KETA RA // LED TAPE

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※10/7のTobira Instore Showcaseに出演します

広島のアンビエント作家KETA RAが、2023年8月に自主リリースしたカセットです。

穏やかな時間を約束するポストニューエイジ・アンビエント7曲、1時間を収録。

※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします

-------------------------------------

Ask us for digital files.

Tracklist:

Soft 05:22
SAD 06:26
Yon 04:46
Cure 04:46
Saezuri 03:34
Yucca 04:10
LED 29:40

Artist statement by KETA RA:

"From 2022 to the beginning of 2023, I went outside with my instrument and battery, found a place I was interested in, played the atmosphere of the place by myself, and recorded it.

This work will be a compilation of the performances and the emotions that I brought home, recorded at home.

Most of the songs are loose beatless songs, but in my personal sense, I think it's a more emotional ambient album.

The title song of this work, ”LED“ was performed while watching the sunrise from the sea at the window of a ryokan in Beppu City, Oita Prefecture.
Someone who listened to this said about me: “A person who stands between the visible world and the invisible world, enveloping and healing everything.”

For the jacket design, I tried to express the image of the morning sun seen from my parents' house in a more minimalistic way.

This is the first time I've done a design like this, but I personally like it !

I am grateful to be able to release this on a meaningful day for my hometown ☺︎✨"

Artist : KETA RA

Label : Astrollage

※10/7のTobira Instore Showcaseに出演します

広島のアンビエント作家KETA RAが、2023年8月に自主リリースしたカセットです。

穏やかな時間を約束するポストニューエイジ・アンビエント7曲、1時間を収録。

※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします

-------------------------------------

Ask us for digital files.

Tracklist:

Soft 05:22
SAD 06:26
Yon 04:46
Cure 04:46
Saezuri 03:34
Yucca 04:10
LED 29:40

Artist statement by KETA RA:

Artist : KETA RA

Label : Astrollage

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クイックビュー {"id":8890624016634,"title":"okkyung lee \/\/ just like any other day (어느날): background music for your mundane activities LP","handle":"okkyung-lee-just-like-any-other-day-background-music-for-your-mundane-activities-lp","description":"\u003cp\u003e韓国のチェロ奏者okkyung leeが、\u003cspan\u003e2025年9月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eこれまでの作風とは異なり、アンビエントやバロックを主体とした10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=359558008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 5th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. this is a never ending story (you just need to close it)\u003cbr\u003e2. hidden road (for yoo jae-ha)\u003cbr\u003e3. it must’ve been the sunset (that altered my memory from that day…)\u003cbr\u003e4. good morning, harrison, it’s time to go 03:02\u003cbr\u003e5. let’s walk down to the swamp together 04:10\u003cbr\u003e6. rainy night ride with roy\u003cbr\u003e7. crows over my shoulder (take me)\u003cbr\u003e8. spiral dance (up or down, i’m not too sure)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. dear oddie, today rainbows are falling from the sky\u003cbr\u003e\u003c\/span\u003e10. lying here half awake, i hear kids outside laughing with their hearts and i think this must be the end then…\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnlike anything we’ve heard from her before, Okkyung Lee returns to Shelter Press with Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, a deeply intimate body of recordings at the juncture of ambient music, minimalism, and the baroque, that stands as radical intervention with what experimental music can be, and the place that organisations of sound occupy in our lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor more than two decades, Okkyung Lee has stood at the forefront of the most radical trajectories of experimental music: a virtuosic cellist and improviser, renowned for her creative rigour and emotive depth. Particularly noteworthy for her range, dexterity, and adaptability, over the last five years Lee’s output has revealed unexpected shifts and developments that move far afield from the realms of free improvisation for which she is most well know. 2020’s Yeo-Neun, a heart-wrenching, ambient chamber work - drawing inspiration from the Korean popular music of her youth - was issued by Shelter Press to great critical response, followed closely by Teum (The Silvery Slit) - one of a series engrossing electroacoustic works created at Groupe de Recherches Musicales in Paris - on Portraits GRM, and then 나를 (Na-Reul) in 2021, regarded by\u003cspan class=\"bcTruncateMore\"\u003e Lee as a closing statement of more than two decades living in New York, which set the precedent of her allowing her emotions to fully occupy the forefront of the music for the first time. Marking her return to Shelter press, Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, encounters Lee upturning the apple cart once again, weaving a profoundly intimate artistic statement on completely unexpected terms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : okkyung lee\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP158lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-19T11:43:21+09:00","created_at":"2025-08-17T11:21:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","shelter press"],"price":374000,"price_min":374000,"price_max":374000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47619608379642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"okkyung lee \/\/ just like any other day (어느날): background music for your mundane activities LP","public_title":null,"options":["Default Title"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411848","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167","\/\/tobirarecords.com\/cdn\/shop\/files\/like2_6b2ffff2-0916-4b65-b221-d9b38d6b62a8.jpg?v=1755397168"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167","options":["Title"],"media":[{"alt":null,"id":36567315546362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167","width":700},{"alt":null,"id":36567315579130,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like2_6b2ffff2-0916-4b65-b221-d9b38d6b62a8.jpg?v=1755397168"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like2_6b2ffff2-0916-4b65-b221-d9b38d6b62a8.jpg?v=1755397168","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国のチェロ奏者okkyung leeが、\u003cspan\u003e2025年9月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eこれまでの作風とは異なり、アンビエントやバロックを主体とした10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=359558008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 5th September 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. this is a never ending story (you just need to close it)\u003cbr\u003e2. hidden road (for yoo jae-ha)\u003cbr\u003e3. it must’ve been the sunset (that altered my memory from that day…)\u003cbr\u003e4. good morning, harrison, it’s time to go 03:02\u003cbr\u003e5. let’s walk down to the swamp together 04:10\u003cbr\u003e6. rainy night ride with roy\u003cbr\u003e7. crows over my shoulder (take me)\u003cbr\u003e8. spiral dance (up or down, i’m not too sure)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; 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Marking her return to Shelter press, Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, encounters Lee upturning the apple cart once again, weaving a profoundly intimate artistic statement on completely unexpected terms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : okkyung lee\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP158lp\u003c\/span\u003e\u003c\/p\u003e"}

