Ross Manning // te t on on ti computer TAPE

Quickview {"id":6538650222757,"title":"Zhu Wenbo \/\/ 30 minutes on earth TAPE","handle":"zhu-wenbo-30-minutes-on-earth-tape","description":"\u003cp\u003e北京の実験音楽家Zhu Wenbo主宰レーベルZoomin' Night諸作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、主宰者によるフィールドレコーディングと演奏の合間のような楽\u003cspan data-mce-fragment=\"1\"\u003e曲を2曲、約１時間収録。廃盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2085484889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThis is a simple project. I invited a few musician friends to choose an open space outdoors (wherever they liked) in which they would play some things and record them. A duration of 30 minutes. I specifically didn’t want to say what they might do or how they might do it. Each person received the same instructions, just a few words. After collecting all of the recordings, I would take the material, layer the tracks together into a single recording, and produce a cassette.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe piece is called 30 minutes on earth. Even though the name sounds a little too grandiose, it doesn’t really matter as far as I’m concerned. The idea for this project came to me one day while I was riding my bike, it took about 30 minutes to think through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI thought of a few musicians who might be interested in this piece, they all lived in different parts of the world. Although among them were some very close friends, most were people where we’ve only met each other a few times at performances, however even at the first meeting it felt like seeing an old friend: maybe I had arranged a concert for them or they had arranged a concert for me; or I was just an audience member who saw their performance; or I missed the performance but we chatted and had some food together after the show… I mention these examples to emphasize that I have\u003cspan class=\"bcTruncateMore\"\u003e met them in person, it’s an important aspect.\u003cbr\u003e\u003cbr\u003eI sent out the invitations and everybody readily accepted. After this there was a long wait. I know you can’t really say a month is a ‘long wait’, it’s just that I originally thought that this would be a very short piece that could recorded in a half an afternoon. But in fact maybe things aren’t so straightforward. There can always be some unforeseen event: monsoon season, a bushfire, it might be blowing a gale… or something unexpected in day to day life. Everybody’s busy with their jobs and their own projects.\u003cbr\u003e\u003cbr\u003eIn January 2019 I received the last recording, and I started mixing. In fact I finished it in an afternoon. The only thing I did was balance the audio levels of the different tracks as well as cut the beginnings and\/or the endings of a few tracks which were longer than 30 minutes. I took four of the musicians’ recordings and mixed them into one track, and the other four into the other track. Each piece became one side of the cassette.\u003cbr\u003e\u003cbr\u003eI’ll just write a bit about the environments where the eight musicians did their recordings. Li Song was in a park in Xi’an; Zhu Songjie was by the side of Shanghai’s Huangpu River; Yoko Ikeda was in park in Tokyo; Fangyi Liu was at a pier in Kaohsiung; Kevin Corcoran was in the Californian wilderness somewhere near the Pacific Ocean; Paolo Gàiba Riva was on a bridge in a city in Vietnam (I found the location by looking up coordinates that he sent me, at that time he was on a tour of South East Asia); Andrew Fedorovitch might have been in the backyard of his place in Sydney, he didn’t tell me and I didn’t ask; only Montreal’s Craig Pedersen made his recording inside: winter in Canada is freezing and no one wants to stay out in the cold for long!\u003cbr\u003e\u003cbr\u003eI can’t express clearly why I wanted to do this project. Although there’s no doubt that I’m interested in outdoor performance, perhaps this network of musicians can be mentioned again. They are all excellent musicians, but apart from this they are all active organizers and participants in their local communities. I would like that our connections together can deepen (as well as connections to the places I have been, or haven’t been to yet), or at the very least that the participants can be introduced to each other a little. I also hope that they, together with Liu Lu, John Wilton, Hiroyuki Ura (who have also participated in this project) can also think about it in this way.