John, without whom this project, and many subsequent other connections, would not have occurred.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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東京のフォークデュオTenniscoatsが、2023年9月にオーストラリアの実験レーベルroom40からリリースした再発CDです。（オリジナルは2007年リリース） オーストラリアツアー中に録音したフォーク〜アンビエント・フォーク12曲を収録。エコウォレット、シュリンク仕様です。 以下、レーベルオーナーLawrence Englishによる解説です。 " 00年代初頭のある時、当時日本に住んでいたジョン・チャントラーが、東京で知り合ったミュージシャン、テニスコーツと録音したばかりの不思議な音源を送ってくれた。これが、その後長年の友人となり、音のインスピレーションの源泉となったサヤとウエノを私が初めて知ったきっかけだった。2005年、メルボルンのガイ・ブラックマンとのつながりで、テニスコーツはオーストラリアツアーを行った。フォーティテュード・バレーのリックスカフェで開催された彼らのショーは、歌、即興、そしてメロディーの自由が乱れ飛ぶものだった。公演後、サヤとウエノ、ドラマーのキシダはさらに数日間ブリスベンに滞在し、この間に『トテモアイマショウ』の大部分が録音された。レコーディング自体は、友人のハインツ・リーグラーが小さなレコーディング・スペースを設けたオフィスビルを再利用して行われた。さまざまなオフィスを、やや隔離された録音ゾーンとして使うことができた。結果は驚くほど豊かで、オフィスの部屋の設計の賜物だと思う。この特別な15周年記念盤のために、私は時間をかけて録音を見直し、リマスタリングを行った。このバージョンは、おそらく当時のセッションのダイナミクスをもう少し忠実に再現したものだろう。また、オリジナルの『トテモアイマショウ』セッションには含まれていなかったアーカイブ資料にも何日か目を通した。驚いたことに、レコードの中で私のお気に入りの曲のひとつであるCacoyのデモ・バージョンをいくつか見つけたし、他のアルバム曲のバリエーションや、レコードに収録されていない実験的な曲もいくつか見つけた。この音楽には、ある種の晴れやかな喜びがある。このレコードには、好奇心、多孔性、寛大さが同居している。それは、このコラボレーション、そして「トテモアイマショウ」の創作そのものに影響を与えた混合的な方法論である。ジョンに感謝の言葉を送りたい。ジョンがいなければ、このプロジェクトも、その後の多くのつながりも生まれなかっただろう。" レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
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{"id":7996645998842,"title":"Christina Giannone \/\/ Reality Opposition CD","handle":"christina-giannone-reality-opposition-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・NYの実験音楽家Christina Giannoneが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなローエンド・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"解離がこの作品の原動力である。身を委ねるという行為、私たちの存在を外から観察しようとする試み。\u003cbr\u003e\u003cbr\u003e屈服はあきらめのように感じる。\u003cbr\u003e\u003cbr\u003e受け入れることはあきらめのように感じる。\u003cbr\u003e\u003cbr\u003eそのプロセスには、観察と細部へのこだわりによるデジタルサウンドの実験や、聴き手によって音が異なる姿を見せるというアイデアが含まれている。この細部へのこだわりは、角度によって形を変えるホログラムとして機能する。多次元的な存在のアイデアと、最も純粋な形での無関心。ゆっくりとしたデジタルの蒸発。\u003cbr\u003e\u003cbr\u003e無とは何かを再現する試み。それは窓の外を眺めることかもしれないし、通りすがりの会話かもしれないし、不完全な思考かもしれない。その隙間を埋める、はかなく無意味な瞬間。私たちが無意識にしか意識していないもの。\u003cbr\u003e\u003cbr\u003e周縁。忘れられたもの。その間の静寂。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564837374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1 \u003cem\u003e 08:00\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 \u003cem\u003e 11:18 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e3 \u003cem\u003e 13:34 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eReality Opposition \u003cem\u003e 06:48\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eCosmic Identity \u003cem\u003e13:02 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement excerpt by Christina Giannone:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDissociation is the driving force behind the composition. The act of surrendering, the attempt to observe our existence from the outside.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGiving in feels like giving up.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcceptance feels like resignation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener. This attention to detail acts as a hologram, changing shapes depending on the angle. Ideas of multi-dimensional existences and indifference in its purest form. Slow, digital evaporation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn attempt to recreate what ‘nothing’ means. It might be a gaze out the window, conversations in passing, an incomplete thought. Fleeting, meaningless moments that fill the gaps. Things we are only subconsciously aware of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Giannone\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:45:47+09:00","created_at":"2023-07-20T15:37:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361199747322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christina Giannone \/\/ Reality Opposition CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044","\/\/tobirarecords.com\/cdn\/shop\/files\/op2_991ac17a-7d24-4ce6-a4e9-124825181a78.jpg?v=1689835044"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044","options":["Title"],"media":[{"alt":null,"id":32245549793530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_576ae516-56be-4434-ae65-cbf68dca93f2.jpg?v=1689835044","width":700},{"alt":null,"id":32245549826298,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_991ac17a-7d24-4ce6-a4e9-124825181a78.jpg?v=1689835044"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_991ac17a-7d24-4ce6-a4e9-124825181a78.jpg?v=1689835044","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・NYの実験音楽家Christina Giannoneが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなローエンド・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"解離がこの作品の原動力である。身を委ねるという行為、私たちの存在を外から観察しようとする試み。\u003cbr\u003e\u003cbr\u003e屈服はあきらめのように感じる。\u003cbr\u003e\u003cbr\u003e受け入れることはあきらめのように感じる。\u003cbr\u003e\u003cbr\u003eそのプロセスには、観察と細部へのこだわりによるデジタルサウンドの実験や、聴き手によって音が異なる姿を見せるというアイデアが含まれている。この細部へのこだわりは、角度によって形を変えるホログラムとして機能する。多次元的な存在のアイデアと、最も純粋な形での無関心。ゆっくりとしたデジタルの蒸発。\u003cbr\u003e\u003cbr\u003e無とは何かを再現する試み。それは窓の外を眺めることかもしれないし、通りすがりの会話かもしれないし、不完全な思考かもしれない。その隙間を埋める、はかなく無意味な瞬間。私たちが無意識にしか意識していないもの。\u003cbr\u003e\u003cbr\u003e周縁。忘れられたもの。その間の静寂。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564837374\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1 \u003cem\u003e 08:00\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 \u003cem\u003e 11:18 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003e3 \u003cem\u003e 13:34 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eReality Opposition \u003cem\u003e 06:48\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eCosmic Identity \u003cem\u003e13:02 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement excerpt by Christina Giannone:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDissociation is the driving force behind the composition. The act of surrendering, the attempt to observe our existence from the outside.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGiving in feels like giving up.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcceptance feels like resignation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener. This attention to detail acts as a hologram, changing shapes depending on the angle. Ideas of multi-dimensional existences and indifference in its purest form. Slow, digital evaporation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn attempt to recreate what ‘nothing’ means. It might be a gaze out the window, conversations in passing, an incomplete thought. Fleeting, meaningless moments that fill the gaps. Things we are only subconsciously aware of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Giannone\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家Christina Giannoneが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。 ミニマルなローエンド・ドローン5曲を収録。 以下、作家本人による解説です。 "解離がこの作品の原動力である。身を委ねるという行為、私たちの存在を外から観察しようとする試み。屈服はあきらめのように感じる。受け入れることはあきらめのように感じる。そのプロセスには、観察と細部へのこだわりによるデジタルサウンドの実験や、聴き手によって音が異なる姿を見せるというアイデアが含まれている。この細部へのこだわりは、角度によって形を変えるホログラムとして機能する。多次元的な存在のアイデアと、最も純粋な形での無関心。ゆっくりとしたデジタルの蒸発。無とは何かを再現する試み。それは窓の外を眺めることかもしれないし、通りすがりの会話かもしれないし、不完全な思考かもしれない。その隙間を埋める、はかなく無意味な瞬間。私たちが無意識にしか意識していないもの。周縁。忘れられたもの。その間の静寂。" レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥1,980
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{"id":7996645343482,"title":"Hyunhye Seo \/\/ Eel CD","handle":"hyunhye-seo-eel-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e韓国の実験音楽家／マルチ奏者Hyunhye Seoが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなローエンド・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"毎年、ウナギがサルガッソーにやってくる。太陽神アトゥムがナイル川を温めたときに生命を吹き込まれたウナギは、大地の内臓の中で、岩のこすれや川岸の露のしずくから生成され、繁殖のために何千キロもサルガッソーまで移動する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその幼生であるガラスウナギは淡水の住処に移動し、必要に応じて陸地を這ったり、滝を登ったりしながら、皮膚呼吸をしながら目的の場所にたどり着く。蛇や鳥を食べることもある。数十年後、繁殖の準備が整うと、食べるのをやめて性器を発達させ、サルガッソーに戻る。サルガッソーに戻れなければ、完全に成熟することはない。ただ老化が止まるだけなのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e人間がウナギの繁殖を見たことはない。フロイトはウナギの睾丸を求めて400匹以上のウナギを解剖した。アリストテレスは土の中のミミズから成長すると考えた。ウナギがなぜどこへ行くのか、どうやって帰り道を見つけるのか、誰も知らない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e泥と雨の生き物であり、時間と年齢の中で流動的であり、臆することなく変態し、未知でありながら常に発見される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2116757941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEel I \u003cem\u003e14:44\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEel II \u003cem\u003e18:07\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Hyunhye Seo:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Every year, the eels arrive in Sargasso. The eels that sprang to life when the sun god Atum warmed the Nile, the eels generated within the entrails of the earth, from the rubbing of the rocks and dew drops on riverbanks, they travel thousands of kilometres to Sargasso to breed. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir larvae, eels of glass, move to freshwater homes, crawling across land or up waterfalls if necessary, breathing through their skins, to get to where they want to go, although no one knows exactly where or why. Sometimes, they eat snakes and birds. After decades, when they're ready to breed, they stop eating and develop sex organs, and they travel back to Sargasso. If they can't go back to Sargasso, they never fully mature. They just stop ageing. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo human has seen eels breed. Freud dissected over 400 eels in search of eel testicles. Aristotle thought they grew from earthworms in dirt. No one knows why they go where they go, or how they find their way back. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreatures of mud and rain, fluid in time and age, unabashed in its metamorphosis, unknown yet always found.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hyunhye Seo\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:40:37+09:00","created_at":"2023-07-20T15:33:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361183756538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hyunhye Seo \/\/ Eel CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820","\/\/tobirarecords.com\/cdn\/shop\/files\/eel2.jpg?v=1689834820"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820","options":["Title"],"media":[{"alt":null,"id":32245525741818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel1.jpg?v=1689834820","width":700},{"alt":null,"id":32245525774586,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel2.jpg?v=1689834820"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eel2.jpg?v=1689834820","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e韓国の実験音楽家／マルチ奏者Hyunhye Seoが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなローエンド・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"毎年、ウナギがサルガッソーにやってくる。太陽神アトゥムがナイル川を温めたときに生命を吹き込まれたウナギは、大地の内臓の中で、岩のこすれや川岸の露のしずくから生成され、繁殖のために何千キロもサルガッソーまで移動する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその幼生であるガラスウナギは淡水の住処に移動し、必要に応じて陸地を這ったり、滝を登ったりしながら、皮膚呼吸をしながら目的の場所にたどり着く。蛇や鳥を食べることもある。数十年後、繁殖の準備が整うと、食べるのをやめて性器を発達させ、サルガッソーに戻る。サルガッソーに戻れなければ、完全に成熟することはない。ただ老化が止まるだけなのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e人間がウナギの繁殖を見たことはない。フロイトはウナギの睾丸を求めて400匹以上のウナギを解剖した。アリストテレスは土の中のミミズから成長すると考えた。ウナギがなぜどこへ行くのか、どうやって帰り道を見つけるのか、誰も知らない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e泥と雨の生き物であり、時間と年齢の中で流動的であり、臆することなく変態し、未知でありながら常に発見される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2116757941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEel I \u003cem\u003e14:44\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEel II \u003cem\u003e18:07\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Hyunhye Seo:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Every year, the eels arrive in Sargasso. The eels that sprang to life when the sun god Atum warmed the Nile, the eels generated within the entrails of the earth, from the rubbing of the rocks and dew drops on riverbanks, they travel thousands of kilometres to Sargasso to breed. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir larvae, eels of glass, move to freshwater homes, crawling across land or up waterfalls if necessary, breathing through their skins, to get to where they want to go, although no one knows exactly where or why. Sometimes, they eat snakes and birds. After decades, when they're ready to breed, they stop eating and develop sex organs, and they travel back to Sargasso. If they can't go back to Sargasso, they never fully mature. They just stop ageing. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo human has seen eels breed. Freud dissected over 400 eels in search of eel testicles. Aristotle thought they grew from earthworms in dirt. No one knows why they go where they go, or how they find their way back. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreatures of mud and rain, fluid in time and age, unabashed in its metamorphosis, unknown yet always found.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hyunhye Seo\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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韓国の実験音楽家／マルチ奏者Hyunhye Seoが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。 ロングフォームなローエンド・ドローン2曲を収録。 以下、作家本人による解説です。 "毎年、ウナギがサルガッソーにやってくる。太陽神アトゥムがナイル川を温めたときに生命を吹き込まれたウナギは、大地の内臓の中で、岩のこすれや川岸の露のしずくから生成され、繁殖のために何千キロもサルガッソーまで移動する。その幼生であるガラスウナギは淡水の住処に移動し、必要に応じて陸地を這ったり、滝を登ったりしながら、皮膚呼吸をしながら目的の場所にたどり着く。蛇や鳥を食べることもある。数十年後、繁殖の準備が整うと、食べるのをやめて性器を発達させ、サルガッソーに戻る。サルガッソーに戻れなければ、完全に成熟することはない。ただ老化が止まるだけなのだ。人間がウナギの繁殖を見たことはない。フロイトはウナギの睾丸を求めて400匹以上のウナギを解剖した。アリストテレスは土の中のミミズから成長すると考えた。ウナギがなぜどこへ行くのか、どうやって帰り道を見つけるのか、誰も知らない。泥と雨の生き物であり、時間と年齢の中で流動的であり、臆することなく変態し、未知でありながら常に発見される。" レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":7996644557050,"title":"Yann Novak \/\/ The Voice of Theseus CD","handle":"yann-novak-the-voice-of-theseus-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのアンビエント作家Yann Novakが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエントドローン〜アンビエント・テクノ9曲を収録。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"ギリシャ神話に登場するテセウスの伝説は、古代アテネの建国者である王が、クレタ島でミノス王のミノタウロスから街の子供たちを救い出したことを描いている。これを記念して、アテネの人々はテセウスの船をアテネからデロス島まで航海させ、彼の勝利を称える巡礼を始めた。この伝統の中で、歴史的な船に関する哲学的なパラドックスが提起された： 船は少しずつ修理され、もはや元の部品から構成されなくなったが、どの時点でその船はもはや同じ存在とは見なされなくなったのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e近年、私は自分が経験する知覚の違いを探求することに興味を持っている。部分的な色覚異常や失読症といった知覚の違いは、私の人生とともに歩んできたものだが、聴覚障害による耳鳴りは、私が世界を体験する方法にとって比較的新しい変化である。このような感覚的な挑戦が、私の芸術活動を形成してきたのだ。私が知覚的不安と呼んでいるもの、つまり、自分が周囲の世界をどれだけ正確に見分けているかという不安を生み出しているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『The Voice of Theseus』は、私が外部の感覚情報を処理する際に直面する障害を探求する試みである。もし私が赤や緑を知覚するのが苦手なら、もし私が特定の周波数を聞き取るのが苦手なら、もし私が標準的な方法で書かれた言語を解釈しないなら、私は他の人が経験するような方法で現実をどれだけ忠実に経験できるのだろうか？このアルバムは、リスナーに対して、自分の知覚や解釈のユニークな手段が、他の人のそれとどう違うかを問うものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Voice of Theseus』では、私のお気に入りのヴォーカリスト2人にこの実験に協力してもらった。ドリアン・ウッドとG.ブレナーは、アルバム全体を通して私が操作できるようにボーカルを録音してくれた。彼らの元の音声がテセウスの船だとすれば、私が彼らの声に加える変更は、アテネ人が元の船の各パーツを交換するようなものだ。そして、ヴォーカリストのアイデンティティを保ちながら、これらのヴォーカルをどこまで押し広げることができるのか？元となる素材と、それを使って作られたものとの隔たりはどこにあるのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテセウスの船の神話は、現実がいかに不特定多数の方法で観察され、解釈され、変更されうるかというニュアンスを、私にいじってみせた。しかし、私の内部事情により、知覚的な不安は残る。ある物や瞬間の本質が柔軟であるように、不正確さがつきまとう。私の観察体験と他の人の観察体験の間にどれほどの乖離があるのかを知る本当の方法はないし、私たちが共有する現実の断片が、それでなくなる前に、いくつまで変更できるのか、その明確な限界もない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1738330490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Monument to Oblivion \u003c\/li\u003e\n\u003cli\u003eReflex Point \u003c\/li\u003e\n\u003cli\u003eTraversing the Substrate \u003c\/li\u003e\n\u003cli\u003eInterlude: The Translator \u003c\/li\u003e\n\u003cli\u003eSuper Coherent Light \u003c\/li\u003e\n\u003cli\u003ePatterned Behavior \u003c\/li\u003e\n\u003cli\u003eThe Inevitability of Failure \u003c\/li\u003e\n\u003cli\u003eSeeing Light Without Knowing Darkness \u003c\/li\u003e\n\u003cli\u003eWe Went out, Not with a Whimper, but a Whisper…\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Yann Novak:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any original parts, at what point could the ship no longer be considered the same entity?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn recent years, I’ve become interested in exploring the perceptual differences I experience. While some of these differences—partial color blindness and dyslexia—have been with me my entire life, tinnitus caused by hearing damage is a relatively new change to how I experience the world. It is these sensory challenges which have shaped my artistic practice by creating what I call a perceptual insecurity—an uncertainty of how accurately I discern the world around me.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Voice of Theseus is my attempt to explore the obstacles I face in processing external sensory information. If I have trouble\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e perceiving reds and greens, if I have trouble hearing certain frequencies, if I don’t interpret written language in a standard way, how closely can I experience reality in the way that others experience it? The album asks the listener to question how their unique means of perception and interpretation might differ from that of others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor The Voice of Theseus, I asked two of my favorite vocalists to assist with this experiment. Both Dorian Wood and G.Brenner recorded vocals for me to manipulate throughout the album. If their original audio is Theseus’s ship, the changes I make to their voices are like the Athenians replacing each of the original vessel’s pieces. And so, how far can these vocals be pushed while still remaining attached to the vocalists’ identities? Where lies the separation between the source materials and the objects they’re used to create?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe myth of Theseus’ ship allowed me to tease at the nuances of how reality can be observed, interpreted, and altered in an indeterminate number of ways; it can be dismantled and rebuilt, many times over. And yet, because of my internal circumstances, a perceptual insecurity remains. As flexible as the true nature of an object or moment may be, inaccuracy looms. There’s no real way to know how great the disparity is between my observational experiences and another’s, and no clear limit of how many pieces of our shared reality can be altered—before it stops being just that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yann Novak\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-21T08:47:38+09:00","created_at":"2023-07-20T15:30:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361171599610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yann Novak \/\/ The Voice of Theseus CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661","\/\/tobirarecords.com\/cdn\/shop\/files\/ya2_67ade0fe-0b0c-4c68-bd7b-b921028a7c84.jpg?v=1689834660"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661","options":["Title"],"media":[{"alt":null,"id":32245508243706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya1_e2491b38-23e3-437b-a9bb-968ddb6cb2d0.jpg?v=1689834661","width":700},{"alt":null,"id":32245508276474,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya2_67ade0fe-0b0c-4c68-bd7b-b921028a7c84.jpg?v=1689834660"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ya2_67ade0fe-0b0c-4c68-bd7b-b921028a7c84.jpg?v=1689834660","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのアンビエント作家Yann Novakが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエントドローン〜アンビエント・テクノ9曲を収録。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"ギリシャ神話に登場するテセウスの伝説は、古代アテネの建国者である王が、クレタ島でミノス王のミノタウロスから街の子供たちを救い出したことを描いている。これを記念して、アテネの人々はテセウスの船をアテネからデロス島まで航海させ、彼の勝利を称える巡礼を始めた。この伝統の中で、歴史的な船に関する哲学的なパラドックスが提起された： 船は少しずつ修理され、もはや元の部品から構成されなくなったが、どの時点でその船はもはや同じ存在とは見なされなくなったのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e近年、私は自分が経験する知覚の違いを探求することに興味を持っている。部分的な色覚異常や失読症といった知覚の違いは、私の人生とともに歩んできたものだが、聴覚障害による耳鳴りは、私が世界を体験する方法にとって比較的新しい変化である。このような感覚的な挑戦が、私の芸術活動を形成してきたのだ。私が知覚的不安と呼んでいるもの、つまり、自分が周囲の世界をどれだけ正確に見分けているかという不安を生み出しているのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『The Voice of Theseus』は、私が外部の感覚情報を処理する際に直面する障害を探求する試みである。もし私が赤や緑を知覚するのが苦手なら、もし私が特定の周波数を聞き取るのが苦手なら、もし私が標準的な方法で書かれた言語を解釈しないなら、私は他の人が経験するような方法で現実をどれだけ忠実に経験できるのだろうか？このアルバムは、リスナーに対して、自分の知覚や解釈のユニークな手段が、他の人のそれとどう違うかを問うものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Voice of Theseus』では、私のお気に入りのヴォーカリスト2人にこの実験に協力してもらった。ドリアン・ウッドとG.ブレナーは、アルバム全体を通して私が操作できるようにボーカルを録音してくれた。彼らの元の音声がテセウスの船だとすれば、私が彼らの声に加える変更は、アテネ人が元の船の各パーツを交換するようなものだ。そして、ヴォーカリストのアイデンティティを保ちながら、これらのヴォーカルをどこまで押し広げることができるのか？元となる素材と、それを使って作られたものとの隔たりはどこにあるのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテセウスの船の神話は、現実がいかに不特定多数の方法で観察され、解釈され、変更されうるかというニュアンスを、私にいじってみせた。しかし、私の内部事情により、知覚的な不安は残る。ある物や瞬間の本質が柔軟であるように、不正確さがつきまとう。私の観察体験と他の人の観察体験の間にどれほどの乖離があるのかを知る本当の方法はないし、私たちが共有する現実の断片が、それでなくなる前に、いくつまで変更できるのか、その明確な限界もない。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1738330490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427735975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Monument to Oblivion \u003c\/li\u003e\n\u003cli\u003eReflex Point \u003c\/li\u003e\n\u003cli\u003eTraversing the Substrate \u003c\/li\u003e\n\u003cli\u003eInterlude: The Translator \u003c\/li\u003e\n\u003cli\u003eSuper Coherent Light \u003c\/li\u003e\n\u003cli\u003ePatterned Behavior \u003c\/li\u003e\n\u003cli\u003eThe Inevitability of Failure \u003c\/li\u003e\n\u003cli\u003eSeeing Light Without Knowing Darkness \u003c\/li\u003e\n\u003cli\u003eWe Went out, Not with a Whimper, but a Whisper…\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Yann Novak:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any original parts, at what point could the ship no longer be considered the same entity?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn recent years, I’ve become interested in exploring the perceptual differences I experience. While some of these differences—partial color blindness and dyslexia—have been with me my entire life, tinnitus caused by hearing damage is a relatively new change to how I experience the world. It is these sensory challenges which have shaped my artistic practice by creating what I call a perceptual insecurity—an uncertainty of how accurately I discern the world around me.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Voice of Theseus is my attempt to explore the obstacles I face in processing external sensory information. If I have trouble\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e perceiving reds and greens, if I have trouble hearing certain frequencies, if I don’t interpret written language in a standard way, how closely can I experience reality in the way that others experience it? The album asks the listener to question how their unique means of perception and interpretation might differ from that of others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor The Voice of Theseus, I asked two of my favorite vocalists to assist with this experiment. Both Dorian Wood and G.Brenner recorded vocals for me to manipulate throughout the album. If their original audio is Theseus’s ship, the changes I make to their voices are like the Athenians replacing each of the original vessel’s pieces. And so, how far can these vocals be pushed while still remaining attached to the vocalists’ identities? Where lies the separation between the source materials and the objects they’re used to create?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe myth of Theseus’ ship allowed me to tease at the nuances of how reality can be observed, interpreted, and altered in an indeterminate number of ways; it can be dismantled and rebuilt, many times over. And yet, because of my internal circumstances, a perceptual insecurity remains. As flexible as the true nature of an object or moment may be, inaccuracy looms. There’s no real way to know how great the disparity is between my observational experiences and another’s, and no clear limit of how many pieces of our shared reality can be altered—before it stops being just that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yann Novak\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカ・LAのアンビエント作家Yann Novakが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。 アンビエントドローン〜アンビエント・テクノ9曲を収録。 以下、作家本人による解説です。 "ギリシャ神話に登場するテセウスの伝説は、古代アテネの建国者である王が、クレタ島でミノス王のミノタウロスから街の子供たちを救い出したことを描いている。これを記念して、アテネの人々はテセウスの船をアテネからデロス島まで航海させ、彼の勝利を称える巡礼を始めた。この伝統の中で、歴史的な船に関する哲学的なパラドックスが提起された： 船は少しずつ修理され、もはや元の部品から構成されなくなったが、どの時点でその船はもはや同じ存在とは見なされなくなったのだろうか？近年、私は自分が経験する知覚の違いを探求することに興味を持っている。部分的な色覚異常や失読症といった知覚の違いは、私の人生とともに歩んできたものだが、聴覚障害による耳鳴りは、私が世界を体験する方法にとって比較的新しい変化である。このような感覚的な挑戦が、私の芸術活動を形成してきたのだ。私が知覚的不安と呼んでいるもの、つまり、自分が周囲の世界をどれだけ正確に見分けているかという不安を生み出しているのだ。『The Voice of Theseus』は、私が外部の感覚情報を処理する際に直面する障害を探求する試みである。もし私が赤や緑を知覚するのが苦手なら、もし私が特定の周波数を聞き取るのが苦手なら、もし私が標準的な方法で書かれた言語を解釈しないなら、私は他の人が経験するような方法で現実をどれだけ忠実に経験できるのだろうか？このアルバムは、リスナーに対して、自分の知覚や解釈のユニークな手段が、他の人のそれとどう違うかを問うものである。『The Voice of Theseus』では、私のお気に入りのヴォーカリスト2人にこの実験に協力してもらった。ドリアン・ウッドとG.ブレナーは、アルバム全体を通して私が操作できるようにボーカルを録音してくれた。彼らの元の音声がテセウスの船だとすれば、私が彼らの声に加える変更は、アテネ人が元の船の各パーツを交換するようなものだ。そして、ヴォーカリストのアイデンティティを保ちながら、これらのヴォーカルをどこまで押し広げることができるのか？元となる素材と、それを使って作られたものとの隔たりはどこにあるのだろうか？テセウスの船の神話は、現実がいかに不特定多数の方法で観察され、解釈され、変更されうるかというニュアンスを、私にいじってみせた。しかし、私の内部事情により、知覚的な不安は残る。ある物や瞬間の本質が柔軟であるように、不正確さがつきまとう。私の観察体験と他の人の観察体験の間にどれほどの乖離があるのかを知る本当の方法はないし、私たちが共有する現実の断片が、それでなくなる前に、いくつまで変更できるのか、その明確な限界もない。" レーベルその他作品はこちら /// Click here to...