韓国のチェロ奏者okkyung leeが、2025年9月にフランスの実験レーベルShelter Pressからリリースしたレコードです。これまでの作風とは異なり、アンビエントやバロックを主体とした10曲を収録。レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...

¥3,740

クイックビュー {"id":8889038242042,"title":"Jonny Nash \/\/ Point Of Entry LP","handle":"jonny-nash-point-of-entry-lp","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※8月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオランダ・アムステルダムのアンビエント作家Jonny Nashが、2023年7月に自身主宰レーベルMusic As Truthからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロードムービーのサントラのようなアンビエント・フォーク〜アンビエント・ジャズ11曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eJoseph Shabasonも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1419399017\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2973911202\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Vinyl edition of 500. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Eternal Life\u003cbr\u003eA2 Theories\u003cbr\u003eA3 October Song\u003cbr\u003eA4 All I Ever Needed\u003cbr\u003eA5 Light From Three Sides\u003cbr\u003eB1 Silver Sand\u003cbr\u003eB2 Ditto\u003cbr\u003eB3 Face Of Another\u003cbr\u003eB4 Low Tide\u003cbr\u003eB5 Golden Hour\u003cbr\u003eB6 Future Friends\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMelody As Truth:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMelody As Truth founder Jonny Nash returns to action with his first solo album in four years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoint of Entry, the Gaussian Curve member’s sixth solo set, builds on Nash’s recent forays into folk traditions (2020’s Poe, made in collaboration with Teguh Permana, and 2021’s Suzanne Kraft co-production A Heart So White), while delivering a clear musical evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was created using a stream of consciousness approach to writing and recording, with Nash utilising his favoured instrument – the guitar, often doused in atmospheric effects – as a starting point. Throughout, his delicate and evocative playing takes centre stage, its melodic lines and finger-picked refrains painting aural images that resonate with positive yet contemplative energy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the smudged acid-folk bliss of ‘Theories’ and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePoint of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. 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Vinyl edition of 500. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Eternal Life\u003cbr\u003eA2 Theories\u003cbr\u003eA3 October Song\u003cbr\u003eA4 All I Ever Needed\u003cbr\u003eA5 Light From Three Sides\u003cbr\u003eB1 Silver Sand\u003cbr\u003eB2 Ditto\u003cbr\u003eB3 Face Of Another\u003cbr\u003eB4 Low Tide\u003cbr\u003eB5 Golden Hour\u003cbr\u003eB6 Future Friends\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMelody As Truth:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMelody As Truth founder Jonny Nash returns to action with his first solo album in four years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoint of Entry, the Gaussian Curve member’s sixth solo set, builds on Nash’s recent forays into folk traditions (2020’s Poe, made in collaboration with Teguh Permana, and 2021’s Suzanne Kraft co-production A Heart So White), while delivering a clear musical evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was created using a stream of consciousness approach to writing and recording, with Nash utilising his favoured instrument – the guitar, often doused in atmospheric effects – as a starting point. Throughout, his delicate and evocative playing takes centre stage, its melodic lines and finger-picked refrains painting aural images that resonate with positive yet contemplative energy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the smudged acid-folk bliss of ‘Theories’ and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePoint of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jonny Nash\u003c\/p\u003e\n\u003cp\u003eLabel : Melody As Truth\u003c\/p\u003e"}