WAX (Shed) // No.90009 12"
![Mei Semones // Kurayami/Get used to it 7inch [COLOR]](//tobirarecords.com/cdn/shop/files/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d_medium.jpg?v=1763687914)
WAX (Shed) // No.90009 12"
¥2,790
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ドイツ・フランクフルトのダンス作家WAX aka Shed aka Rene Pawlowitzが、2024年5月にリリースした12"です。
アップリフティングなミニマルテクノ2曲を収録。45rpmです。
レーベルその他作品はこちら /// Click here to see more Wax Records releases available at Tobira.
----------------------------
12" black vinyl.
Trackist:
1. 90009A 06:15
2. 90009B 05:52
Artist : WAX
Label : Wax Records
ドイツ・フランクフルトのダンス作家WAX aka Shed aka Rene Pawlowitzが、2024年5月にリリースした12"です。
アップリフティングなミニマルテクノ2曲を収録。45rpmです。
レーベルその他作品はこちら /// Click here to see more Wax Records releases available at Tobira.
----------------------------
12" black vinyl.
Trackist:
1. 90009A 06:15
2. 90009B 05:52
Artist : WAX
Label : Wax Records
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{"id":9008467116282,"title":"Mei Semones \/\/ Kurayami\/Get used to it 7inch [COLOR]","handle":"mei-semones-kurayami-get-used-to-it-7inch-color","description":"\u003cp\u003eアメリカ・NYのシンガーソングライターMei Semonesが、2025年11月に同国インディーレーベルBayonetからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜ボサノヴァ・フォーク2曲を収録。黄緑盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Unz_U9vXu4o?si=oW5Rq0f99GczSio3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c_HjxlvMvlg?si=9eOnVq8BqnqHztN_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003ehere\u003c\/a\u003e to see more Bayonet Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" lotus green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kurayami \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:38\u003cbr\u003e2. Get used to it \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:57\u003c\/p\u003e\n\u003cp\u003eArtist : Mei Semones\u003c\/p\u003e\n\u003cp\u003eLabel : Bayonet Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR076lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-21T14:03:51+09:00","created_at":"2025-11-21T10:20:55+09:00","vendor":"Tobira Records","type":"","tags":["bayonet records","folk \/ left-field pop","jazz","lp","new"],"price":189500,"price_min":189500,"price_max":189500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992902058234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mei Semones \/\/ Kurayami\/Get used to it 7inch [COLOR]","public_title":null,"options":["Default Title"],"price":189500,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"850057707885","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914","\/\/tobirarecords.com\/cdn\/shop\/files\/ku2_df33c0ff-edd9-4b54-9a30-d78815346579.jpg?v=1763687914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914","options":["Title"],"media":[{"alt":null,"id":37570563440890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku1_791a43c2-96ce-4f6c-a97c-23fc8ce8fa2d.jpg?v=1763687914","width":700},{"alt":null,"id":37570563473658,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2_df33c0ff-edd9-4b54-9a30-d78815346579.jpg?v=1763687914"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ku2_df33c0ff-edd9-4b54-9a30-d78815346579.jpg?v=1763687914","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのシンガーソングライターMei Semonesが、2025年11月に同国インディーレーベルBayonetからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜ボサノヴァ・フォーク2曲を収録。黄緑盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Unz_U9vXu4o?si=oW5Rq0f99GczSio3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c_HjxlvMvlg?si=9eOnVq8BqnqHztN_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/byntr\"\u003ehere\u003c\/a\u003e to see more Bayonet Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" lotus green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kurayami \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:38\u003cbr\u003e2. Get used to it \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:57\u003c\/p\u003e\n\u003cp\u003eArtist : Mei Semones\u003c\/p\u003e\n\u003cp\u003eLabel : Bayonet Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR076lp-C1\u003c\/span\u003e\u003c\/p\u003e"}
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The 2021 double LP descension (Out of Our Constrictions), with guest soloist Evan Parker\u003cspan class=\"bcTruncateMore\"\u003e, reflected aspects of Abrams’ love of party music, Chicago house, \u0026amp; John Coltrane. *But even veteran travelers with the NIS best brace themselves for the Perseverance Flow.\u003cbr\u003e\u003cbr\u003eSpeaking to the history \u0026amp; the inspirations behind the album, Abrams offers: “We played the piece for a year in concert before the recording. At Electrical (Audio Studios, Chicago) we went in at 11 \u0026amp; were done in time to pick our kids up from school.” Abrams continues: \"In a reference world, I imagine Perseverance Flow like a live extended realization of a Jaylib lost instrumental as remixed by Kevin Shields. Or vice versa. 