Fusiller // Les Chorégraphies Désertiques CD

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Tanzprocesz主宰者でありOpéra Mort名義でも活動しているFusillerの2019年リリース作品。電子音たちの乱痴気パーティーのようなトラック14曲を収録。

<a href="https://tanzprocesz.bandcamp.com/album/les-chor-graphies-d-sertiques">Les Chorégraphies Désertiques by Fusiller</a>

artist : Fusiller

label : Tanzprocesz

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Tanzprocesz主宰者でありOpéra Mort名義でも活動しているFusillerの2019年リリース作品。電子音たちの乱痴気パーティーのようなトラック14曲を収録。

<a href="https://tanzprocesz.bandcamp.com/album/les-chor-graphies-d-sertiques">Les Chorégraphies Désertiques by Fusiller</a>

artist : Fusiller

label : Tanzprocesz

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Quickview {"id":6126617231525,"title":"Josh Peterson \/\/ Collected Voice, Text and Tape Works 2xCD","handle":"jpcvt","description":"\u003cp\u003e米国のカルト詩人・サウンドアーティストJosh Petersonが限定でリリースしたものの、あまりのマニアックさ故にほぼ出回らなかったカセット作品をリマスターし2枚組CDで再発。アウトサイダーアートと米国実験音楽シーンの中で、ほぼ認識されることのなかった異才がこうして日の目を見るときがきました。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2757726770\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2895548579\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4193987862\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003en recent years, Josh Peterson has been most active as a writer for Amphetamine Sulphate, although the majority of his output across the last decade has been as an independent sound artist. Josh's audio work has remained something of an unrecognized oddity within the American underground of outsider art and experimental music from which it originates as well as beyond. Distributed through limited, home-dubbed and self-released cassettes, Peterson's blend of spoken-word and sound collage has resulted in an intriguing, singular body of consistently evolving yet recognizable material. 'Collected Voice, Text \u0026amp; Tape Works' compiles five such releases, remastered for new presentation as a 2xCD set, now widely-available outside the USA for the first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen considering Peterson's work in context, e.g. that of a writer rather than a musician, it's unsurprising that spoken, recorded voice and written text plays a central role across all pieces herein. Often dealing in themes of mental illness, social paranoia and tragedy, they make for often-challenging and sometimes macabre, even somber listening. Distinct from the usual applications of such themes in so-called \"extreme music,\" however, we see a nuanced approach in Peterson's work, expressing a benign puzzlement\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand detached critical eye. Forgoing typical empty-gestured tendencies toward glorification and shock, we instead follow mystery-like narratives into fugue states amplified by our own relationships with the isolation and disenfranchisement imbued even in the most banal, mundane aspects of day-to-day life. Through dispassionate, often monotonous recitations of his own blunt prose, found texts and news reports, as well as the delusions of conspiracy theorists and pop psychologists alike, Peterson's body of work feels like a series of surreal, unsettling and darkly humourous audio essays on modern life.\u003cbr\u003e\u003cbr\u003eThe sonic backdrop for these readings deepens the diaristic, observational quality of the text, as Peterson's distinctive cross-section of experimental music styles and techniques is captured in low-fidelity, portable-cassette-recorder style. Here, the minimalist austerity of early '80s Whitehouse and Maurizio Bianchi lends crude timbres to a framework closer to that of \"non-musical\" sound artists like Graham Lambkin and Jeph Jerman, where compositional strategy is concerned. The presence of voice experiments and tape manipulations arranged alongside unadorned domestic and situational field recordings acknowledges classical concrete music theory, but perhaps more so expresses a keen love for sound itself and listening in purest form.\u003cbr\u003e\u003cbr\u003eAll of the recordings in this set were originally self-released on cassette from 2018 - 2019 and though Peterson's creative work is now focused almost entirely on writing, Adhuman is proud to re-present this collection of bold, powerful and unique recordings in one place, deserving of renewed attention.