Takahiro Mukai // Spell TAPE
Takahiro Mukai // Spell TAPE
¥700
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大阪の実験ダンス作家Takahiro Mukaiが、2022年1月にロシアの実験レーベルNazloから40本限定でリリースしたカセットです。
ミニマルなアンビエントダブ4曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Nazlo releases available at Tobira.
----------------------------
Edition of 40.
Artist : TAKAHIRO MUKAI
Label : Nazlo
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{"id":7668015988986,"title":"Matt Atkins \/\/ Imperfections TAPE","handle":"matt-atkins-imperfections-tape","description":"\u003cp\u003eフランス・リヨンの実験レーベルwabi-sabi tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・ロンドンのパーカッショニストMatt Atkinsが、2022年5月に50本限定でリリースしたカセットです\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e様々な打楽器によるリズミカルな物音コラージュ9曲を収録。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=863636054\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWabi Sabi Tapesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWabi Sabi Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis collection of pieces are like a tapestry of textures, the elements of chance and juxtaposition playing a main role here. Random snippets of recordings of percussion improvisations, found sounds and object manipulations, looped and layered across each other like patchwork; the sounds and timbres rolling around among each other, creating textural Imperfections that I found exciting. I also left the sequencing of the track titles imperfect, to reflect the nature of the pieces.” - Matt Atkins\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSound and visual artist based in London, Matt Atkins works with percussion, valuing the meticulousness of contact. His musical adventures have been published by a number of labels that share his taste for instant acousmatic music: Grisaille, tsss tapes, Tone Burst, Dasa Tapes, falt, Complex Holiday, etc. Since 2021, he has participated in the emulation of this scene via his label Minimal Ressource Manipulation on which he invites artists from various horizons to reinterpret this minimalist and elementary relationship to music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Imperfections, we find Matt Atkins' obsession with stochastic musical phenomena. The percussive elements adopt\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e gyratory inflections and this ambivalent conglomerate tries to find its own construction. By a subtle play of distances, the artist places the sounds. The listener, a stakeholder in this sound complex, enjoys an intimate relationship with the compositions as in \"Sixth\" where the rubbed, shaken and scraped objects offer both a reference point and a counterpoint to the aerial layer that settles in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn intuitive relic of musique concrète, the magnetism of the tapes merges with the reciprocal influence that operates between the sounds. The latter attract and repel each other in the ballet of the loop. In \"Ninth\", the deep timbre of a Tibetan bowl is in tune with the clashing of shepherds' bells. The bronze of which they are made assimilates both the roundness and the brilliance of the sound spectrum. In Imperfections, the music is tuned to the time of a resonance that does not want to run out of steam.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThus Matt Atkins invites us to tame our sound environment, random and capricious by nature, and to let ourselves be carried by the flow of this nascent musicality. In one of his poems, the Romanian poet Gellu Naum writes: \"It seems that at the end of the silence circulates a disorder caused by the desert of the world. Imperfections is one of those albums that accompanies the listener beyond the silence, in a heterotopia of its own where music is the arcane of a forgotten world.