Jan Jelinek // The Raw and The Cooked LP
Jan Jelinek // The Raw and The Cooked LP
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ドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。
本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。
-------------------------------
Text by Faitiche:
"Faitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.
Solid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas & Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.
The Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas & Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig/SWR."
Artist : Jan Jelinek
Label : Faitiche
ドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。
本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。
-------------------------------
Text by Faitiche:
"Faitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.
Solid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas & Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.
The Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas & Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig/SWR."
Artist : Jan Jelinek
Label : Faitiche
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{"id":8108861587706,"title":"Roméo Poirier \u0026 The Exposures (aka Jan Jelinek) \/\/ LOVE\/HATE 7\"","handle":"romeo-poirier-the-exposures-aka-jan-jelinek-love-hate-7","description":"\u003cp\u003eベルギー・ブリュッセルのRoméo Poirierとドイツの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Exposures aka Jan Jelinek\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント作家2名\u003c\/span\u003eが、2023年11月にドイツ・ベルリンの実験／アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eFaiticheからリリースしたスプリット7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・アンビエント〜Lo-Fiコラージュ・ヒップホップ14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4174698182\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoméo Poirier - Negative Feedback 03:36\u003c\/li\u003e\n\u003cli\u003eThe Exposures aka Jan Jelinek - Collage Of Digital Passion 03:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe vinyl single LOVE\/HATE brings together two sample collages on the theme of good and evil. Often evoked and sung about, but rarely in such concentrated, systematic form, these collages present the words LOVE and HATE in a variegated catalogue of articulations. Poirier’s miniature radio play is anything but misanthropic: never before has the message of hate been conveyed in such a wonderfully warm-hearted manner. The LOVE side features a track originally released by Jan Jelinek in 2005 on the Eastern Developments label under the long-forgotten pseudonym The Exposures.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier, The Exposures aka Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-12-10T12:05:38+09:00","created_at":"2023-12-10T10:42:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","faitiche","hiphop \/ funk","lp","new"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868837441786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roméo Poirier \u0026 The Exposures (aka Jan Jelinek) \/\/ LOVE\/HATE 7\"","public_title":null,"options":["Default Title"],"price":218000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524","\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_2304012e-c898-4371-a8fc-dd0a2b5a2e6a.jpg?v=1702172523"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524","options":["Title"],"media":[{"alt":null,"id":32817705025786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524","width":700},{"alt":null,"id":32817705058554,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_2304012e-c898-4371-a8fc-dd0a2b5a2e6a.jpg?v=1702172523"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_2304012e-c898-4371-a8fc-dd0a2b5a2e6a.jpg?v=1702172523","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのRoméo Poirierとドイツの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Exposures aka Jan Jelinek\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント作家2名\u003c\/span\u003eが、2023年11月にドイツ・ベルリンの実験／アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eFaiticheからリリースしたスプリット7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・アンビエント〜Lo-Fiコラージュ・ヒップホップ14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4174698182\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoméo Poirier - Negative Feedback 03:36\u003c\/li\u003e\n\u003cli\u003eThe Exposures aka Jan Jelinek - Collage Of Digital Passion 03:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe vinyl single LOVE\/HATE brings together two sample collages on the theme of good and evil. Often evoked and sung about, but rarely in such concentrated, systematic form, these collages present the words LOVE and HATE in a variegated catalogue of articulations. Poirier’s miniature radio play is anything but misanthropic: never before has the message of hate been conveyed in such a wonderfully warm-hearted manner. The LOVE side features a track originally released by Jan Jelinek in 2005 on the Eastern Developments label under the long-forgotten pseudonym The Exposures.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier, The Exposures aka Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ベルギー・ブリュッセルのRoméo PoirierとドイツのThe Exposures aka Jan Jelinekアンビエント作家2名が、2023年11月にドイツ・ベルリンの実験／アンビエントレーベルFaiticheからリリースしたスプリット7"です。 コラージュ・アンビエント〜Lo-Fiコラージュ・ヒップホップ14曲を収録。 レーベルその他作品はこちら /// Click here to see more Faitiche releases available...
