Tasjiil Moujahed // The Death of Permanence CD
Tasjiil Moujahed // The Death of Permanence CD
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アフリカとアジアの作家に焦点を当てた出版を主とするレーベルSyrpheを本邦初入荷。本作はレバノンのテクノ作家Tasjiil Moujahedの2ndアルバムです。7曲の催眠テクノを収録。
Syrphe その他作品はこちら /// Click here to see more syrphe releases available at Tobira.
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Second album for the Beirut and Berlin-based electronica/ambient duo Tasjiil Moujahed - Jawad Nawfal (Munma, Infinite Moment Of Composure) & C-drík (Kirdec, Axiome).
artist : Tasjiil Moujahed
label : syrphe
アフリカとアジアの作家に焦点を当てた出版を主とするレーベルSyrpheを本邦初入荷。本作はレバノンのテクノ作家Tasjiil Moujahedの2ndアルバムです。7曲の催眠テクノを収録。
Syrphe その他作品はこちら /// Click here to see more syrphe releases available at Tobira.
----------------
Second album for the Beirut and Berlin-based electronica/ambient duo Tasjiil Moujahed - Jawad Nawfal (Munma, Infinite Moment Of Composure) & C-drík (Kirdec, Axiome).
artist : Tasjiil Moujahed
label : syrphe
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{"id":7909258428666,"title":"Hollie Kenniff \/\/ We All Have Places That We Miss LP \/ CD","handle":"hollie-kenniff-we-all-have-places-that-we-miss-lp-cd","description":"\u003cp\u003eアメリカ・ポートランドのシューゲイズ作家Hollie Kenniffが、2023年2月に同国老舗レーベルWestern Vinylからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ドリームポップ11曲を収録。レコードにはDLコード付属。\u003c\/p\u003e\n\u003cp\u003e彼女のパートナーであるGoldmund aka Keith Kenniffも参加しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=665699306\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eAvailable on black 12\" vinyl and CD in digipak.\u003c\/p\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHollie Kenniff’s second LP for Western Vinyl, We All Have Places That We Miss, is a chorus of cloudlike synths, seraphic strings, humming drones, and reverb drenched shoegaze guitars, all melding into an impressionistic story of remembrance, loss, family, and connection. The album’s 2021 precursor, The Quiet Drift, landed on Bandcamp’s Best Ambient list alongside the description “Drawing on the deep tones of drone, dream pop harmonies, and new age’s bright tranquility, Kenniff evokes the forests, lakes and rivers of her past and present surroundings with a zen patience.” Here on Places… she strides even further into reminiscence, seeking and commemorating the fondly tragic ache of half-remembered locales lost to time: A grandparent’s dim living room decorated in the tropes of a vague decade; a lonely clearing beside a trail we can’t be sure if we walked or just dreamt; the calming light of footage captured years before we were born though our feelings insist we were there with the actors on set. Born from bouts of insomnia, grief, and bittersweet familial recollection, We All Have Places That We Miss transmutes Kenniff’s mnemonic glimmers into a transcendentalist sonic kingdom that can be revisited time and again, standing squarely among the pedalboard auras of artists like Windy \u0026amp; Carl, Adam Wiltzie, Julianna\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Barwick, and Grouper.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album opens on “Shifting Winds,” quickly giving way to “Salient,” forming a deeply emotional dual prologue that wraps echoing guitar notes loosely around Kenniff’s vocals and piano. “Eunoia” cements the aesthetic with flits of piano from Hollie’s husband Keith Kenniff, aka Goldmund. This track perfectly exemplifies the couple’s shared aptitude for head-on sentimentality without so much as an eyeroll, provoking deep affect while skillfully bypassing the saccharine. Here, near the album’s midpoint, “Momentary” reveals the kosmische side of We All Have Places That We Miss, employing digitized vocal shimmers and quick synth sequences that wouldn’t be out of place on a Harmonia album. Another outlier, “Carve The Ruins,” is anchored around the album’s only moments of percussion: a soft, low kick drum throbbing beneath a topsoil of chorus-y guitar, resulting in the gentlest post-punk possible. These moments shift the gorgeous New Age leanings of the album into subtly unsettling territory, adding the frayed edges needed to convey the more difficult emotions brought about by time’s passing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The landscape and pace of life of these places will always stay with me,” Hollie recounts of the Ontario lake she visited from infancy until the onset of the pandemic, when her family made the difficult decision to relinquish their multi-generational home-away-from-home. “I thought about how many people are missing places that are important to them. Sometimes grief feels isolating, and it felt like I was mourning the loss of a place that mattered greatly to me.” With all of this in mind, We All Have Places That We Miss becomes a scratched up polaroid rendered three-dimensional through the power of sound, offering a counter-intuitive certainty of the past through the ambiguous lens of the present.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe setting that inspired the album-- the lakeside hideout Hollie recounts-- is hallowed ground loaded with family history. Her grandparents built this lakeside cottage where her parents eventually met as teenagers, and her father is now buried a short distance from that same place. Now with her own family to look after, Kenniff feels the unrelenting procession of life ever more palpably. “Whenever I visited the lake,” She explains, “I felt like my father’s presence was still there and that my sons experienced a place he loved more than anywhere else.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch of the album was conjured in the wee hours of the morning while Hollie dealt with chronic insomnia spurred by anemia. Though difficult, her condition enabled her to deeply investigate the liminal spaces between waking and sleeping, memory and history, and even living and dying. A thriving garden of gauzy textures that feel discrete and indistinguishable all at once, We All Have Places That We Miss is a first-hand audio treatise on these in-between realms, and the concepts of time, death, loss, growth, love, and longing that are clarified within them. Hollie Kenniff proves once again to be an ideal guide into such unreachable places.