\u003c\/span\u003e \"\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Matt Atkins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Wabi Sabi Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-07-06T15:26:54+09:00","created_at":"2022-07-06T15:26:54+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","strange beats","tape","wabisabi"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42958700642554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Atkins \/\/ Imperfections TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0525499240_16.jpg?v=1657088992","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0028725897_10.jpg?v=1657088993"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0525499240_16.jpg?v=1657088992","options":["Title"],"media":[{"alt":null,"id":30068370702586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0525499240_16.jpg?v=1657088992"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0525499240_16.jpg?v=1657088992","width":700},{"alt":null,"id":30068370735354,"position":2,"preview_image":{"aspect_ratio":1.954,"height":614,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0028725897_10.jpg?v=1657088993"},"aspect_ratio":1.954,"height":614,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0028725897_10.jpg?v=1657088993","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・リヨンの実験レーベルwabi-sabi tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・ロンドンのパーカッショニストMatt Atkinsが、2022年5月に50本限定でリリースしたカセットです\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e様々な打楽器によるリズミカルな物音コラージュ9曲を収録。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=863636054\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWabi Sabi Tapesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWabi Sabi Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis collection of pieces are like a tapestry of textures, the elements of chance and juxtaposition playing a main role here. Random snippets of recordings of percussion improvisations, found sounds and object manipulations, looped and layered across each other like patchwork; the sounds and timbres rolling around among each other, creating textural Imperfections that I found exciting. I also left the sequencing of the track titles imperfect, to reflect the nature of the pieces.” - Matt Atkins\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSound and visual artist based in London, Matt Atkins works with percussion, valuing the meticulousness of contact. His musical adventures have been published by a number of labels that share his taste for instant acousmatic music: Grisaille, tsss tapes, Tone Burst, Dasa Tapes, falt, Complex Holiday, etc. Since 2021, he has participated in the emulation of this scene via his label Minimal Ressource Manipulation on which he invites artists from various horizons to reinterpret this minimalist and elementary relationship to music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Imperfections, we find Matt Atkins' obsession with stochastic musical phenomena. The percussive elements adopt\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e gyratory inflections and this ambivalent conglomerate tries to find its own construction. By a subtle play of distances, the artist places the sounds. The listener, a stakeholder in this sound complex, enjoys an intimate relationship with the compositions as in \"Sixth\" where the rubbed, shaken and scraped objects offer both a reference point and a counterpoint to the aerial layer that settles in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn intuitive relic of musique concrète, the magnetism of the tapes merges with the reciprocal influence that operates between the sounds. The latter attract and repel each other in the ballet of the loop. In \"Ninth\", the deep timbre of a Tibetan bowl is in tune with the clashing of shepherds' bells. The bronze of which they are made assimilates both the roundness and the brilliance of the sound spectrum. In Imperfections, the music is tuned to the time of a resonance that does not want to run out of steam.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThus Matt Atkins invites us to tame our sound environment, random and capricious by nature, and to let ourselves be carried by the flow of this nascent musicality. In one of his poems, the Romanian poet Gellu Naum writes: \"It seems that at the end of the silence circulates a disorder caused by the desert of the world. Imperfections is one of those albums that accompanies the listener beyond the silence, in a heterotopia of its own where music is the arcane of a forgotten world.\u003c\/span\u003e \"\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Matt Atkins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Wabi Sabi Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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フランス・リヨンの実験レーベルwabi-sabi tapesを入荷しました。 本作は、イギリス・ロンドンのパーカッショニストMatt Atkinsが、2022年5月に50本限定でリリースしたカセットです。 様々な打楽器によるリズミカルな物音コラージュ9曲を収録。DLコード付属。 Wabi Sabi Tapesその他作品はこちら /// Click here to see more Wabi Sabi Tapes releases...
