Bruno Duplant & David Velez // Salvia Gris TAPE
Bruno Duplant & David Velez // Salvia Gris TAPE
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artist : Bruno Duplant & David Velez
label : Hemisphäreの空虚
フランス人とコロンビア人によるコラボ作品。20分以上のトラック2曲入り。DLコード付き
artist : Bruno Duplant & David Velez
label : Hemisphäreの空虚
フランス人とコロンビア人によるコラボ作品。20分以上のトラック2曲入り。DLコード付き
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{"id":7340951503098,"title":"Robert Curgenven \/\/ They Tore The Earth And, Like A Scar, It Swallowed Them LP","handle":"robert-curgenven-they-tore-the-earth-and-like-a-scar-it-swallowed-them-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、10年以上かけて30カ所以上で収集したフィールドレコーディングと、パイプオルガン、ギター・フィードバック、ダブプレート、ターンテーブル、低周波オシレーターを使った、オーディオビジュアルインスタレーション用に制作した作品です。物音〜ドローン6曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1096830546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eRevealing unseen worlds within remote Australia but also a colonist’s feeling of being physically and psychologically trapped within its’ vast deserts and endless savannahs.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eA very physical negotiation of territories voided by history, rendered via carefully detailed field recordings gathered while living in remote areas of Australia, covering over 10 years and over 30 remote locations, alongside new work with pipe organ, guitar feedback, dubplates, turntables and low frequency oscillators. A 3 channel audiovisual installation from the album was exhibited at Wandesford Quay Gallery, Ireland (2017) \u0026amp; Blindside, Australia (2016).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Imagine you have found a new country. To you and your fellow countrymen \u0026amp; women this new country appears empty. Perhaps there are some people living there, but you decide their culture is, perhaps, \"unsophisticated\". These people have had a long relationship with this seemingly empty country – for thousands of years – they understand and care for the country and in turn the land cares for them. So, you decide to invade\/colonise this country. You need to clear this empty land to make it your own, ready for you to inhabit, maybe even make it more like where you‘re from. The place you\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e left behind. This not only changes the land but also vastly changes the nature of the long relationship of those you’ve displaced. But this story isn't really about \"them\". It’s about you. As you colonise this new country, moving further into the interior, you soon discover that you are very ill-prepared for what turns out to be a harsh and hostile land. This story doesn‘t end well for anyone.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmidst the heat and the dust, the embodiment of a rogue outpost of empire, in a landscape populated only by the insinuation of characters, the settler colonialists’ blind enactment of will and violence against and into an unforgiving, arid interior is the manifestation of a mortal struggle. This album plays out across four scenes, traversing the historical dynamics of the settler colonial trope through the eyes not of the invaded but instead the invaders of a hard and unforgiving land. This story is not about well-fought battles in a harsh land nor the romanticisation of ghost towns and spectral remains. Whether the settlers’ myopic, dogged attempts remain one short life’s span or “hard-won” triumphs last a few generations, the result is much the same: as their misplaced conviction in a “willful, lavish land” turns on them again, ravaging frontiers consume and erase these battles’ ruins, leaving little to tell, bar a scar where the drama played out in the wretched shadow of desolation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe four scenes: the survey of a land assumed to be empty; the movement into and inhabitation of this confrontingly large, alien landscape and the colonists vague awareness of the underlying social landscape; a conflagration and the change in relationships with the land for all within this social landscape; devastation - of culture, citizenry, land - the inevitable decline.