David Birchall / Andrew Cheetham / Colin Webster / Otto Willberg // Plastic Kneecap LP
David Birchall / Andrew Cheetham / Colin Webster / Otto Willberg // Plastic Kneecap LP
¥2,380
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この4名では3作目となるアルバムがイギリスRaw TonkよりLPリリース。即興一発録音での13〜15分セット2曲収録。
David Birchall - guitar
Andrew Cheetham - drums
Colin Webster - alto and baritone saxophones
Otto Willberg - double bass
Artist : David Birchall / Andrew Cheetham / Colin Webster / Otto Willberg
Label : Raw Tonk Records
この4名では3作目となるアルバムがイギリスRaw TonkよりLPリリース。即興一発録音での13〜15分セット2曲収録。
David Birchall - guitar
Andrew Cheetham - drums
Colin Webster - alto and baritone saxophones
Otto Willberg - double bass
Artist : David Birchall / Andrew Cheetham / Colin Webster / Otto Willberg
Label : Raw Tonk Records
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Produced by BILL LASWELL and according to The Attic “one of the most important albums of Gnawa trance music released in the ‘90s”.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released in 1994 on BILL LASWELL’s AXIOM imprint, “The Trance Of Seven Colors” is the meeting of two true musical masters: MALEEM MAHMOUD GHANIA (1951 – 2015), son of the master of Gnawa music MALEEM BOUBKER GHANIA and the famous clairvoyant and \"moqaddema\" A'ISHA QABRAL, and a master of the traditional Gnawa style in his own right. MAHMOUD learned this craft as a youth along with his brothers, walking from village to village, performing ceremonies with his father BOUBKER and was one of the few masters (Maleem) who continued to practice the Gnawa tradition strictly for healing (the central ritual of the Gnawa is the trance music ceremony – with the purpose of healing or purification of the participants). With 30 cassette releases of music from the Gnawa repertoire with his own ensemble and performances at every major festival in Morocco, including performing for the King in various contexts, MAHMOUD GHANIA was also one of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMorocco's most prominent professional musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Maleem Mahmoud Ghania w\/ Pharoah Sanders\u003c\/p\u003e\n\u003cp\u003elabel : zehra\u003c\/p\u003e","published_at":"2020-10-27T15:16:55+09:00","created_at":"2020-10-27T15:16:54+09:00","vendor":"Tobira Records","type":"","tags":["field recording","jazz","karlrecords","lp","new","strange beats"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36915274809509,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maleem Mahmoud Ghania w\/ Pharoah Sanders \/\/ The Trance Of Seven Colors 2xLP","public_title":null,"options":["Default Title"],"price":368000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3264820302_16.jpg?v=1603779415","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0017402580_10.jpg?v=1603779416"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3264820302_16.jpg?v=1603779415","options":["Title"],"media":[{"alt":null,"id":12953231753381,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3264820302_16.jpg?v=1603779415"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3264820302_16.jpg?v=1603779415","width":700},{"alt":null,"id":12953231786149,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0017402580_10.jpg?v=1603779416"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0017402580_10.jpg?v=1603779416","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1994年にBILL LASWELLのAXIOMよりリリースされていたモロッコ土着トランス音楽家Maleem Mahmoud GhaniaとPharoah Sandersによるスピリチュアルコラボレーションアルバムが初となるヴァイナル化。180gゲートフォールド仕様です。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=119013414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zehra.bandcamp.com\/album\/the-trance-of-seven-colors\"\u003eThe Trance Of Seven Colors by Maleem Mahmoud Ghania w\/ Pharoah Sanders\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvailable on vinyl for the very first time: “The Trance Of Seven Colors” by master Gnawa musician MALEEM MAHMOUD GHANIA and free jazz legend PHAROAH SANDERS. 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{"id":5805728825509,"title":"Jusell, Prymek, Sage, Shiroishi \/\/ Fuubutsushi CD","handle":"jusell-prymek-sage-shiroishi-fuubutsushi-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishi によるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地よいアンビエントジャズ作品に仕上がっております。既に廃盤です。全10曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell - violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253293892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/fuubutsushi\"\u003eFuubutsushi (風物詩) by Jusell, Prymek, Sage, Shiroishi\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushi is the second entry into this now established series of CDs released on cached that features musicians collaborating through social distancing measures. 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There is a restraint and a mutual leaning-back that these players offer one another on these songs, and so, they all have their space to stretch out, to incorporate emptiness into their parts, to smile at one another warmly in those spaces. With such hospitality and kindness for each other, the music feels as much like an unexpected and joyful crossing of paths as it does a kindred reunion at a remembered crossroads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe term Fuubutsushi, or 風物詩 in kanji, is a kind of seasonal nostalgia. A longing for the approaching season upon its first sign. That moment in late summer when you can sense autumn is approaching -- maybe it is that cool night bitten by the scent of frost and wood smoke, or the soft rotting leaves in a warm beam of morning light -- and so you anticipate that approaching autumn using past autumns as a frame of reference. “That new old feeling again.” This is a music of looking forward and looking back simultaneously. Both nostalgic and hopeful, wistful and realistic. Apart from their respective bodies of work or other collaborations, consider this album a singular offering from this quartet that is, as each season that passes, unique, however familiar it feels.