Tripticks Tapes
クイックビュー
{"id":7991401578746,"title":"Müller \/ Doskocz \/ Gordoa \/\/ Aural Accidentals TAPE","handle":"muller-doskocz-gordoa-aural-accidentals-tape","description":"\u003cp\u003eドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランドで行われた実験音楽フェス\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festivalでのライブ録音です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e以下、\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festival主催Andrzej Nowakによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eイベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3817374655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eAndrzej Nowak via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"During the 5th edition of the Spontaneous Music Festival in the Dragon Club in Poznań, the lineup was dominant by ad hoc groups of improvising musicians, who met each other on the stage for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Sunday evening, the last day of the event, in the darkness of the dimmed lights three brave improvisers decided to make their primal journey. Matthias Müller, a trombonist from Berlin, brought a lot of musical experience and skills, one of them exceptionally valuable – a gigantic ability to build long, brass phrases that seem to have no typical beginning or definite end. Two of his much younger colleagues – Paweł Doskocz, a guitarist from Poznań and Emilio Gordoa, an electroacoustic multi-instrumentalist, also from the Berlin – added a tendency of footloose experimentations, characteristic for both young and great artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir journey had its own rhythm, created by percussive electronics and guitar repetitions, it had a brassy massiveness and a charming, surprisingly matte beauty of the background ambient. During the concert, which lasted less than two quarters, the artists imbued the narrative with a lots of sonic surprises – it was like a \"fake sounds\" festival, a river of sounds which origin we were not been\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e able to point precisely. And their collective stream of music was ended by birds singing and a few second of silence, which took the unfinished sonic experiments in a bracket, creating a truly dark confusion in the listeners' heads.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Müller \/ Doskocz \/ Gordoa\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-04T19:17:31+09:00","created_at":"2023-07-03T13:00:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313472991482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Müller \/ Doskocz \/ Gordoa \/\/ Aural Accidentals TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","options":["Title"],"media":[{"alt":null,"id":32181470068986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","width":700},{"alt":null,"id":32181470101754,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランドで行われた実験音楽フェス\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festivalでのライブ録音です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e以下、\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festival主催Andrzej Nowakによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eイベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3817374655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eAndrzej Nowak via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"During the 5th edition of the Spontaneous Music Festival in the Dragon Club in Poznań, the lineup was dominant by ad hoc groups of improvising musicians, who met each other on the stage for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Sunday evening, the last day of the event, in the darkness of the dimmed lights three brave improvisers decided to make their primal journey. Matthias Müller, a trombonist from Berlin, brought a lot of musical experience and skills, one of them exceptionally valuable – a gigantic ability to build long, brass phrases that seem to have no typical beginning or definite end. Two of his much younger colleagues – Paweł Doskocz, a guitarist from Poznań and Emilio Gordoa, an electroacoustic multi-instrumentalist, also from the Berlin – added a tendency of footloose experimentations, characteristic for both young and great artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir journey had its own rhythm, created by percussive electronics and guitar repetitions, it had a brassy massiveness and a charming, surprisingly matte beauty of the background ambient. During the concert, which lasted less than two quarters, the artists imbued the narrative with a lots of sonic surprises – it was like a \"fake sounds\" festival, a river of sounds which origin we were not been\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e able to point precisely. And their collective stream of music was ended by birds singing and a few second of silence, which took the unfinished sonic experiments in a bracket, creating a truly dark confusion in the listeners' heads.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Müller \/ Doskocz \/ Gordoa\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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ドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースしたカセットです。 ポーランドで行われた実験音楽フェスSpontaneous Music Festivalでのライブ録音です。DLコード付属。 以下、Spontaneous Music Festival主催Andrzej Nowakによる解説です。 "ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。イベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。" レーベルその他作品はこちら /// Click here to...
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{"id":7991400988922,"title":"Evan Lindorff-Ellery \/\/ Swollen Air TAPE","handle":"evan-lindorff-ellery-swollen-air-tape","description":"\u003cp\u003eアメリカ・NYの実験レーベルNotice Recordings主宰Evan Lindorff-Elleryが、2023年3月に同国マサチューセッツの実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレキギターやアンプ、コンタクトマイクによる物音ドローン〜ノイズ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2427345674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 75.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Recorded July 8 (A) and July 13 (B) during the hot summer of 2021 in the afternoon in a small cabin with lots of windows in West Saugerties NY\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eused: electric guitar, contact mic, amp, recordings, objects\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efeatures some recordings from Maine running through the electric guitar\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Evan Lindorff-Ellery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-03T14:51:40+09:00","created_at":"2023-07-03T12:56:57+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","noise","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313467289850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Evan Lindorff-Ellery \/\/ Swollen Air TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ai1_379f7947-590f-4ca5-94af-d46ba3c14ae5.jpg?v=1688356619","\/\/tobirarecords.com\/cdn\/shop\/files\/ai2_7d893fd4-95fa-4b0c-b468-c5406fb110d5.jpg?v=1688356620"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ai1_379f7947-590f-4ca5-94af-d46ba3c14ae5.jpg?v=1688356619","options":["Title"],"media":[{"alt":null,"id":32181457649914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ai1_379f7947-590f-4ca5-94af-d46ba3c14ae5.jpg?v=1688356619"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ai1_379f7947-590f-4ca5-94af-d46ba3c14ae5.jpg?v=1688356619","width":700},{"alt":null,"id":32181457682682,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ai2_7d893fd4-95fa-4b0c-b468-c5406fb110d5.jpg?v=1688356620"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ai2_7d893fd4-95fa-4b0c-b468-c5406fb110d5.jpg?v=1688356620","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験レーベルNotice Recordings主宰Evan Lindorff-Elleryが、2023年3月に同国マサチューセッツの実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレキギターやアンプ、コンタクトマイクによる物音ドローン〜ノイズ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2427345674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 75.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Recorded July 8 (A) and July 13 (B) during the hot summer of 2021 in the afternoon in a small cabin with lots of windows in West Saugerties NY\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eused: electric guitar, contact mic, amp, recordings, objects\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efeatures some recordings from Maine running through the electric guitar\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Evan Lindorff-Ellery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの実験レーベルNotice Recordings主宰Evan Lindorff-Elleryが、2023年3月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから75本限定でリリースしたカセットです。 エレキギターやアンプ、コンタクトマイクによる物音ドローン〜ノイズ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
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クイックビュー
{"id":7991399416058,"title":"Playbackers \/\/ Playbackers Record TAPE","handle":"playbackers-playbackers-record-tape","description":"\u003cp\u003eアメリカの物音コラージュトリオPlaybackersが、2023年3月に同国実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eターンテーブルとカセットプレイヤー、オープンリールによるインプロ物音コラージュ〜コラージュ・ノイズ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e5曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2765151775\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStella Silbert - turntable, mixer, objects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArkm Foam - cassette players, mixer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeil ‘cloaca’ Young - ¼” open reel tape machine, EQ, contact mic, mixer, objects\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Playbackers\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-03T14:21:03+09:00","created_at":"2023-07-03T12:55:23+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","noise","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313455722746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Playbackers \/\/ Playbackers Record TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_1c49f3d9-5b41-4deb-b475-fe1f7589ad7b.jpg?v=1688356525","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_ac22452f-76db-4799-8a48-14f2e731bb02.jpg?v=1688356524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_1c49f3d9-5b41-4deb-b475-fe1f7589ad7b.jpg?v=1688356525","options":["Title"],"media":[{"alt":null,"id":32181449949434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_1c49f3d9-5b41-4deb-b475-fe1f7589ad7b.jpg?v=1688356525"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_1c49f3d9-5b41-4deb-b475-fe1f7589ad7b.jpg?v=1688356525","width":700},{"alt":null,"id":32181449982202,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_ac22452f-76db-4799-8a48-14f2e731bb02.jpg?v=1688356524"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_ac22452f-76db-4799-8a48-14f2e731bb02.jpg?v=1688356524","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの物音コラージュトリオPlaybackersが、2023年3月に同国実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eターンテーブルとカセットプレイヤー、オープンリールによるインプロ物音コラージュ〜コラージュ・ノイズ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e5曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2765151775\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStella Silbert - turntable, mixer, objects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArkm Foam - cassette players, mixer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeil ‘cloaca’ Young - ¼” open reel tape machine, EQ, contact mic, mixer, objects\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Playbackers\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカの物音コラージュトリオPlaybackersが、2023年3月に同国実験/ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。 ターンテーブルとカセットプレイヤー、オープンリールによるインプロ物音コラージュ〜コラージュ・ノイズ5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ------------------------...