¥1,480
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{"id":7666962956538,"title":"Matthew Ryals \/\/ impromptus in isolation TAPE","handle":"matthew-ryals-impromptus-in-isolation-tape","description":"\u003cp\u003eアメリカ・NYのモジュラー奏者Matthew Ryalsが、2022年6月に同国ノースカロライナの地下レーベルSound As Languageからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matthew-ryals-voltage-scores-tape\"\u003e前作\u003c\/a\u003eの一人フリージャズとは打って変わり、本作はコラージュ・テクノを中心としたモジュラーでのインプロ演奏8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=144849220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1362861157\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=144849220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003ehere\u003c\/a\u003e to see more Sound As Language releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eSound As Language:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatthew Ryals is no doubt one of the most innovative and forward-thinking electronic musicians working today. Drawing on his experience in both the conservatory and the underground, Ryals brings both technique and spontaneity to impromptus in isolation, available June 2022 on sound as language. Elaborating on methods developed for his 2021 release Voltage Scores (Oxtail Recordings), impromptus in isolation is a bold, joyous tear through visceral free jazz, bucolic ambience, head-scratching sound design, and more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsolation is an all-too-familiar term these days and as a result, one that has been rapidly redefined. No longer does physical isolation require social isolation; increasingly, we are all alone with our machines, connected to each other through the cloud. On impromptus, Ryals pushes this modern condition to its cybernetic conclusion. The synth is promoted from instrument to collaborator; he’s no longer playing on it, he’s playing with it. You can hear the dynamism: two expert players trading volleys, testing each other’s limits, sharing one-of-a-kind moments that will never be repeated.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach track includes a “take” number in its title, reminding us that these are the choice cuts from the duo’s sessions\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, lightning in a bottle, the closest thing an at-home listener can get to the thrill of the gig. In fact, live performance is an integral part of Ryals’ process, not just in theory but in practice, so the ideas on impromptus were workshopped in live performance, adding another layer to the conceptual onion: Ryals is together with the synthesizer, alone on stage, in front of an audience.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the dust settles on the album’s massive closing moments and Ryals takes a bow, we’re left to ponder the fate of his collaborator after the lights go down: Did it play well tonight? Is it tired? Do synthesizers dream of electric sheep?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Ryals\u003c\/p\u003e\n\u003cp\u003eLabel : Sound As Language\u003c\/p\u003e","published_at":"2022-07-05T19:38:52+09:00","created_at":"2022-07-05T16:54:05+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","sound as language","strange beats","tape"],"price":184000,"price_min":184000,"price_max":184000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42955138957562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matthew Ryals \/\/ impromptus in isolation TAPE","public_title":null,"options":["Default Title"],"price":184000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_3349c6a1-a8c6-4cc6-bc68-d486be39bd5d.jpg?v=1657007647","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_e2fe00fa-1b04-43b1-8c09-875d9a22c335.jpg?v=1657007647"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_3349c6a1-a8c6-4cc6-bc68-d486be39bd5d.jpg?v=1657007647","options":["Title"],"media":[{"alt":null,"id":30062229913850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_3349c6a1-a8c6-4cc6-bc68-d486be39bd5d.jpg?v=1657007647"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_3349c6a1-a8c6-4cc6-bc68-d486be39bd5d.jpg?v=1657007647","width":700},{"alt":null,"id":30062229946618,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_e2fe00fa-1b04-43b1-8c09-875d9a22c335.jpg?v=1657007647"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_e2fe00fa-1b04-43b1-8c09-875d9a22c335.jpg?v=1657007647","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのモジュラー奏者Matthew Ryalsが、2022年6月に同国ノースカロライナの地下レーベルSound As Languageからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matthew-ryals-voltage-scores-tape\"\u003e前作\u003c\/a\u003eの一人フリージャズとは打って変わり、本作はコラージュ・テクノを中心としたモジュラーでのインプロ演奏8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=144849220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1362861157\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=144849220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003ehere\u003c\/a\u003e to see more Sound As Language releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eSound As Language:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatthew Ryals is no doubt one of the most innovative and forward-thinking electronic musicians working today. Drawing on his experience in both the conservatory and the underground, Ryals brings both technique and spontaneity to impromptus in isolation, available June 2022 on sound as language. Elaborating on methods developed for his 2021 release Voltage Scores (Oxtail Recordings), impromptus in isolation is a bold, joyous tear through visceral free jazz, bucolic ambience, head-scratching sound design, and more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsolation is an all-too-familiar term these days and as a result, one that has been rapidly redefined. 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In fact, live performance is an integral part of Ryals’ process, not just in theory but in practice, so the ideas on impromptus were workshopped in live performance, adding another layer to the conceptual onion: Ryals is together with the synthesizer, alone on stage, in front of an audience.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the dust settles on the album’s massive closing moments and Ryals takes a bow, we’re left to ponder the fate of his collaborator after the lights go down: Did it play well tonight? Is it tired? Do synthesizers dream of electric sheep?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Ryals\u003c\/p\u003e\n\u003cp\u003eLabel : Sound As Language\u003c\/p\u003e"}
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アメリカ・NYのモジュラー奏者Matthew Ryalsが、2022年6月に同国ノースカロライナの地下レーベルSound As Languageからリリースしたカセットです。 前作の一人フリージャズとは打って変わり、本作はコラージュ・テクノを中心としたモジュラーでのインプロ演奏8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Sound As Language releases available...
