L'Ocell & Ferran Fages // El Declivi TAPE

L'Ocell & Ferran Fages // El Declivi TAPE

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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。

本作は、スペインのコントラバス奏者Àlex ReviriegoとギタリストFernando Carrasco によるデュオL'OcellとギタリストFerran Fagesが、2022年3月に75本限定でリリースしたカセットです。

アコースティック・ドローン9曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira.

------------------------

Edition of 75.

Tripticks Tapes:

"L'Ocell is the duo project of Àlex Reviriego (double bass) and Fernando Carrasco (acoustic guitar), since 2015. El Declivi, their third release, was recorded featuring Ferran Fages on electric guitar in an old church in Miànigues, a small town in the province of Girona (Catalonia), after a period of collaboration as a trio in which they performed several concerts.

Their free improvised music shapes cathartic and primitive drones and soundscapes. Dark beauty passages, with psych folk and early music reminiscences, are interfered and disrupted by unexpected apparitions of metallic noises, chaotic percussions and amorphous noises. The oases of harmonies degrade and collapse as a construction abandoned at the mercy of the relentless effects of time and nature.

The three musicians involved on this recording know each other well due to being part of Barcelona's improvised and weird music scene, and have played together on other projects such as Phicus and Ràdium, where Reviriego and Fages collaborate. Carrasco and Reviriego, in addition to L'Ocell, were part of Völga and have performed live together in many different ensembles and contexts."

Artist : L'Ocell & Ferran Fages

Label : Tripticks Tapes

アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。

アコースティック・ドローン9曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira.

------------------------

Edition of 75.

Tripticks Tapes:

Artist : L'Ocell & Ferran Fages

Label : Tripticks Tapes

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ロシア出身スイス在住のアンビエント作家HMOTが、2024年2月にアメリカのエレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。実験アンビエント〜ドローン4曲を収録。特殊紙ケース仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Beacon Sound releases available at Tobira. ...

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Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. 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Like “Heliosheath,” its tone is ecstatic and elegiac—an ambivalent witness to the cursed blessings of the human project.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hair and Space Museum\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e","published_at":"2024-11-24T06:28:33+09:00","created_at":"2024-11-22T18:34:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","beacon sound","drone","new","tape"],"price":227300,"price_min":227300,"price_max":227300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883540730106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hair and Space Museum \/\/ Human Presence TAPE","public_title":null,"options":["Default Title"],"price":227300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983","\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","options":["Title"],"media":[{"alt":null,"id":35217671028986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","width":700},{"alt":null,"id":35217671061754,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983","width":1200},{"alt":null,"id":35217671094522,"position":3,"preview_image":{"aspect_ratio":1.326,"height":905,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983"},"aspect_ratio":1.326,"height":905,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シアトルの\u003cspan data-mce-fragment=\"1\"\u003eアンビエントデュオHair and Space Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=226616253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. Each was recorded in a single take with no overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track, “Heliosheath,” was produced just as the Voyager 1 space probe became the first manmade object to pass\u003cspan class=\"bcTruncateMore\"\u003e beyond the outermost region of the solar system. The music conjures a sense of rapturous awe tinged with melancholy, both for the otherworldly aspirations embodied in this lonely little object and the equally profound misguidedness of the military-industrial culture that launched it — the irony of yearning for extraterrestrial contact while subjecting the miraculous richness of life on Earth to extractive violence in the same gesture. This recording subsequently provided the soundtrack for the Hair and Space Museum installation “Infinity Music Machine,” where audiences could listen on headphones while zoning out inside a light-tight black pyramid as an earthbound alternative to interstellar travel. \u2028\u003cbr\u003e\u003cbr\u003eA drifting galaxy of twinkling arpeggiators and diaphanous drone, “Passage” is the audio component of a multimedia installation created by HaSM for Seattle’s Bumbershoot Festival in 2012. This installation also featured a ceiling-mounted projector that generated analog video feedback in real time so that visitors entering the exhibition hall would transform the flowing, organic patterns on the floor by walking through them, creating a constantly shifting visual echo of their presence. Like “Heliosheath,” its tone is ecstatic and elegiac—an ambivalent witness to the cursed blessings of the human project.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hair and Space Museum\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e"}

アメリカ・シアトルのアンビエントデュオHair and Space Museumが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。ロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Beacon Sound releases...

