Guillermo Pizarro // Harmonic Poems CD

Quickview {"id":6560144851109,"title":"Takahiro Kawaguchi \/\/ Three Glasses CD","handle":"takahiro-kawaguchi-three-glasses","description":"\u003cp\u003e先日のTobira Records Instore Showcase vol.4でも素晴らしい演奏をした東京在住のサウンドアーティスト川口貴大の新作が大阪のレーベル\u003cmeta charset=\"utf-8\"\u003eimmeasurableより300部限定でリリースされました。水とワイングラスを用いた作品2曲を収録。装丁も美しくて魅力的です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=138780172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDroplets of water are set to drip from three infusion containers suspended from the ceiling, each at a different speed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of the three players produce sound by rubbing with their fingers a wine glass that catches the droplets from one of the containers, with the scale changing according to the amount of water that accumulates.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first track documents this process for ten minutes, during which the players continuously watched the water droplets fall.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe second track documents the players continually rubbing the glasses until the water dripping is complete.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth tracks make audible how the level of 300cc water gradually shifts. - immeasurable\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1_Stand by doing nothing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003en dripping\/min – 300cc, n dripping\/min – 300cc, n dripping\/min – 300cc\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2_Far from doing nothing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e157 dripping\/min – 300cc, 135 dripping\/min – 300cc, 144 dripping\/min – 300cc\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Takahiro Kawaguchi\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003eimmeasurable\u003c\/p\u003e","published_at":"2021-03-08T10:57:02+09:00","created_at":"2021-03-08T10:57:00+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","drone","monooto","new"],"price":150000,"price_min":150000,"price_max":150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39330995077285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Takahiro Kawaguchi \/\/ Three Glasses CD","public_title":null,"options":["Default Title"],"price":150000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881535_10.jpg?v=1615168622","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3226523284_16.jpg?v=1615168622","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881539_10.jpg?v=1615168623","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881546_10.jpg?v=1615168623"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881535_10.jpg?v=1615168622","options":["Title"],"media":[{"alt":null,"id":20568731484325,"position":1,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881535_10.jpg?v=1615168622"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881535_10.jpg?v=1615168622","width":1200},{"alt":null,"id":20568731517093,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3226523284_16.jpg?v=1615168622"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3226523284_16.jpg?v=1615168622","width":700},{"alt":null,"id":20568731549861,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881539_10.jpg?v=1615168623"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881539_10.jpg?v=1615168623","width":1200},{"alt":null,"id":20568731582629,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881546_10.jpg?v=1615168622"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023881546_10.jpg?v=1615168622","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e先日のTobira Records Instore Showcase vol.4でも素晴らしい演奏をした東京在住のサウンドアーティスト川口貴大の新作が大阪のレーベル\u003cmeta charset=\"utf-8\"\u003eimmeasurableより300部限定でリリースされました。水とワイングラスを用いた作品2曲を収録。装丁も美しくて魅力的です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=138780172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDroplets of water are set to drip from three infusion containers suspended from the ceiling, each at a different speed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of the three players produce sound by rubbing with their fingers a wine glass that catches the droplets from one of the containers, with the scale changing according to the amount of water that accumulates.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first track documents this process for ten minutes, during which the players continuously watched the water droplets fall.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe second track documents the players continually rubbing the glasses until the water dripping is complete.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth tracks make audible how the level of 300cc water gradually shifts. - immeasurable\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1_Stand by doing nothing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003en dripping\/min – 300cc, n dripping\/min – 300cc, n dripping\/min – 300cc\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2_Far from doing nothing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e157 dripping\/min – 300cc, 135 dripping\/min – 300cc, 144 dripping\/min – 300cc\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Takahiro Kawaguchi\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003eimmeasurable\u003c\/p\u003e"}

先日のTobira Records Instore Showcase vol.4でも素晴らしい演奏をした東京在住のサウンドアーティスト川口貴大の新作が大阪のレーベルimmeasurableより300部限定でリリースされました。水とワイングラスを用いた作品2曲を収録。装丁も美しくて魅力的です。 Droplets of water are set to drip from three...