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{"id":9008289448186,"title":"Natural Information Society with Evan Parker \/\/ Descension (Out of Our Constrictions) 2xLP","handle":"natural-information-society-with-evan-parker-descension-out-of-our-constrictions-2xlp","description":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にDrag Cityなどから発表しているシンティル（グナワの弦楽器）、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが、2024年8月にリリースした再発2枚組レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308575883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoshua Abrams guimbri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLisa Alvarado harmonium \u0026amp; effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMikel Patrick Avery drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvan Parker soprano saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJason Stein bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, \u0026amp; the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was the second time Parker played with NIS. Joshua Abrams: \"Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music is focused \u0026amp; malleable, energized \u0026amp; even-keeled, drawing on concepts of ensemble playing common to musics from many locations \u0026amp; eras without any one specific aesthetic realization completely defining it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The rhythms that Mikel plays are not an exact reference to Chicago house, but that’s in there,” Abrams says. “I like to take a cyclic view of music history, can we take that four-on-the-floor, \u0026amp; consider how it connects to swing-era music? Can we articulate a through\u003cspan class=\"bcTruncateMore\"\u003e line? I dee-jayed for years in Chicago \u0026amp; lessons I learned from playing records for dancing inform how I think about the group’s music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, \u0026amp; other musics of the diaspora as well. It’s about these aspects coming together. I don’t need to mimic something, I need to embody it to get to the spirit, to get to the living thing.”\u003cbr\u003e\u003cbr\u003eFor jazz fans, the sound of Parker’s soprano \u0026amp; Jason Stein’s bass clarinet might evoke Coltrane \u0026amp; Dolphy, even though they didn’t necessarily set out to do that \u0026amp; they play with complete individuality. Abrams sees a bridge to the historical precedent, too. “Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane’s music,” he says. “I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference.” \u003cbr\u003e\u003cbr\u003eIndeed, this is a performance in which the connections among the ensemble \u0026amp; the creative tension between improvisation and composition build into a complex mesh of associations \u0026amp; interactions. While the band confines itself to the territory mapped out by Abrams’ composition, they are remarkably attentive \u0026amp; responsive, making adjustments to Parker’s improvisations. When Parker’s intricate patterns of notes interweave with the band, the parts reinforce one another \u0026amp; the music rockets upward. Sometimes, Parker’s lines are cradled by the group’s gentle pulse \u0026amp; an unearthly lyrical balance is struck. \u003cbr\u003e\u003cbr\u003eDrummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel \u0026amp; responsiveness. Jason Stein’s animated, vocalized bass clarinet weaves in \u0026amp; out with Lisa Alvarado’s harmonium to state the piece’s thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody \u0026amp; rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising \u0026amp; then returning to the composed structure.\u003cbr\u003e\u003cbr\u003e“As specific as the composition is, the goal is to internalize it \u0026amp; mix it up,” Abrams says. “The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis \u0026amp; byways every gig. It’s like a web we’re spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing \u0026amp; listening is what it’s about, \u0026amp; Evan supercharges that.”\u003cbr\u003e\u003cbr\u003e\u0026amp; “supercharged” is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run. \u003cbr\u003e\u003cbr\u003ex2LP, mte-74\/75, pressed on premium audiophile-quality vinyl at RTI from Kevin Gray \/ Cohearent Audio lacquers. Mastered by Helge Sten, Audio Virus, Oslo. Liner Notes by Theaster Gates. First eremite LP edition 1200 copies. CD edition \u0026amp; EU x2LP edition available thru our new EU new partner, Aguirre records (Belgium).\u003cbr\u003e\u003cbr\u003eliner notes\u003cbr\u003e\u003cbr\u003eBreath \u0026amp; pulse, an unforgettable strategy for transferring energy between musicians feels more directly related to endurance than typical designations of music. The possibility of a never-ending breath allows for the weaving of complex explorations of tonal possibility between harmonium, guimbri, drum, \u0026amp; horn that leads to non-conventional strategies of harmony \u0026amp; unity. The rhythmic engine further develops the pulse, shifting the sounds from recognizable forms to other worlds of sound development \u0026amp; masterful play. Natural Information Society balances knowledge of historical musics with the possibility of new futures, combing many exploratory cultural idioms that help us remember the heart \u0026amp; low sound and hum through meditative, spiritual new music.