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{"id":8018689884410,"title":"blackbody_radiation \/\/ Ultra-Materials LP","handle":"blackbody_radiation-ultra-materials-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのドローン作家blackbody_radiationが、2023年9月にドイツの実験レーベルFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを加工したドローン〜アンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Faiticheは、blackbody_radiationこと\u003cmeta charset=\"utf-8\"\u003eAndrew Blackを迎える。彼のデビューアルバム『Ultra-Materials』には、サウンドマスキングの助けを借りて制作された6つの幽霊のようなドローンが収録されている。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Blackは、イギリス北西部の工業地帯のひとつであるミルタウン出身で、空間とその音響に対する繊細な感覚を持っている。デザイナーとして訓練を受け、建築や公共空間の領域で活動してきた彼にとって、フィールドレコーディングを操作することに興味を持つのは自然なことだった。\u2028\u2028Ultra-Materialsに収録された6つの作品は、Blackの非常に繊細なミニマリズムを見て取ることができる。部屋の音響と場所に関する微妙に蛇行した媒介を示すもので、特にサウンドマスキング（不要な音を隠すために人工的に発生させた周波数の追加や重ね合わせ）の助けを借りて操作されている。\u2028\u2028時には温かみのあるエンジン音を連想させ、時には注意深く捉えた自然現象を思い起こさせる。具体的な帰属や音楽的な位置づけがないため、出自を明らかにすることなく催眠術のような引きを繰り広げることができるのだ。ハーモニクスは時に揺らぎ、時にワーワーと鳴り、時に共存する。これは、私たちのリスニング能力に触れようとする試みなのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/840764364?h=50d9b3c68c\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1741288376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Rhyolite\u003cbr\u003eA2 Soft Fascination\u003cbr\u003eA3 Ferric Oxide\u003cbr\u003eB1 Silica\u003cbr\u003eB2 Xeskouriasma\u003cbr\u003eB3 Particle Float\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Faitiche welcomes Andrew Black aka \u003c\/span\u003eblackbody_radiation\u003cspan\u003e. His debut album \u003c\/span\u003e\u003cem\u003eUltra-Materials \u003c\/em\u003e\u003cspan\u003e(faitiche32) gathers six ghostly drones, created with the help of sound masking...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.\u2028\u2028 The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : blackbody_radiation\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-09-17T19:31:55+09:00","created_at":"2023-09-17T11:52:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","faitiche","lp","new"],"price":419200,"price_min":419200,"price_max":419200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44568240128250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"blackbody_radiation \/\/ Ultra-Materials LP","public_title":null,"options":["Default Title"],"price":419200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166","options":["Title"],"media":[{"alt":null,"id":32463909781754,"position":1,"preview_image":{"aspect_ratio":1.004,"height":553,"width":555,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166"},"aspect_ratio":1.004,"height":553,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166","width":555}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのドローン作家blackbody_radiationが、2023年9月にドイツの実験レーベルFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを加工したドローン〜アンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Faiticheは、blackbody_radiationこと\u003cmeta charset=\"utf-8\"\u003eAndrew Blackを迎える。彼のデビューアルバム『Ultra-Materials』には、サウンドマスキングの助けを借りて制作された6つの幽霊のようなドローンが収録されている。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Blackは、イギリス北西部の工業地帯のひとつであるミルタウン出身で、空間とその音響に対する繊細な感覚を持っている。デザイナーとして訓練を受け、建築や公共空間の領域で活動してきた彼にとって、フィールドレコーディングを操作することに興味を持つのは自然なことだった。\u2028\u2028Ultra-Materialsに収録された6つの作品は、Blackの非常に繊細なミニマリズムを見て取ることができる。部屋の音響と場所に関する微妙に蛇行した媒介を示すもので、特にサウンドマスキング（不要な音を隠すために人工的に発生させた周波数の追加や重ね合わせ）の助けを借りて操作されている。\u2028\u2028時には温かみのあるエンジン音を連想させ、時には注意深く捉えた自然現象を思い起こさせる。具体的な帰属や音楽的な位置づけがないため、出自を明らかにすることなく催眠術のような引きを繰り広げることができるのだ。ハーモニクスは時に揺らぎ、時にワーワーと鳴り、時に共存する。これは、私たちのリスニング能力に触れようとする試みなのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/840764364?h=50d9b3c68c\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1741288376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Rhyolite\u003cbr\u003eA2 Soft Fascination\u003cbr\u003eA3 Ferric Oxide\u003cbr\u003eB1 Silica\u003cbr\u003eB2 Xeskouriasma\u003cbr\u003eB3 Particle Float\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Faitiche welcomes Andrew Black aka \u003c\/span\u003eblackbody_radiation\u003cspan\u003e. His debut album \u003c\/span\u003e\u003cem\u003eUltra-Materials \u003c\/em\u003e\u003cspan\u003e(faitiche32) gathers six ghostly drones, created with the help of sound masking...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.\u2028\u2028 The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : blackbody_radiation\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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イギリスのドローン作家blackbody_radiationが、2023年9月にドイツの実験レーベルFaiticheからリリースしたレコードです。 フィールドレコーディングを加工したドローン〜アンビエントドローン7曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いします "Faiticheは、blackbody_radiationことAndrew Blackを迎える。彼のデビューアルバム『Ultra-Materials』には、サウンドマスキングの助けを借りて制作された6つの幽霊のようなドローンが収録されている。 Andrew Blackは、イギリス北西部の工業地帯のひとつであるミルタウン出身で、空間とその音響に対する繊細な感覚を持っている。デザイナーとして訓練を受け、建築や公共空間の領域で活動してきた彼にとって、フィールドレコーディングを操作することに興味を持つのは自然なことだった。