¥1,500

Taku Sugimoto / Takashi Masubuchi // Live at Otooto & Permian CD

Quickview {"id":6558658232485,"title":"Taku Sugimoto \/ Takashi Masubuchi \/\/ Live at Otooto \u0026 Permian CD","handle":"taku-sugimoto-takashi-masubuchi-live-at-otooto-permian-cd","description":"\u003cp\u003e東京のギタリスト2名によるライブ音源5曲を収録したCD。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929314613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn Live At OTOOTO \u0026amp; Permian, two guitarists from Japan, Taku Sugimoto and Takashi Masubuchi, ask a series of unresolved questions – about time, about interplay, about tonality. Those who know Sugimoto’s music will recognise here a certain tension, and a feeling for the apposite; these two traits have been core to his playing and composing since he first introduced himself to the broader listening public, in the ‘90s, with albums like Opposite. Masubuchi, who has also recently collaborated with Shizuo Uchida and Straytone, intersects with Sugimoto in a number of ways – they share interests in Morton Feldman and in folk blues, both of which are evident here in the abstract.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLive At OTOOTO \u0026amp; Permian is particularly fascinating for its surprise, its contrast, and its unique character. Sugimoto may have been cautious of improvisation of late, but here his playing sits perfectly alongside Masubuchi’s rich, resonant explorations of his acoustic guitar. Of note is the juxtaposition between Masubuchi’s glistening, open-ended notes – in equal temperament – and the glissing, reedy drones and tensile droplets of tone from Sugimoto’s guitar, in a tuning that he himself devised. The five tracks here, excerpts from live performances at Permian (a venue run by Masubuchi with fellow guitarist, Riuchi Daijo) and OTOOTO (run by Hiromi and Seiji Kimura) are messages sent from the front, exploratory devices – the blues and the abstract truth. (Jon Dale)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Taku Sugimoto \/ Takashi Masubuchi \u003c\/p\u003e\n\u003cp\u003elabel : Confront Recordings \u003c\/p\u003e","published_at":"2021-03-07T11:08:50+09:00","created_at":"2021-03-07T11:08:48+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","jazz","monooto","new"],"price":176000,"price_min":176000,"price_max":176000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39326089281701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Taku Sugimoto \/ Takashi Masubuchi \/\/ Live at Otooto \u0026 Permian CD","public_title":null,"options":["Default Title"],"price":176000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931","options":["Title"],"media":[{"alt":null,"id":20535966335141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1085635997_16.jpg?v=1615082931","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のギタリスト2名によるライブ音源5曲を収録したCD。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929314613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn Live At OTOOTO \u0026amp; Permian, two guitarists from Japan, Taku Sugimoto and Takashi Masubuchi, ask a series of unresolved questions – about time, about interplay, about tonality. Those who know Sugimoto’s music will recognise here a certain tension, and a feeling for the apposite; these two traits have been core to his playing and composing since he first introduced himself to the broader listening public, in the ‘90s, with albums like Opposite. Masubuchi, who has also recently collaborated with Shizuo Uchida and Straytone, intersects with Sugimoto in a number of ways – they share interests in Morton Feldman and in folk blues, both of which are evident here in the abstract.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLive At OTOOTO \u0026amp; Permian is particularly fascinating for its surprise, its contrast, and its unique character. Sugimoto may have been cautious of improvisation of late, but here his playing sits perfectly alongside Masubuchi’s rich, resonant explorations of his acoustic guitar. Of note is the juxtaposition between Masubuchi’s glistening, open-ended notes – in equal temperament – and the glissing, reedy drones and tensile droplets of tone from Sugimoto’s guitar, in a tuning that he himself devised. The five tracks here, excerpts from live performances at Permian (a venue run by Masubuchi with fellow guitarist, Riuchi Daijo) and OTOOTO (run by Hiromi and Seiji Kimura) are messages sent from the front, exploratory devices – the blues and the abstract truth. (Jon Dale)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Taku Sugimoto \/ Takashi Masubuchi \u003c\/p\u003e\n\u003cp\u003elabel : Confront Recordings \u003c\/p\u003e"}