¥1,840
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{"id":7666938642682,"title":"Left Hand Cuts off the Right \u0026 Tasos Stamou \/\/ Borrowed Time TAPE","handle":"left-hand-cuts-off-the-right-tasos-stamou-borrowed-time-tape","description":"\u003cp\u003eイギリスの実験音楽家Left Hand Cuts off the Rightとギリシャの実験音楽家Tasos Stamouが、2022年5月にイギリスのノイズ〜実験レーベルBrachliegen Tapesからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e互いのライブ音源を再構築したコラージュ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1648003858\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003ehere\u003c\/a\u003e to see more Brachliegen Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efeat. 2 bonus tracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText and artist bio by Brachliegen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBORROWED TIME is a cross collaboration from LEFT HAND CUTS OFF THE RIGHT (Robbie Judkins) and TASOS STAMOU, working with zither, piano, objects, circuit bent devices, effects, loops and field recordings. The project sees two recordings of solo live performances — by LHCOTR at Cafe Oto and STAMOU at Hundred Years gallery — exchanged between the artists, who reinterpret and process the original live sets through digital and acoustic manipulation. Present at each others’ performances, BORROWED TIME is an active collaboration of mutual deep listening and exchange, through which the boundaries between artist and listener are stretched and bent to produce a work of phantasmic communality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe artists discuss their approach via email exchange as follows:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTASOS: “I extracted 2 MIDI tracks out of the recording, one followed the tones and the other the harmonics, then I applied different synths responding to the information, for instance the vibraphone keys are actually following the harmonic extracts of your actual sound....I only did some live filtering and arranging, but all following the original timeline….”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eROBBIE: “So it's your piece being played out through a guitar amp, tiny 5w Marshall amp, monitors and headphones. The\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e tiny Marshal amp is mic'd and recorded onto the Tascam 4-track tape recorder along with a contact mic attached to the chair I was sat on, microphone on the piano I played alongside the zither which was recorded through a Zoom R8 and I also used the onboard mics to record the room. I also played with the speed and pitch control of the Tascam tape player when playing back and recording followed by some mixing. Enjoy?!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLEFT HAND CUTS OFF THE RIGHT is the moniker of sound artist and musician, Robbie Judkins. His work melds acoustic instruments, bent electronics, synthesizers, field recordings and more. Habitual drones, twinkling twitchings, crackling rhythms and aural oddities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTASOS STAMOU is an electroacoustic music composer and free improvisation performer. His latest works blend his passions for both cutting edge electronics and folklore traditions of his Greek music heritage.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Left Hand Cuts off the Right \u0026amp; Tasos Stamou\u003c\/p\u003e\n\u003cp\u003eLabel : Brachliegen Tapes\u003c\/p\u003e","published_at":"2022-07-06T07:47:01+09:00","created_at":"2022-07-05T14:56:46+09:00","vendor":"Tobira Records","type":"","tags":["brachliegen","drone","monooto","new","recommended","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42954952179962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Left Hand Cuts off the Right \u0026 Tasos Stamou \/\/ Borrowed Time TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_b031a858-1ed1-418a-bbcc-210860f3cafb.jpg?v=1657000608","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_6a9e9875-d0e2-4f34-8c3d-8d6e9b31b5dc.jpg?v=1657000608"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_b031a858-1ed1-418a-bbcc-210860f3cafb.jpg?v=1657000608","options":["Title"],"media":[{"alt":null,"id":30061694976250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_b031a858-1ed1-418a-bbcc-210860f3cafb.jpg?v=1657000608"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_b031a858-1ed1-418a-bbcc-210860f3cafb.jpg?v=1657000608","width":700},{"alt":null,"id":30061695009018,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_6a9e9875-d0e2-4f34-8c3d-8d6e9b31b5dc.jpg?v=1657000608"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_6a9e9875-d0e2-4f34-8c3d-8d6e9b31b5dc.jpg?v=1657000608","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Left Hand Cuts off the Rightとギリシャの実験音楽家Tasos Stamouが、2022年5月にイギリスのノイズ〜実験レーベルBrachliegen Tapesからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e互いのライブ音源を再構築したコラージュ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1648003858\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003ehere\u003c\/a\u003e to see more Brachliegen Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efeat. 2 bonus tracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText and artist bio by Brachliegen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBORROWED TIME is a cross collaboration from LEFT HAND CUTS OFF THE RIGHT (Robbie Judkins) and TASOS STAMOU, working with zither, piano, objects, circuit bent devices, effects, loops and field recordings. The project sees two recordings of solo live performances — by LHCOTR at Cafe Oto and STAMOU at Hundred Years gallery — exchanged between the artists, who reinterpret and process the original live sets through digital and acoustic manipulation. Present at each others’ performances, BORROWED TIME is an active collaboration of mutual deep listening and exchange, through which the boundaries between artist and listener are stretched and bent to produce a work of phantasmic communality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe artists discuss their approach via email exchange as follows:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTASOS: “I extracted 2 MIDI tracks out of the recording, one followed the tones and the other the harmonics, then I applied different synths responding to the information, for instance the vibraphone keys are actually following the harmonic extracts of your actual sound....I only did some live filtering and arranging, but all following the original timeline….”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eROBBIE: “So it's your piece being played out through a guitar amp, tiny 5w Marshall amp, monitors and headphones. The\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e tiny Marshal amp is mic'd and recorded onto the Tascam 4-track tape recorder along with a contact mic attached to the chair I was sat on, microphone on the piano I played alongside the zither which was recorded through a Zoom R8 and I also used the onboard mics to record the room. I also played with the speed and pitch control of the Tascam tape player when playing back and recording followed by some mixing. Enjoy?!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLEFT HAND CUTS OFF THE RIGHT is the moniker of sound artist and musician, Robbie Judkins. His work melds acoustic instruments, bent electronics, synthesizers, field recordings and more. Habitual drones, twinkling twitchings, crackling rhythms and aural oddities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTASOS STAMOU is an electroacoustic music composer and free improvisation performer. His latest works blend his passions for both cutting edge electronics and folklore traditions of his Greek music heritage.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Left Hand Cuts off the Right \u0026amp; Tasos Stamou\u003c\/p\u003e\n\u003cp\u003eLabel : Brachliegen Tapes\u003c\/p\u003e"}
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イギリスの実験音楽家Left Hand Cuts off the Rightとギリシャの実験音楽家Tasos Stamouが、2022年5月にイギリスのノイズ〜実験レーベルBrachliegen Tapesからリリースした共作カセットです。 互いのライブ音源を再構築したコラージュ・ドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Brachliegen...
