Future Engineers // TMA-1 / Implant 12"
![Mary Lattimore // Goodbye, Hotel Arkada LP [COLOR / BLACK]](//tobirarecords.com/cdn/shop/files/goo1_27e15986-1070-4572-b641-677b7d2fe0fe_medium.jpg?v=1696060849)
Future Engineers // TMA-1 / Implant 12"
$20.00
- Item no:
- Availability:
ロシア・モスクワのdnbレーベルOKBRON Records諸作を一挙入荷しました。
本作は、dnbデュオFuture Engineersが、2023年5月にリリースした12"です。
フロアフレンドリーなdnb2曲を収録。廃盤です。
----------------------------------------------
Artist : Future Engineers
Label : Okbron
ロシア・モスクワのdnbレーベルOKBRON Records諸作を一挙入荷しました。
本作は、dnbデュオFuture Engineersが、2023年5月にリリースした12"です。
フロアフレンドリーなdnb2曲を収録。廃盤です。
OKBRON Records · Future Engineers - TMA-1 / Implant (OKBR030 Vinyl)----------------------------------------------
Artist : Future Engineers
Label : Okbron
Related Products
Quickview
{"id":8026568818938,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-01T17:42:37+09:00","created_at":"2023-10-01T17:42:37+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":3400,"price_min":3400,"price_max":3400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44596205256954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP","public_title":null,"options":["Default Title"],"price":3400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200},{"alt":null,"id":32515111977210,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
$34.00
![Mary Lattimore // Goodbye, Hotel Arkada LP [COLOR / BLACK]](http://tobirarecords.com/cdn/shop/files/goo1_27e15986-1070-4572-b641-677b7d2fe0fe_medium.jpg?v=1696060849)
Quickview
{"id":8026335445242,"title":"Mary Lattimore \/\/ Goodbye, Hotel Arkada LP [COLOR \/ BLACK]","handle":"mary-lattimore-goodbye-hotel-arkada-lp-color-black","description":"\u003cp\u003eアメリカ・LAのハープ奏者Mary Lattimoreが、2023年10月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eネオクラシカル・アンビエント6曲を収録。マーブル群青盤と黒盤からお選びください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dX1POfQ7gSo?si=lD7oZZVAKOyjD2Xl\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BHPHZIrX4SA?si=h2Smgx6yrrowDEfE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" 'inkwell' (blue + black) vinyl or 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnd Then He Wrapped His Wings Around Me (feat. Meg Baird and Walt McClements) 05:23\u003c\/li\u003e\n\u003cli\u003eArrivederci (feat. Lol Tolhurst)\u003c\/li\u003e\n\u003cli\u003eBlender in a Blender (feat. Roy Montgomery\u003c\/li\u003e\n\u003cli\u003eMusic for Applying Shimmering Eye Shadow\u003c\/li\u003e\n\u003cli\u003eHorses, Glossy on the Hill 07:09\u003c\/li\u003e\n\u003cli\u003eYesterday's Parties (feat. Rachel Goswell and Samara Lubelski)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Ghostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThrough evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“When I think of these songs, I think about fading flowers in vases, melted candles, getting older, being on tour and having things change while you're away, not realizing how ephemeral experiences are until they don't happen anymore, fear for a planet we're losing because of greed, an ode to art and music that's really shaped your\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e life that can transport you back in time, longing to maintain sensitivity and to not sink into hollow despondency.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMemories, scenes, and split-second impressions have long filled Lattimore’s musical universe. As one of today’s preeminent instrumental storytellers, she has “the uncanny ability to pluck a string in a way that will instantly make someone remember the taste of their fifth birthday cake,\" writes Pitchfork's Jemima Skala. Lattimore's impulse to record life as it happens matches her drive to travel and perform, as profiled by Grayson Haver Currin for The New York Times: \"Lattimore recognized that being in motion shook loose strands of inspiration, moods she wanted to express with melody. She needed, then, to remain on the go.\" That sense of fluidity has also made her a prolific collaborator outside of solo work. 2020's Silver Ladders, recorded with Slowdive's Neil Halstead, opened the door for Lattimore to widen the vision of her primary project as well, and its proper follow-up is the natural next scale. '\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAll of these people I asked to contribute have deeply affected and inspired my life.'...