Vasculae // Cultural Primitivism CD
![[pre-order] Akio Suzuki & Aki Onda // gi n ga CD](//cdn.shopify.com/s/files/1/0305/1637/9780/products/XX-II-ginga_medium.jpg?v=1603270725)
Vasculae // Cultural Primitivism CD
¥1,800
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Artist : Vasculae
Label : Monorail Trespassing
"Full circle. A new project from Jonathan Borges (Pedestrian Deposit, Everyday Loneliness, Emaciator, etc). After several years of operating in more subtle areas of experimental music, Vasculae is a return to form; sharp noise composition with emphasis on layering, texture, purity, and 'natural dynamics,' as opposed to the rapid-fire cut-ups of the past. Elements of wall noise, crackle, and 90's style raw blast are fused in these three tracks pulled from two years of intermittent 5-7 hour recording sessions. No melodic ambient interludes, no tape loops, no instruments -- only the sources of pure noise textures."
Artist : Vasculae
Label : Monorail Trespassing
"Full circle. A new project from Jonathan Borges (Pedestrian Deposit, Everyday Loneliness, Emaciator, etc). After several years of operating in more subtle areas of experimental music, Vasculae is a return to form; sharp noise composition with emphasis on layering, texture, purity, and 'natural dynamics,' as opposed to the rapid-fire cut-ups of the past. Elements of wall noise, crackle, and 90's style raw blast are fused in these three tracks pulled from two years of intermittent 5-7 hour recording sessions. No melodic ambient interludes, no tape loops, no instruments -- only the sources of pure noise textures."
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![[pre-order] Akio Suzuki & Aki Onda // gi n ga CD](http://cdn.shopify.com/s/files/1/0305/1637/9780/products/XX-II-ginga_medium.jpg?v=1603270725)
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{"id":5813386117285,"title":"[pre-order] Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","handle":"pre-order-akio-suzuki-aki-onda-gi-n-ga-cd","description":"\u003cp\u003e※10月25日リリースです。試聴はリリース日にアップします。\u003c\/p\u003e\n\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnalapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efrom a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eenergy of the performance space, creating corresponding topographies, perceiving sound as space.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-21T17:58:53+09:00","created_at":"2020-10-21T17:58:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36821138407589,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"[pre-order] Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/XX-II-ginga.jpg?v=1603270725"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/XX-II-ginga.jpg?v=1603270725","options":["Title"],"media":[{"alt":null,"id":12508852453541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2021,"width":2022,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/XX-II-ginga.jpg?v=1603270725"},"aspect_ratio":1.0,"height":2021,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/XX-II-ginga.jpg?v=1603270725","width":2022}],"content":"\u003cp\u003e※10月25日リリースです。試聴はリリース日にアップします。\u003c\/p\u003e\n\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnalapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efrom a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eenergy of the performance space, creating corresponding topographies, perceiving sound as space.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e"}
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※10月25日リリースです。試聴はリリース日にアップします。 これまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。 Akio Suzuki and Aki Onda have been collaborating...
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{"id":5806321139877,"title":"Free Dust \/\/ Archive: Ash | Wave \/ Climate | Ripple DOUBLE CD","handle":"free-dust-archive-ash-wave-climate-ripple-double-cd","description":"\u003cp\u003em. sageのFree Dust名義での2枚組CD。30曲入り。100部限定、デジパック仕様。地下アンビエントの一助となったPatient Sounds最後の作品。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586838908\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFree Dust is a pseudonym used by Matthew Sage to catalog and share minimal electric guitar and magnetic tape works. This double compact disc release, originally released on Patient Sounds in 2019, is available in a very limited quantity after a small stash was discovered in a box in the closet.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFrom the Patient Sounds press materials for this release:\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eUpon moving to Chicago in 2014, Matthew Sage started cataloguing and releasing recordings as Free Dust. A step away from his primary musical output as M. Sage, there focused more on composition and complex studio editing, Free Dust became an outlet centered less on craft and more on confessional sincerity. It was also constrained by a reduced studio space, which led to a forced limitation: electric guitar, pedals, and cassette 4-track were the only tools permitted here. It quickly became a public wordless journal. Romantic but shook.\u003cbr\u003e\u003cbr\u003eAcross 2015, five years ago, four albums, one a season, were released online. This archive collects all four parts of this year-long cycle in one digital document. Approx. 160 minutes of ambient and experimental 4-track electric guitar dedication on two compact discs; moving fluidly between shadows of humid melody and rippling flutter, Sage amassed a year long chronicle of\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003econtemplative melodic impressions. In hindsight, these songs and scraps capture the immense and reaching ripple of trying, and doing, and failing some too. Reflecting on and making large-scale changes and the following positive and negative consequences. Longing and finding, and also not finding. Losing a little but gaining a lot too. Accruing some actual dust.