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hollie Kenniff\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e","published_at":"2023-01-30T19:35:39+09:00","created_at":"2023-01-30T19:35:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","lp","new","western vinyl"],"price":199000,"price_min":199000,"price_max":335000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43951171698938,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Hollie Kenniff \/\/ We All Have Places That We Miss LP \/ CD - LP","public_title":"LP","options":["LP"],"price":335000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43951171731706,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Hollie Kenniff \/\/ We All Have Places That We Miss LP \/ CD - CD","public_title":"CD","options":["CD"],"price":199000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2400940121_16.jpg?v=1675074974"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2400940121_16.jpg?v=1675074974","options":["Format"],"media":[{"alt":null,"id":31454652498170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2400940121_16.jpg?v=1675074974"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2400940121_16.jpg?v=1675074974","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのシューゲイズ作家Hollie Kenniffが、2023年2月に同国老舗レーベルWestern Vinylからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ドリームポップ11曲を収録。レコードにはDLコード付属。\u003c\/p\u003e\n\u003cp\u003e彼女のパートナーであるGoldmund aka Keith Kenniffも参加しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=665699306\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eAvailable on black 12\" vinyl and CD in digipak.\u003c\/p\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHollie Kenniff’s second LP for Western Vinyl, We All Have Places That We Miss, is a chorus of cloudlike synths, seraphic strings, humming drones, and reverb drenched shoegaze guitars, all melding into an impressionistic story of remembrance, loss, family, and connection. The album’s 2021 precursor, The Quiet Drift, landed on Bandcamp’s Best Ambient list alongside the description “Drawing on the deep tones of drone, dream pop harmonies, and new age’s bright tranquility, Kenniff evokes the forests, lakes and rivers of her past and present surroundings with a zen patience.” Here on Places… she strides even further into reminiscence, seeking and commemorating the fondly tragic ache of half-remembered locales lost to time: A grandparent’s dim living room decorated in the tropes of a vague decade; a lonely clearing beside a trail we can’t be sure if we walked or just dreamt; the calming light of footage captured years before we were born though our feelings insist we were there with the actors on set. Born from bouts of insomnia, grief, and bittersweet familial recollection, We All Have Places That We Miss transmutes Kenniff’s mnemonic glimmers into a transcendentalist sonic kingdom that can be revisited time and again, standing squarely among the pedalboard auras of artists like Windy \u0026amp; Carl, Adam Wiltzie, Julianna\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Barwick, and Grouper.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album opens on “Shifting Winds,” quickly giving way to “Salient,” forming a deeply emotional dual prologue that wraps echoing guitar notes loosely around Kenniff’s vocals and piano. “Eunoia” cements the aesthetic with flits of piano from Hollie’s husband Keith Kenniff, aka Goldmund. This track perfectly exemplifies the couple’s shared aptitude for head-on sentimentality without so much as an eyeroll, provoking deep affect while skillfully bypassing the saccharine. Here, near the album’s midpoint, “Momentary” reveals the kosmische side of We All Have Places That We Miss, employing digitized vocal shimmers and quick synth sequences that wouldn’t be out of place on a Harmonia album. Another outlier, “Carve The Ruins,” is anchored around the album’s only moments of percussion: a soft, low kick drum throbbing beneath a topsoil of chorus-y guitar, resulting in the gentlest post-punk possible. These moments shift the gorgeous New Age leanings of the album into subtly unsettling territory, adding the frayed edges needed to convey the more difficult emotions brought about by time’s passing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The landscape and pace of life of these places will always stay with me,” Hollie recounts of the Ontario lake she visited from infancy until the onset of the pandemic, when her family made the difficult decision to relinquish their multi-generational home-away-from-home. “I thought about how many people are missing places that are important to them. Sometimes grief feels isolating, and it felt like I was mourning the loss of a place that mattered greatly to me.” With all of this in mind, We All Have Places That We Miss becomes a scratched up polaroid rendered three-dimensional through the power of sound, offering a counter-intuitive certainty of the past through the ambiguous lens of the present.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe setting that inspired the album-- the lakeside hideout Hollie recounts-- is hallowed ground loaded with family history. Her grandparents built this lakeside cottage where her parents eventually met as teenagers, and her father is now buried a short distance from that same place. Now with her own family to look after, Kenniff feels the unrelenting procession of life ever more palpably. “Whenever I visited the lake,” She explains, “I felt like my father’s presence was still there and that my sons experienced a place he loved more than anywhere else.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch of the album was conjured in the wee hours of the morning while Hollie dealt with chronic insomnia spurred by anemia. Though difficult, her condition enabled her to deeply investigate the liminal spaces between waking and sleeping, memory and history, and even living and dying. A thriving garden of gauzy textures that feel discrete and indistinguishable all at once, We All Have Places That We Miss is a first-hand audio treatise on these in-between realms, and the concepts of time, death, loss, growth, love, and longing that are clarified within them. Hollie Kenniff proves once again to be an ideal guide into such unreachable places.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hollie Kenniff\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e"}
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アメリカ・ポートランドのシューゲイズ作家Hollie Kenniffが、2023年2月に同国老舗レーベルWestern Vinylからリリースするアルバムです。 シューゲイズ・ドリームポップ11曲を収録。レコードにはDLコード付属。 彼女のパートナーであるGoldmund aka Keith Kenniffも参加しています。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases...
