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{"id":7671368614138,"title":"Zimoun \/\/ Guitar Studies I-III CD+BOOKLET","handle":"zimoun-guitar-studies-i-iii-cd-booklet","description":"\u003cp\u003eスイスの実験音楽家Zimounが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。レーベルオーナーLawrence Englishとの対談や写真を掲載したブックレットが付属。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの「Guitar Studies」シリーズでは、ギターが発する音やノイズだけを扱ってきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eギターを手で弾くというオーソドックスな方法もありますが、それよりも小型のDCモーターで作動させたりすることの方が多かったです。レコーディングには様々なマイクを使用し、ピックアップの接触も緩く、アンプも様々なものを使用しました。部分的に欠陥のある小さなおもちゃのアンプから、60年代のアナログトレモロ付きの美しいマグナトーンアンプ、10歳の時に初めてギターと一緒に買った古いフェンダーアンプなどです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eまた、録音した音を段ボールの筒の中や広さの違う部屋など、様々な環境で再生して、録音し直しました。そうすることで、音に自然な響きや空間性を持たせることができました。また、テーブルの上に置いた裸のスピーカー膜にギターの信号を送り、膜の上に砂を載せて歪ませた音も作りました。膜と砂の摩擦によって、さまざまな形の歪みが生まれます。ギターをどのように変形させるか、様々な反復のプロセスを試したのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eどの作品でもループは使っていません。各作品の各レイヤーについて、約1時間の間、私が探っていたものをすべて録音しました。このようにして、私は数え切れないほどの時間の音をまとめました。ほとんど無限に続くオーバーレイと長い録音時間によって、私はある種の活気を達成しようとしました。全く同じということはないけれど、どこかに行ってしまうということもない。そういう意味で、これらの作品は彫刻的な要素も強く持っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロセスの後、私は録音の微細構造について作業を始めました。例えば、いくつかの曲でイコライザーをゆっくりずらしながら録音していきました。また、これらを様々なコントローラーやアナログ・イコライザーを使ってライブ演奏しました。このアプローチによって、個々の周波数が長い時間をかけて存在感を増したり、他の周波数と混ざり合ったりするようになりました。比喩的に言えば、これはランプ(または様々なランプ)を使って彫刻を様々な角度から照らしたり、光の緩やかな変化を作り出し、彫刻の知覚に影響を与えるのと似ています。また、異なる音のステージでは、これはさらに音響心理学的な現象を引き起こすことができます。これらの方法を通して、私は音の微細な構造とその展開に複雑さを生み出そうとしました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3900595271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card featuring exclusive reductions of the pieces + a book featuring an in conversation between Zimoun and Lawrence English, plus archival documentation and photographs examining Zimoun's work across mediums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWith the Guitar Studies series I’ve dealt solely with noises and sounds produced by guitars.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePartly I played the guitars by hand in a more conventional way, but more often I prepared them, or activated them by using small DC motors. I used various microphones for the recordings, as well as the loose contact of a pickup and many different amps; from a small toy amp that was partially defective to a beautiful Magnatone amp with analogue tremolo from the sixties and an old Fender Amp I bought together with my first guitar when I was 10 years old.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI also played recorded sounds back in different environments, for example inside a cardboard tube or in different rooms with various sizes, and then recorded them again. This way I added natural resonate and spatiality to the sounds. I also created a distorted sounds by sending the signal of the guitar to a naked speaker membrane lying on the table, and then put some sand on the membrane itself. The friction between the membrane and the sand then created various forms of distortion. I was trying to test various processes of iteration to discover how transformed the guitar might\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e become.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI did not work with loops in any of the compositions. For each layer in each piece, I recorded whatever I was exploring over the whole period of about an hour. In this way, I put together countless hours of sounds. Through the almost endless overlaying and long recording takes, I have tried to achieve a kind of liveliness, even if at the same time no major changes happen in the composition. It’s never exactly the same, but never going somewhere else either. In that sense these compositions also have a strong sculptural component.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter this process, I started working on the microstructures of the recordings. For example, I recorded slow equalizer shifts in some of these tracks over the whole period of time. I also played these live via various controllers and analogue equalizers. This approach allowed the individual frequencies to become more present over long periods of time or mix with others. Figuratively speaking, this is similar to using a lamp (or various lamps) to illuminate a sculpture from different perspectives, or to create slow changes in light, which affects our perception of the sculpture. At different sonic stages, this can also provoke additional psychoacoustic phenomena. Through these methods I have tried to create a complexity in the microstructures of the sounds and their evolutions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll three compositions last about an hour each. Digitally, they are released in their full length, while the CD contains shortened versions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zimoun\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-12T19:09:12+09:00","created_at":"2022-07-11T09:41:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974070898938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zimoun \/\/ Guitar Studies I-III CD+BOOKLET","public_title":null,"options":["Default Title"],"price":289000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu2_77161ccf-5435-4863-b8ea-eae410f54e03.jpg?v=1657500105"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106","options":["Title"],"media":[{"alt":null,"id":30094769127674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu1_686eb952-1d8b-4b53-bdd6-4b8b5e8105ea.jpg?v=1657500106","width":700},{"alt":null,"id":30094769160442,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu2_77161ccf-5435-4863-b8ea-eae410f54e03.jpg?v=1657500105"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/gu2_77161ccf-5435-4863-b8ea-eae410f54e03.jpg?v=1657500105","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスの実験音楽家Zimounが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。レーベルオーナーLawrence Englishとの対談や写真を掲載したブックレットが付属。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの「Guitar Studies」シリーズでは、ギターが発する音やノイズだけを扱ってきました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eギターを手で弾くというオーソドックスな方法もありますが、それよりも小型のDCモーターで作動させたりすることの方が多かったです。レコーディングには様々なマイクを使用し、ピックアップの接触も緩く、アンプも様々なものを使用しました。部分的に欠陥のある小さなおもちゃのアンプから、60年代のアナログトレモロ付きの美しいマグナトーンアンプ、10歳の時に初めてギターと一緒に買った古いフェンダーアンプなどです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eまた、録音した音を段ボールの筒の中や広さの違う部屋など、様々な環境で再生して、録音し直しました。そうすることで、音に自然な響きや空間性を持たせることができました。また、テーブルの上に置いた裸のスピーカー膜にギターの信号を送り、膜の上に砂を載せて歪ませた音も作りました。膜と砂の摩擦によって、さまざまな形の歪みが生まれます。ギターをどのように変形させるか、様々な反復のプロセスを試したのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eどの作品でもループは使っていません。各作品の各レイヤーについて、約1時間の間、私が探っていたものをすべて録音しました。このようにして、私は数え切れないほどの時間の音をまとめました。ほとんど無限に続くオーバーレイと長い録音時間によって、私はある種の活気を達成しようとしました。全く同じということはないけれど、どこかに行ってしまうということもない。そういう意味で、これらの作品は彫刻的な要素も強く持っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロセスの後、私は録音の微細構造について作業を始めました。例えば、いくつかの曲でイコライザーをゆっくりずらしながら録音していきました。また、これらを様々なコントローラーやアナログ・イコライザーを使ってライブ演奏しました。このアプローチによって、個々の周波数が長い時間をかけて存在感を増したり、他の周波数と混ざり合ったりするようになりました。比喩的に言えば、これはランプ(または様々なランプ)を使って彫刻を様々な角度から照らしたり、光の緩やかな変化を作り出し、彫刻の知覚に影響を与えるのと似ています。また、異なる音のステージでは、これはさらに音響心理学的な現象を引き起こすことができます。これらの方法を通して、私は音の微細な構造とその展開に複雑さを生み出そうとしました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3900595271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card featuring exclusive reductions of the pieces + a book featuring an in conversation between Zimoun and Lawrence English, plus archival documentation and photographs examining Zimoun's work across mediums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWith the Guitar Studies series I’ve dealt solely with noises and sounds produced by guitars.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePartly I played the guitars by hand in a more conventional way, but more often I prepared them, or activated them by using small DC motors. I used various microphones for the recordings, as well as the loose contact of a pickup and many different amps; from a small toy amp that was partially defective to a beautiful Magnatone amp with analogue tremolo from the sixties and an old Fender Amp I bought together with my first guitar when I was 10 years old.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI also played recorded sounds back in different environments, for example inside a cardboard tube or in different rooms with various sizes, and then recorded them again. This way I added natural resonate and spatiality to the sounds. I also created a distorted sounds by sending the signal of the guitar to a naked speaker membrane lying on the table, and then put some sand on the membrane itself. The friction between the membrane and the sand then created various forms of distortion. I was trying to test various processes of iteration to discover how transformed the guitar might\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e become.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI did not work with loops in any of the compositions. For each layer in each piece, I recorded whatever I was exploring over the whole period of about an hour. In this way, I put together countless hours of sounds. Through the almost endless overlaying and long recording takes, I have tried to achieve a kind of liveliness, even if at the same time no major changes happen in the composition. It’s never exactly the same, but never going somewhere else either. In that sense these compositions also have a strong sculptural component.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter this process, I started working on the microstructures of the recordings. For example, I recorded slow equalizer shifts in some of these tracks over the whole period of time. I also played these live via various controllers and analogue equalizers. This approach allowed the individual frequencies to become more present over long periods of time or mix with others. Figuratively speaking, this is similar to using a lamp (or various lamps) to illuminate a sculpture from different perspectives, or to create slow changes in light, which affects our perception of the sculpture. At different sonic stages, this can also provoke additional psychoacoustic phenomena. Through these methods I have tried to create a complexity in the microstructures of the sounds and their evolutions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll three compositions last about an hour each. Digitally, they are released in their full length, while the CD contains shortened versions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zimoun\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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スイスの実験音楽家Zimounが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。レーベルオーナーLawrence Englishとの対談や写真を掲載したブックレットが付属。以下、作家による解説です。 この「Guitar Studies」シリーズでは、ギターが発する音やノイズだけを扱ってきました。ギターを手で弾くというオーソドックスな方法もありますが、それよりも小型のDCモーターで作動させたりすることの方が多かったです。レコーディングには様々なマイクを使用し、ピックアップの接触も緩く、アンプも様々なものを使用しました。部分的に欠陥のある小さなおもちゃのアンプから、60年代のアナログトレモロ付きの美しいマグナトーンアンプ、10歳の時に初めてギターと一緒に買った古いフェンダーアンプなどです。また、録音した音を段ボールの筒の中や広さの違う部屋など、様々な環境で再生して、録音し直しました。そうすることで、音に自然な響きや空間性を持たせることができました。また、テーブルの上に置いた裸のスピーカー膜にギターの信号を送り、膜の上に砂を載せて歪ませた音も作りました。膜と砂の摩擦によって、さまざまな形の歪みが生まれます。ギターをどのように変形させるか、様々な反復のプロセスを試したのです。どの作品でもループは使っていません。各作品の各レイヤーについて、約1時間の間、私が探っていたものをすべて録音しました。このようにして、私は数え切れないほどの時間の音をまとめました。ほとんど無限に続くオーバーレイと長い録音時間によって、私はある種の活気を達成しようとしました。全く同じということはないけれど、どこかに行ってしまうということもない。そういう意味で、これらの作品は彫刻的な要素も強く持っています。このプロセスの後、私は録音の微細構造について作業を始めました。例えば、いくつかの曲でイコライザーをゆっくりずらしながら録音していきました。また、これらを様々なコントローラーやアナログ・イコライザーを使ってライブ演奏しました。このアプローチによって、個々の周波数が長い時間をかけて存在感を増したり、他の周波数と混ざり合ったりするようになりました。比喩的に言えば、これはランプ(または様々なランプ)を使って彫刻を様々な角度から照らしたり、光の緩やかな変化を作り出し、彫刻の知覚に影響を与えるのと似ています。また、異なる音のステージでは、これはさらに音響心理学的な現象を引き起こすことができます。これらの方法を通して、私は音の微細な構造とその展開に複雑さを生み出そうとしました。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":7671367991546,"title":"Lawrence English \/\/ Viento CD+BOOKLET","handle":"lawrence-english-viento-cd","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2015年にレコードフォーマットでリリースした作品のリマスタリング再発盤です。フィールドレコーディングを採取した南極の写真やテキスト48ページのブックレットが付属。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1026743961\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einsert card, plus White Out; a 40+ page book of photography by Lawrence English made whilst in Antarctica, a document of the intensity of the iced continent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist statement by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. \u003c\/em\u003e\u003cem\u003eUpon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat was meant to be a few hours layover turned into several days as, on landing, a strong wind storm blew in unexpectedly. Conditions exceeded expectations, and before long it was clear the transport could not take off. The situation was only compounded by adverse weather along the Antarctic Peninsula.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst the scientists and military personnel we were travelling with bunkered down in their quarters, I found myself drawn outside into the howling air. The wind in Patagonia is, well, breathtaking. Literally, there were moments where it was so physical, that it was difficult to catch my breath. Across three days I recorded abandoned buildings, lone trees folded over in fields of tundra-like grasses, quivering road signs, wailing fences and other objects shaken into life by the wind. It wasn't a comfortable experience by any means, but the multiplicity of sounds I was able to capture, I hope, speak for\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Antarctic recordings were made during two blizzards at Marambio and Esperanza bases. During the blizzard in Marambio, the temperature dropped to -40 degrees centigrade (with wind chill) which made recording particularly challenging. The wind battered the base’s structures and telecommunications equipment, making a range of unsettling, phasing choral drones and deep low frequency vibrations that resonated inside the base itself. The blizzard at Esperanza was mild by comparison, but still strong enough to coat penguins in layer of snow as they huddled together during the worst of the storm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis year marks the 10th anniversary of completing these compositions and since that time, I have had the pleasure to diffuse them on numerous occasions. With those experiences in mind, as well as the format on which these works are now being made available, I have revisited them and completely remixed and remastered the pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening back to these recordings I am struck by the sheer physicality of the wind. It's rare that you feel physically reduced by the motion of air, but in both Patagonia and Antarctica that is just how I felt. A small speck of organic dust in a howling storm.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-12T18:58:44+09:00","created_at":"2022-07-11T09:33:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","room40"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974066180346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Viento CD+BOOKLET","public_title":null,"options":["Default Title"],"price":289000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","options":["Title"],"media":[{"alt":null,"id":30094759395578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","width":700},{"alt":null,"id":30094759428346,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2015年にレコードフォーマットでリリースした作品のリマスタリング再発盤です。フィールドレコーディングを採取した南極の写真やテキスト48ページのブックレットが付属。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1026743961\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einsert card, plus White Out; a 40+ page book of photography by Lawrence English made whilst in Antarctica, a document of the intensity of the iced continent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist statement by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. \u003c\/em\u003e\u003cem\u003eUpon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat was meant to be a few hours layover turned into several days as, on landing, a strong wind storm blew in unexpectedly. Conditions exceeded expectations, and before long it was clear the transport could not take off. The situation was only compounded by adverse weather along the Antarctic Peninsula.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst the scientists and military personnel we were travelling with bunkered down in their quarters, I found myself drawn outside into the howling air. The wind in Patagonia is, well, breathtaking. Literally, there were moments where it was so physical, that it was difficult to catch my breath. Across three days I recorded abandoned buildings, lone trees folded over in fields of tundra-like grasses, quivering road signs, wailing fences and other objects shaken into life by the wind. It wasn't a comfortable experience by any means, but the multiplicity of sounds I was able to capture, I hope, speak for\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Antarctic recordings were made during two blizzards at Marambio and Esperanza bases. During the blizzard in Marambio, the temperature dropped to -40 degrees centigrade (with wind chill) which made recording particularly challenging. The wind battered the base’s structures and telecommunications equipment, making a range of unsettling, phasing choral drones and deep low frequency vibrations that resonated inside the base itself. The blizzard at Esperanza was mild by comparison, but still strong enough to coat penguins in layer of snow as they huddled together during the worst of the storm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis year marks the 10th anniversary of completing these compositions and since that time, I have had the pleasure to diffuse them on numerous occasions. With those experiences in mind, as well as the format on which these works are now being made available, I have revisited them and completely remixed and remastered the pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening back to these recordings I am struck by the sheer physicality of the wind. It's rare that you feel physically reduced by the motion of air, but in both Patagonia and Antarctica that is just how I felt. A small speck of organic dust in a howling storm.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2015年にレコードフォーマットでリリースした作品のリマスタリング再発盤です。フィールドレコーディングを採取した南極の写真やテキスト48ページのブックレットが付属。以下、作家による解説です。 2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。これらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Includes insert...
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{"id":7671367500026,"title":"Pierce Warnecke \/\/ Deafened By The Noise Of Time CD","handle":"pierce-warnecke-deafened-by-the-noise-of-time-cd","description":"\u003cp\u003eスペイン・バルセロナのバークレー音楽大学で講師を務めるアメリカ人音響作家Pierce Warneckeが、2022年8月にオーストラリアの音響レーベルRoom40からリリースする最新作です。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDeafened By The Noise Of Timeは、音がどのように減衰し、消滅していくのかについての思索的な試みであり、時間の経過とともにあらゆるものが避けられないエントロピーと崩壊について、4曲を通して考察していいます。タイトルは、ジュリアン・バーンズの小説「The Noise of Time」から借用したもので、ショスタコーヴィッチの架空の伝記です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私がこのアルバムの素材に最初に取り掛かったのは、2017年にパリのエグリス・サンメリーで行われた公演のためです。演奏会の後、私は音楽の編集に入りましたが、作品と格闘し、そのたびに新たな欠点が見つかり、元の作曲のアイデアを貫くことが出来ませんでした。悔しいので、音楽的な内容を削ぎ落してもっと骨太な構造にし、すべてを結びつける別の原理やプロセスを探すことにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e錆びたり、汚れたり、燃えたり、壊れたりした拾得物に焦点を当て、シンプルな照明とゆっくりとした動きでカメラを使うのです。私は、これらのものが最近のものであると同時に古代のものでもあり、常に崩壊しつつある世界の現代的な遺物であるという考え方が好きなのです。また、ほとんど認識できなくなった物でも、記憶を感じることができるという考え方も好きです。 このことが無常の必然性に背中を押してくれるのです。廃棄されたものを回収し、再利用することで、新しい、しかし不確かな光を当てるという行為が好きです。私はこれを、「ゴミから宝物へ」という一種の儀式的な変換、つまり、物の表面に残された知覚できない手がかりから、その物の過去のすべてを呼び起こすことだと考えたいのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDeafened by the Noise of Timeでは、これらのアイデアを音に適用し、ある音楽的アイデアが干渉の蓄積によって、ある種の音の沈殿と侵食として、どのように消えていくかを考えたいと思いました。会話、フィールドレコーディング、ジェネレーティブノイズ、静寂、インハーモニックトーンなどの外部要素は、錆が金属を覆うように、記憶が薄れていくように、あるいは瓦礫が蓄積して物を圧縮し、石に変えてしまうように、オリジナルの音楽を覆います。これらの作品では「時間」を、現在という瞬間が絶えず埋没し、「今」(とその中のもの)の小さなディテールだけが未来へのエコーとして見えるようにするものとして捉えました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1701750626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe darkness does not lift but becomes yet heavier as I think how little we can hold in mind, how everything is constantly lapsing into oblivion with every extinguished life, how the world is, as it were, draining itself, in that the history of countless places and objects which themselves have no power of memory is never heard, never described or passed on.’ - W.G. Sebald, ‘Austerlitz’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeafened by the Noise of Time is a speculative take on how sound might decay and disappear; a reflection on the unavoidable entropy and dislocation of all things over time through 4 compositions, one with video. The titled is borrowed from Julian Barnes' novel 'The Noise of Time' (itself borrowed from Jewish Russian poet Osip Mandelstam), a fictional biography of Shostakovitch.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI first started working on the material for this album for a performance at Eglise Saint-Merry in Paris in 2017. Following the concert, I sat down to edit the music but struggled with the pieces, every time finding new flaws, unable to follow through with the original compositional ideas. Somewhat frustrated, I decided to strip down the musical content to form more bare-bone structures and look for a different principle or process to tie everything\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e together.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor this, I shifted focus to a long running part of my video practice: the deterioration of things over time, where I use my camera with simple lighting and slow movements to focus on rusty, dirty, burned or broken found objects. I like the idea of these things being both recent and ancient, contemporary artefacts of a world in constant decay. I like the idea of being able to still sense memory on objects even when they’ve become almost entirely unrecognizable. I like how this pushes back against the inevitability of impermanence. I like the act of scavenging and reusing discarded objects to put them in new but uncertain light. I like to think of it as a kind of ritualistic transformation of 'trash-to-treasure', a conjuring of a thing's entire past through imperceptible clues left on it's surface.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Deafened by the Noise of Time I wanted to apply these ideas to sound, and consider how a musical idea might disappear under an accumulation of interferences, as a kind of sonic sedimentation and erosion. External elements such as conversations, field recordings, generative noises, silence and inharmonic tones cover the original music similar to the way rust covers metal, or how memories dim and fade, or the way debris accumulates and compresses an object, casting it in stone. For these pieces I looked at Time as a continual burying of the present moment, leaving visible only small details of the 'now' (and the things within it) as echoes towards the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierce Warnecke\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-08-01T16:00:10+09:00","created_at":"2022-07-11T09:28:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":214000,"price_min":214000,"price_max":214000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974062772474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pierce Warnecke \/\/ Deafened By The Noise Of Time CD","public_title":null,"options":["Default Title"],"price":214000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_f164f3d2-63d1-4977-8752-334231439ae9.jpg?v=1657499322","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de2_a422e530-e390-4873-a452-291d22a5840f.jpg?v=1657499323"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_f164f3d2-63d1-4977-8752-334231439ae9.jpg?v=1657499322","options":["Title"],"media":[{"alt":null,"id":30094752121082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_f164f3d2-63d1-4977-8752-334231439ae9.jpg?v=1657499322"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de1_f164f3d2-63d1-4977-8752-334231439ae9.jpg?v=1657499322","width":700},{"alt":null,"id":30094752153850,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de2_a422e530-e390-4873-a452-291d22a5840f.jpg?v=1657499323"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/de2_a422e530-e390-4873-a452-291d22a5840f.jpg?v=1657499323","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・バルセロナのバークレー音楽大学で講師を務めるアメリカ人音響作家Pierce Warneckeが、2022年8月にオーストラリアの音響レーベルRoom40からリリースする最新作です。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDeafened By The Noise Of Timeは、音がどのように減衰し、消滅していくのかについての思索的な試みであり、時間の経過とともにあらゆるものが避けられないエントロピーと崩壊について、4曲を通して考察していいます。タイトルは、ジュリアン・バーンズの小説「The Noise of Time」から借用したもので、ショスタコーヴィッチの架空の伝記です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私がこのアルバムの素材に最初に取り掛かったのは、2017年にパリのエグリス・サンメリーで行われた公演のためです。演奏会の後、私は音楽の編集に入りましたが、作品と格闘し、そのたびに新たな欠点が見つかり、元の作曲のアイデアを貫くことが出来ませんでした。悔しいので、音楽的な内容を削ぎ落してもっと骨太な構造にし、すべてを結びつける別の原理やプロセスを探すことにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e錆びたり、汚れたり、燃えたり、壊れたりした拾得物に焦点を当て、シンプルな照明とゆっくりとした動きでカメラを使うのです。私は、これらのものが最近のものであると同時に古代のものでもあり、常に崩壊しつつある世界の現代的な遺物であるという考え方が好きなのです。また、ほとんど認識できなくなった物でも、記憶を感じることができるという考え方も好きです。 このことが無常の必然性に背中を押してくれるのです。廃棄されたものを回収し、再利用することで、新しい、しかし不確かな光を当てるという行為が好きです。私はこれを、「ゴミから宝物へ」という一種の儀式的な変換、つまり、物の表面に残された知覚できない手がかりから、その物の過去のすべてを呼び起こすことだと考えたいのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDeafened by the Noise of Timeでは、これらのアイデアを音に適用し、ある音楽的アイデアが干渉の蓄積によって、ある種の音の沈殿と侵食として、どのように消えていくかを考えたいと思いました。会話、フィールドレコーディング、ジェネレーティブノイズ、静寂、インハーモニックトーンなどの外部要素は、錆が金属を覆うように、記憶が薄れていくように、あるいは瓦礫が蓄積して物を圧縮し、石に変えてしまうように、オリジナルの音楽を覆います。これらの作品では「時間」を、現在という瞬間が絶えず埋没し、「今」(とその中のもの)の小さなディテールだけが未来へのエコーとして見えるようにするものとして捉えました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1701750626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe darkness does not lift but becomes yet heavier as I think how little we can hold in mind, how everything is constantly lapsing into oblivion with every extinguished life, how the world is, as it were, draining itself, in that the history of countless places and objects which themselves have no power of memory is never heard, never described or passed on.’ - W.G. Sebald, ‘Austerlitz’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeafened by the Noise of Time is a speculative take on how sound might decay and disappear; a reflection on the unavoidable entropy and dislocation of all things over time through 4 compositions, one with video. The titled is borrowed from Julian Barnes' novel 'The Noise of Time' (itself borrowed from Jewish Russian poet Osip Mandelstam), a fictional biography of Shostakovitch.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI first started working on the material for this album for a performance at Eglise Saint-Merry in Paris in 2017. Following the concert, I sat down to edit the music but struggled with the pieces, every time finding new flaws, unable to follow through with the original compositional ideas. Somewhat frustrated, I decided to strip down the musical content to form more bare-bone structures and look for a different principle or process to tie everything\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e together.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor this, I shifted focus to a long running part of my video practice: the deterioration of things over time, where I use my camera with simple lighting and slow movements to focus on rusty, dirty, burned or broken found objects. I like the idea of these things being both recent and ancient, contemporary artefacts of a world in constant decay. I like the idea of being able to still sense memory on objects even when they’ve become almost entirely unrecognizable. I like how this pushes back against the inevitability of impermanence. I like the act of scavenging and reusing discarded objects to put them in new but uncertain light. I like to think of it as a kind of ritualistic transformation of 'trash-to-treasure', a conjuring of a thing's entire past through imperceptible clues left on it's surface.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Deafened by the Noise of Time I wanted to apply these ideas to sound, and consider how a musical idea might disappear under an accumulation of interferences, as a kind of sonic sedimentation and erosion. External elements such as conversations, field recordings, generative noises, silence and inharmonic tones cover the original music similar to the way rust covers metal, or how memories dim and fade, or the way debris accumulates and compresses an object, casting it in stone. For these pieces I looked at Time as a continual burying of the present moment, leaving visible only small details of the 'now' (and the things within it) as echoes towards the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierce Warnecke\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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スペイン・バルセロナのバークレー音楽大学で講師を務めるアメリカ人音響作家Pierce Warneckeが、2022年8月にオーストラリアの音響レーベルRoom40からリリースする最新作です。以下、作家本人による解説です。 Deafened By The Noise Of Timeは、音がどのように減衰し、消滅していくのかについての思索的な試みであり、時間の経過とともにあらゆるものが避けられないエントロピーと崩壊について、4曲を通して考察していいます。タイトルは、ジュリアン・バーンズの小説「The Noise of Time」から借用したもので、ショスタコーヴィッチの架空の伝記です。私がこのアルバムの素材に最初に取り掛かったのは、2017年にパリのエグリス・サンメリーで行われた公演のためです。演奏会の後、私は音楽の編集に入りましたが、作品と格闘し、そのたびに新たな欠点が見つかり、元の作曲のアイデアを貫くことが出来ませんでした。悔しいので、音楽的な内容を削ぎ落してもっと骨太な構造にし、すべてを結びつける別の原理やプロセスを探すことにしました。錆びたり、汚れたり、燃えたり、壊れたりした拾得物に焦点を当て、シンプルな照明とゆっくりとした動きでカメラを使うのです。私は、これらのものが最近のものであると同時に古代のものでもあり、常に崩壊しつつある世界の現代的な遺物であるという考え方が好きなのです。また、ほとんど認識できなくなった物でも、記憶を感じることができるという考え方も好きです。 このことが無常の必然性に背中を押してくれるのです。廃棄されたものを回収し、再利用することで、新しい、しかし不確かな光を当てるという行為が好きです。私はこれを、「ゴミから宝物へ」という一種の儀式的な変換、つまり、物の表面に残された知覚できない手がかりから、その物の過去のすべてを呼び起こすことだと考えたいのです。Deafened by the...