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{"id":7996643836154,"title":"Siavash Amini \/\/ Eidolon CD","handle":"siavash-amini-eidolon-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイランの実験音楽家Siavash Aminiが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e中東のマカーム理論を探求したミニマル・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e\"私はサフィ＝アル＝ディン・ウルマヴィーの調律、リズム、マカーム理論に夢中になっている。高校の最後の年に始まったのだが、当時はイランの音楽学者たちの間で、彼の17音音階について、そしてそれが当時のイランの音楽にとって何か役に立つのか、関連性があるのかについて、多くの議論が交わされていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの半世紀の間、そうした議論や、13世紀の\u003cmeta charset=\"utf-8\"\u003eマカーム理論における調律に関するより一般的な議論についてよく考えていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの調律にどうアプローチすればいいのかわからなかったが、『A Trail of Laughters』を作っているうちに、その感覚をつかみ始めた。これらの調律の関連性は、従来の楽器や作曲技法では探求できないと判断した。歴史的な意味でのアプローチもしたくない。これらを素材とし、同時代の実験音楽や電子音楽から借りて、自分のアプローチを見つけたい。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e幻影、現れては消えるイメージ、一瞬にして形となり、次の瞬間には消えてしまうもの、見たかどうかわからないものは、経験するために特定の設定が必要だ。ルドンのドローイングのように、未確定の空間で見たり感じたりするもの。私は、これらのチューニング・システム（主にウルマヴィの17音階）が、周波数や音程を互いに転がしたり、その結果生じる音やテクスチャーを浮遊させたり、衝突させたり、流出させたり、滲ませたりすることで、自分自身のためにそのような空間を作り出す出発点になり得るかどうかを試してみた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1453005673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOrtus \u003cem\u003e 10:43\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eInstantia \u003cem\u003e 09:51 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eRelictio \u003cem\u003e 15:06 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Siavash Amini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Let me get this out of the way; I'm obsessed with Safi-al-din Urmavi’s theory of tuning, rhythm, and maqam. It started in my last year of high school, at the time there was a lot of back and forth between Iranian music scholars about his 17-tone scale and whether it had any use or relevance to Iranian music of that day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI've been thinking about those discussions and more general discussions of tuning in the maqam system of the 13th century a lot in the past half-decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI didn't know how to approach these tunings, but I started to get a sense of it while making A Trail of Laughters. I decided that the relevance of these tunings couldn't be explored with conventional instruments and composition techniques. I do not want to approach them in a historical sense, either. I want to use these as my raw material and find my approach, borrowing from experimental and electronic music of our time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe apparition, an image appearing and disappearing, taking shape in an instant and gone in the next, something you’re not sure\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e you’ve seen, needs a particular setting to be experienced. Something seen or felt in an undetermined space like Redon's drawings. I tried to see if these tuning systems (mostly Urmavi’s 17-tone scale) could be a starting point for creating such a space for myself by letting their frequencies and intervals roll over each other, and letting the resulting sound and textures float, crash, spill and bleed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaybe my other obsessions, namely darkness, light, and death, can be at least in some sense contemplated in this shadowy undetermined space and just maybe something here and there makes its presence felt.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Siavash Amini\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:33:40+09:00","created_at":"2023-07-20T15:25:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361155248378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Siavash Amini \/\/ Eidolon CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361","\/\/tobirarecords.com\/cdn\/shop\/files\/ei2_fd74ecac-d6af-4cdd-a3df-81ce750eb1b0.jpg?v=1689834361"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361","options":["Title"],"media":[{"alt":null,"id":32245476720890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei1_3ec750ed-80eb-4dd2-8921-76e9c952aec0.jpg?v=1689834361","width":700},{"alt":null,"id":32245476753658,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei2_fd74ecac-d6af-4cdd-a3df-81ce750eb1b0.jpg?v=1689834361"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ei2_fd74ecac-d6af-4cdd-a3df-81ce750eb1b0.jpg?v=1689834361","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイランの実験音楽家Siavash Aminiが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e中東のマカーム理論を探求したミニマル・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e\"私はサフィ＝アル＝ディン・ウルマヴィーの調律、リズム、マカーム理論に夢中になっている。高校の最後の年に始まったのだが、当時はイランの音楽学者たちの間で、彼の17音音階について、そしてそれが当時のイランの音楽にとって何か役に立つのか、関連性があるのかについて、多くの議論が交わされていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの半世紀の間、そうした議論や、13世紀の\u003cmeta charset=\"utf-8\"\u003eマカーム理論における調律に関するより一般的な議論についてよく考えていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの調律にどうアプローチすればいいのかわからなかったが、『A Trail of Laughters』を作っているうちに、その感覚をつかみ始めた。これらの調律の関連性は、従来の楽器や作曲技法では探求できないと判断した。歴史的な意味でのアプローチもしたくない。これらを素材とし、同時代の実験音楽や電子音楽から借りて、自分のアプローチを見つけたい。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e幻影、現れては消えるイメージ、一瞬にして形となり、次の瞬間には消えてしまうもの、見たかどうかわからないものは、経験するために特定の設定が必要だ。ルドンのドローイングのように、未確定の空間で見たり感じたりするもの。私は、これらのチューニング・システム（主にウルマヴィの17音階）が、周波数や音程を互いに転がしたり、その結果生じる音やテクスチャーを浮遊させたり、衝突させたり、流出させたり、滲ませたりすることで、自分自身のためにそのような空間を作り出す出発点になり得るかどうかを試してみた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1453005673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOrtus \u003cem\u003e 10:43\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eInstantia \u003cem\u003e 09:51 \u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eRelictio \u003cem\u003e 15:06 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA note from Siavash Amini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Let me get this out of the way; I'm obsessed with Safi-al-din Urmavi’s theory of tuning, rhythm, and maqam. It started in my last year of high school, at the time there was a lot of back and forth between Iranian music scholars about his 17-tone scale and whether it had any use or relevance to Iranian music of that day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI've been thinking about those discussions and more general discussions of tuning in the maqam system of the 13th century a lot in the past half-decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI didn't know how to approach these tunings, but I started to get a sense of it while making A Trail of Laughters. I decided that the relevance of these tunings couldn't be explored with conventional instruments and composition techniques. I do not want to approach them in a historical sense, either. I want to use these as my raw material and find my approach, borrowing from experimental and electronic music of our time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe apparition, an image appearing and disappearing, taking shape in an instant and gone in the next, something you’re not sure\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e you’ve seen, needs a particular setting to be experienced. Something seen or felt in an undetermined space like Redon's drawings. I tried to see if these tuning systems (mostly Urmavi’s 17-tone scale) could be a starting point for creating such a space for myself by letting their frequencies and intervals roll over each other, and letting the resulting sound and textures float, crash, spill and bleed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaybe my other obsessions, namely darkness, light, and death, can be at least in some sense contemplated in this shadowy undetermined space and just maybe something here and there makes its presence felt.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Siavash Amini\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イランの実験音楽家Siavash Aminiが、2023年7月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。 中東のマカーム理論を探求したミニマル・ドローン3曲を収録。 以下、作家本人による解説です。 "私はサフィ＝アル＝ディン・ウルマヴィーの調律、リズム、マカーム理論に夢中になっている。高校の最後の年に始まったのだが、当時はイランの音楽学者たちの間で、彼の17音音階について、そしてそれが当時のイランの音楽にとって何か役に立つのか、関連性があるのかについて、多くの議論が交わされていた。私はこの半世紀の間、そうした議論や、13世紀のマカーム理論における調律に関するより一般的な議論についてよく考えていた。これらの調律にどうアプローチすればいいのかわからなかったが、『A Trail of Laughters』を作っているうちに、その感覚をつかみ始めた。これらの調律の関連性は、従来の楽器や作曲技法では探求できないと判断した。歴史的な意味でのアプローチもしたくない。これらを素材とし、同時代の実験音楽や電子音楽から借りて、自分のアプローチを見つけたい。幻影、現れては消えるイメージ、一瞬にして形となり、次の瞬間には消えてしまうもの、見たかどうかわからないものは、経験するために特定の設定が必要だ。ルドンのドローイングのように、未確定の空間で見たり感じたりするもの。私は、これらのチューニング・システム（主にウルマヴィの17音階）が、周波数や音程を互いに転がしたり、その結果生じる音やテクスチャーを浮遊させたり、衝突させたり、流出させたり、滲ませたりすることで、自分自身のためにそのような空間を作り出す出発点になり得るかどうかを試してみた。" レーベルその他作品はこちら /// Click here to see more Room40 releases...
¥1,980
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{"id":7996643475706,"title":"Jérôme Noetinger \/\/ Outside Supercolor CD","handle":"jerome-noetinger-outside-supercolor-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの実験音楽家Jérôme Noetingerが、2023年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作のビデオフィードバック装置を用いたロングフォームなミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696811834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTV eye on me \u003cem\u003e18:13\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLes attracteurs de particules \u003cem\u003e18:23\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jérôme Noetinger:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lionel Palun and I met in 2003 in a context of social struggle. Aware of an inevitable downfall, we decided to discuss our respective practices. Sound for me and image for him.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen there were the basic questions: \"What does it do if you connect a video output to a sound input?\"; \"What does a sound output do to a video input?\" Then the tinkering that goes with it, like opening a SCART socket and plugging directly into it. And to finish, we discovered that as always, everything has already been done!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBut in the end it's like rock music, it's always the same, and what counts is how to appropriate it, how to live it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese discussions and first experiences led Lionel to develop his own video feedback software. He has a scientific background and a taste for computers which helps!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this record, I wanted to draw inspiration from this work with Supercolor Palunar, the name of our duo, to better examine CRT parasites and virtual instruments whose purpose I still don't quite understand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI dedicate this record to Lionel Palun who, afterwards, made two videos echoing the two pieces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-25T06:28:26+09:00","created_at":"2023-07-20T15:22:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361142370554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jérôme Noetinger \/\/ Outside Supercolor CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154","\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_63ba6171-71c7-42aa-898b-7d9a11dd320b.jpg?v=1689834154"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154","options":["Title"],"media":[{"alt":null,"id":32245455618298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_da0f18a6-43d4-48b0-be38-866e4734d25d.jpg?v=1689834154","width":700},{"alt":null,"id":32245455651066,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_63ba6171-71c7-42aa-898b-7d9a11dd320b.jpg?v=1689834154"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_63ba6171-71c7-42aa-898b-7d9a11dd320b.jpg?v=1689834154","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの実験音楽家Jérôme Noetingerが、2023年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作のビデオフィードバック装置を用いたロングフォームなミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696811834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTV eye on me \u003cem\u003e18:13\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLes attracteurs de particules \u003cem\u003e18:23\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jérôme Noetinger:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lionel Palun and I met in 2003 in a context of social struggle. Aware of an inevitable downfall, we decided to discuss our respective practices. Sound for me and image for him.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen there were the basic questions: \"What does it do if you connect a video output to a sound input?\"; \"What does a sound output do to a video input?\" Then the tinkering that goes with it, like opening a SCART socket and plugging directly into it. And to finish, we discovered that as always, everything has already been done!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBut in the end it's like rock music, it's always the same, and what counts is how to appropriate it, how to live it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese discussions and first experiences led Lionel to develop his own video feedback software. He has a scientific background and a taste for computers which helps!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this record, I wanted to draw inspiration from this work with Supercolor Palunar, the name of our duo, to better examine CRT parasites and virtual instruments whose purpose I still don't quite understand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI dedicate this record to Lionel Palun who, afterwards, made two videos echoing the two pieces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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フランスの実験音楽家Jérôme Noetingerが、2023年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。 自作のビデオフィードバック装置を用いたロングフォームなミニマルドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
¥1,980
クイックビュー
{"id":7996643082490,"title":"Werner Dafeldecker \/\/ Neural CD","handle":"werner-dafeldecker-neural-cd","description":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2240564671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeural \u003cem\u003e28:11\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTape 231 \u003cem\u003e27:59 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Werner Dafeldecker:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For whatever reason, I have always found the idea of using alien material as the structuring element of an artistic process exciting. That doesn’t mean the elements always stay, but rather I often remove them right at the end of the creative process. This working method creates areas of tension that reflect the artistic process on a different emotional level. It reduces the sense of creation and moves more toward accomplishment. This method applies to both pieces of this phonogram in a similar way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„Neural“ places sound surfaces as its central focus and is inspired by the idea that neural networks develop a memory when they repeatedly send information. The ensemble focuses on vibrations and rhythmic variations of the overtones, which are caused by dynamics and pitch shifts in the microtonal range. With the passage of time and performance practice, spherical, acoustic stamps become established, caused by the conscious perception of when rhythm changes into sound sensation and vice versa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor „Tape 231“ I re-discovered a long-forgotten music cassette in my archive which contained peculiar percussive electronic sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Lucio and I worked on the recordings of his elongated\u003cspan class=\"bcTruncateMore\"\u003e tones and multi-phonics I again was drawn to the idea to use the tape sounds primarily as a structuring element for the piece, (time, density, dynamics) only to be left out afterwards.\u003cbr\u003e\u003cbr\u003eThe targeted handling of hidden structures evokes a somewhat stubborn emotionality when dealing with creative processes, I like that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:30:12+09:00","created_at":"2023-07-20T15:19:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361131688186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werner Dafeldecker \/\/ Neural CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","options":["Title"],"media":[{"alt":null,"id":32245438349562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","width":700},{"alt":null,"id":32245438382330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2240564671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeural \u003cem\u003e28:11\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTape 231 \u003cem\u003e27:59 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Werner Dafeldecker:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For whatever reason, I have always found the idea of using alien material as the structuring element of an artistic process exciting. That doesn’t mean the elements always stay, but rather I often remove them right at the end of the creative process. This working method creates areas of tension that reflect the artistic process on a different emotional level. It reduces the sense of creation and moves more toward accomplishment. This method applies to both pieces of this phonogram in a similar way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„Neural“ places sound surfaces as its central focus and is inspired by the idea that neural networks develop a memory when they repeatedly send information. The ensemble focuses on vibrations and rhythmic variations of the overtones, which are caused by dynamics and pitch shifts in the microtonal range. With the passage of time and performance practice, spherical, acoustic stamps become established, caused by the conscious perception of when rhythm changes into sound sensation and vice versa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor „Tape 231“ I re-discovered a long-forgotten music cassette in my archive which contained peculiar percussive electronic sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Lucio and I worked on the recordings of his elongated\u003cspan class=\"bcTruncateMore\"\u003e tones and multi-phonics I again was drawn to the idea to use the tape sounds primarily as a structuring element for the piece, (time, density, dynamics) only to be left out afterwards.\u003cbr\u003e\u003cbr\u003eThe targeted handling of hidden structures evokes a somewhat stubborn emotionality when dealing with creative processes, I like that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。 チェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
¥2,150
クイックビュー
{"id":7996642263290,"title":"Werner Dafeldecker \u0026 Valerio Tricoli \/\/ Der Krater TAPE","handle":"werner-dafeldecker-valerio-tricoli-der-krater-tape","description":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスと自作楽器によるドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268078386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Krater #1 \u003cem\u003e16:06\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e2. Der Krater #2 \u003cem\u003e16:07\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eA Note From Valerio Tricoli:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up…for once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English - asking for a 'press sheet', a very weird, but apparently necessary form of literature in which you (me, in this case) have to say something about the record, and this something will then be taken up by those who will eventually write about the record in fanzines specialising in avant-garde or electronic music, so that this text - this miserable text that stinks so much of an exercise in style and that you are unfortunately reading and I'm unfortunately writing - will be repeated, again and again, in different forms for as long (generally not very long) as someone else writes about it (the record? Or perhaps only this wretched text in italo-english?). And so happens that all those tales of more or less real influences and half-read epiphanic books; of networks of poetic and political references and offhand quotations from Mark Fisher will be repeated ad libitum while the\u003cspan class=\"bcTruncateMore\"\u003e music is hiding in shame from the paper (or from the screen-paper-simulacrum or whatever we might call that thing).\u003cbr\u003e\u003cbr\u003eWe have a special word in italian for this stuff: supercazzola. If I think about all the supercazzole I wrote, this one included, I want to hang myself. And yet, I'll have to write more.\u003cbr\u003e\u003cbr\u003eAnd so, dear listeners of the avant-garde, I say what's there's to say: all that matters to me in that elusive fact we call music, hear hear, is its unspeakable. What digs a crater in my soul, and settles somewhere in the neuronal circuit, is a nameless spirit.\u003cbr\u003e\u003cbr\u003eAnyway. That dreaded moment, the press-sheet-request moment, took the form of a message from Werner: 'Lawrence needs a press sheet. I am full with work. Can you write something about our nightmares?\" Yes Werner, I can: I don't want to, but I can. And by the way, you've already done all the work. Thanks and bis bald.\u003cbr\u003e\u003cbr\u003eAnd so I leave you, dear listeners, with Der Krater, recorded live in an improvised fashion and then re-composed in the Bavarian autumn: two nightmares - Werner says - for double bass, synthesiser and live-manipulated Revox tape recorder, which we hope you'll enjoy as much as we do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker \u0026amp; Valerio Tricoli\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:26:41+09:00","created_at":"2023-07-20T15:13:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","room40","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361109668090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werner Dafeldecker \u0026 Valerio Tricoli \/\/ Der Krater TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","options":["Title"],"media":[{"alt":null,"id":32245406466298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","width":700},{"alt":null,"id":32245406499066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスと自作楽器によるドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268078386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Krater #1 \u003cem\u003e16:06\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e2. Der Krater #2 \u003cem\u003e16:07\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eA Note From Valerio Tricoli:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up…for once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English - asking for a 'press sheet', a very weird, but apparently necessary form of literature in which you (me, in this case) have to say something about the record, and this something will then be taken up by those who will eventually write about the record in fanzines specialising in avant-garde or electronic music, so that this text - this miserable text that stinks so much of an exercise in style and that you are unfortunately reading and I'm unfortunately writing - will be repeated, again and again, in different forms for as long (generally not very long) as someone else writes about it (the record? Or perhaps only this wretched text in italo-english?). And so happens that all those tales of more or less real influences and half-read epiphanic books; of networks of poetic and political references and offhand quotations from Mark Fisher will be repeated ad libitum while the\u003cspan class=\"bcTruncateMore\"\u003e music is hiding in shame from the paper (or from the screen-paper-simulacrum or whatever we might call that thing).\u003cbr\u003e\u003cbr\u003eWe have a special word in italian for this stuff: supercazzola. If I think about all the supercazzole I wrote, this one included, I want to hang myself. And yet, I'll have to write more.\u003cbr\u003e\u003cbr\u003eAnd so, dear listeners of the avant-garde, I say what's there's to say: all that matters to me in that elusive fact we call music, hear hear, is its unspeakable. What digs a crater in my soul, and settles somewhere in the neuronal circuit, is a nameless spirit.\u003cbr\u003e\u003cbr\u003eAnyway. That dreaded moment, the press-sheet-request moment, took the form of a message from Werner: 'Lawrence needs a press sheet. I am full with work. Can you write something about our nightmares?\" Yes Werner, I can: I don't want to, but I can. And by the way, you've already done all the work. Thanks and bis bald.\u003cbr\u003e\u003cbr\u003eAnd so I leave you, dear listeners, with Der Krater, recorded live in an improvised fashion and then re-composed in the Bavarian autumn: two nightmares - Werner says - for double bass, synthesiser and live-manipulated Revox tape recorder, which we hope you'll enjoy as much as we do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker \u0026amp; Valerio Tricoli\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。 コントラバスと自作楽器によるドローン2曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡ください レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥2,150
