John Dole & Axuta / Neocia & Spell Token // Split TAPE
![Aerial M // The Peel Sessions LP [COLOR]](//tobirarecords.com/cdn/shop/files/a1028977239_16_medium.jpg?v=1725176310)
![Milk Talk // Milk Talk LP [COLOR]](//tobirarecords.com/cdn/shop/files/0036614203_10_medium.jpg?v=1725165100)
John Dole & Axuta / Neocia & Spell Token // Split TAPE
¥1,560
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イギリスのLo-Fiヒップホップ〜ベッドルームポップレーベルNorthern Tapes諸作を入荷しました。
本作は、同国作家2組による50本限定のスプリットカセットです。 IDM〜ネオクラシカル・インストヒップホップ〜ベッドルームポップ11曲を収録。DLコード付属。廃盤です。
-------------------------------
Artist : John Dole & Axuta / Neocia & Spell Token
Label : Northern Tape
イギリスのLo-Fiヒップホップ〜ベッドルームポップレーベルNorthern Tapes諸作を入荷しました。
本作は、同国作家2組による50本限定のスプリットカセットです。 IDM〜ネオクラシカル・インストヒップホップ〜ベッドルームポップ11曲を収録。DLコード付属。廃盤です。
-------------------------------
Artist : John Dole & Axuta / Neocia & Spell Token
Label : Northern Tape
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{"id":8612455612666,"title":"Aerial M \/\/ The Peel Sessions LP [COLOR]","handle":"aerial-m-the-peel-sessions-lp-color","description":"\u003cp\u003eアメリカのスローコアバンドSlintメンバーとしても活動していたAerial M aka David Pajoが、2024年8月に同国老舗レーベルDrag Cityからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1998年に録音した未発表曲3曲を収録。コルクボトルクリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"やがて全ての歴史を覆い尽くす新石器時代のタールから発掘された、Aerial Mの初期の98年The Peel Sessionsが再び私たちの前に姿を現した。Aerial\/Papa MのマスターマインドであるDavid Pajoが厳密かつ単独で演奏したスタジオテイクに比べ、これらのバージョンは、道路で焼けただれたプレイヤーの首から揺れ動き、正規のいとこたちよりも獣のように息づき、Pajoの最高のギターラインのすべてを養い、太古の昔から曲がりくねった暗い金属的な根の上で光り輝いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177832202\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003ehere\u003c\/a\u003e to see more Drag City releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" Cork Bottle Clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. 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![Milk Talk // Milk Talk LP [COLOR]](http://tobirarecords.com/cdn/shop/files/0036614203_10_medium.jpg?v=1725165100)
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{"id":8612415176954,"title":"Milk Talk \/\/ Milk Talk LP [COLOR]","handle":"milk-talk-milk-talk-lp","description":"\u003cp\u003eアメリカ／姫路のファンクデュオMilk Talkが、2024年8月に自主リリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eシティポップが好きな方にもオススメのキャンディーエレクトロニック・ファンクポップ8曲を収録。帯とDLコード付属。 オレンジマーブル盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2215942519\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2890068591\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2215942519\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2nd pressing of 300 on 140g orange marbled 12\" vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlayboy 05:20\u003c\/li\u003e\n\u003cli\u003eAh Be Rue 05:38\u003c\/li\u003e\n\u003cli\u003eMilky Memory 01:25\u003c\/li\u003e\n\u003cli\u003ePixelated Girl 06:08\u003c\/li\u003e\n\u003cli\u003eSakura Chill 03:25\u003c\/li\u003e\n\u003cli\u003eTransistor Lover 04:57\u003c\/li\u003e\n\u003cli\u003eThe Velvet Line 04:28\u003c\/li\u003e\n\u003cli\u003eSubway is a Lady (remix) 05:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShining a spotlight on their core pairing of synth boogie and delicate melodies, Milk Talk’s first full-length is a retrospective encompassing the first four years of the group’s bittersweet, analog funk. Recorded in Japan beneath the shadow of Himeji Castle, the album comprises a blend of new material, retooled mixes, and tracks previously unavailable on a physical release.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s lead single “The Velvet Line” is driven by the beguiling power of Milk Talk’s Tokyo-based vocalist Q.i, while New Jersey-native musician Hair Kid’s collection of vintage synthesizers is out in full force on a completely reinterpreted “Subway is a Lady”, bringing the album’s second side to a climax of “fuck you, motherfucker” incantations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the first time, the Kitsuné Musique-released single “Playboy” is presented in its full form, “Ah Be Rue” and “Transistor Lover”’s mixes have been reworked, while “Pixelated Girl” and “Sakura Chill” had only been available digitally before this release. All eight tracks have been remastered on a 1970s Studer half-inch tape machine by Gus Elg at Sky Onion Mastering in Portland, Oregon.