\u003cbr\u003e\u003cbr\u003eMusic has the potential to embed us in a state of unlimited possibility that leads to another kind of emotional \u0026amp; spiritual territory. It is this meditative possibility that leads to trans-potentials. The music constantly allows us to shift if we stay with it long enough. Descension (Out of Our Constrictions), a 75-minute composition spanning four stations on a double-sided LP, allows us to experience that build-up. In July of 2019, I had an opportunity to play with Natural Information Society in Berlin at Arkaoda \u0026amp; experience the build-up first-hand. I remember feeling very happy to be away from the political complexities of the United States but still close to the culture that made me. I came to hear the ensemble as a listener \u0026amp; believer in the music and Joshua asked me to sit in with the group. Given the times, I chose to riff on, “My Country Tis of Thee.” Descension began \u0026amp; for the first 45 minutes, it unfolded. People danced \u0026amp; cheered \u0026amp; really listened. The groove was set \u0026amp; the intentional house\/trance\/drone was so evocative \u0026amp; in many ways, a polyphony of Chicago sounds. Abrams nodded \u0026amp; I joined. The ongoing rhythmic intent made it easy for me to choose a phrase \u0026amp; stay with it. I remember chanting over \u0026amp; over, sweet land of liberty, sweet land of liberty. Then, from every mountainside…. from every mountainside…..toward the end of the 40 minutes of so, I was exhausted from wailing… from breathing \u0026amp; shouting, let freedom ring. By the time it was over, I was on the floor \u0026amp; the energy made a shift from a state of trance-like intention to, what felt like a rock concert. We were all the way in. I opened my eyes \u0026amp; the band was still holding it down, with more intensity, but still in the zone, locked. It was like freedom was being nestled between pulse \u0026amp; breath \u0026amp; I was exhausted from wanting it \u0026amp; wanting to participate, in a freedom song or a free state.\u003cbr\u003e\u003cbr\u003eBreathing in the wake of George Floyd’s death then takes on a new dysfunction – a new tonal idiom. To be choked or to be unbalanced, for a note to be held back or a sound to be silenced, no longer feel like jazz devices, but rather, a reaction to the complexities that occur on our streets \u0026amp; in our cities. There are shouts, but they are not wailings, there are utterances, yet they are not full speech. It is this truth that links Descension (Out of Our Constrictions) as a sign of the times. Natural Information Society forces us to imagine the myriad of voices that have fallen on our streets and hear cries \u0026amp; shrieks in the music as a way to understand the immeasurable \u0026amp; often unmediated circumstance of violence that is our new truth. \u0026amp; yet, within the unsettling horror of this day, there is a mantric pull that refuses to cease. An impulse toward redemption. -- Theaster Gates\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003elabel : Aguirre Records\u003c\/p\u003e","published_at":"2025-11-21T05:22:48+09:00","created_at":"2025-11-21T05:22:15+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":648000,"price_min":648000,"price_max":648000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992402641146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Natural Information Society with Evan Parker \/\/ Descension (Out of Our Constrictions) 2xLP","public_title":null,"options":["Default Title"],"price":648000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317","options":["Title"],"media":[{"alt":null,"id":22242053259429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/descension_outofourconstrictions_cvr_900x_064dec00-a337-4e03-9403-7ef5e69c73eb.jpg?v=1621757317","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ルーヴェンの老舗実験レーベルAguirre Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にDrag Cityなどから発表しているシンティル（グナワの弦楽器）、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが、2024年8月にリリースした再発2枚組レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308575883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoshua Abrams guimbri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLisa Alvarado harmonium \u0026amp; effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMikel Patrick Avery drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvan Parker soprano saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJason Stein bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, \u0026amp; the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was the second time Parker played with NIS. Joshua Abrams: \"Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music is focused \u0026amp; malleable, energized \u0026amp; even-keeled, drawing on concepts of ensemble playing common to musics from many locations \u0026amp; eras without any one specific aesthetic realization completely defining it. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The rhythms that Mikel plays are not an exact reference to Chicago house, but that’s in there,” Abrams says. “I like to take a cyclic view of music history, can we take that four-on-the-floor, \u0026amp; consider how it connects to swing-era music? Can we articulate a through\u003cspan class=\"bcTruncateMore\"\u003e line? I dee-jayed for years in Chicago \u0026amp; lessons I learned from playing records for dancing inform how I think about the group’s music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, \u0026amp; other musics of the diaspora as well. It’s about these aspects coming together. I don’t need to mimic something, I need to embody it to get to the spirit, to get to the living thing.”\u003cbr\u003e\u003cbr\u003eFor jazz fans, the sound of Parker’s soprano \u0026amp; Jason Stein’s bass clarinet might evoke Coltrane \u0026amp; Dolphy, even though they didn’t necessarily set out to do that \u0026amp; they play with complete individuality. Abrams sees a bridge to the historical precedent, too. “Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane’s music,” he says. “I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference.” \u003cbr\u003e\u003cbr\u003eIndeed, this is a performance in which the connections among the ensemble \u0026amp; the creative tension between improvisation and composition build into a complex mesh of associations \u0026amp; interactions. While the band confines itself to the territory mapped out by Abrams’ composition, they are remarkably attentive \u0026amp; responsive, making adjustments to Parker’s improvisations. When Parker’s intricate patterns of notes interweave with the band, the parts reinforce one another \u0026amp; the music rockets upward. Sometimes, Parker’s lines are cradled by the group’s gentle pulse \u0026amp; an unearthly lyrical balance is struck. \u003cbr\u003e\u003cbr\u003eDrummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel \u0026amp; responsiveness. Jason Stein’s animated, vocalized bass clarinet weaves in \u0026amp; out with Lisa Alvarado’s harmonium to state the piece’s thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody \u0026amp; rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising \u0026amp; then returning to the composed structure.\u003cbr\u003e\u003cbr\u003e“As specific as the composition is, the goal is to internalize it \u0026amp; mix it up,” Abrams says. “The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis \u0026amp; byways every gig. It’s like a web we’re spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing \u0026amp; listening is what it’s about, \u0026amp; Evan supercharges that.”\u003cbr\u003e\u003cbr\u003e\u0026amp; “supercharged” is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run. \u003cbr\u003e\u003cbr\u003ex2LP, mte-74\/75, pressed on premium audiophile-quality vinyl at RTI from Kevin Gray \/ Cohearent Audio lacquers. Mastered by Helge Sten, Audio Virus, Oslo. Liner Notes by Theaster Gates. First eremite LP edition 1200 copies. CD edition \u0026amp; EU x2LP edition available thru our new EU new partner, Aguirre records (Belgium).\u003cbr\u003e\u003cbr\u003eliner notes\u003cbr\u003e\u003cbr\u003eBreath \u0026amp; pulse, an unforgettable strategy for transferring energy between musicians feels more directly related to endurance than typical designations of music. The possibility of a never-ending breath allows for the weaving of complex explorations of tonal possibility between harmonium, guimbri, drum, \u0026amp; horn that leads to non-conventional strategies of harmony \u0026amp; unity. The rhythmic engine further develops the pulse, shifting the sounds from recognizable forms to other worlds of sound development \u0026amp; masterful play. Natural Information Society balances knowledge of historical musics with the possibility of new futures, combing many exploratory cultural idioms that help us remember the heart \u0026amp; low sound and hum through meditative, spiritual new music.