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{"id":7991398793466,"title":"Beam Splitter \/\/ Split Jaw TAPE","handle":"beam-splitter-split-jaw-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカとノルウェーの実験デュオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeam Splitterが\u003c\/span\u003e、2023年3月にアメリカの実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とトロンボーン、エレクトロニクスによるインプロ・ドローン〜ジャズ・ノイズ2\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028654295\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2988568740\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028654295\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"BEAM SPLITTER'S second duo release \"SPLIT JAW\" has found its home on Nat Baldwin's Tripticks Tapes. This bite size format packs an entire universe of the duo's crafted sputter, breath and glitch inside its forty-five minute magnetic tape loop. The BEAMs have been touring globally since 2015, playing close to two hundred concerts, in a wide variety of rooms - from cellars to art spaces to festivals stages, bringing their own brand of closely amplified dialog which is as highly intimate as it is equal amounts raw and entirely exposed. Since their last release \"Rough Tongue\" on Corvo Records, the two have brought in the use of simple analogue electronics to offset their hyper extended physical play and have been pushing new territories with this augmented set up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"SPLIT JAW\" is one third introspective Berlin studio production and the rest, live from a splintering concert given at Wels Unlimited Festival in Austria, November 5, their last concert of 2022 where audience and the duo alike giving it their all center of room, split open like hollow bones head to clavicle, muscles twitching and air spewing, breaking ground and mending it with alien hums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beam Splitter\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-05T16:04:21+09:00","created_at":"2023-07-03T12:53:37+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","noise","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313449791738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beam Splitter \/\/ Split Jaw TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ja1_00754e34-a5a9-46c1-91e9-7e0ef868ed73.jpg?v=1688356419","\/\/tobirarecords.com\/cdn\/shop\/files\/ja2_9fdf5751-198f-4407-a82d-4b27b7902ab6.jpg?v=1688356419"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1_00754e34-a5a9-46c1-91e9-7e0ef868ed73.jpg?v=1688356419","options":["Title"],"media":[{"alt":null,"id":32181442707706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1_00754e34-a5a9-46c1-91e9-7e0ef868ed73.jpg?v=1688356419"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1_00754e34-a5a9-46c1-91e9-7e0ef868ed73.jpg?v=1688356419","width":700},{"alt":null,"id":32181442740474,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja2_9fdf5751-198f-4407-a82d-4b27b7902ab6.jpg?v=1688356419"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja2_9fdf5751-198f-4407-a82d-4b27b7902ab6.jpg?v=1688356419","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカとノルウェーの実験デュオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeam Splitterが\u003c\/span\u003e、2023年3月にアメリカの実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とトロンボーン、エレクトロニクスによるインプロ・ドローン〜ジャズ・ノイズ2\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028654295\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2988568740\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028654295\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"BEAM SPLITTER'S second duo release \"SPLIT JAW\" has found its home on Nat Baldwin's Tripticks Tapes. This bite size format packs an entire universe of the duo's crafted sputter, breath and glitch inside its forty-five minute magnetic tape loop. The BEAMs have been touring globally since 2015, playing close to two hundred concerts, in a wide variety of rooms - from cellars to art spaces to festivals stages, bringing their own brand of closely amplified dialog which is as highly intimate as it is equal amounts raw and entirely exposed. Since their last release \"Rough Tongue\" on Corvo Records, the two have brought in the use of simple analogue electronics to offset their hyper extended physical play and have been pushing new territories with this augmented set up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"SPLIT JAW\" is one third introspective Berlin studio production and the rest, live from a splintering concert given at Wels Unlimited Festival in Austria, November 5, their last concert of 2022 where audience and the duo alike giving it their all center of room, split open like hollow bones head to clavicle, muscles twitching and air spewing, breaking ground and mending it with alien hums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beam Splitter\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカとノルウェーの実験デュオBeam Splitterが、2023年3月にアメリカの実験/ジャズレーベルTripticks Tapesから100本限定でリリースしたカセットです。 声とトロンボーン、エレクトロニクスによるインプロ・ドローン〜ジャズ・ノイズ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
¥1,780
クイックビュー
{"id":7991398269178,"title":"Dominic Coles \/\/ Alphabets CD","handle":"dominic-coles-alphabets-tape","description":"\u003cp\u003eアメリカ・NYの実験音楽家/文筆家Dominic Colesが、2023年6月にNYの実験レーベルTripticksから100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eコンピューターによるコラージュ・サウンドポエトリー3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アルファベット\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e*解釈は、意味を明らかにすることよりも、シニフィエをその非意味(意味の欠如)に還元することで、主体全体の行動の決定要因を見出すことを目指す。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e*ママの言葉\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は子供の頃、あるゲームをしたものだ。どんな言葉でも何度も繰り返し、それが口の中で次第に意味を失っていくのを聞く。繰り返すたびに奇妙になり、不器用で異質なものに変わっていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちの言語、そしてその言語への伝導体としての声は、どこか異質なものを持っている。自分の声を録音したものを聞いたときの、無限の気まずさを考えてみてほしい!自分の声を録音したものを聞くときの気まずさったらない。そして、私たちの言葉が明瞭になるのは、他の人の口の中でだけである。私たちの口や心の中にある言葉は、実は異質なものであり、自分の言葉ではないのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eなぜなら、私たちはあらかじめ作られた言説の世界、両親や世話人の言語世界に生まれてくるからだ。私たちは生まれる前から、両親の言語世界の中に部屋と名前と空間を持っている。この言語は私たちの中に置かれ、言語がそのお気に入りの同伴者である欲望をもたらす限り、それはまた私たちの中に置かれた彼らの欲望でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアルファベットのリスニングは、言語におけるこの疎外感を物質化する。それは教訓的に始まる。語られた夢の断片から取られたそれぞれの単語は、抽象的な合成音と関連づけられる。この電子音の中でアルファベットが展開され、反復によって単語と合成音の関連付けが強化され、リスナーは音声が消えてもその関連付けを続けることができる。アルファベット・リスニングの2つの研究は、このプロセスを活性化させ、聴き手の心の中に新たに記号化された声を呼び起こす初期の試みであった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアルファベット1:p-u-s-hは、独自の合成アルファベットを用い、それを音楽の文脈の中に置き、これらの音声に関連する音を、符号化されていない楽音(音声に関連することが知られていない音)と接触させる。楽音は干渉や信号妨害の一形態となり、リスナーは元の単語との接触を失う。合成アルファベットはまだ声と結びつきやすいが、元の言葉の内容を見つけることはほとんど不可能になる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの失われた言葉を、回想された夢の断片の内容とリスニングの文脈を媒介として、機能させることができるのはオーディターの力である。オーディターは、意味が失われてしまった場所に、自分の舌、自分の言語、自分の連想で口を挟むことができる。言語が固定化されると、それは檻となる。言語は、その中での私たちの動きや、何が可能か、何があり得るかについての私たちの考えを決定する。シニフィアンやシニフィエそのものに働きかけることは、この檻を変容させることであり、世界のいかなるものも固定されたものではなく、根本的に変容可能であり、変容の対象であることを理解することである。この目的のために、聴き手も、聴き手の主体そのものも、試聴の中で変容させられるのである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、この変容を現実にするためには、作業が必要である。この点で、私はシニフィエに働きかけるために聴き手の側に大きな労力が必要であることを強調したい。ひとつひとつの言葉を、新たに記号化されたものとして聴き取るためには、真の努力が必要なのである。それは要求が高く、困難で、時には退屈なプロセスである。しかし、それは私たちが自己に取り組むすべての作業に当てはまることではないだろうか。\"\u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cp\u003e以下、Sunik Kimによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dominic Colesが、聴くという行為に退屈という可能性を導入したことは、それ自体称賛に値する。私たちは日々、受動的な退屈にさらされている。それが仕事であれ、生活や糧を得るための果てしないロジスティクスであれ、もっと細かいことを言えば、リスナーと音の間の摩擦を極限まで減らそうとする底なしの芸術の洪水であれ、リスニング装置と裸の波との間にある多くの媒介層や障害を表面化させるのではなく、不可視化しようとするものである。難しさや容易さの痕跡は、あまりにも簡単に音素材そのものの表面に転嫁される。摩擦やその欠如は、不可避的な仕分けと、個別の読みやすいジャンル・バケツへの分類の中で、単に形式的な生命を与えられるだけなのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの習作(レッスン)集が、ユーモアと軽妙さで貫かれているのは素晴らしい。このダイナミズムは、何層にも重なるズレ、不連続、矛盾を通して現れている。あらかじめ書かれたテキストと、時にぞんざいに話され、後を引くレコーディングの間、一見完全に抽象化されたものと、ほとんど小気味よい聴覚表現の瞬間(ここでは虫の鳴き声、そこではミュートされたトランペット)の間、テキストとシンセシスの間。これらのズレを隠すのではなく、表面化させることで、作品は支点となるピストン・ムーブメントを見いだし、私たちをあるモジュールから次のモジュールへと容易に押し出すだけでなく、聴く行為そのものの奇妙な人工性と、世界と切り離せない頑固さに光を当てる。作品は漏れるが、これはその根源的な根源性を断ち切るのではなく、維持し、高めている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの教育学的プロセスに有機的に引き込まれることで、そしてこれは、単に命令されるのではなく、手元にある素材の特質と相互作用にレーザーフォーカスを当てることで歓迎される自然な誘いである。すべてがひとつになる瞬間、かつては奇妙に連結していたパターンやジェスチャーが親しみやすく、キャッチーにさえなる瞬間は、すべてがバラバラになり、意味が消滅する瞬間に先立つ。その過程で、私たちは能動的になり、古いもの、慣れ親しんだものの断片で構成された、新しい、聞いたことのない言語を作り上げる。この新しさは、私たち自身の変容と同様に、完全に私的なものである。しかし、その結果、仕事の喜びや激しさは消えてしまった。そして世界は、新たに発見された変化の可能性に、鼻歌交じりに震え始める。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、それぞれの楽曲名です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e1. アルファベット1:p-u-s-h\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eアルファベット・リスニングの2つの学習\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e2. 私は兄と父と一緒に広々とした野原にいます。私たちは彼らから逃げようとして、走っていたのですが、ある時点で彼らに囲まれていることに気づきました。姿を消すことで、隠れたままでいることができ、彼らに見つからずに別の場所を探し始めてくれることを期待しているのです。私たちの姿は見えませんが、男たちはすぐ近くまで来ています。私は誤って小枝を踏んでしまい、小枝が折れる音がしました。男の一人がライフルの銃身で空中を探し始めました。今、彼は銃を持って私に近づいてきていますが、もし私がその場から離れようものなら、音を立てて捕まってしまうでしょうあ。私は銃が体に触れる部分に集中し、お腹に空間というか穴を作り、それがゆっくりと開いて、銃が体に触れることなく私を通過できるようにしました。彼は銃を前進させ、私の中に入れ、そして戻します。彼らは私たちがもうそこにいないことを確信したようで、先に進みます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e3. 私の家族はこの島にある古い宮殿のような廃墟に引っ越してきました。そこには住みやすくするための工事関係者が大勢いて、作業の開始を待っています。しかし、屋根に埋め込まれたシーリングファンから、虫の鳴くような高い音がします。この手の届かない円形の穴の中です。穴をコンクリートで埋める必要があるのだが、父はその虫を取り除くまで埋めてもらおうとしません。私は小さな木の板を伝って、まるで彼らの上を歩くロープウエーカーのように歩いています。父は、虫を埋めたまま建物を建て直すわけにはいかないと言います。両親は口論を始めました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2484303087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eSunik Kim\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003evia the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eDominic Coles’ introduction of the possibility of tedium—work—to the listening act is laudable in its own right. We are daily barraged with a passive tedium, whether in the form of the job, the endless logistics of life and sustenance, or—to put a finer point on it—a bottomless flood-tide of art that seeks to reduce to an absolute minimum the friction between listener and sound, to invisibilize rather than surface the many mediating layers and obstacles between the listening apparatus and the bare wave. Any semblance of “difficulty” or “ease” is all too easily shifted onto the surface of the sound-materials themselves: the friction, or lack thereof, is granted merely formal life in its inevitable sorting and categorization into a discrete, legible genre-bucket.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is wonderful, then, that this collection of studies, or lessons, is shot through with a humor and lightness that makes the work strangely inviting—addictive—even in its weight. This dynamic manifests through several layers of slippage, disjunction, contradiction: between pre-written text and sometimes sloppily spoken, trailing-off recording; between a seemingly total abstraction and almost pithy moments of aural representation (buzzing insects here, a muted trumpet there); between text and synthesis, which at times seem to trigger one another, at others to be meandering in complete opposing directions. In surfacing, rather than tucking away, these slippages, the work finds a fulcrum, a piston movement, that not only pushes us easily from one module to the next, but also shines a light on the odd artificiality of the listening act itself and its stubborn inextricability from the world as such. The work leaks—but this preserves, heightens, rather than severs, its fundamental rootedness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn being organically drawn into this pedagogical process—and this is a natural invitation made welcoming through a laser-focus paid to the qualities and interactions of the materials at hand, not simply by decree—we are then drawn into a game of pattern recognition, a tracing or mapping of memory and its processes, with real stakes. The moments where it all comes together—where the once strange interlinked patterns and gestures become familiar, even catchy—precede moments where everything falls apart and meaning dissipates. In the process, we are made active, forging a new, unheard language that is composed of fragments of the old, the familiar. This newness is wholly private, as is our own attendant transformation; is there even a way to express the substance of this transformation to others? But the joy and intensity of the work has vanished in the result. And the world begins to hum—tremble—with the newfound possibility of change.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dominic Coles\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-08T15:23:24+09:00","created_at":"2023-07-03T12:51:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313444057338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dominic Coles \/\/ Alphabets CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dom1_844e0867-73e8-484a-91e5-17369dad302f.jpg?v=1688356287","\/\/tobirarecords.com\/cdn\/shop\/files\/dom2_9ae8d3f5-aa1e-48cf-adca-83af734eab3a.jpg?v=1688356287"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom1_844e0867-73e8-484a-91e5-17369dad302f.jpg?v=1688356287","options":["Title"],"media":[{"alt":null,"id":32181433991418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom1_844e0867-73e8-484a-91e5-17369dad302f.jpg?v=1688356287"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom1_844e0867-73e8-484a-91e5-17369dad302f.jpg?v=1688356287","width":700},{"alt":null,"id":32181434024186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom2_9ae8d3f5-aa1e-48cf-adca-83af734eab3a.jpg?v=1688356287"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom2_9ae8d3f5-aa1e-48cf-adca-83af734eab3a.jpg?v=1688356287","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験音楽家/文筆家Dominic Colesが、2023年6月にNYの実験レーベルTripticksから100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eコンピューターによるコラージュ・サウンドポエトリー3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アルファベット\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e*解釈は、意味を明らかにすることよりも、シニフィエをその非意味(意味の欠如)に還元することで、主体全体の行動の決定要因を見出すことを目指す。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e*ママの言葉\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は子供の頃、あるゲームをしたものだ。