\u003cbr\u003e\u003cbr\u003eLastly, concerning this recording, some other friends have been asked to write something more about it, however this is for yet another project. - Zhu\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Zhu Wenbo\u003c\/p\u003e\n\u003cp\u003elabel : Zoomin' Night\u003c\/p\u003e","published_at":"2021-02-25T10:23:26+09:00","created_at":"2021-02-25T10:23:26+09:00","vendor":"Tobira Records","type":"","tags":["asia","field recording","monooto","new","tape","Zoomin’ night"],"price":135000,"price_min":135000,"price_max":135000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39256764350629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zhu Wenbo \/\/ 30 minutes on earth TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0383227236_16.jpg?v=1614216392","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0019926053_10.jpg?v=1614216395"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0383227236_16.jpg?v=1614216392","options":["Title"],"media":[{"alt":null,"id":20211963723941,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0383227236_16.jpg?v=1614216392"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0383227236_16.jpg?v=1614216392","width":700},{"alt":null,"id":20211966967973,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0019926053_10.jpg?v=1614216395"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0019926053_10.jpg?v=1614216395","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北京の実験音楽家Zhu Wenbo主宰レーベルZoomin' Night諸作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、主宰者によるフィールドレコーディングと演奏の合間のような楽\u003cspan data-mce-fragment=\"1\"\u003e曲を2曲、約１時間収録。廃盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2085484889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThis is a simple project. I invited a few musician friends to choose an open space outdoors (wherever they liked) in which they would play some things and record them. A duration of 30 minutes. I specifically didn’t want to say what they might do or how they might do it. Each person received the same instructions, just a few words. After collecting all of the recordings, I would take the material, layer the tracks together into a single recording, and produce a cassette.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe piece is called 30 minutes on earth. Even though the name sounds a little too grandiose, it doesn’t really matter as far as I’m concerned. The idea for this project came to me one day while I was riding my bike, it took about 30 minutes to think through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI thought of a few musicians who might be interested in this piece, they all lived in different parts of the world. Although among them were some very close friends, most were people where we’ve only met each other a few times at performances, however even at the first meeting it felt like seeing an old friend: maybe I had arranged a concert for them or they had arranged a concert for me; or I was just an audience member who saw their performance; or I missed the performance but we chatted and had some food together after the show… I mention these examples to emphasize that I have\u003cspan class=\"bcTruncateMore\"\u003e met them in person, it’s an important aspect.\u003cbr\u003e\u003cbr\u003eI sent out the invitations and everybody readily accepted. After this there was a long wait. I know you can’t really say a month is a ‘long wait’, it’s just that I originally thought that this would be a very short piece that could recorded in a half an afternoon. But in fact maybe things aren’t so straightforward. There can always be some unforeseen event: monsoon season, a bushfire, it might be blowing a gale… or something unexpected in day to day life. Everybody’s busy with their jobs and their own projects.\u003cbr\u003e\u003cbr\u003eIn January 2019 I received the last recording, and I started mixing. In fact I finished it in an afternoon. The only thing I did was balance the audio levels of the different tracks as well as cut the beginnings and\/or the endings of a few tracks which were longer than 30 minutes. I took four of the musicians’ recordings and mixed them into one track, and the other four into the other track. Each piece became one side of the cassette.\u003cbr\u003e\u003cbr\u003eI’ll just write a bit about the environments where the eight musicians did their recordings. Li Song was in a park in Xi’an; Zhu Songjie was by the side of Shanghai’s Huangpu River; Yoko Ikeda was in park in Tokyo; Fangyi Liu was at a pier in Kaohsiung; Kevin Corcoran was in the Californian wilderness somewhere near the Pacific Ocean; Paolo Gàiba Riva was on a bridge in a city in Vietnam (I found the location by looking up coordinates that he sent me, at that time he was on a tour of South East Asia); Andrew Fedorovitch might have been in the backyard of his place in Sydney, he didn’t tell me and I didn’t ask; only Montreal’s Craig Pedersen made his recording inside: winter in Canada is freezing and no one wants to stay out in the cold for long!