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Milk Talk\u003c\/p\u003e\n\u003cp\u003eLabel : Inaka Disco\u003c\/p\u003e","published_at":"2024-09-01T13:34:52+09:00","created_at":"2024-09-01T13:33:57+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","self-released"],"price":450000,"price_min":450000,"price_max":450000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46622200234234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Milk Talk \/\/ Milk Talk LP [COLOR]","public_title":null,"options":["Default Title"],"price":450000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0036614203_10.jpg?v=1725165100","\/\/tobirarecords.com\/cdn\/shop\/files\/0036614231_10.jpg?v=1725165101","\/\/tobirarecords.com\/cdn\/shop\/files\/0036614201_10.jpg?v=1725165097"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614203_10.jpg?v=1725165100","options":["Title"],"media":[{"alt":null,"id":34811523498234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614203_10.jpg?v=1725165100"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614203_10.jpg?v=1725165100","width":1200},{"alt":null,"id":34811523531002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614231_10.jpg?v=1725165101"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614231_10.jpg?v=1725165101","width":1200},{"alt":null,"id":34811523432698,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614201_10.jpg?v=1725165097"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036614201_10.jpg?v=1725165097","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ／姫路のファンクデュオMilk Talkが、2024年8月に自主リリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eシティポップが好きな方にもオススメのキャンディーエレクトロニック・ファンクポップ8曲を収録。帯とDLコード付属。 オレンジマーブル盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2215942519\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2890068591\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2215942519\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2nd pressing of 300 on 140g orange marbled 12\" vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlayboy 05:20\u003c\/li\u003e\n\u003cli\u003eAh Be Rue 05:38\u003c\/li\u003e\n\u003cli\u003eMilky Memory 01:25\u003c\/li\u003e\n\u003cli\u003ePixelated Girl 06:08\u003c\/li\u003e\n\u003cli\u003eSakura Chill 03:25\u003c\/li\u003e\n\u003cli\u003eTransistor Lover 04:57\u003c\/li\u003e\n\u003cli\u003eThe Velvet Line 04:28\u003c\/li\u003e\n\u003cli\u003eSubway is a Lady (remix) 05:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShining a spotlight on their core pairing of synth boogie and delicate melodies, Milk Talk’s first full-length is a retrospective encompassing the first four years of the group’s bittersweet, analog funk. Recorded in Japan beneath the shadow of Himeji Castle, the album comprises a blend of new material, retooled mixes, and tracks previously unavailable on a physical release.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s lead single “The Velvet Line” is driven by the beguiling power of Milk Talk’s Tokyo-based vocalist Q.i, while New Jersey-native musician Hair Kid’s collection of vintage synthesizers is out in full force on a completely reinterpreted “Subway is a Lady”, bringing the album’s second side to a climax of “fuck you, motherfucker” incantations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the first time, the Kitsuné Musique-released single “Playboy” is presented in its full form, “Ah Be Rue” and “Transistor Lover”’s mixes have been reworked, while “Pixelated Girl” and “Sakura Chill” had only been available digitally before this release. All eight tracks have been remastered on a 1970s Studer half-inch tape machine by Gus Elg at Sky Onion Mastering in Portland, Oregon.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Milk Talk\u003c\/p\u003e\n\u003cp\u003eLabel : Inaka Disco\u003c\/p\u003e"}
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アメリカ／姫路のファンクデュオMilk Talkが、2024年8月に自主リリースした再発レコードです。 シティポップが好きな方にもオススメのキャンディーエレクトロニック・ファンクポップ8曲を収録。帯とDLコード付属。 オレンジマーブル盤です。 ----------------------------------- Includes DL code. 2nd pressing of 300 on 140g...