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mary Lattimore\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e","published_at":"2023-10-01T19:12:39+09:00","created_at":"2023-09-30T17:00:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ghostly international","lp","neo classical","new"],"price":2200,"price_min":2200,"price_max":2300,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44594833948922,"title":"COLOR LP","option1":"COLOR LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39877280530682,"product_id":8026335445242,"position":2,"created_at":"2023-09-30T17:00:47+09:00","updated_at":"2023-09-30T17:00:50+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850","variant_ids":[44594833948922]},"available":true,"name":"Mary Lattimore \/\/ Goodbye, Hotel Arkada LP [COLOR \/ BLACK] - COLOR LP","public_title":"COLOR LP","options":["COLOR LP"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32512772702458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44594834014458,"title":"BLACK LP","option1":"BLACK LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39877280465146,"product_id":8026335445242,"position":3,"created_at":"2023-09-30T17:00:48+09:00","updated_at":"2023-09-30T17:00:50+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850","variant_ids":[44594834014458]},"available":true,"name":"Mary Lattimore \/\/ Goodbye, Hotel Arkada LP [COLOR \/ BLACK] - BLACK LP","public_title":"BLACK LP","options":["BLACK LP"],"price":2200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32512772735226,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849","\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850","\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849","options":["Color"],"media":[{"alt":null,"id":32512772669690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849","width":700},{"alt":null,"id":32512772702458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850","width":1200},{"alt":null,"id":32512772735226,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのハープ奏者Mary Lattimoreが、2023年10月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eネオクラシカル・アンビエント6曲を収録。マーブル群青盤と黒盤からお選びください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dX1POfQ7gSo?si=lD7oZZVAKOyjD2Xl\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BHPHZIrX4SA?si=h2Smgx6yrrowDEfE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" 'inkwell' (blue + black) vinyl or 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnd Then He Wrapped His Wings Around Me (feat. Meg Baird and Walt McClements) 05:23\u003c\/li\u003e\n\u003cli\u003eArrivederci (feat. Lol Tolhurst)\u003c\/li\u003e\n\u003cli\u003eBlender in a Blender (feat. Roy Montgomery\u003c\/li\u003e\n\u003cli\u003eMusic for Applying Shimmering Eye Shadow\u003c\/li\u003e\n\u003cli\u003eHorses, Glossy on the Hill 07:09\u003c\/li\u003e\n\u003cli\u003eYesterday's Parties (feat. Rachel Goswell and Samara Lubelski)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Ghostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThrough evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“When I think of these songs, I think about fading flowers in vases, melted candles, getting older, being on tour and having things change while you're away, not realizing how ephemeral experiences are until they don't happen anymore, fear for a planet we're losing because of greed, an ode to art and music that's really shaped your\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e life that can transport you back in time, longing to maintain sensitivity and to not sink into hollow despondency.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMemories, scenes, and split-second impressions have long filled Lattimore’s musical universe. As one of today’s preeminent instrumental storytellers, she has “the uncanny ability to pluck a string in a way that will instantly make someone remember the taste of their fifth birthday cake,\" writes Pitchfork's Jemima Skala. Lattimore's impulse to record life as it happens matches her drive to travel and perform, as profiled by Grayson Haver Currin for The New York Times: \"Lattimore recognized that being in motion shook loose strands of inspiration, moods she wanted to express with melody. She needed, then, to remain on the go.\" That sense of fluidity has also made her a prolific collaborator outside of solo work. 2020's Silver Ladders, recorded with Slowdive's Neil Halstead, opened the door for Lattimore to widen the vision of her primary project as well, and its proper follow-up is the natural next scale. '\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAll of these people I asked to contribute have deeply affected and inspired my life.'...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mary Lattimore\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e"}
You may also like:
アメリカ・LAのハープ奏者Mary Lattimoreが、2023年10月に同国Ghostly Internationalからリリースしたレコードです。 ネオクラシカル・アンビエント6曲を収録。マーブル群青盤と黒盤からお選びください。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira....
