Nick Brobak // Before Too Long TAPE
Nick Brobak // Before Too Long TAPE
¥1,970
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アメリカ・ワシントンのベッドルーム・スローコア作家Nick Brobakが、2020年に30本限定でリリースしたカセットです。
Lo-Fiスローコア16曲を収録。廃盤です。
※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ
View No Countryその他作品はこちら /// Click here to see more View No Country releases available at Tobira.
--------------------------
The 2nd album by the bedroom slowcore Nick Brobak. Ltd. 30. Ask us for digital files.
artist : Nick Brobak
label : View No Country
アメリカ・ワシントンのベッドルーム・スローコア作家Nick Brobakが、2020年に30本限定でリリースしたカセットです。
Lo-Fiスローコア16曲を収録。廃盤です。
※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ
View No Countryその他作品はこちら /// Click here to see more View No Country releases available at Tobira.
--------------------------
The 2nd album by the bedroom slowcore Nick Brobak. Ltd. 30. Ask us for digital files.
artist : Nick Brobak
label : View No Country
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Heaven Waits For No One 06:47\u003cbr\u003e2. Drunkna I En Sjö Av Förtvivlan 02:33\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Stad I Ljus 03:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rinn Av Mig 02:32\u003cbr\u003e\u003c\/span\u003e5. I Feel Young 03:03\u003cbr\u003e6. Cruel 03:10\u003cbr\u003e7. Hammered 02:47\u003cbr\u003e8. Våren 02:52\u003cbr\u003e9. Jag Ser Dem Försvinna 04:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Shiver 01:30\u003cbr\u003e\u003c\/span\u003e11. Går I Kras 03:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscreet Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGår I Kras is the fourth album from the Gothenburg-trio Amateur Hour that consists of Hugo Randulv, Julia Bjernelind and Dan Johansson. While in many ways continuing where the massive Krökta Tankar Och Brända Vanor double left off in 2022, the new 11-song album is arguably the most accessible and refined recording yet from the group, with some of their strongest tracks to date. Still blending dreamy lo-fi pop music with electronics and crude sound collages, The Cannanes through a meatgrinder and whatnot, the melodies just lingers in a different way on Går I Kras. 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¥4,450
クイックビュー
{"id":8859901460730,"title":"Paul Pèrrim \/\/ Itara LP","handle":"paul-perrim-itara-lp","description":"\u003cp\u003eテネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1697106859\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Arkusmaliketus 05:27\u003cbr\u003e2. Furcarkis\u003cbr\u003e3. Xankenofa\u003cbr\u003e4. Olekta 04:02\u003cbr\u003e5. Xileikan\u003cbr\u003e6. Durrisan 01:20\u003cbr\u003e7. Deiman 02:25\u003cbr\u003e8. Barbarchu\u003cbr\u003e9. Mousell\u003cbr\u003e10. Sachsas \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eItara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. \u003cbr\u003e\u003cbr\u003eWith a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experimental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. \u003cbr\u003e\u003cbr\u003eA key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges analog electronics with guitar, using vintage synths and effects. \u003cbr\u003e\u003cbr\u003eIn 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a\u003cspan class=\"bcTruncateMore\"\u003e contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. \u003cbr\u003e\u003cbr\u003eRecorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes: \u003cbr\u003e\u003cbr\u003e“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Pèrrim\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant \/ KEROXEN\u003c\/p\u003e\n\u003cp\u003ecat no : KRXN#049\u003c\/p\u003e","published_at":"2025-07-14T13:03:34+09:00","created_at":"2025-07-14T12:53:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","folk \/ left-field pop","lp","new","recommended"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47510396895482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paul Pèrrim \/\/ Itara LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678","options":["Title"],"media":[{"alt":null,"id":36374729818362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eテネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1697106859\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Arkusmaliketus 05:27\u003cbr\u003e2. Furcarkis\u003cbr\u003e3. Xankenofa\u003cbr\u003e4. Olekta 04:02\u003cbr\u003e5. Xileikan\u003cbr\u003e6. Durrisan 01:20\u003cbr\u003e7. Deiman 02:25\u003cbr\u003e8. Barbarchu\u003cbr\u003e9. Mousell\u003cbr\u003e10. Sachsas \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eItara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. \u003cbr\u003e\u003cbr\u003eWith a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experimental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. \u003cbr\u003e\u003cbr\u003eA key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges analog electronics with guitar, using vintage synths and effects. \u003cbr\u003e\u003cbr\u003eIn 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a\u003cspan class=\"bcTruncateMore\"\u003e contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. \u003cbr\u003e\u003cbr\u003eRecorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes: \u003cbr\u003e\u003cbr\u003e“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Pèrrim\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant \/ KEROXEN\u003c\/p\u003e\n\u003cp\u003ecat no : KRXN#049\u003c\/p\u003e"}
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テネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。 アンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です "ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。 民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。" レーベルその他作品はこちら /// Click here to see more Discrepant...