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{"id":7908960600314,"title":"Bruno Duplant and Seth Nehil \/\/ the memory of things CD","handle":"bruno-duplant-and-seth-nehil-the-memory-of-things-cd","description":"\u003cp\u003eフランスのドローン作家Bruno Duplantとアメリカの実験音楽家Seth Nehilが、2022年9月にポーランドの実験レーベルSublime Retreatからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e物音・ドローン3曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=573389639\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSublime Retreat その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSublime Retreat releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSublime Retreat:\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"The sound materials of \"the memory of things\" appear to emerge from a time that does not exist, or has yet to exist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is not the memories themselves that are important, but the way we connect them: we tangle, we weave, we classify by improbable, sometimes unheard intervals. Selvedges are crossed and paths are traced. Our attention is drawn to the noise heard just behind us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThings' memories are forming a time capsule. We build a memorial and sound structure by piling one layer of the present on top of another.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is a landscape with immediate depth to which our ears remain attentive.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bios via the label:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eSETH NEHIL\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeth Nehil is a visual, performance, and sound artist. He started to work with sound around 1990 using found objects and instruments, old records, reel-to-reel machines, discarded magnetic tape, and other detritus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis music for tapes and instruments is a descendant of the tape-music experiments of the 1950s. The three quiet\u003cspan class=\"bcTruncateMore\"\u003e confused pieces of Tracing the Skins of Clouds (Kaon, 1998) were the manifesto of his chamber music for found objects and instruments.\u003cbr\u003e\u003cbr\u003eNehil centers his sound constructions upon the topographical contour of an immense plain, what he refers to as \"a balanced field.\" He also worked with N D magazine from 1995-2000 as a writer and artistic contributor, and is currently the editor of FO(A)RM magazine. He continues collaborations with John Grzinich, Olivia Block and Michael Northam in sound, performance, and organization.\u003cbr\u003e\u003cbr\u003eBRUNO DUPLANT\u003cbr\u003e\u003cbr\u003eBruno Duplant is a prolific composer and a musician living in the north of France. He has collaborated with many musicians around the globe and has also made solo works. His recordings have been published by various labels including Elsewhere, Another Timbre, Wandelweiser, Ftarri, B-Boim, Diafani, Notice Recordings, Suppedaneum, Unfathomless, Dinzu Artefacts, Aussenraum, Moving Furniture, Verz, Mappa, Hemisphäreの空虚, Falt, among others.\u003cbr\u003e\u003cbr\u003eFor Duplant, composing and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities, and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces, and moments. His music, strongly inspired by the writing (Francis Ponge, Gaston Bachelard, among others) and some artists\/musicians (John Cage, Luc Ferrari, Eliane Radigue, Rolf Julius), is imbued with a sweet melancholy.\u003cbr\u003e\u003cbr\u003eHis photographic practice and writing (poetry), for some time, join his musical practice, in many crossings, for many exchanges\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bruno Duplant and Seth Nehil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Sublime Retreat\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-01-29T14:02:48+09:00","created_at":"2023-01-29T12:11:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","Sublime Retreat"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43949251952890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bruno Duplant and Seth Nehil \/\/ the memory of things CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_0b001a97-6724-4702-8db0-e2cef06ba7bf.jpg?v=1674961863","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_fc39446f-8788-4cd4-8a41-de6e25607230.jpg?v=1674961863"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_0b001a97-6724-4702-8db0-e2cef06ba7bf.jpg?v=1674961863","options":["Title"],"media":[{"alt":null,"id":31449905430778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_0b001a97-6724-4702-8db0-e2cef06ba7bf.jpg?v=1674961863"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_0b001a97-6724-4702-8db0-e2cef06ba7bf.jpg?v=1674961863","width":700},{"alt":null,"id":31449905463546,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_fc39446f-8788-4cd4-8a41-de6e25607230.jpg?v=1674961863"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_fc39446f-8788-4cd4-8a41-de6e25607230.jpg?v=1674961863","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Bruno Duplantとアメリカの実験音楽家Seth Nehilが、2022年9月にポーランドの実験レーベルSublime Retreatからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e物音・ドローン3曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=573389639\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSublime Retreat その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSublime Retreat releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSublime Retreat:\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"The sound materials of \"the memory of things\" appear to emerge from a time that does not exist, or has yet to exist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is not the memories themselves that are important, but the way we connect them: we tangle, we weave, we classify by improbable, sometimes unheard intervals. Selvedges are crossed and paths are traced. Our attention is drawn to the noise heard just behind us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThings' memories are forming a time capsule. We build a memorial and sound structure by piling one layer of the present on top of another.