Ultra-Materialsに収録された6つの作品は、Blackの非常に繊細なミニマリズムを見て取ることができる。部屋の音響と場所に関する微妙に蛇行した媒介を示すもので、特にサウンドマスキング（不要な音を隠すために人工的に発生させた周波数の追加や重ね合わせ）の助けを借りて操作されている。
時には温かみのあるエンジン音を連想させ、時には注意深く捉えた自然現象を思い起こさせる。具体的な帰属や音楽的な位置づけがないため、出自を明らかにすることなく催眠術のような引きを繰り広げることができるのだ。ハーモニクスは時に揺らぎ、時にワーワーと鳴り、時に共存する。これは、私たちのリスニング能力に触れようとする試みなのだ。" レーベルその他作品はこちら /// Click here to see more Faitiche releases available...
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{"id":7930342899962,"title":"Muellie Messiah \u0026 Punk Not Punk \/\/ Exq I LP","handle":"mupun","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験テクノレーベル100Records主宰Muellie Messiah \u0026amp; Punk Not Punkが、2023年3月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e約40分のドローン・テクノ〜コラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3238020050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText\/essay by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAlexis Waltz, 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFaitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah \u0026amp; Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“100records is one of the last undiscovered treasures of the Berlin underground of the 1990s and 2000s. Like Elektro Music Department, 100records is unthinkable without techno and the club scene, but with a few exceptions the duo’s tracks are not aimed at the dancefloor. With a claim to universality and a broader frame of reference, 100records developed a more extensive understanding of sound that rests on three pillars: the understated analogue drums of the Roland TR-808, a blurred, dubby sound, and improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first hearing, Exq I has little in common with the groovy, detailed, variation-rich sound usually associated with100records. Recorded at the end of a highly productive decade, it is an echo speaking of exhaustion in which dub, drone and collage converge to form something whose jazz sensibility makes it readily identifiable as the work of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e100records was founded in 1994 by Muellie Messiah (Dirk Budde) and Ekki 808 (Ekkehard Rau), who were joined in 1999 by Punk not Punk (Martin Osti). Around 2002, Ekki departed, leaving Budde and Osti to continue as a duo. Since then, their relationship has shaped 100records: Budde is the driven lone genius doggedly pursuing sounds, Osti the pragmatist who turns ideas into music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs well as making music, Budde is also a musicologist. In 1997 he published his PhD thesis entitled Take Three Chords... Punk Rock and the Development to American Hardcore. As well as being his specialization, punk is also part of his identity: in the 1980s he sang and played keyboards in various punk bands in Kassel, the best known being Haunted Henschel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the fall of the Wall, attracted by the freedom of the newly reunited Berlin, Budde packed his bags and drove to the formerly divided city, having already become acquainted with techno at Kassel’s influential Stammheim club.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the move to Berlin, he no longer played in bands, but Budde and Ekki’s joint live act with countless analogue devices, often lasting entire speed-fuelled nights, were legendary. Just wiring up all the gear took hours. True to the motto “my way is the highway,” the speed was lined up on the table right next to the 808 – still the main instrument for 100records along with the Novation Bass Station.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotary, the first record by 100records, was released on the label of the same name in 1995. After a second record in 1999 (100records 003), they were joined by Martin Osti. Growing up on the Swiss border in the Black Forest in the 1980s, he discovered music in various record shops in Zurich that received imports from the US and UK very week. The shops he frequented included the avant-garde institution Rec Rec and the legendary Halb Tanz, halb Schlaf. He was also influenced by his older brother’s record collection, where he discovered CAN, Kraftwerk’s Computerwelt, and later Public Enemy’s Fear of a Black Planet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAged 14, he joined the crew of the mobile disco Space Invaders that