$22.00
Quickview
{"id":7915771003130,"title":"Joseph Nechvatal \/\/ The Viral Tempest 2xLP+BOOKLET","handle":"joseph-nechvatal-the-viral-tempest-2xlp-booklet","description":"\u003cp\u003eアメリカのポストコンセプチュアル・デジタルアーティストJoseph Nechvatalが、2023年1月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。フルカラーのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ポストコンセプチュアルアーティストであり作家でもあるJoseph Nechvatalの最新オーディオ作品2枚組LP『The Viral Tempest』を発表することを光栄に思っています。Andrew Deutschとのコラボレーションによる最初の作品「OrlandO et la tempete viral symphOny redux suite」は、ヴァージニア・ウルフの「Orlando」を匿名で読んだものを、2006年の作品「viral symphOny: the enthrOning」の第1楽章の、ウイルスをモデルにした人工生命のオーディオ素材を再生させる音の特徴として使っています。第2曲目のpour finir avec le jugement de dieu viral symphOny plagueは、第1曲目の兄弟組曲として、代わりにAntonin Artaudのラジオ劇To Have Done with the Judgement of Godの録音パフォーマンスを、Nechvatalが分解、錯綜、織りなす新しい素材、根本的に変化した素材として彼のviral symphOnyという生きた織物に使用する音響図形として使用しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eネクヴァタルのオリジナルのウイルスシンフォニーレコーディングは、オープンエンドなプロセスとデトリタルダイナミズムへの没入に関する先行声明として参照することができますが、この兄弟の組曲は、これらのオーディオ組曲と対になる一連のウイルスモデルの生命絵画、そして一般的には彼のノイズアートの哲学において顕著に特徴づけられる、このダイナミックな空間におけるアイデンティティと形象のリゾーム的再認識について、より明確に理解することができます．ウルフやアルトーの脱主体化された主題を、混沌としたウイルス・エネルギーの超個人的で無限の空間に折り込むことは、ネクヴァタルの言葉を借りれば、「最も重要な特徴の一つは、振動する覆いのフィールド内に存在を包み込むという感覚であるが、絡み合ったエンボス加工の覆いは、閉じた、決まりきった、視覚・音声信号とは対立し、開かれた活気の中に我々を再定位する」プロセスと慣習を反映しているのです。ウールフィアンのオーランドというキャラクターと、彼／彼女の男／女という超自然的な条件によって呼び起こされたジェンダーの流動性という特別な問題は、ネクヴァタルが社会と環境の嵐の中で受け入れ、さらに強化する補足的な感覚的材料に姿を変えています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラディカルな流動性と内在性、そして器官を持たないドロイゾグアタリアンの身体に対するノイズ指向の再考への傾倒は、相対化された強度のリレー、速度と影響の変化、言語と記号の創造的・破壊的再構成、様々なジャンル（話し言葉、コンピュータ音楽、ノイズ、シューゲイズ、環境）への移行などに満ちた作品の、より直接的な音の特徴を同様に忠実に描写しているのです。ネクヴァタルは、オーディオ、ビジュアル、テキスト作品のこのような無数の相乗効果を通して、文化的・政治的なものと感覚的なものの間の不安定な関係を理論化し、経験する新しい、より拡大した方法を見る者に提示することを最終的に目指しています。それは、結束した忠誠によって還元、解析、成文化するのではなく、想像的喜びによって困惑させ問題化することを選択したものです。私は、直感に反して、文化的なノイズのスタイルこそ、今日必要なアートであると考えるようになりました。それは、すぐに読み取れるスペクタクルの必要性に屈しないからです。実際、それは芸術の抵抗の責任を回復させます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117463041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Pentiments releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003cspan\u003eComes in a full color gatefold jacket.\u003cbr\u003eIncludes a 11x11\" 12-page full color exhibition catalog documenting the paintings featured in Nechvatal's 2020 Orlando et la tempête art exhibition at Galerie Richard (Paris) + 8.5x11\" insert featuring an interview with Nechvatal by S.K.G. Noise Admiration regarding his art of noise philosophy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Pentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn tandem with our publishing of his decades-spanning cassette retrospective Selected Sound Works (1981-2021), Pentiments is honored to present The Viral Tempest, a double LP collection of two recent audio works by post-conceptual artist and writer Joseph Nechvatal. The first piece in collaboration with Andrew Deutsch, OrlandO et la tempete viral symphOny redux suite, uses an anonymous reading of Virginia Woolf's Orlando as a type of recurring sonic signature around which the virus-modeled artificial life audio material from the first movement of Nechvatal’s 2006 piece viral symphOny: the enthrOning is reanimated. The second piece, pour finir avec le jugement de dieu viral symphOny plague, serves as a brother suite to the first and instead uses Antonin Artaud's controversial recorded performance of his radio play To Have Done with the Judgement of God as the sonic figure which Nechvatal deconstructs, convolutes and weaves as a new and radically transformed material into the returning