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{"id":7996641181946,"title":"Mike Cooper \/\/ Black Flamingo CD","handle":"mike-cooper-black-flamingo-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動しているイギリスの大御所ギタリストMike Cooperが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターやラップスティールギター、サックスによるアンビエント・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221467461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate embossed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat I \u003c\/li\u003e\n\u003cli\u003eBlack Flamingo - Geoff Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eIncandescent Gamelanations - Scot Ray Pedal Steel \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat II \u003c\/li\u003e\n\u003cli\u003eThe Possibility Of Rain - Jon Raskin Alto Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat III \u003c\/li\u003e\n\u003cli\u003eA Lemon Fell - Viv Corringham Voice \u003c\/li\u003e\n\u003cli\u003eBeneath These Waves - Tim Hill Baritone Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat IV \u003c\/li\u003e\n\u003cli\u003eThe Numbers - The Migrant Body Chorus Milan \u003c\/li\u003e\n\u003cli\u003eThe Satellites Are Spinning - Aaron Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat V \u003c\/li\u003e\n\u003cli\u003eTrancendence Dub - Elliott Sharp Bass Clarinet \u003c\/li\u003e\n\u003cli\u003eLuciernaga - Michael Thieke Clarinet \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat VI \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eMike Cooper\/ Bangkok \/ March 18 2023:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Flamingo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeaturing Geoff Hawkins on tenor sax. Our 60 year friendship goes back to the 1960s and my first band The Blues Committee then on through the 1970s to Trout Steel and the Machine Gun Company on the Dawn label meeting up again in the mid 1990s on my Island Songs c.d. and more recently on Oceans Of Milk and Treacle on Room40.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis son Aaron Hawkins who I have known since he was born, is now a prominent figure on the Bristol music scene in the UK joins us on tenor saxophone\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElliott Sharp, guitarist, composer, improviser from the Downtown New York music scene. We first played together in Rome many years ago. We have a duo digital collection on my Bandcamp site and here on Black Flamingo Elliott plays bass clarinet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJon Raskin, a founder member of The Rova saxophone quartet based in California surprised me one night in London by appearing in the audience at a folk club concert I gave. We also have a duo collection together on my Bandcamp site.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScot Ray, slidationist; lap steel and pedal steel guitar visionary. We have never met in the real(?) world, only on line. I am always seeking audacious players of both those instruments and Scot is a true star. Check out his own solo and other projects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMichael Thieke, a fellow part time Roman part time Berliner member of the International Nothing (great name) brings peace on the clarinet with breathy playing on this most beautiful of wind instruments.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eViv Corringham has shared her voice on many past musical roads with me from Greek Rembetronika to an improvising trio with Lol Coxhill and Soundwalks in hills around Hong Kong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTim Hill on Baritone sax. We go back to my 1980’s in Reading in the UK. Together we had Beating Time with Paul Burwell on drums and Gary Jones on bass, both sadly gone now and Mayhem Quartet with Pat Thomas on keys and Neil Palmer our improvising dj both happily still with us. Then we started Trystero System which became a floating membership duo spanning several years and has included both Viv Corringham and Pat Thomas with myself and continues from time to time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLastly The Migrant School of Bodies Choir was the result of a workshop in Milan for a performance\/dance piece organised by choreographer\/dancer Ariella Vidach. The text is each member counting from one to 26 in their own language each one starting to count after the neighbour had reached the number eight . Most of the members were from Africa and shared no common African language. The rhythmic and tonal variations set up an interesting shingling effect with the voices tumbling over one another.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation was the theme, Sun Ra socks and a Bflat hat was the key.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-21T07:45:57+09:00","created_at":"2023-07-20T15:07:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361084076282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Cooper \/\/ Black Flamingo CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_09836eac-34ff-42ea-bfee-bb67b8661a61.jpg?v=1689833247"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248","options":["Title"],"media":[{"alt":null,"id":32245370257658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_d410637b-4264-4232-84d0-1bcf31304cfa.jpg?v=1689833248","width":700},{"alt":null,"id":32245370290426,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_09836eac-34ff-42ea-bfee-bb67b8661a61.jpg?v=1689833247"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_09836eac-34ff-42ea-bfee-bb67b8661a61.jpg?v=1689833247","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動しているイギリスの大御所ギタリストMike Cooperが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターやラップスティールギター、サックスによるアンビエント・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3221467461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate embossed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat I \u003c\/li\u003e\n\u003cli\u003eBlack Flamingo - Geoff Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eIncandescent Gamelanations - Scot Ray Pedal Steel \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat II \u003c\/li\u003e\n\u003cli\u003eThe Possibility Of Rain - Jon Raskin Alto Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat III \u003c\/li\u003e\n\u003cli\u003eA Lemon Fell - Viv Corringham Voice \u003c\/li\u003e\n\u003cli\u003eBeneath These Waves - Tim Hill Baritone Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat IV \u003c\/li\u003e\n\u003cli\u003eThe Numbers - The Migrant Body Chorus Milan \u003c\/li\u003e\n\u003cli\u003eThe Satellites Are Spinning - Aaron Hawkins Tenor Saxophone \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat V \u003c\/li\u003e\n\u003cli\u003eTrancendence Dub - Elliott Sharp Bass Clarinet \u003c\/li\u003e\n\u003cli\u003eLuciernaga - Michael Thieke Clarinet \u003c\/li\u003e\n\u003cli\u003eSun Ra Socks, and a B Flat Hat VI \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eMike Cooper\/ Bangkok \/ March 18 2023:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Flamingo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeaturing Geoff Hawkins on tenor sax. Our 60 year friendship goes back to the 1960s and my first band The Blues Committee then on through the 1970s to Trout Steel and the Machine Gun Company on the Dawn label meeting up again in the mid 1990s on my Island Songs c.d. and more recently on Oceans Of Milk and Treacle on Room40.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis son Aaron Hawkins who I have known since he was born, is now a prominent figure on the Bristol music scene in the UK joins us on tenor saxophone\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElliott Sharp, guitarist, composer, improviser from the Downtown New York music scene. We first played together in Rome many years ago. We have a duo digital collection on my Bandcamp site and here on Black Flamingo Elliott plays bass clarinet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJon Raskin, a founder member of The Rova saxophone quartet based in California surprised me one night in London by appearing in the audience at a folk club concert I gave. We also have a duo collection together on my Bandcamp site.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScot Ray, slidationist; lap steel and pedal steel guitar visionary. We have never met in the real(?) world, only on line. I am always seeking audacious players of both those instruments and Scot is a true star. Check out his own solo and other projects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMichael Thieke, a fellow part time Roman part time Berliner member of the International Nothing (great name) brings peace on the clarinet with breathy playing on this most beautiful of wind instruments.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eViv Corringham has shared her voice on many past musical roads with me from Greek Rembetronika to an improvising trio with Lol Coxhill and Soundwalks in hills around Hong Kong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTim Hill on Baritone sax. We go back to my 1980’s in Reading in the UK. Together we had Beating Time with Paul Burwell on drums and Gary Jones on bass, both sadly gone now and Mayhem Quartet with Pat Thomas on keys and Neil Palmer our improvising dj both happily still with us. Then we started Trystero System which became a floating membership duo spanning several years and has included both Viv Corringham and Pat Thomas with myself and continues from time to time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLastly The Migrant School of Bodies Choir was the result of a workshop in Milan for a performance\/dance piece organised by choreographer\/dancer Ariella Vidach. The text is each member counting from one to 26 in their own language each one starting to count after the neighbour had reached the number eight . Most of the members were from Africa and shared no common African language. The rhythmic and tonal variations set up an interesting shingling effect with the voices tumbling over one another.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCollaboration, improvisation, innovation was the theme, Sun Ra socks and a Bflat hat was the key.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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60年代から活動しているイギリスの大御所ギタリストMike Cooperが、2023年5月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。 アコースティックギターやラップスティールギター、サックスによるアンビエント・ジャズ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
¥1,980
クイックビュー
{"id":7961173819642,"title":"Primitive Motion \/\/ Portrait Of An Atmosphere LP","handle":"primitive-motion-portrait-of-an-atmosphere-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンのフリーフォークデュオPrimitive Motionが、2023年3月に同国実験／アンビエントレーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディレイやリバーブなどの空間系エフェクトを使用せず大量の楽器を用いた実験アンビエント・フォーク6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePortrait of an Atmosphereは、一つの物語として聴かれるような、関連する作曲の組曲として、構成部分からなる長時間の作品を作ることを意図して録音しました。リバーブやディレイといった典型的なパレットを使わずに、私たちの活動の中心である音の没入感を実現するために、音響的な要素に焦点を合わせています。このようなツールがないにもかかわらず、夢幻の領域に入り込み、何か「別のもの」のような感覚を得ることができるのは、私たちにとって実りあることです。このアルバムは、これまでで最もPrimitive Motionらしくない、そして最もPrimitive Motionらしいアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムのタイトルは、サンドラのカット・ポエムから取ったもので、現在進行中の一連の作品では、拾った本のページのテキストを縮小／切断して詩的な結末に到達させています。この文脈では、このアルバムに収録されているいくつかの録音も、リダクションというよりはコラージュのようではありますが、切り取られたような感覚を持つのがふさわしいと思われます。最も明らかなのは、ピアノのトラックにスタジオでの即興演奏の断片を加えた『ポートレートIV』で、漂う霧は、『ポートレートI』の1弦ギターのモチーフを再演することでようやく晴れるのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=379810437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Recorded and produced by Primitive Motion between 2018 and 2020 at Kindling House and Woodburn Laboratory, Meanjin\/Brisbane, Australia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSandra Selig: voice, handclap, flute, cymbals, melodica, radio, saxophone, glass bowl, drums, marble in bamboo, zither, wind chimes, bowed cymbal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeighton Craig: acoustic guitar, reed organ, cymbals, field recordings (Kyoto Japan), tremolo guitar, miniature saxophone, voice, piano, metal stool, bird call, synthesiser, wind chimes, shaker, timber box.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Motion\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T15:15:46+09:00","created_at":"2023-04-19T12:44:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","room40"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44179380863226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Primitive Motion \/\/ Portrait Of An Atmosphere LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_87093252-2adc-49e8-ab65-46aa1d5f1a2a.jpg?v=1681875864"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864","options":["Title"],"media":[{"alt":null,"id":31851355472122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_8f8b69e4-13fe-4ee7-b2f4-c81e9ae2c63c.jpg?v=1681875864","width":700},{"alt":null,"id":31851355504890,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_87093252-2adc-49e8-ab65-46aa1d5f1a2a.jpg?v=1681875864"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_87093252-2adc-49e8-ab65-46aa1d5f1a2a.jpg?v=1681875864","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンのフリーフォークデュオPrimitive Motionが、2023年3月に同国実験／アンビエントレーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディレイやリバーブなどの空間系エフェクトを使用せず大量の楽器を用いた実験アンビエント・フォーク6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePortrait of an Atmosphereは、一つの物語として聴かれるような、関連する作曲の組曲として、構成部分からなる長時間の作品を作ることを意図して録音しました。リバーブやディレイといった典型的なパレットを使わずに、私たちの活動の中心である音の没入感を実現するために、音響的な要素に焦点を合わせています。このようなツールがないにもかかわらず、夢幻の領域に入り込み、何か「別のもの」のような感覚を得ることができるのは、私たちにとって実りあることです。このアルバムは、これまでで最もPrimitive Motionらしくない、そして最もPrimitive Motionらしいアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムのタイトルは、サンドラのカット・ポエムから取ったもので、現在進行中の一連の作品では、拾った本のページのテキストを縮小／切断して詩的な結末に到達させています。この文脈では、このアルバムに収録されているいくつかの録音も、リダクションというよりはコラージュのようではありますが、切り取られたような感覚を持つのがふさわしいと思われます。最も明らかなのは、ピアノのトラックにスタジオでの即興演奏の断片を加えた『ポートレートIV』で、漂う霧は、『ポートレートI』の1弦ギターのモチーフを再演することでようやく晴れるのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=379810437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Recorded and produced by Primitive Motion between 2018 and 2020 at Kindling House and Woodburn Laboratory, Meanjin\/Brisbane, Australia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSandra Selig: voice, handclap, flute, cymbals, melodica, radio, saxophone, glass bowl, drums, marble in bamboo, zither, wind chimes, bowed cymbal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeighton Craig: acoustic guitar, reed organ, cymbals, field recordings (Kyoto Japan), tremolo guitar, miniature saxophone, voice, piano, metal stool, bird call, synthesiser, wind chimes, shaker, timber box.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Motion\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・ブリスベンのフリーフォークデュオPrimitive Motionが、2023年3月に同国実験／アンビエントレーベルRoom40からリリースしたレコードです。 ディレイやリバーブなどの空間系エフェクトを使用せず大量の楽器を用いた実験アンビエント・フォーク6曲を収録。DLコード付属。 以下、作家による解説です。 Portrait of an Atmosphereは、一つの物語として聴かれるような、関連する作曲の組曲として、構成部分からなる長時間の作品を作ることを意図して録音しました。リバーブやディレイといった典型的なパレットを使わずに、私たちの活動の中心である音の没入感を実現するために、音響的な要素に焦点を合わせています。このようなツールがないにもかかわらず、夢幻の領域に入り込み、何か「別のもの」のような感覚を得ることができるのは、私たちにとって実りあることです。このアルバムは、これまでで最もPrimitive Motionらしくない、そして最もPrimitive Motionらしいアルバムです。このアルバムのタイトルは、サンドラのカット・ポエムから取ったもので、現在進行中の一連の作品では、拾った本のページのテキストを縮小／切断して詩的な結末に到達させています。この文脈では、このアルバムに収録されているいくつかの録音も、リダクションというよりはコラージュのようではありますが、切り取られたような感覚を持つのがふさわしいと思われます。最も明らかなのは、ピアノのトラックにスタジオでの即興演奏の断片を加えた『ポートレートIV』で、漂う霧は、『ポートレートI』の1弦ギターのモチーフを再演することでようやく晴れるのです。 レーベルその他作品はこちら /// Click here to see more...
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{"id":7954624086266,"title":"Lionel Marchetti \u0026 Decibel \/\/ Inland Lake (le lac intérieur) CD","handle":"lionel-marchetti-decibel-inland-lake-le-lac-interieur-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecibelが、2023年1月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e静謐なコンテンポラリー・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339235836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eonochrome printed and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Cat Hope:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur (2019), and La Patience (2020). Working with Lionel is magical.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensemble member, part fixed media. The music is coaxed from the ensemble, without score, but with discussions, listening and experiments. In the live performances, Marchetti efficiently and imaginatively positions speakers in strange directions, heights and places and somehow, the sounds melt together, intertwining and indiscernible - as on this recording. Marchetti adapts the partition concrète after first rehearsals and performances, integrating recordings of the acoustic instruments with synthesizers, tape and electronic manipulations in his home studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe recording of Inland Lake occurred in two places at\u003cspan class=\"bcTruncateMore\"\u003e once: at the Digital Hub, Sir Zelman Cowen School of Music and Performance at Monash University, Melbourne and Soundfield Studio in Perth, Western Australia. Marchetti joined from France. Determined to make this recording despite the ongoing border closures within Australia and the world, the group came together telematically – using software to reduce the perception of latency and improve the sound quality ‘down the line’ for the performers. The ensemble was split in half between the east and west coasts of Australia, listening together over the Internet, recording locally. Marchetti later mixed and mastered the track in his own studio. Listening to the piece once the recording and mixing process was complete was like hearing it for the first time, again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti \u0026amp; Decibel\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-06-11T19:56:18+09:00","created_at":"2023-04-06T13:33:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679918842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lionel Marchetti \u0026 Decibel \/\/ Inland Lake (le lac intérieur) CD","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","options":["Title"],"media":[{"alt":null,"id":31793708499194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","width":700},{"alt":null,"id":31793708531962,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecibelが、2023年1月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e静謐なコンテンポラリー・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339235836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eonochrome printed and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Cat Hope:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur (2019), and La Patience (2020). Working with Lionel is magical.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensemble member, part fixed media. The music is coaxed from the ensemble, without score, but with discussions, listening and experiments. In the live performances, Marchetti efficiently and imaginatively positions speakers in strange directions, heights and places and somehow, the sounds melt together, intertwining and indiscernible - as on this recording. Marchetti adapts the partition concrète after first rehearsals and performances, integrating recordings of the acoustic instruments with synthesizers, tape and electronic manipulations in his home studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe recording of Inland Lake occurred in two places at\u003cspan class=\"bcTruncateMore\"\u003e once: at the Digital Hub, Sir Zelman Cowen School of Music and Performance at Monash University, Melbourne and Soundfield Studio in Perth, Western Australia. Marchetti joined from France. Determined to make this recording despite the ongoing border closures within Australia and the world, the group came together telematically – using software to reduce the perception of latency and improve the sound quality ‘down the line’ for the performers. The ensemble was split in half between the east and west coasts of Australia, listening together over the Internet, recording locally. Marchetti later mixed and mastered the track in his own studio. Listening to the piece once the recording and mixing process was complete was like hearing it for the first time, again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti \u0026amp; Decibel\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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フランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブルDecibelが、2023年1月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。 静謐なコンテンポラリー・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
¥2,120
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{"id":7954623693050,"title":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","handle":"philip-samartzis-atmospheres-and-disturbances-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T11:14:11+09:00","created_at":"2023-04-06T13:30:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679099642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","options":["Title"],"media":[{"alt":null,"id":31793702338810,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","width":1200},{"alt":null,"id":31793702371578,"position":2,"preview_image":{"aspect_ratio":2.885,"height":416,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"},"aspect_ratio":2.885,"height":416,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。 フィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。 「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。フィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。 レーベルその他作品はこちら /// Click here to see more Room40 releases...