grew out of youth club. The crew had its own PA and built a lightshow using car windscreen wiper motors. In his DJ sets, Osti mixed new wave and synth-pop, Human League and Africa Bambaataa. On disco nights, it was a “victory for marginal groups” if it was possible to play Bela Lugosi’s Dead by Bauhaus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuring this period, Osti also experimented with electronic music, using a small synthesizer belonging to his father, a hearing-aid audiologist. At the time, noise was important, not least as a way to set oneself apart from hippies. In the basement of an abandoned restaurant in the Black Forest, he and his friends tried to recreate the music of the Residents, Tuxedomoon and the Dead Kennedys–concerts by this nameless industrial experimental band were attended by maybe 30 people.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOsti, too, was drawn to Berlin “because crazy stuff was happening there”. The radicality of bands like Einstürzende Neubauten both fascinated and intimidated him. In 1990, he moved to Berlin, initially living under “experimental” conditions, using cheap Roland equipment sourced from Italy by Parsec Productions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt first, Osti worked at the record store Bad Taste. At the same time, he was buying house records at Hard Wax and at Raw on Zossener Strasse. He took drumming lessons with future improv and noise icon Jason Kahn. At home, he conducted experiments in dub using various gear, with the Roland Space Echo as the central instrument. He played his way through the city’s dingy bars with two bands: trash rockers Johnny Zabala \u0026amp; The Signs, and the ambitious Deister, who saw themselves as a cross between Helmet and John Cale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1996 Osti opened On\/Off, his own record store in Friedrichshain that also functioned as a label, located in a small former hairdressing salon on Boxhagener Strasse. The long thin room had records down both sides and at the end Osti sat behind the counter in front of a cathode ray tube. His speciality was radical, out-of-the-way music of all kinds. Local DJs also wanted to be fed with vinyl, but he sold no trance and resisted the records included unasked by distributors.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe shop brought him into contact with various musicians, including Taymur Streng, a former member of East German underground electronic band Ornament und Verbrechen. Another customer at On\/Off was Dirk Budde. Their musical tastes overlapped in the fields of punk, techno and avant-garde, a spectrum covering Sun Ra, Lee Perry, Public Enemy, Drexciya and LFO. Over time, Osti gradually became part of 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtari Cubase sequencing became their speciality, with Budde and Osti sometimes working several days on a single sequence. The counterpart to these prepared sequences was live improvisation – on stage and in the studio. The recordings were edited by Budde, circulating as a weekly series of CD-Rs among friends and fellow musicians. In 2010 they stopped making music because, as Osti says, “we couldn’t do it any more”. From then on, the material was edited into final versions. In 2020, they completed their “legacy” in the form of 101 tracks. A number of these tracks have been released on SJ Tequilla’s Shot of T label, on Dynamo Dreesen’s Acido Records – and now on Jan Jelinek’s faitiche.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe faitiche release Exq I was made in the late period, in 2010, referred to by Osti as the New Music phase, when their productions became sparser and simpler. “This track is special for us. It made itself in the production process while we fought a weeks-long sound battle. The analogue equipment got warmed up over a few days, it wanted to keep going. We were like: Wow!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decade-long process of editing the track, the focus was on reduction and deceleration: heavy dub. “Once we took some strong ecstasy. That heightened the effect, giving us a direct experience of the hallucinatory impact of the extended modulations.