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Josh Peterson \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : adhuman\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-01-26T12:50:09+09:00","created_at":"2021-01-26T12:50:08+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","new"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37778513592485,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Josh Peterson \/\/ Collected Voice, Text and Tape Works 2xCD","public_title":null,"options":["Default Title"],"price":238000,"weight":130,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0287625258_16.jpg?v=1611633011","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023167985_10.jpg?v=1611633011"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0287625258_16.jpg?v=1611633011","options":["Title"],"media":[{"alt":null,"id":16245492580517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0287625258_16.jpg?v=1611633011"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0287625258_16.jpg?v=1611633011","width":700},{"alt":null,"id":16245492613285,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023167985_10.jpg?v=1611633011"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0023167985_10.jpg?v=1611633011","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e米国のカルト詩人・サウンドアーティストJosh Petersonが限定でリリースしたものの、あまりのマニアックさ故にほぼ出回らなかったカセット作品をリマスターし2枚組CDで再発。アウトサイダーアートと米国実験音楽シーンの中で、ほぼ認識されることのなかった異才がこうして日の目を見るときがきました。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2757726770\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2895548579\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4193987862\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003en recent years, Josh Peterson has been most active as a writer for Amphetamine Sulphate, although the majority of his output across the last decade has been as an independent sound artist. Josh's audio work has remained something of an unrecognized oddity within the American underground of outsider art and experimental music from which it originates as well as beyond. Distributed through limited, home-dubbed and self-released cassettes, Peterson's blend of spoken-word and sound collage has resulted in an intriguing, singular body of consistently evolving yet recognizable material. 'Collected Voice, Text \u0026amp; Tape Works' compiles five such releases, remastered for new presentation as a 2xCD set, now widely-available outside the USA for the first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen considering Peterson's work in context, e.g. that of a writer rather than a musician, it's unsurprising that spoken, recorded voice and written text plays a central role across all pieces herein. Often dealing in themes of mental illness, social paranoia and tragedy, they make for often-challenging and sometimes macabre, even somber listening. Distinct from the usual applications of such themes in so-called \"extreme music,\" however, we see a nuanced approach in Peterson's work, expressing a benign puzzlement\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand detached critical eye. Forgoing typical empty-gestured tendencies toward glorification and shock, we instead follow mystery-like narratives into fugue states amplified by our own relationships with the isolation and disenfranchisement imbued even in the most banal, mundane aspects of day-to-day life. Through dispassionate, often monotonous recitations of his own blunt prose, found texts and news reports, as well as the delusions of conspiracy theorists and pop psychologists alike, Peterson's body of work feels like a series of surreal, unsettling and darkly humourous audio essays on modern life.\u003cbr\u003e\u003cbr\u003eThe sonic backdrop for these readings deepens the diaristic, observational quality of the text, as Peterson's distinctive cross-section of experimental music styles and techniques is captured in low-fidelity, portable-cassette-recorder style. Here, the minimalist austerity of early '80s Whitehouse and Maurizio Bianchi lends crude timbres to a framework closer to that of \"non-musical\" sound artists like Graham Lambkin and Jeph Jerman, where compositional strategy is concerned. The presence of voice experiments and tape manipulations arranged alongside unadorned domestic and situational field recordings acknowledges classical concrete music theory, but perhaps more so expresses a keen love for sound itself and listening in purest form.\u003cbr\u003e\u003cbr\u003eAll of the recordings in this set were originally self-released on cassette from 2018 - 2019 and though Peterson's creative work is now focused almost entirely on writing, Adhuman is proud to re-present this collection of bold, powerful and unique recordings in one place, deserving of renewed attention.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Josh Peterson \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : adhuman\u003c\/span\u003e\u003c\/p\u003e"}

