Jacques Beloeil // Exit CD
Jacques Beloeil // Exit CD
¥2,120
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Entr'acte主宰の一人でありマスタリングエンジニアでもある英国音響作家Jacques Beloeilがロシアの音響 / テクノレーベルSTELLAGEよりリリースした特殊ジャケットCD。7篇の物音スケープを収録。トラックは分けてあるものの、ひとつの連続した作品として成立しています。シュリンクパック使用、特殊6面ジャケットが美しい作品です。
Stellage その他作品はこちら /// Click here to see more Stellage releases available at Tobira.
artist : Jacques Beloeil
label : STELLAGE
Entr'acte主宰の一人でありマスタリングエンジニアでもある英国音響作家Jacques Beloeilがロシアの音響 / テクノレーベルSTELLAGEよりリリースした特殊ジャケットCD。7篇の物音スケープを収録。トラックは分けてあるものの、ひとつの連続した作品として成立しています。シュリンクパック使用、特殊6面ジャケットが美しい作品です。
Stellage その他作品はこちら /// Click here to see more Stellage releases available at Tobira.
artist : Jacques Beloeil
label : STELLAGE
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mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eオジギソウ\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:50\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMaple Syrup Factory \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eメイプル・シロップ・ファクト\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eC1\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAdelaide \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eアデレード\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7:11\u003cbr\u003e\u003c\/span\u003eC2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWind Echo \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eウィンド・エコー\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:54\u003cbr\u003eC3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTrick Tree \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eトリック・ツリー\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:50\u003cbr\u003eD1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKasumi \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eカスミ\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:56\u003cbr\u003eD2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSilence \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eサイレンス\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:15\u003cbr\u003eD3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSatie On The Grass \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eサティ・オン・ザ・グラス\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTemporal Drift:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnnouncing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and\u003cspan class=\"bcTruncateMore\"\u003e active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.\u003cbr\u003e\u003cbr\u003eThis reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hiroshi Yoshimura\u003c\/p\u003e\n\u003cp\u003eLabel : Temporal Drift\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDRFT14\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-27T13:48:31+09:00","created_at":"2025-03-27T10:51:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","post newage"],"price":362000,"price_min":362000,"price_max":362000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47221988589818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hiroshi Yoshimura \/\/ Flora CD","public_title":null,"options":["Default Title"],"price":362000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"850054840134","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/flora1_507c6f9f-6b71-4f24-9a21-e8ba8d6e8e2a.jpg?v=1743040367","\/\/tobirarecords.com\/cdn\/shop\/files\/flora3_baa902db-64c7-4e10-958b-b9ac68357524.jpg?v=1743040368"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/flora1_507c6f9f-6b71-4f24-9a21-e8ba8d6e8e2a.jpg?v=1743040367","options":["Title"],"media":[{"alt":null,"id":35800942018810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flora1_507c6f9f-6b71-4f24-9a21-e8ba8d6e8e2a.jpg?v=1743040367"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flora1_507c6f9f-6b71-4f24-9a21-e8ba8d6e8e2a.jpg?v=1743040367","width":700},{"alt":null,"id":35800942051578,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flora3_baa902db-64c7-4e10-958b-b9ac68357524.jpg?v=1743040368"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flora3_baa902db-64c7-4e10-958b-b9ac68357524.jpg?v=1743040368","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e日本のアンビエント作家Hiroshi Yoshimura (1940-2003)が、2025年3月にTemporal Driftからリリースした再発CDです（オリジナルは1987年リリース）\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するニューエイジ・アンビエント11曲を収録。ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=536135812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack with OBI and booklet. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes liner notes by contemporary music writer and professor Junichi Konuma.\u003c\/span\u003e\u003cbr\u003e2025 OFFICIAL reissue by Temporal Drift - originally released in 1987.