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{"id":7954621989114,"title":"Bill Seaman and Stephen Vitiello \/\/ The Clear Distance CD","handle":"bill-seaman-and-stephen-vitiello-the-clear-distance-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Bill SeamanとStephen Vitielloが、2023年3月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとギター、エレクトロニクスによるネオクラシカル・アンビエント8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880120730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Bill Seaman:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u2028I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix where Stephen worked for some time. I had started out as a Video Artist exploring Image\/Music \/text relations. \u2028\u2028I had liked Stephen’s work in the past with Molly Berg called “Between You and the Shapes You Take.” I also enjoyed “Captiva” with Taylor Deupree. More recently I had started a collaboration with Michael Grigoni (who lives here in Durham, NC) that was put on pause due to his course schedule. Stephen sent me his lovely album with Grigoni – “Slow Machines.” So I wrote Stephen a note and asked “Would love to collaborate with you if you ever feel like it!” and he responded “Sure, I'd be happy to work on something together. Let me know what you're thinking - or when something feels like a time and idea to start. I can generate some material and\u003cspan class=\"bcTruncateMore\"\u003e send it your way, or just as happy if you want to send me something.” He sent me some things.\u003cbr\u003e\u003cbr\u003e\u2028\u2028I had just completed working with a very good recording engineer on some new piano recordings, which I edited into short sample libraries, which I in turn sent to him. I often use these to build up my tracks in a very physical manner in Ableton live, often exploring chance relations and juxtapositions, then choosing what I feel “works”. Later I sent him some other things – DX7 and analogue synth.\u003cbr\u003e\u003cbr\u003eWe started working on both our own linear tracks with the materials and others, and also exploring the re-arrangement of each other’s work samples juxtaposed with some other parts of the library of materials. Stephen also began to include some found sound that was quite lovely. \u2028\u2028I was hoping he might convince Molly Berg to contribute – I really love her sound.\u003cbr\u003e\u003cbr\u003eStephen sent me acoustic guitar, some ebow which I love, and some experimental abstraction of guitar. Later he sent some tracks with Molly on them. We both went at the material and did a series of back and forths. Stephen arranged some of my Piano samples into a lovely repetitive long work which is the center of our digital release. I went back in and further arranged the arrangement and added some new layers. Stephen added Banjo in one case to the album material…in any event we seemed to find a good method of sending, experimenting and responding to each other – then moving forward with the best of those digital volleys.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Seaman and Stephen Vitiello\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T11:21:56+09:00","created_at":"2023-04-06T13:27:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154673496314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Seaman and Stephen Vitiello \/\/ The Clear Distance CD","public_title":null,"options":["Default Title"],"price":212000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c7e69e8d-bc78-4288-af21-33d8667de75b.jpg?v=1680755252"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252","options":["Title"],"media":[{"alt":null,"id":31793693655290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_e5ef6294-83a9-4851-b8d3-1ff8111335ac.jpg?v=1680755252","width":700},{"alt":null,"id":31793693720826,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c7e69e8d-bc78-4288-af21-33d8667de75b.jpg?v=1680755252"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c7e69e8d-bc78-4288-af21-33d8667de75b.jpg?v=1680755252","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Bill SeamanとStephen Vitielloが、2023年3月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとギター、エレクトロニクスによるネオクラシカル・アンビエント8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880120730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Bill Seaman:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u2028I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix where Stephen worked for some time. I had started out as a Video Artist exploring Image\/Music \/text relations. \u2028\u2028I had liked Stephen’s work in the past with Molly Berg called “Between You and the Shapes You Take.” I also enjoyed “Captiva” with Taylor Deupree. More recently I had started a collaboration with Michael Grigoni (who lives here in Durham, NC) that was put on pause due to his course schedule. Stephen sent me his lovely album with Grigoni – “Slow Machines.” So I wrote Stephen a note and asked “Would love to collaborate with you if you ever feel like it!” and he responded “Sure, I'd be happy to work on something together. Let me know what you're thinking - or when something feels like a time and idea to start. I can generate some material and\u003cspan class=\"bcTruncateMore\"\u003e send it your way, or just as happy if you want to send me something.” He sent me some things.\u003cbr\u003e\u003cbr\u003e\u2028\u2028I had just completed working with a very good recording engineer on some new piano recordings, which I edited into short sample libraries, which I in turn sent to him. I often use these to build up my tracks in a very physical manner in Ableton live, often exploring chance relations and juxtapositions, then choosing what I feel “works”. Later I sent him some other things – DX7 and analogue synth.\u003cbr\u003e\u003cbr\u003eWe started working on both our own linear tracks with the materials and others, and also exploring the re-arrangement of each other’s work samples juxtaposed with some other parts of the library of materials. Stephen also began to include some found sound that was quite lovely. \u2028\u2028I was hoping he might convince Molly Berg to contribute – I really love her sound.\u003cbr\u003e\u003cbr\u003eStephen sent me acoustic guitar, some ebow which I love, and some experimental abstraction of guitar. Later he sent some tracks with Molly on them. We both went at the material and did a series of back and forths. Stephen arranged some of my Piano samples into a lovely repetitive long work which is the center of our digital release. I went back in and further arranged the arrangement and added some new layers. Stephen added Banjo in one case to the album material…in any event we seemed to find a good method of sending, experimenting and responding to each other – then moving forward with the best of those digital volleys.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Seaman and Stephen Vitiello\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカのアンビエント作家Bill SeamanとStephen Vitielloが、2023年3月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした共作CDです。 ピアノとギター、エレクトロニクスによるネオクラシカル・アンビエント8曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
¥2,120
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{"id":7954619105530,"title":"Matt Rösner \/\/ Empty, Expanding, Collapsing CD","handle":"matt-rosner-empty-expanding-collapsing-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・パースのアンビエント作家Matt Rösnerが、2023年3月に同国実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを散りばめたネオクラシカル・アンビエント7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286668977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Matt Rösner, December 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces started as loose piano improvisations played in the early morning light to be later assembled alongside an array of guitars, electronics, synthesisers and percussion. Whilst the basis of the tracks started as tentative improvisations, the overdubbed parts were very much painstakingly written, rewritten and aged with sounds of the surrounding dune systems seeping through the wafer thin studio walls.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-19T11:17:27+09:00","created_at":"2023-04-06T13:25:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154664878330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Rösner \/\/ Empty, Expanding, Collapsing CD","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107","\/\/tobirarecords.com\/cdn\/shop\/products\/em2_c84a7ce3-0948-4253-8f34-dc6241e14b83.jpg?v=1680755107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107","options":["Title"],"media":[{"alt":null,"id":31793683759354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_d3ee61da-4afa-45e7-b79d-0a5cdb38b43a.jpg?v=1680755107","width":700},{"alt":null,"id":31793683792122,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_c84a7ce3-0948-4253-8f34-dc6241e14b83.jpg?v=1680755107"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_c84a7ce3-0948-4253-8f34-dc6241e14b83.jpg?v=1680755107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・パースのアンビエント作家Matt Rösnerが、2023年3月に同国実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを散りばめたネオクラシカル・アンビエント7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286668977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Matt Rösner, December 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces started as loose piano improvisations played in the early morning light to be later assembled alongside an array of guitars, electronics, synthesisers and percussion. Whilst the basis of the tracks started as tentative improvisations, the overdubbed parts were very much painstakingly written, rewritten and aged with sounds of the surrounding dune systems seeping through the wafer thin studio walls.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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¥2,120
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{"id":7867626258682,"title":"Lawrence English \/\/ Approach CD","handle":"lawrence-english-approach-cd","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilliam Gibsonの作品Neuromancerの冒頭の一節、\"港の上の空は、死んだチャンネルに合わせたテレビの色だった \"をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである（そう、『AKIRA』よりも前に）。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e主人公の\u003cmeta charset=\"utf-8\"\u003eGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。\u003cmeta charset=\"utf-8\"\u003eGREYの社会的な期待に対する拒否反応（これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている）、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人（そしてこの漫画のような文化財）にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300411067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis edition Includes a matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I often find myself thinking about the opening line of William Gibson’s Neuromancer, \"The sky above the port was the color of television, tuned to a dead channel.\" When the book was written in early 1980s, a dead TV channel was a deadened grey of noise. Revisit the book now though and its character has shifted, for in the digital age a dead channel is a richly saturated sky blue. The referential effects of time are not constant, but they rather provoke new perspectives and ideally new understandings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album, Approach, is an echo that has travelled with me for 33 years, even if I wasn’t fully aware of it. It’s a record about memory, about how seemingly cursory encounters shape us and how experiences accumulate in time. It’s a distorted mirror catching the diminished glow of the fires that forged me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe record draws its root from Yoshihisa Tagami’s seminal manga Grey. In many respects this album is a soundtrack to that manga. What makes Grey unique, in the west at least, is that it was amongst one of the first Manga to be translated and distributed\u003cspan class=\"bcTruncateMore\"\u003e outside of Japan (yes, even before the touchstone that is Akira). It was one of the first droplets that has since become a torrent pouring outward from Japan. It was also the first Manga I bought for myself, when I was 13, and read as a serial.\u2028\u003cbr\u003eI tend not to think or speak very much about my teenage years. I had some profound experiences that have carried forward, I forged deep emotional partnerships that carry to this day. The majority of that time however was something of a slog, a day by day performance of self-preservation. Those years were a quiet war to push back against expectations for a way of being I had no interest in sharing.\u003cbr\u003e \u003cbr\u003eAll boys’ schools, one of which I attended, are a maleficent prison if you are not participating in, or as was my case you are maintaining an antithetical position to, hegemonic masculinity. There’s no real need to detail my experiences but suffice to say several years after high school a classmate approached me in a stationery store and asked for my forgiveness for what he had done to me. I was only too happy to give him that relief, it was obvious he wore scars from those experiences that seemingly ran deeper than my own.\u003cbr\u003e \u003cbr\u003eI don’t find myself dwelling on those negative experiences partly because during those years I was a sponge for culture. It’s difficult for me to quantify how much cultural consumption happened during my teen years, but I recognise now how formative so many of those exposures have become. An example of this came into sharp focus last year when I happened to remember, and then re-read Tagami’s Grey.\u003cbr\u003e \u003cbr\u003eAs laconic and occasionally unlikable as the main character, Grey, might have been I associated deeply with their sense of determination. Grey’s rejection of societal expectation (which is foregrounded by the edition’s introduction penned by speculative fiction author Harlan Ellison, who highlighted the class politics that haunt the storyline), and his refusal to accept the immobility of systems, and social codes, clearly resonated with me. Add to this a delightfully nihilistic optimism matched with unquenchable rage and that young version of me was sold; I knew already that sensation of rage, when applied with focus, would be my fuel throughout those years.\u003cbr\u003e \u003cbr\u003eThis record then is also a kind of sonic postcard retrospectively drafted for that very unsteady and volatile version of myself. It’s more than that of course, but I want to recognise and thank that belligerent young person, who seems so distant to me now. I recognise that their way of navigation, their determination to be curious and try to discover who they were, not who they were told to be, allowed this version of me to exist today. It also pays homage to the family and friends (and the cultural artefacts such as this manga) that helped cushion and guide that young body and mind. Without them, it’s difficult to know how I might be in the here and now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T17:27:08+09:00","created_at":"2022-12-14T15:38:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770405028090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Approach CD","public_title":null,"options":["Default Title"],"price":229000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","options":["Title"],"media":[{"alt":null,"id":31188500840698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","width":700},{"alt":null,"id":31188500873466,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilliam Gibsonの作品Neuromancerの冒頭の一節、\"港の上の空は、死んだチャンネルに合わせたテレビの色だった \"をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである（そう、『AKIRA』よりも前に）。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e主人公の\u003cmeta charset=\"utf-8\"\u003eGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。\u003cmeta charset=\"utf-8\"\u003eGREYの社会的な期待に対する拒否反応（これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている）、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人（そしてこの漫画のような文化財）にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300411067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis edition Includes a matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I often find myself thinking about the opening line of William Gibson’s Neuromancer, \"The sky above the port was the color of television, tuned to a dead channel.\" When the book was written in early 1980s, a dead TV channel was a deadened grey of noise. Revisit the book now though and its character has shifted, for in the digital age a dead channel is a richly saturated sky blue. The referential effects of time are not constant, but they rather provoke new perspectives and ideally new understandings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album, Approach, is an echo that has travelled with me for 33 years, even if I wasn’t fully aware of it. It’s a record about memory, about how seemingly cursory encounters shape us and how experiences accumulate in time. It’s a distorted mirror catching the diminished glow of the fires that forged me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe record draws its root from Yoshihisa Tagami’s seminal manga Grey. In many respects this album is a soundtrack to that manga. What makes Grey unique, in the west at least, is that it was amongst one of the first Manga to be translated and distributed\u003cspan class=\"bcTruncateMore\"\u003e outside of Japan (yes, even before the touchstone that is Akira). It was one of the first droplets that has since become a torrent pouring outward from Japan. It was also the first Manga I bought for myself, when I was 13, and read as a serial.\u2028\u003cbr\u003eI tend not to think or speak very much about my teenage years. I had some profound experiences that have carried forward, I forged deep emotional partnerships that carry to this day. The majority of that time however was something of a slog, a day by day performance of self-preservation. Those years were a quiet war to push back against expectations for a way of being I had no interest in sharing.\u003cbr\u003e \u003cbr\u003eAll boys’ schools, one of which I attended, are a maleficent prison if you are not participating in, or as was my case you are maintaining an antithetical position to, hegemonic masculinity. There’s no real need to detail my experiences but suffice to say several years after high school a classmate approached me in a stationery store and asked for my forgiveness for what he had done to me. I was only too happy to give him that relief, it was obvious he wore scars from those experiences that seemingly ran deeper than my own.\u003cbr\u003e \u003cbr\u003eI don’t find myself dwelling on those negative experiences partly because during those years I was a sponge for culture. It’s difficult for me to quantify how much cultural consumption happened during my teen years, but I recognise now how formative so many of those exposures have become. An example of this came into sharp focus last year when I happened to remember, and then re-read Tagami’s Grey.\u003cbr\u003e \u003cbr\u003eAs laconic and occasionally unlikable as the main character, Grey, might have been I associated deeply with their sense of determination. Grey’s rejection of societal expectation (which is foregrounded by the edition’s introduction penned by speculative fiction author Harlan Ellison, who highlighted the class politics that haunt the storyline), and his refusal to accept the immobility of systems, and social codes, clearly resonated with me. Add to this a delightfully nihilistic optimism matched with unquenchable rage and that young version of me was sold; I knew already that sensation of rage, when applied with focus, would be my fuel throughout those years.\u003cbr\u003e \u003cbr\u003eThis record then is also a kind of sonic postcard retrospectively drafted for that very unsteady and volatile version of myself. It’s more than that of course, but I want to recognise and thank that belligerent young person, who seems so distant to me now. I recognise that their way of navigation, their determination to be curious and try to discover who they were, not who they were told to be, allowed this version of me to exist today. It also pays homage to the family and friends (and the cultural artefacts such as this manga) that helped cushion and guide that young body and mind. Without them, it’s difficult to know how I might be in the here and now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。 William Gibsonの作品Neuromancerの冒頭の一節、"港の上の空は、死んだチャンネルに合わせたテレビの色だった "をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。このアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。このレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである（そう、『AKIRA』よりも前に）。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。
私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。その頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。主人公のGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。GREYの社会的な期待に対する拒否反応（これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている）、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。このレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人（そしてこの漫画のような文化財）にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
¥2,290
![Colin Stetson // Chimæra I LP [COLOR]](http://tobirarecords.com/cdn/shop/products/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f_medium.jpg?v=1670998953)
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{"id":7867617968378,"title":"Colin Stetson \/\/ Chimæra I LP [COLOR]","handle":"colin-stetson-chimaera-i-lp-color","description":"\u003cp\u003eArcade FireやBon Iver, Bell Orchestreとの共演でも知られているアメリカ出身カナダ在住のサックス奏者Colin Stetsonが、2022年11月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックスによる深淵なミニマル・ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073626979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCollecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains states of reductive minimalism and reactive maximalism. The album pushes his physical abilities, as a body and also as a player to a new terrain. The pieces reveal his increasingly refined capacity to compose works that push outward testing for the boundaries of timbre, harmony and also density.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of Chimæra’s two pieces forge an almost geological sensibility, tracing out the imagined caverns, hidden hollows and surging magma flows of an underworld that exists beyond the everyday we know. His instrument breathes like wind expelled from lava pipes. The pieces are tactile, engulfing the entire body and the ears with equal ferocity. It is a record that melds together a deeply layered sense of sonic strata with an unwavering harmonic\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delicacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor more than a decade now, Stetson has been involved an impressively divergent array of works that are concerned with the very physiology of sound. His lungs shaping sound through the coiling metallic pathways of his saxophones. This work is an opening to a new subterranean stream of his playing and resoundingly places him at the very centre of an ever expanding body of work that has come to define the potentials of his instrument of choice.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Colin Stetson\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-18T17:39:51+09:00","created_at":"2022-12-14T15:22:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","room40"],"price":368000,"price_min":368000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770362167546,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38589295919354,"product_id":7867617968378,"position":3,"created_at":"2022-12-14T15:22:31+09:00","updated_at":"2022-12-14T15:22:33+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953","variant_ids":[43770362167546]},"available":true,"name":"Colin Stetson \/\/ Chimæra I LP [COLOR] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31188415676666,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43770362200314,"title":"Clear Vinyl","option1":"Clear Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38589295952122,"product_id":7867617968378,"position":2,"created_at":"2022-12-14T15:22:31+09:00","updated_at":"2022-12-14T15:22:33+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953","variant_ids":[43770362200314]},"available":true,"name":"Colin Stetson \/\/ Chimæra I LP [COLOR] - Clear Vinyl","public_title":"Clear Vinyl","options":["Clear Vinyl"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31188415643898,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953","\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953","options":["Color"],"media":[{"alt":null,"id":31188415611130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_bd505b85-4c3f-41b3-902c-dbcde89cc78f.jpg?v=1670998953","width":700},{"alt":null,"id":31188415643898,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_5d36d3e7-9378-4ee5-b8b7-4889cb711733.jpg?v=1670998953","width":1200},{"alt":null,"id":31188415676666,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co3_3ff2f236-d171-4a56-b547-67886a7df910.jpg?v=1670998953","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eArcade FireやBon Iver, Bell Orchestreとの共演でも知られているアメリカ出身カナダ在住のサックス奏者Colin Stetsonが、2022年11月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックスによる深淵なミニマル・ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073626979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCollecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains states of reductive minimalism and reactive maximalism. The album pushes his physical abilities, as a body and also as a player to a new terrain. The pieces reveal his increasingly refined capacity to compose works that push outward testing for the boundaries of timbre, harmony and also density.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of Chimæra’s two pieces forge an almost geological sensibility, tracing out the imagined caverns, hidden hollows and surging magma flows of an underworld that exists beyond the everyday we know. His instrument breathes like wind expelled from lava pipes. The pieces are tactile, engulfing the entire body and the ears with equal ferocity. It is a record that melds together a deeply layered sense of sonic strata with an unwavering harmonic\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delicacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor more than a decade now, Stetson has been involved an impressively divergent array of works that are concerned with the very physiology of sound. His lungs shaping sound through the coiling metallic pathways of his saxophones. This work is an opening to a new subterranean stream of his playing and resoundingly places him at the very centre of an ever expanding body of work that has come to define the potentials of his instrument of choice.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Colin Stetson\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Arcade FireやBon Iver, Bell Orchestreとの共演でも知られているアメリカ出身カナダ在住のサックス奏者Colin Stetsonが、2022年11月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。 サックスによる深淵なミニマル・ドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