living fabric of his viral symphOny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile one can refer to Nechvatal's original viral symphOny recordings as a preceding statement on open-ended process and immersion into detrital dynamism, this pair of sibling suites can be understood more specifically as elaborating on the rhizomatic re\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-conceptualizations of identity and figuration within this dynamic space that feature prominently in the series of virus modeled a-life paintings paired with these audio suites and, generally, in his philosophy of noise art. The folding of the de-subjectified subjects of Woolf and Artaud into a supra-individual, boundless space of chaotic viral energy reflects a process and practice wherein, to quote Nechvatal, \"one of the most important characteristics [. . .] is its sense of encompassing being within a field of vibratory enshrouding—but an intertwined embossed shrouding that places being at odds with closed, cliché, visual-audio signals and resituates us within open vibrancy.\" The particular matter of gender fluidity, invoked by the Woolfian character of Orlando and his\/her preternatural condition of man-become-woman, is transfigured into supplementary sensual material which Nechvatal embraces and intensifies further within the context of societal and environmental storms, for in his words, \"Storms have no gender and mean full-blown fluidity.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA turn towards radical flux and immanence and a noise-oriented rethinking of the Deleuzoguattarian body without organs describes just as faithfully the more immediate sonic character of the works, replete as they are with relays of relativized intensities, variations in speed and affect, creative-destructive reconfigurations of language and signs, the passing through of various genre-becomings (spoken word, computer music, noise, shoegaze, ambient), and so on. Through this teeming synergy of his audio, visual and textual works, Nechvatal ultimately aims to present the beholder with a new and more expansive way of theorizing and experiencing the fraught relationship between the cultural-political and the sensate, one that chooses to perplex and problematize with imaginative pleasure rather than reduce, parse and codify through cohesive allegiances. As he writes, 'I have come, counter-intuitively, to see the style of cultural noise as the necessary art of today—precisely because it does not cave into the supposed need for immediately legible spectacle. Indeed, it restores art's responsibility of resistance.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joseph Nechvatal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-11T22:11:49+09:00","created_at":"2023-02-11T12:37:51+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","Pentiments"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979848319226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Nechvatal \/\/ The Viral Tempest 2xLP+BOOKLET","public_title":null,"options":["Default