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{"id":7671367237882,"title":"Antti Tolvi \/\/ Spectral Organ \/ Feedback Gong CD","handle":"antti-tolvi-spectral-organ-feedback-gong-cd","description":"\u003cp\u003eフィンランドのアンビエント作家Antti Tolviが、2022年7月にオーストラリアの実験レーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフィンランド・キミト島にある14世紀の教会でのオルガン演奏、彼がインスタレーション用に制作したフィードバックゴング・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901077685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eHere’s a little about each of these pieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpectral Organ was played and recorded with no over dubs in Kemiö Island, in a 14th century church on 22\/9\/2019.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe have these acoustically amazing spaces even in the smallest villages and towns in Finland. In every space there are these unique \u0026amp; solid, super complex analog wave generators ready to play. You just need to get in and turn the wave generator on. Even this particular, very basic church organ has around 2200 tuned pipes. That ’s a lot of pipes, no matter how you think about it. The number of pipes in an average church organ is around 1600-2400. The biggest church organs in Finland has more than 5000 pipes, such as the Cathedrals in Lapua and Turku, and soon also in Helsinki Music house. Because of high amount of pipes and the fact they are often not so well tuned, all kind of interesting microtonal intervals are easily found. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe idea in this piece is to create static spectral sound sculpture. An invisible, in situ, air sculpture. A sculpture where you can enter, stay and leave. It is a kind of floating architecture inside the visible architecture. This sculpture will always be different in each different\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e church.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this recording I play almost whole piece just by slowly opening and closing the stops. This organ luckily has mechanical stops. In some organs stops work with electricity. Usually this means that stops are either completely open or close, not anywhere between. This limits notably the amount of colors you can get out of organ. You will loose the possibility to slide from tone to tone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece, Feedback gong is a recording made as part of a sound \/ light installation I completed in early 2020. The installation was premiered at B Gallery Turku in midsummer 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe installation has on-going feedback though a 20” gong cymbal. The cymbal hangs between two microphones and a 15” speaker with out any physical contact. Feedback Gong has a pretty similar invisible sculpture idea as the first piece does. Here we give the most delicate decision to the feedback circuit. These small differences and variations make alter the sound and create the nature of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe idea for this installation came from composer Jay Schawartz. I heard his wonderful music (Delta - Music for Orchestra IV) for the first time in Music Nova Helsinki festival 2019. After the concert I did some research of his previous works and found his piece Music for Autosonic Gongs. It has a similar idea of using the feedback to generate sounds out from gong.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Antti Tolvi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-11T15:47:55+09:00","created_at":"2022-07-11T09:24:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":214000,"price_min":214000,"price_max":214000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974060380410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antti Tolvi \/\/ Spectral Organ \/ Feedback Gong CD","public_title":null,"options":["Default Title"],"price":214000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_3c954d00-642b-40dd-8815-1e3fd6b7966b.jpg?v=1657499085","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or2_27952350-3142-4643-ac60-7ba2a43d9fce.jpg?v=1657499086"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_3c954d00-642b-40dd-8815-1e3fd6b7966b.jpg?v=1657499085","options":["Title"],"media":[{"alt":null,"id":30094746779898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_3c954d00-642b-40dd-8815-1e3fd6b7966b.jpg?v=1657499085"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or1_3c954d00-642b-40dd-8815-1e3fd6b7966b.jpg?v=1657499085","width":700},{"alt":null,"id":30094746812666,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or2_27952350-3142-4643-ac60-7ba2a43d9fce.jpg?v=1657499086"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/or2_27952350-3142-4643-ac60-7ba2a43d9fce.jpg?v=1657499086","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのアンビエント作家Antti Tolviが、2022年7月にオーストラリアの実験レーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフィンランド・キミト島にある14世紀の教会でのオルガン演奏、彼がインスタレーション用に制作したフィードバックゴング・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901077685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eHere’s a little about each of these pieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpectral Organ was played and recorded with no over dubs in Kemiö Island, in a 14th century church on 22\/9\/2019.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe have these acoustically amazing spaces even in the smallest villages and towns in Finland. In every space there are these unique \u0026amp; solid, super complex analog wave generators ready to play. You just need to get in and turn the wave generator on. Even this particular, very basic church organ has around 2200 tuned pipes. That ’s a lot of pipes, no matter how you think about it. The number of pipes in an average church organ is around 1600-2400. The biggest church organs in Finland has more than 5000 pipes, such as the Cathedrals in Lapua and Turku, and soon also in Helsinki Music house. Because of high amount of pipes and the fact they are often not so well tuned, all kind of interesting microtonal intervals are easily found. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe idea in this piece is to create static spectral sound sculpture. An invisible, in situ, air sculpture. A sculpture where you can enter, stay and leave. It is a kind of floating architecture inside the visible architecture. This sculpture will always be different in each different\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e church.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this recording I play almost whole piece just by slowly opening and closing the stops. This organ luckily has mechanical stops. In some organs stops work with electricity. Usually this means that stops are either completely open or close, not anywhere between. This limits notably the amount of colors you can get out of organ. You will loose the possibility to slide from tone to tone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece, Feedback gong is a recording made as part of a sound \/ light installation I completed in early 2020. The installation was premiered at B Gallery Turku in midsummer 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe installation has on-going feedback though a 20” gong cymbal. The cymbal hangs between two microphones and a 15” speaker with out any physical contact. Feedback Gong has a pretty similar invisible sculpture idea as the first piece does. Here we give the most delicate decision to the feedback circuit. These small differences and variations make alter the sound and create the nature of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe idea for this installation came from composer Jay Schawartz. I heard his wonderful music (Delta - Music for Orchestra IV) for the first time in Music Nova Helsinki festival 2019. After the concert I did some research of his previous works and found his piece Music for Autosonic Gongs. It has a similar idea of using the feedback to generate sounds out from gong.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Antti Tolvi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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フィンランドのアンビエント作家Antti Tolviが、2022年7月にオーストラリアの実験レーベルRoom40からリリースしたCDです。 フィンランド・キミト島にある14世紀の教会でのオルガン演奏、彼がインスタレーション用に制作したフィードバックゴング・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Artist...
¥2,140

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{"id":7671367074042,"title":"PINKCOURTESYPHONE \/\/ All Intensive Purposes CD","handle":"pinkcourtesyphone-all-intensive-purposes-cd","description":"\u003cp\u003e1990年代から活動しているアメリカ・LAの大御所実験音楽家PINKCOURTESYPHONE aka \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Chartierが、2022年5月に\u003c\/span\u003eオーストラリアの実験レーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e冷たいドローン〜ダークアンビエント7曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3364939152\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte Laminated and Embossed CD. Includes 8-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA decade has passed since Pinkcourtesyphone's unexpected debut album 'Foley Folly Folio' (LINE)... time does fly in face of expectations, since expectations are just future resentments. 'All Intensive Purposes' is a lush compliment to Pinkcourtesyphone's previous outing for Room40 'Leaving Everything To Be Desired'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eImmured within the deep deep pink velvet lining of their sonic smudge satchel ooze forth the obsessions and peculiar delicacies that have captivated both Pinkcourtesyphone and audiences alike. Moody glowering, ghostly utterances re-situated, hissy, distant and sad, all the while light and tender. It is that Sound that is at the fluffy heart of a long string of successful though surprisingly varied albums. A new sparkling jewel that already gathers cloudiness in its facets. This album can be best characterized by one word — charm, well, maybe two words — questionable charm.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I could listen to it for hours\" — a possible proclamation for these inconsistent consistencies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheoretical A and B sides makes one long for the warmth of antiquated plastic possibilities, if only for a moment to distill the gnawing hungry need for consumption within. Seven \"songs\" lilt and wallow, indefinable, intangible, yet always\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e... there.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is \"catastrophe muzak\", the sound of sympathy amplified, leaving the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere is a collection of moods which we anticipate and enjoy with no misgivings. A long trail of evening debris awaits your ears' pleasure. Let it procure that pleasure for you, let it devour you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PINKCOURTESYPHONE\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-12T19:38:18+09:00","created_at":"2022-07-11T09:22:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":214000,"price_min":214000,"price_max":214000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974059167994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PINKCOURTESYPHONE \/\/ All Intensive Purposes CD","public_title":null,"options":["Default Title"],"price":214000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_69c6a478-029a-48ab-a054-7ac2df196297.jpg?v=1657498945","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_477dfa92-2527-47dd-9577-d33f7d9e0d04.jpg?v=1657498945"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_69c6a478-029a-48ab-a054-7ac2df196297.jpg?v=1657498945","options":["Title"],"media":[{"alt":null,"id":30094742978810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_69c6a478-029a-48ab-a054-7ac2df196297.jpg?v=1657498945"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_69c6a478-029a-48ab-a054-7ac2df196297.jpg?v=1657498945","width":700},{"alt":null,"id":30094743011578,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_477dfa92-2527-47dd-9577-d33f7d9e0d04.jpg?v=1657498945"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_477dfa92-2527-47dd-9577-d33f7d9e0d04.jpg?v=1657498945","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1990年代から活動しているアメリカ・LAの大御所実験音楽家PINKCOURTESYPHONE aka \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Chartierが、2022年5月に\u003c\/span\u003eオーストラリアの実験レーベルRoom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e冷たいドローン〜ダークアンビエント7曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3364939152\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte Laminated and Embossed CD. Includes 8-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA decade has passed since Pinkcourtesyphone's unexpected debut album 'Foley Folly Folio' (LINE)... time does fly in face of expectations, since expectations are just future resentments. 'All Intensive Purposes' is a lush compliment to Pinkcourtesyphone's previous outing for Room40 'Leaving Everything To Be Desired'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eImmured within the deep deep pink velvet lining of their sonic smudge satchel ooze forth the obsessions and peculiar delicacies that have captivated both Pinkcourtesyphone and audiences alike. Moody glowering, ghostly utterances re-situated, hissy, distant and sad, all the while light and tender. It is that Sound that is at the fluffy heart of a long string of successful though surprisingly varied albums. A new sparkling jewel that already gathers cloudiness in its facets. This album can be best characterized by one word — charm, well, maybe two words — questionable charm.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I could listen to it for hours\" — a possible proclamation for these inconsistent consistencies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheoretical A and B sides makes one long for the warmth of antiquated plastic possibilities, if only for a moment to distill the gnawing hungry need for consumption within. Seven \"songs\" lilt and wallow, indefinable, intangible, yet always\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e... there.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is \"catastrophe muzak\", the sound of sympathy amplified, leaving the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere is a collection of moods which we anticipate and enjoy with no misgivings. A long trail of evening debris awaits your ears' pleasure. Let it procure that pleasure for you, let it devour you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PINKCOURTESYPHONE\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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1990年代から活動しているアメリカ・LAの大御所実験音楽家PINKCOURTESYPHONE aka Richard Chartierが、2022年5月にオーストラリアの実験レーベルRoom40からリリースしたCDです。 冷たいドローン〜ダークアンビエント7曲を収録。8ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
¥2,140

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{"id":7671365566714,"title":"Madeleine Cocolas \/\/ Spectral CD","handle":"madeleine-cocolas-spectral-cd","description":"\u003cp\u003eオーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1945971950\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSpectral is built on a foundation of sounds I collected from my immediate surroundings in recent times. It’s a familiar story, casting your ears close to home. I captured these sounds as a type of aural diary to mark days and weeks as they passed. As our physical worlds seemed to become smaller, my senses of observation and perception of my immediate surroundings sharpened. Inside these small spaces I found a wellspring of materials that seemed to offer themselves up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time I didn’t know why I was collecting sounds or what I would do with them, it just felt like something I needed to do and it helped me stay connected and feel tethered to my surroundings. With my phone on hand, ready to record on walks around the block, past whirring industrial machines, deafening crickets and crashing storms, I found so much beauty and meaning in the sounds and the recordings I collected. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the collection grew, I could sense these links between them, some sounds seemed to gravitate towards one another, they self arranged almost. It felt very natural to then build layers over the top of them, to be able to express some of the emotions that the\u003cspan class=\"bcTruncateMore\"\u003e sounds triggered, of memories from the moments from when they were captured. \u003cbr\u003e\u003cbr\u003eAt its core, Spectral is about deep stillness, observation and perception underpinned by emotional expression. It is a subtle shift in memory, a recolouring of the world we think we know and a willingness to lean into that possibility.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Madeleine Cocolas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-15T09:54:37+09:00","created_at":"2022-07-11T09:20:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40","techno \/ house"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974050222330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Madeleine Cocolas \/\/ Spectral CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","options":["Title"],"media":[{"alt":null,"id":30094718861562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_14ce5ee8-a53b-45b4-a609-73acba0b32cd.jpg?v=1657498802","width":700},{"alt":null,"id":30094718894330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_ad5f8ca3-0a45-4add-b8c1-5444341a06cc.jpg?v=1657498802","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1945971950\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466511600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSpectral is built on a foundation of sounds I collected from my immediate surroundings in recent times. It’s a familiar story, casting your ears close to home. I captured these sounds as a type of aural diary to mark days and weeks as they passed. As our physical worlds seemed to become smaller, my senses of observation and perception of my immediate surroundings sharpened. Inside these small spaces I found a wellspring of materials that seemed to offer themselves up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time I didn’t know why I was collecting sounds or what I would do with them, it just felt like something I needed to do and it helped me stay connected and feel tethered to my surroundings. With my phone on hand, ready to record on walks around the block, past whirring industrial machines, deafening crickets and crashing storms, I found so much beauty and meaning in the sounds and the recordings I collected. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the collection grew, I could sense these links between them, some sounds seemed to gravitate towards one another, they self arranged almost. It felt very natural to then build layers over the top of them, to be able to express some of the emotions that the\u003cspan class=\"bcTruncateMore\"\u003e sounds triggered, of memories from the moments from when they were captured. \u003cbr\u003e\u003cbr\u003eAt its core, Spectral is about deep stillness, observation and perception underpinned by emotional expression. It is a subtle shift in memory, a recolouring of the world we think we know and a willingness to lean into that possibility.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Madeleine Cocolas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・ブリスベンの音響作家Madeleine Cocolasが、2022年7月に同国実験レーベルRoom40からリリースした最新作です。 ネオクラシカル・アンビエント〜アンビエントテクノ〜アンビエントドローンなど幅広い8曲を収録。インサート付属、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Artist...
¥2,150

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{"id":7666956370170,"title":"Daniel Menche \/\/ Forlorn TAPE","handle":"daniel-menche-forlorn-tape","description":"\u003cp\u003eカナダ・トロントの大御所ノイズ作家Daniel Mencheが、2022年4月にオーストラリアの実験レーベルRoom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼の作品では珍しいローエンドドローンのみの2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2342457792\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by Daniel Menche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe word “Forlorn” is defined as: “abandoned, lost, ruined, doomed for destruction”. In some way, that sums up a lot about the mood of 2020-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe all felt abandoned and lost to a certain degree, in all of our own, various ways. I certainly did, and I thought one aspect that was the most abandoned was my sense of time. It’s as though “time” had abandoned me. or was it the other way around? Maybe I was abandoning time!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy own solution to this recent forlorn feeling is to go on long hikes in forests around this area in which I live. Ideally I want to get lost in my thoughts, and occasionally physically lost.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGetting lost seems to be the main goal and intention of my musical work over the past 30 years. I have an ambition to see how I can get the listener to feel as lost as possible within my sounds and noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHave you ever been lost in a forest all alone at night without any lighting? I have, and what a great feeling! I try to translate these experiences in the form of my music. A big gigantic dark forest of drones and noise to get lost in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Menche\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-06T07:52:13+09:00","created_at":"2022-07-05T16:10:46+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","room40","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42955082989818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Menche \/\/ Forlorn TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_40f9c6bb-a833-4426-8aa6-685d91296339.jpg?v=1657005047"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048","options":["Title"],"media":[{"alt":null,"id":30062064402682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_4eb5ff51-7d9e-49ca-9dd4-cc17b0c5d3fa.jpg?v=1657005048","width":700},{"alt":null,"id":30062064435450,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_40f9c6bb-a833-4426-8aa6-685d91296339.jpg?v=1657005047"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_40f9c6bb-a833-4426-8aa6-685d91296339.jpg?v=1657005047","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの大御所ノイズ作家Daniel Mencheが、2022年4月にオーストラリアの実験レーベルRoom40からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼の作品では珍しいローエンドドローンのみの2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2342457792\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by Daniel Menche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe word “Forlorn” is defined as: “abandoned, lost, ruined, doomed for destruction”. In some way, that sums up a lot about the mood of 2020-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe all felt abandoned and lost to a certain degree, in all of our own, various ways. I certainly did, and I thought one aspect that was the most abandoned was my sense of time. It’s as though “time” had abandoned me. or was it the other way around? Maybe I was abandoning time!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy own solution to this recent forlorn feeling is to go on long hikes in forests around this area in which I live. Ideally I want to get lost in my thoughts, and occasionally physically lost.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGetting lost seems to be the main goal and intention of my musical work over the past 30 years. I have an ambition to see how I can get the listener to feel as lost as possible within my sounds and noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHave you ever been lost in a forest all alone at night without any lighting? I have, and what a great feeling! I try to translate these experiences in the form of my music. A big gigantic dark forest of drones and noise to get lost in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Menche\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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カナダ・トロントの大御所ノイズ作家Daniel Mencheが、2022年4月にオーストラリアの実験レーベルRoom40からリリースしたカセットです。 彼の作品では珍しいローエンドドローンのみの2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Includes...