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003eクレジット\u003c\/h3\u003e","published_at":"2020-10-19T16:00:38+09:00","created_at":"2020-10-19T16:00:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","drone","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36789266808997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Free Dust \/\/ Archive: Ash | Wave \/ Climate | Ripple DOUBLE CD","public_title":null,"options":["Default Title"],"price":228000,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1134252833_16.jpg?v=1603090841","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020824149_10_1.jpg?v=1603090841","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020824151_10.jpg?v=1603090841"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1134252833_16.jpg?v=1603090841","options":["Title"],"media":[{"alt":null,"id":12430133592229,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1134252833_16.jpg?v=1603090841"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1134252833_16.jpg?v=1603090841","width":700},{"alt":null,"id":12430133624997,"position":2,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020824149_10_1.jpg?v=1603090841"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020824149_10_1.jpg?v=1603090841","width":1200},{"alt":null,"id":12430133657765,"position":3,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020824151_10.jpg?v=1603090841"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020824151_10.jpg?v=1603090841","width":1200}],"content":"\u003cp\u003em. sageのFree Dust名義での2枚組CD。30曲入り。100部限定、デジパック仕様。地下アンビエントの一助となったPatient Sounds最後の作品。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586838908\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFree Dust is a pseudonym used by Matthew Sage to catalog and share minimal electric guitar and magnetic tape works. This double compact disc release, originally released on Patient Sounds in 2019, is available in a very limited quantity after a small stash was discovered in a box in the closet.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFrom the Patient Sounds press materials for this release:\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eUpon moving to Chicago in 2014, Matthew Sage started cataloguing and releasing recordings as Free Dust. A step away from his primary musical output as M. Sage, there focused more on composition and complex studio editing, Free Dust became an outlet centered less on craft and more on confessional sincerity. It was also constrained by a reduced studio space, which led to a forced limitation: electric guitar, pedals, and cassette 4-track were the only tools permitted here. It quickly became a public wordless journal. Romantic but shook.\u003cbr\u003e\u003cbr\u003eAcross 2015, five years ago, four albums, one a season, were released online. This archive collects all four parts of this year-long cycle in one digital document. Approx. 160 minutes of ambient and experimental 4-track electric guitar dedication on two compact discs; moving fluidly between shadows of humid melody and rippling flutter, Sage amassed a year long chronicle of\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003econtemplative melodic impressions. In hindsight, these songs and scraps capture the immense and reaching ripple of trying, and doing, and failing some too. Reflecting on and making large-scale changes and the following positive and negative consequences. Longing and finding, and also not finding. Losing a little but gaining a lot too. Accruing some actual dust.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003eクレジット\u003c\/h3\u003e"}
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m. sageのFree Dust名義での2枚組CD。30曲入り。100部限定、デジパック仕様。地下アンビエントの一助となったPatient Sounds最後の作品。 Free Dust is a pseudonym used by Matthew Sage to...
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{"id":5805728825509,"title":"Jusell, Prymek, Sage, Shiroishi \/\/ Fuubutsushi CD","handle":"jusell-prymek-sage-shiroishi-fuubutsushi-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishi によるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地よいアンビエントジャズ作品に仕上がっております。既に廃盤です。全10曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell - violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253293892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/fuubutsushi\"\u003eFuubutsushi (風物詩) by Jusell, Prymek, Sage, Shiroishi\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushi is the second entry into this now established series of CDs released on cached that features musicians collaborating through social distancing measures. Here, a quartet comes together while staying apart to miraculous ends, leaving space for memory to wander in a shimmery autumnal dappling. Chris Jusell (violin), Chaz Prymek (guitars, field recordings, voice), Matthew Sage (keyboards, percussion, voice, field recording), and Patrick Shiroishi (alto saxophone, clarinet, flute, glockenspiel, samples, whistling, voice) have collaborated on projects on and off in the last several years (some you may have heard, some yet to be released), but here, the four worked together as a singular unit in a playful and focused way. These compositions, a kind of wistful cool jazz diluted by ambient figures and new age hallmarks, could possibly be tucked into the “Post Rock” sector, but may actually be more aligned with ECM’s school of playership. Through a combination of varied classical training and (here subdued) experimental tendencies, a harmony is achieved wherein melody is itself a texture to play with. In their solo work, some of these players wander in much more cerebral, jarring, psychedelic, unconventional airs, but on Fuubutsushi, they present as a tightly connected quartet prepared to woo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elisteners with these honeyed impressionistic strains. Songs are structured around muted piano parts from Sage that he augmented with percussion and occasional synthesizer flourishes. Flutters of reeds and winds from Shiroishi paint the scenes with nostalgic tenderness and vibrancy. Prymek’s nimble guitar figures add longing and character, texture and dynamism. Jusell’s violins drift about in emotive drafts