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDerived from the 12 channel sound installation “Unsilenced Landscape” (pure field recordings), originally exhibited at Biorama Projekt, Joachimstal, Germany; and further in 2009 at Centrum Sztuki Współczesnej (Centre for Contemporary Art), Torun, Poland; \u0026amp; Diapason Gallery, New York in “10ms: Ten years of Microsound”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA suggested reading \u0026amp; viewing list relating to the geopolitics, colonial and socio-political aspects of the album can be found at \u003ca href=\"http:\/\/recordedfields.net\/records\/rfe_02\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/recordedfields.net\/records\/rfe_02\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003erecordedfields.net\/records\/rfe_02\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented also as a 3channel A\/V installation exhibited at Wandesford Quay gallery, Ireland (2017) \u0026amp; Blindside Gallery, Australia (2016). Installation view at \u003ca href=\"https:\/\/www.yumpu.com\/en\/document\/view\/59856719\/locate-yourself-exhibition-catalogue-robert-curgenven\/13\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yumpu.com\/en\/document\/view\/59856719\/locate-yourself-exhibition-catalogue-robert-curgenven\/13\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.yumpu.com\/en\/document\/view\/59856719\/locate-yourself-exhibition-catalogue-robert-curgenven\/13\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnprocessed field recordings from over 30 locations across Australia from 1999-2010, including: Coober Pedy, Mound Springs, Blinman, Parachilna, Wilpena \u0026amp; Flinders Ranges (South Australia); Kynuna, Winton (Central Queensland); Roper River, Mataranka, Cape Crawford, Litchfield \u0026amp; Kakadu National Parks, Gunbalanya\/Oenpelli, Darwin, Ewaninga, Chambers’ Pillar, Alice Springs, Emily Gap, Jesse Gap, Ormiston Gorge, Barkly Highway, Top Springs, Tanami Desert (Northern Territory); Echo Point (New South Wales); Central Victoria. Guitars \u0026amp; bass recorded in Milan, Amsterdam, Melbourne, London \u0026amp; Cornwall (2007-2013). Piano recorded in Berlin (2004-5) \u0026amp; Cornwall (2013). Bass\/ventilators for ‘scene 1‘ recorded live at Gare du Nord, Basel (2010). Turntables \u0026amp; dubplates recorded at The Premises, London (2009-2010), Trewellard \u0026amp; Trewetha, Cornwall (2011-2013). Pipe organs recorded in Cornwall at: St Paul (Ludgvan), St Winnow (Towednack), St Uny (Lelant), St Wyllow (Lanteglos), St Cyrus \/Juliette (St Veep) (2011-13)\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Curgenven\u003c\/p\u003e\n\u003cp\u003eLabel : Recorded Fields\u003c\/p\u003e","published_at":"2021-10-22T17:39:25+09:00","created_at":"2021-10-22T11:22:47+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","Robert Curgenven"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41909941141754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Curgenven \/\/ They Tore The Earth And, Like A Scar, It Swallowed Them LP","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_8fd67d50-d121-4e24-83c4-d598ccdba46f.jpg?v=1634869369"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_8fd67d50-d121-4e24-83c4-d598ccdba46f.jpg?v=1634869369","options":["Title"],"media":[{"alt":null,"id":25328583115002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_8fd67d50-d121-4e24-83c4-d598ccdba46f.jpg?v=1634869369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_8fd67d50-d121-4e24-83c4-d598ccdba46f.jpg?v=1634869369","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、10年以上かけて30カ所以上で収集したフィールドレコーディングと、パイプオルガン、ギター・フィードバック、ダブプレート、ターンテーブル、低周波オシレーターを使った、オーディオビジュアルインスタレーション用に制作した作品です。物音〜ドローン6曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1096830546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eRevealing unseen worlds within remote Australia but also a colonist’s feeling of being physically and psychologically trapped within its’ vast deserts and endless savannahs.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eA very physical negotiation of territories voided by history, rendered via carefully detailed field recordings gathered while living in remote areas of Australia, covering over 10 years and over 30 remote locations, alongside new work with pipe organ, guitar feedback, dubplates, turntables and low frequency oscillators. A 3 channel audiovisual installation from the album was exhibited at Wandesford Quay Gallery, Ireland (2017) \u0026amp; Blindside, Australia (2016).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Imagine you have found a new country. To you and your fellow countrymen \u0026amp; women this new country appears empty. Perhaps there are some people living there, but you decide their culture is, perhaps, \"unsophisticated\". These people have had a long relationship with this seemingly empty country – for thousands of years – they understand and care for the country and in turn the land cares for them. So, you decide to invade\/colonise this country. You need to clear this empty land to make it your own, ready for you to inhabit, maybe even make it more like where you‘re from. The place you\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e left behind. This not only changes the land but also vastly changes the nature of the long relationship of those you’ve displaced. But this story isn't really about \"them\". It’s about you. As you colonise this new country, moving further into the interior, you soon discover that you are very ill-prepared for what turns out to be a harsh and hostile land. This story doesn‘t end well for anyone.