Phill Niblock // Music for Organ CD
Phill Niblock // Music for Organ CD
¥2,178
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ミニマルミュージックの大御所Phill Niblockによるオルガンドローン2曲を収録。
Artist : Phill Niblock
Label : Matière Mémoire
ミニマルミュージックの大御所Phill Niblockによるオルガンドローン2曲を収録。
Artist : Phill Niblock
Label : Matière Mémoire
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{"id":7524436312314,"title":"Jeff Parker \/\/ Forfolks LP \/ CD","handle":"jeff-parker-forfolks-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-24T12:32:39+09:00","created_at":"2022-01-24T11:57:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","lp","new"],"price":238000,"price_min":238000,"price_max":364000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42359435034874,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":36493921976570,"product_id":7524436312314,"position":2,"created_at":"2022-01-24T11:57:42+09:00","updated_at":"2022-01-24T11:57:44+09:00","alt":null,"width":1200,"height":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064","variant_ids":[42359435034874]},"available":true,"name":"Jeff Parker \/\/ Forfolks LP \/ CD - LP","public_title":"LP","options":["LP"],"price":364000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29050072072442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42359435067642,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":36493923057914,"product_id":7524436312314,"position":3,"created_at":"2022-01-24T11:58:15+09:00","updated_at":"2022-01-24T11:58:17+09:00","alt":null,"width":1200,"height":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097","variant_ids":[42359435067642]},"available":true,"name":"Jeff Parker \/\/ Forfolks LP \/ CD - CD","public_title":"CD","options":["CD"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29050073055482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064","options":["format"],"media":[{"alt":null,"id":29050072039674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064","width":700},{"alt":null,"id":29050072072442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064","width":1200},{"alt":null,"id":29050073055482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバムです。 ギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7522503229690,"title":"Mater Suspiria Vision \/\/ π CDR","handle":"mater-suspiria-vision-π-cd","description":"\u003cp\u003e カルトヴェイパー作家Mater Suspiria VisionのCDR作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/161406139?h=8ac107a01d\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/161406139\"\u003eMater Suspiria Vision feat. Mushy - Exorcism of the Witch Haus (π CDR, 2010)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/matersuspiriavision\"\u003eMater Suspiria Vision\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアーティストその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAFRIKA PSEUDOBRUITISMUS releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJourney To PI\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThe Drone Cabinet Of Dr. Trance\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eExorcism Of The Witch Haus (feat. Valentina Mushy)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eHoly Beast Of Bethlehem\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eExorcism Of The Witch Haus (\\\\\\^◊^\/\/\/ Rituals Of The Pleasuredome Mix)(feat. Valentina Mushy)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAFRIKA PSEUDOBRUITISMUS\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Phantasma Disques\u003c\/p\u003e","published_at":"2022-01-21T15:41:34+09:00","created_at":"2022-01-21T15:07:05+09:00","vendor":"Tobira Records","type":"","tags":["afrika pseudobruitismus","cd","hiphop \/ funk","new"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42348025577722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mater Suspiria Vision \/\/ π CDR","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_97c620cd-bbe6-4856-a2da-85d5bc6fcbf0.jpg?v=1642745226"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_97c620cd-bbe6-4856-a2da-85d5bc6fcbf0.jpg?v=1642745226","options":["Title"],"media":[{"alt":null,"id":29038931575034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_97c620cd-bbe6-4856-a2da-85d5bc6fcbf0.jpg?v=1642745226"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma_97c620cd-bbe6-4856-a2da-85d5bc6fcbf0.jpg?v=1642745226","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e カルトヴェイパー作家Mater Suspiria VisionのCDR作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/161406139?h=8ac107a01d\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/161406139\"\u003eMater Suspiria Vision feat. Mushy - Exorcism of the Witch Haus (π CDR, 2010)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/matersuspiriavision\"\u003eMater Suspiria Vision\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアーティストその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/afrikapseudobruitismus\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAFRIKA PSEUDOBRUITISMUS releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJourney To PI\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThe Drone Cabinet Of Dr. Trance\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eExorcism Of The Witch Haus (feat. Valentina Mushy)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eHoly Beast Of Bethlehem\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eExorcism Of The Witch Haus (\\\\\\^◊^\/\/\/ Rituals Of The Pleasuredome Mix)(feat. Valentina Mushy)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAFRIKA PSEUDOBRUITISMUS\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Phantasma Disques\u003c\/p\u003e"}
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カルトヴェイパー作家Mater Suspiria VisionのCDR作品です。 Mater Suspiria Vision feat. Mushy - Exorcism of the Witch Haus...