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is a landscape with immediate depth to which our ears remain attentive.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bios via the label:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eSETH NEHIL\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeth Nehil is a visual, performance, and sound artist. He started to work with sound around 1990 using found objects and instruments, old records, reel-to-reel machines, discarded magnetic tape, and other detritus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis music for tapes and instruments is a descendant of the tape-music experiments of the 1950s. The three quiet\u003cspan class=\"bcTruncateMore\"\u003e confused pieces of Tracing the Skins of Clouds (Kaon, 1998) were the manifesto of his chamber music for found objects and instruments.\u003cbr\u003e\u003cbr\u003eNehil centers his sound constructions upon the topographical contour of an immense plain, what he refers to as \"a balanced field.\" He also worked with N D magazine from 1995-2000 as a writer and artistic contributor, and is currently the editor of FO(A)RM magazine. He continues collaborations with John Grzinich, Olivia Block and Michael Northam in sound, performance, and organization.\u003cbr\u003e\u003cbr\u003eBRUNO DUPLANT\u003cbr\u003e\u003cbr\u003eBruno Duplant is a prolific composer and a musician living in the north of France. He has collaborated with many musicians around the globe and has also made solo works. His recordings have been published by various labels including Elsewhere, Another Timbre, Wandelweiser, Ftarri, B-Boim, Diafani, Notice Recordings, Suppedaneum, Unfathomless, Dinzu Artefacts, Aussenraum, Moving Furniture, Verz, Mappa, Hemisphäreの空虚, Falt, among others.\u003cbr\u003e\u003cbr\u003eFor Duplant, composing and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities, and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces, and moments. His music, strongly inspired by the writing (Francis Ponge, Gaston Bachelard, among others) and some artists\/musicians (John Cage, Luc Ferrari, Eliane Radigue, Rolf Julius), is imbued with a sweet melancholy.\u003cbr\u003e\u003cbr\u003eHis photographic practice and writing (poetry), for some time, join his musical practice, in many crossings, for many exchanges\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bruno Duplant and Seth Nehil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Sublime Retreat\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのドローン作家Bruno Duplantとアメリカの実験音楽家Seth Nehilが、2022年9月にポーランドの実験レーベルSublime Retreatからリリースした共作アルバムです。 物音・ドローン3曲を収録。デジパック、シュリンク仕様です。 Sublime Retreat その他作品はこちら /// Click here to see more Sublime Retreat releases available...
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{"id":7908957356282,"title":"David Vélez \/\/ Beta Vulgaris CD","handle":"david-velez-beta-vulgaris-cd","description":"\u003cp\u003eコロンビアの音響作家／博士David Vélezが、2022年12月にポーランドの実験レーベルSublime Retreatからリリースした最新アルバムです。\u003c\/p\u003e\n\u003cp\u003e鮮やかな赤色の野菜ビーツの成長促進のために制作したウルトラミニマル・物音ドローン5曲を収録。デジパック、シュリンク仕様です。8ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e農家の方だけでなくドローン作品としても楽しめます。以下、レーベルと作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eこの作品は、David Vélezがビーツの独特の味、色、形、そして優れた栄養価や薬効に興味を持ち、ビーツの成長を促進するために作曲したものである。\u003cmeta charset=\"utf-8\"\u003eDavid自身の小さな畑とコロンビアの博物館の庭で演奏され、大きく、美しく、健康的でおいしいビーツに育った。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロジェクトは、ビーツとその並外れた栄養的、薬効的、美的効力と同盟して、政治的・食餌的自治を主張する手段としての都市農業と家庭農業を考えるようにというものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音と食べ物の関係についての研究により、David Velezは英国でサウンドアートの博士号を取得している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e予備的考察\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e哲学者のマイケル・マーダーは、植物との長時間にわたる密接な出会いについて、時間の減速を経験し、その経過がわからなくなることを示す文章を残している。彼は、このような時間の知覚の変化が、これらの生物との近接性を確立するのに役立つと示唆している。このような植物との密接な出会いの中で、マーダーは、自分が自分でなくなるような形で、自分自身と一緒にいることを知覚している。ここで彼は、音の流れる領域で連続性を経験しながら、静寂の中で瞑想している自分を発見する。研究によると、農業は身体を概日リズムに同調させ、私たちの幸福に有益な影響を与え、鬱症状のリスクを減らすのに役立つという。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生物学者エドワード・O・ウィルソンは、人間が植物や人間以外の生物に惹かれるのは、何百万年にもわたる共生適応と遺伝子の共進化と関係があり、どの種も周囲の他者を自分の現在の遺伝子開発の協力者や共同執筆者として認識している、と指摘している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e園芸家のPaula Diane Relfは、農業が幸福に及ぼすプラスの効果を特定の側面で認めている。彼女は、治療的農業が洞察的なカタルシスとして機能し、優れた観察力と共感力を刺激することができると支持している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eベータ・ヴルガリス（BETA VULGARIS）\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eジャンヌ・マクヘイルは物理化学の研究者であり、ビーツを分析し、その独特な色の成分であるベタニンを利用して、持続可能な太陽エネルギーシステムを開発しています。太陽電池の光電池に代わるものとして研究している。太陽電池の毒性は、太陽エネルギーが持続不可能である主な理由です。McHaleの研究は、現在の気候危機の主要な原因の一つであるエネルギー危機を軽減するのに役立つだろう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e化学研究者のLi-June MingとDM Jonathan Burdetteは、ベタニンが脳への血流を促進し、特定の認知機能を向上させることを示唆している。ミン氏は、アルツハイマー病が脳を攻撃する速度を遅らせるために、ベタニンの組成を研究している。アルツハイマー病は、脳に蓄積されたエネルギーが減少し、エントロピーの悪影響に対抗できなくなったときに発症する。