Schnabel // String Quartets 1 & 4; Sonata for Cello 2CD
Schnabel // String Quartets 1 & 4; Sonata for Cello 2CD
¥3,168
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。
レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira.
artist : Schnabel
label : cp2
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{"id":6948861018277,"title":"Jeph Jerman \/\/ Keep The Drum (Concussion Solos) CD","handle":"jeph-jerman-keep-the-drum-concussion-solos-cd","description":"\u003cp\u003e1990年にApraxiaからカセットテープでリリースされたJeph Jermanの「Keep the Drum」のCD再発盤。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e4トラックMTRと2本の錆びたマイク、そしてペーパークリップや金属パイプ、ガラクタで作り上げた自作ドラムを用いた14曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4038999781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003ehere\u003c\/a\u003e to see more New Forces releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eNew Forces:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNew Forces is pleased to offer a reissue of Jeph Jerman's \"Keep the Drum,\" originally released on cassette by Apraxia in 1990. Since the 1980's Jeph Jerman has been a key figure in experimental music, from the textural noise of his legendary Hands To project, to more recent studies in field recording and acoustic sound recorded under his own name. On \"Keep the Drum\" Jerman explores what he calls \"concussion music,\" working with a pile of hubcaps, sheet metal and \"other bits of junk\" to rethink the traditional drum kit. The sounds on this disc crackle, pop, and thud. Each tactile scrape conjures up the rusted edge of some bit of scrap-metal as the ambiance of the physical space hums in the background.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs Jerman tells the story, these recordings were a continuation of his interest in “using things other than musical instruments to construct sound works… I think 'Keep the Drum' was also the very beginning of my interest in small sounds. One afternoon Darren Soule brought over a bunch of tiny metal pipe pieces which he had mounted on bent paper clips so that they could be played. They rang like bells, but were very difficult to control. I loved that about them. There’s also a short piece wherein I played small bones, foreshadowing a lot of my later live work.” Recorded on a borrowed 4-track with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e two battered old mics, “Keep the Drum” is full of Jerman’s trademark textural intimacy. The recordings have been remastered by Grant Richardson to bring them to life without sacrificing their individuality, making these extremely rare recordings once more available.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jeph Jerman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : New Forces\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-02T16:02:43+09:00","created_at":"2021-08-01T12:43:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","new forces"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40484493033637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeph Jerman \/\/ Keep The Drum (Concussion Solos) CD","public_title":null,"options":["Default Title"],"price":212000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ke1_842c2cbe-9bdb-4205-a600-51b411f3f41f.jpg?v=1627789383"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ke1_842c2cbe-9bdb-4205-a600-51b411f3f41f.jpg?v=1627789383","options":["Title"],"media":[{"alt":null,"id":23165799202981,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ke1_842c2cbe-9bdb-4205-a600-51b411f3f41f.jpg?v=1627789383"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ke1_842c2cbe-9bdb-4205-a600-51b411f3f41f.jpg?v=1627789383","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1990年にApraxiaからカセットテープでリリースされたJeph Jermanの「Keep the Drum」のCD再発盤。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e4トラックMTRと2本の錆びたマイク、そしてペーパークリップや金属パイプ、ガラクタで作り上げた自作ドラムを用いた14曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4038999781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003ehere\u003c\/a\u003e to see more New Forces releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eNew Forces:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNew Forces is pleased to offer a reissue of Jeph Jerman's \"Keep the Drum,\" originally released on cassette by Apraxia in 1990. Since the 1980's Jeph Jerman has been a key figure in experimental music, from the textural noise of his legendary Hands To project, to more recent studies in field recording and acoustic sound recorded under his own name. On \"Keep the Drum\" Jerman explores what he calls \"concussion music,\" working with a pile of hubcaps, sheet metal and \"other bits of junk\" to rethink the traditional drum kit. The sounds on this disc crackle, pop, and thud. Each tactile scrape conjures up the rusted edge of some bit of scrap-metal as the ambiance of the physical space hums in the background.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs Jerman tells the story, these recordings were a continuation of his interest in “using things other than musical instruments to construct sound works… I think 'Keep the Drum' was also the very beginning of my interest in small sounds. One afternoon Darren Soule brought over a bunch of tiny metal pipe pieces which he had mounted on bent paper clips so that they could be played. They rang like bells, but were very difficult to control. I loved that about them. There’s also a short piece wherein I played small bones, foreshadowing a lot of my later live work.” Recorded on a borrowed 4-track with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e two battered old mics, “Keep the Drum” is full of Jerman’s trademark textural intimacy. The recordings have been remastered by Grant Richardson to bring them to life without sacrificing their individuality, making these extremely rare recordings once more available.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jeph Jerman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : New Forces\u003c\/span\u003e\u003c\/p\u003e"}
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1990年にApraxiaからカセットテープでリリースされたJeph Jermanの「Keep the Drum」のCD再発盤。 4トラックMTRと2本の錆びたマイク、そしてペーパークリップや金属パイプ、ガラクタで作り上げた自作ドラムを用いた14曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more New Forces releases available at...