どんな言葉でも何度も繰り返し、それが口の中で次第に意味を失っていくのを聞く。繰り返すたびに奇妙になり、不器用で異質なものに変わっていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちの言語、そしてその言語への伝導体としての声は、どこか異質なものを持っている。自分の声を録音したものを聞いたときの、無限の気まずさを考えてみてほしい!自分の声を録音したものを聞くときの気まずさったらない。そして、私たちの言葉が明瞭になるのは、他の人の口の中でだけである。私たちの口や心の中にある言葉は、実は異質なものであり、自分の言葉ではないのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eなぜなら、私たちはあらかじめ作られた言説の世界、両親や世話人の言語世界に生まれてくるからだ。私たちは生まれる前から、両親の言語世界の中に部屋と名前と空間を持っている。この言語は私たちの中に置かれ、言語がそのお気に入りの同伴者である欲望をもたらす限り、それはまた私たちの中に置かれた彼らの欲望でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアルファベットのリスニングは、言語におけるこの疎外感を物質化する。それは教訓的に始まる。語られた夢の断片から取られたそれぞれの単語は、抽象的な合成音と関連づけられる。この電子音の中でアルファベットが展開され、反復によって単語と合成音の関連付けが強化され、リスナーは音声が消えてもその関連付けを続けることができる。アルファベット・リスニングの2つの研究は、このプロセスを活性化させ、聴き手の心の中に新たに記号化された声を呼び起こす初期の試みであった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアルファベット1:p-u-s-hは、独自の合成アルファベットを用い、それを音楽の文脈の中に置き、これらの音声に関連する音を、符号化されていない楽音(音声に関連することが知られていない音)と接触させる。楽音は干渉や信号妨害の一形態となり、リスナーは元の単語との接触を失う。合成アルファベットはまだ声と結びつきやすいが、元の言葉の内容を見つけることはほとんど不可能になる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの失われた言葉を、回想された夢の断片の内容とリスニングの文脈を媒介として、機能させることができるのはオーディターの力である。オーディターは、意味が失われてしまった場所に、自分の舌、自分の言語、自分の連想で口を挟むことができる。言語が固定化されると、それは檻となる。言語は、その中での私たちの動きや、何が可能か、何があり得るかについての私たちの考えを決定する。シニフィアンやシニフィエそのものに働きかけることは、この檻を変容させることであり、世界のいかなるものも固定されたものではなく、根本的に変容可能であり、変容の対象であることを理解することである。この目的のために、聴き手も、聴き手の主体そのものも、試聴の中で変容させられるのである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、この変容を現実にするためには、作業が必要である。この点で、私はシニフィエに働きかけるために聴き手の側に大きな労力が必要であることを強調したい。ひとつひとつの言葉を、新たに記号化されたものとして聴き取るためには、真の努力が必要なのである。それは要求が高く、困難で、時には退屈なプロセスである。しかし、それは私たちが自己に取り組むすべての作業に当てはまることではないだろうか。\"\u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cp\u003e以下、Sunik Kimによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dominic Colesが、聴くという行為に退屈という可能性を導入したことは、それ自体称賛に値する。私たちは日々、受動的な退屈にさらされている。それが仕事であれ、生活や糧を得るための果てしないロジスティクスであれ、もっと細かいことを言えば、リスナーと音の間の摩擦を極限まで減らそうとする底なしの芸術の洪水であれ、リスニング装置と裸の波との間にある多くの媒介層や障害を表面化させるのではなく、不可視化しようとするものである。難しさや容易さの痕跡は、あまりにも簡単に音素材そのものの表面に転嫁される。摩擦やその欠如は、不可避的な仕分けと、個別の読みやすいジャンル・バケツへの分類の中で、単に形式的な生命を与えられるだけなのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの習作(レッスン)集が、ユーモアと軽妙さで貫かれているのは素晴らしい。このダイナミズムは、何層にも重なるズレ、不連続、矛盾を通して現れている。あらかじめ書かれたテキストと、時にぞんざいに話され、後を引くレコーディングの間、一見完全に抽象化されたものと、ほとんど小気味よい聴覚表現の瞬間(ここでは虫の鳴き声、そこではミュートされたトランペット)の間、テキストとシンセシスの間。これらのズレを隠すのではなく、表面化させることで、作品は支点となるピストン・ムーブメントを見いだし、私たちをあるモジュールから次のモジュールへと容易に押し出すだけでなく、聴く行為そのものの奇妙な人工性と、世界と切り離せない頑固さに光を当てる。作品は漏れるが、これはその根源的な根源性を断ち切るのではなく、維持し、高めている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの教育学的プロセスに有機的に引き込まれることで、そしてこれは、単に命令されるのではなく、手元にある素材の特質と相互作用にレーザーフォーカスを当てることで歓迎される自然な誘いである。すべてがひとつになる瞬間、かつては奇妙に連結していたパターンやジェスチャーが親しみやすく、キャッチーにさえなる瞬間は、すべてがバラバラになり、意味が消滅する瞬間に先立つ。その過程で、私たちは能動的になり、古いもの、慣れ親しんだものの断片で構成された、新しい、聞いたことのない言語を作り上げる。この新しさは、私たち自身の変容と同様に、完全に私的なものである。しかし、その結果、仕事の喜びや激しさは消えてしまった。そして世界は、新たに発見された変化の可能性に、鼻歌交じりに震え始める。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、それぞれの楽曲名です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e1. アルファベット1:p-u-s-h\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eアルファベット・リスニングの2つの学習\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e2. 私は兄と父と一緒に広々とした野原にいます。私たちは彼らから逃げようとして、走っていたのですが、ある時点で彼らに囲まれていることに気づきました。姿を消すことで、隠れたままでいることができ、彼らに見つからずに別の場所を探し始めてくれることを期待しているのです。私たちの姿は見えませんが、男たちはすぐ近くまで来ています。私は誤って小枝を踏んでしまい、小枝が折れる音がしました。男の一人がライフルの銃身で空中を探し始めました。今、彼は銃を持って私に近づいてきていますが、もし私がその場から離れようものなら、音を立てて捕まってしまうでしょうあ。私は銃が体に触れる部分に集中し、お腹に空間というか穴を作り、それがゆっくりと開いて、銃が体に触れることなく私を通過できるようにしました。彼は銃を前進させ、私の中に入れ、そして戻します。彼らは私たちがもうそこにいないことを確信したようで、先に進みます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e3. 私の家族はこの島にある古い宮殿のような廃墟に引っ越してきました。そこには住みやすくするための工事関係者が大勢いて、作業の開始を待っています。しかし、屋根に埋め込まれたシーリングファンから、虫の鳴くような高い音がします。この手の届かない円形の穴の中です。穴をコンクリートで埋める必要があるのだが、父はその虫を取り除くまで埋めてもらおうとしません。私は小さな木の板を伝って、まるで彼らの上を歩くロープウエーカーのように歩いています。父は、虫を埋めたまま建物を建て直すわけにはいかないと言います。両親は口論を始めました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2484303087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eSunik Kim\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003evia the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eDominic Coles’ introduction of the possibility of tedium—work—to the listening act is laudable in its own right. We are daily barraged with a passive tedium, whether in the form of the job, the endless logistics of life and sustenance, or—to put a finer point on it—a bottomless flood-tide of art that seeks to reduce to an absolute minimum the friction between listener and sound, to invisibilize rather than surface the many mediating layers and obstacles between the listening apparatus and the bare wave. Any semblance of “difficulty” or “ease” is all too easily shifted onto the surface of the sound-materials themselves: the friction, or lack thereof, is granted merely formal life in its inevitable sorting and categorization into a discrete, legible genre-bucket.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is wonderful, then, that this collection of studies, or lessons, is shot through with a humor and lightness that makes the work strangely inviting—addictive—even in its weight. This dynamic manifests through several layers of slippage, disjunction, contradiction: between pre-written text and sometimes sloppily spoken, trailing-off recording; between a seemingly total abstraction and almost pithy moments of aural representation (buzzing insects here, a muted trumpet there); between text and synthesis, which at times seem to trigger one another, at others to be meandering in complete opposing directions. In surfacing, rather than tucking away, these slippages, the work finds a fulcrum, a piston movement, that not only pushes us easily from one module to the next, but also shines a light on the odd artificiality of the listening act itself and its stubborn inextricability from the world as such. The work leaks—but this preserves, heightens, rather than severs, its fundamental rootedness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn being organically drawn into this pedagogical process—and this is a natural invitation made welcoming through a laser-focus paid to the qualities and interactions of the materials at hand, not simply by decree—we are then drawn into a game of pattern recognition, a tracing or mapping of memory and its processes, with real stakes. The moments where it all comes together—where the once strange interlinked patterns and gestures become familiar, even catchy—precede moments where everything falls apart and meaning dissipates. In the process, we are made active, forging a new, unheard language that is composed of fragments of the old, the familiar. This newness is wholly private, as is our own attendant transformation; is there even a way to express the substance of this transformation to others? But the joy and intensity of the work has vanished in the result. And the world begins to hum—tremble—with the newfound possibility of change.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dominic Coles\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家/文筆家Dominic Colesが、2023年6月にNYの実験レーベルTripticksから100部限定でリリースしたCDです。 コンピューターによるコラージュ・サウンドポエトリー3曲を収録。 以下、作家本人による解説です。 "アルファベット*解釈は、意味を明らかにすることよりも、シニフィエをその非意味(意味の欠如)に還元することで、主体全体の行動の決定要因を見出すことを目指す。*ママの言葉私は子供の頃、あるゲームをしたものだ。どんな言葉でも何度も繰り返し、それが口の中で次第に意味を失っていくのを聞く。繰り返すたびに奇妙になり、不器用で異質なものに変わっていく。私たちの言語、そしてその言語への伝導体としての声は、どこか異質なものを持っている。自分の声を録音したものを聞いたときの、無限の気まずさを考えてみてほしい!自分の声を録音したものを聞くときの気まずさったらない。そして、私たちの言葉が明瞭になるのは、他の人の口の中でだけである。私たちの口や心の中にある言葉は、実は異質なものであり、自分の言葉ではないのだ。なぜなら、私たちはあらかじめ作られた言説の世界、両親や世話人の言語世界に生まれてくるからだ。私たちは生まれる前から、両親の言語世界の中に部屋と名前と空間を持っている。この言語は私たちの中に置かれ、言語がそのお気に入りの同伴者である欲望をもたらす限り、それはまた私たちの中に置かれた彼らの欲望でもある。アルファベットのリスニングは、言語におけるこの疎外感を物質化する。それは教訓的に始まる。語られた夢の断片から取られたそれぞれの単語は、抽象的な合成音と関連づけられる。この電子音の中でアルファベットが展開され、反復によって単語と合成音の関連付けが強化され、リスナーは音声が消えてもその関連付けを続けることができる。アルファベット・リスニングの2つの研究は、このプロセスを活性化させ、聴き手の心の中に新たに記号化された声を呼び起こす初期の試みであった。アルファベット1:p-u-s-hは、独自の合成アルファベットを用い、それを音楽の文脈の中に置き、これらの音声に関連する音を、符号化されていない楽音(音声に関連することが知られていない音)と接触させる。楽音は干渉や信号妨害の一形態となり、リスナーは元の単語との接触を失う。合成アルファベットはまだ声と結びつきやすいが、元の言葉の内容を見つけることはほとんど不可能になる。この失われた言葉を、回想された夢の断片の内容とリスニングの文脈を媒介として、機能させることができるのはオーディターの力である。オーディターは、意味が失われてしまった場所に、自分の舌、自分の言語、自分の連想で口を挟むことができる。言語が固定化されると、それは檻となる。言語は、その中での私たちの動きや、何が可能か、何があり得るかについての私たちの考えを決定する。シニフィアンやシニフィエそのものに働きかけることは、この檻を変容させることであり、世界のいかなるものも固定されたものではなく、根本的に変容可能であり、変容の対象であることを理解することである。この目的のために、聴き手も、聴き手の主体そのものも、試聴の中で変容させられるのである。しかし、この変容を現実にするためには、作業が必要である。この点で、私はシニフィエに働きかけるために聴き手の側に大きな労力が必要であることを強調したい。ひとつひとつの言葉を、新たに記号化されたものとして聴き取るためには、真の努力が必要なのである。それは要求が高く、困難で、時には退屈なプロセスである。しかし、それは私たちが自己に取り組むすべての作業に当てはまることではないだろうか。" +++ 以下、Sunik Kimによる解説です。 "Dominic Colesが、聴くという行為に退屈という可能性を導入したことは、それ自体称賛に値する。私たちは日々、受動的な退屈にさらされている。それが仕事であれ、生活や糧を得るための果てしないロジスティクスであれ、もっと細かいことを言えば、リスナーと音の間の摩擦を極限まで減らそうとする底なしの芸術の洪水であれ、リスニング装置と裸の波との間にある多くの媒介層や障害を表面化させるのではなく、不可視化しようとするものである。難しさや容易さの痕跡は、あまりにも簡単に音素材そのものの表面に転嫁される。摩擦やその欠如は、不可避的な仕分けと、個別の読みやすいジャンル・バケツへの分類の中で、単に形式的な生命を与えられるだけなのだ。この習作(レッスン)集が、ユーモアと軽妙さで貫かれているのは素晴らしい。このダイナミズムは、何層にも重なるズレ、不連続、矛盾を通して現れている。あらかじめ書かれたテキストと、時にぞんざいに話され、後を引くレコーディングの間、一見完全に抽象化されたものと、ほとんど小気味よい聴覚表現の瞬間(ここでは虫の鳴き声、そこではミュートされたトランペット)の間、テキストとシンセシスの間。これらのズレを隠すのではなく、表面化させることで、作品は支点となるピストン・ムーブメントを見いだし、私たちをあるモジュールから次のモジュールへと容易に押し出すだけでなく、聴く行為そのものの奇妙な人工性と、世界と切り離せない頑固さに光を当てる。作品は漏れるが、これはその根源的な根源性を断ち切るのではなく、維持し、高めている。この教育学的プロセスに有機的に引き込まれることで、そしてこれは、単に命令されるのではなく、手元にある素材の特質と相互作用にレーザーフォーカスを当てることで歓迎される自然な誘いである。すべてがひとつになる瞬間、かつては奇妙に連結していたパターンやジェスチャーが親しみやすく、キャッチーにさえなる瞬間は、すべてがバラバラになり、意味が消滅する瞬間に先立つ。その過程で、私たちは能動的になり、古いもの、慣れ親しんだものの断片で構成された、新しい、聞いたことのない言語を作り上げる。この新しさは、私たち自身の変容と同様に、完全に私的なものである。しかし、その結果、仕事の喜びや激しさは消えてしまった。そして世界は、新たに発見された変化の可能性に、鼻歌交じりに震え始める。" +++ 以下、それぞれの楽曲名です。 1. アルファベット1:p-u-s-hアルファベット・リスニングの2つの学習2....
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{"id":7991397744890,"title":"Carlo Costa \u0026 John McCowen \/\/ pianissimo etc TAPE","handle":"carlo-costa-john-mccowen-pianissimo-etc-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にInternational Anthemなどから発表しているアメリカ・NYのクラリネット奏者John McCowenと\u003c\/span\u003e、過去にInexhaustible Editionsなどから発表しているNYのパーカッショニストCarlo Costaが、2023年6月に同国実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスクラリネットとバスドラムによるアコースティック・ドローン2\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/john-mccowen-models-of-duration-lp\"\u003eJohn McCowenの前作\u003c\/a\u003eもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2152234267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded on November 19, 2020 at Buckminster Forest, Brooklyn, NY\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn McCowen - contrabass clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarlo Costa - bass drum, percussion\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlo Costa \u0026amp; John McCowen\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-05T15:27:36+09:00","created_at":"2023-07-03T12:49:07+09:00","vendor":"Tobira Records","type":"","tags":["drone","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313437044986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlo Costa \u0026 John McCowen \/\/ pianissimo etc TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_5d9872e1-99a7-406d-beeb-c75a1cf8c816.jpg?v=1688356148","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_28f16018-0109-4c90-b499-9e208d9c3326.jpg?v=1688356149"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_5d9872e1-99a7-406d-beeb-c75a1cf8c816.jpg?v=1688356148","options":["Title"],"media":[{"alt":null,"id":32181423767802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_5d9872e1-99a7-406d-beeb-c75a1cf8c816.jpg?v=1688356148"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_5d9872e1-99a7-406d-beeb-c75a1cf8c816.jpg?v=1688356148","width":700},{"alt":null,"id":32181423800570,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_28f16018-0109-4c90-b499-9e208d9c3326.jpg?v=1688356149"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_28f16018-0109-4c90-b499-9e208d9c3326.jpg?v=1688356149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にInternational Anthemなどから発表しているアメリカ・NYのクラリネット奏者John McCowenと\u003c\/span\u003e、過去にInexhaustible Editionsなどから発表しているNYのパーカッショニストCarlo Costaが、2023年6月に同国実験/ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスクラリネットとバスドラムによるアコースティック・ドローン2\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/john-mccowen-models-of-duration-lp\"\u003eJohn McCowenの前作\u003c\/a\u003eもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2152234267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded on November 19, 2020 at Buckminster Forest, Brooklyn, NY\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn McCowen - contrabass clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarlo Costa - bass drum, percussion\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlo Costa \u0026amp; John McCowen\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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過去にInternational Anthemなどから発表しているアメリカ・NYのクラリネット奏者John McCowenと、過去にInexhaustible Editionsなどから発表しているNYのパーカッショニストCarlo Costaが、2023年6月に同国実験/ジャズレーベルTripticks Tapesから100本限定でリリースした共作カセットです。 コントラバスクラリネットとバスドラムによるアコースティック・ドローン2曲を収録。DLコード付属。 John McCowenの前作もおすすめします。 レーベルその他作品はこちら /// Click here to see more Tripticks...