¥1,680
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{"id":7666292556026,"title":"Phill Niblock \/\/ Ghosts And Others CD","handle":"phill-niblock-ghosts-and-others-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Phill Niblockが、2022年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースした最新作です。以下、レーベル解説です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Ghosts And Others』は、フィル・ニブロックの作品群の中でも特異な作品である。この作品は、その内容だけでなく、方法論やアプローチにおいても特異なものです。この作品は、編集、ロケ、音響観察において非常に集中した活動を表している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e多くの点で、この作品は、映画制作者としての彼の実践を音響的に映し出したものである。この作品は自分自身を世界に公開し、そうすることで特定の視点を明らかにし、その対象についてと同様にその制作者についても語っている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニブロックのすべての作品と同様に、この作品は忍耐の作品である。ある部分では特定の瞬間が支配的であり、別の部分では一見消え去るかのように見える。ある場所と別の場所を行き来し、時間を超えて徐々に進化していく様子は、境界の中での動きを示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGhost And Othersの全体を通して、衝突の感覚がある。香港のアバディーンでの葬儀の行列で幽霊を追い払うためのダイナミックな打楽器の爆発が、この作品を特徴づけている。車のクラクション、ハンガリーのソビエト時代の農場の牛の鳴き声、その他様々な音の断片の間で鳴り響く。他の場所では、葦の楽器が自分自身のための空間を切り開こうとするが、世界はそれを許さない。これは、聴覚的な展望と同様に、近接性を賞賛する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eトランジットもまた、この作品のテーマである。Ghost And Othersで魅力的なのは、作品の中にある移動の感覚だ。列車はこの作品を分割し、移行、気晴らし、発見のポイントを示している。電車はほとんど門番のような役割を果たし、私たちを新しい空間へと通し、音が結合したり離れたりすることで音の新しい関係を示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフィールド・レコーディングの作品として、Ghosts And Othersは寛大で、人を招き入れ、そして何よりも深い。それは、場所、人々、物事の共鳴的な認知である。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2151751053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ghosts And Others is a singular work in the Phill Niblock canon. It’s singular not just in its material content, but also in its methodology and approach. It represents a highly focused exercise in editing, location recording and acoustic observation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn many ways, this work reflects a kind of acoustic mirroring of his practices as a film maker. It makes itself available to the world and in doing so reveals a particular perspective that says as much about its creator as it does about its subjects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike all of Niblock’s works this is a piece of patience. It is a work that dwells in the places it finds itself in, allowing certain moments to dominate in some sections, and seemingly vanish away in others. It suggests a movement within boundaries, in that it bounces from one locale to another counterpointing their gradual evolutions across time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere’s a sense of collision throughout Ghost And Others. Explosions of Chinese percussion punctuate the piece, dynamic strikes to ward off ghosts during a funeral procession in Aberdeen, Hong Kong. They clang between bursts of car horn, the bellows of cows from collective Soviet-era farm in Hungary and various other sonic ephemera. Elsewhere a reeded instrument tries to carve a space for itself, but the world does not allow it to hold. It is a work that celebrates proximity as much as an aural vista.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTransit is also a theme here. What is a fascinating about Ghost And Others is the sense of movement in the work. Trains divide up this piece, marking points of transition, of distraction and of discovery. They act as gate-keepers almost, allowing us through into new spaces and suggesting new relations between the sounds as they combine or detach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a work of field recording, Ghosts And Others is generous, invitational and most of all effortlessly deep. It is resonate sensing of place, people and things. \"\u003cbr\u003e- Lawrence English\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phill Niblock \u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-04T11:38:14+09:00","created_at":"2022-07-04T11:38:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","room40","strange beats"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42951226654970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phill Niblock \/\/ Ghosts And Others CD","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453","options":["Title"],"media":[{"alt":null,"id":30055893663994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1974840587_16.jpg?v=1656902453","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Phill Niblockが、2022年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースした最新作です。