¥1,680

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{"id":7666501452026,"title":"Alberto Boccardi \/\/ Petra TAPE","handle":"alberto-boccardi-petra-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。\u003cbr\u003e\u003cbr\u003ePetraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。\u003cbr\u003e\u003cbr\u003eすべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。\u003cbr\u003e\u003cbr\u003eセットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。\u003cbr\u003e\u003cbr\u003eレコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。\u003cbr\u003e\u003cbr\u003e声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。\u2028\u003cbr\u003ePetraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2004579823\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlberto Boccardi\u2028 :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetra is a work that stems from the time I lived in Cairo between 2015 to 2020. I spent almost five years there, surrounded by the frenetic mood of the tireless Egyptian capitol. It’s a never-ending cascade of sound and flashing lights, were where I found myself split between the habituation of my daily work and this throbbing sense of life all around me.\u003cbr\u003e\u003cbr\u003ePetra also comes from the period since I moved back to Milano, my hometown. In some respects the album is almost me closing one chapter of my life, while opening a new one.\u003cbr\u003e\u003cbr\u003eAll the materials were recorded at Standards, the studio I built 5 years ago, a place I know well and an environment where everything was available and, by contrast with Cairo, so familiar and under control. It seems a perfect counterpoint, a way to consider these sound memories at distance almost.\u003cbr\u003e\u003cbr\u003eWhile starting the set-up I was really keen to work by subtraction and also consider the idea of silence, which had not been a part of my life during my time in Cairo. I was trying to find the breadth between each sonic element and the space they would require. I was first much more focussed on the sound itself, than the place it needed to be in relation with the other sounds.\u003cbr\u003e\u003cbr\u003eWhile recording I decided to invite a long time collaborator Cinzia De Lorenzi, a very creative dancer and choreographer, to come into the studio and work with me. She has an incredible talent for voice and this was brought to bare on several of the pieces. We had a very quick understanding of the creative dynamic and I was positive that her voice would be able to fit in the sound interstices that were appearing.\u003cbr\u003e\u003cbr\u003eI thought the presence of the voice would help me to play with how, as the listener, I would experience a sense of distance across each track. It helped provide an approach to create and fill the empty spaces existing around all the other sounds.\u2028\u003cbr\u003ePetra means rock in Latin and through the subtractive approach I took, I felt this word reflected nicely the way the work seemed to me, as precarious and delicate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Alberto Boccardi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-04T18:39:42+09:00","created_at":"2022-07-04T18:39:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","new","recommended","room40","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42951883718906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alberto Boccardi \/\/ Petra TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a4001662712_16.jpg?v=1656928027","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0028288741_10.jpg?v=1656928029"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a4001662712_16.jpg?v=1656928027","options":["Title"],"media":[{"alt":null,"id":30057398862074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a4001662712_16.jpg?v=1656928027"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a4001662712_16.jpg?v=1656928027","width":700},{"alt":null,"id":30057399025914,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0028288741_10.jpg?v=1656928029"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0028288741_10.jpg?v=1656928029","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。\u003cbr\u003e\u003cbr\u003ePetraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。\u003cbr\u003e\u003cbr\u003eすべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。\u003cbr\u003e\u003cbr\u003eセットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。\u003cbr\u003e\u003cbr\u003eレコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。\u003cbr\u003e\u003cbr\u003e声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。\u2028\u003cbr\u003ePetraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2004579823\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3617147913\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlberto Boccardi\u2028 :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePetra is a work that stems from the time I lived in Cairo between 2015 to 2020. I spent almost five years there, surrounded by the frenetic mood of the tireless Egyptian capitol. It’s a never-ending cascade of sound and flashing lights, were where I found myself split between the habituation of my daily work and this throbbing sense of life all around me.\u003cbr\u003e\u003cbr\u003ePetra also comes from the period since I moved back to Milano, my hometown. In some respects the album is almost me closing one chapter of my life, while opening a new one.\u003cbr\u003e\u003cbr\u003eAll the materials were recorded at Standards, the studio I built 5 years ago, a place I know well and an environment where everything was available and, by contrast with Cairo, so familiar and under control. It seems a perfect counterpoint, a way to consider these sound memories at distance almost.\u003cbr\u003e\u003cbr\u003eWhile starting the set-up I was really keen to work by subtraction and also consider the idea of silence, which had not been a part of my life during my time in Cairo. I was trying to find the breadth between each sonic element and the space they would require. I was first much more focussed on the sound itself, than the place it needed to be in relation with the other sounds.\u003cbr\u003e\u003cbr\u003eWhile recording I decided to invite a long time collaborator Cinzia De Lorenzi, a very creative dancer and choreographer, to come into the studio and work with me. She has an incredible talent for voice and this was brought to bare on several of the pieces. We had a very quick understanding of the creative dynamic and I was positive that her voice would be able to fit in the sound interstices that were appearing.\u003cbr\u003e\u003cbr\u003eI thought the presence of the voice would help me to play with how, as the listener, I would experience a sense of distance across each track. It helped provide an approach to create and fill the empty spaces existing around all the other sounds.\u2028\u003cbr\u003ePetra means rock in Latin and through the subtractive approach I took, I felt this word reflected nicely the way the work seemed to me, as precarious and delicate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Alberto Boccardi\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イタリアのドローン作家Alberto Boccardiが、2022年6月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。 モジュラーによるミニマルドローン5曲を収録。DLコード付属。以下、作家本人による解説です。 Petraは、2015年から2020年にかけて私がエジプト・カイロで暮らした時間に由来する作品です。私はそこで約5年間、疲れを知らないエジプトの首都の熱狂的なムードに包まれて過ごしました。そこは、音と光の点滅の終わりのないカスケードで、私は日々の仕事の慣れと、この身の回りの生命感との間で分裂している自分に気づきました。Petraは、私が故郷のミラノに戻ってからの作品です。ある意味では、このアルバムは私の人生のひとつの章を閉じ、新しい章を開くようなものです。すべての音源は、5年前に作ったスタジオ「スタンダード」で録音しました。ここは私がよく知っている場所であり、すべてが利用可能で、カイロとは対照的に、とても身近でコントロールしやすい環境でした。これは完璧な対極にあるようなもので、これらの音の記憶をほとんど離れたところから考察する方法なのです。セットアップを始めるにあたり、私は引き算で作業を進め、また、カイロ滞在中には私の生活の一部ではなかった「沈黙」という概念についても考えてみようと思いました。私は、それぞれの音の要素と、それらが必要とする空間の間の幅を見つけようとしていました。他の音との関係で必要とされる場所よりも、音そのものに焦点を合わせていました。レコーディング中、私は長年のコラボレーターであるチンツィア・デ・ロレンツィをスタジオに招き、一緒に仕事をすることにしました。彼女は声に関する素晴らしい才能を持っていて、いくつかの作品でそれが生かされました。私たちは、クリエイティブなダイナミズムをすぐに理解し、彼女の声は、出現する音の狭間にフィットすることができると確信しました。声の存在は、リスナーとして各トラックの距離感をどう体験するかという遊びに役立つと思ったのです。それは、他のすべての音の周りに存在する空白を作り、埋めるためのアプローチを提供するのに役立ちました。
Petraはラテン語で岩を意味し、私がとった引き算のアプローチを通して、この言葉が、私にとっての不安定で繊細な作品のあり方をうまく反映しているように感じました。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":7666292556026,"title":"Phill Niblock \/\/ Ghosts And Others CD","handle":"phill-niblock-ghosts-and-others-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Phill Niblockが、2022年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースした最新作です。以下、レーベル解説です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Ghosts And Others』は、フィル・ニブロックの作品群の中でも特異な作品である。この作品は、その内容だけでなく、方法論やアプローチにおいても特異なものです。この作品は、編集、ロケ、音響観察において非常に集中した活動を表している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e多くの点で、この作品は、映画制作者としての彼の実践を音響的に映し出したものである。この作品は自分自身を世界に公開し、そうすることで特定の視点を明らかにし、その対象についてと同様にその制作者についても語っている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニブロックのすべての作品と同様に、この作品は忍耐の作品である。ある部分では特定の瞬間が支配的であり、別の部分では一見消え去るかのように見える。ある場所と別の場所を行き来し、時間を超えて徐々に進化していく様子は、境界の中での動きを示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGhost And Othersの全体を通して、衝突の感覚がある。香港のアバディーンでの葬儀の行列で幽霊を追い払うためのダイナミックな打楽器の爆発が、この作品を特徴づけている。車のクラクション、ハンガリーのソビエト時代の農場の牛の鳴き声、その他様々な音の断片の間で鳴り響く。他の場所では、葦の楽器が自分自身のための空間を切り開こうとするが、世界はそれを許さない。これは、聴覚的な展望と同様に、近接性を賞賛する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eトランジットもまた、この作品のテーマである。Ghost And Othersで魅力的なのは、作品の中にある移動の感覚だ。列車はこの作品を分割し、移行、気晴らし、発見のポイントを示している。電車はほとんど門番のような役割を果たし、私たちを新しい空間へと通し、音が結合したり離れたりすることで音の新しい関係を示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフィールド・レコーディングの作品として、Ghosts And Othersは寛大で、人を招き入れ、そして何よりも深い。それは、場所、人々、物事の共鳴的な認知である。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2151751053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ghosts And Others is a singular work in the Phill Niblock canon. It’s singular not just in its material content, but also in its methodology and approach. It represents a highly focused exercise in editing, location recording and acoustic observation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn many ways, this work reflects a kind of acoustic mirroring of his practices as a film maker. It makes itself available to the world and in doing so reveals a particular perspective that says as much about its creator as it does about its subjects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike all of Niblock’s works this is a piece of patience. It is a work that dwells in the places it finds itself in, allowing certain moments to dominate in some sections, and seemingly vanish away in others. It suggests a movement within boundaries, in that it bounces from one locale to another counterpointing their gradual evolutions across time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere’s a sense of collision throughout Ghost And Others. Explosions of Chinese percussion punctuate the piece, dynamic strikes to ward off ghosts during a funeral procession in Aberdeen, Hong Kong. They clang between bursts of car horn, the bellows of cows from collective Soviet-era farm in Hungary and various other sonic ephemera. Elsewhere a reeded instrument tries to carve a space for itself, but the world does not allow it to hold. It is a work that celebrates proximity as much as an aural vista.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTransit is also a theme here. What is a fascinating about Ghost And Others is the sense of movement in the work. Trains divide up this piece, marking points of transition, of distraction and of discovery. They act as gate-keepers almost, allowing us through into new spaces and suggesting new relations between the sounds as they combine or detach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a work of field recording, Ghosts And Others is generous, invitational and most of all effortlessly deep. It is resonate sensing of place, people and things. \"\u003cbr\u003e- Lawrence English\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phill Niblock \u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-04T11:38:14+09:00","created_at":"2022-07-04T11:38:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","room40","strange beats"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42951226654970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phill Niblock \/\/ Ghosts And Others CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453","options":["Title"],"media":[{"alt":null,"id":30055893663994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Phill Niblockが、2022年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースした最新作です。以下、レーベル解説です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Ghosts And Others』は、フィル・ニブロックの作品群の中でも特異な作品である。この作品は、その内容だけでなく、方法論やアプローチにおいても特異なものです。この作品は、編集、ロケ、音響観察において非常に集中した活動を表している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e多くの点で、この作品は、映画制作者としての彼の実践を音響的に映し出したものである。この作品は自分自身を世界に公開し、そうすることで特定の視点を明らかにし、その対象についてと同様にその制作者についても語っている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニブロックのすべての作品と同様に、この作品は忍耐の作品である。ある部分では特定の瞬間が支配的であり、別の部分では一見消え去るかのように見える。ある場所と別の場所を行き来し、時間を超えて徐々に進化していく様子は、境界の中での動きを示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGhost And Othersの全体を通して、衝突の感覚がある。香港のアバディーンでの葬儀の行列で幽霊を追い払うためのダイナミックな打楽器の爆発が、この作品を特徴づけている。車のクラクション、ハンガリーのソビエト時代の農場の牛の鳴き声、その他様々な音の断片の間で鳴り響く。他の場所では、葦の楽器が自分自身のための空間を切り開こうとするが、世界はそれを許さない。これは、聴覚的な展望と同様に、近接性を賞賛する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eトランジットもまた、この作品のテーマである。Ghost And Othersで魅力的なのは、作品の中にある移動の感覚だ。列車はこの作品を分割し、移行、気晴らし、発見のポイントを示している。電車はほとんど門番のような役割を果たし、私たちを新しい空間へと通し、音が結合したり離れたりすることで音の新しい関係を示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフィールド・レコーディングの作品として、Ghosts And Othersは寛大で、人を招き入れ、そして何よりも深い。それは、場所、人々、物事の共鳴的な認知である。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2151751053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ghosts And Others is a singular work in the Phill Niblock canon. It’s singular not just in its material content, but also in its methodology and approach. It represents a highly focused exercise in editing, location recording and acoustic observation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn many ways, this work reflects a kind of acoustic mirroring of his practices as a film maker. It makes itself available to the world and in doing so reveals a particular perspective that says as much about its creator as it does about its subjects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike all of Niblock’s works this is a piece of patience. It is a work that dwells in the places it finds itself in, allowing certain moments to dominate in some sections, and seemingly vanish away in others. It suggests a movement within boundaries, in that it bounces from one locale to another counterpointing their gradual evolutions across time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere’s a sense of collision throughout Ghost And Others. Explosions of Chinese percussion punctuate the piece, dynamic strikes to ward off ghosts during a funeral procession in Aberdeen, Hong Kong. They clang between bursts of car horn, the bellows of cows from collective Soviet-era farm in Hungary and various other sonic ephemera. Elsewhere a reeded instrument tries to carve a space for itself, but the world does not allow it to hold. It is a work that celebrates proximity as much as an aural vista.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTransit is also a theme here. What is a fascinating about Ghost And Others is the sense of movement in the work. Trains divide up this piece, marking points of transition, of distraction and of discovery. They act as gate-keepers almost, allowing us through into new spaces and suggesting new relations between the sounds as they combine or detach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a work of field recording, Ghosts And Others is generous, invitational and most of all effortlessly deep. It is resonate sensing of place, people and things. \"\u003cbr\u003e- Lawrence English\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phill Niblock \u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Phill Niblockが、2022年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースした最新作です。以下、レーベル解説です。 『Ghosts And Others』は、フィル・ニブロックの作品群の中でも特異な作品である。この作品は、その内容だけでなく、方法論やアプローチにおいても特異なものです。この作品は、編集、ロケ、音響観察において非常に集中した活動を表している。多くの点で、この作品は、映画制作者としての彼の実践を音響的に映し出したものである。この作品は自分自身を世界に公開し、そうすることで特定の視点を明らかにし、その対象についてと同様にその制作者についても語っている。ニブロックのすべての作品と同様に、この作品は忍耐の作品である。ある部分では特定の瞬間が支配的であり、別の部分では一見消え去るかのように見える。ある場所と別の場所を行き来し、時間を超えて徐々に進化していく様子は、境界の中での動きを示唆している。Ghost And Othersの全体を通して、衝突の感覚がある。香港のアバディーンでの葬儀の行列で幽霊を追い払うためのダイナミックな打楽器の爆発が、この作品を特徴づけている。車のクラクション、ハンガリーのソビエト時代の農場の牛の鳴き声、その他様々な音の断片の間で鳴り響く。他の場所では、葦の楽器が自分自身のための空間を切り開こうとするが、世界はそれを許さない。これは、聴覚的な展望と同様に、近接性を賞賛する作品である。トランジットもまた、この作品のテーマである。Ghost And Othersで魅力的なのは、作品の中にある移動の感覚だ。列車はこの作品を分割し、移行、気晴らし、発見のポイントを示している。電車はほとんど門番のような役割を果たし、私たちを新しい空間へと通し、音が結合したり離れたりすることで音の新しい関係を示唆している。フィールド・レコーディングの作品として、Ghosts And Othersは寛大で、人を招き入れ、そして何よりも深い。それは、場所、人々、物事の共鳴的な認知である。 レーベルその他作品はこちら /// Click here to...
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{"id":7508698366202,"title":"HEXA \/\/ Material Interstices LP","handle":"hexa-material-interstices-lp-booklet","description":"\u003cp\u003eオーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence EnglishとJamie StewartによるデュオHEXAが、2021年10月にLawrence主宰レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e深淵なローエンド・ドローン〜ダークアンビエント8曲を収録。以下、Lawrenceによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \" 私は子供の頃、2つの夢を繰り返し見ました。どちらも、私が住んでいた家にまつわる夢でした。その家は、高い位置にあるが、その下はほとんど未完成のボロ家であった。その家の裏側は、小さな部屋やコンクリートピット、建材のコレクション、配管、残された家具などが、月の砂のような固さの土のベッドと一緒に置かれた迷路のような空間になっていた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e最初に見た夢は、朝早く、台所の窓から空から燃える鳥が落ちてくるというものだった。その鳥は幕屋の蝋燭が進化したもので、ねじれた永遠の炎の形が翼を動かして象徴されていた。この夢は大人になってから一度も見たことがないが、鮮明に思い出すことができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2つ目の夢は、若いころに経験した具体的な激しさに対して、遠いかすみのような言及ではあるが、最近になって浮かび上がってきた。この夢は、私の家の下に存在する迷路のような未完成の機能の奥深くに埋もれていたものである。夢はたいてい、私が月の土の上で遊んでいるところから始まり、次第にその空間の中心にある大きなコンクリートの穴から音が聞こえてくるようになる。その音はだんだん大きくなり、やがて私はそれを調べに行かなければならなくなる。その音に呼ばれたのだ。他に表現しようがない。ピットを覗くと、いつも何らかのハッチがあり、しばしばサブマリンの映画で見るような圧力ドアに似たものがあり、音はそのハッチの下から発せられるのです。その音は、まるでブロックの上に駐車してある車からベース音楽を聴いているような、深く小さく埋もれた、ドクドクとした、ハンマーのような音であった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e必然的にハッチをひねると、その中は、今でいう「鉄人テツオ」の内部心理を思い起こさせるような機械的な世界になっていた。ほとんどデュオトーンで、濃いグレーと黒で陰影をつけ、油のような湿った濃厚な雰囲気が漂っていた。ハッチに入り、ハシゴを降りると(ハシゴも必ずあった)、音の圧力が増し、まるでこのモノリシックな地下機械に全身が飲み込まれていくような感覚だった。その機械が何をするのか、あるいは機械なのか、そのシステムは明らかにされなかったが、私が感じさせられたのは、私の通常の理解を超えた何かが、昼も夜も鍛錬し、私の理解を超えた無限の力と命令を与えているということであった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの1年、その夢が再び私の前に現れたことに驚いている。おそらく、世の中が静かになり、私たちが眠っているときに、最も微妙な音響の変化にも耳を傾けることができるようになった結果なのだろう。普段は都会の夜景の喧噪の中に隠れている遠隔の音が、私の夢の中に入り込んできて、ある種の思索的な意識を引き起こすのである。この催眠術後の状態は、子供の頃に夢見たあの場所に戻るきっかけとなったが、同時にその場所への完全なアクセスは許されず、むしろ遠慮がちな感じだった。たとえハッチがあっても、同じように入ることはできないし、同じように鍵を開けることもできない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e昨年、この夢をジェイミーに話したら、彼も睡眠パターンが不安定だと言っていた。このことがきっかけで、私たちは最近、世界の力学が自然界の出現に向かってシフトしていることについて考えるようになりました。工業製品、機械、その他、人間(あるいは人間以外の)労働の音響的副産物が、静かな環境騒音の床から手を伸ばしているのだ。普段は日常の(サブ)アーバンスケープに浸かっているものが掘り起こされ、この特別な瞬間、それは遠くから私たちを悩ませ、内部の不確実性を解き放つ外的な力となるのだ。この音楽は、この経験を移し変えたものであり、意識が間違いなく推測される瞬間のために書かれたものである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893286357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate monochrome printed sleeve, printed inner sleeve plus 32 page artist book containing text and collages from Jamie Stewart and Lawrence English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText from Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhen I was child I had two recurring dreams. Both these dreams were tethered to the house I lived in. It was a rambling home which was high set but underneath it was largely unfinished. The underside of the house was a labyrinth of small rooms, concrete pits and a collection of building materials, piping and leftover furniture sat alongside beds of dirt that had a consistency of lunar dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first recurring dream was of a burning bird, falling from the sky past the kitchen window in the early hours of the morning. The bird I’m pretty sure was some devolved version of a tabernacle candle, that shape of the twisted eternal flame often symbolised with twitching wings. This dream has never returned to me as an adult, though I can vividly recount it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe second dream has recently emerged, albeit a distant hazy reference to the tangible intensity that I experienced when I was younger. This dream was one buried deep within the labyrinthian, unfinished features that existed under my house. The dream usually started with me playing on the lunar dirt and gradually a sound would emerge from a large concrete pit that was in the centre of the space. The sound would get louder and eventually I would have\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e to go and inspect it. It called me in, there’s no other way to describe it. As I looked into the pit, there was always some kind of hatch, often resembling a pressure door, the type you might see in a Submarine film, and the sound would emanate from underneath that hatch. It was also a throbbing, hammering type of sound, deeply diminished and buried, like hearing bass music from a car parked up the block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInevitably, I would twist open the hatch and inside it was a mechanical world that today brings to mind the interior psyche of Tetsuo The Iron Man. It was dark, almost entirely duotone, shaded in heavy grey and black, and wet with a thick, humid, oil like moisture. As I climbed into the hatch and down the ladder (there was always a ladder too) the pressure of the sound increased and it was as if my whole body was being consumed by this monolithic subterranean machine. I never got to understand what the machine did, or if in fact it was a machine at all, the system was never revealed, but what I was made to feel was that there was something beyond my usual understanding that forged away night and day and was infinitely more powerful and commanding than I ever could comprehend.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was surprised that, over the past year, this dream has returned to me. Perhaps it’s a result of the general quietening of the world and that innate way our ears can open up to even the most subtle acoustic shifts when we are sleeping. Remote sounds, usually hidden in the din of the urban nightscape, were filtering into my dreams and triggering some kind of speculative consciousness. This post-hypnogogic state ushered in a return to that imagined place from my childhood dreams, but simultaneously I was never allowed full access to that place, rather it felt more reserved. I could not enter it in the same way, even if the hatch was there, I was not the same mind and could not unlock it in the same way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLast year, I mentioned this dream to Jamie, and he too reported unsteady sleep patterns. This got us to thinking about how the dynamics of the world have recently shifted towards the emergence of the natural world. Equally though it has shifted in favour of its shadow; those ongoing industrial, mechanical and other acoustic by-products of human (and unhuman) labour reach out from the hushed ambient noise floor. What is usually soaked up in the everyday (sub)urbanscape has been exhumed and in these particular moments it haunts us from a distance, an exterior force that unlocks interior uncertainties. This music is transposed of this experience and is written for those moments were consciousness is arguably speculative.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HEXA\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-07T15:22:35+09:00","created_at":"2022-01-06T15:34:28+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","room40"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282484596986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HEXA \/\/ Material Interstices LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869","options":["Title"],"media":[{"alt":null,"id":28965888098554,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_79bfacc8-a396-4418-834d-1c8517e97a49.jpg?v=1641450869","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence EnglishとJamie StewartによるデュオHEXAが、2021年10月にLawrence主宰レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e深淵なローエンド・ドローン〜ダークアンビエント8曲を収録。以下、Lawrenceによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \" 私は子供の頃、2つの夢を繰り返し見ました。どちらも、私が住んでいた家にまつわる夢でした。その家は、高い位置にあるが、その下はほとんど未完成のボロ家であった。その家の裏側は、小さな部屋やコンクリートピット、建材のコレクション、配管、残された家具などが、月の砂のような固さの土のベッドと一緒に置かれた迷路のような空間になっていた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e最初に見た夢は、朝早く、台所の窓から空から燃える鳥が落ちてくるというものだった。その鳥は幕屋の蝋燭が進化したもので、ねじれた永遠の炎の形が翼を動かして象徴されていた。この夢は大人になってから一度も見たことがないが、鮮明に思い出すことができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2つ目の夢は、若いころに経験した具体的な激しさに対して、遠いかすみのような言及ではあるが、最近になって浮かび上がってきた。この夢は、私の家の下に存在する迷路のような未完成の機能の奥深くに埋もれていたものである。夢はたいてい、私が月の土の上で遊んでいるところから始まり、次第にその空間の中心にある大きなコンクリートの穴から音が聞こえてくるようになる。その音はだんだん大きくなり、やがて私はそれを調べに行かなければならなくなる。その音に呼ばれたのだ。他に表現しようがない。ピットを覗くと、いつも何らかのハッチがあり、しばしばサブマリンの映画で見るような圧力ドアに似たものがあり、音はそのハッチの下から発せられるのです。その音は、まるでブロックの上に駐車してある車からベース音楽を聴いているような、深く小さく埋もれた、ドクドクとした、ハンマーのような音であった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e必然的にハッチをひねると、その中は、今でいう「鉄人テツオ」の内部心理を思い起こさせるような機械的な世界になっていた。ほとんどデュオトーンで、濃いグレーと黒で陰影をつけ、油のような湿った濃厚な雰囲気が漂っていた。ハッチに入り、ハシゴを降りると(ハシゴも必ずあった)、音の圧力が増し、まるでこのモノリシックな地下機械に全身が飲み込まれていくような感覚だった。その機械が何をするのか、あるいは機械なのか、そのシステムは明らかにされなかったが、私が感じさせられたのは、私の通常の理解を超えた何かが、昼も夜も鍛錬し、私の理解を超えた無限の力と命令を与えているということであった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの1年、その夢が再び私の前に現れたことに驚いている。おそらく、世の中が静かになり、私たちが眠っているときに、最も微妙な音響の変化にも耳を傾けることができるようになった結果なのだろう。普段は都会の夜景の喧噪の中に隠れている遠隔の音が、私の夢の中に入り込んできて、ある種の思索的な意識を引き起こすのである。この催眠術後の状態は、子供の頃に夢見たあの場所に戻るきっかけとなったが、同時にその場所への完全なアクセスは許されず、むしろ遠慮がちな感じだった。たとえハッチがあっても、同じように入ることはできないし、同じように鍵を開けることもできない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e昨年、この夢をジェイミーに話したら、彼も睡眠パターンが不安定だと言っていた。このことがきっかけで、私たちは最近、世界の力学が自然界の出現に向かってシフトしていることについて考えるようになりました。工業製品、機械、その他、人間(あるいは人間以外の)労働の音響的副産物が、静かな環境騒音の床から手を伸ばしているのだ。普段は日常の(サブ)アーバンスケープに浸かっているものが掘り起こされ、この特別な瞬間、それは遠くから私たちを悩ませ、内部の不確実性を解き放つ外的な力となるのだ。