Ensemble of Love and Terror // The Visit of the Iraqi Delegation [Japanese Edition] TAPE

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当店がオープンした2020年9月に入荷し一瞬で完売した幻のカセットが、作家との交渉の末当店限定で再発に至りました。未発表曲も2曲収録しています。

イスラエル・エルサレムのAmir BolzmanとAriel Armoniによるアラビックカットアップ・ノイズテクノ。耳にしたことがない音楽を探している方におすすめです。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Full Body Massage releases available at Tobira.

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Israel's Amir Bolzman and Ariel Bolzman make Arabic cut-up noise techno using samples from the Qatar Digital Library. Recommended for people searching for music beyond their imagination.

Artist : Ensemble of Love and Terror

Label : Full Body Massage Records

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レーベルその他作品はこちら /// Click here to see more Full Body Massage releases available at Tobira.

-------------------------------

Israel's Amir Bolzman and Ariel Bolzman make Arabic cut-up noise techno using samples from the Qatar Digital Library. Recommended for people searching for music beyond their imagination.

Artist : Ensemble of Love and Terror

Label : Full Body Massage Records

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color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"kazuya matsumoto\" href=\"https:\/\/soundcloud.com\/kazuya-matsumoto\" target=\"_blank\"\u003ekazuya matsumoto\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"3rd「無常」トレイラー \/ third album「Mujo」Trailer (mixture of tracks included in disc 1 and disc 2)\" href=\"https:\/\/soundcloud.com\/kazuya-matsumoto\/3rd-mujo-trailer\" target=\"_blank\"\u003e3rd「無常」トレイラー \/ third album「Mujo」Trailer (mixture of tracks included in disc 1 and disc 2)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes 2 discs plus 32 pages full color booklet in 170 x 140mm size paper jacket with QR code link to video of the recording sceneries.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eNature Bliss:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 3rd album \"Mujo\" (meaning \"transience\" in Japanese) by the Japanese sound artist Kazuya Matsumoto.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was made from 2014 to 2022. It is an album of improvisation and recording simultaneously, using non-instrument objects along with the sounds that occur from a frosted lake and drifting ice, and recordings made by affecting the environment itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is comprised of 2 discs. Disc 1 features performing and interaction with sounds that occurs above the ice. Disc 2 features performing and interaction with sounds that occurs below the ice using hydrophones.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is an album opposed to his first album \"Mizu No Katachi (Shape of Water)\" confronting the harsh and ever changing environment and he recalls those recording days as \"transience\", also expressing his feeling towards the never ending explorations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording captures the dynamic and delicate sounds of the ice and nature as well as his soul put into the 9 years. Includes 32 pages full color booklet with photography of the ice and nature taken by Matsumoto at the time of the recordings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Musician, sound artist, drummer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWith the percussionist background, Matsumoto uses his experience through playing and listening to environmental sounds, using non instrumental objects such as found objects, nature, body and devices for various sound expressions. He aims to break the boundaries between his output and the surrounding environmental sounds to explore deep listening improvisation expressions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreviously he has released 3 albums \"Mizu No Katachi (2015)\", \"OchiruChiruMichiru (2017)\" and “Mujo (2022)\" from the renown SPEKK label. Aside from creating music by improvising with the unpredictable nature, he also compose music for films, visual works, plays and commercial facilities. He also tours throughout Japan for performances including tour “Listen to the sound of people” tour which is aimed to just meet acquainted people without doing any performances \u003c\/span\u003e\u003cspan\u003ewithin the COVID-19 situation, space exhibitions and sound installations, site-specific exhibitions (residing and using the sound of that space). He also participates in the performance group Busstrio lead by Yuichiro Konno. He is also the executive committee member of the Ashi No Geijutsu Genya Festival held in Shiretoko Peninsula from 2021, always pursuing expressions based on sounds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kazuya Matsumoto\u003c\/p\u003e\n\u003cp\u003eLabel : Nature Bliss\u003c\/p\u003e"}

インドのディスコシンガーRupa、1982年にリリースした作品の再発7"です。ボリウッドとバレアリックが調和したディスコジャズ2曲を収録。クリアピンク盤です。 ------------------------------------- 800 Line: "Barely disco and hardly jazz, Rupa Biswas’ 1982 LP...