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{"id":7837392306426,"title":"Tomomi Kubo \u0026 Camila Nebbia \/\/ Polycephaly TAPE","handle":"tomomi-kubo-camila-nebbia-polycephaly-tape","description":"\u003cp\u003e日本のオンド・マルトノ奏者Tomomi Kuboとアルゼンチンのサックス奏者Camila Nebbiaが、2022年10月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースした共作カセットです。\u003c\/p\u003e\nインプロ6曲を収録。DLコード付属。\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1361549768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePolycephaly was recorded in July 2021 by saxophonist Camila Nebbia and Tomomi Kubo on the Ondes Martenot. They first met the day they started recording at Tomomi’s studio in Barcelona. Each of their opening riffs was like a self-introduction after which their musical conversation became instantly excited. Camila used the tenor sax and a loop pedal. She played as she felt. Sometimes, she used her voice. Tomomi used an Ondes Martenot and a loop pedal. She surrendered herself to the waves of Camila’s sounds and enjoyed the unique sounds of the Ondes Martenot and the saxophone as they blended together. These recordings are totally improvised; however, they weave one mystical story with their rich musicality. We hope that you’ll enjoy their rich sound waves.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Tomomi Kubo \u0026amp; Camila Nebbia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-11-13T15:47:49+09:00","created_at":"2022-11-13T12:00:44+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644614738170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tomomi Kubo \u0026 Camila Nebbia \/\/ Polycephaly TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_4951cfa9-e392-44d9-9a5c-68fdae22164d.jpg?v=1668308445","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_53aa31ad-213f-4521-9b74-f96a05081029.jpg?v=1668308445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_4951cfa9-e392-44d9-9a5c-68fdae22164d.jpg?v=1668308445","options":["Title"],"media":[{"alt":null,"id":30987155472634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_4951cfa9-e392-44d9-9a5c-68fdae22164d.jpg?v=1668308445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_4951cfa9-e392-44d9-9a5c-68fdae22164d.jpg?v=1668308445","width":700},{"alt":null,"id":30987155505402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_53aa31ad-213f-4521-9b74-f96a05081029.jpg?v=1668308445"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_53aa31ad-213f-4521-9b74-f96a05081029.jpg?v=1668308445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のオンド・マルトノ奏者Tomomi Kuboとアルゼンチンのサックス奏者Camila Nebbiaが、2022年10月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースした共作カセットです。\u003c\/p\u003e\nインプロ6曲を収録。DLコード付属。\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1361549768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePolycephaly was recorded in July 2021 by saxophonist Camila Nebbia and Tomomi Kubo on the Ondes Martenot. They first met the day they started recording at Tomomi’s studio in Barcelona. Each of their opening riffs was like a self-introduction after which their musical conversation became instantly excited. Camila used the tenor sax and a loop pedal. She played as she felt. Sometimes, she used her voice. Tomomi used an Ondes Martenot and a loop pedal. She surrendered herself to the waves of Camila’s sounds and enjoyed the unique sounds of the Ondes Martenot and the saxophone as they blended together. These recordings are totally improvised; however, they weave one mystical story with their rich musicality. We hope that you’ll enjoy their rich sound waves.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Tomomi Kubo \u0026amp; Camila Nebbia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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日本のオンド・マルトノ奏者Tomomi Kuboとアルゼンチンのサックス奏者Camila Nebbiaが、2022年10月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースした共作カセットです。 インプロ6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
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{"id":7837391388922,"title":"Kyle Motl \u0026 Carlos Dominguez \/\/ Field of Fried Umbrellas TAPE","handle":"kyle-motl-carlos-dominguez-field-of-fried-umbrellas-tape","description":"\u003cp\u003eアメリカ・フロリダのコントラバス奏者Kyle Motlとノイズ作家Carlos Dominguezが、2022年10月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから75本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスとフィードバックマシンによるジャズ・ノイズ5\u003c\/span\u003e曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2259851468\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 75.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eField of Fried Umbrellas is a collection of improvised works for double bass and feedback mixer exploring both acoustic and electroacoustic phenomena resulting from the interaction between certain modes of bass playing and feedback structures. The result lies somewhere between improvised music, noise, sound art, and electroacoustic music, managing to be all of the above, yet something other.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKyle Motl (bass) and Carlos Dominguez (feedback mixer) have been playing music together since 2011. From 2011-2013, they frequently played duo and in the electronics trio, Not the Circus, with Brian Del Toro. People moved, and collaborations slowed down, punctuated by the occasional festival or telematic performance. 2019 saw a renewal of their collaboration, spurred by a performance\/production project with Matt Baltrucki, Polysemic, which presented 3 simultaneous productions of a live solo bass concert treated with different production and video aesthetics. The collaboration with Matt as engineer continued with a recording session the following day, which resulted in the previous Motl\/Dominguez recording, Artabotrys Hexapetalus. Where Artabotrys Hexapetalus sets out on a wide voyage, Field of Fried Umbrellas zeroes in on specific interactions, textures, and artifacts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kyle Motl \u0026amp; Carlos Dominguez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-11-18T14:34:16+09:00","created_at":"2022-11-13T11:59:03+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","noise","tape","tripticks tapes"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644610085114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kyle Motl \u0026 Carlos Dominguez \/\/ Field of Fried Umbrellas TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/um1_33e57971-0acf-45c1-9ff1-ff2ed8496e41.jpg?v=1668308345","\/\/tobirarecords.com\/cdn\/shop\/products\/um2.jpg?v=1668308345"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/um1_33e57971-0acf-45c1-9ff1-ff2ed8496e41.jpg?v=1668308345","options":["Title"],"media":[{"alt":null,"id":30987149967610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/um1_33e57971-0acf-45c1-9ff1-ff2ed8496e41.jpg?v=1668308345"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/um1_33e57971-0acf-45c1-9ff1-ff2ed8496e41.jpg?v=1668308345","width":700},{"alt":null,"id":30987150000378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/um2.jpg?v=1668308345"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/um2.jpg?v=1668308345","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのコントラバス奏者Kyle Motlとノイズ作家Carlos Dominguezが、2022年10月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから75本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスとフィードバックマシンによるジャズ・ノイズ5\u003c\/span\u003e曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2259851468\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 75.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eField of Fried Umbrellas is a collection of improvised works for double bass and feedback mixer exploring both acoustic and electroacoustic phenomena resulting from the interaction between certain modes of bass playing and feedback structures. The result lies somewhere between improvised music, noise, sound art, and electroacoustic music, managing to be all of the above, yet something other.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKyle Motl (bass) and Carlos Dominguez (feedback mixer) have been playing music together since 2011. From 2011-2013, they frequently played duo and in the electronics trio, Not the Circus, with Brian Del Toro. People moved, and collaborations slowed down, punctuated by the occasional festival or telematic performance. 2019 saw a renewal of their collaboration, spurred by a performance\/production project with Matt Baltrucki, Polysemic, which presented 3 simultaneous productions of a live solo bass concert treated with different production and video aesthetics. The collaboration with Matt as engineer continued with a recording session the following day, which resulted in the previous Motl\/Dominguez recording, Artabotrys Hexapetalus. Where Artabotrys Hexapetalus sets out on a wide voyage, Field of Fried Umbrellas zeroes in on specific interactions, textures, and artifacts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kyle Motl \u0026amp; Carlos Dominguez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・フロリダのコントラバス奏者Kyle Motlとノイズ作家Carlos Dominguezが、2022年10月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから75本限定でリリースした共作カセットです。 コントラバスとフィードバックマシンによるジャズ・ノイズ5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
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{"id":7837390995706,"title":"Leo Chang \u0026 Lucie Vítková \/\/ Religion TAPE","handle":"leo-chang-lucie-vitkova-religion-tape","description":"\u003cp\u003e韓国の実験音楽家/自作楽器奏者Leo Changとチェコのアコーディオン奏者Lucie Vítkováが、2022年11月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesから60本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeo自作楽器VOCALNORIと韓国伝統楽器\u003cmeta charset=\"utf-8\"\u003eピリ、アコーディオンによるインプロ・ドローンジャズ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3曲、1時間以上を収録。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=611677802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 60.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeo Chang (he\/him) is a Korean improviser, composer and performer of avant-garde music currently living in Brooklyn. Born in Seoul, Leo lived as an expat in Singapore, Taipei, and Shanghai, and then moved to the United States in 2011. Needing to assimilate to different cultures from a young age, Leo expresses rootlessness and multiplicity within identities through his music, while being skeptical of norms and definitions. Leo traces the origins of his fractured identity-formation to colonial legacies that continue to this day. His art is an act of home-making inspired by various musical and ideological movements that have sought to question power dynamics and imagine freedom within egalitarian possibilities. His primary methods are free improvisation, written text, graphical notation, and electronic processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLeo frequently performs as\/with VOCALNORI, which amplifies vocal sounds through gongs and cymbals via electronic instruments. He also plays the piri, a Korean double reed instrument, in untraditional ways, often processing his piri playing using electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLeo’s various performances and collaborations have been with William Parker, Alex Zhang Hungtai, gamin, DoYeon Kim, eddy kwon, Vong Pak, Chris Williams, Lester St. Louis, Miriam Parker, Erin Rogers, Lucie Vítková, Jason Nazary, Jeonghyeon Joo, Adrianne Munden-Dixon, S.E.M. ensemble, the Rhythm Method, and the JACK quartet. From 2017 to 2021, Leo organized Ensemble Consensus, a collective of experimental artists who transformed creative prompts into music by designing performative rehearsals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLeo has shared his artistic practice at various gatherings: notably the Vision Festival, Ostrava Days New Music Festival, New York City Electro-Acoustic Music Festival, and the International Computer Music Conference. His projects have been supported by the Brooklyn Arts Council, Korea Foundation, EMPAC at Rensselaer, Chashama, and the Tank, among others. Leo’s upcoming and recent discography can be found on Infrequent Seams, Notice Recordings, Dinzu Artefacts, SUPERPANG, and Tripticks Tapes.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Leo Chang \u0026amp; Lucie Vítková\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-11-19T15:12:08+09:00","created_at":"2022-11-13T11:57:04+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","new","tape","tripticks tapes"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644608217338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Leo Chang \u0026 Lucie Vítková \/\/ Religion TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_88a16c2a-74b7-4900-b932-713e1442e53d.jpg?v=1668308226","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_5e10f4c8-bbea-4d75-b2b0-464029d19604.jpg?v=1668308226"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_88a16c2a-74b7-4900-b932-713e1442e53d.jpg?v=1668308226","options":["Title"],"media":[{"alt":null,"id":30987145871610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_88a16c2a-74b7-4900-b932-713e1442e53d.jpg?v=1668308226"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_88a16c2a-74b7-4900-b932-713e1442e53d.jpg?v=1668308226","width":700},{"alt":null,"id":30987145904378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_5e10f4c8-bbea-4d75-b2b0-464029d19604.jpg?v=1668308226"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_5e10f4c8-bbea-4d75-b2b0-464029d19604.jpg?v=1668308226","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国の実験音楽家/自作楽器奏者Leo Changとチェコのアコーディオン奏者Lucie Vítkováが、2022年11月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesから60本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeo自作楽器VOCALNORIと韓国伝統楽器\u003cmeta charset=\"utf-8\"\u003eピリ、アコーディオンによるインプロ・ドローンジャズ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e3曲、1時間以上を収録。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=611677802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 60.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeo Chang (he\/him) is a Korean improviser, composer and performer of avant-garde music currently living in Brooklyn. Born in Seoul, Leo lived as an expat in Singapore, Taipei, and Shanghai, and then moved to the United States in 2011. Needing to assimilate to different cultures from a young age, Leo expresses rootlessness and multiplicity within identities through his music, while being skeptical of norms and definitions. Leo traces the origins of his fractured identity-formation to colonial legacies that continue to this day. His art is an act of home-making inspired by various musical and ideological movements that have sought to question power dynamics and imagine freedom within egalitarian possibilities. His primary methods are free improvisation, written text, graphical notation, and electronic processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLeo frequently performs as\/with VOCALNORI, which amplifies vocal sounds through gongs and cymbals via electronic instruments. He also plays the piri, a Korean double reed instrument, in untraditional ways, often processing his piri playing using electronics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLeo’s various performances and collaborations have been with William Parker, Alex Zhang Hungtai, gamin, DoYeon Kim, eddy kwon, Vong Pak, Chris Williams, Lester St. Louis, Miriam Parker, Erin Rogers, Lucie Vítková, Jason Nazary, Jeonghyeon Joo, Adrianne Munden-Dixon, S.E.M. ensemble, the Rhythm Method, and the JACK quartet. From 2017 to 2021, Leo organized Ensemble Consensus, a collective of experimental artists who transformed creative prompts into music by designing performative rehearsals.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLeo has shared his artistic practice at various gatherings: notably the Vision Festival, Ostrava Days New Music Festival, New York City Electro-Acoustic Music Festival, and the International Computer Music Conference. His projects have been supported by the Brooklyn Arts Council, Korea Foundation, EMPAC at Rensselaer, Chashama, and the Tank, among others. Leo’s upcoming and recent discography can be found on Infrequent Seams, Notice Recordings, Dinzu Artefacts, SUPERPANG, and Tripticks Tapes.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Leo Chang \u0026amp; Lucie Vítková\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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韓国の実験音楽家/自作楽器奏者Leo Changとチェコのアコーディオン奏者Lucie Vítkováが、2022年11月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesから60本限定でリリースした共作カセットです。 Leo自作楽器VOCALNORIと韓国伝統楽器ピリ、アコーディオンによるインプロ・ドローンジャズ3曲、1時間以上を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
¥1,980
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{"id":7837388570874,"title":"Amirtha Kidambi \u0026 Luke Stewart \/\/ Zenith\/Nadir TAPE","handle":"amirtha-kidambi-luke-stewart-zenith-nadir-tape","description":"\u003cp\u003eアメリカ・NYの実験音楽家Amirtha KidambiとLuke Stewartが、2022年7月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eフィードバック・ジャズ〜インプロ7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1697452557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eZenith\/Nadir is an improvised seance, conjuring the spirits of ancestors through urgent frequencies, to excavate the intergenerational trauma which haunts and guides our living present. Recorded in Brooklyn during the tumultuous Summer of 2020, the album reflects extreme contrasts of high and low, in a time where despair and possibility were inextricable.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the underexplored combination of bass and voice, Luke Stewart and Amirtha Kidambi mine maximal possibilities, from pure acoustic intimate interactions, to harsh electronic walls of sound. In various configurations of upright bass, amplifier feedback, effects pedals and looping, the duo explores dichotomies, with a side of pristine acoustic duets and another of visceral noise, where the sonic boundaries between the instruments dissolve and obscure. Kidambi employs a distinct vocal effects pedal, meeting Stewart in his amplifier-centered sonic universe. Combining their unique improvised vocabularies which draw from free jazz, noise, rock, Indian music and Black music, their raw chemistry is apparent in their shape-shifting improvisations.'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Amirtha Kidambi \u0026amp; Luke Stewart\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-11-13T16:06:31+09:00","created_at":"2022-11-13T11:54:59+09:00","vendor":"Tobira Records","type":"","tags":["jazz","noise","tape","tripticks tapes"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644602351866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Amirtha Kidambi \u0026 Luke Stewart \/\/ Zenith\/Nadir TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/na1_a1387279-af3e-4fb8-bf8e-06b4780be2c5.jpg?v=1668308100","\/\/tobirarecords.com\/cdn\/shop\/products\/na2_f63a7099-c61d-4084-b3cc-f50091df5ec5.jpg?v=1668308100"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_a1387279-af3e-4fb8-bf8e-06b4780be2c5.jpg?v=1668308100","options":["Title"],"media":[{"alt":null,"id":30987132174586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_a1387279-af3e-4fb8-bf8e-06b4780be2c5.jpg?v=1668308100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_a1387279-af3e-4fb8-bf8e-06b4780be2c5.jpg?v=1668308100","width":700},{"alt":null,"id":30987132207354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na2_f63a7099-c61d-4084-b3cc-f50091df5ec5.jpg?v=1668308100"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na2_f63a7099-c61d-4084-b3cc-f50091df5ec5.jpg?v=1668308100","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験音楽家Amirtha KidambiとLuke Stewartが、2022年7月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eフィードバック・ジャズ〜インプロ7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1697452557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eZenith\/Nadir is an improvised seance, conjuring the spirits of ancestors through urgent frequencies, to excavate the intergenerational trauma which haunts and guides our living present. Recorded in Brooklyn during the tumultuous Summer of 2020, the album reflects extreme contrasts of high and low, in a time where despair and possibility were inextricable.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the underexplored combination of bass and voice, Luke Stewart and Amirtha Kidambi mine maximal possibilities, from pure acoustic intimate interactions, to harsh electronic walls of sound. In various configurations of upright bass, amplifier feedback, effects pedals and looping, the duo explores dichotomies, with a side of pristine acoustic duets and another of visceral noise, where the sonic boundaries between the instruments dissolve and obscure. Kidambi employs a distinct vocal effects pedal, meeting Stewart in his amplifier-centered sonic universe. Combining their unique improvised vocabularies which draw from free jazz, noise, rock, Indian music and Black music, their raw chemistry is apparent in their shape-shifting improvisations.'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Amirtha Kidambi \u0026amp; Luke Stewart\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Tripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家Amirtha KidambiとLuke Stewartが、2022年7月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースした共作カセットです。 フィードバック・ジャズ〜インプロ7曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