Quickview {"id":6558561829029,"title":"Knelt Rote \/\/ Trespass CD","handle":"knelt-rote-trespass-cd","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eポートランドのグラインド・パワーバイオレンスバンドKnelt Roteの3rdアルバム。8曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=30378287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKnelt Rote has emerged over the past few years as something of an anomaly in the underground. While the band’s earliest work veered heavily into Grindcore, the band’s style has broadened considerably over the past several releases as the band has fleshed out the composition of its tracks and added more elements of Death and Black metal into its body of work. Listening to the band’s third full-length, “Trespass,” it is clear that Knelt Rote executes these more nuanced strains of extreme metal with a rare sense of precision and focus. What further separates Knelt Rote from its peers is the heavy Harsh Noise influence that the band incorporates into its work adding additional layers of depth and dimension. “Trespass,” like its predecessor “Insignificance,” is textured and fluid in a way that few extreme metal albums are. The weaving of a palette of Harsh Noise and experimental sounds throughout the recording adds to an overall atmosphere and heightened complexity while the devastating cruelty of the Metal portion of the album is left intact. Lyrically and conceptually, “Trespass” deals with the themes that run throughout the body of work that Knelt Rote has generated thus far: the insignificance of the individual, the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecrushing momentum of the impending annihilation of our species, and the collapse of the individual mind amid the vast system of societal dissolution. The artwork associated with “Trespass” (executed by band member Gordon Ashworth) further reinforces these concepts. A composite whole that is more than the sum of its parts, “Trespass” is unique without sounding forced and more pertinent and forward-looking than much of the current underground metal output.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Knelt Rote\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Nuclear War Now!\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-03-07T09:54:58+09:00","created_at":"2021-03-07T09:54:57+09:00","vendor":"Tobira Records","type":"","tags":["cd","new","noise"],"price":165000,"price_min":165000,"price_max":165000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39325827530917,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Knelt Rote \/\/ Trespass CD","public_title":null,"options":["Default Title"],"price":165000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2343915514_16_1.jpg?v=1615078499"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2343915514_16_1.jpg?v=1615078499","options":["Title"],"media":[{"alt":null,"id":20533863121061,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2343915514_16_1.jpg?v=1615078499"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2343915514_16_1.jpg?v=1615078499","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eポートランドのグラインド・パワーバイオレンスバンドKnelt Roteの3rdアルバム。8曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=30378287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKnelt Rote has emerged over the past few years as something of an anomaly in the underground. While the band’s earliest work veered heavily into Grindcore, the band’s style has broadened considerably over the past several releases as the band has fleshed out the composition of its tracks and added more elements of Death and Black metal into its body of work. Listening to the band’s third full-length, “Trespass,” it is clear that Knelt Rote executes these more nuanced strains of extreme metal with a rare sense of precision and focus. What further separates Knelt Rote from its peers is the heavy Harsh Noise influence that the band incorporates into its work adding additional layers of depth and dimension. “Trespass,” like its predecessor “Insignificance,” is textured and fluid in a way that few extreme metal albums are. The weaving of a palette of Harsh Noise and experimental sounds throughout the recording adds to an overall atmosphere and heightened complexity while the devastating cruelty of the Metal portion of the album is left intact. Lyrically and conceptually, “Trespass” deals with the themes that run throughout the body of work that Knelt Rote has generated thus far: the insignificance of the individual, the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecrushing momentum of the impending annihilation of our species, and the collapse of the individual mind amid the vast system of societal dissolution. The artwork associated with “Trespass” (executed by band member Gordon Ashworth) further reinforces these concepts. A composite whole that is more than the sum of its parts, “Trespass” is unique without sounding forced and more pertinent and forward-looking than much of the current underground metal output.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Knelt Rote\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Nuclear War Now!\u003c\/span\u003e\u003c\/p\u003e"}