この音楽は、この経験を移し変えたものであり、意識が間違いなく推測される瞬間のために書かれたものである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893286357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate monochrome printed sleeve, printed inner sleeve plus 32 page artist book containing text and collages from Jamie Stewart and Lawrence English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText from Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhen I was child I had two recurring dreams. Both these dreams were tethered to the house I lived in. It was a rambling home which was high set but underneath it was largely unfinished. The underside of the house was a labyrinth of small rooms, concrete pits and a collection of building materials, piping and leftover furniture sat alongside beds of dirt that had a consistency of lunar dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first recurring dream was of a burning bird, falling from the sky past the kitchen window in the early hours of the morning. The bird I’m pretty sure was some devolved version of a tabernacle candle, that shape of the twisted eternal flame often symbolised with twitching wings. This dream has never returned to me as an adult, though I can vividly recount it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe second dream has recently emerged, albeit a distant hazy reference to the tangible intensity that I experienced when I was younger. This dream was one buried deep within the labyrinthian, unfinished features that existed under my house. The dream usually started with me playing on the lunar dirt and gradually a sound would emerge from a large concrete pit that was in the centre of the space. The sound would get louder and eventually I would have\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e to go and inspect it. It called me in, there’s no other way to describe it. As I looked into the pit, there was always some kind of hatch, often resembling a pressure door, the type you might see in a Submarine film, and the sound would emanate from underneath that hatch. It was also a throbbing, hammering type of sound, deeply diminished and buried, like hearing bass music from a car parked up the block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInevitably, I would twist open the hatch and inside it was a mechanical world that today brings to mind the interior psyche of Tetsuo The Iron Man. It was dark, almost entirely duotone, shaded in heavy grey and black, and wet with a thick, humid, oil like moisture. As I climbed into the hatch and down the ladder (there was always a ladder too) the pressure of the sound increased and it was as if my whole body was being consumed by this monolithic subterranean machine. I never got to understand what the machine did, or if in fact it was a machine at all, the system was never revealed, but what I was made to feel was that there was something beyond my usual understanding that forged away night and day and was infinitely more powerful and commanding than I ever could comprehend.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was surprised that, over the past year, this dream has returned to me. Perhaps it’s a result of the general quietening of the world and that innate way our ears can open up to even the most subtle acoustic shifts when we are sleeping. Remote sounds, usually hidden in the din of the urban nightscape, were filtering into my dreams and triggering some kind of speculative consciousness. This post-hypnogogic state ushered in a return to that imagined place from my childhood dreams, but simultaneously I was never allowed full access to that place, rather it felt more reserved. I could not enter it in the same way, even if the hatch was there, I was not the same mind and could not unlock it in the same way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLast year, I mentioned this dream to Jamie, and he too reported unsteady sleep patterns. This got us to thinking about how the dynamics of the world have recently shifted towards the emergence of the natural world. Equally though it has shifted in favour of its shadow; those ongoing industrial, mechanical and other acoustic by-products of human (and unhuman) labour reach out from the hushed ambient noise floor. What is usually soaked up in the everyday (sub)urbanscape has been exhumed and in these particular moments it haunts us from a distance, an exterior force that unlocks interior uncertainties. This music is transposed of this experience and is written for those moments were consciousness is arguably speculative.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HEXA\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの音響作家Lawrence EnglishとJamie StewartによるデュオHEXAが、2021年10月にLawrence主宰レーベルRoom40からリリースしたレコードです。 深淵なローエンド・ドローン〜ダークアンビエント8曲を収録。以下、Lawrenceによる解説です。 " 私は子供の頃、2つの夢を繰り返し見ました。どちらも、私が住んでいた家にまつわる夢でした。その家は、高い位置にあるが、その下はほとんど未完成のボロ家であった。その家の裏側は、小さな部屋やコンクリートピット、建材のコレクション、配管、残された家具などが、月の砂のような固さの土のベッドと一緒に置かれた迷路のような空間になっていた。最初に見た夢は、朝早く、台所の窓から空から燃える鳥が落ちてくるというものだった。その鳥は幕屋の蝋燭が進化したもので、ねじれた永遠の炎の形が翼を動かして象徴されていた。この夢は大人になってから一度も見たことがないが、鮮明に思い出すことができる。2つ目の夢は、若いころに経験した具体的な激しさに対して、遠いかすみのような言及ではあるが、最近になって浮かび上がってきた。この夢は、私の家の下に存在する迷路のような未完成の機能の奥深くに埋もれていたものである。夢はたいてい、私が月の土の上で遊んでいるところから始まり、次第にその空間の中心にある大きなコンクリートの穴から音が聞こえてくるようになる。その音はだんだん大きくなり、やがて私はそれを調べに行かなければならなくなる。その音に呼ばれたのだ。他に表現しようがない。ピットを覗くと、いつも何らかのハッチがあり、しばしばサブマリンの映画で見るような圧力ドアに似たものがあり、音はそのハッチの下から発せられるのです。その音は、まるでブロックの上に駐車してある車からベース音楽を聴いているような、深く小さく埋もれた、ドクドクとした、ハンマーのような音であった。必然的にハッチをひねると、その中は、今でいう「鉄人テツオ」の内部心理を思い起こさせるような機械的な世界になっていた。ほとんどデュオトーンで、濃いグレーと黒で陰影をつけ、油のような湿った濃厚な雰囲気が漂っていた。ハッチに入り、ハシゴを降りると(ハシゴも必ずあった)、音の圧力が増し、まるでこのモノリシックな地下機械に全身が飲み込まれていくような感覚だった。その機械が何をするのか、あるいは機械なのか、そのシステムは明らかにされなかったが、私が感じさせられたのは、私の通常の理解を超えた何かが、昼も夜も鍛錬し、私の理解を超えた無限の力と命令を与えているということであった。この1年、その夢が再び私の前に現れたことに驚いている。おそらく、世の中が静かになり、私たちが眠っているときに、最も微妙な音響の変化にも耳を傾けることができるようになった結果なのだろう。普段は都会の夜景の喧噪の中に隠れている遠隔の音が、私の夢の中に入り込んできて、ある種の思索的な意識を引き起こすのである。この催眠術後の状態は、子供の頃に夢見たあの場所に戻るきっかけとなったが、同時にその場所への完全なアクセスは許されず、むしろ遠慮がちな感じだった。たとえハッチがあっても、同じように入ることはできないし、同じように鍵を開けることもできない。昨年、この夢をジェイミーに話したら、彼も睡眠パターンが不安定だと言っていた。このことがきっかけで、私たちは最近、世界の力学が自然界の出現に向かってシフトしていることについて考えるようになりました。工業製品、機械、その他、人間(あるいは人間以外の)労働の音響的副産物が、静かな環境騒音の床から手を伸ばしているのだ。普段は日常の(サブ)アーバンスケープに浸かっているものが掘り起こされ、この特別な瞬間、それは遠くから私たちを悩ませ、内部の不確実性を解き放つ外的な力となるのだ。この音楽は、この経験を移し変えたものであり、意識が間違いなく推測される瞬間のために書かれたものである。" レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7508696891642,"title":"Marina Rosenfeld \/\/ Teenage Lontano LP","handle":"marina-rosenfeld-teenage-lontano-lp","description":"\u003cp\u003e過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teenage Lontano \"と \"roygbiv\u0026amp;b \"は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1\/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eroygbiv\u0026amp;b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」(「あなたはあの誰か? ローゼンフェルドのバージョンでは、「r」は「are」(「Are you that somebody...」)、「o」は「oh」(「Oh, oh, oh...」)、「y」は「why」(「Why should my heart...」)、「g」は「je (sus)」 などと、「are」を連想させる。タイトルにある「b」は、R\u0026amp;Bの「blue(s)」へのオマージュです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eローゼンフェルドの洒落たスペクタクルな構成は、2011年に近代美術館で初演された。このエディションに収録された録音は、2014年にサウス・ロンドン・ギャラリーで行われたもので、地元サウス・ロンドンの人々によって実現され、録音は彼らのスタイルとジャンルへの帰属を強調するものとなっています。両作品とも、これまで未発表のままでした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879783853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTeenage Lontano and roygbiv\u0026amp;b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking \"cover version\" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive sound environment bisected by a column of teenagers in headphones. Beneath a loudspeaker rotating at the phonographic speed of 33 1\/3 rpm, the teens' collective voices produce a hauntingly vulnerable account of Ligeti’s dissonant polychords. Teenage Lontano has been performed on three continents, including a French premiere in 2020 as part of Musica Strasbourg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn roygbiv\u0026amp;b, asynchronous, sometimes raucous incantations of song fragments swell and dissipate, loosely organized around a purposeful mis-hearing of the acronym ROYGBIV: in Rosenfeld’s version, “r” evokes ‘are' (as in, \"Are you that somebody...”);, o is 'oh' (“Oh, oh, oh…”); y becomes 'why' (“Why should my heart...); g is 'je (sus)', and so on. The extra 'b' in the work’s title pays homage to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ‘blue(s)’ of r\u0026amp;b.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosenfeld’s punning, spectral composition had its debut performance at the Museum of Modern Art in 2011. The recording featured on this edition took place at the South London Gallery in 2014 realised by local south Londoners, the recording highlighting their style and genre affiliations. Both works have remained unpublished until now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:58+09:00","created_at":"2022-01-06T15:32:00+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282475913466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marina Rosenfeld \/\/ Teenage Lontano LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","options":["Title"],"media":[{"alt":null,"id":28965879415034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","width":700},{"alt":null,"id":28965879447802,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teenage Lontano \"と \"roygbiv\u0026amp;b \"は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1\/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eroygbiv\u0026amp;b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」(「あなたはあの誰か? ローゼンフェルドのバージョンでは、「r」は「are」(「Are you that somebody...」)、「o」は「oh」(「Oh, oh, oh...」)、「y」は「why」(「Why should my heart...」)、「g」は「je (sus)」 などと、「are」を連想させる。タイトルにある「b」は、R\u0026amp;Bの「blue(s)」へのオマージュです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eローゼンフェルドの洒落たスペクタクルな構成は、2011年に近代美術館で初演された。このエディションに収録された録音は、2014年にサウス・ロンドン・ギャラリーで行われたもので、地元サウス・ロンドンの人々によって実現され、録音は彼らのスタイルとジャンルへの帰属を強調するものとなっています。両作品とも、これまで未発表のままでした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879783853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTeenage Lontano and roygbiv\u0026amp;b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking \"cover version\" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive sound environment bisected by a column of teenagers in headphones. Beneath a loudspeaker rotating at the phonographic speed of 33 1\/3 rpm, the teens' collective voices produce a hauntingly vulnerable account of Ligeti’s dissonant polychords. Teenage Lontano has been performed on three continents, including a French premiere in 2020 as part of Musica Strasbourg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn roygbiv\u0026amp;b, asynchronous, sometimes raucous incantations of song fragments swell and dissipate, loosely organized around a purposeful mis-hearing of the acronym ROYGBIV: in Rosenfeld’s version, “r” evokes ‘are' (as in, \"Are you that somebody...”);, o is 'oh' (“Oh, oh, oh…”); y becomes 'why' (“Why should my heart...); g is 'je (sus)', and so on. The extra 'b' in the work’s title pays homage to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ‘blue(s)’ of r\u0026amp;b.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosenfeld’s punning, spectral composition had its debut performance at the Museum of Modern Art in 2011. The recording featured on this edition took place at the South London Gallery in 2014 realised by local south Londoners, the recording highlighting their style and genre affiliations. Both works have remained unpublished until now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。 以下、レーベルによる解説です。 "Teenage Lontano "と "roygbiv&b "は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。ニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。roygbiv&b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」(「あなたはあの誰か? ローゼンフェルドのバージョンでは、「r」は「are」(「Are you...
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{"id":7508696137978,"title":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","handle":"aki-onda-brisbane-september-25-2004-tape","description":"\u003cp\u003e過去にCassaunaなどから発表している日本の音響作家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e45分のドローン作品を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-07T14:03:08+09:00","created_at":"2022-01-06T15:28:04+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","room40","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282470834426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","options":["Title"],"media":[{"alt":null,"id":28965875024122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","width":700},{"alt":null,"id":28965875056890,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にCassaunaなどから発表している日本の音響作家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e45分のドローン作品を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にCassaunaなどから発表している日本の音響作家Aki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。 45分のドローン作品を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
¥1,890

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{"id":7508695449850,"title":"Kristof Hahn \/\/ Six Pieces CD","handle":"kristof-hahn-six-pieces-cd","description":"\u003cp\u003eSWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエントドローン6曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253741384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we\u003cspan class=\"bcTruncateMore\"\u003e might fall back on.\u003cbr\u003e\u003cbr\u003eHahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristof Hahn\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:04:03+09:00","created_at":"2022-01-06T15:23:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282468278522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristof Hahn \/\/ Six Pieces CD","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","options":["Title"],"media":[{"alt":null,"id":28965868175610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi1_1fc96290-a2f1-4751-b297-f20b0e683a38.jpg?v=1641450194","width":700},{"alt":null,"id":28965868208378,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pi2_73ce7d2a-b704-4aa4-b2c2-8b1453220fc5.jpg?v=1641450195","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエントドローン6曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253741384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn 2012, I had the good fortune to be in Sydney when SWANS toured on the back of their most recent master work The Seer. The show was, as one would expect, an all out consumption of body and ears.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore SWANS took the stage however, Kristof Hahn performed a solo set. It was in many respects a stark contrast to what would come from SWANS, but it also laid bare the role Kristof plays in the group. As Kristof moved through the phases of his performance, he staked out a territory of tonal and timbral activity that was deeply revealing, not just of the very personal language he had developed for his instrument of choice, but moreover for how he created unexpected pairings between harmony, texture and even melody.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix Pieces, a record that is essentially born from the ashes of the final SWANS reformation line-up tour, uses various found elements, stored loops, thematic notes and other acoustic debris as a means for launching off a series of interrogation into solo guitar composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces bare the marks of touring life, sometimes intensely claustrophobic, other moments languid and at times euphoric, each pieces creates a vista of sound that describes a kind of fluid landscape without relying on the perceptual land-marks we\u003cspan class=\"bcTruncateMore\"\u003e might fall back on.\u003cbr\u003e\u003cbr\u003eHahn’s music is one of repetition and unfolding variation, it is unsettled, but never rushed or careless. He knows that music is an art form of time and is not afraid to allow his compositions to build, evolve and finally arrive with a casual sense of hushed determination.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristof Hahn\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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SWANSとしても活動するKristof Hahnが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたCDです。 エレキギターによるアンビエントドローン6曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
¥1,880

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{"id":7508695286010,"title":"Magda Mayas \u0026 Tina Douglas \/\/ Objects Of Interest CD + BOOKLET","handle":"magda-mayas-tina-douglas-objects-of-interest-cd-booklet","description":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003eなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088593411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Magda Mayas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Tina and I met around 10 years ago in Melbourne through mutual musician friends.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTina has heard me perform in various context and I have visited her studio and seen her perform on multiple occasions. There was an immediate personal and aesthetic connection and conversations over the years revealed shared ways of working - a collaboration seemed natural and exciting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are both drawn to improvisational and intuitive processes and we both use individualised objects or tools to create and develop close relationships with these. For me, it’s a symbiotic process: the objects generate ideas, they afford and limit what I do and structure a piece in a fundamental way. Tina’s scores are very sculptural and tactile - the piano and my objects and preparations in them likewise feel sculptural, tactile, embodied -objects, materials and relationships crossing over.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I started recording music to respond to Tina’s scores, I had a wish to slowing things down, to expose a certain fragility or imperfection and to let one melody or one chord or one little noise be enough. With the piano you can have such an orchestral\u003cspan class=\"bcTruncateMore\"\u003e approach, and I often do that, but with this collaboration I didn’t feel like I wanted this kind of complexity.\u003cbr\u003e\u003cbr\u003eThere is a certain fragility that I like about the project and the scores: the fact that they are thin paper scores and I transported them from Australia to Berlin, the cut-outs… it’s all very fragile and beautiful and I kind of felt that I wanted to allow the music to be like that too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magda Mayas \u0026amp; Tina Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:08:41+09:00","created_at":"2022-01-06T15:21:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282467885306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Magda Mayas \u0026 Tina Douglas \/\/ Objects Of Interest CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob4.jpg?v=1641450077"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","options":["Title"],"media":[{"alt":null,"id":28965867225338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","width":700},{"alt":null,"id":28965867258106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077","width":1200},{"alt":null,"id":28965867290874,"position":3,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077","width":1200},{"alt":null,"id":28965867323642,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob4.jpg?v=1641450077"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ob4.jpg?v=1641450077","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003eなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088593411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Magda Mayas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Tina and I met around 10 years ago in Melbourne through mutual musician friends.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTina has heard me perform in various context and I have visited her studio and seen her perform on multiple occasions. There was an immediate personal and aesthetic connection and conversations over the years revealed shared ways of working - a collaboration seemed natural and exciting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are both drawn to improvisational and intuitive processes and we both use individualised objects or tools to create and develop close relationships with these. For me, it’s a symbiotic process: the objects generate ideas, they afford and limit what I do and structure a piece in a fundamental way. Tina’s scores are very sculptural and tactile - the piano and my objects and preparations in them likewise feel sculptural, tactile, embodied -objects, materials and relationships crossing over.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I started recording music to respond to Tina’s scores, I had a wish to slowing things down, to expose a certain fragility or imperfection and to let one melody or one chord or one little noise be enough. With the piano you can have such an orchestral\u003cspan class=\"bcTruncateMore\"\u003e approach, and I often do that, but with this collaboration I didn’t feel like I wanted this kind of complexity.\u003cbr\u003e\u003cbr\u003eThere is a certain fragility that I like about the project and the scores: the fact that they are thin paper scores and I transported them from Australia to Berlin, the cut-outs… it’s all very fragile and beautiful and I kind of felt that I wanted to allow the music to be like that too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magda Mayas \u0026amp; Tina Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にAnother Timbreなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。 以下、作家本人による解説です。 「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。ティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。ティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。このプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7508694991098,"title":"Jerman\/Barnes \/\/ Hiss Lift CD","handle":"jerman-barnes-hiss-lift-cd","description":"\u003cp\u003e物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=206673872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jeph Jerman:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat I remember … \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e…smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim’s car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3 AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel\u003cspan class=\"bcTruncateMore\"\u003e, and our entire train loaded onto a ferry to cross the Baltic Sea.\u003cbr\u003eSpending a lot of time together, without ever running out of things to talk about.\u003cbr\u003e\u003cbr\u003eIt was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn’t talk about in any detailed way, was what it would sound like.\u003cbr\u003e\u003cbr\u003eLounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other’s reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold.\u003cbr\u003e\u003cbr\u003eEvery tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a melange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted. Sudden thwacks announce shifts of scenery, a door closes, another opens.\u003cbr\u003e\u003cbr\u003eIn Schiphorst, there was a William S. Burroughs book lying on the sofa. Burroughs once talked about all human experience being a cut-up. You walk down the street and your eyes alight on different things as you scan your surroundings: don’t walk\/DRUGS\/“spare change?”\/ PLAY on the side of a bus, now the street through flashing glass. This idea also illuminates hiss lift, spotlighting the notion that what you remember is not what happened.\u003cbr\u003e\u003cbr\u003eHere then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jerman\/Barnes\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T15:53:17+09:00","created_at":"2022-01-06T15:18:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282465493242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jerman\/Barnes \/\/ Hiss Lift CD","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","options":["Title"],"media":[{"alt":null,"id":28965862899962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_30f940af-1fbb-4aca-a510-97c296acc3f0.jpg?v=1641449908","width":700},{"alt":null,"id":28965862932730,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2_c2801496-e87c-4394-95bf-b3529863c18f.jpg?v=1641449908","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=206673872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Jeph Jerman:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat I remember … \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking through our entire set…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e…smoking rope and playing chess with Jean-Herve Peron. Playing in that giant concrete bunker on Mare Island, our sounds smeared by endless reverberation. People smoking heroin in the bathroom in Oslo, setting off the fire alarm toward the end of our set, and the freezing room in Den Haag. Improvising in the back seat of Tim’s car while he drove and recorded it, somewhere in Indiana. The guy shooting up in the stairwell of that dilapidated squat in Berlin, and the whirlwind tour of the city at 3 AM. Chocolate you could snort in Antwerp. Crossing the English Channel through the Chunnel\u003cspan class=\"bcTruncateMore\"\u003e, and our entire train loaded onto a ferry to cross the Baltic Sea.\u003cbr\u003eSpending a lot of time together, without ever running out of things to talk about.\u003cbr\u003e\u003cbr\u003eIt was Tim who said that our next record should be called hiss lift. We saw it on a sign pointing to an elevator in some hotel, the two words in different languages. For me, that phrase conjures up vague thoughts about tape manipulation, a finger on a switch so marked. We talked about the record a lot, mostly on trains, and came up with other titles launched from subtle in-jokes. What we didn’t talk about in any detailed way, was what it would sound like.\u003cbr\u003e\u003cbr\u003eLounging on-board and resting, not focusing on any one thing I could watch the landscape from two or three different directions at once, all rolling into and out of each other’s reflection. Different surfaces displayed aspects on the inside of our compartment, highly distorted by their curvature. It struck me that it was very similar to the music that Tim and I had been making, and that spark set off the fire you now hold.\u003cbr\u003e\u003cbr\u003eEvery tour that Tim and I did is represented here: Two runs through California and two up the east coast, a tight circle in the mid-west, and three weeks in Europe and Scandinavia. The spoken word bit is the recording we made in the apartment in London, and the rest is a melange of places and times superimposed. Sounds reoccur, jutting up in varied combinations, ghosts peeled and pasted. Sudden thwacks announce shifts of scenery, a door closes, another opens.\u003cbr\u003e\u003cbr\u003eIn Schiphorst, there was a William S. Burroughs book lying on the sofa. Burroughs once talked about all human experience being a cut-up. You walk down the street and your eyes alight on different things as you scan your surroundings: don’t walk\/DRUGS\/“spare change?”\/ PLAY on the side of a bus, now the street through flashing glass. This idea also illuminates hiss lift, spotlighting the notion that what you remember is not what happened.\u003cbr\u003e\u003cbr\u003eHere then are our cut-ups, mnemonic prods diced and displaced. The residue of experience passed hand-to-hand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jerman\/Barnes\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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物音作家Jeph JermanとTim Barnesが、2021年12月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作CDです。 約20分のカットアップ・物音コラージュ2曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":7508694499578,"title":"Maria Moles \/\/ For Leolanda CD","handle":"maria-moles-for-leolanda-cd","description":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:19+09:00","created_at":"2022-01-06T15:12:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40","strange beats"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461167866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maria Moles \/\/ For Leolanda CD","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","options":["Title"],"media":[{"alt":null,"id":28965850153210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","width":700},{"alt":null,"id":28965850185978,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。 以下、作家本人による解説です。 「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。In Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。そして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。Mansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。このアルバムは、私の母、レオランダに捧げます。...