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmidst the heat and the dust, the embodiment of a rogue outpost of empire, in a landscape populated only by the insinuation of characters, the settler colonialists’ blind enactment of will and violence against and into an unforgiving, arid interior is the manifestation of a mortal struggle. This album plays out across four scenes, traversing the historical dynamics of the settler colonial trope through the eyes not of the invaded but instead the invaders of a hard and unforgiving land. This story is not about well-fought battles in a harsh land nor the romanticisation of ghost towns and spectral remains. Whether the settlers’ myopic, dogged attempts remain one short life’s span or “hard-won” triumphs last a few generations, the result is much the same: as their misplaced conviction in a “willful, lavish land” turns on them again, ravaging frontiers consume and erase these battles’ ruins, leaving little to tell, bar a scar where the drama played out in the wretched shadow of desolation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe four scenes: the survey of a land assumed to be empty; the movement into and inhabitation of this confrontingly large, alien landscape and the colonists vague awareness of the underlying social landscape; a conflagration and the change in relationships with the land for all within this social landscape; devastation - of culture, citizenry, land - the inevitable decline.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDerived from the 12 channel sound installation “Unsilenced Landscape” (pure field recordings), originally exhibited at Biorama Projekt, Joachimstal, Germany; and further in 2009 at Centrum Sztuki Współczesnej (Centre for Contemporary Art), Torun, Poland; \u0026amp; Diapason Gallery, New York in “10ms: Ten years of Microsound”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA suggested reading \u0026amp; viewing list relating to the geopolitics, colonial and socio-political aspects of the album can be found at \u003ca href=\"http:\/\/recordedfields.net\/records\/rfe_02\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/recordedfields.net\/records\/rfe_02\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003erecordedfields.net\/records\/rfe_02\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented also as a 3channel A\/V installation exhibited at Wandesford Quay gallery, Ireland (2017) \u0026amp; Blindside Gallery, Australia (2016). Installation view at \u003ca href=\"https:\/\/www.yumpu.com\/en\/document\/view\/59856719\/locate-yourself-exhibition-catalogue-robert-curgenven\/13\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yumpu.com\/en\/document\/view\/59856719\/locate-yourself-exhibition-catalogue-robert-curgenven\/13\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.yumpu.com\/en\/document\/view\/59856719\/locate-yourself-exhibition-catalogue-robert-curgenven\/13\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnprocessed field recordings from over 30 locations across Australia from 1999-2010, including: Coober Pedy, Mound Springs, Blinman, Parachilna, Wilpena \u0026amp; Flinders Ranges (South Australia); Kynuna, Winton (Central Queensland); Roper River, Mataranka, Cape Crawford, Litchfield \u0026amp; Kakadu National Parks, Gunbalanya\/Oenpelli, Darwin, Ewaninga, Chambers’ Pillar, Alice Springs, Emily Gap, Jesse Gap, Ormiston Gorge, Barkly Highway, Top Springs, Tanami Desert (Northern Territory); Echo Point (New South Wales); Central Victoria. Guitars \u0026amp; bass recorded in Milan, Amsterdam, Melbourne, London \u0026amp; Cornwall (2007-2013). Piano recorded in Berlin (2004-5) \u0026amp; Cornwall (2013). Bass\/ventilators for ‘scene 1‘ recorded live at Gare du Nord, Basel (2010). Turntables \u0026amp; dubplates recorded at The Premises, London (2009-2010), Trewellard \u0026amp; Trewetha, Cornwall (2011-2013). Pipe organs recorded in Cornwall at: St Paul (Ludgvan), St Winnow (Towednack), St Uny (Lelant), St Wyllow (Lanteglos), St Cyrus \/Juliette (St Veep) (2011-13)\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Curgenven\u003c\/p\u003e\n\u003cp\u003eLabel : Recorded Fields\u003c\/p\u003e"}
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過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。 本作は、10年以上かけて30カ所以上で収集したフィールドレコーディングと、パイプオルガン、ギター・フィードバック、ダブプレート、ターンテーブル、低周波オシレーターを使った、オーディオビジュアルインスタレーション用に制作した作品です。物音〜ドローン6曲を収録。DLコード付属。 ----------------------- Accompanying text: "Revealing unseen worlds within remote Australia but also...