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{"id":6941162963109,"title":"Francesco Covarino \/\/ Olive CD","handle":"francesco-covarino-olive-cd","description":"\u003cp\u003eギリシャ・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテッサロニキの実験レーベルThirsty Leaves Music作品を多数入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、イタリア物音レーベルtsss tapes主宰Francesco Covarinoが100部限定でリリースしたCDです。インプロパーカッション16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4045638560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComes in a hand-made \u0026amp; numbered paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShort improvisations on drums \u0026amp; percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancesco Covarino:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"My name is Francesco Covarino (Perugia, 1979). I live in Granada, Spain and teach Italian. I play the drums in a duo called Covarino\/Incorvaia, with which I've released two albums: \"Perugia\" (Preserved Sound, 2016) and \"Granada\" (whitelabrecs, 2017).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOlive is my first solo release, and it features 16 short drum improvisations, recorded in a big room in an industrial area in Granada, with trucks maneuvering and machinery noises happening right outside the door. Everything was recorded live in a single session, from about 11am to 6pm, without any editing or overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe idea behind this recording was to play softly, slowly, freely, and to only play a few notes, the fewer the better. I tried to make use of every creak, every little unexpected noise the drum kit could make, and use the silence in between all of these sounds, too. I played with different sticks and brushes, my fingers in a couple of tracks, and some small rattles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI am a loud and proud self-taught musician, and in this recording there is no virtuoso playing, no technique display, no fast drumming. The final mix was meant to sound natural and warm, as close as possible to what I heard when I was sitting on the stool playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI like it when I buy a jazz record and on the sleeve I read a very specific recording date, like “Recorded on December, 9th, 1964.” I picture those guys coming in the studio, positioning the microphones, starting to play and often keeping the first take of a song. Maybe this is just an idealization of something that never really happened this way. Anyway, this music was recorded on September 23rd, 2016. My wife was pregnant with our first daughter, who we were expecting any day. In the first sonogram, she was just a little thing, the size and shape of an olive, so “Olive” was the name we used to refer to her during almost the entire pregnancy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile recording this music, I was thinking, “When my daughter grows up she will listen to this and think: ‘This is what my dad was like when I was about to be born.’”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francesco Covarino\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-28T15:02:47+09:00","created_at":"2021-07-28T12:01:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","strange beats","thirsty leaves"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40456568373413,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Francesco Covarino \/\/ Olive CD","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_ca4f6be7-adfe-4c30-a1bc-64aeaa7f6419.jpg?v=1627441271","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol2_c90caf43-6bfa-435c-958c-73089d1a1677.jpg?v=1627441271"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_ca4f6be7-adfe-4c30-a1bc-64aeaa7f6419.jpg?v=1627441271","options":["Title"],"media":[{"alt":null,"id":23123095191717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_ca4f6be7-adfe-4c30-a1bc-64aeaa7f6419.jpg?v=1627441271"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol1_ca4f6be7-adfe-4c30-a1bc-64aeaa7f6419.jpg?v=1627441271","width":700},{"alt":null,"id":23123095224485,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol2_c90caf43-6bfa-435c-958c-73089d1a1677.jpg?v=1627441271"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ol2_c90caf43-6bfa-435c-958c-73089d1a1677.jpg?v=1627441271","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテッサロニキの実験レーベルThirsty Leaves Music作品を多数入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、イタリア物音レーベルtsss tapes主宰Francesco Covarinoが100部限定でリリースしたCDです。インプロパーカッション16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4045638560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComes in a hand-made \u0026amp; numbered paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShort improvisations on drums \u0026amp; percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancesco Covarino:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"My name is Francesco Covarino (Perugia, 1979). I live in Granada, Spain and teach Italian. I play the drums in a duo called Covarino\/Incorvaia, with which I've released two albums: \"Perugia\" (Preserved Sound, 2016) and \"Granada\" (whitelabrecs, 2017).