¥2,273

クイックビュー {"id":8669160931578,"title":"Lasse Marhaug \/\/ Provoke LP","handle":"lasse-marhaug-provoke-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eノルウェー・オスロのテクノ作家Lasse Marhaugが、2024年11月に同国実験レーベルSmalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=366085453\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2523267013\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Plates 06:39\u003cbr\u003e2. Good Days Quiet 04:27\u003cbr\u003e3. Ears And Things That Are Not Ears 04:33\u003cbr\u003e4. New Topographics 04:04\u003cbr\u003e5. Kvitbrygga 02:40\u003cbr\u003e6. Monochrome Head 10:10\u003cbr\u003e7. Minus 14 05:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLasse Marhaug has for 35 years been one of Norway’s most prolific and active sound and visual artists. As a producer, studio engineer, curator, photographer, designer, filmmaker, composer, improviser, self-publisher and writer Marhaug has worked across a wide range of formats. Collaborators include artists like Joe McPhee, Merzbow, Jenny Hval, Okkyung Lee, Jim O’Rourke, Paal Nilssen-Love, Kevin Drumm and many more. Despite being involved in hundreds of releases Marhaug’s solo albums are more rare efforts, and ‘Provoke’ marks the fifth album on Smalltown Supersound, a 25 year long collaboration that started in the late 1990s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Provoke’ is the follow up to 2021’s ‘Context', and is the first solo recordings Marhaug has recorded since he moved back to his native home in the Arctic, northern Norway. Marhaug states that moving north again has given him a sharper focus and that the album could be seen as a meditation on how growing up in this rural environment shaped his aesthetics and approach to sound, music and form. While it can be a harsh and cold climate, northern Norway also offers, he says, an ever-changing palette of light and is an incredible landscape. While the music is largely electroni, ‘Provoke’ also features sounds recorded outside in the winter, which the final track’s\u003cspan class=\"bcTruncateMore\"\u003e ‘Minus 14’ title is perhaps a giveaway. The album took a year to record and was mixed during the two-month’s Polar night season, a time where the sun does not cross the horizon.\u003cbr\u003e\u003cbr\u003eThe title ‘Provoke’ is like ‘Context’ an ambiguous word play. It means everything and nothing at the same time. Does noise music provoke anymore? Did it ever? What are its subversive qualities? One reference is the 1970’s Japanese photography magazine of the same name, an experimental small-press publication that with artists like Koji Taki, Daido Moriyama and Yutaka Takanashi at the forefront set out to subvert and find a new language for photography. The difference between photography in Tokyo in 1970 and electronic music the Arctic in 2024 is of course huge, but the radical attitude to form certainly shares common ground. Marhaug still does not consider himself a musician, but rather a visual artist that got sidetracked by the possibilities of sound.\u003cbr\u003e\u003cbr\u003eMusically ‘Provoke’ follows up where ‘Context’ left off, with an elegant mix of angular electronic juxtapositions and horizontal lines. Marhaug is now working with a stronger emphasis on pulse and rhythmic constructions, as well as more tonal and (almost) melodic elements. This clarity and sense of design makes the music come across as more defined and luminous. The music is less of a dense layer of fog, yet Marhaug manages to create a feeling of great depth and three-dimensional space. ‘Provoke’ is a journey through the elements, rippling time space and displacing gravity, but also grounded and earthbound. Music both as architecture and landscape, sound that describes light.