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{"id":7508693713146,"title":"Mike Cooper \/\/ Oceans Of Milk And Treacle CD + BOOKLET","handle":"mike-cooper-oceans-of-milk-and-treacle-cd-booklet","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動するイギリスの大御所ギタリストMike Cooperが、2022年1月にリリースする最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eラップスティールギターや3種のサックス、パーカッションに世界各国で収集したフィールドレコーディングがブレンドされたアンビエント・エキゾチカ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e48ページのブックレットには彼のコラージュ作品を掲載しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3302057760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed sleeve and insert card, plus a 48 page perfect bound book featuring texts from Mike Cooper and a full documentation of his paper based collage artworks, made available in full, for the very first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personnel. In fairness to Mr Macaulay, we must remember that those were days long before the writings of a Tolkien or a Mervyn Peake. He came to the devastating conclusion that people who believe in oceans of milk and treacle had nothing to offer to a modern system of education. A straightforward, realistic assessment in an age that believed in science and realism! The effects were far-reaching. Traditional Indian ways of looking at the world were written off as obsolete. India was provided with three universities (Calcutta, Bombay and Madras, founded in 1857) as the hothouses to nurture a custom-built, English-speaking Indian intelligentsia. A new age began for India, and two of its inevitable consequences were the demand for\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e independence and the production of atomic bombs and satellites by the post-independent Bhārat.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWikipedia explains the Ocean of Milk thus -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Hindu cosmology, the Ocean of Milk (Kṣīra Sāgara in Sanscrit) is the fifth from the center of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu scriptures, the devas and asuras worked together for a millennium to churn the ocean and release Amrita the nectar of immortal life. It is spoken of in the Samudra manthana chapter of the Puranas, a body of ancient Hindu legends. It is called Thirupaarkadal (Sacred Sea of Milk) in Tamil and is the place where Vishnu reclines over Shesha Naga along with his consort Lakshmi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his book Postcolonial Interruptions, Unauthorised Modernities (2017), Iain Chambers maintains that “… in the context of increasing neo-liberalisation processes of universities and scholarships, academic knowledge should no longer be considered the only legitimate mode of critically understanding the world…”. Chambers argues that \"nowadays the most interesting and sophisticated critical knowledge of the contemporary world is coming from what he calls post-colonial works of art.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Hydra is a genus of small, fresh-water organisms native to the temperate and tropical regions. Biologists are especially interested in Hydra because of their regenerative ability – they do not appear to die of old age, or indeed to age at all.\u003cbr data-mce-fragment=\"1\"\u003eSome long time fellow musical travellers are called upon to lend a hand on this album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSaxophonists Geoff Hawkins and Aaron Hawkins. Geoff is on many of my earlier records and we have known each other for over 60 years. Aaron is one of his sons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eViv Corringham - Vocalist and ‘deep listening’ artist dedicated to walking, listening and singing all at the same time in her work which she calls Shadow Walks. \u2028\u2028Saxophonist Tim Hill, now established in the West Country of England where he organises musical street theatre events and several small ensembles playing free improvised and composed music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLol Coxhill and Roger Turner, colleagues from The Recedents, an improvising music trio we had for 20 plus years, appear in a short extract from our five c.d. box set Wishing You Were Here. Lol is unfortunately no longer with us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was moved to embrace how the digital, virtual, acoustic and natural worlds intersect in making this edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMike Cooper plays Electric Lap Steel Guitar. Acoustic Brazilian Viola Ciapira and Virtual Pedal Steel Guitar, Double Bass, Koto, Strings, Percussion and Drums.\u003cbr\u003eViv Corringham - Voice.\u003cbr\u003eTim Hill - Baritone Saxophone.\u003cbr\u003eAaron Hawkins - Tenor Saxophone.\u003cbr\u003eGeoff Hawkins - Tenor Saxophone.\u003cbr\u003eLol Coxhill - Soprano Saxophone.\u003cbr\u003eRoger Turner - Percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-06T15:44:16+09:00","created_at":"2022-01-06T15:07:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282452517114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Cooper \/\/ Oceans Of Milk And Treacle CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc2_e1d15d75-bdde-4d0c-8a80-287fa43637a9.jpg?v=1641449272","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc33.jpg?v=1641449271"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271","options":["Title"],"media":[{"alt":null,"id":28965846941946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc1_edaa4401-c3ae-4391-8d67-73e924a93ba5.jpg?v=1641449271","width":700},{"alt":null,"id":28965846974714,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc2_e1d15d75-bdde-4d0c-8a80-287fa43637a9.jpg?v=1641449272"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc2_e1d15d75-bdde-4d0c-8a80-287fa43637a9.jpg?v=1641449272","width":1200},{"alt":null,"id":28965847007482,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc33.jpg?v=1641449271"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oc33.jpg?v=1641449271","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e60年代から活動するイギリスの大御所ギタリストMike Cooperが、2022年1月にリリースする最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eラップスティールギターや3種のサックス、パーカッションに世界各国で収集したフィールドレコーディングがブレンドされたアンビエント・エキゾチカ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e48ページのブックレットには彼のコラージュ作品を掲載しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3302057760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed sleeve and insert card, plus a 48 page perfect bound book featuring texts from Mike Cooper and a full documentation of his paper based collage artworks, made available in full, for the very first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personnel. In fairness to Mr Macaulay, we must remember that those were days long before the writings of a Tolkien or a Mervyn Peake. He came to the devastating conclusion that people who believe in oceans of milk and treacle had nothing to offer to a modern system of education. A straightforward, realistic assessment in an age that believed in science and realism! The effects were far-reaching. Traditional Indian ways of looking at the world were written off as obsolete. India was provided with three universities (Calcutta, Bombay and Madras, founded in 1857) as the hothouses to nurture a custom-built, English-speaking Indian intelligentsia. A new age began for India, and two of its inevitable consequences were the demand for\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e independence and the production of atomic bombs and satellites by the post-independent Bhārat.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWikipedia explains the Ocean of Milk thus -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Hindu cosmology, the Ocean of Milk (Kṣīra Sāgara in Sanscrit) is the fifth from the center of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu scriptures, the devas and asuras worked together for a millennium to churn the ocean and release Amrita the nectar of immortal life. It is spoken of in the Samudra manthana chapter of the Puranas, a body of ancient Hindu legends. It is called Thirupaarkadal (Sacred Sea of Milk) in Tamil and is the place where Vishnu reclines over Shesha Naga along with his consort Lakshmi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his book Postcolonial Interruptions, Unauthorised Modernities (2017), Iain Chambers maintains that “… in the context of increasing neo-liberalisation processes of universities and scholarships, academic knowledge should no longer be considered the only legitimate mode of critically understanding the world…”. Chambers argues that \"nowadays the most interesting and sophisticated critical knowledge of the contemporary world is coming from what he calls post-colonial works of art.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Hydra is a genus of small, fresh-water organisms native to the temperate and tropical regions. Biologists are especially interested in Hydra because of their regenerative ability – they do not appear to die of old age, or indeed to age at all.\u003cbr data-mce-fragment=\"1\"\u003eSome long time fellow musical travellers are called upon to lend a hand on this album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSaxophonists Geoff Hawkins and Aaron Hawkins. Geoff is on many of my earlier records and we have known each other for over 60 years. Aaron is one of his sons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eViv Corringham - Vocalist and ‘deep listening’ artist dedicated to walking, listening and singing all at the same time in her work which she calls Shadow Walks. \u2028\u2028Saxophonist Tim Hill, now established in the West Country of England where he organises musical street theatre events and several small ensembles playing free improvised and composed music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLol Coxhill and Roger Turner, colleagues from The Recedents, an improvising music trio we had for 20 plus years, appear in a short extract from our five c.d. box set Wishing You Were Here. Lol is unfortunately no longer with us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was moved to embrace how the digital, virtual, acoustic and natural worlds intersect in making this edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMike Cooper plays Electric Lap Steel Guitar. Acoustic Brazilian Viola Ciapira and Virtual Pedal Steel Guitar, Double Bass, Koto, Strings, Percussion and Drums.\u003cbr\u003eViv Corringham - Voice.\u003cbr\u003eTim Hill - Baritone Saxophone.\u003cbr\u003eAaron Hawkins - Tenor Saxophone.\u003cbr\u003eGeoff Hawkins - Tenor Saxophone.\u003cbr\u003eLol Coxhill - Soprano Saxophone.\u003cbr\u003eRoger Turner - Percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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60年代から活動するイギリスの大御所ギタリストMike Cooperが、2022年1月にリリースする最新作です。 ラップスティールギターや3種のサックス、パーカッションに世界各国で収集したフィールドレコーディングがブレンドされたアンビエント・エキゾチカ9曲を収録。 48ページのブックレットには彼のコラージュ作品を掲載しています。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":7508693385466,"title":"Saint Abdullah \/\/ Inshallahlaland TAPE","handle":"saint-abdullah-inshallahlaland-tape","description":"\u003cp\u003e過去にCassaunaやPsychic Liberationなどから発表している\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイラン人の兄弟による実験ダブデュオSaint Abdullahが、2022年2月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースする最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカットアップコラージュ・アンビエント5曲を収録。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e22分の作品「glamour factory」では、まず、イラン映画界で数十年のキャリアを持つ、傑出した映画ナレーションアーティストの声を聴くことから始まります。彼は、映画界への貢献が認められ、生涯功労賞を受賞しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそのスピーチの中で、彼はまず、「社会は、複数のアイデンティティを持つ我々を受け入れない。社会は、私たちが複数のアイデンティティを持つことを受け入れない。理解しやすいように。理解しやすく、測定しやすく。映画によって、彼はそこから自由になることができたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれは、私たちが非常に強く感じていることです。そして、それに対して、音や音楽は、すべてから自由を与えてくれるのです。だから、究極のサンプラーをサンプリングするのがふさわしいと思ったのです。アイデンティティという概念を、それを生きてきた人、それを認めた人を通して語ること。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eここから先は、インシャーラランドを横断するピットストップをすることになります。この通りは密集しています。私たちは互いに重なり合って生活しています。私たちが何もないところから作り出すことを切望しているこの場所は、生きている場所なのです。恒久的なものです。インシャーラランドでは、私たちは偶然にも、鏡の前で私たちの相互関連性を認識し、私たちが複数のものであるという事実を認識することを余儀なくされています。私たちは一緒にしか点を結べないのです。私たちは鏡を掲げているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e深刻な話ばかりではありません。いろいろな意味で、この作品はユーモラスです。理解さえしてもらえれば。私たちは自分自身を笑う権利を行使できますし、行使しています。私たちは常に笑うことができるはずです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e声とは何でしょう?人の声?私たちにとって特別な存在だ 声と物語 彼らはあなたの友人、これらのサンプルになります。彼らとの関係を構築する。夜ごと、再訪問し、再解釈します。他の友人や物語を紹介する。もしかしたら、一緒に、空間を共有しさえすれば、お互いを理解できるかもしれない。これらの物語には、盲目の願望があります。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035257080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Saint Abdullah:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn the 22 minute piece 'glamour factory', we start things off by sampling the voice of one of Iran's pre-eminent film voiceover artists, whose career lasted decades in Iranian cinema. Here he was, receiving a lifetime achievement award for his services to the film industry. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd in his speech, he started off by saying that society does not accept us for having multiple identities. They want us to keep as one. Understandable. Measurable. And what film allowed him to do, was to break free from that. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is something that we feel very intensely. And in response, sound and music offers freedom from it all. So then, it felt fitting to sample the ultimate sampler. To speak about the notion of identities through the person who has lived it, acknowledged it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom here, it is about making certain pit stops across inshallahlaland. These are dense streets. We live on top of each other. This place that we crave creating out of thin air is a lived place. Permanent. In Inshallahland, we happen to hold up a mirror to realize our interconnectedness, we are forced to reckon with the fact that we are multiple things. We connect the dots only together\u003cspan class=\"bcTruncateMore\"\u003e. We hold up a mirror. \u003cbr\u003e\u003cbr\u003eIt's not all serious. In a lot of ways, the piece is humorous. If only you could understand. We can and do exercise the right to laugh at ourselves. We should always be able to laugh. \u003cbr\u003e\u003cbr\u003eWhat is it with voices? Human voices? They carry a special place for us. Voices and stories. They become your friends, these samples. You build a relationship with them. Night by night, revisit and reinterpret. Introduce them to other friends and stories. Maybe together, if only you shared space, you'd then understand each other. There's blind aspiration in these stories. \u003cbr\u003e\u003cbr\u003eHuge thank you to Lawrence for his guidance and support.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saint Abdullah\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-07T13:53:57+09:00","created_at":"2022-01-06T15:04:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","monooto","new","room40","tape"],"price":175000,"price_min":175000,"price_max":175000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282451271930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saint Abdullah \/\/ Inshallahlaland TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_40a83088-1298-4fd8-b5d3-41f3e4fec6e9.jpg?v=1641449073","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_a564203b-b2b9-459c-8b97-4277e6d74656.jpg?v=1641449072"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_40a83088-1298-4fd8-b5d3-41f3e4fec6e9.jpg?v=1641449073","options":["Title"],"media":[{"alt":null,"id":28965843042554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_40a83088-1298-4fd8-b5d3-41f3e4fec6e9.jpg?v=1641449073"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_40a83088-1298-4fd8-b5d3-41f3e4fec6e9.jpg?v=1641449073","width":700},{"alt":null,"id":28965843075322,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_a564203b-b2b9-459c-8b97-4277e6d74656.jpg?v=1641449072"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_a564203b-b2b9-459c-8b97-4277e6d74656.jpg?v=1641449072","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にCassaunaやPsychic Liberationなどから発表している\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイラン人の兄弟による実験ダブデュオSaint Abdullahが、2022年2月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースする最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカットアップコラージュ・アンビエント5曲を収録。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e22分の作品「glamour factory」では、まず、イラン映画界で数十年のキャリアを持つ、傑出した映画ナレーションアーティストの声を聴くことから始まります。彼は、映画界への貢献が認められ、生涯功労賞を受賞しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそのスピーチの中で、彼はまず、「社会は、複数のアイデンティティを持つ我々を受け入れない。社会は、私たちが複数のアイデンティティを持つことを受け入れない。理解しやすいように。理解しやすく、測定しやすく。映画によって、彼はそこから自由になることができたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれは、私たちが非常に強く感じていることです。そして、それに対して、音や音楽は、すべてから自由を与えてくれるのです。だから、究極のサンプラーをサンプリングするのがふさわしいと思ったのです。アイデンティティという概念を、それを生きてきた人、それを認めた人を通して語ること。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eここから先は、インシャーラランドを横断するピットストップをすることになります。この通りは密集しています。私たちは互いに重なり合って生活しています。私たちが何もないところから作り出すことを切望しているこの場所は、生きている場所なのです。恒久的なものです。インシャーラランドでは、私たちは偶然にも、鏡の前で私たちの相互関連性を認識し、私たちが複数のものであるという事実を認識することを余儀なくされています。私たちは一緒にしか点を結べないのです。私たちは鏡を掲げているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e深刻な話ばかりではありません。いろいろな意味で、この作品はユーモラスです。理解さえしてもらえれば。私たちは自分自身を笑う権利を行使できますし、行使しています。私たちは常に笑うことができるはずです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e声とは何でしょう?人の声?私たちにとって特別な存在だ 声と物語 彼らはあなたの友人、これらのサンプルになります。彼らとの関係を構築する。夜ごと、再訪問し、再解釈します。他の友人や物語を紹介する。もしかしたら、一緒に、空間を共有しさえすれば、お互いを理解できるかもしれない。これらの物語には、盲目の願望があります。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035257080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Saint Abdullah:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIn the 22 minute piece 'glamour factory', we start things off by sampling the voice of one of Iran's pre-eminent film voiceover artists, whose career lasted decades in Iranian cinema. Here he was, receiving a lifetime achievement award for his services to the film industry. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd in his speech, he started off by saying that society does not accept us for having multiple identities. They want us to keep as one. Understandable. Measurable. And what film allowed him to do, was to break free from that. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is something that we feel very intensely. And in response, sound and music offers freedom from it all. So then, it felt fitting to sample the ultimate sampler. To speak about the notion of identities through the person who has lived it, acknowledged it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom here, it is about making certain pit stops across inshallahlaland. These are dense streets. We live on top of each other. This place that we crave creating out of thin air is a lived place. Permanent. In Inshallahland, we happen to hold up a mirror to realize our interconnectedness, we are forced to reckon with the fact that we are multiple things. We connect the dots only together\u003cspan class=\"bcTruncateMore\"\u003e. We hold up a mirror. \u003cbr\u003e\u003cbr\u003eIt's not all serious. In a lot of ways, the piece is humorous. If only you could understand. We can and do exercise the right to laugh at ourselves. We should always be able to laugh. \u003cbr\u003e\u003cbr\u003eWhat is it with voices? Human voices? They carry a special place for us. Voices and stories. They become your friends, these samples. You build a relationship with them. Night by night, revisit and reinterpret. Introduce them to other friends and stories. Maybe together, if only you shared space, you'd then understand each other. There's blind aspiration in these stories. \u003cbr\u003e\u003cbr\u003eHuge thank you to Lawrence for his guidance and support.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saint Abdullah\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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過去にCassaunaやPsychic Liberationなどから発表しているイラン人の兄弟による実験ダブデュオSaint Abdullahが、2022年2月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースする最新作です。 カットアップコラージュ・アンビエント5曲を収録。以下、作家本人による解説です。 22分の作品「glamour factory」では、まず、イラン映画界で数十年のキャリアを持つ、傑出した映画ナレーションアーティストの声を聴くことから始まります。彼は、映画界への貢献が認められ、生涯功労賞を受賞しています。そのスピーチの中で、彼はまず、「社会は、複数のアイデンティティを持つ我々を受け入れない。社会は、私たちが複数のアイデンティティを持つことを受け入れない。理解しやすいように。理解しやすく、測定しやすく。映画によって、彼はそこから自由になることができたのです。これは、私たちが非常に強く感じていることです。そして、それに対して、音や音楽は、すべてから自由を与えてくれるのです。だから、究極のサンプラーをサンプリングするのがふさわしいと思ったのです。アイデンティティという概念を、それを生きてきた人、それを認めた人を通して語ること。ここから先は、インシャーラランドを横断するピットストップをすることになります。この通りは密集しています。私たちは互いに重なり合って生活しています。私たちが何もないところから作り出すことを切望しているこの場所は、生きている場所なのです。恒久的なものです。インシャーラランドでは、私たちは偶然にも、鏡の前で私たちの相互関連性を認識し、私たちが複数のものであるという事実を認識することを余儀なくされています。私たちは一緒にしか点を結べないのです。私たちは鏡を掲げているのです。深刻な話ばかりではありません。いろいろな意味で、この作品はユーモラスです。理解さえしてもらえれば。私たちは自分自身を笑う権利を行使できますし、行使しています。私たちは常に笑うことができるはずです。声とは何でしょう?人の声?私たちにとって特別な存在だ 声と物語 彼らはあなたの友人、これらのサンプルになります。彼らとの関係を構築する。夜ごと、再訪問し、再解釈します。他の友人や物語を紹介する。もしかしたら、一緒に、空間を共有しさえすれば、お互いを理解できるかもしれない。これらの物語には、盲目の願望があります。 レーベルその他作品はこちら /// Click here to see more Room40...
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{"id":7049826205861,"title":"Megan Alice Clune \/\/ If You Do CD","handle":"megan-alice-clune-if-you-do-cd","description":"\u003cp\u003eオーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995501071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Megan Alice Clune:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"On the 9th of August 2020 I had a dream I wrote an opera. I had been unable to write much music since February, when I returned from 3-months in Tokyo where this album was initially conceived. It was possibly the longest creative break I have undergone in the last 5 years. But suddenly, the small melodies I had been singing closely into my microphone late at night, quietly so my neighbours wouldn’t hear, took on a larger scale, and one that seemed to echo the scale engendered by 2020. The confinement to the home, the epic events going on outside. My small, timid voice filtered through a myriad of technologies as I talked to friends, taught online; amplified, distorted, compressed, equalised. Sped up, slowed down as my wifi drops in and out.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf You Do became an album for solo voice and an ensemble of technologies. An album about contorting the body (voice) through time (rhythm, pulse), repetition and form. The work is nostalgic for past futures: wishing for the technological optimism of the late 70’s and early 80’s, of Timothy Leary believing the computer would offer a liberation to the masses. A time before Big Tech, Big Data. It’s a record made alone, dreaming of unmediated\u003cspan class=\"bcTruncateMore\"\u003e interaction with an audience that may never arrive. A sense of longing for the future that could have been, sung by a wordless choir and sometimes a clarinet. A return to my first instrument, and another kind of technology, I guess.\u003cbr\u003e\u003cbr\u003eBack in Tokyo, I noticed how physical and digital spaces were being dislocated. I was wondering how we got here, thinking about where that leaves my music in light of this. I began collecting each of the track names from my surroundings - things read or overheard or gathered both in Japan (the title If You Do came from a necklace found at Ohi Racecourse Flea Market) and, later, at home, online. As such, the album occupies an amorphous space. Within the genre of ambient music but only just. It creates a space that is still heavily mediated, but hopes to locate and communicate directly.\u003cbr\u003e\u003cbr\u003eThen, at my computer, stuck in a glitching, echoing loop, I was looking for signs to keep writing. I listened to Laurie Anderson’s Big Science or David Bowie’s Subterraneans or Underworld’s Born Slippy.Nuxx once more. I thought about re-reading Homesick for Another World; I watched some interviews with Laurie Spiegel on YouTube. After the dream, in the verge outside, clover kept appearing and suddenly it was Spring and there are flowers. And here we are: If You Do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Megan Alice Clune\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-19T08:35:56+09:00","created_at":"2021-09-17T10:59:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40825884246181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Megan Alice Clune \/\/ If You Do CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/if1.jpg?v=1631843994","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/if1.jpg?v=1631843994","options":["Title"],"media":[{"alt":null,"id":23739406811301,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/if1.jpg?v=1631843994"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/if1.jpg?v=1631843994","width":700},{"alt":null,"id":23739406844069,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_1930ed6f-3300-4f7d-9944-e5d352081496.jpg?v=1631843994","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995501071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Megan Alice Clune:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"On the 9th of August 2020 I had a dream I wrote an opera. I had been unable to write much music since February, when I returned from 3-months in Tokyo where this album was initially conceived. It was possibly the longest creative break I have undergone in the last 5 years. But suddenly, the small melodies I had been singing closely into my microphone late at night, quietly so my neighbours wouldn’t hear, took on a larger scale, and one that seemed to echo the scale engendered by 2020. The confinement to the home, the epic events going on outside. My small, timid voice filtered through a myriad of technologies as I talked to friends, taught online; amplified, distorted, compressed, equalised. Sped up, slowed down as my wifi drops in and out.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf You Do became an album for solo voice and an ensemble of technologies. An album about contorting the body (voice) through time (rhythm, pulse), repetition and form. The work is nostalgic for past futures: wishing for the technological optimism of the late 70’s and early 80’s, of Timothy Leary believing the computer would offer a liberation to the masses. A time before Big Tech, Big Data. It’s a record made alone, dreaming of unmediated\u003cspan class=\"bcTruncateMore\"\u003e interaction with an audience that may never arrive. A sense of longing for the future that could have been, sung by a wordless choir and sometimes a clarinet. A return to my first instrument, and another kind of technology, I guess.\u003cbr\u003e\u003cbr\u003eBack in Tokyo, I noticed how physical and digital spaces were being dislocated. I was wondering how we got here, thinking about where that leaves my music in light of this. I began collecting each of the track names from my surroundings - things read or overheard or gathered both in Japan (the title If You Do came from a necklace found at Ohi Racecourse Flea Market) and, later, at home, online. As such, the album occupies an amorphous space. Within the genre of ambient music but only just. It creates a space that is still heavily mediated, but hopes to locate and communicate directly.\u003cbr\u003e\u003cbr\u003eThen, at my computer, stuck in a glitching, echoing loop, I was looking for signs to keep writing. I listened to Laurie Anderson’s Big Science or David Bowie’s Subterraneans or Underworld’s Born Slippy.Nuxx once more. I thought about re-reading Homesick for Another World; I watched some interviews with Laurie Spiegel on YouTube. After the dream, in the verge outside, clover kept appearing and suddenly it was Spring and there are flowers. And here we are: If You Do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Megan Alice Clune\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの音響作家Megan Alice Cluneが、同国音響レーベルRoom40からリリースした最新作。日本でアーティストレジデンス滞在中に制作した、クラリネットと声によるアンビエントドローン10曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- Text...