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOlive is my first solo release, and it features 16 short drum improvisations, recorded in a big room in an industrial area in Granada, with trucks maneuvering and machinery noises happening right outside the door. Everything was recorded live in a single session, from about 11am to 6pm, without any editing or overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe idea behind this recording was to play softly, slowly, freely, and to only play a few notes, the fewer the better. I tried to make use of every creak, every little unexpected noise the drum kit could make, and use the silence in between all of these sounds, too. I played with different sticks and brushes, my fingers in a couple of tracks, and some small rattles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI am a loud and proud self-taught musician, and in this recording there is no virtuoso playing, no technique display, no fast drumming. The final mix was meant to sound natural and warm, as close as possible to what I heard when I was sitting on the stool playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI like it when I buy a jazz record and on the sleeve I read a very specific recording date, like “Recorded on December, 9th, 1964.” I picture those guys coming in the studio, positioning the microphones, starting to play and often keeping the first take of a song. Maybe this is just an idealization of something that never really happened this way. Anyway, this music was recorded on September 23rd, 2016. My wife was pregnant with our first daughter, who we were expecting any day. In the first sonogram, she was just a little thing, the size and shape of an olive, so “Olive” was the name we used to refer to her during almost the entire pregnancy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile recording this music, I was thinking, “When my daughter grows up she will listen to this and think: ‘This is what my dad was like when I was about to be born.’”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francesco Covarino\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャ・テッサロニキの実験レーベルThirsty Leaves Music作品を多数入荷しました。 本作は、イタリア物音レーベルtsss tapes主宰Francesco Covarinoが100部限定でリリースしたCDです。インプロパーカッション16曲を収録。 レーベルその他作品はこちら /// Click here to see more Thirsty Leaves releases available...
¥1,480
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{"id":6939991703717,"title":"Bhob Rainey \/\/ From Null Lands Led, Starrily CD","handle":"bhob-rainey-from-null-lands-led-starrily-cd","description":"\u003cp\u003eアメリカ・ペンシルベニアのサックス奏者Bhob RaineyがストックホルムのEMSでレコーディングした100部限定アルバム。目眩く電子コラージュ3曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1022198869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by Jonathan Pfeffer:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe late radical Brazilian theater-maker Augusto Boal wrote extensively about the benign role of catharsis – “a harmless release of emotions” – in Aristotle’s coercive system of tragedy, from which he argues most Western storytelling and mass forms of communication descend.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoal argues that catharsis “functions to diminish, placate, satisfy, eliminate all that can break the balance – all, including the revolutionary, transforming impetus.” There’s an account in Aristotle’s Politics of “wild and restless music” being used to relieve patients gripped by religious mania. Following treatment in which their frenzied spirits were purged, patients resumed their lives as if nothing happened.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s natural for us to look to music to help us understand our place within a given moment. Our unprecedented political and environmental circumstances call for suitable aesthetic responses – ones that don’t simply facilitate a compassionate purge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2017, Bhob Rainey’s From null lands led, starrily arrives at a kind of music that somehow embodies amoral catastrophe – out of our control, nothing personal – but doesn’t exonerate civilization’s role in\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e accelerating it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt might be the first music I’ve encountered that addresses imminent catastrophe without making me a spectator to my own demise or an Omega Person wandering the scorched earth. There’s a science fiction quality to the record almost by default, but Bhob’s music doesn’t render disaster as a discrete, omnipotent force. Instead, disaster appears in the cells of everyday life, churning out renewals and taking few, if any, requests. One process ends, another emerges – for the time being, at least.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor all of Bhob’s seemingly arcane methodology – stochastic procedures, data sonification, and the like – the results are positively primordial. And there’s an unabashed sense of play. Loops emerge from nebulous dust but resist repetition and disintegrate. There are false starts, false endings, abrupt shifts in dynamics – fun for the whole family. As the sounds unfold, seemingly in response to the fluctuating environment, the knotty relationship between powerful, ambivalent forces and our sense of being in the world, so predisposed to ignore or struggle against those forces, comes into view. What a relief to be in dialogue with my own destruction instead of just an innocent bystander!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s exciting to be led down to an insect’s perspective and explore the wealth of activity at a granular level. It’s equally exciting to experience violent crescendos like the last third of “Canopy of Catastrophes”. This expressive range extends to the unfettered collection of techniques employed throughout the album. Acoustic instruments emerge periodically from the synthetic landscape; digital sources appear to mimic unearthed field recordings. Much like Bhob’s clear resistance to clean resolutions, dynamics and timbres are less “and\/or” propositions and more like complex lattices where moments of celestial beauty find themselves embedded within abject terror – and vice versa and everything in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom null lands led, starrily proposes no theoretical solutions that pacify individual and collective desires. It resists attempts to glean meaning where there clearly is none and avoids sentimental dichotomies between humans and nature (in either direction). Without being didactic, the music still manages to convey transformative power. There’s a refreshing matter-of-factness to the way the sounds are presented. I’m invited to find my own relationship to the “chaos,” which, taken on its own terms, offers a vast, vibrant universe to explore.