\u003cbr\u003e\u003cbr\u003eMusic has the potential to embed us in a state of unlimited possibility that leads to another kind of emotional \u0026amp; spiritual territory. It is this meditative possibility that leads to trans-potentials. The music constantly allows us to shift if we stay with it long enough. Descension (Out of Our Constrictions), a 75-minute composition spanning four stations on a double-sided LP, allows us to experience that build-up. In July of 2019, I had an opportunity to play with Natural Information Society in Berlin at Arkaoda \u0026amp; experience the build-up first-hand. I remember feeling very happy to be away from the political complexities of the United States but still close to the culture that made me. I came to hear the ensemble as a listener \u0026amp; believer in the music and Joshua asked me to sit in with the group. Given the times, I chose to riff on, “My Country Tis of Thee.” Descension began \u0026amp; for the first 45 minutes, it unfolded. People danced \u0026amp; cheered \u0026amp; really listened. The groove was set \u0026amp; the intentional house\/trance\/drone was so evocative \u0026amp; in many ways, a polyphony of Chicago sounds. Abrams nodded \u0026amp; I joined. The ongoing rhythmic intent made it easy for me to choose a phrase \u0026amp; stay with it. I remember chanting over \u0026amp; over, sweet land of liberty, sweet land of liberty. Then, from every mountainside…. from every mountainside…..toward the end of the 40 minutes of so, I was exhausted from wailing… from breathing \u0026amp; shouting, let freedom ring. By the time it was over, I was on the floor \u0026amp; the energy made a shift from a state of trance-like intention to, what felt like a rock concert. We were all the way in. I opened my eyes \u0026amp; the band was still holding it down, with more intensity, but still in the zone, locked. It was like freedom was being nestled between pulse \u0026amp; breath \u0026amp; I was exhausted from wanting it \u0026amp; wanting to participate, in a freedom song or a free state.\u003cbr\u003e\u003cbr\u003eBreathing in the wake of George Floyd’s death then takes on a new dysfunction – a new tonal idiom. To be choked or to be unbalanced, for a note to be held back or a sound to be silenced, no longer feel like jazz devices, but rather, a reaction to the complexities that occur on our streets \u0026amp; in our cities. There are shouts, but they are not wailings, there are utterances, yet they are not full speech. It is this truth that links Descension (Out of Our Constrictions) as a sign of the times. Natural Information Society forces us to imagine the myriad of voices that have fallen on our streets and hear cries \u0026amp; shrieks in the music as a way to understand the immeasurable \u0026amp; often unmediated circumstance of violence that is our new truth. \u0026amp; yet, within the unsettling horror of this day, there is a mantric pull that refuses to cease. An impulse toward redemption. -- Theaster Gates\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003elabel : Aguirre Records\u003c\/p\u003e"}
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ベルギー・ルーヴェンの老舗実験レーベルAguirre Records諸作を入荷しました。 本作は、過去にDrag Cityなどから発表しているシンティル（グナワの弦楽器）、ハーモニウム、サックス、クラリネット、ドラムによるバンドNatural Information Societyと、大御所ジャズ奏者Evan Parkerが、2024年8月にリリースした再発2枚組レコードです。（オリジナルは2021年リリース） ロンドンの名物実験スペースCafe Otoで録音した4セッションを収録。 レーベルその他作品はこちら /// Click here to see more Aguirre releases...
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{"id":9008290038010,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP","handle":"jeff-parker-mondays-at-the-enfield-tennis-academy-2xlp","description":"\u003cp\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl or CD in digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. 2019-07-08 I 21:46\u003cbr\u003e2. 2019-07-08 II 23:37\u003cbr\u003e3. 2019-05-19 18:00\u003cbr\u003e4. 2021-04-28 20:17 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong\u003eJeff Parker\u003c\/strong\u003e\u003cspan\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMiles Davis\u003c\/strong\u003e\u003cspan\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003eLive in Seattle\u003cspan\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2025-11-21T05:24:46+09:00","created_at":"2025-11-21T05:24:14+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new","recommended"],"price":629000,"price_min":629000,"price_max":629000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992413061370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP","public_title":null,"options":["Default Title"],"price":629000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"0769791982390","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Title"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl or CD in digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. 2019-07-08 I 21:46\u003cbr\u003e2. 2019-07-08 II 23:37\u003cbr\u003e3. 2019-05-19 18:00\u003cbr\u003e4. 2021-04-28 20:17 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong\u003eJeff Parker\u003c\/strong\u003e\u003cspan\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMiles Davis\u003c\/strong\u003e\u003cspan\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003eLive in Seattle\u003cspan\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース） LAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。 Lee Morganの「Live at the Lighthouse」やMiles Davisの「In...
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