Sold Out
クイックビュー
{"id":7837386834170,"title":"Irarrázabal \/ Baldwin \/\/ Grips TAPE","handle":"irarrazabal-baldwin-grips-tape","description":"\u003cp\u003eチリのIrarrázabalとアメリカのBaldwinコントラバス奏者2名が、2022年3月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBaldwin主宰\u003c\/span\u003e実験/ジャズレーベルTripticks Tapesからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ録音作品です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1211666310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 75.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrips documents a live performance and the first-time meeting between double bassists Amanda Irarrázabal (Chile) and Nat Baldwin (US). The show was organized by promoter Jessica Hallock of NYC Noise, aligning with a week of performances for Irarrázabal in NYC before attending a residency at Art Omi. The duo exchanged just a brief introduction before show time, yet as soon as they hit the stage, they interacted with the comfort and ease of long-time collaborators. The set ranges from bursts of active interplay to delicate layers of drone, always expressing the flow of propulsive motion, while leaving the necessary space for subtle details to emerge. Both Irarrázabal and Baldwin have each honed their own distinct techniques over the years, traversing an array of stylistic experience. Grips displays their singular voices unified by a focused intensity and executed with unwavering, palpable joy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist bio (via the label): \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn in Santiago de Chile in 1982, Amanda Irarrázabal has lived and been part of the music scene in Buenos Aires and Mexico City. She currently resides in Santiago de Chile. \u003c\/em\u003e\u003cem\u003eShe is a double-bass player, vocalist, improviser and composer. Her work is based on the experimentation and the search\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of an own language, with a great attraction to the world of the sounds, crossing different forms and musical genres, deciding not to settle down in any of these. She has played with musicians of different countries and ages and she is currently part of projects such as Los Piures (Mx), with Don Malfon, Carlos Alegre and Miguel Francisco, the Ahsim Skram Triteto (Mx), with M. Marks and Gibrán Andrade, Cátodo Dúo (Ch), with Ramiro Molina, with Miriam Den Boer Salmón (Nd). And from her project CAUDAL; solo set consisting of their own experimental songs accompanied by the double bass, processes and modular synthesizers, which mix song, poetry and free improvisation. She has been presented in different venues, theaters and festivals in Mexico, Chile, Argentina, Panama, Bolivia, Germany, Italy, Holland, Austria, USA and England.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNat Baldwin is a double bassist, composer, improviser, and songwriter from Maine, currently living in Western Mass. He's released several solo and collaborative works and runs the experimental music label Tripticks Tapes. His most recent releases include The Red Barn, an audio book with double bass accompaniment; Blind Field, a multitracked recording for double bass ensemble; AUTONOMIA I-III, a series of solo releases for double bass; and Common Currents, an EP of songs for bass and voice. His recordings have been featured on labels such as Confront, Dinzu Artefacts, Traced Objects, Shinkoyo, Dear Life, Western Vinyl, 577, and Industrial Coast, among others. A former member of Dirty Projectors, Baldwin has most recently performed and collaborated with Stella Silbert, E. Jason Gibbs, Anna Webber, Webb Crawford, Weston Olencki, and 23 Ensemble.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irarrázabal \/ Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2022-11-13T16:03:12+09:00","created_at":"2022-11-13T11:53:00+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644595798266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irarrázabal \/ Baldwin \/\/ Grips TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_7286b120-749b-49ed-a89c-ace6ab3f28e0.jpg?v=1668307982","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_0973da09-3093-4f7a-96b6-2bb0e25eb2cd.jpg?v=1668307982"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_7286b120-749b-49ed-a89c-ace6ab3f28e0.jpg?v=1668307982","options":["Title"],"media":[{"alt":null,"id":30987118903546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_7286b120-749b-49ed-a89c-ace6ab3f28e0.jpg?v=1668307982"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_7286b120-749b-49ed-a89c-ace6ab3f28e0.jpg?v=1668307982","width":700},{"alt":null,"id":30987118936314,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_0973da09-3093-4f7a-96b6-2bb0e25eb2cd.jpg?v=1668307982"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_0973da09-3093-4f7a-96b6-2bb0e25eb2cd.jpg?v=1668307982","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリのIrarrázabalとアメリカのBaldwinコントラバス奏者2名が、2022年3月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBaldwin主宰\u003c\/span\u003e実験/ジャズレーベルTripticks Tapesからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ録音作品です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1211666310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 75.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrips documents a live performance and the first-time meeting between double bassists Amanda Irarrázabal (Chile) and Nat Baldwin (US). The show was organized by promoter Jessica Hallock of NYC Noise, aligning with a week of performances for Irarrázabal in NYC before attending a residency at Art Omi. The duo exchanged just a brief introduction before show time, yet as soon as they hit the stage, they interacted with the comfort and ease of long-time collaborators. The set ranges from bursts of active interplay to delicate layers of drone, always expressing the flow of propulsive motion, while leaving the necessary space for subtle details to emerge. Both Irarrázabal and Baldwin have each honed their own distinct techniques over the years, traversing an array of stylistic experience. Grips displays their singular voices unified by a focused intensity and executed with unwavering, palpable joy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist bio (via the label): \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn in Santiago de Chile in 1982, Amanda Irarrázabal has lived and been part of the music scene in Buenos Aires and Mexico City. She currently resides in Santiago de Chile. \u003c\/em\u003e\u003cem\u003eShe is a double-bass player, vocalist, improviser and composer. Her work is based on the experimentation and the search\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of an own language, with a great attraction to the world of the sounds, crossing different forms and musical genres, deciding not to settle down in any of these. She has played with musicians of different countries and ages and she is currently part of projects such as Los Piures (Mx), with Don Malfon, Carlos Alegre and Miguel Francisco, the Ahsim Skram Triteto (Mx), with M. Marks and Gibrán Andrade, Cátodo Dúo (Ch), with Ramiro Molina, with Miriam Den Boer Salmón (Nd). And from her project CAUDAL; solo set consisting of their own experimental songs accompanied by the double bass, processes and modular synthesizers, which mix song, poetry and free improvisation. She has been presented in different venues, theaters and festivals in Mexico, Chile, Argentina, Panama, Bolivia, Germany, Italy, Holland, Austria, USA and England.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNat Baldwin is a double bassist, composer, improviser, and songwriter from Maine, currently living in Western Mass. He's released several solo and collaborative works and runs the experimental music label Tripticks Tapes. His most recent releases include The Red Barn, an audio book with double bass accompaniment; Blind Field, a multitracked recording for double bass ensemble; AUTONOMIA I-III, a series of solo releases for double bass; and Common Currents, an EP of songs for bass and voice. His recordings have been featured on labels such as Confront, Dinzu Artefacts, Traced Objects, Shinkoyo, Dear Life, Western Vinyl, 577, and Industrial Coast, among others. A former member of Dirty Projectors, Baldwin has most recently performed and collaborated with Stella Silbert, E. Jason Gibbs, Anna Webber, Webb Crawford, Weston Olencki, and 23 Ensemble.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irarrázabal \/ Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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チリのIrarrázabalとアメリカのBaldwinコントラバス奏者2名が、2022年3月にBaldwin主宰実験/ジャズレーベルTripticks Tapesからリリースした共作カセットです。 ガチンコインプロ録音作品です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ------------------------...
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{"id":7837384343802,"title":"Weston Olencki \/\/ Old Time Music TAPE","handle":"weston-olencki-old-time-music-tape","description":"\u003cp\u003eアメリカ・バーモントのトロンボーン奏者Weston Olenckiが、2022年5月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eトロンボーン、バンジョー、オルガンを用いた実験ジャズ・ドローン〜物音コラージュ〜アンビエントフォーク・ドローン6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1679387824\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the conceptual avant-hillbilly trajectory of their previous SUPERPANG release \"Verd Mont\", \"Old Time Music\" is composer\/improviser Weston Olencki’s newest collection of historically-driven sound works. The album’s three pieces are rooted in the specific intersections between musical instruments, their associated genres, and broader cultural\/material histories: the tenor saxophone with jazz and recording studio technology (tenor madness), the banjo with bluegrass and the mechanized modernism of the Carolinas (a vine that grew over the city…), and the pump organ with Sacred Harp hymnody and the aging marble industries of Olencki’s home in Vermont (Charon guiding the weary…). “Old Time Music” explores just that: sound that binds itself to remembrance, futurism, (nonlinear) time, and the living musical traditions of America.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weston Olencki\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2022-11-13T15:33:31+09:00","created_at":"2022-11-13T11:49:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","monooto","tape","tripticks tapes"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644582396154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Weston Olencki \/\/ Old Time Music TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_808106df-ab26-436d-a65b-8039e3f9dc2c.jpg?v=1668307791","\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_3b6dcaf6-2296-4d15-8443-17db557c434f.jpg?v=1668307791"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_808106df-ab26-436d-a65b-8039e3f9dc2c.jpg?v=1668307791","options":["Title"],"media":[{"alt":null,"id":30987105468666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_808106df-ab26-436d-a65b-8039e3f9dc2c.jpg?v=1668307791"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_808106df-ab26-436d-a65b-8039e3f9dc2c.jpg?v=1668307791","width":700},{"alt":null,"id":30987105501434,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_3b6dcaf6-2296-4d15-8443-17db557c434f.jpg?v=1668307791"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_3b6dcaf6-2296-4d15-8443-17db557c434f.jpg?v=1668307791","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・バーモントのトロンボーン奏者Weston Olenckiが、2022年5月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eトロンボーン、バンジョー、オルガンを用いた実験ジャズ・ドローン〜物音コラージュ〜アンビエントフォーク・ドローン6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1679387824\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the conceptual avant-hillbilly trajectory of their previous SUPERPANG release \"Verd Mont\", \"Old Time Music\" is composer\/improviser Weston Olencki’s newest collection of historically-driven sound works. The album’s three pieces are rooted in the specific intersections between musical instruments, their associated genres, and broader cultural\/material histories: the tenor saxophone with jazz and recording studio technology (tenor madness), the banjo with bluegrass and the mechanized modernism of the Carolinas (a vine that grew over the city…), and the pump organ with Sacred Harp hymnody and the aging marble industries of Olencki’s home in Vermont (Charon guiding the weary…). “Old Time Music” explores just that: sound that binds itself to remembrance, futurism, (nonlinear) time, and the living musical traditions of America.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weston Olencki\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカ・バーモントのトロンボーン奏者Weston Olenckiが、2022年5月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。 トロンボーン、バンジョー、オルガンを用いた実験ジャズ・ドローン〜物音コラージュ〜アンビエントフォーク・ドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
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{"id":7837383033082,"title":"Ali \/ Foster \/ Lopez \/ Wallace \/\/ The Inflatable Leviathan TAPE","handle":"ali-foster-lopez-wallace-the-inflatable-leviathan-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSean Ali、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCecilia Lopez、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Foste、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEli Wallace\u003c\/span\u003eが、2022年6月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1734018208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe Inflatable Leviathan documents the first studio recording of Cecilia Lopez, Michael Foster, Sean Ali, and Eli Wallace. The group began playing concerts in 2019, exploring the potential musical direction given the combination of these four musicians. They began cultivating their ensemble sound by creating dense textures or sparse ruminating passages that were relieved by moments of melodic impositions, piercing screeches, low growls, intrusive pops, and undulating sweeps.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a Covid-imposed hiatus, they re-convened in May of 2021 to record The Inflatable Leviathan, coming together to create something equally unique in its electro-acoustic instrumentation as its sonic content. The music unfolds organically. Focusing on unorthodox playing approaches, they collectively effectuate a tapestry where they can insert themselves or stay silent as they see fit, determining where to contribute within the maze of interlocking parts. Temporal perception is tampered with as some sections of the music portray a sense of time suspension, others seem to lurch ahead only to stop abruptly, and some passages even fall into a march-like beat. The music evokes a sense of mercurial foreboding, sometimes obliterated by interjections of zany jocularity. The musicians revel in these flashes of playful absurdity that become more and more pronounced as the album progresses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ali \/ Foster \/ Lopez \/ Wallace\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2022-11-13T15:43:05+09:00","created_at":"2022-11-13T11:46:41+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644575547642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ali \/ Foster \/ Lopez \/ Wallace \/\/ The Inflatable Leviathan TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_1b89635a-5e29-4355-a492-4af25cddbbe6.jpg?v=1668307605","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_cd80bb81-1f13-4fa8-92f3-872502878a37.jpg?v=1668307605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_1b89635a-5e29-4355-a492-4af25cddbbe6.jpg?v=1668307605","options":["Title"],"media":[{"alt":null,"id":30987095703802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_1b89635a-5e29-4355-a492-4af25cddbbe6.jpg?v=1668307605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_1b89635a-5e29-4355-a492-4af25cddbbe6.jpg?v=1668307605","width":700},{"alt":null,"id":30987095736570,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_cd80bb81-1f13-4fa8-92f3-872502878a37.jpg?v=1668307605"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_cd80bb81-1f13-4fa8-92f3-872502878a37.jpg?v=1668307605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSean Ali、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCecilia Lopez、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Foste、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEli Wallace\u003c\/span\u003eが、2022年6月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1734018208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe Inflatable Leviathan documents the first studio recording of Cecilia Lopez, Michael Foster, Sean Ali, and Eli Wallace. The group began playing concerts in 2019, exploring the potential musical direction given the combination of these four musicians. They began cultivating their ensemble sound by creating dense textures or sparse ruminating passages that were relieved by moments of melodic impositions, piercing screeches, low growls, intrusive pops, and undulating sweeps.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a Covid-imposed hiatus, they re-convened in May of 2021 to record The Inflatable Leviathan, coming together to create something equally unique in its electro-acoustic instrumentation as its sonic content. The music unfolds organically. Focusing on unorthodox playing approaches, they collectively effectuate a tapestry where they can insert themselves or stay silent as they see fit, determining where to contribute within the maze of interlocking parts. Temporal perception is tampered with as some sections of the music portray a sense of time suspension, others seem to lurch ahead only to stop abruptly, and some passages even fall into a march-like beat. The music evokes a sense of mercurial foreboding, sometimes obliterated by interjections of zany jocularity. The musicians revel in these flashes of playful absurdity that become more and more pronounced as the album progresses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ali \/ Foster \/ Lopez \/ Wallace\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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Sean Ali、Cecilia Lopez、Michael Foste、Eli Wallaceが、2022年6月にアメリカ・マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。 フリージャズ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases...