現在進行中のアルツハイマー病の蔓延を考慮すると、明の研究は何百万もの人々に恩恵を与え、何千もの生命を救うことができる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Vélezは、ビーツの植物を共同制作者として考え、彼らの音に対する知覚に関与できるような、主観的な音響の収束点を確立する必要があると考え、この作品を作曲した。このために、\u003cmeta charset=\"utf-8\"\u003eDavidは植物学と農業における植物の音響に関する理論を検討した。スタジオで\u003cmeta charset=\"utf-8\"\u003eビーツを育てながら音響的な刺激を与えると、素晴らしい結果が得られた。3ヵ月後、健康で豊かな、絶妙の生育を見せたのである。その後、メデジンの近代美術館で、このプロセスを再現し、同様の成功を収め、ビーツの料理教室を開催するに至った。\u003cmeta charset=\"utf-8\"\u003eDavidが研究した理論は次の通りである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(a) 農業音響の研究者であるダン・カールソンによるプロジェクト「Sonic bloom organic farming made easy！」が、この作品の構成に重要な役割を果たした。ラダ・ハサニエン著『Advances in Effects of Sound Waves on Plants』という論文で読んだ彼の考えは、3,000Hz以上の正弦波に対して植物が好反応を示すことを示唆するものである。カールソンによれば、これらの音は植物の成長を促進し、収穫量を増やし、葉や花の発育を促し、病気に対する抵抗力を高め、栄養分の受容を増加させることができる。3,000Hz以上の正弦波は、茎や葉の表皮にある気孔を開き、窒素や水など必要な物質の吸収をよくする効果があると指摘する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(b) 植物を刺激するために、DavidはHeidi AppelとRex Cocroftが執筆した論文Plants respond to leaf vibrations caused by insect herbivore chewingも調べた。この論文では、これらの音が植物の免疫システムを強化することができると研究されている。作曲家は、近接性、質感、動き、ディテールを追求し、\u003cmeta charset=\"utf-8\"\u003eビーツの調理から録音された調理音を使用して、それらを再現することにした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(c) Axel Michelsenは、昆虫、植物、音の関係を研究し、ある種の昆虫は野菜を音響変換器として使用し、音を増幅していることを示唆している。昆虫の鳴き声は聞き取れないことが多いので、植物で増幅させる必要がある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2063081990\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eSublime Retreat その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSublime Retreat releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeta Vulgaris was composed by David Vélez to stimulate the growth of beetroot after his interest in its unique taste, colour, and shape and its superb nutritional and medicinal value. It was played in David's own small domestic crop of beets and in the garden of a museum in Colombia, and they grew big, beautiful, healthy and delicious.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis project is an invitation to consider urban and domestic agriculture as means to claim political and alimentary autonomy in alliance with beets and their extraordinary nutritional, medicinal and aesthetic potency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor his research work on the relationship between sound and food, David Velez was awarded PhD in Sound Art in the UK.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePRELIMINARY CONSIDERATIONS\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhilosopher Michael Marder writes about his extended and close encounters with plants, indicating experiencing time deceleration and losing track of its lapse. He suggests that these changes in time perception help him establish proximity with these organisms. In these close encounters with plant life, Marder perceives that he is together with himself in a way in which he becomes himself otherwise. Here, he finds himself meditating\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e in silence while experiencing continuity in the streaming realm of sound. Studies show that farming synchronises the body to circadian rhythms which has beneficial effects on our well-being, helping decrease the risk of depression symptoms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBiologist Edward O. Wilson suggests that the attraction of humans to plants, and other non-human organisms, is connected with millions of years of symbiotic adaptation and genetic coevolution, where every species perceives the others around as collaborators and co-authors of its current genetic development.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHorticulturist Paula Diane Relf acknowledges the positive effects of farming in well-being operating in specific aspects. She supports that therapeutic farming can operate as an insightful catharsis that stimulates great observation capacity and a greater sense of empathy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBETA VULGARIS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne McHale is a researcher in physical chemistry who analyses beets to develop sustainable solar energy systems by working with betanin, the component that gives them their unique colour. She studies it to replace photovoltaic cells in solar panels. The toxicity of these cells is the main reason why solar energy is unsustainable. The research of McHale could help alleviate the energy crisis which is one of the leading causes of the current climate crisis.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBetanin stimulates blood flow to the brain and improves certain cognitive functions, as suggested by chemistry researchers Li-June Ming and DM Jonathan Burdette. Ming studies the composition of betanin to slow down the speed at which Alzheimer's attacks the brain. This disease occurs when the energy reserve accumulated in the brain decreases, and the brain can no longer counteract the detrimental effects of entropy. Considering the ongoing Alzheimer's epidemic, Ming’s research could benefit millions and save thousands of lives, as revealed by the most recent public health statistics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Vélez composed this piece considering beetroot plants as collaborators, hence the need to establish a point of intersubjective acoustic convergence in which he could engage with their perception of sound. For this, David considered theories about the acoustics of plants in botany and agriculture. In his studio, he grew beets while acoustically stimulating them with great