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOver The Clover \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eオーバー・ザ・クローバー\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:40\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFlora \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eフローラ\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:02\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAsagao \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eアサガオ\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:54\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOjigisou \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eオジギソウ\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:50\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMaple Syrup Factory \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eメイプル・シロップ・ファクト\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eC1\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAdelaide \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eアデレード\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7:11\u003cbr\u003e\u003c\/span\u003eC2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWind Echo \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eウィンド・エコー\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:54\u003cbr\u003eC3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTrick Tree \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eトリック・ツリー\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:50\u003cbr\u003eD1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKasumi \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eカスミ\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:56\u003cbr\u003eD2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSilence \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eサイレンス\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:15\u003cbr\u003eD3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSatie On The Grass \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eサティ・オン・ザ・グラス\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTemporal Drift:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnnouncing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and\u003cspan class=\"bcTruncateMore\"\u003e active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.\u003cbr\u003e\u003cbr\u003eThis reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hiroshi Yoshimura\u003c\/p\u003e\n\u003cp\u003eLabel : Temporal Drift\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDRFT14\u003c\/span\u003e\u003c\/p\u003e"}
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※4月上旬再入荷後発送します 日本のアンビエント作家Hiroshi Yoshimura (1940-2003)が、2025年3月にTemporal Driftからリリースした再発CDです（オリジナルは1987年リリース） 穏やかな時間を演出するニューエイジ・アンビエント11曲を収録。ゲートフォルド、シュリンク仕様です。 ---------------------------------------------------- CD in digipack with OBI and booklet. Includes...
¥3,620
クイックビュー
{"id":8750131871994,"title":"Sissy Spacek \/\/ Entrance CD","handle":"sissy-spacek-entrance-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。CDは異なるアートワークになります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」）として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している：擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGlass-mastered CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161CD\u003c\/p\u003e","published_at":"2025-03-24T15:51:23+09:00","created_at":"2025-03-24T15:46:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","shelter press"],"price":242000,"price_min":242000,"price_max":242000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47212682805498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sissy Spacek \/\/ Entrance CD","public_title":null,"options":["Default Title"],"price":242000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411619","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","options":["Title"],"media":[{"alt":null,"id":35785214656762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","width":1200},{"alt":null,"id":35785272492282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。CDは異なるアートワークになります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」）として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している：擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGlass-mastered CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161CD\u003c\/p\u003e"}
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※4月上旬再入荷後発送します 当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。 ミュージックコンクレート4曲を収録。CDは異なるアートワークになります。 以下、レーベルによる解説です。 "前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。 John Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。 『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。...
¥2,420