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{"id":7340951372026,"title":"Robert Curgenven \/\/ SIRÈNE LP","handle":"robert-curgenven-sirene-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、彼の故郷であるオーストラリア・コーンウォールをテーマとしたレコードです。ミニマルドローン4曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1356753025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e-----------------------------\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2014 album of pipe organ works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFACT magazine :\u003cbr\u003e\u003cem\u003e“Curgenven really excels as he charms easily with a selection of expertly treated pipe organ recordings… his most definitive work today… astounding”\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003eThe Quietus:\u003cbr\u003e\u003cem\u003e\"A frequently beautiful, often overwhelming yet always intriguing record”\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn Australia the discovery of a 1932 photograph of Curgenven’s grandfather - whose own grandfather had emigrated from Australia from Cornwall back in the 1870s - was the inspiration that brought SIRÈNE together. Five generations after that first migration\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e across the ocean, Robert Curgenven was the first of his line to leave Australia, to return to the family’s roots on Cornwall’s Atlantic peninsula.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Cornwall, living amongst country as wild as his former home in Australia’s Northern Territory, Curgenven returned also to his first instrument, the pipe organ. Here his ideas about composition, pursued since his earliest pieces made over three decades before, were consolidated though hours of recordings in centuries-old Cornish churches to become the selection of works on SIRÈNE.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn part a companion piece to a visceral album (rfe_02) about settler colonialism, SIRÈNE proves just as visceral in its own right. As with the Turner painting, “Snow Storm – Steam Boat off a Harbour’s Mouth”, that adorns the back cover and whose story is at the heart of an eponymous track which bodily charts this myth of biography, SIRÈNE sends listeners across roiling oceans billowing humid air, beneath plunging coastlines. Amid this elemental immersion, Curgenven asks what is it to belong to a land, or even to this ever-changing country?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCornwall has been home to thousands of years of tin mining and a tin trade dating back beyond the Phoenicians. Legend has it that “Ulysses” epic told the journey west for tin to make bronze: the Isles of Scilly to Cornwall’s south-west, the treacherous home to the Sirens, where – like Turner – Ulysses tied himself to the mast, instead to resist their call.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEmpires have come and gone, like Cornwall’s rugged granite cliffs, which once stood miles away in the days of Cornubia. As with the coast, the people have remained in a slow process of transformation - waves of imperialism come and go, like on Caliban’s horizon in his own Tempest. SIRÈNE is not a kind of nostalgia, but instead presents time, lineage, nationhood as a process and continuum of change.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Robert Curgenven\u003c\/p\u003e\n\u003cp\u003eLabel : Recorded Fields\u003c\/p\u003e","published_at":"2021-10-22T17:35:09+09:00","created_at":"2021-10-22T11:19:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","Robert Curgenven"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41909940224250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Curgenven \/\/ SIRÈNE LP","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/si1_b33af51c-8afe-4e60-9527-b3e2e859bcda.jpg?v=1634869172"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/si1_b33af51c-8afe-4e60-9527-b3e2e859bcda.jpg?v=1634869172","options":["Title"],"media":[{"alt":null,"id":25328581017850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/si1_b33af51c-8afe-4e60-9527-b3e2e859bcda.jpg?v=1634869172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/si1_b33af51c-8afe-4e60-9527-b3e2e859bcda.jpg?v=1634869172","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、彼の故郷であるオーストラリア・コーンウォールをテーマとしたレコードです。ミニマルドローン4曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1356753025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e-----------------------------\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2014 album of pipe organ works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFACT magazine :\u003cbr\u003e\u003cem\u003e“Curgenven really excels as he charms easily with a selection of expertly treated pipe organ recordings… his most definitive work today… astounding”\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003eThe Quietus:\u003cbr\u003e\u003cem\u003e\"A frequently beautiful, often overwhelming yet always intriguing record”\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn Australia the discovery of a 1932 photograph of Curgenven’s grandfather - whose own grandfather had emigrated from Australia from Cornwall back in the 1870s - was the inspiration that brought SIRÈNE together. Five generations after that first migration\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e across the ocean, Robert Curgenven was the first of his line to leave Australia, to return to the family’s roots on Cornwall’s Atlantic peninsula.