results. After three months, they grew healthy, exuberant and exquisite. Later, in the Modern Art Museum in Medellin, the process was replicated with equal success, leading to a culinary workshop on beets. The theories David researched are as follows:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(a) The project Sonic bloom organic farming made easy! by the researcher in agricultural acoustics, Dan Carlson, was crucial in the composition of this piece. His ideas, which David read about in the essay Advances in Effects of Sound Waves on Plants, authored by Rada Hassanien, suggest that plants show a positive reaction to sinusoidal waves above 3,000 Hz. For Carlson, these sounds can accelerate the growth of plants, increase the volume of the harvest, stimulate the development of leaves and flowers, improve resistance to diseases, and increase the reception of nutrients. Sine tones over 3,000 Hz open the stomata in the epidermis of stems and leaves and encourage better absorption of nitrogen, water, and other essential substances, he suggests.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(b) To stimulate the plants, David also examined the paper Plants respond to leaf vibrations caused by insect herbivore chewing, authored by Heidi Appel and Rex Cocroft, whose research suggests that these sounds can strengthen the immune system of plants. Composer decided to recreate them using cooking sounds recorded from beet preparations pursuing proximity, textures, movement and detail.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(c) Axel Michelsen studies the relation between insects, plants and sound and suggests that some insect species use vegetables as acoustic transducers to amplify their sounds. The sounds made by insects are often imperceptible hence the need to use plants to amplify them.\u003c\/span\u003e \u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Sublime Retreat\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-01-29T11:36:32+09:00","created_at":"2023-01-29T11:36:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","Sublime Retreat"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43949222822138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Vélez \/\/ Beta Vulgaris CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0292341654_16.jpg?v=1674959945"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0292341654_16.jpg?v=1674959945","options":["Title"],"media":[{"alt":null,"id":31449830850810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0292341654_16.jpg?v=1674959945"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0292341654_16.jpg?v=1674959945","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコロンビアの音響作家／博士David Vélezが、2022年12月にポーランドの実験レーベルSublime Retreatからリリースした最新アルバムです。\u003c\/p\u003e\n\u003cp\u003e鮮やかな赤色の野菜ビーツの成長促進のために制作したウルトラミニマル・物音ドローン5曲を収録。デジパック、シュリンク仕様です。8ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e農家の方だけでなくドローン作品としても楽しめます。以下、レーベルと作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eこの作品は、David Vélezがビーツの独特の味、色、形、そして優れた栄養価や薬効に興味を持ち、ビーツの成長を促進するために作曲したものである。\u003cmeta charset=\"utf-8\"\u003eDavid自身の小さな畑とコロンビアの博物館の庭で演奏され、大きく、美しく、健康的でおいしいビーツに育った。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのプロジェクトは、ビーツとその並外れた栄養的、薬効的、美的効力と同盟して、政治的・食餌的自治を主張する手段としての都市農業と家庭農業を考えるようにというものである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音と食べ物の関係についての研究により、David Velezは英国でサウンドアートの博士号を取得している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e予備的考察\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e哲学者のマイケル・マーダーは、植物との長時間にわたる密接な出会いについて、時間の減速を経験し、その経過がわからなくなることを示す文章を残している。彼は、このような時間の知覚の変化が、これらの生物との近接性を確立するのに役立つと示唆している。このような植物との密接な出会いの中で、マーダーは、自分が自分でなくなるような形で、自分自身と一緒にいることを知覚している。ここで彼は、音の流れる領域で連続性を経験しながら、静寂の中で瞑想している自分を発見する。研究によると、農業は身体を概日リズムに同調させ、私たちの幸福に有益な影響を与え、鬱症状のリスクを減らすのに役立つという。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生物学者エドワード・O・ウィルソンは、人間が植物や人間以外の生物に惹かれるのは、何百万年にもわたる共生適応と遺伝子の共進化と関係があり、どの種も周囲の他者を自分の現在の遺伝子開発の協力者や共同執筆者として認識している、と指摘している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e園芸家のPaula Diane Relfは、農業が幸福に及ぼすプラスの効果を特定の側面で認めている。彼女は、治療的農業が洞察的なカタルシスとして機能し、優れた観察力と共感力を刺激することができると支持している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eベータ・ヴルガリス（BETA VULGARIS）\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eジャンヌ・マクヘイルは物理化学の研究者であり、ビーツを分析し、その独特な色の成分であるベタニンを利用して、持続可能な太陽エネルギーシステムを開発しています。太陽電池の光電池に代わるものとして研究している。太陽電池の毒性は、太陽エネルギーが持続不可能である主な理由です。McHaleの研究は、現在の気候危機の主要な原因の一つであるエネルギー危機を軽減するのに役立つだろう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e化学研究者のLi-June MingとDM Jonathan Burdetteは、ベタニンが脳への血流を促進し、特定の認知機能を向上させることを示唆している。ミン氏は、アルツハイマー病が脳を攻撃する速度を遅らせるために、ベタニンの組成を研究している。アルツハイマー病は、脳に蓄積されたエネルギーが減少し、エントロピーの悪影響に対抗できなくなったときに発症する。現在進行中のアルツハイマー病の蔓延を考慮すると、明の研究は何百万もの人々に恩恵を与え、何千もの生命を救うことができる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Vélezは、ビーツの植物を共同制作者として考え、彼らの音に対する知覚に関与できるような、主観的な音響の収束点を確立する必要があると考え、この作品を作曲した。このために、\u003cmeta charset=\"utf-8\"\u003eDavidは植物学と農業における植物の音響に関する理論を検討した。スタジオで\u003cmeta charset=\"utf-8\"\u003eビーツを育てながら音響的な刺激を与えると、素晴らしい結果が得られた。3ヵ月後、健康で豊かな、絶妙の生育を見せたのである。その後、メデジンの近代美術館で、このプロセスを再現し、同様の成功を収め、ビーツの料理教室を開催するに至った。\u003cmeta charset=\"utf-8\"\u003eDavidが研究した理論は次の通りである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(a) 農業音響の研究者であるダン・カールソンによるプロジェクト「Sonic bloom organic farming made easy！」が、この作品の構成に重要な役割を果たした。ラダ・ハサニエン著『Advances in Effects of Sound Waves on Plants』という論文で読んだ彼の考えは、3,000Hz以上の正弦波に対して植物が好反応を示すことを示唆するものである。カールソンによれば、これらの音は植物の成長を促進し、収穫量を増やし、葉や花の発育を促し、病気に対する抵抗力を高め、栄養分の受容を増加させることができる。