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{"id":8749711720698,"title":"Glåsbird \/\/ Svalbarð CD","handle":"glasbird-svalbard-cd","description":"\u003cp\u003eイギリスのアンビエントレーベルWhitelabrecs主宰Glåsbirdが、2025年2月にリリースした再発CDです。（オリジナルは2019年にCDrリリース）\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエント10曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2327617860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in vinyl-effect gatefold sleeve.\u003cbr\u003eEdition of 100. \u003cbr\u003eRepress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kaldsår 03:18\u003cbr\u003e2. Isbjørnøya 04:49\u003cbr\u003e3. Arktiskul 04:09\u003cbr\u003e4. Mellomspill 01:46\u003cbr\u003e5. Frøhvelv 03:13\u003cbr\u003e6. Austfonna 04:52\u003cbr\u003e7. Nordskjærgård 03:48\u003cbr\u003e8. Breenskygger 03:47\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Langtår 03:52\u003cbr\u003e\u003c\/span\u003e10. Snødrømmer 03:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn February 2019 we released the debut album by an anonymous artist named Glåsbird, in the form of Grønland, a sonic expedition of Greenland. The album received much critical acclaim despite being from an anonymous artist and was even featured on Bandcamp Daily under their ‘best Ambient’ feature. CD copies of this record have long since sold out, but the Glåsbird continues its flight to a new destination: Svalbard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSvalbard lies 78 degrees north, is inside the Arctic Circle and had a population of around 2600 people and an estimated 3000 polar bears! Its calendar year divides between the midnight sun and the polar nights. The former is a period of constant daylight and the latter is the opposite. However, the dark season is broken from time to time by spectacular Northern Lights.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Svalbarð, Glåsbird became immersed once more in this next excursion, through means of Google Earth, 360° photos, blogger accounts of the isles, maps and also, videos by Efterklang who were an obvious reference point with the band having visited.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis time, we are treated to a greater number of tracks, as ten movements weave Modern Classical influenced Ambient soundscapes. The pristine, polished reverb of Grønland is\u003cspan class=\"bcTruncateMore\"\u003e replaced with a slightly muddier, more lo-fi approach to the sound as the artist strived to present a tape-eroded aesthetic to their work. The recordings deal with dramatic landscapes, glaciers, an abandoned coal community, a seed vault, the Island’s capital city Longyearbyen and of course, polar bears. Each piece feels icy cold, yet the warmth and hiss provided by the decaying tape effects provide a comfort blanket for the listener as perhaps you take in these scenes from a lonely cabin, at one with isolation and natural beauty.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glåsbird\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e","published_at":"2025-03-25T20:05:28+09:00","created_at":"2025-03-23T10:46:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","Whitelabrecs"],"price":238900,"price_min":238900,"price_max":238900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47210120478970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Glåsbird \/\/ Svalbarð CD","public_title":null,"options":["Default Title"],"price":238900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/glas1_106ee984-b74b-4501-b7b3-ad4c3fc05d8d.jpg?v=1742694284","\/\/tobirarecords.com\/cdn\/shop\/files\/glas2_f05609db-8588-4931-8851-2a4e5370c393.jpg?v=1742694284"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/glas1_106ee984-b74b-4501-b7b3-ad4c3fc05d8d.jpg?v=1742694284","options":["Title"],"media":[{"alt":null,"id":35782643679482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glas1_106ee984-b74b-4501-b7b3-ad4c3fc05d8d.jpg?v=1742694284"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glas1_106ee984-b74b-4501-b7b3-ad4c3fc05d8d.jpg?v=1742694284","width":700},{"alt":null,"id":35782643712250,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glas2_f05609db-8588-4931-8851-2a4e5370c393.jpg?v=1742694284"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glas2_f05609db-8588-4931-8851-2a4e5370c393.jpg?v=1742694284","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのアンビエントレーベルWhitelabrecs主宰Glåsbirdが、2025年2月にリリースした再発CDです。（オリジナルは2019年にCDrリリース）\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエント10曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2327617860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in vinyl-effect gatefold sleeve.\u003cbr\u003eEdition of 100. \u003cbr\u003eRepress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kaldsår 03:18\u003cbr\u003e2. Isbjørnøya 04:49\u003cbr\u003e3. Arktiskul 04:09\u003cbr\u003e4. Mellomspill 01:46\u003cbr\u003e5. Frøhvelv 03:13\u003cbr\u003e6. Austfonna 04:52\u003cbr\u003e7. Nordskjærgård 03:48\u003cbr\u003e8. Breenskygger 03:47\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Langtår 03:52\u003cbr\u003e\u003c\/span\u003e10. Snødrømmer 03:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn February 2019 we released the debut album by an anonymous artist named Glåsbird, in the form of Grønland, a sonic expedition of Greenland. The album received much critical acclaim despite being from an anonymous artist and was even featured on Bandcamp Daily under their ‘best Ambient’ feature. CD copies of this record have long since sold out, but the Glåsbird continues its flight to a new destination: Svalbard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSvalbard lies 78 degrees north, is inside the Arctic Circle and had a population of around 2600 people and an estimated 3000 polar bears! Its calendar year divides between the midnight sun and the polar nights. The former is a period of constant daylight and the latter is the opposite. However, the dark season is broken from time to time by spectacular Northern Lights.