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{"id":7046517915813,"title":"Celer \/\/ In Light Of Blues CD","handle":"celer-in-light-of-blues-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627220437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Will Long:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIt was months ago, but it could have been weeks, days, or even hours since then. I stopped wanting to hear loops, I wanted to stop it. I added brass; trumpets, trombones, and more horns. I cut it out like words from a book, and sewed it back together. Burroughs. These movements are merely to stay alive, to stay moving.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou wake up from a truck horn passing in the early morning hours on the nearby freeway, or from a dream that you can't tell was a nightmare or a loving memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomeone walks by on the street wearing the same perfume. I drew out each place, each scene, and put the story there. It might have been with you, or without you. All I know is that you were there somehow the whole time, even if you weren't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI saw rainbows from under the bridge by the river, and the sun shot up through the clouds of the golden hour. It didn't help, and there was no one around. Your chest is even with your knees, and you're sitting in the dirt. The sun keeps going down, and eventually you make your way home. It's not very much the same as it was anymore. The horns are deafening, but after, the echoes let me see the way away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe light keeps coming, and it keeps going. Songs of surroundings, the silent, the heartbeats, the tears. We've all had them, and we'll never be rid of them\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-15T12:10:30+09:00","created_at":"2021-09-15T11:55:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","cd","drone","room40"],"price":170000,"price_min":170000,"price_max":170000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813338427557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celer \/\/ In Light Of Blues CD","public_title":null,"options":["Default Title"],"price":170000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","options":["Title"],"media":[{"alt":null,"id":23716498407589,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl1_ee175ebd-45d7-4835-aad4-fc9544982c6f.jpg?v=1631674504","width":700},{"alt":null,"id":23716498440357,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl2_9c8f52a0-0238-4354-bbd1-bda25c4d6580.jpg?v=1631674504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627220437\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Will Long:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eIt was months ago, but it could have been weeks, days, or even hours since then. I stopped wanting to hear loops, I wanted to stop it. I added brass; trumpets, trombones, and more horns. I cut it out like words from a book, and sewed it back together. Burroughs. These movements are merely to stay alive, to stay moving.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou wake up from a truck horn passing in the early morning hours on the nearby freeway, or from a dream that you can't tell was a nightmare or a loving memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomeone walks by on the street wearing the same perfume. I drew out each place, each scene, and put the story there. It might have been with you, or without you. All I know is that you were there somehow the whole time, even if you weren't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI saw rainbows from under the bridge by the river, and the sun shot up through the clouds of the golden hour. It didn't help, and there was no one around. Your chest is even with your knees, and you're sitting in the dirt. The sun keeps going down, and eventually you make your way home. It's not very much the same as it was anymore. The horns are deafening, but after, the echoes let me see the way away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe light keeps coming, and it keeps going. Songs of surroundings, the silent, the heartbeats, the tears. We've all had them, and we'll never be rid of them\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e"}
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東京のアンビエントドローンシーンを牽引する作家Celerが、オーストラリア音響作家Lawrence English主宰レーベルRoom40より2021年8月にリリースした最新作。秋風に揺らぐカーテンのようなアンビエントドローン12曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- From Will...
¥1,700

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{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","room40"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年にオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。 24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。 「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。 この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-鈴木昭男 David Toop -...
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{"id":6633296003237,"title":"Geneva Skeen \/\/ Double Bind CD","handle":"geneva-skeen-double-bind-cd","description":"\u003cp\u003eTouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=488117249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGeneva Skeen:\u003cbr\u003e\u003cbr\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI wrote this album over the past year––a bleak but transformative period of time. This work became an extraverbal expression of my interior experience. With that in mind, I decided not to write about it myself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstead, I asked my dear friend to reflect on her listening of the record. Poet Aristilde Kirby writes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlower branches dowsing rod against their doubles in the wind's aimless static.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpindled fog verglas plants, caressed by white rays of absolute eyelash.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e[A wisp of fresh respiration] ‘The world has no visible order \u0026amp; all I have is the order of my breath,’ says the fifth track on Double Bind. [A ribbon of a scream] It has the incandescent \u0026amp; incantation-like quality of the title of Fushitshusha’s 2014 album: Nothing Changes No One Can Change Anything I Am Ever Changing You Can Only Change Yourself. [Asemic voices from anywhere] What can you count on these days in 2020, outside of the pacing of your breath as we all struggle to cleave to each passing beat pair \u0026amp; repair? [Spirals of a finger on glass] Between two right hands, neither really\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e righter than the other, we have no choice but to hold on to the you one holds dearest to: the beads of just being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Sinewaves in phase] When I comb my hair to get ready for the day, I realize that the black static it collects was always meant to fall away. [Synthetic graupel in flames] Here, Skeen specializes in ambient music as the pellucid space of an emotional landscape, limned in Timothy Morton’s ethos of dark ecology \u0026amp; Gloria Anzaldua’s idea of nepantla. It is equally phenomenological, psychological, spiritual \u0026amp; visceral. If you ask me, Geneva is a poet who works in sound sculpture. She cures slabs of lived time as if flesh marble \u0026amp; makes of her subconscious an underworld for the listener to locate themselves in. [Bats that clamor as strata of bleeding leather] The through-lines of her past works are clear as a fault crack \u0026amp; in this instance, glimmer like quartz veins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Tiny harmonic partials prick like an ice pick] Skeen knows that to protect the lit wick, you have to cup the darkness. [Anvil \u0026amp; shelves of overcast guitar drop into a weak bell pulse] She knows that to get past a hard period, like timing a total eclipse’s black sun, you have to account for every degree, every granular shift, of lost movement. [Dread awaits, step by step on the tepid bathroom tile, displaced] Do not let the coldness of existence’s indifference make you forget that inside you is a vast reserve of heat. [Glacial light glaives that cloud perception] Everyday, we literally squeeze water from a stone to wash our face.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[The crashing falls look like plumes of sand smoke] The sense impression I got listening to that song, which is a cascading ripple of descriptions I got from other moments on this album was:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The innermost of all voices centers her poise like mist blankets over morning grass. The blood gallops like cut yew flower in traced stampede dialects for thaw-flecked resonance.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Avalanche reverberations boil time’s marrow \u0026amp; glow with Aaliyah tape drone]\u003cbr data-mce-fragment=\"1\"\u003eChoose yourself. Don’t be scared to live again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, I am dusting a concord grape with my being’s clear lymph before I eat it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Geneva Skeen\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:30:18+09:00","created_at":"2021-04-07T11:27:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581775790245,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Geneva Skeen \/\/ Double Bind CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","options":["Title"],"media":[{"alt":null,"id":21063719551141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_cda0174e-0564-4e09-8921-e9b009545e48.jpg?v=1617762461","width":700},{"alt":null,"id":21063719583909,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do2_0701b694-04ae-45f8-9875-ac79a2f8f4c6.jpg?v=1617762461","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=488117249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGeneva Skeen:\u003cbr\u003e\u003cbr\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI wrote this album over the past year––a bleak but transformative period of time. This work became an extraverbal expression of my interior experience. With that in mind, I decided not to write about it myself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstead, I asked my dear friend to reflect on her listening of the record. Poet Aristilde Kirby writes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlower branches dowsing rod against their doubles in the wind's aimless static.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpindled fog verglas plants, caressed by white rays of absolute eyelash.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e[A wisp of fresh respiration] ‘The world has no visible order \u0026amp; all I have is the order of my breath,’ says the fifth track on Double Bind. [A ribbon of a scream] It has the incandescent \u0026amp; incantation-like quality of the title of Fushitshusha’s 2014 album: Nothing Changes No One Can Change Anything I Am Ever Changing You Can Only Change Yourself. [Asemic voices from anywhere] What can you count on these days in 2020, outside of the pacing of your breath as we all struggle to cleave to each passing beat pair \u0026amp; repair? [Spirals of a finger on glass] Between two right hands, neither really\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e righter than the other, we have no choice but to hold on to the you one holds dearest to: the beads of just being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Sinewaves in phase] When I comb my hair to get ready for the day, I realize that the black static it collects was always meant to fall away. [Synthetic graupel in flames] Here, Skeen specializes in ambient music as the pellucid space of an emotional landscape, limned in Timothy Morton’s ethos of dark ecology \u0026amp; Gloria Anzaldua’s idea of nepantla. It is equally phenomenological, psychological, spiritual \u0026amp; visceral. If you ask me, Geneva is a poet who works in sound sculpture. She cures slabs of lived time as if flesh marble \u0026amp; makes of her subconscious an underworld for the listener to locate themselves in. [Bats that clamor as strata of bleeding leather] The through-lines of her past works are clear as a fault crack \u0026amp; in this instance, glimmer like quartz veins.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Tiny harmonic partials prick like an ice pick] Skeen knows that to protect the lit wick, you have to cup the darkness. [Anvil \u0026amp; shelves of overcast guitar drop into a weak bell pulse] She knows that to get past a hard period, like timing a total eclipse’s black sun, you have to account for every degree, every granular shift, of lost movement. [Dread awaits, step by step on the tepid bathroom tile, displaced] Do not let the coldness of existence’s indifference make you forget that inside you is a vast reserve of heat. [Glacial light glaives that cloud perception] Everyday, we literally squeeze water from a stone to wash our face.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[The crashing falls look like plumes of sand smoke] The sense impression I got listening to that song, which is a cascading ripple of descriptions I got from other moments on this album was:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The innermost of all voices centers her poise like mist blankets over morning grass. The blood gallops like cut yew flower in traced stampede dialects for thaw-flecked resonance.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e[Avalanche reverberations boil time’s marrow \u0026amp; glow with Aaliyah tape drone]\u003cbr data-mce-fragment=\"1\"\u003eChoose yourself. Don’t be scared to live again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, I am dusting a concord grape with my being’s clear lymph before I eat it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Geneva Skeen\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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TouchやDragon's Eyeなどから発表しているLAの音響作家Geneva Skeenが2020年末にRoom 40からリリースした新作。物音アンビエントドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":6633295118501,"title":"Chris Abrahams \/\/ Thrown (15th Anniversary Edition) CD","handle":"chris-abrahams-thrown-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2518271116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI’ve written quite often about my first experience listening to Thrown at Chris’s place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual friend Clayton after an evening out at a NowNow event, is something I can recall vividly. Thrown is a record that, from the very outset, has roused me in a very direct, particular and profound, sense of affect.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded using Dx-7, piano and a positive organ, the album exists in some kind of parallel acoustic dimension where these divergent musical timbres are somehow brought together into a unifying (albeit unsettling) whole. It was the first recording Chris had made like it, and in my opinion it set a benchmark which has guided his numerous releases for Room40.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow 15 years on from its original release, it seemed like a suitable moment to seed this edition back into the sonic consciousness. Time has cast little shadow on this edition - it still sounds absolutely outside of time. It creates its own microcosm upon each listening and remains one of the records from the Room40 catalogue that deeply resonates for me.\"\u003cbr\u003e- \u003c\/em\u003eLawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:24:13+09:00","created_at":"2021-04-07T11:25:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581773856933,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chris Abrahams \/\/ Thrown (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","options":["Title"],"media":[{"alt":null,"id":21063703888037,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_bdf11ad1-4473-42a0-b55b-c46d754b3efa.jpg?v=1617762346","width":700},{"alt":null,"id":21063703920805,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_fb2cf481-aee8-4e5f-a529-8362798d662a.jpg?v=1617762346","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2518271116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI’ve written quite often about my first experience listening to Thrown at Chris’s place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual friend Clayton after an evening out at a NowNow event, is something I can recall vividly. Thrown is a record that, from the very outset, has roused me in a very direct, particular and profound, sense of affect.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded using Dx-7, piano and a positive organ, the album exists in some kind of parallel acoustic dimension where these divergent musical timbres are somehow brought together into a unifying (albeit unsettling) whole. It was the first recording Chris had made like it, and in my opinion it set a benchmark which has guided his numerous releases for Room40.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow 15 years on from its original release, it seemed like a suitable moment to seed this edition back into the sonic consciousness. Time has cast little shadow on this edition - it still sounds absolutely outside of time. It creates its own microcosm upon each listening and remains one of the records from the Room40 catalogue that deeply resonates for me.\"\u003cbr\u003e- \u003c\/em\u003eLawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・シドニーの大御所ピアニストChris Abrahamsが15年前に同国Room 40よりリリースした作品がこの度再発。物音アンビエントコラージュ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "I’ve...
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{"id":6633292464293,"title":"Lawrence English + Stephen Vitiello \/\/ Fable CD","handle":"lawrence-english-stephen-vitiello-fable-cd","description":"\u003cp\u003eRoom 40主宰Lawrence EnglishとNYの大御所音響作家Stephen Vitielloによる共作CD。アンビエント〜エレクトロアコースティック7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1842487821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLawrence English and Stephen Vitiello are creators of mythology. Their mythology renders a series of acoustic spaces, haunted by narrative and hinting at happenings unseen, but certainly heard.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith Fable, we are presented with their second duet. It chronicles three years of intermittent audio communications in search of new collaborative approaches. The results focus on the pair’s joint interests in modular synthesis, field recordings and the blurry boundaries between acoustic instrumentation and electronics. The album’s multiplicity of sources creates a weaving and at times overwhelming collage of materials that coalesce with considered intent. Its palette, whilst diverse remains focused and as the album progresses themes of arrhythmic percussion, electronic-like field recording, prepared piano and vintage synthesis begin to take form.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the photography of the cover, these musical pieces bare witness to time, they exist in the moment, but are formed outside of a sense of singularity. Their textured qualities and intricate variations are evidence of an iterative production methodology that invites a depth of listening. A pondering and the intended goal that one may hear or even see their own internal spaces, haunted by a cast of sonic characters.\"\u003c\/em\u003e\u003cbr\u003e- Room40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English + Stephen Vitiello\u003c\/p\u003e\n\u003cp\u003eLabel : Dragon's Eye Recordings\u003c\/p\u003e","published_at":"2021-04-09T11:11:05+09:00","created_at":"2021-04-07T11:23:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581771071653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English + Stephen Vitiello \/\/ Fable CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_1c374baa-4341-417e-ac69-370a337f3ce1.jpg?v=1617762210","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa2_f872282e-e0b5-4632-a874-53f06597fde4.jpg?v=1617762210"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_1c374baa-4341-417e-ac69-370a337f3ce1.jpg?v=1617762210","options":["Title"],"media":[{"alt":null,"id":21063674265765,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_1c374baa-4341-417e-ac69-370a337f3ce1.jpg?v=1617762210"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_1c374baa-4341-417e-ac69-370a337f3ce1.jpg?v=1617762210","width":700},{"alt":null,"id":21063674298533,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa2_f872282e-e0b5-4632-a874-53f06597fde4.jpg?v=1617762210"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa2_f872282e-e0b5-4632-a874-53f06597fde4.jpg?v=1617762210","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eRoom 40主宰Lawrence EnglishとNYの大御所音響作家Stephen Vitielloによる共作CD。アンビエント〜エレクトロアコースティック7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1842487821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLawrence English and Stephen Vitiello are creators of mythology. Their mythology renders a series of acoustic spaces, haunted by narrative and hinting at happenings unseen, but certainly heard.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith Fable, we are presented with their second duet. It chronicles three years of intermittent audio communications in search of new collaborative approaches. The results focus on the pair’s joint interests in modular synthesis, field recordings and the blurry boundaries between acoustic instrumentation and electronics. The album’s multiplicity of sources creates a weaving and at times overwhelming collage of materials that coalesce with considered intent. Its palette, whilst diverse remains focused and as the album progresses themes of arrhythmic percussion, electronic-like field recording, prepared piano and vintage synthesis begin to take form.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the photography of the cover, these musical pieces bare witness to time, they exist in the moment, but are formed outside of a sense of singularity. Their textured qualities and intricate variations are evidence of an iterative production methodology that invites a depth of listening. A pondering and the intended goal that one may hear or even see their own internal spaces, haunted by a cast of sonic characters.\"\u003c\/em\u003e\u003cbr\u003e- Room40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English + Stephen Vitiello\u003c\/p\u003e\n\u003cp\u003eLabel : Dragon's Eye Recordings\u003c\/p\u003e"}
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Room 40主宰Lawrence EnglishとNYの大御所音響作家Stephen Vitielloによる共作CD。アンビエント〜エレクトロアコースティック7曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":6625213481125,"title":"Yuko Araki \/\/ End Of Trilogy CD","handle":"yuko-araki-end-of-trilogy-cd-1","description":"\u003cp\u003e東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719890591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003elabel : Room 40\u003c\/p\u003e","published_at":"2021-04-04T12:54:00+09:00","created_at":"2021-04-04T12:53:58+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","room40","strange beats","techno \/ house"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39551662850213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yuko Araki \/\/ End Of Trilogy CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2230416913_16.jpg?v=1617508441"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2230416913_16.jpg?v=1617508441","options":["Title"],"media":[{"alt":null,"id":21023813992613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2230416913_16.jpg?v=1617508441"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2230416913_16.jpg?v=1617508441","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2719890591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnd Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Yuko Araki\u003c\/p\u003e\n\u003cp\u003elabel : Room 40\u003c\/p\u003e"}
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東京地下シーンで活躍するYuko Arakiがオーストラリアroom 40から2021年4月にリリースした新作。ポストインダストリアルテクノ16曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "Yuko...
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{"id":6545093689509,"title":"Mike Cooper \/\/ Raft LP","handle":"mike-cooper-raft-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60年代から活動する英国大御所ギタリストMike Cooperの2017年リリース作品。オープンチューニングによる紡がれる牧歌的なギターアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1668730892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Mike Cooper’s output of the past half century has been described as ‘post-everything’. It’s a fitting phrase really when you consider he has been at the beating heart of so many critical musical moments. From the development of the blues touring circuit in the UK, through the growth of the folk scene and into the explosion of free improvisation that came to define a generation of UK musicians. Amidst it all, working at stitching these disparate forms into some kind of deterritorialised zone, was Mike Cooper.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s fitting then, that he explores the notion of journey on his latest full length edition. Even more fitting that he examines the vessels that carry us on journeys. With Raft, Cooper charts his interests in ambient exotica and collides it with his research into various South Pacific musical traditions. The record extends his palette considerably, stretching away from the hypnogogic flows of his master piece Rayon Hula, into a more oceanic setting. Raft 21 Guayaquil To Tully, for example, sets out a lilting rise and fall of harmony which erupts with spluttering electronics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpecifically inspired by Vital Alsar and William Wills, sailors who undertook some of the 20th centuries most impressive solo voyages, Raft reflects upon the determination of the solo traveller\u003cspan class=\"bcTruncateMore\"\u003e. In a musical sense, Mike Cooper’s work of recent years has very much reflected a determined solo traveller work ethic. In his commitment to travel alone, he has developed a range of strategies that he works against as a means of surprising himself and uncovering unfamiliar sonic relations.\u003cbr\u003e\u003cbr\u003eThis approach has proved an incredibly fertile pursuit for Cooper, arguably producing some of his most affecting and engaging works, his Room40 albums Fratello Mare and White Shadows Of The South Seas amongst them. Raft is a vital record that sets its sights beyond the horizons of convention and in doing so reveals a perspective that is only available to lifelong voyagers such as Mike Cooper.\"\u003cbr\u003e- \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:12:28+09:00","created_at":"2021-02-27T11:15:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","room40"],"price":332000,"price_min":332000,"price_max":332000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276043010213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Cooper \/\/ Raft LP","public_title":null,"options":["Default Title"],"price":332000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft1.jpg?v=1614392103","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft2.jpg?v=1614392103"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft1.jpg?v=1614392103","options":["Title"],"media":[{"alt":null,"id":20330225369253,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft1.jpg?v=1614392103"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft1.jpg?v=1614392103","width":700},{"alt":null,"id":20330225402021,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft2.jpg?v=1614392103"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/raft2.jpg?v=1614392103","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60年代から活動する英国大御所ギタリストMike Cooperの2017年リリース作品。オープンチューニングによる紡がれる牧歌的なギターアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1668730892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Mike Cooper’s output of the past half century has been described as ‘post-everything’. It’s a fitting phrase really when you consider he has been at the beating heart of so many critical musical moments. From the development of the blues touring circuit in the UK, through the growth of the folk scene and into the explosion of free improvisation that came to define a generation of UK musicians. Amidst it all, working at stitching these disparate forms into some kind of deterritorialised zone, was Mike Cooper.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s fitting then, that he explores the notion of journey on his latest full length edition. Even more fitting that he examines the vessels that carry us on journeys. With Raft, Cooper charts his interests in ambient exotica and collides it with his research into various South Pacific musical traditions. The record extends his palette considerably, stretching away from the hypnogogic flows of his master piece Rayon Hula, into a more oceanic setting. Raft 21 Guayaquil To Tully, for example, sets out a lilting rise and fall of harmony which erupts with spluttering electronics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpecifically inspired by Vital Alsar and William Wills, sailors who undertook some of the 20th centuries most impressive solo voyages, Raft reflects upon the determination of the solo traveller\u003cspan class=\"bcTruncateMore\"\u003e. In a musical sense, Mike Cooper’s work of recent years has very much reflected a determined solo traveller work ethic. In his commitment to travel alone, he has developed a range of strategies that he works against as a means of surprising himself and uncovering unfamiliar sonic relations.\u003cbr\u003e\u003cbr\u003eThis approach has proved an incredibly fertile pursuit for Cooper, arguably producing some of his most affecting and engaging works, his Room40 albums Fratello Mare and White Shadows Of The South Seas amongst them. Raft is a vital record that sets its sights beyond the horizons of convention and in doing so reveals a perspective that is only available to lifelong voyagers such as Mike Cooper.\"\u003cbr\u003e- \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003eRoom40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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{"id":6545091199141,"title":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","handle":"lawrence-english-transit-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが2005年にリリースしたアルバムをCDで再発。全7曲の環境音+アンビエントドローンを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:17:23+09:00","created_at":"2021-02-27T11:12:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276037341349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr2.jpg?v=1614391976"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976","options":["Title"],"media":[{"alt":null,"id":20330201940133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976","width":700},{"alt":null,"id":20330201972901,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr2.jpg?v=1614391976"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr2.jpg?v=1614391976","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが2005年にリリースしたアルバムをCDで再発。全7曲の環境音+アンビエントドローンを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア音響シーンの代表格Lawrence Englishが2005年にリリースしたアルバムをCDで再発。全7曲の環境音+アンビエントドローンを収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "Transit was...