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{"id":7837381722362,"title":"Ted Reichman \/\/ Dread Sea TAPE","handle":"ted-reichman-dread-sea-tape-1","description":"\u003cp\u003eアメリカ・メインのTed Reichmanが、2022年3月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコーディオンやシンセによるミニマルドローン5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563565125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePart 1 - Prelude\/Sloth Story\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePart 2 - Pine Marten\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePart 3 - Deep Ankle\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInner Horizon Parts 1,2,3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDread Sea's Return\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTed Reichman - accordion, amplified mbira, electronics, prepared piano, synthesizers, tape\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by Ted Reichman:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dread Sea is a confluence of two streams of electroacoustic music that started to emerge in the fall of 2020 and continued through the spring of 2021. The pieces started as improvisations on an mbira and a tiny accordion, both going through complex systems of electronic treatments. These heavily transformed instruments resisted “playing” in the traditional sense, but contributed their own layers of sonic material: feedback, transpositions, distortions, intentional or accidental patterning. All of the material was played live, improvised in real time, and much of it was recorded on a mono cassette machine through its internal mic, placed a few feet away from my amplifier. The long form emerged gradually, through unexpected linkages discovered through editing, layering and collage. As I listened back to these multi-layered pieces, I kept thinking about water, especially about traveling on water, like a long day trip on the Amazon River I found myself on in 2006, during which I encountered a heavily drugged juvenile sloth who tried to attack me. It traced a long, slow arc in the air with its claw. A story started to emerge along with the music, a journey from the place in Amazonas where the water of the Rio Negro meets the Rio Branco, to the village in the reeds where I met the sloth, to a frozen lake in Northern Maine some\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e time in the distant past and back. The music doesn’t follow that story so much as it mirrors the process of time and geography flowing together, in waves of rhythm, tone and noise, all interacting and blurring into each other, like bodies of water.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio (via the label):\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eTed Reichman was born in Aroostook County, Maine in 1973. He began studying jazz piano at the New England Conservatory Preparatory School in 1987 and went on to study experimental music and ethnomusicology at Wesleyan University with Alvin Lucier, Sumarsam, and his most important early mentor, Anthony Braxton. At Braxton’s urging, Reichman began playing accordion, the instrument that would become the basis of his work in music. After beginning his professional career with Braxton while still a student, Reichman moved to New York City where he worked with a panoply of musical greats in styles ranging from improvised music and jazz to rock and roll and various forms of Jewish music. In addition to his work with Braxton, which includes the first recordings and performances of “Ghost Trance Music,” he is best known for his ten-year-plus tenure with John Hollenbeck’s Claudia Quintet. He also founded the music series at alt.coffee which would evolve into Tonic, one of the world’s most crucial venues for avant-garde music. He has been on the faculty of the New England Conservatory for over ten years and spent four years as an Assistant Professor of Film Scoring at Berklee. He currently lives outside Boston where he records, produces and mixes albums and composes music for films at his studio Subtext Sound System. His essays have appeared in The New York Review of Books and poetry in the The Brooklyn Rail and other publications.\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ted Reichman\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2022-11-13T15:40:29+09:00","created_at":"2022-11-13T11:44:16+09:00","vendor":"Tobira Records","type":"","tags":["drone","tape","tripticks tapes"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644570534138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ted Reichman \/\/ Dread Sea TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_9f75c2a7-1dc7-4160-a98a-47f4442008bb.jpg?v=1668307457","\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_db15546f-164b-41a4-b881-b1ffe656e46e.jpg?v=1668307457"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_9f75c2a7-1dc7-4160-a98a-47f4442008bb.jpg?v=1668307457","options":["Title"],"media":[{"alt":null,"id":30987087315194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_9f75c2a7-1dc7-4160-a98a-47f4442008bb.jpg?v=1668307457"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_9f75c2a7-1dc7-4160-a98a-47f4442008bb.jpg?v=1668307457","width":700},{"alt":null,"id":30987087347962,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_db15546f-164b-41a4-b881-b1ffe656e46e.jpg?v=1668307457"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_db15546f-164b-41a4-b881-b1ffe656e46e.jpg?v=1668307457","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのTed Reichmanが、2022年3月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコーディオンやシンセによるミニマルドローン5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563565125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePart 1 - Prelude\/Sloth Story\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePart 2 - Pine Marten\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePart 3 - Deep Ankle\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInner Horizon Parts 1,2,3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDread Sea's Return\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTed Reichman - accordion, amplified mbira, electronics, prepared piano, synthesizers, tape\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by Ted Reichman:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dread Sea is a confluence of two streams of electroacoustic music that started to emerge in the fall of 2020 and continued through the spring of 2021. The pieces started as improvisations on an mbira and a tiny accordion, both going through complex systems of electronic treatments. These heavily transformed instruments resisted “playing” in the traditional sense, but contributed their own layers of sonic material: feedback, transpositions, distortions, intentional or accidental patterning. All of the material was played live, improvised in real time, and much of it was recorded on a mono cassette machine through its internal mic, placed a few feet away from my amplifier. The long form emerged gradually, through unexpected linkages discovered through editing, layering and collage. As I listened back to these multi-layered pieces, I kept thinking about water, especially about traveling on water, like a long day trip on the Amazon River I found myself on in 2006, during which I encountered a heavily drugged juvenile sloth who tried to attack me. It traced a long, slow arc in the air with its claw. A story started to emerge along with the music, a journey from the place in Amazonas where the water of the Rio Negro meets the Rio Branco, to the village in the reeds where I met the sloth, to a frozen lake in Northern Maine some\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e time in the distant past and back. The music doesn’t follow that story so much as it mirrors the process of time and geography flowing together, in waves of rhythm, tone and noise, all interacting and blurring into each other, like bodies of water.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio (via the label):\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eTed Reichman was born in Aroostook County, Maine in 1973. He began studying jazz piano at the New England Conservatory Preparatory School in 1987 and went on to study experimental music and ethnomusicology at Wesleyan University with Alvin Lucier, Sumarsam, and his most important early mentor, Anthony Braxton. At Braxton’s urging, Reichman began playing accordion, the instrument that would become the basis of his work in music. After beginning his professional career with Braxton while still a student, Reichman moved to New York City where he worked with a panoply of musical greats in styles ranging from improvised music and jazz to rock and roll and various forms of Jewish music. In addition to his work with Braxton, which includes the first recordings and performances of “Ghost Trance Music,” he is best known for his ten-year-plus tenure with John Hollenbeck’s Claudia Quintet. He also founded the music series at alt.coffee which would evolve into Tonic, one of the world’s most crucial venues for avant-garde music. He has been on the faculty of the New England Conservatory for over ten years and spent four years as an Assistant Professor of Film Scoring at Berklee. He currently lives outside Boston where he records, produces and mixes albums and composes music for films at his studio Subtext Sound System. His essays have appeared in The New York Review of Books and poetry in the The Brooklyn Rail and other publications.\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ted Reichman\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカ・メインのTed Reichmanが、2022年3月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesからリリースしたカセットです。 アコーディオンやシンセによるミニマルドローン5曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
¥1,890
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{"id":7837381099770,"title":"Webb Crawford \/\/ Joiners TAPE","handle":"webb-crawford-joiners-tape","description":"\u003cp\u003eアメリカのギタリスト/木工職人/楽器製作者Webb Crawfordが、2022年9月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eエレキギターやアコースティックギターによるインプロ13曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1635378339\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GOuQaAWmo4E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e Edition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHenry Mermer, July 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A joiner is an artisan, a fine craftsperson who works in the tradition of ‘joinery,’ or the process of cutting pieces of wood so that they fit tightly together without the use of glue or other adhesives; a joiner pieces wood together to create something that is (hopefully) synergistic; a joiner forges, if not by some kind-of magic, a distance between the lumber they use and the trees that it comes from, blurring the line between what is natural and crafted.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the debut release from guitarist, improviser, and instrument builder Webb Crawford. It is a collection of solo guitar improvisations that draw upon the unique instrumental language they have been developing over the past few years, a portrait of the singular creative voice they have honed thus far. It is an essentially ‘guitaristic’ work, not one that is anxious to be comprehensive or impressive in any ‘technical’ capacity, but one that is fundamentally centered around the guitar, that begins with the instrument itself as its object of inquiry. It is a line of inquiry that isn’t just historico-aesthetic in scope, aiming to trace something of a cultural lineage of the instrument, but more fundamentally one that is concerned with its materiality—the guitar as a living and breathing technology, itself a joined and wooden\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e machinery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWebb’s experience as a luthier and woodworker is a fact that leaves its trace embedded in all aspects of their work. On the most visible level, the track titles on ‘Joiners’ all make reference to various technical and historical aspects of joinery that fascinate Webb. “Hakluyt” is an address of its eponymous figure, Richard Hakluyt, an English propagandist who advocated for the colonization of North America, mostly as a means to accumulate natural resources, and in doing so, helped solidify the relationship between ecocide and the American lumber industry. “Free of Heart Center” refers to lumber that has been processed to remove its pith (i.e., its “heart center”), which is structurally the weakest part of the board, despite it being the original stem, the point from which the tree first started growing. (The piece which remains after FOHC boards have been milled is called ‘boxed heart’ lumber, which is made up of the pith and its surrounding materials, and which tends to be sold at a lower price for this reason.) “Four Quarter” is one example of the specialized language used in a lumberyard, in this case referring to a measurement adding up to ‘four quarter inches,’ or one inch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the product of a veritable fascination and genuine engagement with the guitar and the craft of joinery. In Webb’s own words: “I feel love when I hold my instrument. I marvel at the complexity of its existence and its creation. An instrument’s existence is a reflection of the joinery which unites all things.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt bears mentioning a fundamental principle of sound: sound does not disappear—it resonates, it lingers. It is never ‘one,’ but ‘more than one,’ always only existing in dialogue with another, its desire being not only to sound, but to re-sound. ‘Joiners’ is, architecturally, a constellation of sounds that shift from foreground to background, that opt for the amorphous and contemplative rather than the teleological. It proffers, like sound itself, that the possibility of multiplicity, generosity, and togetherness is one worth striving towards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eWebb Crawford is an improviser, woodworker and instrument-builder. They like playing free-improvised music, Piedmont-style fingerpicking, and percussive\/noisy stuff. They have built stringed instruments ranging from electric guitars, basses and mandolins to modern reconstructions of historical instruments and instruments made from recycled materials or found objects. They apprenticed with Mamie Minch \u0026amp; Chloe Swantner at the Brooklyn Lutherie, and built electric guitars and basses at Subway Guitars in Berkeley, CA. In 2017, they worked with the Massachusetts Museum of Contemporary Art to restore the instruments of Gunnar Schonbeck as part of a playable interactive exhibit. They completed an MA in Experimental Music\/Composition at Wesleyan University in June, 2021. 