Title"],"price":3000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673","\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e9abcd90-8fbf-49ab-a4f1-eed72ad8af04.jpg?v=1676086673","\/\/tobirarecords.com\/cdn\/shop\/products\/te3_5bd2f454-3d25-468e-9f67-4ef33ee1915c.jpg?v=1676086673"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673","options":["Title"],"media":[{"alt":null,"id":31510245212410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673","width":700},{"alt":null,"id":31510245245178,"position":2,"preview_image":{"aspect_ratio":0.895,"height":1200,"width":1074,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e9abcd90-8fbf-49ab-a4f1-eed72ad8af04.jpg?v=1676086673"},"aspect_ratio":0.895,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e9abcd90-8fbf-49ab-a4f1-eed72ad8af04.jpg?v=1676086673","width":1074},{"alt":null,"id":31510245277946,"position":3,"preview_image":{"aspect_ratio":1.222,"height":982,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te3_5bd2f454-3d25-468e-9f67-4ef33ee1915c.jpg?v=1676086673"},"aspect_ratio":1.222,"height":982,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te3_5bd2f454-3d25-468e-9f67-4ef33ee1915c.jpg?v=1676086673","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのポストコンセプチュアル・デジタルアーティストJoseph Nechvatalが、2023年1月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。フルカラーのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ポストコンセプチュアルアーティストであり作家でもあるJoseph Nechvatalの最新オーディオ作品2枚組LP『The Viral Tempest』を発表することを光栄に思っています。Andrew Deutschとのコラボレーションによる最初の作品「OrlandO et la tempete viral symphOny redux suite」は、ヴァージニア・ウルフの「Orlando」を匿名で読んだものを、2006年の作品「viral symphOny: the enthrOning」の第1楽章の、ウイルスをモデルにした人工生命のオーディオ素材を再生させる音の特徴として使っています。第2曲目のpour finir avec le jugement de dieu viral symphOny plagueは、第1曲目の兄弟組曲として、代わりにAntonin Artaudのラジオ劇To Have Done with the Judgement of Godの録音パフォーマンスを、Nechvatalが分解、錯綜、織りなす新しい素材、根本的に変化した素材として彼のviral symphOnyという生きた織物に使用する音響図形として使用しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eネクヴァタルのオリジナルのウイルスシンフォニーレコーディングは、オープンエンドなプロセスとデトリタルダイナミズムへの没入に関する先行声明として参照することができますが、この兄弟の組曲は、これらのオーディオ組曲と対になる一連のウイルスモデルの生命絵画、そして一般的には彼のノイズアートの哲学において顕著に特徴づけられる、このダイナミックな空間におけるアイデンティティと形象のリゾーム的再認識について、より明確に理解することができます．ウルフやアルトーの脱主体化された主題を、混沌としたウイルス・エネルギーの超個人的で無限の空間に折り込むことは、ネクヴァタルの言葉を借りれば、「最も重要な特徴の一つは、振動する覆いのフィールド内に存在を包み込むという感覚であるが、絡み合ったエンボス加工の覆いは、閉じた、決まりきった、視覚・音声信号とは対立し、開かれた活気の中に我々を再定位する」プロセスと慣習を反映しているのです。ウールフィアンのオーランドというキャラクターと、彼／彼女の男／女という超自然的な条件によって呼び起こされたジェンダーの流動性という特別な問題は、ネクヴァタルが社会と環境の嵐の中で受け入れ、さらに強化する補足的な感覚的材料に姿を変えています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラディカルな流動性と内在性、そして器官を持たないドロイゾグアタリアンの身体に対するノイズ指向の再考への傾倒は、相対化された強度のリレー、速度と影響の変化、言語と記号の創造的・破壊的再構成、様々なジャンル（話し言葉、コンピュータ音楽、ノイズ、シューゲイズ、環境）への移行などに満ちた作品の、より直接的な音の特徴を同様に忠実に描写しているのです。ネクヴァタルは、オーディオ、ビジュアル、テキスト作品のこのような無数の相乗効果を通して、文化的・政治的なものと感覚的なものの間の不安定な関係を理論化し、経験する新しい、より拡大した方法を見る者に提示することを最終的に目指しています。それは、結束した忠誠によって還元、解析、成文化するのではなく、想像的喜びによって困惑させ問題化することを選択したものです。私は、直感に反して、文化的なノイズのスタイルこそ、今日必要なアートであると考えるようになりました。それは、すぐに読み取れるスペクタクルの必要性に屈しないからです。実際、それは芸術の抵抗の責任を回復させます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117463041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Pentiments releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003cspan\u003eComes in a full color gatefold jacket.\u003cbr\u003eIncludes a 11x11\" 12-page full color exhibition catalog documenting the paintings featured in Nechvatal's 2020 Orlando et la tempête art exhibition at Galerie Richard (Paris) + 8.5x11\" insert featuring an interview with Nechvatal by S.K.G. Noise Admiration regarding his art of noise philosophy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Pentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn tandem with our publishing of his decades-spanning cassette retrospective Selected Sound Works (1981-2021), Pentiments is honored to present The Viral Tempest, a double LP collection of two recent audio works by post-conceptual artist and writer Joseph Nechvatal. The first piece in collaboration with Andrew Deutsch, OrlandO et la tempete viral symphOny redux suite, uses an anonymous reading of Virginia Woolf's Orlando as a type of recurring sonic