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Cornwall, living amongst country as wild as his former home in Australia’s Northern Territory, Curgenven returned also to his first instrument, the pipe organ. Here his ideas about composition, pursued since his earliest pieces made over three decades before, were consolidated though hours of recordings in centuries-old Cornish churches to become the selection of works on SIRÈNE.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn part a companion piece to a visceral album (rfe_02) about settler colonialism, SIRÈNE proves just as visceral in its own right. As with the Turner painting, “Snow Storm – Steam Boat off a Harbour’s Mouth”, that adorns the back cover and whose story is at the heart of an eponymous track which bodily charts this myth of biography, SIRÈNE sends listeners across roiling oceans billowing humid air, beneath plunging coastlines. Amid this elemental immersion, Curgenven asks what is it to belong to a land, or even to this ever-changing country?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCornwall has been home to thousands of years of tin mining and a tin trade dating back beyond the Phoenicians. Legend has it that “Ulysses” epic told the journey west for tin to make bronze: the Isles of Scilly to Cornwall’s south-west, the treacherous home to the Sirens, where – like Turner – Ulysses tied himself to the mast, instead to resist their call.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEmpires have come and gone, like Cornwall’s rugged granite cliffs, which once stood miles away in the days of Cornubia. As with the coast, the people have remained in a slow process of transformation - waves of imperialism come and go, like on Caliban’s horizon in his own Tempest. SIRÈNE is not a kind of nostalgia, but instead presents time, lineage, nationhood as a process and continuum of change.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Robert Curgenven\u003c\/p\u003e\n\u003cp\u003eLabel : Recorded Fields\u003c\/p\u003e"}
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過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。 本作は、彼の故郷であるオーストラリア・コーンウォールをテーマとしたレコードです。ミニマルドローン4曲を収録。DLコード付属。 ----------------------------- 2014 album of pipe organ works. FACT magazine :“Curgenven really...
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{"id":7340951208186,"title":"Robert Curgenven \/\/ Beyond Enclosures 3xCD","handle":"robert-curgenven-beyond-enclosures-3xcd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、教会でのパイプオルガンやターンテーブル奏法でのドローン、フィールドレコーディングでのフィードバック・ドローンなど、彼が得意とするドローンを様々なアプローチで演奏したインスタレーションに近い作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2104022255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3CD set in hand-folded paper cover\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Bardo (RFE06) - 1 track - 60mins\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. SPECTRES (RFE07) - 5 tracks - 43mins\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Bronze Lands (RFE08) - 1 track with 6 index points - 50mins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The 3 albums that comprise this set all, at their heart, concern air and the attendant inter-permeability and fluidity of volumes – be they discretionary or open volumes, architectural or spatiotemporal. Each volume is subject to the specificities of: their resonance; concomitant movements of volumes of air; their locational context and adjacent spaces. The 3 albums present different harmonic, gestural and durational possibilities to encourage us to step out of the perceptual frameworks that enclose us. Each album offers a unique instrumental foundation: experimental turntable techniques inter-woven with piano \u0026amp; pipe organ harmonics (Bardo); resonant architectural interventions in post-Communist architectures and their locational context via custom-made oscillators (SPECTRES); extended pipe organ techniques with an accompanying soundsystem that plumb architectural harmonics and corporeal resonances (Bronze Lands). These works entreat us to think and hear beyond the\u003cspan class=\"bcTruncateMore\"\u003e structures enclosing each instrumental- and performance- approach – the turntable body, the architectural, the pipe organ, the speaker enclosure itself, even the confines of an audience as a gathering – and also to consider these longform works as an inter-related suite of aural and conceptual worlds.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBARDO:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eBardo deploys turntables accompanied by discrete intrusions of pipe organ and piano harmonics to create a spatial and temporal suspension permeated by an aetheric tactility, as sounds disorientingly enter and leave, merging and confusing the boundaries of interiority and exteriority. The piece establishes a non-place, an in-between zone which draws on the tension, both physical and perceptual, between two contradictory positions – while cumulatively fostering a state where the listener simultaneously holds both positions equally – where you not only expects things to change but also to remain as they are. Fundamentally, listening is to hear not only sound but also disturbances in the air in a given location: This engenders an embodied and physical experience, where quiet undisturbed air is as audible as a fierce wind. This kind of listening is also about being attendant to the specificities of the air – changes in pressure, temperature and humidity - their effect on the air and sound alongside their importance for a location’s context over a given duration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPECTRES:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eComprised entirely of in-situ recordings using tone generators in 9 post-Communist