'Joiners' marks their debut solo release.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Webb Crawford\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2022-11-13T15:37:16+09:00","created_at":"2022-11-13T11:40:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","tape","tripticks tapes"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644568207610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Webb Crawford \/\/ Joiners TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_371477d9-300e-4090-9720-bca9a1aa7ce5.jpg?v=1668307251"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250","options":["Title"],"media":[{"alt":null,"id":30987081253114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250","width":700},{"alt":null,"id":30987081285882,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_371477d9-300e-4090-9720-bca9a1aa7ce5.jpg?v=1668307251"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_371477d9-300e-4090-9720-bca9a1aa7ce5.jpg?v=1668307251","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリスト/木工職人/楽器製作者Webb Crawfordが、2022年9月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eエレキギターやアコースティックギターによるインプロ13曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1635378339\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GOuQaAWmo4E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e Edition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHenry Mermer, July 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A joiner is an artisan, a fine craftsperson who works in the tradition of ‘joinery,’ or the process of cutting pieces of wood so that they fit tightly together without the use of glue or other adhesives; a joiner pieces wood together to create something that is (hopefully) synergistic; a joiner forges, if not by some kind-of magic, a distance between the lumber they use and the trees that it comes from, blurring the line between what is natural and crafted.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the debut release from guitarist, improviser, and instrument builder Webb Crawford. It is a collection of solo guitar improvisations that draw upon the unique instrumental language they have been developing over the past few years, a portrait of the singular creative voice they have honed thus far. It is an essentially ‘guitaristic’ work, not one that is anxious to be comprehensive or impressive in any ‘technical’ capacity, but one that is fundamentally centered around the guitar, that begins with the instrument itself as its object of inquiry. It is a line of inquiry that isn’t just historico-aesthetic in scope, aiming to trace something of a cultural lineage of the instrument, but more fundamentally one that is concerned with its materiality—the guitar as a living and breathing technology, itself a joined and wooden\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e machinery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWebb’s experience as a luthier and woodworker is a fact that leaves its trace embedded in all aspects of their work. On the most visible level, the track titles on ‘Joiners’ all make reference to various technical and historical aspects of joinery that fascinate Webb. “Hakluyt” is an address of its eponymous figure, Richard Hakluyt, an English propagandist who advocated for the colonization of North America, mostly as a means to accumulate natural resources, and in doing so, helped solidify the relationship between ecocide and the American lumber industry. “Free of Heart Center” refers to lumber that has been processed to remove its pith (i.e., its “heart center”), which is structurally the weakest part of the board, despite it being the original stem, the point from which the tree first started growing. (The piece which remains after FOHC boards have been milled is called ‘boxed heart’ lumber, which is made up of the pith and its surrounding materials, and which tends to be sold at a lower price for this reason.) “Four Quarter” is one example of the specialized language used in a lumberyard, in this case referring to a measurement adding up to ‘four quarter inches,’ or one inch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the product of a veritable fascination and genuine engagement with the guitar and the craft of joinery. In Webb’s own words: “I feel love when I hold my instrument. I marvel at the complexity of its existence and its creation. An instrument’s existence is a reflection of the joinery which unites all things.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt bears mentioning a fundamental principle of sound: sound does not disappear—it resonates, it lingers. It is never ‘one,’ but ‘more than one,’ always only existing in dialogue with another, its desire being not only to sound, but to re-sound. ‘Joiners’ is, architecturally, a constellation of sounds that shift from foreground to background, that opt for the amorphous and contemplative rather than the teleological. It proffers, like sound itself, that the possibility of multiplicity, generosity, and togetherness is one worth striving towards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eWebb Crawford is an improviser, woodworker and instrument-builder. They like playing free-improvised music, Piedmont-style fingerpicking, and percussive\/noisy stuff. They have built stringed instruments ranging from electric guitars, basses and mandolins to modern reconstructions of historical instruments and instruments made from recycled materials or found objects. They apprenticed with Mamie Minch \u0026amp; Chloe Swantner at the Brooklyn Lutherie, and built electric guitars and basses at Subway Guitars in Berkeley, CA. In 2017, they worked with the Massachusetts Museum of Contemporary Art to restore the instruments of Gunnar Schonbeck as part of a playable interactive exhibit. They completed an MA in Experimental Music\/Composition at Wesleyan University in June, 2021. 'Joiners' marks their debut solo release.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Webb Crawford\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカのギタリスト/木工職人/楽器製作者Webb Crawfordが、2022年9月に同国マサチューセッツの実験/ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。 エレキギターやアコースティックギターによるインプロ13曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
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{"id":7566024311034,"title":"Cecilia Lopez \/ Joe Moffett \/\/ Caprichos TAPE","handle":"cecilia-lopez-joe-moffett-caprichos-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アルゼンチンの音響作家Cecilia Lopezとアメリカのトランペット奏者Joe Moffettが、2021年11月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eサーキットベンディングによるコラージュ・ジャズ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4056798030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCaprichos is the debut release of Cecilia Lopez and Joe Moffett as a duo ensemble. The album is a collection of improvised pieces for synthesizer and amplified trumpet. Brusque, mercurial, and intense, Caprichos lurches from circuit-bent gurgles to horn blasts to waves of static, making for an unpredictable listening experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCecilia and Joe have been working together since 2018 when Cecilia’s Machinic Fantasies premiered at Roulette Intermedium in Brooklyn, NY. In their duo, they continue to explore methods of distorting, deconstructing, and merging their instruments in unconventional ways.\"\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e****************************\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCecilia Lopez is a composer, musician and multimedia artist from Buenos Aires, Argentina currently based in New York. She works across the media of performance, sound, installation and the creation of sound devices and systems. Lopez holds an MFA from the Milton Avery Graduate School of the Arts, Bard College and an MA from Wesleyan University in composition (2016). Her work has been performed and exhibited at Museo de Arte Moderno de Buenos Aires (AR), Center for Contemporary Arts (Vilnius, Lithuania), Roulette Intermedium, Issue Project Room, Ostrava Days\u003cspan class=\"bcTruncateMore\"\u003e Festival 2011 (Ostrava, Czech Republic), MATA Festival 2012, Experimental Intermedia, Fridman Gallery (NY), Kunstnernes Hus (Oslo, Norway) and the XIV Cuenca Biennial, among others. She was a Civitella Ranieri fellow in 2015 and has participated in various international residency \u003ca rel=\"nofollow ugc\" href=\"http:\/\/programs.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003eprograms.In\u003c\/a\u003e 2019, Lopez curated the intermedia festival Folly Systems coproduced by Roulette Intermedium and Outpost Artists Resources that featured 11 international artists. Collaborators include Carmen Baliero, Aki Onda, Brandon Lopez, John Driscoll, Carrie Schneider, Joe Moffett and Lars Laumann among others.\u003cbr\u003e\u003cbr\u003eJoe Moffett approaches his work with a keen interest in unconventional sounds and forms, collective improvisation, and the intersection of action and stillness. He is a co-founder of ambient improv trio Earth Tongues with Carlo Costa and Dan Peck and collaborates regularly with artists such as Henry Fraser, Cecilia Lopez, Sam Weinberg, Tania Chen and Zach Rowden, in addition to performing frequently as a solo artist. He has also performed compositions by Cecilia Lopez (Machinic Fantasies, Dos (tres)), Carlo Costa (Strata), Frantz Loriot (Echo from the Frantz Loriot Systematic Distortion Orchestra) and Yoshi Wada (Earth Horns with Electric Drone). His recorded material appears on Neither\/Nor, Underwolf, Eh?, NotTwo, Tubapede and Prom Night Records.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cecilia Lopez \/ Joe Moffett\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T15:04:26+09:00","created_at":"2022-03-14T14:03:10+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","sale22","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526040785146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cecilia Lopez \/ Joe Moffett \/\/ Caprichos TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_f4f85737-5d56-49ca-87ac-03939a872852.jpg?v=1647234192","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_e932849a-2841-48ab-96c1-a81de20a08c5.jpg?v=1647234192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_f4f85737-5d56-49ca-87ac-03939a872852.jpg?v=1647234192","options":["Title"],"media":[{"alt":null,"id":29300770504954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_f4f85737-5d56-49ca-87ac-03939a872852.jpg?v=1647234192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_f4f85737-5d56-49ca-87ac-03939a872852.jpg?v=1647234192","width":700},{"alt":null,"id":29300770537722,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_e932849a-2841-48ab-96c1-a81de20a08c5.jpg?v=1647234192"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_e932849a-2841-48ab-96c1-a81de20a08c5.jpg?v=1647234192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 アルゼンチンの音響作家Cecilia Lopezとアメリカのトランペット奏者Joe Moffettが、2021年11月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eサーキットベンディングによるコラージュ・ジャズ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4056798030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCaprichos is the debut release of Cecilia Lopez and Joe Moffett as a duo ensemble. The album is a collection of improvised pieces for synthesizer and amplified trumpet. Brusque, mercurial, and intense, Caprichos lurches from circuit-bent gurgles to horn blasts to waves of static, making for an unpredictable listening experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCecilia and Joe have been working together since 2018 when Cecilia’s Machinic Fantasies premiered at Roulette Intermedium in Brooklyn, NY. In their duo, they continue to explore methods of distorting, deconstructing, and merging their instruments in unconventional ways.\"\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e****************************\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCecilia Lopez is a composer, musician and multimedia artist from Buenos Aires, Argentina currently based in New York. She works across the media of performance, sound, installation and the creation of sound devices and systems. Lopez holds an MFA from the Milton Avery Graduate School of the Arts, Bard College and an MA from Wesleyan University in composition (2016). Her work has been performed and exhibited at Museo de Arte Moderno de Buenos Aires (AR), Center for Contemporary Arts (Vilnius, Lithuania), Roulette Intermedium, Issue Project Room, Ostrava Days\u003cspan class=\"bcTruncateMore\"\u003e Festival 2011 (Ostrava, Czech Republic), MATA Festival 2012, Experimental Intermedia, Fridman Gallery (NY), Kunstnernes Hus (Oslo, Norway) and the XIV Cuenca Biennial, among others. She was a Civitella Ranieri fellow in 2015 and has participated in various international residency \u003ca rel=\"nofollow ugc\" href=\"http:\/\/programs.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003eprograms.In\u003c\/a\u003e 2019, Lopez curated the intermedia festival Folly Systems coproduced by Roulette Intermedium and Outpost Artists Resources that featured 11 international artists. Collaborators include Carmen Baliero, Aki Onda, Brandon Lopez, John Driscoll, Carrie Schneider, Joe Moffett and Lars Laumann among others.\u003cbr\u003e\u003cbr\u003eJoe Moffett approaches his work with a keen interest in unconventional sounds and forms, collective improvisation, and the intersection of action and stillness. He is a co-founder of ambient improv trio Earth Tongues with Carlo Costa and Dan Peck and collaborates regularly with artists such as Henry Fraser, Cecilia Lopez, Sam Weinberg, Tania Chen and Zach Rowden, in addition to performing frequently as a solo artist. He has also performed compositions by Cecilia Lopez (Machinic Fantasies, Dos (tres)), Carlo Costa (Strata), Frantz Loriot (Echo from the Frantz Loriot Systematic Distortion Orchestra) and Yoshi Wada (Earth Horns with Electric Drone). His recorded material appears on Neither\/Nor, Underwolf, Eh?, NotTwo, Tubapede and Prom Night Records.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cecilia Lopez \/ Joe Moffett\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、 アルゼンチンの音響作家Cecilia Lopezとアメリカのトランペット奏者Joe Moffettが、2021年11月に75本限定でリリースしたカセットです。 サーキットベンディングによるコラージュ・ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases...