signature around which the virus-modeled artificial life audio material from the first movement of Nechvatal’s 2006 piece viral symphOny: the enthrOning is reanimated. The second piece, pour finir avec le jugement de dieu viral symphOny plague, serves as a brother suite to the first and instead uses Antonin Artaud's controversial recorded performance of his radio play To Have Done with the Judgement of God as the sonic figure which Nechvatal deconstructs, convolutes and weaves as a new and radically transformed material into the returning living fabric of his viral symphOny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile one can refer to Nechvatal's original viral symphOny recordings as a preceding statement on open-ended process and immersion into detrital dynamism, this pair of sibling suites can be understood more specifically as elaborating on the rhizomatic re\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-conceptualizations of identity and figuration within this dynamic space that feature prominently in the series of virus modeled a-life paintings paired with these audio suites and, generally, in his philosophy of noise art. The folding of the de-subjectified subjects of Woolf and Artaud into a supra-individual, boundless space of chaotic viral energy reflects a process and practice wherein, to quote Nechvatal, \"one of the most important characteristics [. . .] is its sense of encompassing being within a field of vibratory enshrouding—but an intertwined embossed shrouding that places being at odds with closed, cliché, visual-audio signals and resituates us within open vibrancy.\" The particular matter of gender fluidity, invoked by the Woolfian character of Orlando and his\/her preternatural condition of man-become-woman, is transfigured into supplementary sensual material which Nechvatal embraces and intensifies further within the context of societal and environmental storms, for in his words, \"Storms have no gender and mean full-blown fluidity.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA turn towards radical flux and immanence and a noise-oriented rethinking of the Deleuzoguattarian body without organs describes just as faithfully the more immediate sonic character of the works, replete as they are with relays of relativized intensities, variations in speed and affect, creative-destructive reconfigurations of language and signs, the passing through of various genre-becomings (spoken word, computer music, noise, shoegaze, ambient), and so on. Through this teeming synergy of his audio, visual and textual works, Nechvatal ultimately aims to present the beholder with a new and more expansive way of theorizing and experiencing the fraught relationship between the cultural-political and the sensate, one that chooses to perplex and problematize with imaginative pleasure rather than reduce, parse and codify through cohesive allegiances. As he writes, 'I have come, counter-intuitively, to see the style of cultural noise as the necessary art of today—precisely because it does not cave into the supposed need for immediately legible spectacle. Indeed, it restores art's responsibility of resistance.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joseph Nechvatal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのポストコンセプチュアル・デジタルアーティストJoseph Nechvatalが、2023年1月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。フルカラーのブックレットとDLコード付属。 以下、レーベルによる解説です。 "ポストコンセプチュアルアーティストであり作家でもあるJoseph Nechvatalの最新オーディオ作品2枚組LP『The Viral Tempest』を発表することを光栄に思っています。Andrew Deutschとのコラボレーションによる最初の作品「OrlandO et la tempete viral symphOny redux...