3,000Hz以上の正弦波は、茎や葉の表皮にある気孔を開き、窒素や水など必要な物質の吸収をよくする効果があると指摘する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(b) 植物を刺激するために、DavidはHeidi AppelとRex Cocroftが執筆した論文Plants respond to leaf vibrations caused by insect herbivore chewingも調べた。この論文では、これらの音が植物の免疫システムを強化することができると研究されている。作曲家は、近接性、質感、動き、ディテールを追求し、\u003cmeta charset=\"utf-8\"\u003eビーツの調理から録音された調理音を使用して、それらを再現することにした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(c) Axel Michelsenは、昆虫、植物、音の関係を研究し、ある種の昆虫は野菜を音響変換器として使用し、音を増幅していることを示唆している。昆虫の鳴き声は聞き取れないことが多いので、植物で増幅させる必要がある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2063081990\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eSublime Retreat その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sure\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sure\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSublime Retreat releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeta Vulgaris was composed by David Vélez to stimulate the growth of beetroot after his interest in its unique taste, colour, and shape and its superb nutritional and medicinal value. It was played in David's own small domestic crop of beets and in the garden of a museum in Colombia, and they grew big, beautiful, healthy and delicious.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis project is an invitation to consider urban and domestic agriculture as means to claim political and alimentary autonomy in alliance with beets and their extraordinary nutritional, medicinal and aesthetic potency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor his research work on the relationship between sound and food, David Velez was awarded PhD in Sound Art in the UK.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePRELIMINARY CONSIDERATIONS\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhilosopher Michael Marder writes about his extended and close encounters with plants, indicating experiencing time deceleration and losing track of its lapse. He suggests that these changes in time perception help him establish proximity with these organisms. In these close encounters with plant life, Marder perceives that he is together with himself in a way in which he becomes himself otherwise. Here, he finds himself meditating\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e in silence while experiencing continuity in the streaming realm of sound. Studies show that farming synchronises the body to circadian rhythms which has beneficial effects on our well-being, helping decrease the risk of depression symptoms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBiologist Edward O. Wilson suggests that the attraction of humans to plants, and other non-human organisms, is connected with millions of years of symbiotic adaptation and genetic coevolution, where every species perceives the others around as collaborators and co-authors of its current genetic development.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHorticulturist Paula Diane Relf acknowledges the positive effects of farming in well-being operating in specific aspects. She supports that therapeutic farming can operate as an insightful catharsis that stimulates great observation capacity and a greater sense of empathy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBETA VULGARIS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne McHale is a researcher in physical chemistry who analyses beets to develop sustainable solar energy systems by working with betanin, the component that gives them their unique colour. She studies it to replace photovoltaic cells in solar panels. The toxicity of these cells is the main reason why solar energy is unsustainable. The research of McHale could help alleviate the energy crisis which is one of the leading causes of the current climate crisis.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBetanin stimulates blood flow to the brain and improves certain cognitive functions, as suggested by chemistry researchers Li-June Ming and DM Jonathan Burdette. Ming studies the composition of betanin to slow down the speed at which Alzheimer's attacks the brain. This disease occurs when the energy reserve accumulated in the brain decreases, and the brain can no longer counteract the detrimental effects of entropy. Considering the ongoing Alzheimer's epidemic, Ming’s research could benefit millions and save thousands of lives, as revealed by the most recent public health statistics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Vélez composed this piece considering beetroot plants as collaborators, hence the need to establish a point of intersubjective acoustic convergence in which he could engage with their perception of sound. For this, David considered theories about the acoustics of plants in botany and agriculture. In his studio, he grew beets while acoustically stimulating them with great results. After three months, they grew healthy, exuberant and exquisite. Later, in the Modern Art Museum in Medellin, the process was replicated with equal success, leading to a culinary workshop on beets. The theories David researched are as follows:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(a) The project Sonic bloom organic farming made easy! by the researcher in agricultural acoustics, Dan Carlson, was crucial in the composition of this piece. His ideas, which David read about in the essay Advances in Effects of Sound Waves on Plants, authored by Rada Hassanien, suggest that plants show a positive reaction to sinusoidal waves above 3,000 Hz. For Carlson, these sounds can accelerate the growth of plants, increase the volume of the harvest, stimulate the development of leaves and flowers, improve resistance to diseases, and increase the reception of nutrients. Sine tones over 3,000 Hz open the stomata in the epidermis of stems and leaves and encourage better absorption of nitrogen, water, and other essential substances, he suggests.