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-19T09:40:32+09:00","created_at":"2020-10-19T09:40:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","folk \/ left-field pop","jazz","new"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36785223794853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jusell, Prymek, Sage, Shiroishi \/\/ Fuubutsushi CD","public_title":null,"options":["Default Title"],"price":168000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021802539_10.jpg?v=1603068034"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034","options":["Title"],"media":[{"alt":null,"id":12426372219045,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0425852550_16.jpg?v=1603068034","width":700},{"alt":null,"id":12426372251813,"position":2,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021802539_10.jpg?v=1603068034"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021802539_10.jpg?v=1603068034","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishi によるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地よいアンビエントジャズ作品に仕上がっております。既に廃盤です。全10曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChris Jusell - violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253293892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/cachedmedia.bandcamp.com\/album\/fuubutsushi\"\u003eFuubutsushi (風物詩) by Jusell, Prymek, Sage, Shiroishi\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushi is the second entry into this now established series of CDs released on cached that features musicians collaborating through social distancing measures. Here, a quartet comes together while staying apart to miraculous ends, leaving space for memory to wander in a shimmery autumnal dappling. Chris Jusell (violin), Chaz Prymek (guitars, field recordings, voice), Matthew Sage (keyboards, percussion, voice, field recording), and Patrick Shiroishi (alto saxophone, clarinet, flute, glockenspiel, samples, whistling, voice) have collaborated on projects on and off in the last several years (some you may have heard, some yet to be released), but here, the four worked together as a singular unit in a playful and focused way. These compositions, a kind of wistful cool jazz diluted by ambient figures and new age hallmarks, could possibly be tucked into the “Post Rock” sector, but may actually be more aligned with ECM’s school of playership. Through a combination of varied classical training and (here subdued) experimental tendencies, a harmony is achieved wherein melody is itself a texture to play with. In their solo work, some of these players wander in much more cerebral, jarring, psychedelic, unconventional airs, but on Fuubutsushi, they present as a tightly connected quartet prepared to woo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elisteners with these honeyed impressionistic strains. Songs are structured around muted piano parts from Sage that he augmented with percussion and occasional synthesizer flourishes. Flutters of reeds and winds from Shiroishi paint the scenes with nostalgic tenderness and vibrancy. Prymek’s nimble guitar figures add longing and character, texture and dynamism. Jusell’s violins drift about in emotive drafts and eddies of harmony, darting into lyrical spurts at opportune moments. There is a restraint and a mutual leaning-back that these players offer one another on these songs, and so, they all have their space to stretch out, to incorporate emptiness into their parts, to smile at one another warmly in those spaces. With such hospitality and kindness for each other, the music feels as much like an unexpected and joyful crossing of paths as it does a kindred reunion at a remembered crossroads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe term Fuubutsushi, or 風物詩 in kanji, is a kind of seasonal nostalgia. A longing for the approaching season upon its first sign. That moment in late summer when you can sense autumn is approaching -- maybe it is that cool night bitten by the scent of frost and wood smoke, or the soft rotting leaves in a warm beam of morning light -- and so you anticipate that approaching autumn using past autumns as a frame of reference. “That new old feeling again.” This is a music of looking forward and looking back simultaneously. Both nostalgic and hopeful, wistful and realistic. Apart from their respective bodies of work or other collaborations, consider this album a singular offering from this quartet that is, as each season that passes, unique, however familiar it feels.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e"}
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Chris Jusell、Chaz Prymek、Matthew Sage 、Patrick Shiroishi によるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地よいアンビエントジャズ作品に仕上がっております。既に廃盤です。全10曲入り。 Chris Jusell - violinChaz Prymek - guitars,...