$30.00
Quickview
{"id":8026622787834,"title":"Sunshine Has Blown \/\/ Sunshine Has Blown LP+CD","handle":"sunshine-has-blown-sunshine-has-blown-lp-cd","description":"\u003cp\u003eオーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003eシュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。\u003c\/p\u003e\n\u003cp\u003eマニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LH9dRejUhBc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Zf0xqHseeg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2022 reissue of the now cult classic 2006 CDr release by Australian improvisers Joel Stern and Adam Park.\u003c\/p\u003e\n\u003cp\u003eText by Christoph J. Harris:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \"\u003cem\u003eI was first introduced to the record Sunshine Has Blown in 2010 by my dearest friend Rich. It was a record then in which – even in its most irreversibly compressed form — still had a Benjaminian aura about itself. I recall upon my first listen the archaeological approach to its shape and form – as if these musicians were excavating lost sound objects beneath a dense sonic field that had previously been interred. There’s a kitty-cornered concentration on event, space, and moment in history (the track titles themselves resembling almost carbon-dated documentations of each vamp) that feels like a brown study on ekstasis. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Unlike perhaps the more formal peers of its time period in the broader catalogue of electroacoustic improvisational music, Sunshine Has Blown is situated with a drollness that is more akin to the celestial antics of the Taj-Mahal Travellers than the more inkhorn swotting of AMM. This is neither meant as glib irreverence nor fanatical idolism; rather, it is merely a commentary on its execution of style. There is a ludic intensity to this music that erupts through the freeform transmissions of its jaunty obversion of symbols – seemingly every creative instinct being guided away from itself by the fervent spirits of its earthlike grounds. In an essay on the subject of the syncretic nature shared between musical expression and body-motion in reference to Aristides Quintilianus’ De Musica, Albrecht Riethmüller writes: “‘Body’ can refer to at least three things: first, to every real (that is, without transferred meaning) body that participates in making sound; second, to the planets or stars, insofar as they not only are a paradigm for the motion of all bodies but also embody the harmony of the spheres; and third, to the human body, insofar as it participates in musical processes or the production of sonic phenomena (p. 153).” This kinesthesis between raw and organic matter, haptic sensation, and environmental shifts is based on a concept of rhythm that can be defined as “…a system of chronoi (time elements or ‘times’) that are arranged in some order (p. 155).” Taking this ancient Greek theoretical approach to music as a prefatory inquiry thus offers key insights into the anima of this record. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e If there is one core ambition behind this music that is synoptic of its contents therein, it is an ascetic meditation on texture. Between its phantom-like undertow of tape hisses and gnarled electronics, sporadic percussive chants of thumb pianos and drums, and the recycled echoes of extended techniques on trumpet and found objects, there is truly an amalgam of sounds here that somewhat recalls the ancient cultural practices of shadow play. As much exploratory as it is diegetic, Sunshine Has Blown is a record to put on when one is in need of a nautical almanac. Included in this remastering are two additional pieces – one of which is a shorter, alternate version of the second track as well as a two-part, longform piece that makes additional use of lap steel guitar and banjo. Both, however, further engrave at the surface of sound as new imaginings continue to vanish and reappear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eRiethmüller, Albert. “The Matter of Music Is Sound and Body-Motion.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterialities of Communication\u003c\/em\u003e, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, Stanford University Press, Redwood City, CA, 1994, pp. 147–156.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Sunshine Has Blown\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e","published_at":"2023-10-01T20:22:59+09:00","created_at":"2023-10-01T20:21:44+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","Pentiments","recommended","strange beats"],"price":2100,"price_min":2100,"price_max":2100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44596385480954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sunshine Has Blown \/\/ Sunshine Has Blown LP+CD","public_title":null,"options":["Default Title"],"price":2100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307","options":["Title"],"media":[{"alt":null,"id":32515229024506,"position":1,"preview_image":{"aspect_ratio":1.001,"height":767,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307"},"aspect_ratio":1.001,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307","width":768}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003eシュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。