以下、レーベル解説です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Ghosts And Others』は、フィル・ニブロックの作品群の中でも特異な作品である。この作品は、その内容だけでなく、方法論やアプローチにおいても特異なものです。この作品は、編集、ロケ、音響観察において非常に集中した活動を表している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e多くの点で、この作品は、映画制作者としての彼の実践を音響的に映し出したものである。この作品は自分自身を世界に公開し、そうすることで特定の視点を明らかにし、その対象についてと同様にその制作者についても語っている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニブロックのすべての作品と同様に、この作品は忍耐の作品である。ある部分では特定の瞬間が支配的であり、別の部分では一見消え去るかのように見える。ある場所と別の場所を行き来し、時間を超えて徐々に進化していく様子は、境界の中での動きを示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGhost And Othersの全体を通して、衝突の感覚がある。香港のアバディーンでの葬儀の行列で幽霊を追い払うためのダイナミックな打楽器の爆発が、この作品を特徴づけている。車のクラクション、ハンガリーのソビエト時代の農場の牛の鳴き声、その他様々な音の断片の間で鳴り響く。他の場所では、葦の楽器が自分自身のための空間を切り開こうとするが、世界はそれを許さない。これは、聴覚的な展望と同様に、近接性を賞賛する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eトランジットもまた、この作品のテーマである。Ghost And Othersで魅力的なのは、作品の中にある移動の感覚だ。列車はこの作品を分割し、移行、気晴らし、発見のポイントを示している。電車はほとんど門番のような役割を果たし、私たちを新しい空間へと通し、音が結合したり離れたりすることで音の新しい関係を示唆している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eフィールド・レコーディングの作品として、Ghosts And Othersは寛大で、人を招き入れ、そして何よりも深い。それは、場所、人々、物事の共鳴的な認知である。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2151751053\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ghosts And Others is a singular work in the Phill Niblock canon. It’s singular not just in its material content, but also in its methodology and approach. It represents a highly focused exercise in editing, location recording and acoustic observation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn many ways, this work reflects a kind of acoustic mirroring of his practices as a film maker. It makes itself available to the world and in doing so reveals a particular perspective that says as much about its creator as it does about its subjects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike all of Niblock’s works this is a piece of patience. It is a work that dwells in the places it finds itself in, allowing certain moments to dominate in some sections, and seemingly vanish away in others. It suggests a movement within boundaries, in that it bounces from one locale to another counterpointing their gradual evolutions across time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere’s a sense of collision throughout Ghost And Others. Explosions of Chinese percussion punctuate the piece, dynamic strikes to ward off ghosts during a funeral procession in Aberdeen, Hong Kong. They clang between bursts of car horn, the bellows of cows from collective Soviet-era farm in Hungary and various other sonic ephemera. Elsewhere a reeded instrument tries to carve a space for itself, but the world does not allow it to hold. It is a work that celebrates proximity as much as an aural vista.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTransit is also a theme here. What is a fascinating about Ghost And Others is the sense of movement in the work. Trains divide up this piece, marking points of transition, of distraction and of discovery. They act as gate-keepers almost, allowing us through into new spaces and suggesting new relations between the sounds as they combine or detach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a work of field recording, Ghosts And Others is generous, invitational and most of all effortlessly deep. It is resonate sensing of place, people and things. \"\u003cbr\u003e- Lawrence English\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phill Niblock \u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Phill Niblockが、2022年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースした最新作です。以下、レーベル解説です。 『Ghosts And Others』は、フィル・ニブロックの作品群の中でも特異な作品である。この作品は、その内容だけでなく、方法論やアプローチにおいても特異なものです。この作品は、編集、ロケ、音響観察において非常に集中した活動を表している。多くの点で、この作品は、映画制作者としての彼の実践を音響的に映し出したものである。この作品は自分自身を世界に公開し、そうすることで特定の視点を明らかにし、その対象についてと同様にその制作者についても語っている。ニブロックのすべての作品と同様に、この作品は忍耐の作品である。ある部分では特定の瞬間が支配的であり、別の部分では一見消え去るかのように見える。ある場所と別の場所を行き来し、時間を超えて徐々に進化していく様子は、境界の中での動きを示唆している。Ghost And Othersの全体を通して、衝突の感覚がある。香港のアバディーンでの葬儀の行列で幽霊を追い払うためのダイナミックな打楽器の爆発が、この作品を特徴づけている。車のクラクション、ハンガリーのソビエト時代の農場の牛の鳴き声、その他様々な音の断片の間で鳴り響く。他の場所では、葦の楽器が自分自身のための空間を切り開こうとするが、世界はそれを許さない。これは、聴覚的な展望と同様に、近接性を賞賛する作品である。トランジットもまた、この作品のテーマである。Ghost And Othersで魅力的なのは、作品の中にある移動の感覚だ。列車はこの作品を分割し、移行、気晴らし、発見のポイントを示している。電車はほとんど門番のような役割を果たし、私たちを新しい空間へと通し、音が結合したり離れたりすることで音の新しい関係を示唆している。フィールド・レコーディングの作品として、Ghosts And Othersは寛大で、人を招き入れ、そして何よりも深い。それは、場所、人々、物事の共鳴的な認知である。 レーベルその他作品はこちら /// Click here to...
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