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Svalbarð, Glåsbird became immersed once more in this next excursion, through means of Google Earth, 360° photos, blogger accounts of the isles, maps and also, videos by Efterklang who were an obvious reference point with the band having visited.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis time, we are treated to a greater number of tracks, as ten movements weave Modern Classical influenced Ambient soundscapes. The pristine, polished reverb of Grønland is\u003cspan class=\"bcTruncateMore\"\u003e replaced with a slightly muddier, more lo-fi approach to the sound as the artist strived to present a tape-eroded aesthetic to their work. The recordings deal with dramatic landscapes, glaciers, an abandoned coal community, a seed vault, the Island’s capital city Longyearbyen and of course, polar bears. Each piece feels icy cold, yet the warmth and hiss provided by the decaying tape effects provide a comfort blanket for the listener as perhaps you take in these scenes from a lonely cabin, at one with isolation and natural beauty.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glåsbird\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e"}
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イギリスのアンビエントレーベルWhitelabrecs主宰Glåsbirdが、2025年2月にリリースした再発CDです。（オリジナルは2019年にCDrリリース） ネオクラシカル・アンビエント〜アンビエント10曲を収録。ゲートフォルド仕様です。 Whitelabrecsその他作品はこちら /// Click here to see more Whitelabrecs releases available at Tobira. --------------------------------------- CD in vinyl-effect...
¥2,389
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{"id":8749711163642,"title":"Glåsbird \/\/ Grønland CD","handle":"glasbird-gronland-cd","description":"\u003cp\u003eイギリスのアンビエントレーベルWhitelabrecs主宰Glåsbirdが、2025年2月にリリースした再発CDです。（オリジナルは2019年にCDrリリース）\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエント6曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424216186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424216186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1171083324\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424216186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1758487608\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in vinyl-effect gatefold sleeve. \u003cbr\u003eEdition of 100.\u003cbr\u003eRepress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gunnbjørn Fjeld 06:26\u003cbr\u003e2. Tundra 08:03\u003cbr\u003e3. Björtskálar 02:35\u003cbr\u003e4. Hvítar Fjöll 07:15\u003cbr\u003e5. Kaltsvið 06:33\u003cbr\u003e6. Norðurljós 03:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eGlåsbird returns following the debut EP ‘Drift Stations’ which was a digital only release on Whitelabrecs just prior to Christmas last year. The eagerly awaited full-length debut album is something that this currently anonymous artist has carefully shaped over a lengthy period of time and it is entitled Grønland. Those looking to the themes of the North Pole and travel through the treacherous Arctic Circle which were contained within Drift Stations, will see a pattern of travel or rather, migration developing. Next stop – Greenland, the world’s largest island as well as one of the most uninhabited landmasses on the planet, which is thanks to stark temperatures and the permanent ice sheet which occupies most of this land.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGlåsbird imagined that they were assigned the task of scoring the soundtrack to a film about Greenland and spent a great deal of time researching the subject. Hours of documentaries, drone helicopter footage, NASA and satellite images, Instagram traveller accounts, 360° photos, web articles and maps were surveyed, to the point where this artist felt sufficiently immersed in this sub-zero but beautiful land. One such traveller\/photographer who has physically witnessed the splendour of Greenland is Lennart Pagel, who kindly provided the cover image; the shot not only captures the\u003cspan class=\"bcTruncateMore\"\u003e essence of this country with its iced mountains, freezing lake and primary-coloured cabin but also there is a bold starkness which lends itself to this soundtrack.\u003cbr\u003e\u003cbr\u003eTwo releases in and whilst we’re no clearer as to who is behind this project, it is clear that Glåsbird is becoming synonymous with storytelling and specifically travel or migration, if you prefer.