\u003c\/p\u003e\n\u003cp\u003eマニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LH9dRejUhBc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Zf0xqHseeg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2022 reissue of the now cult classic 2006 CDr release by Australian improvisers Joel Stern and Adam Park.\u003c\/p\u003e\n\u003cp\u003eText by Christoph J. Harris:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \"\u003cem\u003eI was first introduced to the record Sunshine Has Blown in 2010 by my dearest friend Rich. It was a record then in which – even in its most irreversibly compressed form — still had a Benjaminian aura about itself. I recall upon my first listen the archaeological approach to its shape and form – as if these musicians were excavating lost sound objects beneath a dense sonic field that had previously been interred. There’s a kitty-cornered concentration on event, space, and moment in history (the track titles themselves resembling almost carbon-dated documentations of each vamp) that feels like a brown study on ekstasis. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Unlike perhaps the more formal peers of its time period in the broader catalogue of electroacoustic improvisational music, Sunshine Has Blown is situated with a drollness that is more akin to the celestial antics of the Taj-Mahal Travellers than the more inkhorn swotting of AMM. This is neither meant as glib irreverence nor fanatical idolism; rather, it is merely a commentary on its execution of style. There is a ludic intensity to this music that erupts through the freeform transmissions of its jaunty obversion of symbols – seemingly every creative instinct being guided away from itself by the fervent spirits of its earthlike grounds. In an essay on the subject of the syncretic nature shared between musical expression and body-motion in reference to Aristides Quintilianus’ De Musica, Albrecht Riethmüller writes: “‘Body’ can refer to at least three things: first, to every real (that is, without transferred meaning) body that participates in making sound; second, to the planets or stars, insofar as they not only are a paradigm for the motion of all bodies but also embody the harmony of the spheres; and third, to the human body, insofar as it participates in musical processes or the production of sonic phenomena (p. 153).” This kinesthesis between raw and organic matter, haptic sensation, and environmental shifts is based on a concept of rhythm that can be defined as “…a system of chronoi (time elements or ‘times’) that are arranged in some order (p. 155).” Taking this ancient Greek theoretical approach to music as a prefatory inquiry thus offers key insights into the anima of this record. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e If there is one core ambition behind this music that is synoptic of its contents therein, it is an ascetic meditation on texture. Between its phantom-like undertow of tape hisses and gnarled electronics, sporadic percussive chants of thumb pianos and drums, and the recycled echoes of extended techniques on trumpet and found objects, there is truly an amalgam of sounds here that somewhat recalls the ancient cultural practices of shadow play. As much exploratory as it is diegetic, Sunshine Has Blown is a record to put on when one is in need of a nautical almanac. Included in this remastering are two additional pieces – one of which is a shorter, alternate version of the second track as well as a two-part, longform piece that makes additional use of lap steel guitar and banjo. Both, however, further engrave at the surface of sound as new imaginings continue to vanish and reappear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eRiethmüller, Albert. “The Matter of Music Is Sound and Body-Motion.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterialities of Communication\u003c\/em\u003e, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, Stanford University Press, Redwood City, CA, 1994, pp. 147–156.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Sunshine Has Blown\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e"}
You may also like:
オーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース） シュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。 マニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。 レーベルその他作品はこちら /// Click here to see more Pentiments releases available...
$21.00