\u003cbr\u003e\u003cbr\u003eI can’t express clearly why I wanted to do this project. Although there’s no doubt that I’m interested in outdoor performance, perhaps this network of musicians can be mentioned again. They are all excellent musicians, but apart from this they are all active organizers and participants in their local communities. I would like that our connections together can deepen (as well as connections to the places I have been, or haven’t been to yet), or at the very least that the participants can be introduced to each other a little. I also hope that they, together with Liu Lu, John Wilton, Hiroyuki Ura (who have also participated in this project) can also think about it in this way.\u003cbr\u003e\u003cbr\u003eLastly, concerning this recording, some other friends have been asked to write something more about it, however this is for yet another project. - Zhu\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Zhu Wenbo\u003c\/p\u003e\n\u003cp\u003elabel : Zoomin' Night\u003c\/p\u003e"}

Hologramからリリースしたレコード「RECURRING FACES THROUGH THE SPIRAL OF TIME」も素晴らしかったThe Glass PathがLAのNostilevoより2020年にリリースしたカセットをデッドストック入荷。版元完売、4本限定での販売となります。野獣のようなストレンジビート。 Edition of 100. Hand-numbered,...

¥1,350

Quickview {"id":6194754158757,"title":"MKM: Jason Kahn \/ Günter Müller \/ Norbert Möslang \/\/ Bangalore LP","handle":"mkm-jason-kahn-gunter-muller-norbert-moslang-bangalore-lp","description":"\u003cp\u003e2020年からヴァイナルでのリリースにシフトしたロシア実験レーベルMikrotonから2021年最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、もはや説明不要の大御所実験音楽家Jason Kahn \/ Günter Müller \/ Norbert MöslangによるトリオMKMのデビュー作品です。ミニマルエレクトロニクス2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=327877409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e Bangalore marks MKM’s fifth release for Mikroton. Recorded in concert on February 2, 2019 in Bangalore during a tour of India, this LP documents the group’s plunge in the ebb and flow of India’s intense energy. In visiting India the group found a social space which mirrored their own approach to music. Or in the words of David Tudor:\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eResonance is the condition whereby a tiny input autonomously cascades into a much larger output. It occurs when a small vibration interacts with the internal structure of a material and greatly increases in intensity, threatening to destroy the object if pushed beyond a certain limit. Chaos is the point at which order breaks down, when elements in an organized system start acting randomly and autonomously, creating a situation where it is impossible to predict exactly what will happen next or in what order. Both involve limits and thresholds that have been crossed, organization that breaks down, actions that go out of control, systems that collapse—creating something new and unexpected in the process.\u003cbr data-mce-fragment=\"1\"\u003eTudor had a strong connection to India and his work mirrored some of the processes one finds in everyday life there. Marking the fiftieth anniversary of Tudor bringing the first Moog synthesizer to India at the National Institute of Design in Ahmedabad, MKM arranged a tour to find the inspiration and energy behind Tudor’s ideas of chaos and thresholds, testing their own limits in the process.\u003cbr data-mce-fragment=\"1\"\u003eBangalore documents the group’s synthesis of their tour experiences in a 36-minute set. Mixed and mastered by Norbert Möslang, the recording is unedited and gets to the heart of MKM’s modus operandi, trying to answer the question, What is the actual material we are working with? In a traditional musical sense, sound can be used to create spontaneous structures, textures, forms. But beyond this, MKM is interested in using sound to translate the experience of a place. Of being somewhere far from home, maybe having traveled many hours the day before a concert. All the logistical trials and tribulations that belong to touring. And beyond this, being immersed in different cultures, being confronted with our own values and expectations in the context of societies which know as little of us as we know of them.\u003cbr data-mce-fragment=\"1\"\u003eBangalore is an artifact from this journey, one of many which have brought MKM to perform in Japan, Russia, Mexico, the United States, Peru, Argentina, Colombia, Chile, Brazil and throughout Europe. All this travel has done more than enriched the group’s work, it has been the very material which makes their music what it is, testing the spaces between chaos and control, the sonic resonance of social space.