and eddies of harmony, darting into lyrical spurts at opportune moments. There is a restraint and a mutual leaning-back that these players offer one another on these songs, and so, they all have their space to stretch out, to incorporate emptiness into their parts, to smile at one another warmly in those spaces. With such hospitality and kindness for each other, the music feels as much like an unexpected and joyful crossing of paths as it does a kindred reunion at a remembered crossroads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe term Fuubutsushi, or 風物詩 in kanji, is a kind of seasonal nostalgia. A longing for the approaching season upon its first sign. That moment in late summer when you can sense autumn is approaching -- maybe it is that cool night bitten by the scent of frost and wood smoke, or the soft rotting leaves in a warm beam of morning light -- and so you anticipate that approaching autumn using past autumns as a frame of reference. “That new old feeling again.” This is a music of looking forward and looking back simultaneously. Both nostalgic and hopeful, wistful and realistic. Apart from their respective bodies of work or other collaborations, consider this album a singular offering from this quartet that is, as each season that passes, unique, however familiar it feels.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-19T09:40:32+09:00","created_at":"2020-10-19T09:40:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","folk \/ left-field pop","jazz","new"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36785223794853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jusell, Prymek, Sage, Shiroishi \/\/ Fuubutsushi CD","public_title":null,"options":["Default Title"],"price":168000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021802539_10.jpg?v=1603068034"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034","options":["Title"],"media":[{"alt":null,"id":12426372219045,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034","width":700},{"alt":null,"id":12426372251813,"position":2,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021802539_10.jpg?v=1603068034"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021802539_10.jpg?v=1603068034","width":1200}],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishi によるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地よいアンビエントジャズ作品に仕上がっております。既に廃盤です。全10曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell - violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253293892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/fuubutsushi\"\u003eFuubutsushi (風物詩) by Jusell, Prymek, Sage, Shiroishi\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushi is the second entry into this now established series of CDs released on cached that features musicians collaborating through social distancing measures. Here, a quartet comes together while staying apart to miraculous ends, leaving space for memory to wander in a shimmery autumnal dappling. Chris Jusell (violin), Chaz Prymek (guitars, field recordings, voice), Matthew Sage (keyboards, percussion, voice, field recording), and Patrick Shiroishi (alto saxophone, clarinet, flute, glockenspiel, samples, whistling, voice) have collaborated on projects on and off in the last several years (some you may have heard, some yet to be released), but here, the four worked together as a singular unit in a playful and focused way. These compositions, a kind of wistful cool jazz diluted by ambient figures and new age hallmarks, could possibly be tucked into the “Post Rock” sector, but may actually be more aligned with ECM’s school of playership. Through a combination of varied classical training and (here subdued) experimental tendencies, a harmony is achieved wherein melody is itself a texture to play with. In their solo work, some of these players wander in much more cerebral, jarring, psychedelic, unconventional airs, but on Fuubutsushi, they present as a tightly connected quartet prepared to woo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elisteners with these honeyed impressionistic strains. Songs are structured around muted piano parts from Sage that he augmented with percussion and occasional synthesizer flourishes. Flutters of reeds and winds from Shiroishi paint the scenes with nostalgic tenderness and vibrancy. Prymek’s nimble guitar figures add longing and character, texture and dynamism. Jusell’s violins drift about in emotive drafts and eddies of harmony, darting into lyrical spurts at opportune moments. There is a restraint and a mutual leaning-back that these players offer one another on these songs, and so, they all have their space to stretch out, to incorporate emptiness into their parts, to smile at one another warmly in those spaces. With such hospitality and kindness for each other, the music feels as much like an unexpected and joyful crossing of paths as it does a kindred reunion at a remembered crossroads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe term Fuubutsushi, or 風物詩 in kanji, is a kind of seasonal nostalgia. A longing for the approaching season upon its first sign. That moment in late summer when you can sense autumn is approaching -- maybe it is that cool night bitten by the scent of frost and wood smoke, or the soft rotting leaves in a warm beam of morning light -- and so you anticipate that approaching autumn using past autumns as a frame of reference. “That new old feeling again.” This is a music of looking forward and looking back simultaneously. Both nostalgic and hopeful, wistful and realistic. Apart from their respective bodies of work or other collaborations, consider this album a singular offering from this quartet that is, as each season that passes, unique, however familiar it feels.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e"}
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Chris Jusell、Chaz Prymek、Matthew Sage 、Patrick Shiroishi によるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地よいアンビエントジャズ作品に仕上がっております。既に廃盤です。全10曲入り。 Chris Jusell - violinChaz Prymek - guitars,...