\u003cbr\u003eThe music itself adopts a Modern Classical approach with icy piano shards shimmering alongside glacial violin and cello drones as well as the occasional hint of grounding electric guitar. We’re told that the artist even recorded some sections of sounds to cassette before placing the tape in the freezer to give an added chill factor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glåsbird\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e","published_at":"2025-03-25T20:04:30+09:00","created_at":"2025-03-23T10:43:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","Whitelabrecs"],"price":238900,"price_min":238900,"price_max":238900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47210114187514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Glåsbird \/\/ Grønland CD","public_title":null,"options":["Default Title"],"price":238900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gron1.jpg?v=1742694124","\/\/tobirarecords.com\/cdn\/shop\/files\/gron2.jpg?v=1742694124"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gron1.jpg?v=1742694124","options":["Title"],"media":[{"alt":null,"id":35782637650170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gron1.jpg?v=1742694124"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gron1.jpg?v=1742694124","width":700},{"alt":null,"id":35782637682938,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gron2.jpg?v=1742694124"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gron2.jpg?v=1742694124","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのアンビエントレーベルWhitelabrecs主宰Glåsbirdが、2025年2月にリリースした再発CDです。（オリジナルは2019年にCDrリリース）\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエント6曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424216186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424216186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1171083324\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1424216186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1758487608\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhitelabrecsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whitelabrecs\"\u003ehere\u003c\/a\u003e to see more Whitelabrecs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in vinyl-effect gatefold sleeve. \u003cbr\u003eEdition of 100.\u003cbr\u003eRepress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gunnbjørn Fjeld 06:26\u003cbr\u003e2. Tundra 08:03\u003cbr\u003e3. Björtskálar 02:35\u003cbr\u003e4. Hvítar Fjöll 07:15\u003cbr\u003e5. Kaltsvið 06:33\u003cbr\u003e6. Norðurljós 03:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWhitelabrecs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eGlåsbird returns following the debut EP ‘Drift Stations’ which was a digital only release on Whitelabrecs just prior to Christmas last year. The eagerly awaited full-length debut album is something that this currently anonymous artist has carefully shaped over a lengthy period of time and it is entitled Grønland. Those looking to the themes of the North Pole and travel through the treacherous Arctic Circle which were contained within Drift Stations, will see a pattern of travel or rather, migration developing. Next stop – Greenland, the world’s largest island as well as one of the most uninhabited landmasses on the planet, which is thanks to stark temperatures and the permanent ice sheet which occupies most of this land.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGlåsbird imagined that they were assigned the task of scoring the soundtrack to a film about Greenland and spent a great deal of time researching the subject. Hours of documentaries, drone helicopter footage, NASA and satellite images, Instagram traveller accounts, 360° photos, web articles and maps were surveyed, to the point where this artist felt sufficiently immersed in this sub-zero but beautiful land. One such traveller\/photographer who has physically witnessed the splendour of Greenland is Lennart Pagel, who kindly provided the cover image; the shot not only captures the\u003cspan class=\"bcTruncateMore\"\u003e essence of this country with its iced mountains, freezing lake and primary-coloured cabin but also there is a bold starkness which lends itself to this soundtrack.\u003cbr\u003e\u003cbr\u003eTwo releases in and whilst we’re no clearer as to who is behind this project, it is clear that Glåsbird is becoming synonymous with storytelling and specifically travel or migration, if you prefer.\u003cbr\u003eThe music itself adopts a Modern Classical approach with icy piano shards shimmering alongside glacial violin and cello drones as well as the occasional hint of grounding electric guitar. We’re told that the artist even recorded some sections of sounds to cassette before placing the tape in the freezer to give an added chill factor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glåsbird\u003c\/p\u003e\n\u003cp\u003eLabel : Whitelabrecs\u003c\/p\u003e"}
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イギリスのアンビエントレーベルWhitelabrecs主宰Glåsbirdが、2025年2月にリリースした再発CDです。（オリジナルは2019年にCDrリリース） ネオクラシカル・アンビエント〜アンビエント6曲を収録。ゲートフォルド仕様です。 Whitelabrecsその他作品はこちら /// Click here to see more Whitelabrecs releases available at Tobira. --------------------------------------- CD in vinyl-effect...
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