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(b) To stimulate the plants, David also examined the paper Plants respond to leaf vibrations caused by insect herbivore chewing, authored by Heidi Appel and Rex Cocroft, whose research suggests that these sounds can strengthen the immune system of plants. Composer decided to recreate them using cooking sounds recorded from beet preparations pursuing proximity, textures, movement and detail.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e(c) Axel Michelsen studies the relation between insects, plants and sound and suggests that some insect species use vegetables as acoustic transducers to amplify their sounds. The sounds made by insects are often imperceptible hence the need to use plants to amplify them.\u003c\/span\u003e \u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Sublime Retreat\u003c\/span\u003e\u003c\/p\u003e"}
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コロンビアの音響作家／博士David Vélezが、2022年12月にポーランドの実験レーベルSublime Retreatからリリースした最新アルバムです。 鮮やかな赤色の野菜ビーツの成長促進のために制作したウルトラミニマル・物音ドローン5曲を収録。デジパック、シュリンク仕様です。8ページのブックレット付属。 農家の方だけでなくドローン作品としても楽しめます。以下、レーベルと作家による解説です。 この作品は、David Vélezがビーツの独特の味、色、形、そして優れた栄養価や薬効に興味を持ち、ビーツの成長を促進するために作曲したものである。David自身の小さな畑とコロンビアの博物館の庭で演奏され、大きく、美しく、健康的でおいしいビーツに育った。このプロジェクトは、ビーツとその並外れた栄養的、薬効的、美的効力と同盟して、政治的・食餌的自治を主張する手段としての都市農業と家庭農業を考えるようにというものである。音と食べ物の関係についての研究により、David Velezは英国でサウンドアートの博士号を取得している。予備的考察哲学者のマイケル・マーダーは、植物との長時間にわたる密接な出会いについて、時間の減速を経験し、その経過がわからなくなることを示す文章を残している。彼は、このような時間の知覚の変化が、これらの生物との近接性を確立するのに役立つと示唆している。このような植物との密接な出会いの中で、マーダーは、自分が自分でなくなるような形で、自分自身と一緒にいることを知覚している。ここで彼は、音の流れる領域で連続性を経験しながら、静寂の中で瞑想している自分を発見する。研究によると、農業は身体を概日リズムに同調させ、私たちの幸福に有益な影響を与え、鬱症状のリスクを減らすのに役立つという。生物学者エドワード・O・ウィルソンは、人間が植物や人間以外の生物に惹かれるのは、何百万年にもわたる共生適応と遺伝子の共進化と関係があり、どの種も周囲の他者を自分の現在の遺伝子開発の協力者や共同執筆者として認識している、と指摘している。園芸家のPaula Diane Relfは、農業が幸福に及ぼすプラスの効果を特定の側面で認めている。彼女は、治療的農業が洞察的なカタルシスとして機能し、優れた観察力と共感力を刺激することができると支持している。ベータ・ヴルガリス（BETA VULGARIS）ジャンヌ・マクヘイルは物理化学の研究者であり、ビーツを分析し、その独特な色の成分であるベタニンを利用して、持続可能な太陽エネルギーシステムを開発しています。太陽電池の光電池に代わるものとして研究している。太陽電池の毒性は、太陽エネルギーが持続不可能である主な理由です。McHaleの研究は、現在の気候危機の主要な原因の一つであるエネルギー危機を軽減するのに役立つだろう。化学研究者のLi-June MingとDM Jonathan Burdetteは、ベタニンが脳への血流を促進し、特定の認知機能を向上させることを示唆している。ミン氏は、アルツハイマー病が脳を攻撃する速度を遅らせるために、ベタニンの組成を研究している。アルツハイマー病は、脳に蓄積されたエネルギーが減少し、エントロピーの悪影響に対抗できなくなったときに発症する。現在進行中のアルツハイマー病の蔓延を考慮すると、明の研究は何百万もの人々に恩恵を与え、何千もの生命を救うことができる。David...
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{"id":7907983491322,"title":"Macrogramma \/\/ Asphyxia CDR","handle":"macrogramma-asphyxia-cd","description":"\u003cp\u003eイタリアのアンビエント作家Macrogrammaが、\u003cspan data-mce-fragment=\"1\"\u003e2023年1月に同国アンビエントレーベルRohs!から60部限定でリリースしたCDRです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eディープ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2613017865\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rohs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rohs\"\u003ehere\u003c\/a\u003e to see more Rohs! Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 60.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Macrogramma\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Rohs! Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-01-28T06:37:52+09:00","created_at":"2023-01-27T14:13:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","rohs!"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43945697673466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Macrogramma \/\/ Asphyxia CDR","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_b91d5b01-7907-43f9-bc3a-a4c8ac16d256.jpg?v=1674796384","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_bd20a42b-1cae-494a-afb5-a93a694a053f.jpg?v=1674796383"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_b91d5b01-7907-43f9-bc3a-a4c8ac16d256.jpg?v=1674796384","options":["Title"],"media":[{"alt":null,"id":31440878928122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_b91d5b01-7907-43f9-bc3a-a4c8ac16d256.jpg?v=1674796384"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_b91d5b01-7907-43f9-bc3a-a4c8ac16d256.jpg?v=1674796384","width":700},{"alt":null,"id":31440878960890,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_bd20a42b-1cae-494a-afb5-a93a694a053f.jpg?v=1674796383"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_bd20a42b-1cae-494a-afb5-a93a694a053f.jpg?v=1674796383","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのアンビエント作家Macrogrammaが、\u003cspan data-mce-fragment=\"1\"\u003e2023年1月に同国アンビエントレーベルRohs!から60部限定でリリースしたCDRです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eディープ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2613017865\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rohs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rohs\"\u003ehere\u003c\/a\u003e to see more Rohs! Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 60.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Macrogramma\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Rohs! Records\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのアンビエント作家Macrogrammaが、2023年1月に同国アンビエントレーベルRohs!から60部限定でリリースしたCDRです。 ディープ・アンビエント4曲を収録。 レーベルその他作品はこちら /// Click here to see more Rohs! Records releases available at Tobira. ---------------------------- Edition...
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