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003eCAT No : STSLJN432LP\u003c\/p\u003e","published_at":"2024-11-24T14:08:01+09:00","created_at":"2024-11-22T18:24:03+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","smalltown supersound","techno \/ house"],"price":464000,"price_min":464000,"price_max":464000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883535716602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lasse Marhaug \/\/ Provoke LP","public_title":null,"options":["Default Title"],"price":464000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366","\/\/tobirarecords.com\/cdn\/shop\/files\/lass2.jpg?v=1732267366"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366","options":["Title"],"media":[{"alt":null,"id":35217659265274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366","width":700},{"alt":null,"id":35217659298042,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass2.jpg?v=1732267366"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass2.jpg?v=1732267366","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eノルウェー・オスロのテクノ作家Lasse Marhaugが、2024年11月に同国実験レーベルSmalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=366085453\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2523267013\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Plates 06:39\u003cbr\u003e2. Good Days Quiet 04:27\u003cbr\u003e3. Ears And Things That Are Not Ears 04:33\u003cbr\u003e4. New Topographics 04:04\u003cbr\u003e5. Kvitbrygga 02:40\u003cbr\u003e6. Monochrome Head 10:10\u003cbr\u003e7. Minus 14 05:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLasse Marhaug has for 35 years been one of Norway’s most prolific and active sound and visual artists. As a producer, studio engineer, curator, photographer, designer, filmmaker, composer, improviser, self-publisher and writer Marhaug has worked across a wide range of formats. Collaborators include artists like Joe McPhee, Merzbow, Jenny Hval, Okkyung Lee, Jim O’Rourke, Paal Nilssen-Love, Kevin Drumm and many more. Despite being involved in hundreds of releases Marhaug’s solo albums are more rare efforts, and ‘Provoke’ marks the fifth album on Smalltown Supersound, a 25 year long collaboration that started in the late 1990s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Provoke’ is the follow up to 2021’s ‘Context', and is the first solo recordings Marhaug has recorded since he moved back to his native home in the Arctic, northern Norway. Marhaug states that moving north again has given him a sharper focus and that the album could be seen as a meditation on how growing up in this rural environment shaped his aesthetics and approach to sound, music and form. While it can be a harsh and cold climate, northern Norway also offers, he says, an ever-changing palette of light and is an incredible landscape. While the music is largely electroni, ‘Provoke’ also features sounds recorded outside in the winter, which the final track’s\u003cspan class=\"bcTruncateMore\"\u003e ‘Minus 14’ title is perhaps a giveaway. The album took a year to record and was mixed during the two-month’s Polar night season, a time where the sun does not cross the horizon.\u003cbr\u003e\u003cbr\u003eThe title ‘Provoke’ is like ‘Context’ an ambiguous word play. It means everything and nothing at the same time. Does noise music provoke anymore? Did it ever? What are its subversive qualities? One reference is the 1970’s Japanese photography magazine of the same name, an experimental small-press publication that with artists like Koji Taki, Daido Moriyama and Yutaka Takanashi at the forefront set out to subvert and find a new language for photography. The difference between photography in Tokyo in 1970 and electronic music the Arctic in 2024 is of course huge, but the radical attitude to form certainly shares common ground. Marhaug still does not consider himself a musician, but rather a visual artist that got sidetracked by the possibilities of sound.\u003cbr\u003e\u003cbr\u003eMusically ‘Provoke’ follows up where ‘Context’ left off, with an elegant mix of angular electronic juxtapositions and horizontal lines. Marhaug is now working with a stronger emphasis on pulse and rhythmic constructions, as well as more tonal and (almost) melodic elements. This clarity and sense of design makes the music come across as more defined and luminous. The music is less of a dense layer of fog, yet Marhaug manages to create a feeling of great depth and three-dimensional space. ‘Provoke’ is a journey through the elements, rippling time space and displacing gravity, but also grounded and earthbound. Music both as architecture and landscape, sound that describes light.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003eCAT No : STSLJN432LP\u003c\/p\u003e"}