architectures, SPECTRES presents an interrogation of contemporary society across the threshold of the architecture from a former, but recent, epoch. A statement at that epoch’s inception, “alles Ständische und Stehende verdampft”, is often poetically translated as “all that is solid melts into air”, but literally is “all that is Standing and has Stood [will] vapourise”. These ‘Standing entities’ incorporate institutions (‘Bodies’) and corporations - in physical terms: the architectures and the utopian sociocultural visions these architectures framed. SPECTRES uses the air itself to interrogate a series of post-Communist architectural locations across Poland via a simple intervention\/modulation: drawing the surrounding air and current manifestation of contemporary political and geographical economies into the buildings, their volumes: the very monuments of those that Stood and are Standing, the dwellings and inhabitations of the corporatised Bodies. SPECTRES’ 10day recording in 2019 traversed cultural centres, social housing projects through to northern and southern centres of the Polish Solidarity movement) at its 30year anniversary, their architectures present a threshold, framing each location and context.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSPECTRES was commissioned by MŰTŐ \u0026amp; UH Festival (Hungary) with SHAPE platform (EU).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBRONZE LANDS:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eFull live concert recording of Bronze Lands (Tailte Cré-Umha) for Sydney Festival on the 64ft Sydney Town Hall grand pipe organ with in-house soundsystem including twelve 18\" subwoofers. Performed before a live audience at the sold-out event, 300 people lying down and 300 more seated upstairs, in the 80m long Centennial Hall before the 20m high \u0026amp; 30m wide organ. Bronze Lands (Tailte Cré-Umha) is a solo performance for live pipe organ and soundsystem. The soundsystem accompaniment comprises recordings from turn-of-the-century unmodernised pipe organs across County Cork and rural Cornwall which effectively allowed precise control of the movement of air through each organ's pipes. The basis for the piece's score and structure draws on Ireland’s relations with Cornwall and Mediterranean Europe. 5000 years ago, coming into the Bronze Age, Ireland’s copper and Cornwall’s tin traversed the continent to make bronze. Bronze Lands derives the shape and movement of the score from the shape and movements of that route. This route traverses mostly marine, coastal and river systems, covering 4000kms over the piece’s 50minute duration. Bronze Lands uses this navigation of the landscape itself as the score as those people and materials travel land, sea, sky and Europe in a climate of change.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Curgenven\u003c\/p\u003e\n\u003cp\u003eLabel : Recorded Fields\u003c\/p\u003e","published_at":"2021-10-22T17:30:02+09:00","created_at":"2021-10-22T11:15:55+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","Robert Curgenven"],"price":325000,"price_min":325000,"price_max":325000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41909939372282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Curgenven \/\/ Beyond Enclosures 3xCD","public_title":null,"options":["Default Title"],"price":325000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be1_57b3440a-c2e8-4a80-ba4d-43c7576f2112.jpg?v=1634868957","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be2_446b2940-32c6-43cb-ae87-824f70cbfc4d.jpg?v=1634868957","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be3_e4f3e8c3-4f2e-4279-89b8-1d75bd5f1db7.jpg?v=1634868957"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be1_57b3440a-c2e8-4a80-ba4d-43c7576f2112.jpg?v=1634868957","options":["Title"],"media":[{"alt":null,"id":25328578658554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be1_57b3440a-c2e8-4a80-ba4d-43c7576f2112.jpg?v=1634868957"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be1_57b3440a-c2e8-4a80-ba4d-43c7576f2112.jpg?v=1634868957","width":700},{"alt":null,"id":25328578691322,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be2_446b2940-32c6-43cb-ae87-824f70cbfc4d.jpg?v=1634868957"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be2_446b2940-32c6-43cb-ae87-824f70cbfc4d.jpg?v=1634868957","width":1200},{"alt":null,"id":25328578724090,"position":3,"preview_image":{"aspect_ratio":1.502,"height":799,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be3_e4f3e8c3-4f2e-4279-89b8-1d75bd5f1db7.jpg?v=1634868957"},"aspect_ratio":1.502,"height":799,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/be3_e4f3e8c3-4f2e-4279-89b8-1d75bd5f1db7.jpg?v=1634868957","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、教会でのパイプオルガンやターンテーブル奏法でのドローン、フィールドレコーディングでのフィードバック・ドローンなど、彼が得意とするドローンを様々なアプローチで演奏したインスタレーションに近い作品です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2104022255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3CD set in hand-folded paper cover\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Bardo (RFE06) - 1 track - 60mins\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. SPECTRES (RFE07) - 5 tracks - 43mins\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Bronze Lands (RFE08) - 1 track with 6 index points - 50mins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The 3 albums that comprise this set all, at their heart, concern air and the attendant inter-permeability and fluidity of volumes – be they discretionary or open volumes, architectural or spatiotemporal. Each volume is subject to the specificities of: their resonance; concomitant movements of volumes of air; their