Lia Kohl // Normal Sounds LP

アメリカ・シカゴのチェロ奏者Lia Kohlが、2024年8月に同国オレゴンのサイケ・アンビエント大巣窟Moon Glyphからリリースしたレコードです。

チェロやシンセ、ラジオ、フィールドレコーディングを用いたアンビエント〜ネオクラシカル・アンビエント7曲を収録。DLコード付属。

前作もオススメです。

レーベルその他作品はこちら /// Click here to see more Moon Glyph releases available at Tobira.

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Includes DL code. 12" black vinyl. 

Tracklist:

1. Tennis Court Light, Snow
2. Car Alarm, Turn Signal (feat. Ka Baird) 04:47
3. Plane
4. Ice Cream Truck, Tornado Siren
5. Airport Fridge, Self Checkout
6. Car Horns (feat. Patrick Shiroishi)
7. Ignition, Sneakers 04:49

Moon Glyph:

"It’s not difficult to find beauty in the sounds of nature – ocean waves, birdsong, rainfall – but it's easy to overlook the charm and wonder of everyday anthropogenic sounds. Equal parts reverent and playful, Normal Sounds is built around field recordings of human-made, non-musical sounds: fridge drones, grocery store beeps, car horns. Lia Kohl alternately hallows and mimics them, offering them to the listener in a new light. Using a textural cloud of cello and synthesizers, with a few notable contributions from wind players Ka Baird and Patrick Shiroishi, Kohl brings out beauty in the world’s inane noise.

This interest in the mundane is not new to Kohl. Normal Sounds follows a series of pieces – The Ceiling Reposes, Untitled Radio, Variations on a Topography – which use field recordings of AM/FM radio as centerpieces. Her work hones in on unnoticed or under-documented sounds: the things we tend to tune out or hear passively. Many of the field recordings on Normal Sounds are functional, indicating danger (tornado siren, car alarms), fun (ice cream truck) or change (“the seatbelt sign is on”, “please take your receipt”). Others are simply byproducts of machine function: the drone of a fridge or airplane. While they’re sometimes intended to be heard, they’re not intended to be listened to.

For Kohl, her treatment of these sounds acts as a practice of attention, or in her words “a practice of trying to be more alive.” Often this practice takes the form of mimicry: harmonizing the already-present frequencies of a tennis court light with cello harmonics, or cheekily pairing car horns with Shiroishi’s saxophone. Sometimes, she augments the soundscape more dramatically, pulling it in a new direction with melodic cello or arpeggiated synths. It’s occasionally unclear whether a sound comes from her or the world around her. She nestles each field recording into a bed of her own sounds, inviting us to listen to the world through her ears. "

Artist : Lia Kohl

Label : Moon Glyph

Cat No : MG145