¥1,880

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{"id":6545089331365,"title":"Mike Cooper \/\/ Playing With Water LP","handle":"mike-cooper-playing-with-water-lp","description":"\u003cp\u003e60年代から活動する英国大御所ギタリストMike Cooperの2020年リリース作品。バンコクや\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eヴェネツィア、ジャカルタなどの島々で録音した環境音とギターアンビエンスが絶妙に交わるアンビエントサウンドスケープ7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=639572383\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePlaying With Water is a novel written by James Hamilton-Paterson. I was introduced to his writing by the Australian poet Peter Bakowski who gave me a copy of his book ‘Seven Tenths - The Sea And Its Thresholds’; a book that influenced my record Globe Notes and subsequent works immensely. Another of his books ‘Playing With Water: Passion And Solitude On A Philippine Island’ is about exactly what the title describes it as and provided me with the title.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e...Another conceptual thread connecting [my albums] is my concern for the co-habitation of the human and non-human world expressed through my use of unprocessed avian or insect field recordings of song, signs and signals. Climate change, as well as the destruction by humans of the natural habitat of many species, is disturbing the balanced relationship we need to have with nature. Indigenous and small, often nomadic, coastal communities are very aware of this balance and the incursion of the industrial world into their way of life is having disastrous effects which will ( if not already ) have similar effects and repercussions on ours.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere are field recordings on this edition from Pulau Ubin, Ko Phayan, Ko Lanta, Sri Lanka, Bangkok, St.Lucia and Martinique; all places that can look forward to or are already witnessing the Postdiluvian Future.\"\u003cbr\u003e- \u003c\/em\u003eMike Cooper\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:09:54+09:00","created_at":"2021-02-27T11:10:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","new","room40"],"price":332000,"price_min":332000,"price_max":332000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276032229541,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Cooper \/\/ Playing With Water LP","public_title":null,"options":["Default Title"],"price":332000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl1.jpg?v=1614391809","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl2.jpg?v=1614391809"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl1.jpg?v=1614391809","options":["Title"],"media":[{"alt":null,"id":20330173825189,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl1.jpg?v=1614391809"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl1.jpg?v=1614391809","width":700},{"alt":null,"id":20330173857957,"position":2,"preview_image":{"aspect_ratio":1.339,"height":896,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl2.jpg?v=1614391809"},"aspect_ratio":1.339,"height":896,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pl2.jpg?v=1614391809","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e60年代から活動する英国大御所ギタリストMike Cooperの2020年リリース作品。バンコクや\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eヴェネツィア、ジャカルタなどの島々で録音した環境音とギターアンビエンスが絶妙に交わるアンビエントサウンドスケープ7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=639572383\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePlaying With Water is a novel written by James Hamilton-Paterson. I was introduced to his writing by the Australian poet Peter Bakowski who gave me a copy of his book ‘Seven Tenths - The Sea And Its Thresholds’; a book that influenced my record Globe Notes and subsequent works immensely. Another of his books ‘Playing With Water: Passion And Solitude On A Philippine Island’ is about exactly what the title describes it as and provided me with the title.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e...Another conceptual thread connecting [my albums] is my concern for the co-habitation of the human and non-human world expressed through my use of unprocessed avian or insect field recordings of song, signs and signals. Climate change, as well as the destruction by humans of the natural habitat of many species, is disturbing the balanced relationship we need to have with nature. Indigenous and small, often nomadic, coastal communities are very aware of this balance and the incursion of the industrial world into their way of life is having disastrous effects which will ( if not already ) have similar effects and repercussions on ours.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere are field recordings on this edition from Pulau Ubin, Ko Phayan, Ko Lanta, Sri Lanka, Bangkok, St.Lucia and Martinique; all places that can look forward to or are already witnessing the Postdiluvian Future.\"\u003cbr\u003e- \u003c\/em\u003eMike Cooper\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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60年代から活動する英国大御所ギタリストMike Cooperの2020年リリース作品。バンコクやヴェネツィア、ジャカルタなどの島々で録音した環境音とギターアンビエンスが絶妙に交わるアンビエントサウンドスケープ7曲を収録。DLコード付属。 " Playing With Water is a novel written by James Hamilton-Paterson. I...
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{"id":7671367663866,"title":"Akio Suzuki \/\/ Analapos CD","handle":"akio-suzuki-analapos-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227392117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card and 28 page book which includes exclusive photographs and an extensive interview conducted by Aki Onda about the history of the Analapos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 1979, Akio Suzuki recorded a performance, ’New Sense Of Hearing’, at the Nagoya American Centre. During the performance, Suzuki used voice, turntables, glass harmonica and his self-designed instrument the Analapos to create a series of improvised pieces that effectively charted out his sonic investigations for the proceeding decades.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1980 these recordings were issued by ALM records as Analapos, the first work made publicly available by Akio Suzuki.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor going on six decades now, Akio Suzuki has been responsible for creating amongst the most otherworldly, yet deeply affective sound works of his generation. As a musician, sculptor and sound artist, Suzuki’s work threads an important linkage between Eastern and Western sound art practices. His approaches, that focus primarily on intense states of listening, ’throwing and following’ and a relentless sense of open curiosity, have allowed him to continuously deepen his work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally published in an edition of just 200 copies in 1980, Analapos has been out of print literally since its release. Clocking in an over an hour, the original pressing of the recordings to a single LP, presented some technical\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e limitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 40th anniversary edition of Analapos is entirely remastered and is published with a booklet that includes a long form interview with Akio Suzuki conducted by sound artist and collaborator Aki Onda, plus extensive photographic documentation of the development of the Analapos. The publication of this edition is announced in conjunction with the Sense Of Ekō retrospective exhibition which opens at The Substation in Melbourne late January.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-11T14:39:29+09:00","created_at":"2022-07-11T09:30:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","room40"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974064050426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Analapos CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","options":["Title"],"media":[{"alt":null,"id":30094755627258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","width":700},{"alt":null,"id":30094755660026,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227392117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card and 28 page book which includes exclusive photographs and an extensive interview conducted by Aki Onda about the history of the Analapos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 1979, Akio Suzuki recorded a performance, ’New Sense Of Hearing’, at the Nagoya American Centre. During the performance, Suzuki used voice, turntables, glass harmonica and his self-designed instrument the Analapos to create a series of improvised pieces that effectively charted out his sonic investigations for the proceeding decades.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1980 these recordings were issued by ALM records as Analapos, the first work made publicly available by Akio Suzuki.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor going on six decades now, Akio Suzuki has been responsible for creating amongst the most otherworldly, yet deeply affective sound works of his generation. As a musician, sculptor and sound artist, Suzuki’s work threads an important linkage between Eastern and Western sound art practices. His approaches, that focus primarily on intense states of listening, ’throwing and following’ and a relentless sense of open curiosity, have allowed him to continuously deepen his work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally published in an edition of just 200 copies in 1980, Analapos has been out of print literally since its release. Clocking in an over an hour, the original pressing of the recordings to a single LP, presented some technical\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e limitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 40th anniversary edition of Analapos is entirely remastered and is published with a booklet that includes a long form interview with Akio Suzuki conducted by sound artist and collaborator Aki Onda, plus extensive photographic documentation of the development of the Analapos. The publication of this edition is announced in conjunction with the Sense Of Ekō retrospective exhibition which opens at The Substation in Melbourne late January.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。 自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":7508696563962,"title":"Robin Fox \/\/ Threnody To Now TAPE","handle":"robin-fox-threnody-to-now-tape","description":"\u003cp\u003e過去にEditions Megoなどから発表しているオーストラリアの音響作家Robin Fox\u003cspan data-mce-fragment=\"1\"\u003eが、2021年12月に同国メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。モジュラーによるドローン2曲を収録。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e誰もが、自分だけの黙示録を生きているようだ。それは避けられないことです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちが地球上で生きている間に、私たちが知っているような世界の終わりがすぐそこまで来ているという、避けられない感覚が組み込まれているのです。それは、人間の意識の各単位が、それがすべての中心であると思い込んでいることの一部であり、一部なのだ。破滅的な思考を避けようとすると、恐怖と不安の感覚が忍び寄り、今まさに私の心の中に入り込んできているのですが、それはこの作品にも現れています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのリリースに収録されている2つのトラックは、私のスタジオのユーロラックモジュラーシステムで録音されたリニアテイクです。この2曲はそれぞれ別の日に別のパッチで録音されたものですが、関連性が感じられます。どちらのセッションも、忍耐強くハーモニック・シリーズを探求し、何か広大なものを作りたいという思いから始まりました。その時、街と私の心を襲った悲しみと断絶を表現したような、2つの壮大な作品が生まれた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e光が変化している時にこれらのトラックを聴いてみてください。夜明けや夕暮れ、あるいは太陽が暗い雲の後ろから顔を出す瞬間など、境界線上の時間帯に。スレノディは嘆きである一方、高まるハーモニーのフレーズには希望もある。私たちは、この時代から、以前よりも良くなっているかもしれないという感覚があるのです。私たちは以前より良くならなければならない。いつも。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3866365976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Robin Fox:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Everybody, it seems, lives their own personal apocalypse. It’s inevitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBuilt into the arc of our mortal time on earth is the inescapable feeling that we live right on the edge of the end of the world as we know it. It is all part and parcel of each unit of human consciousness assuming it is the centre of everything. Try as I might to avoid catastrophic thinking there is a creeping sense of dread and unease making its way into my mind right now and it made it’s way into these pieces too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth tracks on this release are linear takes recorded on my studio eurorack modular system. They are different patches on different days - but they feel related. Both sessions started with a desire to explore the harmonic series with patience and make something vast. What emerged where two epic pieces that seemed to tap into a sadness and disconnection that was gripping the city and my mind at that time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListen to these tracks at a time when the light is changing. The liminal times of dawn and dusk or that moment when the sun emerges from behind a bank of dark clouds. While a threnody is a lament there is hope in the rising harmonic phrases too. A sense that we may yet emerge from this period better than we were. We must be better than we were. Always.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robin Fox\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-07T14:08:04+09:00","created_at":"2022-01-06T15:30:09+09:00","vendor":"Tobira Records","type":"","tags":["drone","room40","tape"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282473783546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Robin Fox \/\/ Threnody To Now TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no1_29d41d45-43e0-4869-819d-84a86a3ea77c.jpg?v=1641450611","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no2_5031ebbd-27a3-4c99-aa71-589f96169c5f.jpg?v=1641450611"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no1_29d41d45-43e0-4869-819d-84a86a3ea77c.jpg?v=1641450611","options":["Title"],"media":[{"alt":null,"id":28965877514490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no1_29d41d45-43e0-4869-819d-84a86a3ea77c.jpg?v=1641450611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no1_29d41d45-43e0-4869-819d-84a86a3ea77c.jpg?v=1641450611","width":700},{"alt":null,"id":28965877547258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no2_5031ebbd-27a3-4c99-aa71-589f96169c5f.jpg?v=1641450611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no2_5031ebbd-27a3-4c99-aa71-589f96169c5f.jpg?v=1641450611","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEditions Megoなどから発表しているオーストラリアの音響作家Robin Fox\u003cspan data-mce-fragment=\"1\"\u003eが、2021年12月に同国メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。モジュラーによるドローン2曲を収録。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e誰もが、自分だけの黙示録を生きているようだ。それは避けられないことです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちが地球上で生きている間に、私たちが知っているような世界の終わりがすぐそこまで来ているという、避けられない感覚が組み込まれているのです。それは、人間の意識の各単位が、それがすべての中心であると思い込んでいることの一部であり、一部なのだ。破滅的な思考を避けようとすると、恐怖と不安の感覚が忍び寄り、今まさに私の心の中に入り込んできているのですが、それはこの作品にも現れています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのリリースに収録されている2つのトラックは、私のスタジオのユーロラックモジュラーシステムで録音されたリニアテイクです。この2曲はそれぞれ別の日に別のパッチで録音されたものですが、関連性が感じられます。どちらのセッションも、忍耐強くハーモニック・シリーズを探求し、何か広大なものを作りたいという思いから始まりました。その時、街と私の心を襲った悲しみと断絶を表現したような、2つの壮大な作品が生まれた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e光が変化している時にこれらのトラックを聴いてみてください。夜明けや夕暮れ、あるいは太陽が暗い雲の後ろから顔を出す瞬間など、境界線上の時間帯に。スレノディは嘆きである一方、高まるハーモニーのフレーズには希望もある。私たちは、この時代から、以前よりも良くなっているかもしれないという感覚があるのです。私たちは以前より良くならなければならない。いつも。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3866365976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Robin Fox:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Everybody, it seems, lives their own personal apocalypse. It’s inevitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBuilt into the arc of our mortal time on earth is the inescapable feeling that we live right on the edge of the end of the world as we know it. It is all part and parcel of each unit of human consciousness assuming it is the centre of everything. Try as I might to avoid catastrophic thinking there is a creeping sense of dread and unease making its way into my mind right now and it made it’s way into these pieces too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth tracks on this release are linear takes recorded on my studio eurorack modular system. They are different patches on different days - but they feel related. Both sessions started with a desire to explore the harmonic series with patience and make something vast. What emerged where two epic pieces that seemed to tap into a sadness and disconnection that was gripping the city and my mind at that time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListen to these tracks at a time when the light is changing. The liminal times of dawn and dusk or that moment when the sun emerges from behind a bank of dark clouds. While a threnody is a lament there is hope in the rising harmonic phrases too. A sense that we may yet emerge from this period better than we were. We must be better than we were. Always.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robin Fox\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にEditions Megoなどから発表しているオーストラリアの音響作家Robin Foxが、2021年12月に同国メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。モジュラーによるドローン2曲を収録。以下、作家本人による解説です。 誰もが、自分だけの黙示録を生きているようだ。それは避けられないことです。私たちが地球上で生きている間に、私たちが知っているような世界の終わりがすぐそこまで来ているという、避けられない感覚が組み込まれているのです。それは、人間の意識の各単位が、それがすべての中心であると思い込んでいることの一部であり、一部なのだ。破滅的な思考を避けようとすると、恐怖と不安の感覚が忍び寄り、今まさに私の心の中に入り込んできているのですが、それはこの作品にも現れています。このリリースに収録されている2つのトラックは、私のスタジオのユーロラックモジュラーシステムで録音されたリニアテイクです。この2曲はそれぞれ別の日に別のパッチで録音されたものですが、関連性が感じられます。どちらのセッションも、忍耐強くハーモニック・シリーズを探求し、何か広大なものを作りたいという思いから始まりました。その時、街と私の心を襲った悲しみと断絶を表現したような、2つの壮大な作品が生まれた。光が変化している時にこれらのトラックを聴いてみてください。夜明けや夕暮れ、あるいは太陽が暗い雲の後ろから顔を出す瞬間など、境界線上の時間帯に。スレノディは嘆きである一方、高まるハーモニーのフレーズには希望もある。私たちは、この時代から、以前よりも良くなっているかもしれないという感覚があるのです。私たちは以前より良くならなければならない。いつも。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":7508695777530,"title":"Marina Rosenfeld \/\/ Index CD + BOOKLET","handle":"marina-rosenfeld-index-cd-booklet","description":"\u003cp\u003e20年以上のキャリアを誇るアメリカ・NYのターンテーブリストMarina Rosenfeldが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e燻銀のコラージュ6曲を収録。32ページのブックレットにはLawrence Englishとの対談と写真が掲載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743761683\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus 32 page book featuring an in conversation between Marina Rosenfeld and Lawrence English, and archival photographs and other materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:09:31+09:00","created_at":"2022-01-06T15:25:55+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282469851386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marina Rosenfeld \/\/ Index CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_e16b2758-607f-47ed-b5ea-78eca5176c76.jpg?v=1641450357","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_103e2b7c-1a7b-43ca-ae50-8eb9d99929f4.jpg?v=1641450357","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_914f4755-d919-4e21-b34e-096ef4ea096d.jpg?v=1641450357","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma4.jpg?v=1641450357"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_e16b2758-607f-47ed-b5ea-78eca5176c76.jpg?v=1641450357","options":["Title"],"media":[{"alt":null,"id":28965871550714,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_e16b2758-607f-47ed-b5ea-78eca5176c76.jpg?v=1641450357"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_e16b2758-607f-47ed-b5ea-78eca5176c76.jpg?v=1641450357","width":1200},{"alt":null,"id":28965871583482,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_103e2b7c-1a7b-43ca-ae50-8eb9d99929f4.jpg?v=1641450357"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_103e2b7c-1a7b-43ca-ae50-8eb9d99929f4.jpg?v=1641450357","width":700},{"alt":null,"id":28965871616250,"position":3,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_914f4755-d919-4e21-b34e-096ef4ea096d.jpg?v=1641450357"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma3_914f4755-d919-4e21-b34e-096ef4ea096d.jpg?v=1641450357","width":1200},{"alt":null,"id":28965871649018,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma4.jpg?v=1641450357"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma4.jpg?v=1641450357","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e20年以上のキャリアを誇るアメリカ・NYのターンテーブリストMarina Rosenfeldが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e燻銀のコラージュ6曲を収録。32ページのブックレットにはLawrence Englishとの対談と写真が掲載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743761683\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus 32 page book featuring an in conversation between Marina Rosenfeld and Lawrence English, and archival photographs and other materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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20年以上のキャリアを誇るアメリカ・NYのターンテーブリストMarina Rosenfeldが、2021年11月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした最新作です。 燻銀のコラージュ6曲を収録。32ページのブックレットにはLawrence Englishとの対談と写真が掲載されています。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":7508694663418,"title":"Steve Roden \/\/ Oionos CD + BOOKLET","handle":"steve-roden-oionos-cd-booklet","description":"\u003cp\u003eアメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028\u2028オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/639776243?h=1b348e4b00\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889487145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed jacket with insert card plus perfect bound book including artworks, images, documents and texts from Steve, as well as an essay from his long time collaborator Stephen Vitiello. The edition also features an interview conducted by Robert Crouch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement Steve Roden on Oionos:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Oionos was created for the exhibition The Grand Promenade, in Athens, Greece.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, about a 10-minute walk from the main path of the Grand Promenade. Pikionis designed the original promenade which is still visible in several areas, but much of the area’s original designs were altered during the “restoration” before the 2004 Olympics. The small path that leads to the church gives a much stronger impression of Pikionis’s vision for the entire promenade as it was; so i wanted to use my work to draw viewers\/listeners into his world.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw the small church it totally took my breath away, and I immediately began to think about a work that could exist in resonance with it — but not distract from it. The church itself is still in use, and I wanted to the work to be gentle and out of the way of the\u003cspan class=\"bcTruncateMore\"\u003e people who worship there. I decided to use the large tree in the front of the church for a hanging work that would a little bit of visual presence as well as sound which could blend with all of the insect noises and the overall quiet of the area.\u003cbr\u003e\u003cbr\u003e\u2028\u2028The audio was built from field recordings and small “poor” objects such as tin whistles, toy harmonicas, and the like. These “instruments” suggested by the museum of musical instruments in Athens, where the proper instruments take up most of the museum, but there is a wonderful display case in the basement with musical toys, religious objects, and other sounding devices not considered musical instruments. I felt that these simple things related to Pikionis’s ideas about architecture and craft, and his interests in indigenous culture in conjunction with intellectual and modern culture. I felt there could be a relationship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : steve roden\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:11:31+09:00","created_at":"2022-01-06T15:15:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461724922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Steve Roden \/\/ Oionos CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi3.jpg?v=1641449712","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi4.jpg?v=1641449712"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","options":["Title"],"media":[{"alt":null,"id":28965852315898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","width":700},{"alt":null,"id":28965852348666,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712","width":1200},{"alt":null,"id":28965852381434,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi3.jpg?v=1641449712"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi3.jpg?v=1641449712","width":1200},{"alt":null,"id":28965852414202,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi4.jpg?v=1641449712"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/oi4.jpg?v=1641449712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028\u2028オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/639776243?h=1b348e4b00\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889487145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed jacket with insert card plus perfect bound book including artworks, images, documents and texts from Steve, as well as an essay from his long time collaborator Stephen Vitiello. The edition also features an interview conducted by Robert Crouch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement Steve Roden on Oionos:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Oionos was created for the exhibition The Grand Promenade, in Athens, Greece.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, about a 10-minute walk from the main path of the Grand Promenade. Pikionis designed the original promenade which is still visible in several areas, but much of the area’s original designs were altered during the “restoration” before the 2004 Olympics. The small path that leads to the church gives a much stronger impression of Pikionis’s vision for the entire promenade as it was; so i wanted to use my work to draw viewers\/listeners into his world.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw the small church it totally took my breath away, and I immediately began to think about a work that could exist in resonance with it — but not distract from it. The church itself is still in use, and I wanted to the work to be gentle and out of the way of the\u003cspan class=\"bcTruncateMore\"\u003e people who worship there. I decided to use the large tree in the front of the church for a hanging work that would a little bit of visual presence as well as sound which could blend with all of the insect noises and the overall quiet of the area.\u003cbr\u003e\u003cbr\u003e\u2028\u2028The audio was built from field recordings and small “poor” objects such as tin whistles, toy harmonicas, and the like. These “instruments” suggested by the museum of musical instruments in Athens, where the proper instruments take up most of the museum, but there is a wonderful display case in the basement with musical toys, religious objects, and other sounding devices not considered musical instruments. I felt that these simple things related to Pikionis’s ideas about architecture and craft, and his interests in indigenous culture in conjunction with intellectual and modern culture. I felt there could be a relationship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : steve roden\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。 本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。 この展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。
当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。
初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。
オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7508694270202,"title":"Christina Giannone \/\/ Zone 7 CD","handle":"christina-giannone-zone-7-cd","description":"\u003cp\u003e過去にPast Inside the Presentなどから発表しているアメリカ・NYの音響作家Christina Giannoneが、2022年1月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「このレコードを制作している間、私は逃避というアイデアと、集中的な心理的探求がいかにその役割を担っているかに立ち戻ることに気づきました。このプロジェクトの主な目的は、意識の最前線からの離脱を促し、潜在意識に飛び込もうとする意志を可能にするプロセスになっています。ある意味では、意識から別の状態へと落ちていくことで、脱出のプロセスを始めることができる、ということかもしれません。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e意識から離れたこの場所にこそ、魂の領域があり、精神の溝の中に異次元への「ゾーン」と「ポータル」があるのです。私はこのアルバムで、人々がこれらの溝に手を伸ばし、それらを知り始め、ほんの一瞬でもそこに住むように誘われるきっかけを提供したいと思いました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそれぞれの作品が、潜在意識の世界におけるこれらの部屋や空間への超越を促す助けになればと思います。そこでは、自分の知覚が変容し、自分の選んだ方向に進化し、自由な表現と内省を可能にします。潜在意識の中にこそ、自由への新しい可能性があり、おそらくより一般的に培われることができるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちはしばしば、自分自身の中にある世界を観察することを恐れますが、それらはより高い目的を果たすことができ、基本的な認識と生存のための道具を提供することができます。自分の内なる次元を訪れることを許可することによって、私たちは平和と永遠の自己保証のオアシスを見つけることができるかもしれません。この作品は、そのような場所へのサウンドトラックであり、それらが持つ約束であり、私たち全員が自分の心の中を旅するためのものです。\u003c\/em\u003e\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rnjK-RD_T30\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Christina Giannone: \u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"While I was making this record, I found myself coming back to the idea of escapism and how focused psychological exploration plays a role in that. The primary purpose of the project became a process of seeking to encourage a disengagement from the forefront of conscious awareness, and allow a willingness to take flight into the subconscious. In some ways perhaps, it was like the idea of falling away from consciousness into this other state and through that falling away we are able to begin this process of escape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s in this place, away from consciousness that you will find the soul’s domain, where there are “zones” and “portals” to other dimensions within the trenches of the psyche. I wanted this album to offer a chance for people to reach into these trenches, to begin to know them and to be invited to reside there, even for just a moment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach piece, I hope, helps to facilitate transcendence into these rooms and spaces within the subconscious world, where one's perception can transform or evolve into any direction of their choosing, allowing free range of expression and self-reflection. It is in the subconscious that new possibilities for freedom can be found, and perhaps even cultivated more\u003cspan class=\"bcTruncateMore\"\u003e generally.\u003cbr\u003e\u003cbr\u003eOften we are afraid to observe the worlds within ourselves, but they can serve a higher purpose and provide tools for basic awareness and survival. By allowing ourselves to visit our inner dimensions we may find an oasis of peace and eternal self-assurance. This work is a soundtrack to those places, to the promise they hold and to the journey we all take into our own minds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Giannone\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:05:35+09:00","created_at":"2022-01-06T15:09:55+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282459496698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christina Giannone \/\/ Zone 7 CD","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo1_6ebc2bd7-f9bb-4cad-93e4-54f4d6cd8dfc.jpg?v=1641449398","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo2_d58b8b18-3a67-4691-b146-6374bec678b3.jpg?v=1641449397"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo1_6ebc2bd7-f9bb-4cad-93e4-54f4d6cd8dfc.jpg?v=1641449398","options":["Title"],"media":[{"alt":null,"id":28965848514810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo1_6ebc2bd7-f9bb-4cad-93e4-54f4d6cd8dfc.jpg?v=1641449398"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo1_6ebc2bd7-f9bb-4cad-93e4-54f4d6cd8dfc.jpg?v=1641449398","width":700},{"alt":null,"id":28965848547578,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo2_d58b8b18-3a67-4691-b146-6374bec678b3.jpg?v=1641449397"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zo2_d58b8b18-3a67-4691-b146-6374bec678b3.jpg?v=1641449397","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にPast Inside the Presentなどから発表しているアメリカ・NYの音響作家Christina Giannoneが、2022年1月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「このレコードを制作している間、私は逃避というアイデアと、集中的な心理的探求がいかにその役割を担っているかに立ち戻ることに気づきました。このプロジェクトの主な目的は、意識の最前線からの離脱を促し、潜在意識に飛び込もうとする意志を可能にするプロセスになっています。ある意味では、意識から別の状態へと落ちていくことで、脱出のプロセスを始めることができる、ということかもしれません。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e意識から離れたこの場所にこそ、魂の領域があり、精神の溝の中に異次元への「ゾーン」と「ポータル」があるのです。私はこのアルバムで、人々がこれらの溝に手を伸ばし、それらを知り始め、ほんの一瞬でもそこに住むように誘われるきっかけを提供したいと思いました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそれぞれの作品が、潜在意識の世界におけるこれらの部屋や空間への超越を促す助けになればと思います。そこでは、自分の知覚が変容し、自分の選んだ方向に進化し、自由な表現と内省を可能にします。潜在意識の中にこそ、自由への新しい可能性があり、おそらくより一般的に培われることができるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちはしばしば、自分自身の中にある世界を観察することを恐れますが、それらはより高い目的を果たすことができ、基本的な認識と生存のための道具を提供することができます。自分の内なる次元を訪れることを許可することによって、私たちは平和と永遠の自己保証のオアシスを見つけることができるかもしれません。この作品は、そのような場所へのサウンドトラックであり、それらが持つ約束であり、私たち全員が自分の心の中を旅するためのものです。\u003c\/em\u003e\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rnjK-RD_T30\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Christina Giannone: \u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"While I was making this record, I found myself coming back to the idea of escapism and how focused psychological exploration plays a role in that. The primary purpose of the project became a process of seeking to encourage a disengagement from the forefront of conscious awareness, and allow a willingness to take flight into the subconscious. In some ways perhaps, it was like the idea of falling away from consciousness into this other state and through that falling away we are able to begin this process of escape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s in this place, away from consciousness that you will find the soul’s domain, where there are “zones” and “portals” to other dimensions within the trenches of the psyche. I wanted this album to offer a chance for people to reach into these trenches, to begin to know them and to be invited to reside there, even for just a moment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach piece, I hope, helps to facilitate transcendence into these rooms and spaces within the subconscious world, where one's perception can transform or evolve into any direction of their choosing, allowing free range of expression and self-reflection. It is in the subconscious that new possibilities for freedom can be found, and perhaps even cultivated more\u003cspan class=\"bcTruncateMore\"\u003e generally.\u003cbr\u003e\u003cbr\u003eOften we are afraid to observe the worlds within ourselves, but they can serve a higher purpose and provide tools for basic awareness and survival. By allowing ourselves to visit our inner dimensions we may find an oasis of peace and eternal self-assurance. This work is a soundtrack to those places, to the promise they hold and to the journey we all take into our own minds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Giannone\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にPast Inside the Presentなどから発表しているアメリカ・NYの音響作家Christina Giannoneが、2022年1月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースする最新作です。 以下、作家本人による解説です。 「このレコードを制作している間、私は逃避というアイデアと、集中的な心理的探求がいかにその役割を担っているかに立ち戻ることに気づきました。このプロジェクトの主な目的は、意識の最前線からの離脱を促し、潜在意識に飛び込もうとする意志を可能にするプロセスになっています。ある意味では、意識から別の状態へと落ちていくことで、脱出のプロセスを始めることができる、ということかもしれません。意識から離れたこの場所にこそ、魂の領域があり、精神の溝の中に異次元への「ゾーン」と「ポータル」があるのです。私はこのアルバムで、人々がこれらの溝に手を伸ばし、それらを知り始め、ほんの一瞬でもそこに住むように誘われるきっかけを提供したいと思いました。それぞれの作品が、潜在意識の世界におけるこれらの部屋や空間への超越を促す助けになればと思います。そこでは、自分の知覚が変容し、自分の選んだ方向に進化し、自由な表現と内省を可能にします。潜在意識の中にこそ、自由への新しい可能性があり、おそらくより一般的に培われることができるのです。私たちはしばしば、自分自身の中にある世界を観察することを恐れますが、それらはより高い目的を果たすことができ、基本的な認識と生存のための道具を提供することができます。自分の内なる次元を訪れることを許可することによって、私たちは平和と永遠の自己保証のオアシスを見つけることができるかもしれません。この作品は、そのような場所へのサウンドトラックであり、それらが持つ約束であり、私たち全員が自分の心の中を旅するためのものです。 レーベルその他作品はこちら /// Click here to see more Room40 releases...