locational context and adjacent spaces. The 3 albums present different harmonic, gestural and durational possibilities to encourage us to step out of the perceptual frameworks that enclose us. Each album offers a unique instrumental foundation: experimental turntable techniques inter-woven with piano \u0026amp; pipe organ harmonics (Bardo); resonant architectural interventions in post-Communist architectures and their locational context via custom-made oscillators (SPECTRES); extended pipe organ techniques with an accompanying soundsystem that plumb architectural harmonics and corporeal resonances (Bronze Lands). These works entreat us to think and hear beyond the\u003cspan class=\"bcTruncateMore\"\u003e structures enclosing each instrumental- and performance- approach – the turntable body, the architectural, the pipe organ, the speaker enclosure itself, even the confines of an audience as a gathering – and also to consider these longform works as an inter-related suite of aural and conceptual worlds.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBARDO:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eBardo deploys turntables accompanied by discrete intrusions of pipe organ and piano harmonics to create a spatial and temporal suspension permeated by an aetheric tactility, as sounds disorientingly enter and leave, merging and confusing the boundaries of interiority and exteriority. The piece establishes a non-place, an in-between zone which draws on the tension, both physical and perceptual, between two contradictory positions – while cumulatively fostering a state where the listener simultaneously holds both positions equally – where you not only expects things to change but also to remain as they are. Fundamentally, listening is to hear not only sound but also disturbances in the air in a given location: This engenders an embodied and physical experience, where quiet undisturbed air is as audible as a fierce wind. This kind of listening is also about being attendant to the specificities of the air – changes in pressure, temperature and humidity - their effect on the air and sound alongside their importance for a location’s context over a given duration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPECTRES:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eComprised entirely of in-situ recordings using tone generators in 9 post-Communist architectures, SPECTRES presents an interrogation of contemporary society across the threshold of the architecture from a former, but recent, epoch. A statement at that epoch’s inception, “alles Ständische und Stehende verdampft”, is often poetically translated as “all that is solid melts into air”, but literally is “all that is Standing and has Stood [will] vapourise”. These ‘Standing entities’ incorporate institutions (‘Bodies’) and corporations - in physical terms: the architectures and the utopian sociocultural visions these architectures framed. SPECTRES uses the air itself to interrogate a series of post-Communist architectural locations across Poland via a simple intervention\/modulation: drawing the surrounding air and current manifestation of contemporary political and geographical economies into the buildings, their volumes: the very monuments of those that Stood and are Standing, the dwellings and inhabitations of the corporatised Bodies. SPECTRES’ 10day recording in 2019 traversed cultural centres, social housing projects through to northern and southern centres of the Polish Solidarity movement) at its 30year anniversary, their architectures present a threshold, framing each location and context.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSPECTRES was commissioned by MŰTŐ \u0026amp; UH Festival (Hungary) with SHAPE platform (EU).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBRONZE LANDS:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eFull live concert recording of Bronze Lands (Tailte Cré-Umha) for Sydney Festival on the 64ft Sydney Town Hall grand pipe organ with in-house soundsystem including twelve 18\" subwoofers. Performed before a live audience at the sold-out event, 300 people lying down and 300 more seated upstairs, in the 80m long Centennial Hall before the 20m high \u0026amp; 30m wide organ. Bronze Lands (Tailte Cré-Umha) is a solo performance for live pipe organ and soundsystem. The soundsystem accompaniment comprises recordings from turn-of-the-century unmodernised pipe organs across County Cork and rural Cornwall which effectively allowed precise control of the movement of air through each organ's pipes. The basis for the piece's score and structure draws on Ireland’s relations with Cornwall and Mediterranean Europe. 5000 years ago, coming into the Bronze Age, Ireland’s copper and Cornwall’s tin traversed the continent to make bronze. Bronze Lands derives the shape and movement of the score from the shape and movements of that route. This route traverses mostly marine, coastal and river systems, covering 4000kms over the piece’s 50minute duration. Bronze Lands uses this navigation of the landscape itself as the score as those people and materials travel land, sea, sky and Europe in a climate of change.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Curgenven\u003c\/p\u003e\n\u003cp\u003eLabel : Recorded Fields\u003c\/p\u003e"}
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過去にLINEやTapeworm、Touchなどから作品を発表しているアイルランド在住オーストラリア人サウンドアーティストRobert Curgenven諸作を入荷しました。 本作は、教会でのパイプオルガンやターンテーブル奏法でのドローン、フィールドレコーディングでのフィードバック・ドローンなど、彼が得意とするドローンを様々なアプローチで演奏したインスタレーションに近い作品です。DLコード付属。 ------------------------------- 3CD set in hand-folded paper cover1. Bardo (RFE06) - 1...