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eartist : MKM: Jason Kahn \/ Günter Müller \/ Norbert Möslang\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003elabel : Mikroton \u003c\/div\u003e","published_at":"2021-02-23T13:03:48+09:00","created_at":"2021-02-23T13:03:48+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","mikroton","monooto","new","strange beats"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37960560083109,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MKM: Jason Kahn \/ Günter Müller \/ Norbert Möslang \/\/ Bangalore LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1806933320_16.jpg?v=1614053187","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023365282_10_1.jpg?v=1614053187"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1806933320_16.jpg?v=1614053187","options":["Title"],"media":[{"alt":null,"id":16765061005477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1806933320_16.jpg?v=1614053186"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1806933320_16.jpg?v=1614053186","width":700},{"alt":null,"id":16765060972709,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023365282_10_1.jpg?v=1614053186"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023365282_10_1.jpg?v=1614053186","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2020年からヴァイナルでのリリースにシフトしたロシア実験レーベルMikrotonから2021年最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、もはや説明不要の大御所実験音楽家Jason Kahn \/ Günter Müller \/ Norbert MöslangによるトリオMKMのデビュー作品です。ミニマルエレクトロニクス2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=327877409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e Bangalore marks MKM’s fifth release for Mikroton. Recorded in concert on February 2, 2019 in Bangalore during a tour of India, this LP documents the group’s plunge in the ebb and flow of India’s intense energy. In visiting India the group found a social space which mirrored their own approach to music. Or in the words of David Tudor:\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eResonance is the condition whereby a tiny input autonomously cascades into a much larger output. It occurs when a small vibration interacts with the internal structure of a material and greatly increases in intensity, threatening to destroy the object if pushed beyond a certain limit. Chaos is the point at which order breaks down, when elements in an organized system start acting randomly and autonomously, creating a situation where it is impossible to predict exactly what will happen next or in what order. Both involve limits and thresholds that have been crossed, organization that breaks down, actions that go out of control, systems that collapse—creating something new and unexpected in the process.\u003cbr data-mce-fragment=\"1\"\u003eTudor had a strong connection to India and his work mirrored some of the processes one finds in everyday life there. Marking the fiftieth anniversary of Tudor bringing the first Moog synthesizer to India at the National Institute of Design in Ahmedabad, MKM arranged a tour to find the inspiration and energy behind Tudor’s ideas of chaos and thresholds, testing their own limits in the process.\u003cbr data-mce-fragment=\"1\"\u003eBangalore documents the group’s synthesis of their tour experiences in a 36-minute set. Mixed and mastered by Norbert Möslang, the recording is unedited and gets to the heart of MKM’s modus operandi, trying to answer the question, What is the actual material we are working with? In a traditional musical sense, sound can be used to create spontaneous structures, textures, forms. But beyond this, MKM is interested in using sound to translate the experience of a place. Of being somewhere far from home, maybe having traveled many hours the day before a concert. All the logistical trials and tribulations that belong to touring. And beyond this, being immersed in different cultures, being confronted with our own values and expectations in the context of societies which know as little of us as we know of them.\u003cbr data-mce-fragment=\"1\"\u003eBangalore is an artifact from this journey, one of many which have brought MKM to perform in Japan, Russia, Mexico, the United States, Peru, Argentina, Colombia, Chile, Brazil and throughout Europe. All this travel has done more than enriched the group’s work, it has been the very material which makes their music what it is, testing the spaces between chaos and control, the sonic resonance of social space.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eartist : MKM: Jason Kahn \/ Günter Müller \/ Norbert Möslang\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003elabel : Mikroton \u003c\/div\u003e"}