¥3,680
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{"id":7867612987642,"title":"Phauss \/\/ Nya Sverige - Nothing But The Truth CD+BOOKLET","handle":"phauss-nya-sverige-nothing-but-the-truth-cd","description":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003e彼らが1991年にアメリカで行ったツアーでの録音作品です。今では考えられない程に危険なパフォーマンスです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e北米ツアーでの写真やドキュメントを掲載した32ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhaussはCarl Michael von HausswolffとErik Pauserの二人組です。1980年代初頭に結成されたPhaussは、音、光、パフォーマンス、視覚における実践の端緒を再構築することに関心を寄せる、スウェーデンらしからぬ世代のアーティストたちの中で活動しました。この時期は、様々な要因が重なり、アーティストが自分の興味や制作方法の絶対的な核心を掘り下げ、アイデアの絶え間ない発掘に専念することができた、スウェーデンにとって記念すべき豊穣の時代でした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサウンドとインスタレーションを扱う\u003cmeta charset=\"utf-8\"\u003eCarl Michael von HausswolffとErik Pauserは、作曲、状況主義、サイトスペシフィック作品、拡張されたパフォーマンスの方法論といった概念を解体する手段としてPhaussを使用しました。1980年代後半から1990年代初頭にかけて、彼らは旅を通して、故郷から中東、北米、アジアに広がるシーンやコミュニティへとつながっていきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e旅と同様に、彼らの作品への取り組み方も広範囲に及び、生来の好奇心が旺盛でした。彼らは、しばしば非常に厳格なコンセプチュアルな構造で制作しますが、その中で、パフォーマンス、反復、そして成功と同様に失敗を許容する熟考された実験を通して、作曲と音の物質的な生産についての全く新しい方法を解き明かすことができたのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNya Sverige - Nothing But The Truthは、1991年に\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHafler TrioとZbigniew Karkowski\u003c\/span\u003eと共に徹底的なツアーを行った際に、アメリカで録音されたものです。このツアーは、今では伝説となっていますが、大変なものであると同時に実りの多いものでした。一度に何週間もバンの中で生活し、最も質素な手段で都市間を移動したため、Phaussはアメリカの非常に特殊なビジョン、つまり、ありふれた風景の中に存在するものを知ることになったのです。彼らの体験は、都市の一番端っこのほうで味わうものでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのエディションに収録されている彼らのパフォーマンスは、生々しく、率直に言って危険なものでした。ステージ上の火、ショートした電子機器から飛び散る火花、激しい肉体的儀式は、このツアー中の彼らの作品の多くを導いており、当時のブートレグビデオを振り返ると、その作品が現代社会で発表できることを想像するのは難しいです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らのツアーのフライヤーには「Extreme Swedish Industrial」と書かれています。この言葉は今なら見慣れた言葉かもしれませんが、1991年当時は全く異なる響きをもっていました。それは、よくわからない参照語であり、Phaussの音楽の強度は、今日に至るまでその未知性を維持しています。この作品は、非常に個性的な作品であり、後に続く世代の音楽家たちの舞台となるものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KjqO__spX44\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 32-page perfect bound book featuring in conversation by Lawrence English with CM vom Hausswolff and Erik Pauser, plus exclusive photographs and documents from the creation of Nya Sverige - Nothing But The Truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr\u003e\u003cbr\u003eNya Sverige - Nothing But The Truth is a recording made in the United States whilst the pair were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience had at the rawest edges of cities.\u003cbr\u003e\u003cbr\u003eEqually the performances they gave, from which this edition is assembled, were raw and quite frankly dangerous. Fire on stage, sparks flying from short circuiting electronics and intense physical rituals guided so much of their work during this tour and looking back at bootleg videos from the time it’s difficult to imagine the work being able to be presented in the modern world.\u003cbr\u003e\u003cbr\u003eOne of the flyers from their tour reads ‘Extreme Swedish Industrial’, and as familiar as those words might appear now, in 1991 they held a very different resonance. They were unfamiliar terms of reference and the intensity of Phauss’s music maintains that unknowability to this day. This is a profoundly individual work and sets the stage for a generation of musicians who followed them.\u003cbr\u003e\u003cbr\u003eThe edition includes a book featuring a long-form in conversation between Carl Michael Von Hausswolff and Erik Pauser with Lawrence English. It also includes never before seen photos and documents from their North American tour and collects together an essential and largely under-documented history of this period of the group’s work.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T19:39:31+09:00","created_at":"2022-12-14T15:18:57+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","noise","room40"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770335199482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phauss \/\/ Nya Sverige - Nothing But The Truth CD+BOOKLET","public_title":null,"options":["Default Title"],"price":289000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739","\/\/tobirarecords.com\/cdn\/shop\/products\/ny2_0ee125fb-0270-4323-9401-02f82a84d296.jpg?v=1670998739","\/\/tobirarecords.com\/cdn\/shop\/products\/ny3.jpg?v=1670998740"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739","options":["Title"],"media":[{"alt":null,"id":31188387725562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny1_2bfdf9c8-1bb3-4b7a-934f-b9f5e0a35e33.jpg?v=1670998739","width":700},{"alt":null,"id":31188387791098,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny2_0ee125fb-0270-4323-9401-02f82a84d296.jpg?v=1670998739"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny2_0ee125fb-0270-4323-9401-02f82a84d296.jpg?v=1670998739","width":1200},{"alt":null,"id":31188387823866,"position":3,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny3.jpg?v=1670998740"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ny3.jpg?v=1670998740","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003e彼らが1991年にアメリカで行ったツアーでの録音作品です。今では考えられない程に危険なパフォーマンスです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e北米ツアーでの写真やドキュメントを掲載した32ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhaussはCarl Michael von HausswolffとErik Pauserの二人組です。1980年代初頭に結成されたPhaussは、音、光、パフォーマンス、視覚における実践の端緒を再構築することに関心を寄せる、スウェーデンらしからぬ世代のアーティストたちの中で活動しました。この時期は、様々な要因が重なり、アーティストが自分の興味や制作方法の絶対的な核心を掘り下げ、アイデアの絶え間ない発掘に専念することができた、スウェーデンにとって記念すべき豊穣の時代でした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサウンドとインスタレーションを扱う\u003cmeta charset=\"utf-8\"\u003eCarl Michael von HausswolffとErik Pauserは、作曲、状況主義、サイトスペシフィック作品、拡張されたパフォーマンスの方法論といった概念を解体する手段としてPhaussを使用しました。1980年代後半から1990年代初頭にかけて、彼らは旅を通して、故郷から中東、北米、アジアに広がるシーンやコミュニティへとつながっていきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e旅と同様に、彼らの作品への取り組み方も広範囲に及び、生来の好奇心が旺盛でした。彼らは、しばしば非常に厳格なコンセプチュアルな構造で制作しますが、その中で、パフォーマンス、反復、そして成功と同様に失敗を許容する熟考された実験を通して、作曲と音の物質的な生産についての全く新しい方法を解き明かすことができたのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNya Sverige - Nothing But The Truthは、1991年に\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHafler TrioとZbigniew Karkowski\u003c\/span\u003eと共に徹底的なツアーを行った際に、アメリカで録音されたものです。このツアーは、今では伝説となっていますが、大変なものであると同時に実りの多いものでした。一度に何週間もバンの中で生活し、最も質素な手段で都市間を移動したため、Phaussはアメリカの非常に特殊なビジョン、つまり、ありふれた風景の中に存在するものを知ることになったのです。彼らの体験は、都市の一番端っこのほうで味わうものでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのエディションに収録されている彼らのパフォーマンスは、生々しく、率直に言って危険なものでした。ステージ上の火、ショートした電子機器から飛び散る火花、激しい肉体的儀式は、このツアー中の彼らの作品の多くを導いており、当時のブートレグビデオを振り返ると、その作品が現代社会で発表できることを想像するのは難しいです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らのツアーのフライヤーには「Extreme Swedish Industrial」と書かれています。この言葉は今なら見慣れた言葉かもしれませんが、1991年当時は全く異なる響きをもっていました。それは、よくわからない参照語であり、Phaussの音楽の強度は、今日に至るまでその未知性を維持しています。この作品は、非常に個性的な作品であり、後に続く世代の音楽家たちの舞台となるものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KjqO__spX44\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 32-page perfect bound book featuring in conversation by Lawrence English with CM vom Hausswolff and Erik Pauser, plus exclusive photographs and documents from the creation of Nya Sverige - Nothing But The Truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Phauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr\u003e\u003cbr\u003eNya Sverige - Nothing But The Truth is a recording made in the United States whilst the pair were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience had at the rawest edges of cities.\u003cbr\u003e\u003cbr\u003eEqually the performances they gave, from which this edition is assembled, were raw and quite frankly dangerous. Fire on stage, sparks flying from short circuiting electronics and intense physical rituals guided so much of their work during this tour and looking back at bootleg videos from the time it’s difficult to imagine the work being able to be presented in the modern world.\u003cbr\u003e\u003cbr\u003eOne of the flyers from their tour reads ‘Extreme Swedish Industrial’, and as familiar as those words might appear now, in 1991 they held a very different resonance. They were unfamiliar terms of reference and the intensity of Phauss’s music maintains that unknowability to this day. This is a profoundly individual work and sets the stage for a generation of musicians who followed them.\u003cbr\u003e\u003cbr\u003eThe edition includes a book featuring a long-form in conversation between Carl Michael Von Hausswolff and Erik Pauser with Lawrence English. It also includes never before seen photos and documents from their North American tour and collects together an essential and largely under-documented history of this period of the group’s work.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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スウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1991年リリース） 彼らが1991年にアメリカで行ったツアーでの録音作品です。今では考えられない程に危険なパフォーマンスです。 北米ツアーでの写真やドキュメントを掲載した32ページのブックレットが付属。 PhaussはCarl Michael von HausswolffとErik Pauserの二人組です。1980年代初頭に結成されたPhaussは、音、光、パフォーマンス、視覚における実践の端緒を再構築することに関心を寄せる、スウェーデンらしからぬ世代のアーティストたちの中で活動しました。この時期は、様々な要因が重なり、アーティストが自分の興味や制作方法の絶対的な核心を掘り下げ、アイデアの絶え間ない発掘に専念することができた、スウェーデンにとって記念すべき豊穣の時代でした。サウンドとインスタレーションを扱うCarl Michael von...
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{"id":7867609940218,"title":"Simon Scott \/\/ Long Drove CD","handle":"simon-scott-long-drove-cd","description":"\u003cp\u003eイギリスのアンビエント作家Simon Scott (Slowdiveのドラマー)が、2022年12月にオーストラリアの実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e冬の日差しのように柔らかいアンビエント6曲を収録。シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eスコットがRoom40のために書いた最初のエディションのタイトルである「Long Drove」は、イギリスの作曲家、マルチインストゥルメンタリスト、マスタリングエンジニアのサイモン・スコットの自宅に近い場所フェンズについてです。そこはホルムフェンとニューデコイと呼ばれる2つの自然保護区を結ぶ連絡通路で、両地域はグレートフェンプロジェクトと呼ばれる生息地復元プロジェクトの一部であり、スコットが幼少期に育った場所にも近いです。この地域は、10年以上前にスコットが12kで「Below Sea Level」（後にTouchで再発売）を制作した際に、初めて作曲のインスピレーションを得る場所となりました。フェンズに戻った彼は、この「Long Drove」で紹介されている、場所と田舎のトラウマに関する親密な音の物語である、いくつかの新作を生み出しました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフェンズの近未来は、さらなる地盤沈下と洪水の脅威が懸念され、依然として明白な懸念事項となっています。フィールド・レコーディングは、朽ち果てたテープ・ループとデジタル処理されたフェンランドの音のテクスチャーのメランコリックな洗浄によって消滅し、展開されるため、気候変動の結果、元の湿地に戻り、再び水没したらフェンスはどのように聞こえるだろうかというスコットの思考過程がこの5曲から聞こえてきそうです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私は定期的に、人里離れた名もない壊れた橋を訪れます。この橋は、ホルムフェンとニューデコイ自然保護区を結ぶ長い排水溝の上にあり、単に耳を傾けるためだけのものです。季節が変わるたびに、野生動物の鳴き声が、広くて平らなフェンズに張り巡らされた長い電線の音と融合し、合体するのを観察しに戻ってきました。私は同じ場所でも異なる音の特徴を感じ取り、すぐにその広大なポリフォニックな栄光を録音し始めました。偶然にも、私の水筒が鉄橋に当たり、フェンスの風景に銅鑼のような音が響いたのです。これをきっかけに、私はソフトマレットを使って実際に橋をパーカッシブな楽器として演奏し、その響きをとらえることにしました。その後、橋の垂直開口部のひとつに小さなDPAマイクを設置し、金属製の橋の内側と外側にある多くの音波のフィルターとして機能させたいと思うようになりました。橋のどの部分を叩くか、どの季節に叩くかによって、橋の振動的な音質が違ってくるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolme Fen Posts は、イングランドで最も低い地図上の位置（平均海面から6フィート）にある有名な鋼鉄製のホルム・フェン自然保護区の支柱2本のうちの1本から採取したループ状の録音をトレースしたものです。この支柱は、1851年に地元の地主であるウィリアム・ウェルズによって、地盤沈下の測定値を得るために地面に打ち込まれました。柱には、その後の地盤沈下の日付を示す金属製のプラカードが取り付けられており、スコットはその音波を捉えるために2本のコンタクトマイクを水平な柱の間に挟み込みました。録音された音は、鉄の彫刻のゆっくりとした深い振動音だけでなく、スコットが録音したときに発生した土砂降りなどの自然現象や、周囲の共鳴が生み出すリズミカルなダイナミクスを明らかにしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e風という自然現象は、『The Whistling Wire』で聴かれるようなエオリアン的な音の特徴となり、橋が叩かれる柔らかいリズムは、その振動が生み出す長音のドローンや残響質となって、フェンズの複雑な音の地形を現すのです。人為的な介入なしにワイヤーの穴に点火する風のシンフォニックな栄光をとらえること。これは、気候変動によって引き起こされた伝達可能な音楽性の移り変わりを誘発するものです。The Black Fenは、エオリアンフィールドレコーディングのカセットテープのループによって音場をトレースし、スコットのモジュラーシンセシステムに入力すると操作され、徐々に隠れたメロディーを引き出していきます。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1974287724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate, monochromatic printed and embossed sleeve + insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003e‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott created 'Below Sea Level' on 12k (later reissued on Touch). His return to the Fens has produced a number of new works, presented here on ‘Long Drove’, that are intimate sonic narratives of place and rural trauma.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e‘Long Drove’ is a site-specific sound study which shifts the Anthropocene discourse from spectatorship to musical participation, accountability, and creative engagement. The near future of the Fens, with concerns of further subsidence and threat of flooding, remains a palpable concern. One can almost hear Scott’s thought processes within these five compositions, of what the Fens would sound like if submerged and flooded by water again, returning to its original marshland state as a result of climate change, as the field\u003cspan class=\"bcTruncateMore\"\u003e recordings dissipate and unfurl with melancholic washes of decaying tape loops and digitally processed textures of Fenland sonorities.\u003cbr\u003e \u003cbr\u003e“I regularly visit the remote and nameless broken bridge,” Simon explains, “that is situated over a long drainage ditch that connects Holme Fen and New Decoy nature reserves, simply to listen. Each season I’d return to observe the sonorities of wildlife merge and coalesce with the hum of the long telephone wires that stretch across the wide and flat Fens. Within my audition I’d perceive different sonic characteristics within the same location and I soon began to record its vast polyphonic glory. By pure serendipity my water bottle accidentally struck the steel bridge, and it rang out like a gong across the Fen landscape. This inspired me to use soft mallet beaters to actually play the bridge as a percussive musical instrument and capture its resonant qualities. A subsequent desire was also to place my tiny DPA microphones inside one of the bridge vertical openings to act as a filter of the many sonorities within and outside of the metal bridge. The vibratory aural qualities of the bridge would differ depending on what part of the bridge I struck and what season it was.”\u003cbr\u003e \u003cbr\u003e‘Holme Fen Posts' traces out looped recordings taken from one of two of the famous steel Holme Fen nature reserve posts, which are located at the lowest cartographical location in England (six feet below mean sea level). The posts were driven into the ground in 1851 to take ground readings of subsidence by local landowner William Wells. Metal placards were attached to the posts to depict the subsequent dates of the level of the ground and Scott wedged two contact microphones in between the horizontal posts to capture its sonorities. The recordings reveal not only the slow and deep vibratory sounds of the steel sculptures but also the rhythmic dynamics created by natural phenomena, such as the downpour occurring as Scott recorded, and the resonances within the surrounding area.\u003cbr\u003e\u003cbr\u003eThe natural phenomena of wind became aeolian sound characteristics, as heard in The Whistling Wire, and the soft rhythm of the bridge being struck became the long-pitched drones and reverberant textures that these vibrations produced reveals the complex sonic topography of the Fens. From capturing the symphonic glory of the wind which, without any human intervention, ignites the holes in the wires. This triggers shifting planes of transmissible climate change induced musicality. ‘The Black Fen’ traces sound fields through cassette tape loops of aeolian field recordings which are manipulated when fed into Scott’s modular synth system to gradually tease out submerged hidden melodies. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Scott\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-15T18:33:23+09:00","created_at":"2022-12-14T15:16:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","room40"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770318389498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Simon Scott \/\/ Long Drove CD","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_7f7d6c85-8636-4d97-a6f4-4ba4dc94789a.jpg?v=1670998593"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593","options":["Title"],"media":[{"alt":null,"id":31188372062458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9f57e69e-c695-4a4c-a27e-5ab9e47825db.jpg?v=1670998593","width":700},{"alt":null,"id":31188372095226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_7f7d6c85-8636-4d97-a6f4-4ba4dc94789a.jpg?v=1670998593"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_7f7d6c85-8636-4d97-a6f4-4ba4dc94789a.jpg?v=1670998593","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのアンビエント作家Simon Scott (Slowdiveのドラマー)が、2022年12月にオーストラリアの実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e冬の日差しのように柔らかいアンビエント6曲を収録。シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eスコットがRoom40のために書いた最初のエディションのタイトルである「Long Drove」は、イギリスの作曲家、マルチインストゥルメンタリスト、マスタリングエンジニアのサイモン・スコットの自宅に近い場所フェンズについてです。そこはホルムフェンとニューデコイと呼ばれる2つの自然保護区を結ぶ連絡通路で、両地域はグレートフェンプロジェクトと呼ばれる生息地復元プロジェクトの一部であり、スコットが幼少期に育った場所にも近いです。この地域は、10年以上前にスコットが12kで「Below Sea Level」（後にTouchで再発売）を制作した際に、初めて作曲のインスピレーションを得る場所となりました。フェンズに戻った彼は、この「Long Drove」で紹介されている、場所と田舎のトラウマに関する親密な音の物語である、いくつかの新作を生み出しました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフェンズの近未来は、さらなる地盤沈下と洪水の脅威が懸念され、依然として明白な懸念事項となっています。フィールド・レコーディングは、朽ち果てたテープ・ループとデジタル処理されたフェンランドの音のテクスチャーのメランコリックな洗浄によって消滅し、展開されるため、気候変動の結果、元の湿地に戻り、再び水没したらフェンスはどのように聞こえるだろうかというスコットの思考過程がこの5曲から聞こえてきそうです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私は定期的に、人里離れた名もない壊れた橋を訪れます。この橋は、ホルムフェンとニューデコイ自然保護区を結ぶ長い排水溝の上にあり、単に耳を傾けるためだけのものです。季節が変わるたびに、野生動物の鳴き声が、広くて平らなフェンズに張り巡らされた長い電線の音と融合し、合体するのを観察しに戻ってきました。私は同じ場所でも異なる音の特徴を感じ取り、すぐにその広大なポリフォニックな栄光を録音し始めました。偶然にも、私の水筒が鉄橋に当たり、フェンスの風景に銅鑼のような音が響いたのです。これをきっかけに、私はソフトマレットを使って実際に橋をパーカッシブな楽器として演奏し、その響きをとらえることにしました。その後、橋の垂直開口部のひとつに小さなDPAマイクを設置し、金属製の橋の内側と外側にある多くの音波のフィルターとして機能させたいと思うようになりました。橋のどの部分を叩くか、どの季節に叩くかによって、橋の振動的な音質が違ってくるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolme Fen Posts は、イングランドで最も低い地図上の位置（平均海面から6フィート）にある有名な鋼鉄製のホルム・フェン自然保護区の支柱2本のうちの1本から採取したループ状の録音をトレースしたものです。この支柱は、1851年に地元の地主であるウィリアム・ウェルズによって、地盤沈下の測定値を得るために地面に打ち込まれました。柱には、その後の地盤沈下の日付を示す金属製のプラカードが取り付けられており、スコットはその音波を捉えるために2本のコンタクトマイクを水平な柱の間に挟み込みました。録音された音は、鉄の彫刻のゆっくりとした深い振動音だけでなく、スコットが録音したときに発生した土砂降りなどの自然現象や、周囲の共鳴が生み出すリズミカルなダイナミクスを明らかにしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e風という自然現象は、『The Whistling Wire』で聴かれるようなエオリアン的な音の特徴となり、橋が叩かれる柔らかいリズムは、その振動が生み出す長音のドローンや残響質となって、フェンズの複雑な音の地形を現すのです。人為的な介入なしにワイヤーの穴に点火する風のシンフォニックな栄光をとらえること。これは、気候変動によって引き起こされた伝達可能な音楽性の移り変わりを誘発するものです。The Black Fenは、エオリアンフィールドレコーディングのカセットテープのループによって音場をトレースし、スコットのモジュラーシンセシステムに入力すると操作され、徐々に隠れたメロディーを引き出していきます。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1974287724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate, monochromatic printed and embossed sleeve + insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003e‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott created 'Below Sea Level' on 12k (later reissued on Touch). His return to the Fens has produced a number of new works, presented here on ‘Long Drove’, that are intimate sonic narratives of place and rural trauma.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e‘Long Drove’ is a site-specific sound study which shifts the Anthropocene discourse from spectatorship to musical participation, accountability, and creative engagement. The near future of the Fens, with concerns of further subsidence and threat of flooding, remains a palpable concern. One can almost hear Scott’s thought processes within these five compositions, of what the Fens would sound like if submerged and flooded by water again, returning to its original marshland state as a result of climate change, as the field\u003cspan class=\"bcTruncateMore\"\u003e recordings dissipate and unfurl with melancholic washes of decaying tape loops and digitally processed textures of Fenland sonorities.\u003cbr\u003e \u003cbr\u003e“I regularly visit the remote and nameless broken bridge,” Simon explains, “that is situated over a long drainage ditch that connects Holme Fen and New Decoy nature reserves, simply to listen. Each season I’d return to observe the sonorities of wildlife merge and coalesce with the hum of the long telephone wires that stretch across the wide and flat Fens. Within my audition I’d perceive different sonic characteristics within the same location and I soon began to record its vast polyphonic glory. By pure serendipity my water bottle accidentally struck the steel bridge, and it rang out like a gong across the Fen landscape. This inspired me to use soft mallet beaters to actually play the bridge as a percussive musical instrument and capture its resonant qualities. A subsequent desire was also to place my tiny DPA microphones inside one of the bridge vertical openings to act as a filter of the many sonorities within and outside of the metal bridge. The vibratory aural qualities of the bridge would differ depending on what part of the bridge I struck and what season it was.”\u003cbr\u003e \u003cbr\u003e‘Holme Fen Posts' traces out looped recordings taken from one of two of the famous steel Holme Fen nature reserve posts, which are located at the lowest cartographical location in England (six feet below mean sea level). The posts were driven into the ground in 1851 to take ground readings of subsidence by local landowner William Wells. Metal placards were attached to the posts to depict the subsequent dates of the level of the ground and Scott wedged two contact microphones in between the horizontal posts to capture its sonorities. The recordings reveal not only the slow and deep vibratory sounds of the steel sculptures but also the rhythmic dynamics created by natural phenomena, such as the downpour occurring as Scott recorded, and the resonances within the surrounding area.\u003cbr\u003e\u003cbr\u003eThe natural phenomena of wind became aeolian sound characteristics, as heard in The Whistling Wire, and the soft rhythm of the bridge being struck became the long-pitched drones and reverberant textures that these vibrations produced reveals the complex sonic topography of the Fens. From capturing the symphonic glory of the wind which, without any human intervention, ignites the holes in the wires. This triggers shifting planes of transmissible climate change induced musicality. ‘The Black Fen’ traces sound fields through cassette tape loops of aeolian field recordings which are manipulated when fed into Scott’s modular synth system to gradually tease out submerged hidden melodies. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Scott\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イギリスのアンビエント作家Simon Scott (Slowdiveのドラマー)が、2022年12月にオーストラリアの実験レーベルRoom40からリリースした最新作です。 冬の日差しのように柔らかいアンビエント6曲を収録。シュリンク仕様です。 以下、レーベルと作家による解説です。 スコットがRoom40のために書いた最初のエディションのタイトルである「Long Drove」は、イギリスの作曲家、マルチインストゥルメンタリスト、マスタリングエンジニアのサイモン・スコットの自宅に近い場所フェンズについてです。そこはホルムフェンとニューデコイと呼ばれる2つの自然保護区を結ぶ連絡通路で、両地域はグレートフェンプロジェクトと呼ばれる生息地復元プロジェクトの一部であり、スコットが幼少期に育った場所にも近いです。この地域は、10年以上前にスコットが12kで「Below Sea Level」（後にTouchで再発売）を制作した際に、初めて作曲のインスピレーションを得る場所となりました。フェンズに戻った彼は、この「Long Drove」で紹介されている、場所と田舎のトラウマに関する親密な音の物語である、いくつかの新作を生み出しました。フェンズの近未来は、さらなる地盤沈下と洪水の脅威が懸念され、依然として明白な懸念事項となっています。フィールド・レコーディングは、朽ち果てたテープ・ループとデジタル処理されたフェンランドの音のテクスチャーのメランコリックな洗浄によって消滅し、展開されるため、気候変動の結果、元の湿地に戻り、再び水没したらフェンスはどのように聞こえるだろうかというスコットの思考過程がこの5曲から聞こえてきそうです。「私は定期的に、人里離れた名もない壊れた橋を訪れます。この橋は、ホルムフェンとニューデコイ自然保護区を結ぶ長い排水溝の上にあり、単に耳を傾けるためだけのものです。季節が変わるたびに、野生動物の鳴き声が、広くて平らなフェンズに張り巡らされた長い電線の音と融合し、合体するのを観察しに戻ってきました。私は同じ場所でも異なる音の特徴を感じ取り、すぐにその広大なポリフォニックな栄光を録音し始めました。偶然にも、私の水筒が鉄橋に当たり、フェンスの風景に銅鑼のような音が響いたのです。これをきっかけに、私はソフトマレットを使って実際に橋をパーカッシブな楽器として演奏し、その響きをとらえることにしました。その後、橋の垂直開口部のひとつに小さなDPAマイクを設置し、金属製の橋の内側と外側にある多くの音波のフィルターとして機能させたいと思うようになりました。橋のどの部分を叩くか、どの季節に叩くかによって、橋の振動的な音質が違ってくるのです。Holme Fen Posts は、イングランドで最も低い地図上の位置（平均海面から6フィート）にある有名な鋼鉄製のホルム・フェン自然保護区の支柱2本のうちの1本から採取したループ状の録音をトレースしたものです。この支柱は、1851年に地元の地主であるウィリアム・ウェルズによって、地盤沈下の測定値を得るために地面に打ち込まれました。柱には、その後の地盤沈下の日付を示す金属製のプラカードが取り付けられており、スコットはその音波を捉えるために2本のコンタクトマイクを水平な柱の間に挟み込みました。録音された音は、鉄の彫刻のゆっくりとした深い振動音だけでなく、スコットが録音したときに発生した土砂降りなどの自然現象や、周囲の共鳴が生み出すリズミカルなダイナミクスを明らかにしています。風という自然現象は、『The Whistling...