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{"id":5773534003365,"title":"Paganini \/\/ 24 Caprices; Ragtime 2CD","handle":"paganini-24-caprices-ragtime-2cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=23302838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/paganini-24-caprices-ragtime\"\u003ePaganini: 24 Caprices; Ragtime by PAUL ZUKOFSKY, violin ROBERT DENNIS, piano\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoseph F. Lamb: (1887 – 1960) AMERICAN BEAUTY, A RAG OF CLASS (1913)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScott Joplin: (1868 – 1917) STOPTIME RAG (1910); THE EASY WINNERS (1901); MAGNETIC RAG (1914)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Scott: (1886 – 1938) CALLIOPE RAG (before 1914?)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuckey Roberts: (1887 – 1968) PORK AND BEANS (pub. 1913)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClarence Woods: (1888 – 1956) SLIPPERY ELM RAG (1912); SLEEPY HOLLOW RAG (1918)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScott Joplin with Scott Hayden: (1882 – 1915) FELICITY RAG (before 1905?)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZez Confrey: (1895 – 1971) GRANDFATHER’S CLOCK (1933)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy transcriptions of Joplin Rags were published as Scott Joplin Ragtime Classics for Violin and Piano, E.B. Marks Music, 1974. All other transcriptions exist in mss only, and were collaborations with Robert Dennis. Original solo piano versions of all Ragtimes on this CD may be found in various Dover Publications editions (Classic Piano Rags, 1973; Ragtime Rarities, 1975); The Complete Works of Joplin, New York Public Library, 1982; Rudi Blesh and Harriet Janis, They All Played Ragtime, Random House, Inc., 1950; Zez Confrey Piano Solos, Ragtime, Novelty, and Jazz, Columbia Pictures Publications, 1984.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNiccolò Paganini: (1782-1840) 24 CAPRICES (1805)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSources: photocopy of the original manuscript, from the archives of G. Ricordi \u0026amp; Co., Milan; photocopy of the first edition, from the Library of Congress, Washington, D.C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll recordings were made at the Vanguard Studios at 208 West 23rd Street, NYC. The Ragtime recordings were made during 1975. They were engineered by John Kilgore and originally released as “Classic Rags and other novelties” Vanguard SRV 350 SD. The Paganini recordings were made during 1969. They were originally released as: “Niccolò Paganini: The 24 Caprices” Vanguard VCS 10093\/4. My thanks to Greg Barbero and Artemis Classics for making these, and the Bach Sonatas and Partitas, available.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2005, the recordings were remixed and re-mastered (under the supervision of Paul Zukofsky) by Paul Zinman at SoundByte Productions, Inc., NYC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eartist : Paganini\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:29:33+09:00","created_at":"2020-10-11T11:29:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","jazz","new","sound poetry"],"price":288000,"price_min":288000,"price_max":288000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666808762533,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paganini \/\/ 24 Caprices; Ragtime 2CD","public_title":null,"options":["Default Title"],"price":288000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3052979603_16.jpg?v=1602383373"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3052979603_16.jpg?v=1602383373","options":["Title"],"media":[{"alt":null,"id":12112522674341,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3052979603_16.jpg?v=1602383373"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3052979603_16.jpg?v=1602383373","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=23302838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/paganini-24-caprices-ragtime\"\u003ePaganini: 24 Caprices; Ragtime by PAUL ZUKOFSKY, violin ROBERT DENNIS, piano\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoseph F. Lamb: (1887 – 1960) AMERICAN BEAUTY, A RAG OF CLASS (1913)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScott Joplin: (1868 – 1917) STOPTIME RAG (1910); THE EASY WINNERS (1901); MAGNETIC RAG (1914)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Scott: (1886 – 1938) CALLIOPE RAG (before 1914?)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuckey Roberts: (1887 – 1968) PORK AND BEANS (pub. 1913)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClarence Woods: (1888 – 1956) SLIPPERY ELM RAG (1912); SLEEPY HOLLOW RAG (1918)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScott Joplin with Scott Hayden: (1882 – 1915) FELICITY RAG (before 1905?)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZez Confrey: (1895 – 1971) GRANDFATHER’S CLOCK (1933)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMy transcriptions of Joplin Rags were published as Scott Joplin Ragtime Classics for Violin and Piano, E.B. Marks Music, 1974. All other transcriptions exist in mss only, and were collaborations with Robert Dennis. Original solo piano versions of all Ragtimes on this CD may be found in various Dover Publications editions (Classic Piano Rags, 1973; Ragtime Rarities, 1975); The Complete Works of Joplin, New York Public Library, 1982; Rudi Blesh and Harriet Janis, They All Played Ragtime, Random House, Inc., 1950; Zez Confrey Piano Solos, Ragtime, Novelty, and Jazz, Columbia Pictures Publications, 1984.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNiccolò Paganini: (1782-1840) 24 CAPRICES (1805)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSources: photocopy of the original manuscript, from the archives of G. Ricordi \u0026amp; Co., Milan; photocopy of the first edition, from the Library of Congress, Washington, D.C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll recordings were made at the Vanguard Studios at 208 West 23rd Street, NYC. The Ragtime recordings were made during 1975. They were engineered by John Kilgore and originally released as “Classic Rags and other novelties” Vanguard SRV 350 SD. The Paganini recordings were made during 1969. They were originally released as: “Niccolò Paganini: The 24 Caprices” Vanguard VCS 10093\/4. My thanks to Greg Barbero and Artemis Classics for making these, and the Bach Sonatas and Partitas, available.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2005, the recordings were remixed and re-mastered (under the supervision of Paul Zukofsky) by Paul Zinman at SoundByte Productions, Inc., NYC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eartist : Paganini\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 Paganini: 24 Caprices; Ragtime by PAUL ZUKOFSKY, violin ROBERT DENNIS, piano Joseph...
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