英国アンチミュージックの最重要人物The New Blockadersによるロンドンの実験箱Cafe OTOでのライブ音源が、同国opal tapesよりCDRでリリース。金属音が飛び跳ねる凄まじい内容です。アーティストの意向によりデジタル販売は無く、CDRのみの展開となります。 CDr only. No digital release at the request of...

¥1,880

Quickview {"id":6100676018341,"title":"Seth Nehil \/\/ Skew \/ Flume CD","handle":"seth-nehil-skew-flume-cd","description":"\u003cp\u003eアメリカ人サウンドアーティストSeth Nehilが過去にEPとしてリリースしていた2作をCDにコンパイルしOpalがリリース。ノンビートテクノ〜サウンドコラージュ10曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=858796960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1121608494\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/opaltapes.com\/album\/skew-flume\"\u003eSkew \/ Flume by Seth Nehil\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cem\u003e\"Skew opens with its title track, there’s this edgy\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e collision where a delusional set of broken voice samples (courtesy: Katy Kanfer) – a juncture in which the rubber hits the road. Almost literally in terms of the visceral and dimensional sounds he’s producing here, and that continues into the raw stint which is deliciously elastic and punctuated by percussive bleeps. The deer-in-the-headlights is let loose in something altogether magically mysterious. These sound like sound effects from one of those rare new wave albums that surfaced forty years later, but gone through some sort of electro-acoustic treatment including amplified microsounds (rain, scratching, and jittery interludes).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIs it hail or is it a spray paint can being jostled about, or is it simply electro-static of some sort? Nehil has created many collaborations over the years, but seems most fortified on his own. His unexpected altercations with tiny objects blended with sonic effects are out of this world, figuratively (and conceptually). In his actions (veer, strew and warp) the ‘collected chaos’ may be simple actions (or not…I was not there) but are presented like ecstatic shockwaves that rumble into shadows and shaded radiance. And though the pieces on this first EP are fairly short in length (all four mins or under) they leave an impression as if you have incurred a live performance in your head that offer a lasting impression many minutes after.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2017’s Flume includes three longer pieces, beginning with its title work. The pairing of these two EPs now makes sense, especially after the initial haunting minutes lost in industrial drone. With a single snare Nehil bores a passage via deeply driven formless waves that circulate hypnotically. The duality of weightlessness to heavy drone is in strange harmonic opposition, a profile that is balanced by the epic low-foaming ambient din. 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The leatherette-like cover by photographer Harrison Higgs only emboldens the whole ‘man-made rough-trade’ aspect of this surprisingly fleshy record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe closer Cleft is telekinetic in construct, yet has this visceral ambiguity about it. By combining the glassy synths of 70’s sci-fi cult classic film soundtracks with a dynamic set of scaling, diacritical markings and bloated effects it becomes a double take. It’s lurid and dank, unlike anything in his discography, leaving you hanging in a suspended sense of wait. Think about the rings of Saturn, slightly teetering, pendulous, in the darkest cosmos — and then simply add transmissions an untapped species from a far-off galaxy that are nearly impossible to decode by human means.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e- TJ Norris \/\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/toneshift.net\/\"\u003eToneshift.net\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seth Nehil\u003c\/p\u003e\n\u003cp\u003eLabel : Opal Tapes\u003c\/p\u003e","published_at":"2021-01-25T08:39:00+09:00","created_at":"2021-01-17T11:07:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","new","opal tapes"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37708704252069,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seth Nehil \/\/ Skew \/ Flume CD","public_title":null,"options":["Default Title"],"price":148000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew1.jpg?v=1610849256","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew2.jpg?v=1610849256"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew1.jpg?v=1610849256","options":["Title"],"media":[{"alt":null,"id":16114066456741,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew1.jpg?v=1610849256"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew1.jpg?v=1610849256","width":700},{"alt":null,"id":16114066489509,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew2.jpg?v=1610849256"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/skew2.jpg?v=1610849256","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ人サウンドアーティストSeth Nehilが過去にEPとしてリリースしていた2作をCDにコンパイルしOpalがリリース。ノンビートテクノ〜サウンドコラージュ10曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=858796960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1121608494\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/opaltapes.com\/album\/skew-flume\"\u003eSkew \/ Flume by Seth Nehil\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cem\u003e\"Skew opens with its title track, there’s this edgy\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e collision where a delusional set of broken voice samples (courtesy: Katy Kanfer) – a juncture in which the rubber hits the road. Almost literally in terms of the visceral and dimensional sounds he’s producing here, and that continues into the raw stint which is deliciously elastic and punctuated by percussive bleeps. The deer-in-the-headlights is let loose in something altogether magically mysterious. These sound like sound effects from one of those rare new wave albums that surfaced forty years later, but gone through some sort of electro-acoustic treatment including amplified microsounds (rain, scratching, and jittery interludes).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIs it hail or is it a spray paint can being jostled about, or is it simply electro-static of some sort? Nehil has created many collaborations over the years, but seems most fortified on his own. His unexpected altercations with tiny objects blended with sonic effects are out of this world, figuratively (and conceptually). In his actions (veer, strew and warp) the ‘collected chaos’ may be simple actions (or not…I was not there) but are presented like ecstatic shockwaves that rumble into shadows and shaded radiance. And though the pieces on this first EP are fairly short in length (all four mins or under) they leave an impression as if you have incurred a live performance in your head that offer a lasting impression many minutes after.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2017’s Flume includes three longer pieces, beginning with its title work. The pairing of these two EPs now makes sense, especially after the initial haunting minutes lost in industrial drone. With a single snare Nehil bores a passage via deeply driven formless waves that circulate hypnotically. The duality of weightlessness to heavy drone is in strange harmonic opposition, a profile that is balanced by the epic low-foaming ambient din. In a moment the listener is blasting into the nether regions of space, and yet as elusive as that seems, I’m also experiencing the aeration, not dissimilar to the pitch of an Italian espresso machine.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI can’t help thinking this could potentially be Nehil’s nod to the recent 50th anniversary of NASA’s moon landing, at its most rickety – nuts and bolts being jostled as engines blast at light speed parallel to the Earth’s axis, breaking the speak of light in a mad mission to break previous norms. However, I do not see this work as a sentimental tribute, not one iota. It only pricks that DNA from the inside-out. In fact, knowing the artist’s collaborations with dancers this seems more akin to understanding the fluidity of bodies in movement, in space. His deployment of static, both near and far, as electric and as ephemeral, seem not only on point, but at times imposing. The leatherette-like cover by photographer Harrison Higgs only emboldens the whole ‘man-made rough-trade’ aspect of this surprisingly fleshy record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe closer Cleft is telekinetic in construct, yet has this visceral ambiguity about it. By combining the glassy synths of 70’s sci-fi cult classic film soundtracks with a dynamic set of scaling, diacritical markings and bloated effects it becomes a double take. It’s lurid and dank, unlike anything in his discography, leaving you hanging in a suspended sense of wait. Think about the rings of Saturn, slightly teetering, pendulous, in the darkest cosmos — and then simply add transmissions an untapped species from a far-off galaxy that are nearly impossible to decode by human means.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e- TJ Norris \/\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/toneshift.net\/\"\u003eToneshift.net\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seth Nehil\u003c\/p\u003e\n\u003cp\u003eLabel : Opal Tapes\u003c\/p\u003e"}