¥2,180
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{"id":7867607384314,"title":"Phauss \/\/ Audiodrome CD+BOOKLET","handle":"phauss-audiodrome-cd","description":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1987年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eスイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434673642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 44-page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePhauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first composition Zürich - Zürich is a piece that traces a line around the world, Phauss travelling on a round the world air ticket stopping only in countries where conflict was present. This unsettling journey became a meditation on the evolving state of the world in those moments. Voices, traffic, cafes, radios, transportation system and other incidental environments float into one another in a kind of stream of (temporally incongruous) consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second work Alger - Lagos brings to mind some of Brion Gysin and William S. Burroughs tape cut-ups. Street musicians are splice against bursts of radio, roadside conversations and searing blasts of industrial noise captured from aircraft and other unfamiliar sources. It is an unsteadying journey where even the sounds of the everyday feel alien and repositioned. The sounds call to us prompting a sensing that is at its heart utterly fascinated, and fascinating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe edition includes a book featuring an exhaustive collection of photographs, documents and artworks made by Von Hausswolff and Pauser during their journeys undertaken to complete each of the compositions. Many of these images and artworks have never been published previously.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T15:34:14+09:00","created_at":"2022-12-14T15:14:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","room40"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770305675514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phauss \/\/ Audiodrome CD+BOOKLET","public_title":null,"options":["Default Title"],"price":318000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","options":["Title"],"media":[{"alt":null,"id":31188357644538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","width":700},{"alt":null,"id":31188357677306,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1987年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eスイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434673642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 44-page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePhauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first composition Zürich - Zürich is a piece that traces a line around the world, Phauss travelling on a round the world air ticket stopping only in countries where conflict was present. This unsettling journey became a meditation on the evolving state of the world in those moments. Voices, traffic, cafes, radios, transportation system and other incidental environments float into one another in a kind of stream of (temporally incongruous) consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second work Alger - Lagos brings to mind some of Brion Gysin and William S. Burroughs tape cut-ups. Street musicians are splice against bursts of radio, roadside conversations and searing blasts of industrial noise captured from aircraft and other unfamiliar sources. It is an unsteadying journey where even the sounds of the everyday feel alien and repositioned. The sounds call to us prompting a sensing that is at its heart utterly fascinated, and fascinating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe edition includes a book featuring an exhaustive collection of photographs, documents and artworks made by Von Hausswolff and Pauser during their journeys undertaken to complete each of the compositions. Many of these images and artworks have never been published previously.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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スウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1987年リリース） スイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。 写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
¥3,180
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{"id":7671365566714,"title":"Madeleine Cocolas \/\/ Spectral CD","handle":"madeleine-cocolas-spectral-cd","description":"\u003cp\u003eオーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1945971950\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSpectral is built on a foundation of sounds I collected from my immediate surroundings in recent times. It’s a familiar story, casting your ears close to home. I captured these sounds as a type of aural diary to mark days and weeks as they passed. As our physical worlds seemed to become smaller, my senses of observation and perception of my immediate surroundings sharpened. Inside these small spaces I found a wellspring of materials that seemed to offer themselves up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time I didn’t know why I was collecting sounds or what I would do with them, it just felt like something I needed to do and it helped me stay connected and feel tethered to my surroundings. With my phone on hand, ready to record on walks around the block, past whirring industrial machines, deafening crickets and crashing storms, I found so much beauty and meaning in the sounds and the recordings I collected. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the collection grew, I could sense these links between them, some sounds seemed to gravitate towards one another, they self arranged almost. It felt very natural to then build layers over the top of them, to be able to express some of the emotions that the\u003cspan class=\"bcTruncateMore\"\u003e sounds triggered, of memories from the moments from when they were captured. \u003cbr\u003e\u003cbr\u003eAt its core, Spectral is about deep stillness, observation and perception underpinned by emotional expression. It is a subtle shift in memory, a recolouring of the world we think we know and a willingness to lean into that possibility.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Madeleine Cocolas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-15T09:54:37+09:00","created_at":"2022-07-11T09:20:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","room40","techno \/ house"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974050222330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Madeleine Cocolas \/\/ Spectral CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","options":["Title"],"media":[{"alt":null,"id":30094718861562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","width":700},{"alt":null,"id":30094718894330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1945971950\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSpectral is built on a foundation of sounds I collected from my immediate surroundings in recent times. It’s a familiar story, casting your ears close to home. I captured these sounds as a type of aural diary to mark days and weeks as they passed. As our physical worlds seemed to become smaller, my senses of observation and perception of my immediate surroundings sharpened. Inside these small spaces I found a wellspring of materials that seemed to offer themselves up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time I didn’t know why I was collecting sounds or what I would do with them, it just felt like something I needed to do and it helped me stay connected and feel tethered to my surroundings. With my phone on hand, ready to record on walks around the block, past whirring industrial machines, deafening crickets and crashing storms, I found so much beauty and meaning in the sounds and the recordings I collected. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the collection grew, I could sense these links between them, some sounds seemed to gravitate towards one another, they self arranged almost. It felt very natural to then build layers over the top of them, to be able to express some of the emotions that the\u003cspan class=\"bcTruncateMore\"\u003e sounds triggered, of memories from the moments from when they were captured. \u003cbr\u003e\u003cbr\u003eAt its core, Spectral is about deep stillness, observation and perception underpinned by emotional expression. It is a subtle shift in memory, a recolouring of the world we think we know and a willingness to lean into that possibility.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Madeleine Cocolas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。 ネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Artist...
¥2,150
クイックビュー
{"id":7666501452026,"title":"Alberto Boccardi \/\/ Petra TAPE","handle":"alberto-boccardi-petra-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。\u003cbr\u003e\u003cbr\u003ePetraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。\u003cbr\u003e\u003cbr\u003eすべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。\u003cbr\u003e\u003cbr\u003eセットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。\u003cbr\u003e\u003cbr\u003eレコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。\u003cbr\u003e\u003cbr\u003e声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。\u2028\u003cbr\u003ePetraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2004579823\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlberto Boccardi\u2028 :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetra is a work that stems from the time I lived in Cairo between 2015 to 2020. I spent almost five years there, surrounded by the frenetic mood of the tireless Egyptian capitol. It’s a never-ending cascade of sound and flashing lights, were where I found myself split between the habituation of my daily work and this throbbing sense of life all around me.\u003cbr\u003e\u003cbr\u003ePetra also comes from the period since I moved back to Milano, my hometown. In some respects the album is almost me closing one chapter of my life, while opening a new one.\u003cbr\u003e\u003cbr\u003eAll the materials were recorded at Standards, the studio I built 5 years ago, a place I know well and an environment where everything was available and, by contrast with Cairo, so familiar and under control. It seems a perfect counterpoint, a way to consider these sound memories at distance almost.\u003cbr\u003e\u003cbr\u003eWhile starting the set-up I was really keen to work by subtraction and also consider the idea of silence, which had not been a part of my life during my time in Cairo. I was trying to find the breadth between each sonic element and the space they would require. I was first much more focussed on the sound itself, than the place it needed to be in relation with the other sounds.\u003cbr\u003e\u003cbr\u003eWhile recording I decided to invite a long time collaborator Cinzia De Lorenzi, a very creative dancer and choreographer, to come into the studio and work with me. She has an incredible talent for voice and this was brought to bare on several of the pieces. We had a very quick understanding of the creative dynamic and I was positive that her voice would be able to fit in the sound interstices that were appearing.\u003cbr\u003e\u003cbr\u003eI thought the presence of the voice would help me to play with how, as the listener, I would experience a sense of distance across each track. It helped provide an approach to create and fill the empty spaces existing around all the other sounds.\u2028\u003cbr\u003ePetra means rock in Latin and through the subtractive approach I took, I felt this word reflected nicely the way the work seemed to me, as precarious and delicate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Alberto Boccardi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-04T18:39:42+09:00","created_at":"2022-07-04T18:39:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","recommended","room40","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42951883718906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alberto Boccardi \/\/ Petra TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027","\/\/tobirarecords.com\/cdn\/shop\/products\/0028288741_10.jpg?v=1656928029"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027","options":["Title"],"media":[{"alt":null,"id":30057398862074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4001662712_16.jpg?v=1656928027","width":700},{"alt":null,"id":30057399025914,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028288741_10.jpg?v=1656928029"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028288741_10.jpg?v=1656928029","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。\u003cbr\u003e\u003cbr\u003ePetraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。\u003cbr\u003e\u003cbr\u003eすべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。\u003cbr\u003e\u003cbr\u003eセットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。\u003cbr\u003e\u003cbr\u003eレコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。\u003cbr\u003e\u003cbr\u003e声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。\u2028\u003cbr\u003ePetraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2004579823\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlberto Boccardi\u2028 :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetra is a work that stems from the time I lived in Cairo between 2015 to 2020. I spent almost five years there, surrounded by the frenetic mood of the tireless Egyptian capitol. It’s a never-ending cascade of sound and flashing lights, were where I found myself split between the habituation of my daily work and this throbbing sense of life all around me.\u003cbr\u003e\u003cbr\u003ePetra also comes from the period since I moved back to Milano, my hometown. In some respects the album is almost me closing one chapter of my life, while opening a new one.\u003cbr\u003e\u003cbr\u003eAll the materials were recorded at Standards, the studio I built 5 years ago, a place I know well and an environment where everything was available and, by contrast with Cairo, so familiar and under control. It seems a perfect counterpoint, a way to consider these sound memories at distance almost.\u003cbr\u003e\u003cbr\u003eWhile starting the set-up I was really keen to work by subtraction and also consider the idea of silence, which had not been a part of my life during my time in Cairo. I was trying to find the breadth between each sonic element and the space they would require. I was first much more focussed on the sound itself, than the place it needed to be in relation with the other sounds.\u003cbr\u003e\u003cbr\u003eWhile recording I decided to invite a long time collaborator Cinzia De Lorenzi, a very creative dancer and choreographer, to come into the studio and work with me. She has an incredible talent for voice and this was brought to bare on several of the pieces. We had a very quick understanding of the creative dynamic and I was positive that her voice would be able to fit in the sound interstices that were appearing.\u003cbr\u003e\u003cbr\u003eI thought the presence of the voice would help me to play with how, as the listener, I would experience a sense of distance across each track. It helped provide an approach to create and fill the empty spaces existing around all the other sounds.\u2028\u003cbr\u003ePetra means rock in Latin and through the subtractive approach I took, I felt this word reflected nicely the way the work seemed to me, as precarious and delicate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Alberto Boccardi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。 モジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。 Petraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。Petraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。すべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。セットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。レコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。
Petraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥1,890
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{"id":7508695449850,"title":"Kristof Hahn \/\/ Six Pieces CD","handle":"kristof-hahn-six-pieces-cd","description":"\u003cp\u003eSWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエントドローン6曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253741384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we\u003cspan class=\"bcTruncateMore\"\u003e might fall back on.\u003cbr\u003e\u003cbr\u003eHahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristof Hahn\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:04:03+09:00","created_at":"2022-01-06T15:23:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282468278522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristof Hahn \/\/ Six Pieces CD","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","options":["Title"],"media":[{"alt":null,"id":28965868175610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","width":700},{"alt":null,"id":28965868208378,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエントドローン6曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253741384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we\u003cspan class=\"bcTruncateMore\"\u003e might fall back on.\u003cbr\u003e\u003cbr\u003eHahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristof Hahn\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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SWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。 エレキギターによるアンビエントドローン6曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
¥1,880
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{"id":7508694991098,"title":"Jerman\/Barnes \/\/ Hiss Lift CD","handle":"jerman-barnes-hiss-lift-cd","description":"\u003cp\u003e物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=206673872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jeph Jerman:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat I remember … \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e…smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim’s car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3 AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel\u003cspan class=\"bcTruncateMore\"\u003e, and our entire train loaded onto a ferry to cross the Baltic Sea.\u003cbr\u003eSpending a lot of time together, without ever running out of things to talk about.\u003cbr\u003e\u003cbr\u003eIt was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn’t talk about in any detailed way, was what it would sound like.\u003cbr\u003e\u003cbr\u003eLounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other’s reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold.\u003cbr\u003e\u003cbr\u003eEvery tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a melange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted. Sudden thwacks announce shifts of scenery, a door closes, another opens.\u003cbr\u003e\u003cbr\u003eIn Schiphorst, there was a William S. Burroughs book lying on the sofa. Burroughs once talked about all human experience being a cut-up. You walk down the street and your eyes alight on different things as you scan your surroundings: don’t walk\/DRUGS\/“spare change?”\/ PLAY on the side of a bus, now the street through flashing glass. This idea also illuminates hiss lift, spotlighting the notion that what you remember is not what happened.\u003cbr\u003e\u003cbr\u003eHere then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jerman\/Barnes\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T15:53:17+09:00","created_at":"2022-01-06T15:18:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282465493242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jerman\/Barnes \/\/ Hiss Lift CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","options":["Title"],"media":[{"alt":null,"id":28965862899962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","width":700},{"alt":null,"id":28965862932730,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=206673872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jeph Jerman:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat I remember … \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e…smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim’s car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3 AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel\u003cspan class=\"bcTruncateMore\"\u003e, and our entire train loaded onto a ferry to cross the Baltic Sea.\u003cbr\u003eSpending a lot of time together, without ever running out of things to talk about.\u003cbr\u003e\u003cbr\u003eIt was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn’t talk about in any detailed way, was what it would sound like.\u003cbr\u003e\u003cbr\u003eLounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other’s reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold.\u003cbr\u003e\u003cbr\u003eEvery tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a melange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted. Sudden thwacks announce shifts of scenery, a door closes, another opens.\u003cbr\u003e\u003cbr\u003eIn Schiphorst, there was a William S. Burroughs book lying on the sofa. Burroughs once talked about all human experience being a cut-up. You walk down the street and your eyes alight on different things as you scan your surroundings: don’t walk\/DRUGS\/“spare change?”\/ PLAY on the side of a bus, now the street through flashing glass. This idea also illuminates hiss lift, spotlighting the notion that what you remember is not what happened.\u003cbr\u003e\u003cbr\u003eHere then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jerman\/Barnes\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。 約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥2,150
クイックビュー
{"id":7049826205861,"title":"Megan Alice Clune \/\/ If You Do CD","handle":"megan-alice-clune-if-you-do-cd","description":"\u003cp\u003eオーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995501071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Megan Alice Clune:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"On the 9th of August 2020 I had a dream I wrote an opera. I had been unable to write much music since February, when I returned from 3-months in Tokyo where this album was initially conceived. It was possibly the longest creative break I have undergone in the last 5 years. But suddenly, the small melodies I had been singing closely into my microphone late at night, quietly so my neighbours wouldn’t hear, took on a larger scale, and one that seemed to echo the scale engendered by 2020. The confinement to the home, the epic events going on outside. My small, timid voice filtered through a myriad of technologies as I talked to friends, taught online; amplified, distorted, compressed, equalised. Sped up, slowed down as my wifi drops in and out.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf You Do became an album for solo voice and an ensemble of technologies. An album about contorting the body (voice) through time (rhythm, pulse), repetition and form. The work is nostalgic for past futures: wishing for the technological optimism of the late 70’s and early 80’s, of Timothy Leary believing the computer would offer a liberation to the masses. A time before Big Tech, Big Data. It’s a record made alone, dreaming of unmediated\u003cspan class=\"bcTruncateMore\"\u003e interaction with an audience that may never arrive. A sense of longing for the future that could have been, sung by a wordless choir and sometimes a clarinet. A return to my first instrument, and another kind of technology, I guess.\u003cbr\u003e\u003cbr\u003eBack in Tokyo, I noticed how physical and digital spaces were being dislocated. I was wondering how we got here, thinking about where that leaves my music in light of this. I began collecting each of the track names from my surroundings - things read or overheard or gathered both in Japan (the title If You Do came from a necklace found at Ohi Racecourse Flea Market) and, later, at home, online. As such, the album occupies an amorphous space. Within the genre of ambient music but only just. It creates a space that is still heavily mediated, but hopes to locate and communicate directly.\u003cbr\u003e\u003cbr\u003eThen, at my computer, stuck in a glitching, echoing loop, I was looking for signs to keep writing. I listened to Laurie Anderson’s Big Science or David Bowie’s Subterraneans or Underworld’s Born Slippy.Nuxx once more. I thought about re-reading Homesick for Another World; I watched some interviews with Laurie Spiegel on YouTube. After the dream, in the verge outside, clover kept appearing and suddenly it was Spring and there are flowers. And here we are: If You Do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Megan Alice Clune\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-19T08:35:56+09:00","created_at":"2021-09-17T10:59:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40825884246181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Megan Alice Clune \/\/ If You Do CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994","options":["Title"],"media":[{"alt":null,"id":23739406811301,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/if1.jpg?v=1631843994","width":700},{"alt":null,"id":23739406844069,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995501071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Megan Alice Clune:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"On the 9th of August 2020 I had a dream I wrote an opera. I had been unable to write much music since February, when I returned from 3-months in Tokyo where this album was initially conceived. It was possibly the longest creative break I have undergone in the last 5 years. But suddenly, the small melodies I had been singing closely into my microphone late at night, quietly so my neighbours wouldn’t hear, took on a larger scale, and one that seemed to echo the scale engendered by 2020. The confinement to the home, the epic events going on outside. My small, timid voice filtered through a myriad of technologies as I talked to friends, taught online; amplified, distorted, compressed, equalised. Sped up, slowed down as my wifi drops in and out.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf You Do became an album for solo voice and an ensemble of technologies. An album about contorting the body (voice) through time (rhythm, pulse), repetition and form. The work is nostalgic for past futures: wishing for the technological optimism of the late 70’s and early 80’s, of Timothy Leary believing the computer would offer a liberation to the masses. A time before Big Tech, Big Data. It’s a record made alone, dreaming of unmediated\u003cspan class=\"bcTruncateMore\"\u003e interaction with an audience that may never arrive. A sense of longing for the future that could have been, sung by a wordless choir and sometimes a clarinet. A return to my first instrument, and another kind of technology, I guess.\u003cbr\u003e\u003cbr\u003eBack in Tokyo, I noticed how physical and digital spaces were being dislocated. I was wondering how we got here, thinking about where that leaves my music in light of this. I began collecting each of the track names from my surroundings - things read or overheard or gathered both in Japan (the title If You Do came from a necklace found at Ohi Racecourse Flea Market) and, later, at home, online. As such, the album occupies an amorphous space. Within the genre of ambient music but only just. It creates a space that is still heavily mediated, but hopes to locate and communicate directly.\u003cbr\u003e\u003cbr\u003eThen, at my computer, stuck in a glitching, echoing loop, I was looking for signs to keep writing. I listened to Laurie Anderson’s Big Science or David Bowie’s Subterraneans or Underworld’s Born Slippy.Nuxx once more. I thought about re-reading Homesick for Another World; I watched some interviews with Laurie Spiegel on YouTube. After the dream, in the verge outside, clover kept appearing and suddenly it was Spring and there are flowers. And here we are: If You Do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Megan Alice Clune\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Text...