¥4,500
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{"id":8612394467578,"title":"Adeline Hotel \/\/ Whodunnit LP","handle":"adeline-hotel-whodunnit-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYのフォークレーベルRuination Records諸作を入荷しました。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーAdeline Hotelが、2024年9月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケロック作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-solid-love-lp\"\u003e『Solid Love』\u003c\/a\u003e、ギターによるアンビエント・フォーク作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-good-timing-cd\"\u003e『Good Timing』\u003c\/a\u003e、ピアノ中心のネオクラシカル・ポップ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-the-cherries-are-speaking-cd-lp\"\u003e『The Cherries Are Speaking』\u003c\/a\u003e、ユニークなアンビエント・ジャズ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-hot-fruit-lp\"\u003e『Hot Fruit』\u003c\/a\u003eと続き、今回は言葉／歌をテーマにしたスローコア〜インディーフォーク9曲を収録。DLコード付属。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはカナダ・トロントの重鎮Sandro Perriが担当しています。\u003c\/p\u003e\n\u003cp\u003eDan Knishkowy - guitars, vocals\u003cbr\u003eWinston Cook-Wilson - piano, una corda, synthesizers\u003cbr\u003eSean Mullins - drums, percussion, una corda\u003cbr\u003eCarmen Quill - upright bass\u003cbr\u003eKatie Von Schleicher - vocals\u003cbr\u003eJackie West - vocals\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768849156\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Gatefold jacket.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. How Did I Get So Lucky?\u003cbr\u003e2. Whodunnit 06:09\u003cbr\u003e3. Preying On\u003cbr\u003e4. Grief 03:45\u003cbr\u003e5. Egg On My Face\u003cbr\u003e6. Joy\u003cbr\u003e7. Isn't That Enough?\u003cbr\u003e8. I Will Let Your Flowers Grow\u003cbr\u003e9. Possible Lives \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Sodomsky :\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dan Knishkowy has never written a song like “Whodunnit.” With his acoustic guitar dropped to a deep, open tuning, the Brooklyn artist noticed a fragile melody resonating from the strings, stretching out like a neverending highway. The lyrics followed suit, emerging in a series of intimate and escalating verses almost effortlessly while he played. Delivering the words in an inquisitive hum, Knishkowky soon found himself addressing the profound, lingering questions that would become the core of his latest album, Whodunnit, the most striking and ambitious record he has ever released. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the tender, surrealist world that Knishkowy has developed under the name Adeline Hotel, stories have been told through sprawling psych-rock epics (2020’s Solid Love), stark solo guitar performances (2021’s Good Timing), piano-led orchestral song cycles (2021’s The Cherries Are Speaking), and lush, jazzy compositions that felt like a genre unto themselves (2023’s Hot Fruit). Inspired by indie lifers and fellow world-builders like Jim O’Rourke and Phil Elverum, the Ruination Records co-founder has rewritten the rule book with each new project, inviting listeners to join as he discovers new channels for his singular voice. By now the sound of Adeline Hotel is equally identifiable through Knishkowy’s dextrous fingerpicking—the aural equivalent of tracing your fingers through cool sand at sunrise—as his low, whispered vocals and autumnal melodies.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs soon as he began writing the material for Whodunnit, a few things seemed instantly clear about his new direction. This time, the words would become the focus and the arrangements would be more threadbare. In order to maintain the immersive feeling that has come to define the project, he would have to craft songs that felt both layered and raw, close to the chest but open-ended enough to suit his amorphous, free-flowing song structures. Imagine Neil Young’s On the Beach cast in the twilight colors of John Martyn’s Solid Air, or Gillian Welch’s Time (The Revelator) as interpreted by the stream-of-consciousness players on Van Morrison’s Veedon Fleece. Whodunnit flows as if in a trance, pulling you closer to the heart with every word, every note.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting about the end of a marriage, Knishkowy refused the bitterness and brutality often associated with the breakup genre in favor of a kind of cosmic curiosity. These are songs full of space and silence, recurring images and textures, openness and grace. They are also among the most immediately affecting in his vast songbook. On previous Adeline Hotel records, Knishkowy cast his voice as a melodic texture interwoven with his visceral, dynamic guitar licks. Here he commands the room, even with a whisper: a fitting delivery for a set of songs where the action tends to occur in moments of crushing isolation and disconnect.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDespite the solitude in the lyrics, Knishkowy recorded Whodunnit with a tight-knit community of collaborators. Working with producer\/engineer Katie Von Schleicher—a similarly idiosyncratic songwriter who encouraged Knishkowy to trust the intuitive spark of his first takes—he assembled a band who could embrace the delicate balance of the material: drummer Sean Mullins (Moon Mullins, Sam Evian), keyboardist Winston Cook-Wilson (Office Culture), bassist Carmen Quill (Scree, Tilt), and vocalist Jackie West. Together, they found the ability to gather a dust storm of psychedelic Americana (“Preying On”), a mystical ballet in miniature (“Egg On My Face”), or a tender pulse that blends seamlessly with morning birdsong (“How Did I Get So Lucky?”).