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{"id":7049827647653,"title":"Lawrence English \/\/ A Mirror Holds The Sky CD + BOOK","handle":"lawrence-english-a-mirror-holds-the-sky-cd-book","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースした最新作。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e現地で撮影した写真を掲載した48ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3250899447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatt laminate and embossed sleeve, insert card and 48 page perfect bound book featuring photographs by Lawrence English, taken on location in the Amazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Laurence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn late months of 2008, I had the great fortune to spend some weeks in the Amazon. The visit, facilitated through Francisco Lopez’s Mamori Artlab residency, remains one of the most deeply affecting experiences I have had. Each time I hear a Screaming Piha, which many would identify instantly thanks to their prevalence in Werner Herzog’s Aguirre Wrath Of God and Fitzcarraldo, I am transported back into a place that, to this day, features regularly in my daydreams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe reason this place made such an impression is simple; the Amazon dwarfs us. This is not some vulgar display of power on its behalf, rather its a tangible reminder of our place in, and on, this planet. Once you step into the Amazon it prompts us (strongly) to refocus the perspective we hold of ourselves, of our ways of being, of our understandings and it (not so gently) reminds us that we are but one very minor function in an equation that extends in all directions across time, and space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving in Australia, tropical rainforests are not foreign to me. I would even say I am rather at home in them. My family, who lived and worked on the land of the Ngajanji people, had an admiration for, or in the very least a respect of, the rainforest. What makes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e time spent in the jungles of the Amazon different however is the scale and sheer volume (metaphoric and literal) of the life that inhabits it. Hundreds of thousands of narratives are in play moment to moment, their interactions flow together forming a perpetual cascade of arrival and departure, fertility and decay - these fundamental states are intrinsically linked and constantly informing one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe jungle is never silent. Even when you might expect the Amazon to be hushed, in those hours before dawn or in the heat of the midday sun, it is hardly what could be described as quiet. What might be true to say though is during these moments where the chorus of insects takes a step back, the jungle opens just a little. To listen in the jungle is to listen in close relief - in every square metre, thousands of insect cry out, their voices reducing the horizon of listening to a matter of centimetres at certain times of the day (and night). The sensation is sensorially disorienting and frankly, overpowering.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those moments where you can get a sense of dimension and depth, the dynamism of the environment comes to the for. The abundance of birds, mammals, beetles, flies, ants and so many other creatures are a source of constant and evolving fascination. In the lakes and rivers too, the hydro-sonic environments are perpetual and effortlessly deep. It’s humbling to acknowledge how little we come to know of that which lies just below us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Mirror Holds The Sky is in some ways an act of acoustic and temporal compression. It is a rendering down of the lived in moments and environments that became points of intense listenership. If I am to be honest, it has taken me the better part of a decade to know how to approach this archive of materials. I owe a debt of gratitude to Chico Dub at Festival Novas Frequências, who very gently encouraged me to realise a piece for diffusion as part of his program in 2019. That invitation retuned my ears and in the process unlocked a way of approaching the mammoth 50+ hours of recordings I had gathered during my time there. I also owe a special debt of gratitude to my wife Rebecca, who was instrumental in gathering some of these recordings. Her ears reflected an entirely other set of interests than my own and without that, this piece would be substantially less than what it is\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-17T12:06:52+09:00","created_at":"2021-09-17T11:02:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40825890373797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ A Mirror Holds The Sky CD + BOOK","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi3.jpg?v=1631844175","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi4.jpg?v=1631844175","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi5.jpg?v=1631844175"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","options":["Title"],"media":[{"alt":null,"id":23739420704933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","width":700},{"alt":null,"id":23739420737701,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420770469,"position":3,"preview_image":{"aspect_ratio":1.441,"height":833,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi3.jpg?v=1631844175"},"aspect_ratio":1.441,"height":833,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi3.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420803237,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi4.jpg?v=1631844175"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi4.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420836005,"position":5,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi5.jpg?v=1631844175"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi5.jpg?v=1631844175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースした最新作。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e現地で撮影した写真を掲載した48ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3250899447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatt laminate and embossed sleeve, insert card and 48 page perfect bound book featuring photographs by Lawrence English, taken on location in the Amazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Laurence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn late months of 2008, I had the great fortune to spend some weeks in the Amazon. The visit, facilitated through Francisco Lopez’s Mamori Artlab residency, remains one of the most deeply affecting experiences I have had. Each time I hear a Screaming Piha, which many would identify instantly thanks to their prevalence in Werner Herzog’s Aguirre Wrath Of God and Fitzcarraldo, I am transported back into a place that, to this day, features regularly in my daydreams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe reason this place made such an impression is simple; the Amazon dwarfs us. This is not some vulgar display of power on its behalf, rather its a tangible reminder of our place in, and on, this planet. Once you step into the Amazon it prompts us (strongly) to refocus the perspective we hold of ourselves, of our ways of being, of our understandings and it (not so gently) reminds us that we are but one very minor function in an equation that extends in all directions across time, and space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving in Australia, tropical rainforests are not foreign to me. I would even say I am rather at home in them. My family, who lived and worked on the land of the Ngajanji people, had an admiration for, or in the very least a respect of, the rainforest. What makes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e time spent in the jungles of the Amazon different however is the scale and sheer volume (metaphoric and literal) of the life that inhabits it. Hundreds of thousands of narratives are in play moment to moment, their interactions flow together forming a perpetual cascade of arrival and departure, fertility and decay - these fundamental states are intrinsically linked and constantly informing one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe jungle is never silent. Even when you might expect the Amazon to be hushed, in those hours before dawn or in the heat of the midday sun, it is hardly what could be described as quiet. What might be true to say though is during these moments where the chorus of insects takes a step back, the jungle opens just a little. To listen in the jungle is to listen in close relief - in every square metre, thousands of insect cry out, their voices reducing the horizon of listening to a matter of centimetres at certain times of the day (and night). The sensation is sensorially disorienting and frankly, overpowering.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those moments where you can get a sense of dimension and depth, the dynamism of the environment comes to the for. The abundance of birds, mammals, beetles, flies, ants and so many other creatures are a source of constant and evolving fascination. In the lakes and rivers too, the hydro-sonic environments are perpetual and effortlessly deep. It’s humbling to acknowledge how little we come to know of that which lies just below us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Mirror Holds The Sky is in some ways an act of acoustic and temporal compression. It is a rendering down of the lived in moments and environments that became points of intense listenership. If I am to be honest, it has taken me the better part of a decade to know how to approach this archive of materials. I owe a debt of gratitude to Chico Dub at Festival Novas Frequências, who very gently encouraged me to realise a piece for diffusion as part of his program in 2019. That invitation retuned my ears and in the process unlocked a way of approaching the mammoth 50+ hours of recordings I had gathered during my time there. I also owe a special debt of gratitude to my wife Rebecca, who was instrumental in gathering some of these recordings. Her ears reflected an entirely other set of interests than my own and without that, this piece would be substantially less than what it is\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースした最新作。 2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。現地で撮影した写真を掲載した48ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":6633288663205,"title":"Richard Chartier \/\/ Interreferences CD","handle":"richard-chartier-interreferences-cd","description":"\u003cp\u003eLawrence English主宰音響レーベルRoom 40が2021年3月にリリースした新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYの大御所音響作家Richard Chartierの最新作です。終始低空飛行のドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3910761866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA note from Richard Chartier:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eI find myself at the collision of an inflection point and more over a reflection point. 50 years on this planet. I still find it difficult to write about my work. This is not because I cannot, but because I want the listener to approach my compositions of sound as such. Focus on the sensorial nature rather than an explicit narrative or reasoning.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI do not see my work as abstraction but rather purely abstract.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI chose sound as my medium after many years as a painter. I slowly came to conclusion that I no longer understood how to communicate sensation via a pigmented surface. The visual language I was using had become foreign to me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSound allowed me a language that was wordless, open, moving, shapeless yet full of forms, connections, and progressions. It raised questions though and these are still part of what I struggle with in the ways I chose to create and then speak of my work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Chartier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-04-09T11:18:35+09:00","created_at":"2021-04-07T11:21:34+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","room40","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39581767631013,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Richard Chartier \/\/ Interreferences CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_adf9de10-9cd4-4d8a-9c9e-d931e1ffdb14.jpg?v=1617762096","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_b50aebe0-bd51-40fd-a946-692120f8bb7d.jpg?v=1617762096"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_adf9de10-9cd4-4d8a-9c9e-d931e1ffdb14.jpg?v=1617762096","options":["Title"],"media":[{"alt":null,"id":21063649984677,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_adf9de10-9cd4-4d8a-9c9e-d931e1ffdb14.jpg?v=1617762096"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_adf9de10-9cd4-4d8a-9c9e-d931e1ffdb14.jpg?v=1617762096","width":700},{"alt":null,"id":21063650017445,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_b50aebe0-bd51-40fd-a946-692120f8bb7d.jpg?v=1617762096"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_b50aebe0-bd51-40fd-a946-692120f8bb7d.jpg?v=1617762096","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLawrence English主宰音響レーベルRoom 40が2021年3月にリリースした新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYの大御所音響作家Richard Chartierの最新作です。終始低空飛行のドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3910761866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA note from Richard Chartier:\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eI find myself at the collision of an inflection point and more over a reflection point. 50 years on this planet. I still find it difficult to write about my work. This is not because I cannot, but because I want the listener to approach my compositions of sound as such. Focus on the sensorial nature rather than an explicit narrative or reasoning.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI do not see my work as abstraction but rather purely abstract.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI chose sound as my medium after many years as a painter. I slowly came to conclusion that I no longer understood how to communicate sensation via a pigmented surface. The visual language I was using had become foreign to me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSound allowed me a language that was wordless, open, moving, shapeless yet full of forms, connections, and progressions. It raised questions though and these are still part of what I struggle with in the ways I chose to create and then speak of my work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Chartier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Lawrence English主宰音響レーベルRoom 40が2021年3月にリリースした新作を本邦初入荷しました。 本作は、NYの大御所音響作家Richard Chartierの最新作です。終始低空飛行のドローン6曲を収録。 A note from Richard Chartier:"I find myself at the...
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{"id":6545079959717,"title":"Akio Suzuki \/\/ Zeitstudie LP","handle":"akio-suzuki-zeitstudie-lp","description":"\u003cp\u003e日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1267095545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally release on cassette in 1984, “Zeitstudie” is remastered and published as an LP by Room40. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOn May 1984 I appeared at a German festival called Pro \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMusica Nova, organized by Radio Bremen. I then travelled to Berlin by car with Rolf Langebertels, the owner of Galerie Giannozzo who had driven to Bremen to hear me perform. I still remember very vividly the experience of passing through the checkpoint to enter West Berlin, a city that floated like an island in the middle of the still socialist GDR. I had previously visited Berlin in 1982 to perform at Kunstlerhaus Bethanien at an event that Rolf had organized. This time too Rolf had organized a concert for me at the Technische Universitat. Playing off the title of the piece (“Study Time”) I had performed at Pro Musica Nova, I titled the piece for this concert “Zeitstudie”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI owe Rolf a great deal of gratitude, as it was him who encouraged me by releasing my very first cassette tape, “Zeitstudie von Akio Suzuki”. In recent years it has become difficult for me to carry heavy instruments around with me, and I have started to do simpler performances with objects assembled on site. So it feels wonderful to have the sound of the battery of instruments I used back then to be\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e returned to the light of day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Zeitstudie von A.S.” I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected by a coil spring. You play it by stretching out the spring horizonally and then projecting your voice into the open end of one of the cylinders. The second piece features a variation, where I would suspend several ANALAPOS vertically and play them like a percussion instrument.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Suzuki-type glass harmonica is in a simpler form than the pre-existing glass harmonica, and consists of five long glass tubes of varying diameters suspended horizontally in a metal frame. As well as rubbing the tubes with wet hands, I developed my own style of playing it using sticks. Once when I was practicing with it in the Netherlands, outside the window I was surprised to hear a bird imitating my sounds. However, later I discovered that the bird always sang that way, and as a token of my regret for having ever doubted it, I borrowed the bird’s Dutch name, De Koolmees, and I s till use it for my instrument. Recently, as I listened back to the cassette of “Zeitstudie von A.S.”, one of Hiromi Miyakita’s drawings was lying in front of me. There was a sympathetic resonance between the sounds and the drawing, so I decided to use it on the cover. This is a joyful music.\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eAkio Suzuki\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:05:33+09:00","created_at":"2021-02-27T11:02:18+09:00","vendor":"Tobira Records","type":"","tags":["asia","field recording","lp","monooto","room40"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276009390245,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Zeitstudie LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei1.jpg?v=1614481512","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei3.jpg?v=1614481512"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei1.jpg?v=1614481512","options":["Title"],"media":[{"alt":null,"id":20330138632357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei1.jpg?v=1614481512"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei1.jpg?v=1614481512","width":700},{"alt":null,"id":20330138665125,"position":2,"preview_image":{"aspect_ratio":1.339,"height":896,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei3.jpg?v=1614481512"},"aspect_ratio":1.339,"height":896,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/zei3.jpg?v=1614481512","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1267095545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally release on cassette in 1984, “Zeitstudie” is remastered and published as an LP by Room40. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOn May 1984 I appeared at a German festival called Pro \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMusica Nova, organized by Radio Bremen. I then travelled to Berlin by car with Rolf Langebertels, the owner of Galerie Giannozzo who had driven to Bremen to hear me perform. I still remember very vividly the experience of passing through the checkpoint to enter West Berlin, a city that floated like an island in the middle of the still socialist GDR. I had previously visited Berlin in 1982 to perform at Kunstlerhaus Bethanien at an event that Rolf had organized. This time too Rolf had organized a concert for me at the Technische Universitat. Playing off the title of the piece (“Study Time”) I had performed at Pro Musica Nova, I titled the piece for this concert “Zeitstudie”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI owe Rolf a great deal of gratitude, as it was him who encouraged me by releasing my very first cassette tape, “Zeitstudie von Akio Suzuki”. In recent years it has become difficult for me to carry heavy instruments around with me, and I have started to do simpler performances with objects assembled on site. So it feels wonderful to have the sound of the battery of instruments I used back then to be\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e returned to the light of day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Zeitstudie von A.S.” I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected by a coil spring. You play it by stretching out the spring horizonally and then projecting your voice into the open end of one of the cylinders. The second piece features a variation, where I would suspend several ANALAPOS vertically and play them like a percussion instrument.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Suzuki-type glass harmonica is in a simpler form than the pre-existing glass harmonica, and consists of five long glass tubes of varying diameters suspended horizontally in a metal frame. As well as rubbing the tubes with wet hands, I developed my own style of playing it using sticks. Once when I was practicing with it in the Netherlands, outside the window I was surprised to hear a bird imitating my sounds. However, later I discovered that the bird always sang that way, and as a token of my regret for having ever doubted it, I borrowed the bird’s Dutch name, De Koolmees, and I s till use it for my instrument. Recently, as I listened back to the cassette of “Zeitstudie von A.S.”, one of Hiromi Miyakita’s drawings was lying in front of me. There was a sympathetic resonance between the sounds and the drawing, so I decided to use it on the cover. This is a joyful music.\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eAkio Suzuki\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。 Originally release on cassette in 1984, “Zeitstudie” is remastered and published...
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{"id":6545072619685,"title":"David Shea \/\/ The Thousand Buddha Caves CD","handle":"david-shea-the-thousand-buddha-caves-cd","description":"\u003cp\u003eこれまでにSub RosaやAvantといった有名なレーベルから発表してきたメルボルンのアンビエント作家David Sheaによる2021年最新作が同国Room40よりCDリリース。東洋音楽の影響を随所に感じるアンビエント全10曲を収録。8ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=361166170\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003especial 8 page saddle stitch booklet with essay from David Shea and photography from the recording sites.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Shea\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T11:59:44+09:00","created_at":"2021-02-27T10:54:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","post newage","room40"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39275983405221,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Shea \/\/ The Thousand Buddha Caves CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud1.jpg?v=1614390852","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud2.jpg?v=1614390852"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud1.jpg?v=1614390852","options":["Title"],"media":[{"alt":null,"id":20330102489253,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud1.jpg?v=1614390852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud1.jpg?v=1614390852","width":700},{"alt":null,"id":20330102522021,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud2.jpg?v=1614390852"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bud2.jpg?v=1614390852","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eこれまでにSub RosaやAvantといった有名なレーベルから発表してきたメルボルンのアンビエント作家David Sheaによる2021年最新作が同国Room40よりCDリリース。東洋音楽の影響を随所に感じるアンビエント全10曲を収録。8ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=361166170\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003especial 8 page saddle stitch booklet with essay from David Shea and photography from the recording sites.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Shea\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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これまでにSub RosaやAvantといった有名なレーベルから発表してきたメルボルンのアンビエント作家David Sheaによる2021年最新作が同国Room40よりCDリリース。東洋音楽の影響を随所に感じるアンビエント全10曲を収録。8ページのブックレットが付属。 Includes special 8 page saddle stitch booklet with essay from David Shea...
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