¥1,980
クイックビュー
{"id":7046517915813,"title":"Celer \/\/ In Light Of Blues CD","handle":"celer-in-light-of-blues-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627220437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Will Long:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIt was months ago, but it could have been weeks, days, or even hours since then. I stopped wanting to hear loops, I wanted to stop it. I added brass; trumpets, trombones, and more horns. I cut it out like words from a book, and sewed it back together. Burroughs. These movements are merely to stay alive, to stay moving.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou wake up from a truck horn passing in the early morning hours on the nearby freeway, or from a dream that you can't tell was a nightmare or a loving memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomeone walks by on the street wearing the same perfume. I drew out each place, each scene, and put the story there. It might have been with you, or without you. All I know is that you were there somehow the whole time, even if you weren't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI saw rainbows from under the bridge by the river, and the sun shot up through the clouds of the golden hour. It didn't help, and there was no one around. Your chest is even with your knees, and you're sitting in the dirt. The sun keeps going down, and eventually you make your way home. It's not very much the same as it was anymore. The horns are deafening, but after, the echoes let me see the way away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe light keeps coming, and it keeps going. Songs of surroundings, the silent, the heartbeats, the tears. We've all had them, and we'll never be rid of them\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-15T12:10:30+09:00","created_at":"2021-09-15T11:55:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","cd","drone","room40"],"price":170000,"price_min":170000,"price_max":170000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813338427557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celer \/\/ In Light Of Blues CD","public_title":null,"options":["Default Title"],"price":170000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","options":["Title"],"media":[{"alt":null,"id":23716498407589,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","width":700},{"alt":null,"id":23716498440357,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627220437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Will Long:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIt was months ago, but it could have been weeks, days, or even hours since then. I stopped wanting to hear loops, I wanted to stop it. I added brass; trumpets, trombones, and more horns. I cut it out like words from a book, and sewed it back together. Burroughs. These movements are merely to stay alive, to stay moving.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou wake up from a truck horn passing in the early morning hours on the nearby freeway, or from a dream that you can't tell was a nightmare or a loving memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomeone walks by on the street wearing the same perfume. I drew out each place, each scene, and put the story there. It might have been with you, or without you. All I know is that you were there somehow the whole time, even if you weren't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI saw rainbows from under the bridge by the river, and the sun shot up through the clouds of the golden hour. It didn't help, and there was no one around. Your chest is even with your knees, and you're sitting in the dirt. The sun keeps going down, and eventually you make your way home. It's not very much the same as it was anymore. The horns are deafening, but after, the echoes let me see the way away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe light keeps coming, and it keeps going. Songs of surroundings, the silent, the heartbeats, the tears. We've all had them, and we'll never be rid of them\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- From Will...
¥1,700
クイックビュー
{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","room40"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年にオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。 24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。 「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。 この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-鈴木昭男 David Toop -...
¥2,990
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{"id":6633296003237,"title":"Geneva Skeen \/\/ Double Bind CD","handle":"geneva-skeen-double-bind-cd","description":"\u003cp\u003eTouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=488117249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGeneva Skeen:\u003cbr\u003e\u003cbr\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI wrote this album over the past year––a bleak but transformative period of time. This work became an extraverbal expression of my interior experience. With that in mind, I decided not to write about it myself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstead, I asked my dear friend to reflect on her listening of the record. Poet Aristilde Kirby writes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlower branches dowsing rod against their doubles in the wind's aimless static.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpindled fog verglas plants, caressed by white rays of absolute eyelash.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e[A wisp of fresh respiration] ‘The world has no visible order \u0026amp; all I have is the order of my breath,’ says the fifth track on Double Bind. [A ribbon of a scream] It has the incandescent \u0026amp; incantation-like quality of the title of Fushitshusha’s 2014 album: Nothing Changes No One Can Change Anything I Am Ever Changing You Can Only Change Yourself. [Asemic voices from anywhere] What can you count on these days in 2020, outside of the pacing of your breath as we all struggle to cleave to each passing beat pair \u0026amp; repair? [Spirals of a finger on glass] Between two right hands, neither really\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e righter than the other, we have no choice but to hold on to the you one holds dearest to: the beads of just being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Sinewaves in phase] When I comb my hair to get ready for the day, I realize that the black static it collects was always meant to fall away. [Synthetic graupel in flames] Here, Skeen specializes in ambient music as the pellucid space of an emotional landscape, limned in Timothy Morton’s ethos of dark ecology \u0026amp; Gloria Anzaldua’s idea of nepantla. It is equally phenomenological, psychological, spiritual \u0026amp; visceral. If you ask me, Geneva is a poet who works in sound sculpture. She cures slabs of lived time as if flesh marble \u0026amp; makes of her subconscious an underworld for the listener to locate themselves in. [Bats that clamor as strata of bleeding leather] The through-lines of her past works are clear as a fault crack \u0026amp; in this instance, glimmer like quartz veins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Tiny harmonic partials prick like an ice pick] Skeen knows that to protect the lit wick, you have to cup the darkness. [Anvil \u0026amp; shelves of overcast guitar drop into a weak bell pulse] She knows that to get past a hard period, like timing a total eclipse’s black sun, you have to account for every degree, every granular shift, of lost movement. [Dread awaits, step by step on the tepid bathroom tile, displaced] Do not let the coldness of existence’s indifference make you forget that inside you is a vast reserve of heat. [Glacial light glaives that cloud perception] Everyday, we literally squeeze water from a stone to wash our face.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[The crashing falls look like plumes of sand smoke] The sense impression I got listening to that song, which is a cascading ripple of descriptions I got from other moments on this album was:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The innermost of all voices centers her poise like mist blankets over morning grass. The blood gallops like cut yew flower in traced stampede dialects for thaw-flecked resonance.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Avalanche reverberations boil time’s marrow \u0026amp; glow with Aaliyah tape drone]\u003cbr data-mce-fragment=\"1\"\u003eChoose yourself. Don’t be scared to live again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, I am dusting a concord grape with my being’s clear lymph before I eat it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Geneva Skeen\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:30:18+09:00","created_at":"2021-04-07T11:27:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581775790245,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Geneva Skeen \/\/ Double Bind CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","options":["Title"],"media":[{"alt":null,"id":21063719551141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","width":700},{"alt":null,"id":21063719583909,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=488117249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGeneva Skeen:\u003cbr\u003e\u003cbr\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI wrote this album over the past year––a bleak but transformative period of time. This work became an extraverbal expression of my interior experience. With that in mind, I decided not to write about it myself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstead, I asked my dear friend to reflect on her listening of the record. Poet Aristilde Kirby writes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlower branches dowsing rod against their doubles in the wind's aimless static.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpindled fog verglas plants, caressed by white rays of absolute eyelash.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e[A wisp of fresh respiration] ‘The world has no visible order \u0026amp; all I have is the order of my breath,’ says the fifth track on Double Bind. [A ribbon of a scream] It has the incandescent \u0026amp; incantation-like quality of the title of Fushitshusha’s 2014 album: Nothing Changes No One Can Change Anything I Am Ever Changing You Can Only Change Yourself. [Asemic voices from anywhere] What can you count on these days in 2020, outside of the pacing of your breath as we all struggle to cleave to each passing beat pair \u0026amp; repair? [Spirals of a finger on glass] Between two right hands, neither really\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e righter than the other, we have no choice but to hold on to the you one holds dearest to: the beads of just being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Sinewaves in phase] When I comb my hair to get ready for the day, I realize that the black static it collects was always meant to fall away. [Synthetic graupel in flames] Here, Skeen specializes in ambient music as the pellucid space of an emotional landscape, limned in Timothy Morton’s ethos of dark ecology \u0026amp; Gloria Anzaldua’s idea of nepantla. It is equally phenomenological, psychological, spiritual \u0026amp; visceral. If you ask me, Geneva is a poet who works in sound sculpture. She cures slabs of lived time as if flesh marble \u0026amp; makes of her subconscious an underworld for the listener to locate themselves in. [Bats that clamor as strata of bleeding leather] The through-lines of her past works are clear as a fault crack \u0026amp; in this instance, glimmer like quartz veins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Tiny harmonic partials prick like an ice pick] Skeen knows that to protect the lit wick, you have to cup the darkness. [Anvil \u0026amp; shelves of overcast guitar drop into a weak bell pulse] She knows that to get past a hard period, like timing a total eclipse’s black sun, you have to account for every degree, every granular shift, of lost movement. [Dread awaits, step by step on the tepid bathroom tile, displaced] Do not let the coldness of existence’s indifference make you forget that inside you is a vast reserve of heat. [Glacial light glaives that cloud perception] Everyday, we literally squeeze water from a stone to wash our face.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[The crashing falls look like plumes of sand smoke] The sense impression I got listening to that song, which is a cascading ripple of descriptions I got from other moments on this album was:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The innermost of all voices centers her poise like mist blankets over morning grass. The blood gallops like cut yew flower in traced stampede dialects for thaw-flecked resonance.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Avalanche reverberations boil time’s marrow \u0026amp; glow with Aaliyah tape drone]\u003cbr data-mce-fragment=\"1\"\u003eChoose yourself. Don’t be scared to live again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, I am dusting a concord grape with my being’s clear lymph before I eat it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Geneva Skeen\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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TouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥1,880
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{"id":6633295118501,"title":"Chris Abrahams \/\/ Thrown (15th Anniversary Edition) CD","handle":"chris-abrahams-thrown-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2518271116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI’ve written quite often about my first experience listening to Thrown at Chris’s place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual friend Clayton after an evening out at a NowNow event, is something I can recall vividly. Thrown is a record that, from the very outset, has roused me in a very direct, particular and profound, sense of affect.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded using Dx-7, piano and a positive organ, the album exists in some kind of parallel acoustic dimension where these divergent musical timbres are somehow brought together into a unifying (albeit unsettling) whole. It was the first recording Chris had made like it, and in my opinion it set a benchmark which has guided his numerous releases for Room40.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow 15 years on from its original release, it seemed like a suitable moment to seed this edition back into the sonic consciousness. Time has cast little shadow on this edition - it still sounds absolutely outside of time. It creates its own microcosm upon each listening and remains one of the records from the Room40 catalogue that deeply resonates for me.\"\u003cbr\u003e- \u003c\/em\u003eLawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:24:13+09:00","created_at":"2021-04-07T11:25:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581773856933,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chris Abrahams \/\/ Thrown (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","options":["Title"],"media":[{"alt":null,"id":21063703888037,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","width":700},{"alt":null,"id":21063703920805,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2518271116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI’ve written quite often about my first experience listening to Thrown at Chris’s place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual friend Clayton after an evening out at a NowNow event, is something I can recall vividly. Thrown is a record that, from the very outset, has roused me in a very direct, particular and profound, sense of affect.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded using Dx-7, piano and a positive organ, the album exists in some kind of parallel acoustic dimension where these divergent musical timbres are somehow brought together into a unifying (albeit unsettling) whole. It was the first recording Chris had made like it, and in my opinion it set a benchmark which has guided his numerous releases for Room40.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow 15 years on from its original release, it seemed like a suitable moment to seed this edition back into the sonic consciousness. Time has cast little shadow on this edition - it still sounds absolutely outside of time. It creates its own microcosm upon each listening and remains one of the records from the Room40 catalogue that deeply resonates for me.\"\u003cbr\u003e- \u003c\/em\u003eLawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "I’ve...
¥1,880
クイックビュー
{"id":6625213481125,"title":"Yuko Araki \/\/ End Of Trilogy CD","handle":"yuko-araki-end-of-trilogy-cd-1","description":"\u003cp\u003e東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719890591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003elabel : Room 40\u003c\/p\u003e","published_at":"2021-04-04T12:54:00+09:00","created_at":"2021-04-04T12:53:58+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","room40","sale22","strange beats","techno \/ house"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39551662850213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yuko Araki \/\/ End Of Trilogy CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441","options":["Title"],"media":[{"alt":null,"id":21023813992613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2230416913_16.jpg?v=1617508441","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719890591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003elabel : Room 40\u003c\/p\u003e"}
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東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "Yuko...
¥1,880
クイックビュー
{"id":6545091199141,"title":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","handle":"lawrence-english-transit-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音＋アンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e7曲\u003c\/span\u003eを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:17:23+09:00","created_at":"2021-02-27T11:12:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276037341349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","options":["Title"],"media":[{"alt":null,"id":20330201940133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","width":700},{"alt":null,"id":20330201972901,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音＋アンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e7曲\u003c\/span\u003eを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音＋アンビエントドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "Transit was...
¥2,150
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{"id":8601072795898,"title":"Lawrence English \/\/ Viento CD+BOOKLET","handle":"lawrence-english-viento-cd-booklet","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年にリリースした再発CDです。\u003c\/p\u003e\n\u003cp\u003e本作を録音した南極の写真やテキストを掲載した48ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1026743961\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einsert card, plus White Out; a 40+ page book of photography by Lawrence English made whilst in Antarctica, a document of the intensity of the iced continent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist statement by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. \u003c\/em\u003e\u003cem\u003eUpon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat was meant to be a few hours layover turned into several days as, on landing, a strong wind storm blew in unexpectedly. Conditions exceeded expectations, and before long it was clear the transport could not take off. The situation was only compounded by adverse weather along the Antarctic Peninsula.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst the scientists and military personnel we were travelling with bunkered down in their quarters, I found myself drawn outside into the howling air. The wind in Patagonia is, well, breathtaking. Literally, there were moments where it was so physical, that it was difficult to catch my breath. Across three days I recorded abandoned buildings, lone trees folded over in fields of tundra-like grasses, quivering road signs, wailing fences and other objects shaken into life by the wind. It wasn't a comfortable experience by any means, but the multiplicity of sounds I was able to capture, I hope, speak for\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Antarctic recordings were made during two blizzards at Marambio and Esperanza bases. During the blizzard in Marambio, the temperature dropped to -40 degrees centigrade (with wind chill) which made recording particularly challenging. The wind battered the base’s structures and telecommunications equipment, making a range of unsettling, phasing choral drones and deep low frequency vibrations that resonated inside the base itself. The blizzard at Esperanza was mild by comparison, but still strong enough to coat penguins in layer of snow as they huddled together during the worst of the storm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis year marks the 10th anniversary of completing these compositions and since that time, I have had the pleasure to diffuse them on numerous occasions. With those experiences in mind, as well as the format on which these works are now being made available, I have revisited them and completely remixed and remastered the pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening back to these recordings I am struck by the sheer physicality of the wind. It's rare that you feel physically reduced by the motion of air, but in both Patagonia and Antarctica that is just how I felt. A small speck of organic dust in a howling storm.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:18:16+09:00","created_at":"2024-08-19T10:17:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","room40"],"price":334000,"price_min":334000,"price_max":334000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581167063290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ Viento CD+BOOKLET","public_title":null,"options":["Default Title"],"price":334000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","options":["Title"],"media":[{"alt":null,"id":30094759395578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","width":700},{"alt":null,"id":30094759428346,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年にリリースした再発CDです。\u003c\/p\u003e\n\u003cp\u003e本作を録音した南極の写真やテキストを掲載した48ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1026743961\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einsert card, plus White Out; a 40+ page book of photography by Lawrence English made whilst in Antarctica, a document of the intensity of the iced continent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist statement by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. \u003c\/em\u003e\u003cem\u003eUpon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat was meant to be a few hours layover turned into several days as, on landing, a strong wind storm blew in unexpectedly. Conditions exceeded expectations, and before long it was clear the transport could not take off. The situation was only compounded by adverse weather along the Antarctic Peninsula.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst the scientists and military personnel we were travelling with bunkered down in their quarters, I found myself drawn outside into the howling air. The wind in Patagonia is, well, breathtaking. Literally, there were moments where it was so physical, that it was difficult to catch my breath. Across three days I recorded abandoned buildings, lone trees folded over in fields of tundra-like grasses, quivering road signs, wailing fences and other objects shaken into life by the wind. It wasn't a comfortable experience by any means, but the multiplicity of sounds I was able to capture, I hope, speak for\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Antarctic recordings were made during two blizzards at Marambio and Esperanza bases. During the blizzard in Marambio, the temperature dropped to -40 degrees centigrade (with wind chill) which made recording particularly challenging. The wind battered the base’s structures and telecommunications equipment, making a range of unsettling, phasing choral drones and deep low frequency vibrations that resonated inside the base itself. The blizzard at Esperanza was mild by comparison, but still strong enough to coat penguins in layer of snow as they huddled together during the worst of the storm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis year marks the 10th anniversary of completing these compositions and since that time, I have had the pleasure to diffuse them on numerous occasions. With those experiences in mind, as well as the format on which these works are now being made available, I have revisited them and completely remixed and remastered the pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening back to these recordings I am struck by the sheer physicality of the wind. It's rare that you feel physically reduced by the motion of air, but in both Patagonia and Antarctica that is just how I felt. A small speck of organic dust in a howling storm.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年にリリースした再発CDです。 本作を録音した南極の写真やテキストを掲載した48ページのブックレットが付属。 以下、作家による解説です。 "2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。これらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。" レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":8601072238842,"title":"Mike Cooper \/\/ Oceans Of Milk And Treacle CD + BOOKLET","handle":"mike-cooper-oceans-of-milk-and-treacle-cd-booklet","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動するイギリスの大御所ギタリストMike Cooperが、2022年1月にオーストラリアの実験レーベルRom40からリリースしたCD+ブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eラップスティールギターや3種のサックス、パーカッションに世界各国で収集したフィールドレコーディングがブレンドされたアンビエント・エキゾチカ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e彼のコラージュ作品を掲載した48ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3302057760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed sleeve and insert card, plus a 48 page perfect bound book featuring texts from Mike Cooper and a full documentation of his paper based collage artworks, made available in full, for the very first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personnel. In fairness to Mr Macaulay, we must remember that those were days long before the writings of a Tolkien or a Mervyn Peake. He came to the devastating conclusion that people who believe in oceans of milk and treacle had nothing to offer to a modern system of education. A straightforward, realistic assessment in an age that believed in science and realism! The effects were far-reaching. Traditional Indian ways of looking at the world were written off as obsolete. India was provided with three universities (Calcutta, Bombay and Madras, founded in 1857) as the hothouses to nurture a custom-built, English-speaking Indian intelligentsia. A new age began for India, and two of its inevitable consequences were the demand for\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e independence and the production of atomic bombs and satellites by the post-independent Bhārat.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWikipedia explains the Ocean of Milk thus -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Hindu cosmology, the Ocean of Milk (Kṣīra Sāgara in Sanscrit) is the fifth from the center of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu scriptures, the devas and asuras worked together for a millennium to churn the ocean and release Amrita the nectar of immortal life. It is spoken of in the Samudra manthana chapter of the Puranas, a body of ancient Hindu legends. It is called Thirupaarkadal (Sacred Sea of Milk) in Tamil and is the place where Vishnu reclines over Shesha Naga along with his consort Lakshmi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his book Postcolonial Interruptions, Unauthorised Modernities (2017), Iain Chambers maintains that “… in the context of increasing neo-liberalisation processes of universities and scholarships, academic knowledge should no longer be considered the only legitimate mode of critically understanding the world…”. Chambers argues that \"nowadays the most interesting and sophisticated critical knowledge of the contemporary world is coming from what he calls post-colonial works of art.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Hydra is a genus of small, fresh-water organisms native to the temperate and tropical regions. Biologists are especially interested in Hydra because of their regenerative ability – they do not appear to die of old age, or indeed to age at all.