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiscussing the central metaphor in the stunning, six-minute title track, Knishkowy reflects on his favorite mystery ‘whodunnits’: “By the time you find out who’s responsible for the crime, it sort of doesn't matter anymore. What's compelling is watching the dialectic circumstances in the plot reacting to and causing each other.” In the spirit of this observation, he envisioned his record as a close investigation into what went wrong between two people; eventually, he realized he was telling a story that extends beyond any one relationship, speaking instead to the particularities that allow us to connect at all. “It’s only then I start to wonder,” he sings in the title track’s closing lines, “if it’s strange to need somebody.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Even though I was going through something that was objectively hard, I didn't feel lonely,” Knishkowy reflects of the transitional period in his life that inspired the record. “I was being freed to find myself, to build my own connection with the world that had been lost.” It was this sense of gratitude that led him to open the record with a simple question: “How Did I Get So Lucky?” Even when the lyrics touch on alienation and loss—when a requisite encounter with a waitress spirals into an existential tailspin, when the intricacies of fading love resemble the scattered clues in a grim detective story—Knishkowy maintains a tone of optimism, a sense of hope in our potential to start again and know ourselves better. He understands he is not the only traveler on this road, and Whodunnit will be a treasured companion for those of us seeking comfort on our own journey. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adeline Hotel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ruination Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-09-01T09:33:48+09:00","created_at":"2024-09-01T09:28:04+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","ruination record co."],"price":359000,"price_min":359000,"price_max":359000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46622058512634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adeline Hotel \/\/ Whodunnit LP","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595","\/\/tobirarecords.com\/cdn\/shop\/files\/0036722986_10.jpg?v=1725150593"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595","options":["Title"],"media":[{"alt":null,"id":34811346288890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595","width":700},{"alt":null,"id":34811346223354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036722986_10.jpg?v=1725150593"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036722986_10.jpg?v=1725150593","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYのフォークレーベルRuination Records諸作を入荷しました。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーAdeline Hotelが、2024年9月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケロック作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-solid-love-lp\"\u003e『Solid Love』\u003c\/a\u003e、ギターによるアンビエント・フォーク作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-good-timing-cd\"\u003e『Good Timing』\u003c\/a\u003e、ピアノ中心のネオクラシカル・ポップ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-the-cherries-are-speaking-cd-lp\"\u003e『The Cherries Are Speaking』\u003c\/a\u003e、ユニークなアンビエント・ジャズ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-hot-fruit-lp\"\u003e『Hot Fruit』\u003c\/a\u003eと続き、今回は言葉／歌をテーマにしたスローコア〜インディーフォーク9曲を収録。DLコード付属。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはカナダ・トロントの重鎮Sandro Perriが担当しています。\u003c\/p\u003e\n\u003cp\u003eDan Knishkowy - guitars, vocals\u003cbr\u003eWinston Cook-Wilson - piano, una corda, synthesizers\u003cbr\u003eSean Mullins - drums, percussion, una corda\u003cbr\u003eCarmen Quill - upright bass\u003cbr\u003eKatie Von Schleicher - vocals\u003cbr\u003eJackie West - vocals\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768849156\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Gatefold jacket.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. How Did I Get So Lucky?\u003cbr\u003e2. Whodunnit 06:09\u003cbr\u003e3. Preying On\u003cbr\u003e4. Grief 03:45\u003cbr\u003e5. Egg On My Face\u003cbr\u003e6. Joy\u003cbr\u003e7. Isn't That Enough?\u003cbr\u003e8. I Will Let Your Flowers Grow\u003cbr\u003e9. Possible Lives \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Sodomsky :\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dan Knishkowy has never written a song like “Whodunnit.” With his acoustic guitar dropped to a deep, open tuning, the Brooklyn artist noticed a fragile melody resonating from the strings, stretching out like a neverending highway. The lyrics followed suit, emerging in a series of intimate and escalating verses almost effortlessly while he played. Delivering the words in an inquisitive hum, Knishkowky soon found himself addressing the profound, lingering questions that would become the core of his latest album, Whodunnit, the most striking and ambitious record he has ever released. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the tender, surrealist world that Knishkowy has developed under the name Adeline Hotel, stories have been told through sprawling psych-rock epics (2020’s Solid Love), stark solo guitar performances (2021’s Good Timing), piano-led orchestral song cycles (2021’s The Cherries Are Speaking), and lush, jazzy compositions that felt like a genre unto themselves (2023’s Hot Fruit). Inspired by indie lifers and fellow world-builders like Jim O’Rourke and Phil Elverum, the Ruination Records co-founder has rewritten the rule book with each new project, inviting listeners to join as he discovers new channels for his singular voice. By now the sound of Adeline Hotel is equally identifiable through Knishkowy’s dextrous fingerpicking—the aural equivalent of tracing your fingers through cool sand at sunrise—as his low, whispered vocals and autumnal melodies.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs soon as he began writing the material for Whodunnit, a few things seemed instantly clear about his new direction. This time, the words would become the focus and the arrangements would be more threadbare. In order to maintain the immersive feeling that has come to define the project, he would have to craft songs that felt both layered and raw, close to the chest but open-ended enough to suit his amorphous, free-flowing song structures. Imagine Neil Young’s On the Beach cast in the twilight colors of John Martyn’s Solid Air, or Gillian Welch’s Time (The Revelator) as interpreted by the stream-of-consciousness players on Van Morrison’s Veedon Fleece. Whodunnit flows as if in a trance, pulling you closer to the heart with every word, every note.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting about the end of a marriage, Knishkowy refused the bitterness and brutality often associated with the breakup genre in favor of a kind of cosmic curiosity. These are songs full of space and silence, recurring images and textures, openness and grace. They are also among the most immediately affecting in his vast songbook. On previous Adeline Hotel records, Knishkowy cast his voice as a melodic texture interwoven with his visceral, dynamic guitar licks. Here he commands the room, even with a whisper: a fitting delivery for a set of songs where the action tends to occur in moments of crushing isolation and disconnect.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDespite the solitude in the lyrics, Knishkowy recorded Whodunnit with a tight-knit community of collaborators. Working with producer\/engineer Katie Von Schleicher—a similarly idiosyncratic songwriter who encouraged Knishkowy to trust the intuitive spark of his first takes—he assembled a band who could embrace the delicate balance of the material: drummer Sean Mullins (Moon Mullins, Sam Evian), keyboardist Winston Cook-Wilson (Office Culture), bassist Carmen Quill (Scree, Tilt), and vocalist Jackie West. Together, they found the ability to gather a dust storm of psychedelic Americana (“Preying On”), a mystical ballet in miniature (“Egg On My Face”), or a tender pulse that blends seamlessly with morning birdsong (“How Did I Get So Lucky?”).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiscussing the central metaphor in the stunning, six-minute title track, Knishkowy reflects on his favorite mystery ‘whodunnits’: “By the time you find out who’s responsible for the crime, it sort of doesn't matter anymore. What's compelling is watching the dialectic circumstances in the plot reacting to and causing each other.” In the spirit of this observation, he envisioned his record as a close investigation into what went wrong between two people; eventually, he realized he was telling a story that extends beyond any one relationship, speaking instead to the particularities that allow us to connect at all. “It’s only then I start to wonder,” he sings in the title track’s closing lines, “if it’s strange to need somebody.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Even though I was going through something that was objectively hard, I didn't feel lonely,” Knishkowy reflects of the transitional period in his life that inspired the record. “I was being freed to find myself, to build my own connection with the world that had been lost.” It was this sense of gratitude that led him to open the record with a simple question: “How Did I Get So Lucky?” Even when the lyrics touch on alienation and loss—when a requisite encounter with a waitress spirals into an existential tailspin, when the intricacies of fading love resemble the scattered clues in a grim detective story—Knishkowy maintains a tone of optimism, a sense of hope in our potential to start again and know ourselves better. He understands he is not the only traveler on this road, and Whodunnit will be a treasured companion for those of us seeking comfort on our own journey. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adeline Hotel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ruination Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのフォークレーベルRuination Records諸作を入荷しました。 本作は、レーベルオーナーAdeline Hotelが、2024年9月にリリースしたレコードです。 サイケロック作品『Solid Love』、ギターによるアンビエント・フォーク作品『Good Timing』、ピアノ中心のネオクラシカル・ポップ作品『The Cherries Are Speaking』、ユニークなアンビエント・ジャズ作品『Hot Fruit』と続き、今回は言葉／歌をテーマにしたスローコア〜インディーフォーク9曲を収録。DLコード付属。ゲートフォルド仕様です。 マスタリングはカナダ・トロントの重鎮Sandro Perriが担当しています。 Dan...
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