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bhob Rainey\u003c\/p\u003e\n\u003cp\u003eLabel : Anomia\u003c\/p\u003e","published_at":"2021-07-27T18:12:48+09:00","created_at":"2021-07-27T17:25:42+09:00","vendor":"Tobira Records","type":"","tags":["anomia","cd","monooto","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40451916791973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bhob Rainey \/\/ From Null Lands Led, Starrily CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh.jpg?v=1627374344","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh1.jpg?v=1627374344","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh2.jpg?v=1627374344"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh.jpg?v=1627374344","options":["Title"],"media":[{"alt":null,"id":23114833526949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh.jpg?v=1627374344"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh.jpg?v=1627374344","width":700},{"alt":null,"id":23114833592485,"position":2,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh1.jpg?v=1627374343"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh1.jpg?v=1627374343","width":400},{"alt":null,"id":23114833625253,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh2.jpg?v=1627374343"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bh2.jpg?v=1627374343","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのサックス奏者Bhob RaineyがストックホルムのEMSでレコーディングした100部限定アルバム。目眩く電子コラージュ3曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1022198869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by Jonathan Pfeffer:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe late radical Brazilian theater-maker Augusto Boal wrote extensively about the benign role of catharsis – “a harmless release of emotions” – in Aristotle’s coercive system of tragedy, from which he argues most Western storytelling and mass forms of communication descend.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoal argues that catharsis “functions to diminish, placate, satisfy, eliminate all that can break the balance – all, including the revolutionary, transforming impetus.” There’s an account in Aristotle’s Politics of “wild and restless music” being used to relieve patients gripped by religious mania. Following treatment in which their frenzied spirits were purged, patients resumed their lives as if nothing happened.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s natural for us to look to music to help us understand our place within a given moment. Our unprecedented political and environmental circumstances call for suitable aesthetic responses – ones that don’t simply facilitate a compassionate purge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2017, Bhob Rainey’s From null lands led, starrily arrives at a kind of music that somehow embodies amoral catastrophe – out of our control, nothing personal – but doesn’t exonerate civilization’s role in\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e accelerating it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt might be the first music I’ve encountered that addresses imminent catastrophe without making me a spectator to my own demise or an Omega Person wandering the scorched earth. There’s a science fiction quality to the record almost by default, but Bhob’s music doesn’t render disaster as a discrete, omnipotent force. Instead, disaster appears in the cells of everyday life, churning out renewals and taking few, if any, requests. One process ends, another emerges – for the time being, at least.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor all of Bhob’s seemingly arcane methodology – stochastic procedures, data sonification, and the like – the results are positively primordial. And there’s an unabashed sense of play. Loops emerge from nebulous dust but resist repetition and disintegrate. There are false starts, false endings, abrupt shifts in dynamics – fun for the whole family. As the sounds unfold, seemingly in response to the fluctuating environment, the knotty relationship between powerful, ambivalent forces and our sense of being in the world, so predisposed to ignore or struggle against those forces, comes into view. What a relief to be in dialogue with my own destruction instead of just an innocent bystander!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s exciting to be led down to an insect’s perspective and explore the wealth of activity at a granular level. It’s equally exciting to experience violent crescendos like the last third of “Canopy of Catastrophes”. This expressive range extends to the unfettered collection of techniques employed throughout the album. Acoustic instruments emerge periodically from the synthetic landscape; digital sources appear to mimic unearthed field recordings. Much like Bhob’s clear resistance to clean resolutions, dynamics and timbres are less “and\/or” propositions and more like complex lattices where moments of celestial beauty find themselves embedded within abject terror – and vice versa and everything in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom null lands led, starrily proposes no theoretical solutions that pacify individual and collective desires. It resists attempts to glean meaning where there clearly is none and avoids sentimental dichotomies between humans and nature (in either direction). Without being didactic, the music still manages to convey transformative power. There’s a refreshing matter-of-factness to the way the sounds are presented. I’m invited to find my own relationship to the “chaos,” which, taken on its own terms, offers a vast, vibrant universe to explore.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bhob Rainey\u003c\/p\u003e\n\u003cp\u003eLabel : Anomia\u003c\/p\u003e"}
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アメリカ・ペンシルベニアのサックス奏者Bhob RaineyがストックホルムのEMSでレコーディングした100部限定アルバム。目眩く電子コラージュ3曲を収録。 レーベルその他作品はこちら /// Click here to see more Anomia releases available at Tobira. ------------------------------ Edition...