\u003cbr data-mce-fragment=\"1\"\u003eSome long time fellow musical travellers are called upon to lend a hand on this album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSaxophonists Geoff Hawkins and Aaron Hawkins. Geoff is on many of my earlier records and we have known each other for over 60 years. Aaron is one of his sons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eViv Corringham - Vocalist and ‘deep listening’ artist dedicated to walking, listening and singing all at the same time in her work which she calls Shadow Walks. \u2028\u2028Saxophonist Tim Hill, now established in the West Country of England where he organises musical street theatre events and several small ensembles playing free improvised and composed music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLol Coxhill and Roger Turner, colleagues from The Recedents, an improvising music trio we had for 20 plus years, appear in a short extract from our five c.d. box set Wishing You Were Here. Lol is unfortunately no longer with us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was moved to embrace how the digital, virtual, acoustic and natural worlds intersect in making this edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMike Cooper plays Electric Lap Steel Guitar. Acoustic Brazilian Viola Ciapira and Virtual Pedal Steel Guitar, Double Bass, Koto, Strings, Percussion and Drums.\u003cbr\u003eViv Corringham - Voice.\u003cbr\u003eTim Hill - Baritone Saxophone.\u003cbr\u003eAaron Hawkins - Tenor Saxophone.\u003cbr\u003eGeoff Hawkins - Tenor Saxophone.\u003cbr\u003eLol Coxhill - Soprano Saxophone.\u003cbr\u003eRoger Turner - Percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-19T10:12:46+09:00","created_at":"2024-08-19T10:12:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":334000,"price_min":334000,"price_max":334000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581163098362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mike Cooper \/\/ Oceans Of Milk And Treacle CD + BOOKLET","public_title":null,"options":["Default Title"],"price":334000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271","\/\/tobirarecords.com\/cdn\/shop\/products\/oc2_e1d15d75-bdde-4d0c-8a80-287fa43637a9.jpg?v=1641449272","\/\/tobirarecords.com\/cdn\/shop\/products\/oc33.jpg?v=1641449271"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271","options":["Title"],"media":[{"alt":null,"id":28965846941946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271","width":700},{"alt":null,"id":28965846974714,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc2_e1d15d75-bdde-4d0c-8a80-287fa43637a9.jpg?v=1641449272"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc2_e1d15d75-bdde-4d0c-8a80-287fa43637a9.jpg?v=1641449272","width":1200},{"alt":null,"id":28965847007482,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc33.jpg?v=1641449271"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oc33.jpg?v=1641449271","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動するイギリスの大御所ギタリストMike Cooperが、2022年1月にオーストラリアの実験レーベルRom40からリリースしたCD+ブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eラップスティールギターや3種のサックス、パーカッションに世界各国で収集したフィールドレコーディングがブレンドされたアンビエント・エキゾチカ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e彼のコラージュ作品を掲載した48ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3302057760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed sleeve and insert card, plus a 48 page perfect bound book featuring texts from Mike Cooper and a full documentation of his paper based collage artworks, made available in full, for the very first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personnel. In fairness to Mr Macaulay, we must remember that those were days long before the writings of a Tolkien or a Mervyn Peake. He came to the devastating conclusion that people who believe in oceans of milk and treacle had nothing to offer to a modern system of education. A straightforward, realistic assessment in an age that believed in science and realism! The effects were far-reaching. Traditional Indian ways of looking at the world were written off as obsolete. India was provided with three universities (Calcutta, Bombay and Madras, founded in 1857) as the hothouses to nurture a custom-built, English-speaking Indian intelligentsia. A new age began for India, and two of its inevitable consequences were the demand for\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e independence and the production of atomic bombs and satellites by the post-independent Bhārat.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWikipedia explains the Ocean of Milk thus -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Hindu cosmology, the Ocean of Milk (Kṣīra Sāgara in Sanscrit) is the fifth from the center of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu scriptures, the devas and asuras worked together for a millennium to churn the ocean and release Amrita the nectar of immortal life. It is spoken of in the Samudra manthana chapter of the Puranas, a body of ancient Hindu legends. It is called Thirupaarkadal (Sacred Sea of Milk) in Tamil and is the place where Vishnu reclines over Shesha Naga along with his consort Lakshmi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his book Postcolonial Interruptions, Unauthorised Modernities (2017), Iain Chambers maintains that “… in the context of increasing neo-liberalisation processes of universities and scholarships, academic knowledge should no longer be considered the only legitimate mode of critically understanding the world…”. Chambers argues that \"nowadays the most interesting and sophisticated critical knowledge of the contemporary world is coming from what he calls post-colonial works of art.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Hydra is a genus of small, fresh-water organisms native to the temperate and tropical regions. Biologists are especially interested in Hydra because of their regenerative ability – they do not appear to die of old age, or indeed to age at all.\u003cbr data-mce-fragment=\"1\"\u003eSome long time fellow musical travellers are called upon to lend a hand on this album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSaxophonists Geoff Hawkins and Aaron Hawkins. Geoff is on many of my earlier records and we have known each other for over 60 years. Aaron is one of his sons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eViv Corringham - Vocalist and ‘deep listening’ artist dedicated to walking, listening and singing all at the same time in her work which she calls Shadow Walks. \u2028\u2028Saxophonist Tim Hill, now established in the West Country of England where he organises musical street theatre events and several small ensembles playing free improvised and composed music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLol Coxhill and Roger Turner, colleagues from The Recedents, an improvising music trio we had for 20 plus years, appear in a short extract from our five c.d. box set Wishing You Were Here. Lol is unfortunately no longer with us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was moved to embrace how the digital, virtual, acoustic and natural worlds intersect in making this edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMike Cooper plays Electric Lap Steel Guitar. Acoustic Brazilian Viola Ciapira and Virtual Pedal Steel Guitar, Double Bass, Koto, Strings, Percussion and Drums.\u003cbr\u003eViv Corringham - Voice.\u003cbr\u003eTim Hill - Baritone Saxophone.\u003cbr\u003eAaron Hawkins - Tenor Saxophone.\u003cbr\u003eGeoff Hawkins - Tenor Saxophone.\u003cbr\u003eLol Coxhill - Soprano Saxophone.\u003cbr\u003eRoger Turner - Percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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60年代から活動するイギリスの大御所ギタリストMike Cooperが、2022年1月にオーストラリアの実験レーベルRom40からリリースしたCD+ブックレットです。 ラップスティールギターや3種のサックス、パーカッションに世界各国で収集したフィールドレコーディングがブレンドされたアンビエント・エキゾチカ9曲を収録。 彼のコラージュ作品を掲載した48ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":8601071714554,"title":"Brad E. Rose \/\/ Annular Silhouettes CD","handle":"brad-e-rose-annular-silhouettes-cd","description":"\u003cp\u003eアメリカの老舗レビューサイトfoxy digitalisを運営しているBrad E. Roseが、2022年11月にオーストラリアの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミニマルであたたかいアンビエントドローン6曲を収録。デジスリーブ、シュリンク仕様です。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=592749693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and monochrome printed sleeve with custom emboss and insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Brad E. Rose:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"There are many times when I’m working on a music project that, in the moment, I’m not sure what I’m really doing. I don’t believe there’s some otherworldly power guiding my hands or thought processes unless our own subconscious could be classified as such a thing. It’s mostly about trying to be present at that moment and letting the ideas and sounds unfold in a way that isn’t forced. Oftentimes, after the fact, it will become clearer to me that certain feelings or thoughts were trying to find their way out, but my brain, as is often the case, wasn’t sure how to process them and let them go. Sound has often acted as that medium for me over the last three decades; a way to channel difficult thoughts into a language I can understand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne evening as I watched the snowfall in mid-January, after thinking about what Annular Silhouettes was, it finally hit me. Recorded during the depths of 2020, during a time spent within the vicinity of where I live, it’s a bit of a love letter to the place I grew up. I live in the house that my grandparents lived in for over 20 years, that my grandfather gutted and rebuilt with his own hands. It’s the last place he ever called home and his spirit remains firmly etched into its walls. I live less than 10 minutes from my childhood home, where both my\u003cspan class=\"bcTruncateMore\"\u003e parents still live. I moved away and eventually came back. I am lucky to gain a different understanding of this place than I had growing up.\u003cbr\u003e\u003cbr\u003ePlace is a strange thing in the way it can influence and shape us, for better or worse. Nearly 20 years ago, when I moved back here with my partner, she would tell me how she couldn’t get over how big the sky felt in Oklahoma. I still think about that often. For a place that is stuck moving backward in so many ways, the possibilities above us can be endless beyond the forces dragging us back into the soil. We all find our way to the dirt eventually and one circle will close, but during my time inhabiting this space, I hope to have started a few new circles along the way so that the cycle will grow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brad E. Rose\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:05:49+09:00","created_at":"2024-08-19T10:05:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":239000,"price_min":239000,"price_max":239000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581161263354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brad E. Rose \/\/ Annular Silhouettes CD","public_title":null,"options":["Default Title"],"price":239000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_bdc51435-521d-4f64-934a-248bde1a0f6b.jpg?v=1670999126","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_12aeb49a-f73d-44da-8ce1-a0ea452e00d3.jpg?v=1670999126"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_bdc51435-521d-4f64-934a-248bde1a0f6b.jpg?v=1670999126","options":["Title"],"media":[{"alt":null,"id":31188434845946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_bdc51435-521d-4f64-934a-248bde1a0f6b.jpg?v=1670999126"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_bdc51435-521d-4f64-934a-248bde1a0f6b.jpg?v=1670999126","width":700},{"alt":null,"id":31188434878714,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_12aeb49a-f73d-44da-8ce1-a0ea452e00d3.jpg?v=1670999126"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_12aeb49a-f73d-44da-8ce1-a0ea452e00d3.jpg?v=1670999126","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの老舗レビューサイトfoxy digitalisを運営しているBrad E. Roseが、2022年11月にオーストラリアの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミニマルであたたかいアンビエントドローン6曲を収録。デジスリーブ、シュリンク仕様です。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=592749693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and monochrome printed sleeve with custom emboss and insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Brad E. Rose:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"There are many times when I’m working on a music project that, in the moment, I’m not sure what I’m really doing. I don’t believe there’s some otherworldly power guiding my hands or thought processes unless our own subconscious could be classified as such a thing. It’s mostly about trying to be present at that moment and letting the ideas and sounds unfold in a way that isn’t forced. Oftentimes, after the fact, it will become clearer to me that certain feelings or thoughts were trying to find their way out, but my brain, as is often the case, wasn’t sure how to process them and let them go. Sound has often acted as that medium for me over the last three decades; a way to channel difficult thoughts into a language I can understand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne evening as I watched the snowfall in mid-January, after thinking about what Annular Silhouettes was, it finally hit me. Recorded during the depths of 2020, during a time spent within the vicinity of where I live, it’s a bit of a love letter to the place I grew up. I live in the house that my grandparents lived in for over 20 years, that my grandfather gutted and rebuilt with his own hands. It’s the last place he ever called home and his spirit remains firmly etched into its walls. I live less than 10 minutes from my childhood home, where both my\u003cspan class=\"bcTruncateMore\"\u003e parents still live. I moved away and eventually came back. I am lucky to gain a different understanding of this place than I had growing up.\u003cbr\u003e\u003cbr\u003ePlace is a strange thing in the way it can influence and shape us, for better or worse. Nearly 20 years ago, when I moved back here with my partner, she would tell me how she couldn’t get over how big the sky felt in Oklahoma. I still think about that often. For a place that is stuck moving backward in so many ways, the possibilities above us can be endless beyond the forces dragging us back into the soil. We all find our way to the dirt eventually and one circle will close, but during my time inhabiting this space, I hope to have started a few new circles along the way so that the cycle will grow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brad E. Rose\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカの老舗レビューサイトfoxy digitalisを運営しているBrad E. Roseが、2022年11月にオーストラリアの実験／アンビエントレーベルRoom40からリリースしたCDです。 ミニマルであたたかいアンビエントドローン6曲を収録。デジスリーブ、シュリンク仕様です。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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![Loren Connors & David Grubbs // Evening Air LP [BLACK / COLOR]](http://tobirarecords.com/cdn/shop/files/a2607373059_16_medium.jpg?v=1724029250)
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{"id":8601070633210,"title":"Loren Connors \u0026 David Grubbs \/\/ Evening Air LP [BLACK \/ COLOR]","handle":"loren-connors-david-grubbs-evening-air-lp-black-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのギタリストLoren Connorsとマルチ奏者David Grubbs (Gastr del Sol)が、2024年8月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとギターを交互に弾いたアンビエント6曲を収録。DLコード付属。 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1065803012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Evening Air\u003cbr\u003e2. Choir Waits in the Wings\u003cbr\u003e3. The Pacific School \u003cbr\u003e4. Enjoyment of Ruins\u003cbr\u003e5. It’s Snowing Onstage\u003cbr\u003e6. Child \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Evening Air is the result Loren Connors and David Grubbs’s first trip to the recording studio in the two decades since their first duo album, Arborvitae (Häpna). Arborvitae stood out for its spellbinding, utterly unhurried meshing of electric guitar (Connors) and piano (Grubbs).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith this long-awaited return, Connors and Grubbs take turns trading off on piano and guitar, with Grubbs at the keyboard for the two gently expansive pieces on the first side and Connors taking over the instrument for three gorgeous miniatures on the flip, including an album-closing and perfectly heart-stopping version of Connors’s and Suzanne Langille’s “Child.” The album’s wildcard is “It’s Snowing Onstage,” which finds the two locking horns with two electric guitars before Loren blew the minds of all present in the studio by unexpectedly switching to drums.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLoren Connors is one-of-a-kind, one of a handful of deservedly storied musical greats gracing us with their presence, and with Evening Air David Grubbs again demonstrates that he’s a stellar musician who also ranks among the most simpatico of collaborators.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA cover painting by Connors—another wordless signalling—sets the tone for this most beguiling of seances.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loren Connors \u0026amp; David Grubbs\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003eCat no : RM4226LP\u003c\/p\u003e","published_at":"2024-08-19T10:01:09+09:00","created_at":"2024-08-19T09:52:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","recommended","room40"],"price":374000,"price_min":374000,"price_max":376000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581149597946,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Loren Connors \u0026 David Grubbs \/\/ Evening Air LP [BLACK \/ COLOR] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46581149630714,"title":"Clear Vinyl","option1":"Clear Vinyl","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Loren Connors \u0026 David Grubbs \/\/ Evening Air LP [BLACK \/ COLOR] - Clear Vinyl","public_title":"Clear Vinyl","options":["Clear Vinyl"],"price":376000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2607373059_16.jpg?v=1724029250","\/\/tobirarecords.com\/cdn\/shop\/files\/0036030991_10.jpg?v=1724028827","\/\/tobirarecords.com\/cdn\/shop\/files\/0036031001_10.jpg?v=1724028827"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2607373059_16.jpg?v=1724029250","options":["Color"],"media":[{"alt":null,"id":34731496505594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2607373059_16.jpg?v=1724029250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2607373059_16.jpg?v=1724029250","width":700},{"alt":null,"id":34731488379130,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036030991_10.jpg?v=1724028827"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036030991_10.jpg?v=1724028827","width":1200},{"alt":null,"id":34731488411898,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036031001_10.jpg?v=1724028827"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036031001_10.jpg?v=1724028827","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのギタリストLoren Connorsとマルチ奏者David Grubbs (Gastr del Sol)が、2024年8月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとギターを交互に弾いたアンビエント6曲を収録。DLコード付属。 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1065803012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Evening Air\u003cbr\u003e2. Choir Waits in the Wings\u003cbr\u003e3. The Pacific School \u003cbr\u003e4. Enjoyment of Ruins\u003cbr\u003e5. It’s Snowing Onstage\u003cbr\u003e6. Child \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Evening Air is the result Loren Connors and David Grubbs’s first trip to the recording studio in the two decades since their first duo album, Arborvitae (Häpna). Arborvitae stood out for its spellbinding, utterly unhurried meshing of electric guitar (Connors) and piano (Grubbs).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith this long-awaited return, Connors and Grubbs take turns trading off on piano and guitar, with Grubbs at the keyboard for the two gently expansive pieces on the first side and Connors taking over the instrument for three gorgeous miniatures on the flip, including an album-closing and perfectly heart-stopping version of Connors’s and Suzanne Langille’s “Child.” The album’s wildcard is “It’s Snowing Onstage,” which finds the two locking horns with two electric guitars before Loren blew the minds of all present in the studio by unexpectedly switching to drums.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLoren Connors is one-of-a-kind, one of a handful of deservedly storied musical greats gracing us with their presence, and with Evening Air David Grubbs again demonstrates that he’s a stellar musician who also ranks among the most simpatico of collaborators.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA cover painting by Connors—another wordless signalling—sets the tone for this most beguiling of seances.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loren Connors \u0026amp; David Grubbs\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003eCat no : RM4226LP\u003c\/p\u003e"}
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アメリカのギタリストLoren Connorsとマルチ奏者David Grubbs (Gastr del Sol)が、2024年8月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。 ピアノとギターを交互に弾いたアンビエント6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":8556036358394,"title":"Panghalina \/\/ Lava CD","handle":"panghalina-lava-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオーストラリア・メルボルンのインプロトリオPanghalinaが、2024年2月に同国ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eドラムとコントラバス、シンセ、声によるアンビエント〜インプロ8曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197013223\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1727509534\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197013223\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Not Super 06:39\u003cbr\u003e2. Arrival 02:52\u003cbr\u003e3. Whale Dance 06:09\u003cbr\u003e4. Glass Lake 06:43\u003cbr\u003e5. Backstroke 05:51\u003cbr\u003e6. Once More 06:14\u003cbr\u003e7. Nightmare at A1 Bakery 05:20\u003cbr\u003e8. Stellar Tides 10:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLava is an ode to the connections between sound, emotion and human experience, exploring the interplay of sonic duality. The overlapping duos within the trio framework brought forth uncharted possibilities, allowing each of us to weave our individuality into the improvisations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe crafting of the record revealed the project’s distinctiveness. With an instant resonance, we found ourselves drawn to this project - a canvas that allows various aspects within our artistic practices to flourish. The album encapsulates the dialogue between our spirits and the music, celebrating the alignment of artistic kinship.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’ve named the album ‘Lava’, drawing inspiration from the melding of our sounds that resonates with the characteristics of molten rock - its subdued, unhurried motion juxtaposed against its fiery core. Just as molten rock emerges from a terrestrial planet, our collaboration springs forth from a distinctive sonic realm that is exclusively our own.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Panghalina\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-12T10:21:22+09:00","created_at":"2024-07-11T16:36:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385124868346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Panghalina \/\/ Lava CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2914571698_16.jpg?v=1720747040"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2914571698_16.jpg?v=1720747040","options":["Title"],"media":[{"alt":null,"id":34530412167418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2914571698_16.jpg?v=1720747040"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2914571698_16.jpg?v=1720747040","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオーストラリア・メルボルンのインプロトリオPanghalinaが、2024年2月に同国ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eドラムとコントラバス、シンセ、声によるアンビエント〜インプロ8曲を収録。エンボス加工スリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197013223\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1727509534\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197013223\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Not Super 06:39\u003cbr\u003e2. Arrival 02:52\u003cbr\u003e3. Whale Dance 06:09\u003cbr\u003e4. Glass Lake 06:43\u003cbr\u003e5. Backstroke 05:51\u003cbr\u003e6. Once More 06:14\u003cbr\u003e7. Nightmare at A1 Bakery 05:20\u003cbr\u003e8. Stellar Tides 10:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLava is an ode to the connections between sound, emotion and human experience, exploring the interplay of sonic duality. The overlapping duos within the trio framework brought forth uncharted possibilities, allowing each of us to weave our individuality into the improvisations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe crafting of the record revealed the project’s distinctiveness. With an instant resonance, we found ourselves drawn to this project - a canvas that allows various aspects within our artistic practices to flourish. The album encapsulates the dialogue between our spirits and the music, celebrating the alignment of artistic kinship.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’ve named the album ‘Lava’, drawing inspiration from the melding of our sounds that resonates with the characteristics of molten rock - its subdued, unhurried motion juxtaposed against its fiery core. Just as molten rock emerges from a terrestrial planet, our collaboration springs forth from a distinctive sonic realm that is exclusively our own.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Panghalina\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・メルボルンのインプロトリオPanghalinaが、2024年2月に同国ブリスベンの実験／アンビエントレーベルRoom40からリリースしたCDです。 ドラムとコントラバス、シンセ、声によるアンビエント〜インプロ8曲を収録。エンボス加工スリーブ仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD in...
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{"id":8556016992506,"title":"Akio Suzuki \/\/ Stone CD","handle":"akio-suzuki-stone-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース）\u003c\/p\u003e\n\u003cp\u003e石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1396641625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. Includes booklet with essay by David Toop. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Keihitsu 00:32\u003cbr\u003e2. Seseragi 10:05\u003cbr\u003e3. Hinabi 04:28\u003cbr\u003e4. Tsumugi 08:43\u003cbr\u003e5. Hata 11:51\u003cbr\u003e6. Kinuta 05:01\u003cbr\u003e7. Tubarama 02:39\u003cbr\u003e8. Raiin 00:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by David Toop (excerpt from the Stone booklet):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Akio performs, certain qualities (grace, warmth, a quiet authority of mind and action, an engagement with the vessel of nothingness through which sound can emerge) are evident as presences, as soon as he begins. He begins from a state we call silence, by listening, yet at the same time raises questions about our ideas of what this silence might be.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime passes; fixity gives way to destruction; visual perfection is relinquished within the faintest of sound fields. As for the work, this ceremony returns us to nothing, ‘to the feeling of not\u003cspan class=\"bcTruncateMore\"\u003e knowing exactly what is before us’, so to the uncanny, to the shell-like ear found by the sea, the ‘ungraspable phantom of life’, the record of a haunting, time regained. The sound is a parabola, a finger tracing on skin, a brush point, bird in flight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-11T18:58:24+09:00","created_at":"2024-07-11T16:33:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","new","room40"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385089675514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Stone CD","public_title":null,"options":["Default Title"],"price":279000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","options":["Title"],"media":[{"alt":null,"id":34523934523642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","width":700},{"alt":null,"id":34523934556410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース）\u003c\/p\u003e\n\u003cp\u003e石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1396641625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. Includes booklet with essay by David Toop. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Keihitsu 00:32\u003cbr\u003e2. Seseragi 10:05\u003cbr\u003e3. Hinabi 04:28\u003cbr\u003e4. Tsumugi 08:43\u003cbr\u003e5. Hata 11:51\u003cbr\u003e6. Kinuta 05:01\u003cbr\u003e7. Tubarama 02:39\u003cbr\u003e8. Raiin 00:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by David Toop (excerpt from the Stone booklet):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Akio performs, certain qualities (grace, warmth, a quiet authority of mind and action, an engagement with the vessel of nothingness through which sound can emerge) are evident as presences, as soon as he begins. He begins from a state we call silence, by listening, yet at the same time raises questions about our ideas of what this silence might be.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime passes; fixity gives way to destruction; visual perfection is relinquished within the faintest of sound fields. As for the work, this ceremony returns us to nothing, ‘to the feeling of not\u003cspan class=\"bcTruncateMore\"\u003e knowing exactly what is before us’, so to the uncanny, to the shell-like ear found by the sea, the ‘ungraspable phantom of life’, the record of a haunting, time regained. The sound is a parabola, a finger tracing on skin, a brush point, bird in flight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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