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{"id":7340674711802,"title":"MonoLogue \/\/ Stallo TAPE","handle":"monologue-stallo-tape","description":"\u003cp\u003eフランスの物音レーベルFaltの2021年7月新バッチを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イタリアの作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarie Rose aka Moon RA aka \u003c\/span\u003eMonoLogueの最新作です。静謐な物音ドローンを収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593035606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003ehere\u003c\/a\u003e to see more Falt releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecassette wrapped in printed paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eSTALLO was conceived and built during the years of my Conservatory studies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis track is part of a TRITTICO called MICRO.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trittico is composed by 3 parts:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1) STALLO\u003cbr data-mce-fragment=\"1\"\u003e2) CONTROVENTO\u003cbr data-mce-fragment=\"1\"\u003e3) MOVIMENTO\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMICRO is composed from sound material of various origins. But everything is realized, modified or founded in the years between 2018 and 2021.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MonoLogue\u003c\/p\u003e\n\u003cp\u003eLabel : Falt\u003c\/p\u003e","published_at":"2021-10-21T16:21:12+09:00","created_at":"2021-10-21T15:49:11+09:00","vendor":"Tobira Records","type":"","tags":["drone","falt","monooto","new","tape"],"price":135000,"price_min":135000,"price_max":135000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41908260471034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MonoLogue \/\/ Stallo TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_0564fbbd-2bb3-432e-9862-c1726618f68f.jpg?v=1634798952","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_b140b3c0-1c26-403d-a613-1437e67243f4.jpg?v=1634798952","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st3_78c1dc17-3711-4ac3-aea4-9a745ea9013e.jpg?v=1634798953"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_0564fbbd-2bb3-432e-9862-c1726618f68f.jpg?v=1634798952","options":["Title"],"media":[{"alt":null,"id":25326753087738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_0564fbbd-2bb3-432e-9862-c1726618f68f.jpg?v=1634798952"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_0564fbbd-2bb3-432e-9862-c1726618f68f.jpg?v=1634798952","width":700},{"alt":null,"id":25326753120506,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_b140b3c0-1c26-403d-a613-1437e67243f4.jpg?v=1634798952"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_b140b3c0-1c26-403d-a613-1437e67243f4.jpg?v=1634798952","width":1200},{"alt":null,"id":25326753153274,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st3_78c1dc17-3711-4ac3-aea4-9a745ea9013e.jpg?v=1634798953"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st3_78c1dc17-3711-4ac3-aea4-9a745ea9013e.jpg?v=1634798953","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの物音レーベルFaltの2021年7月新バッチを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イタリアの作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarie Rose aka Moon RA aka \u003c\/span\u003eMonoLogueの最新作です。静謐な物音ドローンを収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593035606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003ehere\u003c\/a\u003e to see more Falt releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecassette wrapped in printed paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eSTALLO was conceived and built during the years of my Conservatory studies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis track is part of a TRITTICO called MICRO.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe trittico is composed by 3 parts:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1) STALLO\u003cbr data-mce-fragment=\"1\"\u003e2) CONTROVENTO\u003cbr data-mce-fragment=\"1\"\u003e3) MOVIMENTO\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMICRO is composed from sound material of various origins. But everything is realized, modified or founded in the years between 2018 and 2021.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MonoLogue\u003c\/p\u003e\n\u003cp\u003eLabel : Falt\u003c\/p\u003e"}
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