¥3,980
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{"id":8857794904314,"title":"Orchestroll \/\/ Corrosiv 2xLP","handle":"orchestroll-corrosiv-2x12inch","description":"\u003cp\u003e過去にNaffなどから発表しているカナダ・モントリオールのエレクトロニックデュオOrchestrollが、2025年6月にアメリカ・NYの実験／ダンスレーベル29 Speedwayからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエントポップ〜ポストインダストリアル・テクノ〜ドローン15曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/orchestroll-hyperwide-lustre-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=880198096\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=783377044\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=882658982\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003ehere\u003c\/a\u003e to see more 29 Speedway releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Patina Shift 05:08\u003cbr\u003e2. Blistex 04:14\u003cbr\u003e3. Rust Halo 04:40\u003cbr\u003e4. Lesio 07:16\u003cbr\u003e5. Sightjacker ft. VISIO 01:38\u003cbr\u003e6. Here Used To Be a Star 04:44\u003cbr\u003e7. Spume (Formerly an Icefield) 06:04\u003cbr\u003e8. Hypnoxia 03:18\u003cbr\u003e9. Astral Trepidation ft. Jiyoung Wi 04:30\u003cbr\u003e10. Spotshadowsphere 03:54\u003cbr\u003e11. Velvet Myst ft. Heith 04:44\u003cbr\u003e12. Cable Eater 07:26\u003cbr\u003e13. Nerveghost 09:54\u003cbr\u003e14. Relaxus 03:00\u003cbr\u003e15. L’ inaperçu nous traverse ft. Bernardino Femminielli and Habib Bardi 06:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCorrosiv, the sophomore album from Orchestroll, reveals the duo at their most mature and vulnerable. Originally conceived as a reflection on hybridity and bastardization, the album deploys New Age and ambient compositional tropes as a launchpad, exposing their trite sanctity to the realities of corrosion. Having come of age in the 1970s and 1980s, the New Age movement perdures today as a domain of contradictions; its promise of transcendence riddled with the very commercialized dogma from which its adherents claim to flee. Healing modalities such as reiki, crystal therapy, and sound baths are simultaneously pathways to solace and sites of exploitation; their sonic counterparts — ethereal synth pads, shimmering textures, celestial drones — claim to facilitate meditation and enlightenment while devolving into empty signifiers of vitality. With Corrosiv, Orchestroll displays neither reverence nor disdain toward New Age: they exhume it instead, revealing the saccharine effervescence and commodified murk undergirding its aesthetics. The result is intoxicating — disquieting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn from a two-week residency at EMS Studios and expanded through a performance at MUTEK Montreal’s 25th anniversary, Corrosiv has since outgrown its original conceptual nucleus\u003cspan class=\"bcTruncateMore\"\u003e, taking on a broader scope. Its inquiry into New Age ideology’s voided rhetoric and aesthetic mysticism now informs a broader interrogation of cultural mediocrity, anti-authoritarianism, gatekeeping, music industry toxicity, and the crumbling edifice of late capitalism and techno-feudalism — all the mechanisms by which meaning is stripped from ceremony, and once-potent forms of knowledge are subsumed into the machinery of economic extraction, severed from their original essence, and transformed into hollow simulacra. Corrosiv distills these themes through a loose narrative: a soul, fixated on wellness as dictated by cosmetic economism, becomes ensnared in an endless afterlife, unable to transcend and shed its dilapidated consciousness.\u003cbr\u003e\u003cbr\u003eFramed as an act of audio dissolution, the album thus engages in an alchemical process, whereby complex waveshaping, morphing synthesis, and distortion enact a ritual of fragmentation. There is also friction: between the rigid, mechanical imposition of systematized order and the untamed, chaotic force of organic metamorphosis. Here corrosion and confinement are not solely conceptual motifs; they are enacted in real time, sculpting the album’s terrain. Scraping, tarnishing, degradation—the languid wear of form and substance — become instruments in their own right: buffing as abrasion, entrapment as transformation, corrosion as a means of reconfiguration. The ‘protagonist,’ if there must be one, is the listener, caught within the throes of structural determinism and the potential for emancipation, unable to pass into something greater as the specters of collapsed futures accumulate in the margins.