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{"id":5805716078757,"title":"Frank Baugh \u0026 Matthew Sage \/\/ Birthmark CD","handle":"frank-baugh-matthew-sage-birthmark-tape","description":"\u003cp\u003eSparkling Wide Pressure名義で地下アンビエント界隈ではおなじみのFrank Baughと、元Patient Sounds・現Cached Media主宰Matthew Sageのコラボ作品が2020年7月にリリース。物音＋アンビエントトラックやバンジョーを用いたトラックなど盛り沢山の11曲収録。75部限定です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1131235891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/birthmark\"\u003eBirthmark by Frank Baugh \u0026amp; Matthew Sage\u003c\/a\u003e\u003c\/iframe\u003e \n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1131235891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=314052597\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/birthmark\"\u003eBirthmark by Frank Baugh \u0026amp; Matthew Sage\u003c\/a\u003e\u003c\/iframe\u003e\u003cspan\u003eDuring the first stretch of social distancing, Frank Baugh (Sparkling Wide Pressure) and Matthew Sage produced Birthmark, an uncanny pastoral gothic transmission of smeared melodies and interstitial rumblings. Created through a process of correspondence and layering, the album feels like an amassing of history like sedimentary soils, a disrupting of that history like a landslide or a well digging, a feeding back the past into the present, tainted water desalinating as it passes through a layer of carbon coal and computer chips. Flickers of banjo and guitar are overgrown with radio chattering brush and debris, birds and boys whistling in harmony, voices ping in the static, bouncing between rhythmic loops and clattering signals like lost friends. Terrible and awesome walls of distortion peel through the valleys, leaving behind leveled rumination, a few screens sprayed with static, and only those few trees left with deep wide true roots.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-10-19T09:34:18+09:00","created_at":"2020-10-19T09:34:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","folk \/ left-field pop","new"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36785184080037,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Frank Baugh \u0026 Matthew Sage \/\/ Birthmark CD","public_title":null,"options":["Default Title"],"price":148000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3994078400_16.jpg?v=1603067662","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021021218_10.jpg?v=1603067662"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3994078400_16.jpg?v=1603067662","options":["Title"],"media":[{"alt":null,"id":12426321690789,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3994078400_16.jpg?v=1603067662"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3994078400_16.jpg?v=1603067662","width":700},{"alt":null,"id":12426321723557,"position":2,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021021218_10.jpg?v=1603067662"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021021218_10.jpg?v=1603067662","width":1200}],"content":"\u003cp\u003eSparkling Wide Pressure名義で地下アンビエント界隈ではおなじみのFrank Baughと、元Patient Sounds・現Cached Media主宰Matthew Sageのコラボ作品が2020年7月にリリース。物音＋アンビエントトラックやバンジョーを用いたトラックなど盛り沢山の11曲収録。75部限定です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1131235891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/birthmark\"\u003eBirthmark by Frank Baugh \u0026amp; Matthew Sage\u003c\/a\u003e\u003c\/iframe\u003e \n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1131235891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=314052597\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/birthmark\"\u003eBirthmark by Frank Baugh \u0026amp; Matthew Sage\u003c\/a\u003e\u003c\/iframe\u003e\u003cspan\u003eDuring the first stretch of social distancing, Frank Baugh (Sparkling Wide Pressure) and Matthew Sage produced Birthmark, an uncanny pastoral gothic transmission of smeared melodies and interstitial rumblings. Created through a process of correspondence and layering, the album feels like an amassing of history like sedimentary soils, a disrupting of that history like a landslide or a well digging, a feeding back the past into the present, tainted water desalinating as it passes through a layer of carbon coal and computer chips. Flickers of banjo and guitar are overgrown with radio chattering brush and debris, birds and boys whistling in harmony, voices ping in the static, bouncing between rhythmic loops and clattering signals like lost friends. Terrible and awesome walls of distortion peel through the valleys, leaving behind leveled rumination, a few screens sprayed with static, and only those few trees left with deep wide true roots.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e"}
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Sparkling Wide Pressure名義で地下アンビエント界隈ではおなじみのFrank Baughと、元Patient Sounds・現Cached Media主宰Matthew Sageのコラボ作品が2020年7月にリリース。物音＋アンビエントトラックやバンジョーを用いたトラックなど盛り沢山の11曲収録。75部限定です。 Birthmark by Frank Baugh & Matthew Sage ...
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