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Desperately wanting to make music with people again, Alexander reached out to Monte Espina’s Ernesto Montiel and Miguel Espinel to see if they could potentially devise a way for the three of them to safely work together. Realizing that she had access to several acres of wooded property through her work at Joe Snow’s Aquatic Plants in Argyle, Texas – replete with man-made ponds, trails, and free flowing creeks – they hatched a plan to improvise and record en plein air, taking advantage of the environment’s natural acoustic features in the process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat first session in October 2020 was meant to be a one-off; but realizing the potentiality presented by seasonal shifts in the landscape, the trio decided to return to the property for a fresh session during each following season, selecting a new location for each performance, as well as inviting a small circle of friends to serve as a functional audience of sorts. The resulting material was documented by Stephen Lucas and ultimately refined\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e into this finished form by Andrew Weathers, thus providing a sweeping portrait of both the land itself and this small cadre of improvisers’ collective efforts to maintain creative connection during a fundamentally isolating time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is truly elemental music that we feel hits at the core of the Full Spectrum ethos, embodying deep connection and profound expression in dialogue with the natural world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Ruth and Monte Espina\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2022-11-09T08:02:41+09:00","created_at":"2022-11-07T14:33:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","Full Spectrum Records","monooto","new"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43623307018490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sarah Ruth and Monte Espina \/\/ cuatro estaciones 2xCD","public_title":null,"options":["Default Title"],"price":258000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu2_42bda51e-055b-44c8-92d7-efdbb2c04051.jpg?v=1667799207"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206","options":["Title"],"media":[{"alt":null,"id":30938679509242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206","width":700},{"alt":null,"id":30938679542010,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu2_42bda51e-055b-44c8-92d7-efdbb2c04051.jpg?v=1667799207"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cu2_42bda51e-055b-44c8-92d7-efdbb2c04051.jpg?v=1667799207","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの物音作家Sarah RuthとMonte Espinaが、2022年10月に同州実験レーベルFull Spectrumから150部限定でリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003e物音とフィールドレコーディングによるメロディ皆無のサウンドスケープ4曲、約2時間を収録。デジスパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889642628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith autumn at the door, Full Spectrum Records is excited to share an expansive new collaboration from Texas-based improvisers Sarah Ruth Alexander and Monte Espina – ‘Cuatro Estaciones.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese recordings date back to the fall of 2020, when the pandemic was still in full swing. Desperately wanting to make music with people again, Alexander reached out to Monte Espina’s Ernesto Montiel and Miguel Espinel to see if they could potentially devise a way for the three of them to safely work together. Realizing that she had access to several acres of wooded property through her work at Joe Snow’s Aquatic Plants in Argyle, Texas – replete with man-made ponds, trails, and free flowing creeks – they hatched a plan to improvise and record en plein air, taking advantage of the environment’s natural acoustic features in the process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat first session in October 2020 was meant to be a one-off; but realizing the potentiality presented by seasonal shifts in the landscape, the trio decided to return to the property for a fresh session during each following season, selecting a new location for each performance, as well as inviting a small circle of friends to serve as a functional audience of sorts. The resulting material was documented by Stephen Lucas and ultimately refined\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e into this finished form by Andrew Weathers, thus providing a sweeping portrait of both the land itself and this small cadre of improvisers’ collective efforts to maintain creative connection during a fundamentally isolating time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is truly elemental music that we feel hits at the core of the Full Spectrum ethos, embodying deep connection and profound expression in dialogue with the natural world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Ruth and Monte Espina\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}

アメリカ・テキサスの物音作家Sarah RuthとMonte Espinaが、2022年10月に同州実験レーベルFull Spectrumから150部限定でリリースした2枚組CDです。物音とフィールドレコーディングによるメロディ皆無のサウンドスケープ4曲、約2時間を収録。デジスパック、シュリンク仕様です。レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available...

¥2,580

Quickview {"id":7830387228922,"title":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","handle":"amelia-cuni-mumbai-04-02-1996-2xlp","description":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:19:28+09:00","created_at":"2022-11-07T11:50:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","field recording","lp","new"],"price":508000,"price_min":508000,"price_max":508000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622691733754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","public_title":null,"options":["Default Title"],"price":508000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","options":["Title"],"media":[{"alt":null,"id":30937487606010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","width":700},{"alt":null,"id":30937487638778,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}