\u003cbr\u003e\u003cbr\u003eCorrosiv extends its reach through collaborations with familiar voices: Heith (PAN), VISIO (Haunter), Femminielli (Drowned by Locals), Habib Bardi (Interzone), and Jiyoung Wi (Enmossed, Psychic Liberation, Doyenne) each leave their imprint on its sprawling landscape. At 1h16m, it is a procession, dense with earworms that burrow into the listener’s unconscious.\u003cbr\u003e\u003cbr\u003eMisshapen, broken-down metals leach copper into blood, acid reflux burning through the core. Psyche disaggregates into cosmic turmoil, drifting between planes—tongue on rustline, gullet laced with solvent hymns, molars unlatching, bitcrushed to marrowspill. A spasm of brine, ferrous scripture, venomtext blooming in leaden rivulets, cartilage smoldering in phosphor decomposition, synapses drowning in a quicksilver choir. Crest of bile, churning ore, breath clotting into arsenic mist, vein-thread cinched, a corrosive gospel, limb by limb, oxidized to silence.\u003cbr\u003e\u003cbr\u003eUltimately, as the music exhales its final breath, its residue refuses to dissipate — and stillness alone remains. There are no conclusions here — no resolution, no collapse —only the slow drift outward of a vessel unmoored, lost in the sea of symbolic souring. Corrosiv sings the song of a world barren of prophecy, littered with aesthetic detritus. Whether this magic has been transfigured or simply worn away is unclear: the last breath dissipates, but the oxidation does not stop. The silence, too, will decay.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Orchestroll\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e","published_at":"2025-07-14T08:41:05+09:00","created_at":"2025-07-11T11:09:24+09:00","vendor":"Tobira Records","type":"","tags":["29 Speedway","ambient","drone","folk \/ left-field pop","lp","new","techno \/ house"],"price":498500,"price_min":498500,"price_max":498500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502301233402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Orchestroll \/\/ Corrosiv 2xLP","public_title":null,"options":["Default Title"],"price":498500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675","\/\/tobirarecords.com\/cdn\/shop\/files\/corr2.jpg?v=1752199675","\/\/tobirarecords.com\/cdn\/shop\/files\/corr3.jpg?v=1752199675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675","options":["Title"],"media":[{"alt":null,"id":36352385646842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675","width":700},{"alt":null,"id":36352385679610,"position":2,"preview_image":{"aspect_ratio":1.016,"height":1181,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr2.jpg?v=1752199675"},"aspect_ratio":1.016,"height":1181,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr2.jpg?v=1752199675","width":1200},{"alt":null,"id":36352385712378,"position":3,"preview_image":{"aspect_ratio":1.016,"height":1181,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr3.jpg?v=1752199675"},"aspect_ratio":1.016,"height":1181,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr3.jpg?v=1752199675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNaffなどから発表しているカナダ・モントリオールのエレクトロニックデュオOrchestrollが、2025年6月にアメリカ・NYの実験／ダンスレーベル29 Speedwayからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエントポップ〜ポストインダストリアル・テクノ〜ドローン15曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/orchestroll-hyperwide-lustre-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=880198096\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=783377044\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=882658982\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003ehere\u003c\/a\u003e to see more 29 Speedway releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Patina Shift 05:08\u003cbr\u003e2. Blistex 04:14\u003cbr\u003e3. Rust Halo 04:40\u003cbr\u003e4. Lesio 07:16\u003cbr\u003e5. Sightjacker ft. VISIO 01:38\u003cbr\u003e6. Here Used To Be a Star 04:44\u003cbr\u003e7. Spume (Formerly an Icefield) 06:04\u003cbr\u003e8. Hypnoxia 03:18\u003cbr\u003e9. Astral Trepidation ft. Jiyoung Wi 04:30\u003cbr\u003e10. Spotshadowsphere 03:54\u003cbr\u003e11. Velvet Myst ft. Heith 04:44\u003cbr\u003e12. Cable Eater 07:26\u003cbr\u003e13. Nerveghost 09:54\u003cbr\u003e14. Relaxus 03:00\u003cbr\u003e15. L’ inaperçu nous traverse ft. Bernardino Femminielli and Habib Bardi 06:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCorrosiv, the sophomore album from Orchestroll, reveals the duo at their most mature and vulnerable. Originally conceived as a reflection on hybridity and bastardization, the album deploys New Age and ambient compositional tropes as a launchpad, exposing their trite sanctity to the realities of corrosion. Having come of age in the 1970s and 1980s, the New Age movement perdures