¥1,780
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{"id":6939908702373,"title":"Unchained \/\/ N.D. Visitor CD","handle":"unchained-n-d-visitor-cd","description":"\u003cp\u003eフランス・グルノーブルのギタリストUnchainedが2018年に180部限定でリリースしたCD。ポストロックからジャズリスナーにもアプローチするインスト12曲を収録。聴けば聴くほど味が出てくる一枚です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=335173295\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 180.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eN.D. (A Visitor), Paris, 2017:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe parameters of a visit, sketched here for approval or reflection over the past several years, the many-headed hydra of perpendicular living. Late nights in the kitchen, afternoons on the couch. Then listening back days later, looking out of the bus window or crossing gravel paths in the damp evening light after a day at the library tables. Closing the book and setting hands to plastic tasks: chopping an onion or playing the guitar.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSaturnine urban pastoral, harp-style, finishing the bottle from the day before. Late-night panic dissolves into a dull ringing: gling-gling. But also truly out to pasture, plucking away cross-legged under chestnut, plane, pine. Pollen and pixie dust across the fretboard, cicadas reporting from the sound hole. But mostly with my feet on the parquet, hands touching rosewood and steel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThese are the results and I kept them largely to myself for some time. Now I share them with you, a chronicle or souvenir from my armchair navigations of the twenty-first century’s harmonic divides.\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Unchained\u003c\/p\u003e\n\u003cp\u003eLabel : Anomia\u003c\/p\u003e","published_at":"2021-07-27T16:52:34+09:00","created_at":"2021-07-27T15:29:58+09:00","vendor":"Tobira Records","type":"","tags":["anomia","cd","folk \/ left-field pop","jazz","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40451527180453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Unchained \/\/ N.D. Visitor CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd1.jpg?v=1627367399","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd2.jpg?v=1627367400"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd1.jpg?v=1627367399","options":["Title"],"media":[{"alt":null,"id":23113574121637,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd1.jpg?v=1627367399"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd1.jpg?v=1627367399","width":700},{"alt":null,"id":23113574154405,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd2.jpg?v=1627367400"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nd2.jpg?v=1627367400","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・グルノーブルのギタリストUnchainedが2018年に180部限定でリリースしたCD。ポストロックからジャズリスナーにもアプローチするインスト12曲を収録。聴けば聴くほど味が出てくる一枚です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=335173295\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 180.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eN.D. (A Visitor), Paris, 2017:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe parameters of a visit, sketched here for approval or reflection over the past several years, the many-headed hydra of perpendicular living. Late nights in the kitchen, afternoons on the couch. Then listening back days later, looking out of the bus window or crossing gravel paths in the damp evening light after a day at the library tables. Closing the book and setting hands to plastic tasks: chopping an onion or playing the guitar.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSaturnine urban pastoral, harp-style, finishing the bottle from the day before. Late-night panic dissolves into a dull ringing: gling-gling. But also truly out to pasture, plucking away cross-legged under chestnut, plane, pine. Pollen and pixie dust across the fretboard, cicadas reporting from the sound hole. But mostly with my feet on the parquet, hands touching rosewood and steel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThese are the results and I kept them largely to myself for some time. Now I share them with you, a chronicle or souvenir from my armchair navigations of the twenty-first century’s harmonic divides.\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Unchained\u003c\/p\u003e\n\u003cp\u003eLabel : Anomia\u003c\/p\u003e"}
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フランス・グルノーブルのギタリストUnchainedが2018年に180部限定でリリースしたCD。ポストロックからジャズリスナーにもアプローチするインスト12曲を収録。聴けば聴くほど味が出てくる一枚です。 レーベルその他作品はこちら /// Click here to see more Anomia releases available at Tobira. ------------------------ Edition of...
¥1,780