¥1,580
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{"id":7522487468282,"title":"Twig Harper \/\/ Two Variations for the Shadow of the Absolute CD","handle":"twig-harper-two-variations-for-the-shadow-of-the-absolute-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にHansonやThrill Jockey、Open Mouthなどから発表しているアメリカ・ボルチモアの実験音楽家Twig Harperが、2021年12月に同国\u003cmeta charset=\"utf-8\"\u003ePrimordial Voidから100枚限定でリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカオティックなスコアをクラシック楽器とエレクトロニクスで演奏した作品で、コンテンポラリークラシックシーンに一石を投じる問題作です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e４面デジパック仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJames Harper: composition, synthetic programming, recording, realization\u003cbr\u003e\"Max\" Headcleaner: synthesizer\u003cbr\u003eWilliam Nance: hurdy gurdy, tapes, acoustic\u003cbr\u003eAaron \"Ford Model\" D: microphones, oboe, slide\u003cbr\u003eNorma \"Pinkie B\" Winklidia: text, editing, cello\u003cbr\u003eTwigford Johnston: Timpani, percussion, bass clarinet\u003cbr\u003eDolphin Webinar: basson, flutes\u003cbr\u003eAce \"Patrice\" Vincent: Vibes, Space Flute\u003cbr\u003eMarcy \"the Chiller\" Mering: string arrangements, bass guitar\u003cbr\u003eFlex City Car Repair: catering, coffee\u003cbr\u003eTD Bank Baltimore Orioles Youth Choir: harp, cleaning \u0026amp; waste disposal\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=30087239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/primvo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/primvo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/primvo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/primvo\"\u003ehere\u003c\/a\u003e to see more Primordial Void releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrimordial Void:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwig Harper’s second release of 2021 is a game-changing work of contemporary classical music. Consisting of two longform pieces, 'Two Variations for the Shadow of the Absolute' builds on the “classical electronics” of the Baltimore artist’s recent tape for Radical Documents, incorporating synthesized instrumentation and digitally manipulated studio recordings. The one-two punch of “Positive Charge” and “Negative Charge” falls somewhere between Ligeti’s electronic works and Boulez conducting Zappa, yet Harper’s trademark compositional techniques are present, and, above all, these two variations could only have been made by him and his shadowy cohorts (Dolphin Webinar, anyone?).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown for his collaborations with musicians such as Bill Nace and Nate Young, Harper has been a prominent figure in the U.S. noise scene for the past two decades. 'Two Variations for the Shadow of the Absolute' serves as the follow-up to March’s excellent 'Classical Electronics'. Mastered by Jack Callahan (aka die Reihe).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*************\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eJames Harper: composition, synthetic programming, recording, realization\u003cbr\u003e\"Max\" Headcleaner: synthesizer\u003cbr\u003eWilliam Nance: hurdy gurdy, tapes, acoustic\u003cbr\u003eAaron \"Ford Model\" D: microphones, oboe, slide\u003cbr\u003eNorma \"Pinkie B\" Winklidia: text, editing, cello\u003cbr\u003eTwigford Johnston: Timpani, percussion, bass clarinet\u003cbr\u003eDolphin Webinar: basson, flutes\u003cbr\u003eAce \"Patrice\" Vincent: Vibes, Space Flute\u003cbr\u003eMarcy \"the Chiller\" Mering: string arrangements, bass guitar\u003cbr\u003eFlex City Car Repair: catering, coffee\u003cbr\u003eTD Bank Baltimore Orioles Youth Choir: harp, cleaning \u0026amp; waste disposal\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrimordial Void\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-21T20:03:56+09:00","created_at":"2022-01-21T14:19:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","new","primordial void","recommended"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42347830378746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Twig Harper \/\/ Two Variations for the Shadow of the Absolute CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1.jpg?v=1642742344","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2.jpg?v=1642742344"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1.jpg?v=1642742344","options":["Title"],"media":[{"alt":null,"id":29038833565946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1.jpg?v=1642742344"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1.jpg?v=1642742344","width":700},{"alt":null,"id":29038833598714,"position":2,"preview_image":{"aspect_ratio":1.135,"height":1057,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2.jpg?v=1642742344"},"aspect_ratio":1.135,"height":1057,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2.jpg?v=1642742344","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にHansonやThrill Jockey、Open Mouthなどから発表しているアメリカ・ボルチモアの実験音楽家Twig Harperが、2021年12月に同国\u003cmeta charset=\"utf-8\"\u003ePrimordial Voidから100枚限定でリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカオティックなスコアをクラシック楽器とエレクトロニクスで演奏した作品で、コンテンポラリークラシックシーンに一石を投じる問題作です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e４面デジパック仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJames Harper: composition, synthetic programming, recording, realization\u003cbr\u003e\"Max\" Headcleaner: synthesizer\u003cbr\u003eWilliam Nance: hurdy gurdy, tapes, acoustic\u003cbr\u003eAaron \"Ford Model\" D: microphones, oboe, slide\u003cbr\u003eNorma \"Pinkie B\" Winklidia: text, editing, cello\u003cbr\u003eTwigford Johnston: Timpani, percussion, bass clarinet\u003cbr\u003eDolphin Webinar: basson, flutes\u003cbr\u003eAce \"Patrice\" Vincent: Vibes, Space Flute\u003cbr\u003eMarcy \"the Chiller\" Mering: string arrangements, bass guitar\u003cbr\u003eFlex City Car Repair: catering, coffee\u003cbr\u003eTD Bank Baltimore Orioles Youth Choir: harp, cleaning \u0026amp; waste disposal\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=30087239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/primvo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/primvo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/primvo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/primvo\"\u003ehere\u003c\/a\u003e to see more Primordial Void releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrimordial Void:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwig Harper’s second release of 2021 is a game-changing work of contemporary classical music. Consisting of two longform pieces, 'Two Variations for the Shadow of the Absolute' builds on the “classical electronics” of the Baltimore artist’s recent tape for Radical Documents, incorporating synthesized instrumentation and digitally manipulated studio recordings. The one-two punch of “Positive Charge” and “Negative Charge” falls somewhere between Ligeti’s electronic works and Boulez conducting Zappa, yet Harper’s trademark compositional techniques are present, and, above all, these two variations could only have been made by him and his shadowy cohorts (Dolphin Webinar, anyone?).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown for his collaborations with musicians such as Bill Nace and Nate Young, Harper has been a prominent figure in the U.S. noise scene for the past two decades. 'Two Variations for the Shadow of the Absolute' serves as the follow-up to March’s excellent 'Classical Electronics'. Mastered by Jack Callahan (aka die Reihe).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*************\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eJames Harper: composition, synthetic programming, recording, realization\u003cbr\u003e\"Max\" Headcleaner: synthesizer\u003cbr\u003eWilliam Nance: hurdy gurdy, tapes, acoustic\u003cbr\u003eAaron \"Ford Model\" D: microphones, oboe, slide\u003cbr\u003eNorma \"Pinkie B\" Winklidia: text, editing, cello\u003cbr\u003eTwigford Johnston: Timpani, percussion, bass clarinet\u003cbr\u003eDolphin Webinar: basson, flutes\u003cbr\u003eAce \"Patrice\" Vincent: Vibes, Space Flute\u003cbr\u003eMarcy \"the Chiller\" Mering: string arrangements, bass guitar\u003cbr\u003eFlex City Car Repair: catering, coffee\u003cbr\u003eTD Bank Baltimore Orioles Youth Choir: harp, cleaning \u0026amp; waste disposal\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrimordial Void\u003c\/span\u003e\u003c\/p\u003e"}
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過去にHansonやThrill Jockey、Open Mouthなどから発表しているアメリカ・ボルチモアの実験音楽家Twig Harperが、2021年12月に同国Primordial Voidから100枚限定でリリースしたCDです。 カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した作品で、コンテンポラリークラシックシーンに一石を投じる問題作です。４面デジパック仕様。 James Harper: composition, synthetic programming, recording, realization"Max" Headcleaner:...
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