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Muellie Messiah \u0026amp; Punk Not Punk\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-03-04T15:01:09+09:00","created_at":"2023-03-04T14:51:16+09:00","vendor":"Tobira Records","type":"","tags":["drone","faitiche","lp","monooto","new","strange beats","techno \/ house"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44044964299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Muellie Messiah \u0026 Punk Not Punk \/\/ Exq I LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630","\/\/tobirarecords.com\/cdn\/shop\/products\/0031429137_10.jpg?v=1677909630","\/\/tobirarecords.com\/cdn\/shop\/products\/0031429139_10.jpg?v=1677909630"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630","options":["Title"],"media":[{"alt":null,"id":31626998612218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630","width":700},{"alt":null,"id":31626998153466,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429137_10.jpg?v=1677909630"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429137_10.jpg?v=1677909630","width":1200},{"alt":null,"id":31626998186234,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429139_10.jpg?v=1677909630"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429139_10.jpg?v=1677909630","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験テクノレーベル100Records主宰Muellie Messiah \u0026amp; Punk Not Punkが、2023年3月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e約40分のドローン・テクノ〜コラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3238020050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText\/essay by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAlexis Waltz, 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFaitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah \u0026amp; Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“100records is one of the last undiscovered treasures of the Berlin underground of the 1990s and 2000s. Like Elektro Music Department, 100records is unthinkable without techno and the club scene, but with a few exceptions the duo’s tracks are not aimed at the dancefloor. With a claim to universality and a broader frame of reference, 100records developed a more extensive understanding of sound that rests on three pillars: the understated analogue drums of the Roland TR-808, a blurred, dubby sound, and improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first hearing, Exq I has little in common with the groovy, detailed, variation-rich sound usually associated with100records. Recorded at the end of a highly productive decade, it is an echo speaking of exhaustion in which dub, drone and collage converge to form something whose jazz sensibility makes it readily identifiable as the work of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e100records was founded in 1994 by Muellie Messiah (Dirk Budde) and Ekki 808 (Ekkehard Rau), who were joined in 1999 by Punk not Punk (Martin Osti). Around 2002, Ekki departed, leaving Budde and Osti to continue as a duo. Since then, their relationship has shaped 100records: Budde is the driven lone genius doggedly pursuing sounds, Osti the pragmatist who turns ideas into music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs well as making music, Budde is also a musicologist. In 1997 he published his PhD thesis entitled Take Three Chords... Punk Rock and the Development to American Hardcore. As well as being his specialization, punk is also part of his identity: in the 1980s he sang and played keyboards in various punk bands in Kassel, the best known being Haunted Henschel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the fall of the Wall, attracted by the freedom of the newly reunited Berlin, Budde packed his bags and drove to the formerly divided city, having already become acquainted with techno at Kassel’s influential Stammheim club.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the move to Berlin, he no longer played in bands, but Budde and Ekki’s joint live act with countless analogue devices, often lasting entire speed-fuelled nights, were legendary. Just wiring up all the gear took hours. True to the motto “my way is the highway,” the speed was lined up on the table right next to the 808 – still the main instrument for 100records along with the Novation Bass Station.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotary, the first record by 100records, was released on the label of the same name in 1995. After a second record in 1999 (100records 003), they were joined by Martin Osti. Growing up on the Swiss border in the Black Forest in the 1980s, he discovered music in various record shops in Zurich that received imports from the US and UK very week. The shops he frequented included the avant-garde institution Rec Rec and the legendary Halb Tanz, halb Schlaf. He was also influenced by his older brother’s record collection, where he discovered CAN, Kraftwerk’s Computerwelt, and later Public Enemy’s Fear of a Black Planet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAged 14, he joined the crew of the mobile disco Space Invaders that grew out of youth club. The crew had its own PA and built a lightshow using car windscreen wiper motors. In his DJ sets, Osti mixed new wave and synth-pop, Human League and Africa Bambaataa. On disco nights, it was a “victory for marginal groups” if it was possible to play Bela Lugosi’s Dead by Bauhaus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuring this period, Osti also experimented with electronic music, using a small synthesizer belonging to his father, a hearing-aid audiologist. At the time, noise was important, not least as a way to set oneself apart from hippies. In the basement of an abandoned restaurant in the Black Forest, he and his friends tried to recreate the music of the Residents, Tuxedomoon and the Dead Kennedys–concerts by this nameless industrial experimental band were attended by maybe 30 people.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOsti, too, was drawn to Berlin “because crazy stuff was happening there”. The radicality of bands like Einstürzende Neubauten both fascinated and intimidated him. In 1990, he moved to Berlin, initially living under “experimental” conditions, using cheap Roland equipment sourced from Italy by Parsec Productions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt first, Osti worked at the record store Bad Taste. At the same time, he was buying house records at Hard Wax and at Raw on Zossener Strasse. He took drumming lessons with future improv and noise icon Jason Kahn. At home, he conducted experiments in dub using various gear, with the Roland Space Echo as the central instrument. He played his way through the city’s dingy bars with two bands: trash rockers Johnny Zabala \u0026amp; The Signs, and the ambitious Deister, who saw themselves as a cross between Helmet and John Cale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1996 Osti opened On\/Off, his own record store in Friedrichshain that also functioned as a label, located in a small former hairdressing salon on Boxhagener Strasse. The long thin room had records down both sides and at the end Osti sat behind the counter in front of a cathode ray tube. His speciality was radical, out-of-the-way music of all kinds. Local DJs also wanted to be fed with vinyl, but he sold no trance and resisted the records included unasked by distributors.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe shop brought him into contact with various musicians, including Taymur Streng, a former member of East German underground electronic band Ornament und Verbrechen. Another customer at On\/Off was Dirk Budde. Their musical tastes overlapped in the fields of punk, techno and avant-garde, a spectrum covering Sun Ra, Lee Perry, Public Enemy, Drexciya and LFO. Over time, Osti gradually became part of 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtari Cubase sequencing became their speciality, with Budde and Osti sometimes working several days on a single sequence. The counterpart to these prepared sequences was live improvisation – on stage and in the studio. The recordings were edited by Budde, circulating as a weekly series of CD-Rs among friends and fellow musicians. In 2010 they stopped making music because, as Osti says, “we couldn’t do it any more”. From then on, the material was edited into final versions. In 2020, they completed their “legacy” in the form of 101 tracks. A number of these tracks have been released on SJ Tequilla’s Shot of T label, on Dynamo Dreesen’s Acido Records – and now on Jan Jelinek’s faitiche.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe faitiche release Exq I was made in the late period, in 2010, referred to by Osti as the New Music phase, when their productions became sparser and simpler. “This track is special for us. It made itself in the production process while we fought a weeks-long sound battle. The analogue equipment got warmed up over a few days, it wanted to keep going. We were like: Wow!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decade-long process of editing the track, the focus was on reduction and deceleration: heavy dub. “Once we took some strong ecstasy. That heightened the effect, giving us a direct experience of the hallucinatory impact of the extended modulations.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Muellie Messiah \u0026amp; Punk Not Punk\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツ・ベルリンの実験テクノレーベル100Records主宰Muellie Messiah & Punk Not Punkが、2023年3月にFaiticheからリリースしたレコードです。 約40分のドローン・テクノ〜コラージュを収録。 レーベルその他作品はこちら /// Click here to see more Faitiche releases available...
¥3,880