today as a domain of contradictions; its promise of transcendence riddled with the very commercialized dogma from which its adherents claim to flee. Healing modalities such as reiki, crystal therapy, and sound baths are simultaneously pathways to solace and sites of exploitation; their sonic counterparts — ethereal synth pads, shimmering textures, celestial drones — claim to facilitate meditation and enlightenment while devolving into empty signifiers of vitality. With Corrosiv, Orchestroll displays neither reverence nor disdain toward New Age: they exhume it instead, revealing the saccharine effervescence and commodified murk undergirding its aesthetics. The result is intoxicating — disquieting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn from a two-week residency at EMS Studios and expanded through a performance at MUTEK Montreal’s 25th anniversary, Corrosiv has since outgrown its original conceptual nucleus\u003cspan class=\"bcTruncateMore\"\u003e, taking on a broader scope. Its inquiry into New Age ideology’s voided rhetoric and aesthetic mysticism now informs a broader interrogation of cultural mediocrity, anti-authoritarianism, gatekeeping, music industry toxicity, and the crumbling edifice of late capitalism and techno-feudalism — all the mechanisms by which meaning is stripped from ceremony, and once-potent forms of knowledge are subsumed into the machinery of economic extraction, severed from their original essence, and transformed into hollow simulacra. Corrosiv distills these themes through a loose narrative: a soul, fixated on wellness as dictated by cosmetic economism, becomes ensnared in an endless afterlife, unable to transcend and shed its dilapidated consciousness.\u003cbr\u003e\u003cbr\u003eFramed as an act of audio dissolution, the album thus engages in an alchemical process, whereby complex waveshaping, morphing synthesis, and distortion enact a ritual of fragmentation. There is also friction: between the rigid, mechanical imposition of systematized order and the untamed, chaotic force of organic metamorphosis. Here corrosion and confinement are not solely conceptual motifs; they are enacted in real time, sculpting the album’s terrain. Scraping, tarnishing, degradation—the languid wear of form and substance — become instruments in their own right: buffing as abrasion, entrapment as transformation, corrosion as a means of reconfiguration. The ‘protagonist,’ if there must be one, is the listener, caught within the throes of structural determinism and the potential for emancipation, unable to pass into something greater as the specters of collapsed futures accumulate in the margins.\u003cbr\u003e\u003cbr\u003eCorrosiv extends its reach through collaborations with familiar voices: Heith (PAN), VISIO (Haunter), Femminielli (Drowned by Locals), Habib Bardi (Interzone), and Jiyoung Wi (Enmossed, Psychic Liberation, Doyenne) each leave their imprint on its sprawling landscape. At 1h16m, it is a procession, dense with earworms that burrow into the listener’s unconscious.\u003cbr\u003e\u003cbr\u003eMisshapen, broken-down metals leach copper into blood, acid reflux burning through the core. Psyche disaggregates into cosmic turmoil, drifting between planes—tongue on rustline, gullet laced with solvent hymns, molars unlatching, bitcrushed to marrowspill. A spasm of brine, ferrous scripture, venomtext blooming in leaden rivulets, cartilage smoldering in phosphor decomposition, synapses drowning in a quicksilver choir. Crest of bile, churning ore, breath clotting into arsenic mist, vein-thread cinched, a corrosive gospel, limb by limb, oxidized to silence.\u003cbr\u003e\u003cbr\u003eUltimately, as the music exhales its final breath, its residue refuses to dissipate — and stillness alone remains. There are no conclusions here — no resolution, no collapse —only the slow drift outward of a vessel unmoored, lost in the sea of symbolic souring. Corrosiv sings the song of a world barren of prophecy, littered with aesthetic detritus. Whether this magic has been transfigured or simply worn away is unclear: the last breath dissipates, but the oxidation does not stop. The silence, too, will decay.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Orchestroll\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e"}
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過去にNaffなどから発表しているカナダ・モントリオールのエレクトロニックデュオOrchestrollが、2025年6月にアメリカ・NYの実験／ダンスレーベル29 Speedwayからリリースした2枚組レコードです。 エレクトロニック・アンビエントポップ〜ポストインダストリアル・テクノ〜ドローン15曲を収録。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more 29 Speedway...
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