Nick Hoffman // Baroque Classics (For Electronic Oscillators) TAPE

Nick Hoffman // Baroque Classics (For Electronic Oscillators) TAPE

¥1,350

Write a review

Item no:
Availability:

カリフォルニア実験レーベルPilgrim Talk主宰者Nick Hoffmanによる、バロック古典音楽をオシレーターのみで制作した意欲作。ビット数の低いゲーム音楽のような12曲を収録。辛いことがあった日も、これを再生すれば「こんな変な音楽を真面目に作ってる人が世の中にはいるんだ」と少し元気にしてくれそうな一本です。80本限定、DLコード付属。

Edition of 80.

Artist : Nick Hoffman

Label : Pilgrim Talk

Edition of 80.

Artist : Nick Hoffman

Label : Pilgrim Talk

Related Products

Quickview {"id":7978898456826,"title":"Werk \/\/ Angirú TAPE","handle":"copy-of-werk-angiru-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンの密林系作家Pablo Picco aka Bardo Todol主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eBolinga Everest Records\u003c\/a\u003e諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、イランのアンビエント作家Werkが、2022年2月にリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハープとスポークンワードによる日記のような作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※リサイクルテープを使用しています。\u003cmeta charset=\"utf-8\"\u003e一点一点異なるアートワークです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1444356983\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBolinga Everest Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eBolinga Everest:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Werk is Mariano Sandoval accompained by Iván Tovi and Alejandro Coll.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn \"Angirú\", his first album we listen to the captivating sound centered on the Arpa Paraguaya, instrument that Mariano uses to introduce ourselves in the day and night of the fauna and flora from Formosa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving in the Nortest part of Argentina that limits with Paraguay, the projects draws not only from their acustic and electric instruments: they use field recording voices of some integrants of Qom, Pilagea and Wichei communities. This voices, repetitive and tireless in loop, complete the journey into the deepest and magestic parts of this wet lands.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werk\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBolinga Everest Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-26T13:33:00+09:00","created_at":"2023-05-26T13:14:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Bolinga Everest Records","contemporary \/ sound poetry","field recording","monooto","new","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44253120594170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werk \/\/ Angirú TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442","options":["Title"],"media":[{"alt":null,"id":32018649841914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンの密林系作家Pablo Picco aka Bardo Todol主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eBolinga Everest Records\u003c\/a\u003e諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、イランのアンビエント作家Werkが、2022年2月にリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハープとスポークンワードによる日記のような作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※リサイクルテープを使用しています。\u003cmeta charset=\"utf-8\"\u003e一点一点異なるアートワークです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1444356983\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBolinga Everest Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eBolinga Everest:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Werk is Mariano Sandoval accompained by Iván Tovi and Alejandro Coll.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn \"Angirú\", his first album we listen to the captivating sound centered on the Arpa Paraguaya, instrument that Mariano uses to introduce ourselves in the day and night of the fauna and flora from Formosa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving in the Nortest part of Argentina that limits with Paraguay, the projects draws not only from their acustic and electric instruments: they use field recording voices of some integrants of Qom, Pilagea and Wichei communities. This voices, repetitive and tireless in loop, complete the journey into the deepest and magestic parts of this wet lands.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werk\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBolinga Everest Records\u003c\/span\u003e\u003c\/p\u003e"}

イタリアの90'sストレイトエッジ・ハードコアシーンで活動後、音響シーンに足を踏み入れDie Schachtelやsecond sleepといったレーベルから作品を発表してきたClaudio Rocchettiが、2017年に同国実験レーベルKohlhaasから300枚限定でリリースしたレコードです。ジャケ画像を体現したかのような内容で、ゴルトベルク変奏曲からサンプリングした素材を切り刻んで再構築した32の断片を収録。DLコード付属。 Edition of 300. Black vinyl LP 12", featuring cover and...

¥2,980

Quickview {"id":7977791521018,"title":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","handle":"jason-doell-becoming-in-shadows-of-being-touched-lp","description":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-23T15:49:36+09:00","created_at":"2023-05-22T14:41:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","Whited Sepulchre Records"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247316300026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","options":["Title"],"media":[{"alt":null,"id":32002125824250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","width":700},{"alt":null,"id":32002125857018,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}

カナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。ピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...

¥3,780

Quickview {"id":7977697575162,"title":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","handle":"ben-vida-with-yarn-wire-and-nina-dante-the-beat-my-head-hit-12","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※6月上旬再入荷後発送いたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス（言語がグループをユニゾンで呼吸する場所へと導くこと）は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる？タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Comes with DL code.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-05-22T08:01:44+09:00","created_at":"2023-05-21T20:35:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44246687940858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","options":["Title"],"media":[{"alt":null,"id":31999976767738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","width":700},{"alt":null,"id":31999976800506,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※6月上旬再入荷後発送いたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス（言語がグループをユニゾンで呼吸する場所へと導くこと）は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる？タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Comes with DL code.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}