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{"id":7566023164154,"title":"TAK + Brandon Lopez \/\/ Empty And\/Or Church of Plenty TAPE","handle":"tak-brandon-lopez-empty-and-or-church-of-plenty-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ニュージャージーのコントラバス奏者Brandon LopezとTAKアンサンブルが、2021年10月に100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1070172879\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty And\/Or Church of Plenty was a commission by TAK ensemble for Brandon Lopez. The score was part in text and part through conversation; the directions given by Lopez foreground the intuitive and concrete technical aspects of the performance. The idea was to create a complex sound-world through collaboration and seemingly simple means. The action of performing the work is a democratic and collaborative process, and each individual plays a part in the work’s creation. The democratization of this process is an important means of opposing European hierarchies in thought—aural transmission versus written scores works as a means of decolonization of the process of composition... each player in the ensemble made part-composer. The resultant sound-world is simultaneously iridescent and murky, ecstatic and foreboding.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TAK + Brandon Lopez\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T15:13:12+09:00","created_at":"2022-03-14T14:00:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526038196474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"TAK + Brandon Lopez \/\/ Empty And\/Or Church of Plenty TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/em1_044431ed-12a4-426b-ab12-1942f5542dbf.jpg?v=1647234032","\/\/tobirarecords.com\/cdn\/shop\/products\/em2_adceb362-64e1-4a41-85a9-d77e207a4de4.jpg?v=1647234032"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_044431ed-12a4-426b-ab12-1942f5542dbf.jpg?v=1647234032","options":["Title"],"media":[{"alt":null,"id":29300761264378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_044431ed-12a4-426b-ab12-1942f5542dbf.jpg?v=1647234032"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_044431ed-12a4-426b-ab12-1942f5542dbf.jpg?v=1647234032","width":700},{"alt":null,"id":29300761297146,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_adceb362-64e1-4a41-85a9-d77e207a4de4.jpg?v=1647234032"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_adceb362-64e1-4a41-85a9-d77e207a4de4.jpg?v=1647234032","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ニュージャージーのコントラバス奏者Brandon LopezとTAKアンサンブルが、2021年10月に100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1070172879\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty And\/Or Church of Plenty was a commission by TAK ensemble for Brandon Lopez. The score was part in text and part through conversation; the directions given by Lopez foreground the intuitive and concrete technical aspects of the performance. The idea was to create a complex sound-world through collaboration and seemingly simple means. The action of performing the work is a democratic and collaborative process, and each individual plays a part in the work’s creation. The democratization of this process is an important means of opposing European hierarchies in thought—aural transmission versus written scores works as a means of decolonization of the process of composition... each player in the ensemble made part-composer. The resultant sound-world is simultaneously iridescent and murky, ecstatic and foreboding.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TAK + Brandon Lopez\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、同国ニュージャージーのコントラバス奏者Brandon LopezとTAKアンサンブルが、2021年10月に100本限定でリリースしたカセットです。 フリージャズ・ドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
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{"id":7566022574330,"title":"Laplante \/ Nazary \/\/ Tunnel To Light TAPE","handle":"laplante-nazary-tunnel-to-light-tape-1","description":"\u003cp\u003eアメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国バーモント州のドラマーとサックス奏者が、2021年9月に100本限定でリリースしたカセットです。インプロ物音ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1216855741\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e Tripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTunnel To Light is the new recording from saxophonist Travis Laplante and drummer Jason Nazary; an intimate document of a 16 year musical friendship.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTunnel to Light’s side A consists of three improvised acoustic performances, recorded in Vermont during the Spring of 2021. After both musicians had spent close to a year with extremely limited in-person musical connections, the longing to play in person together felt urgent. The timing of the recording represents a celebratory moment; a return to sharing and uniting sound in the same space together. The acoustic improvisations on Tunnel to Light all have an uncanny quality of musical distillation inside of them, as if the essences of the improvisations are further revealing themselves as each moment passes. This quality is a result of the countless hours Laplante and Nazary have spent deeply listening to each other, cultivating a rare musical sensitivity even within wild and dense sonic territory. The players seem to be able to understand what WILL happen in this way that allows the listener to forget that the players have only the present and past to guide them; they have no idea what will happen! And that's the risk, and the surprise when the resulting sounds are so\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e fused.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBell High Locust, the final track of Tunnel To Light, was in fact the first piece of music made for the record. While side A finds the two musicians improvising in the same space \u0026amp; time, side B was created remotely, each contribution recorded individually, at home, during the height of the pandemic. The original framework of the piece was improvised by Nazary, experimenting with live electronics \u0026amp; various close mic'd percussion textures, from bowed cymbals to beaded shakers to multiple woodblocks and cowbells. The result was an ever evolving sonic tapestry that created the foundation for Laplante's contribution, also improvised in one take at his home in Vermont. Despite being recorded a month apart, the two performances sound as one, the musicians displaying a near telepathic bond. Finally, this composite was filtered through Nazary's unique production aesthetic, subtly shaping the piece into a hyper realistic, psychedelic landscape that is a distinctive addition to both musicians' catalog.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e******************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"TRAVIS LAPLANTE is a saxophonist, composer, improviser, and qigong practitioner living in Brooklyn, New York and southern Vermont. Laplante leads the acclaimed tenor saxophone quartet Battle Trance and Subtle Degrees, his duo with drummer Gerald Cleaver. Laplante also recently composed long-form works for new music ensembles the JACK Quartet and Yarn\/Wire while performing alongside them. Laplante is also known for his raw solo saxophone concerts and being a member of the avant-garde quartet Little Women. He has performed and\/or recorded with Trevor Dunn, Ches Smith, Peter Evans, So Percussion, Michael Formanek, Buke and Gase, Ingrid Laubrock, Darius Jones, Mat Maneri, and Matt Mitchell, among others. He has toured his music extensively and has appeared at many major international festivals such as The Moers Festival (Germany), Jazz Jantar (Poland), Saalfelden (Austria), Jazz em Agosto (Portugal), Earshot (Seattle), Hopscotch (North Carolina), and the NYC Winter JazzFest. As a composer, Laplante has recently been commissioned by the Lucerne Festival (Switzerland), the JACK Quartet, Roulette (Brooklyn, NY), Yarn\/Wire, and The Jerome Foundation. As a qigong student of master Robert Peng, Laplante has undergone traditional intensive training. His focus in recent years, under the tutelage of Laura Stelmok, has been on Taoist alchemical medicine and the cultivation of the heart. Laplante is passionate about the intersection of music and medicine. He and his wife are the founders of Sword Hands, a qigong and acupuncture healing practice based in Brooklyn, New York and Putney, Vermont.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJASON NAZARY is a drummer\/producer\/improviser\/composer from Atlanta and based in Brooklyn. Jason has been a force in New York's creative music scene for over a decade. Fascinated by the intersection of acoustic \u0026amp; music, Nazary has released 2 EPs and most recently a debut record, entitled Spring Collection, that explore the use of acoustic drums as trigger and control sources for electronic instruments in the context of raw, minimalist composition and improvisation. On Spring Collection, the Wire says - \"wonky and woozy, teaming with detail, this is truly cosmic music.\" He also co-leads a number of ensembles, among them the dystopian electro noise duo Clebs with singer Emilie Weibel, and Anteloper, an improvising modular beat shredding duo with trumpeter\/juno explorer Jaimie Branch. He is also well known for his work in the avant garde free jazz soul quartet, Little Women. Nazary has also performed \u0026amp; recorded with celebrated musicians from across the musical spectrum, including Helado Negro, Olga Bell, Darius Jones, Joe Morris, to name just a few. He has also performed internationally at festivals such as La Villete (France), Moers (Germany), Jazz Jantar (Poland), Saafelden (Austria), Jazz em Augusto (Portugal), Jazz Cerkno (Slovenia), Winter Jazz (NYC) and Sonic Transmissions (Austin, TX).\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Laplante \/ Nazary\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T14:58:12+09:00","created_at":"2022-03-14T13:58:17+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","sale22","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526037115130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Laplante \/ Nazary \/\/ Tunnel To Light TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2830bd51-c134-4bea-a93d-21ee73934535.jpg?v=1647233899","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_a63c8e9d-cc77-434a-8352-84c2fbc639fd.jpg?v=1647233899"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2830bd51-c134-4bea-a93d-21ee73934535.jpg?v=1647233899","options":["Title"],"media":[{"alt":null,"id":29300754252026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2830bd51-c134-4bea-a93d-21ee73934535.jpg?v=1647233899"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2830bd51-c134-4bea-a93d-21ee73934535.jpg?v=1647233899","width":700},{"alt":null,"id":29300754284794,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_a63c8e9d-cc77-434a-8352-84c2fbc639fd.jpg?v=1647233899"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_a63c8e9d-cc77-434a-8352-84c2fbc639fd.jpg?v=1647233899","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国バーモント州のドラマーとサックス奏者が、2021年9月に100本限定でリリースしたカセットです。インプロ物音ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1216855741\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e Tripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTunnel To Light is the new recording from saxophonist Travis Laplante and drummer Jason Nazary; an intimate document of a 16 year musical friendship.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTunnel to Light’s side A consists of three improvised acoustic performances, recorded in Vermont during the Spring of 2021. After both musicians had spent close to a year with extremely limited in-person musical connections, the longing to play in person together felt urgent. The timing of the recording represents a celebratory moment; a return to sharing and uniting sound in the same space together. The acoustic improvisations on Tunnel to Light all have an uncanny quality of musical distillation inside of them, as if the essences of the improvisations are further revealing themselves as each moment passes. This quality is a result of the countless hours Laplante and Nazary have spent deeply listening to each other, cultivating a rare musical sensitivity even within wild and dense sonic territory. The players seem to be able to understand what WILL happen in this way that allows the listener to forget that the players have only the present and past to guide them; they have no idea what will happen! And that's the risk, and the surprise when the resulting sounds are so\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e fused.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBell High Locust, the final track of Tunnel To Light, was in fact the first piece of music made for the record. While side A finds the two musicians improvising in the same space \u0026amp; time, side B was created remotely, each contribution recorded individually, at home, during the height of the pandemic. The original framework of the piece was improvised by Nazary, experimenting with live electronics \u0026amp; various close mic'd percussion textures, from bowed cymbals to beaded shakers to multiple woodblocks and cowbells. The result was an ever evolving sonic tapestry that created the foundation for Laplante's contribution, also improvised in one take at his home in Vermont. Despite being recorded a month apart, the two performances sound as one, the musicians displaying a near telepathic bond. Finally, this composite was filtered through Nazary's unique production aesthetic, subtly shaping the piece into a hyper realistic, psychedelic landscape that is a distinctive addition to both musicians' catalog.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e******************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"TRAVIS LAPLANTE is a saxophonist, composer, improviser, and qigong practitioner living in Brooklyn, New York and southern Vermont. Laplante leads the acclaimed tenor saxophone quartet Battle Trance and Subtle Degrees, his duo with drummer Gerald Cleaver. Laplante also recently composed long-form works for new music ensembles the JACK Quartet and Yarn\/Wire while performing alongside them. Laplante is also known for his raw solo saxophone concerts and being a member of the avant-garde quartet Little Women. He has performed and\/or recorded with Trevor Dunn, Ches Smith, Peter Evans, So Percussion, Michael Formanek, Buke and Gase, Ingrid Laubrock, Darius Jones, Mat Maneri, and Matt Mitchell, among others. He has toured his music extensively and has appeared at many major international festivals such as The Moers Festival (Germany), Jazz Jantar (Poland), Saalfelden (Austria), Jazz em Agosto (Portugal), Earshot (Seattle), Hopscotch (North Carolina), and the NYC Winter JazzFest. As a composer, Laplante has recently been commissioned by the Lucerne Festival (Switzerland), the JACK Quartet, Roulette (Brooklyn, NY), Yarn\/Wire, and The Jerome Foundation. As a qigong student of master Robert Peng, Laplante has undergone traditional intensive training. His focus in recent years, under the tutelage of Laura Stelmok, has been on Taoist alchemical medicine and the cultivation of the heart. Laplante is passionate about the intersection of music and medicine. He and his wife are the founders of Sword Hands, a qigong and acupuncture healing practice based in Brooklyn, New York and Putney, Vermont.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJASON NAZARY is a drummer\/producer\/improviser\/composer from Atlanta and based in Brooklyn. Jason has been a force in New York's creative music scene for over a decade. Fascinated by the intersection of acoustic \u0026amp; music, Nazary has released 2 EPs and most recently a debut record, entitled Spring Collection, that explore the use of acoustic drums as trigger and control sources for electronic instruments in the context of raw, minimalist composition and improvisation. On Spring Collection, the Wire says - \"wonky and woozy, teaming with detail, this is truly cosmic music.\" He also co-leads a number of ensembles, among them the dystopian electro noise duo Clebs with singer Emilie Weibel, and Anteloper, an improvising modular beat shredding duo with trumpeter\/juno explorer Jaimie Branch. He is also well known for his work in the avant garde free jazz soul quartet, Little Women. Nazary has also performed \u0026amp; recorded with celebrated musicians from across the musical spectrum, including Helado Negro, Olga Bell, Darius Jones, Joe Morris, to name just a few. He has also performed internationally at festivals such as La Villete (France), Moers (Germany), Jazz Jantar (Poland), Saafelden (Austria), Jazz em Augusto (Portugal), Jazz Cerkno (Slovenia), Winter Jazz (NYC) and Sonic Transmissions (Austin, TX).\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Laplante \/ Nazary\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。 本作は、同国バーモント州のドラマーとサックス奏者が、2021年9月に100本限定でリリースしたカセットです。インプロ物音ジャズ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ------------------------...
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{"id":7566021329146,"title":"L'Ocell \u0026 Ferran Fages \/\/ El Declivi TAPE","handle":"locell-ferran-fages-el-declivi-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スペインのコントラバス奏者Àlex ReviriegoとギタリストFernando Carrasco によるデュオL'OcellとギタリストFerran Fagesが、2022年3月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1790698914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eL'Ocell is the duo project of Àlex Reviriego (double bass) and Fernando Carrasco (acoustic guitar), since 2015. El Declivi, their third release, was recorded featuring Ferran Fages on electric guitar in an old church in Miànigues, a small town in the province of Girona (Catalonia), after a period of collaboration as a trio in which they performed several concerts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheir free improvised music shapes cathartic and primitive drones and soundscapes. Dark beauty passages, with psych folk and early music reminiscences, are interfered and disrupted by unexpected apparitions of metallic noises, chaotic percussions and amorphous noises. The oases of harmonies degrade and collapse as a construction abandoned at the mercy of the relentless effects of time and nature.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe three musicians involved on this recording know each other well due to being part of Barcelona's improvised and weird music scene, and have played together on other projects such as Phicus and Ràdium, where Reviriego and Fages collaborate. Carrasco and Reviriego, in addition to L'Ocell, were part of Völga and have performed live together in many different ensembles and contexts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : L'Ocell \u0026amp; Ferran Fages\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T15:10:14+09:00","created_at":"2022-03-14T13:53:23+09:00","vendor":"Tobira Records","type":"","tags":["drone","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526034657530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"L'Ocell \u0026 Ferran Fages \/\/ El Declivi TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_32847749-64ad-4fa5-a99e-56b617dd5e34.jpg?v=1647233605","\/\/tobirarecords.com\/cdn\/shop\/products\/el2_ea8fb373-7e39-40ff-b053-b67edca16df2.jpg?v=1647233605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_32847749-64ad-4fa5-a99e-56b617dd5e34.jpg?v=1647233605","options":["Title"],"media":[{"alt":null,"id":29300739047674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_32847749-64ad-4fa5-a99e-56b617dd5e34.jpg?v=1647233605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_32847749-64ad-4fa5-a99e-56b617dd5e34.jpg?v=1647233605","width":700},{"alt":null,"id":29300739080442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_ea8fb373-7e39-40ff-b053-b67edca16df2.jpg?v=1647233605"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_ea8fb373-7e39-40ff-b053-b67edca16df2.jpg?v=1647233605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スペインのコントラバス奏者Àlex ReviriegoとギタリストFernando Carrasco によるデュオL'OcellとギタリストFerran Fagesが、2022年3月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1790698914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eL'Ocell is the duo project of Àlex Reviriego (double bass) and Fernando Carrasco (acoustic guitar), since 2015. El Declivi, their third release, was recorded featuring Ferran Fages on electric guitar in an old church in Miànigues, a small town in the province of Girona (Catalonia), after a period of collaboration as a trio in which they performed several concerts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTheir free improvised music shapes cathartic and primitive drones and soundscapes. Dark beauty passages, with psych folk and early music reminiscences, are interfered and disrupted by unexpected apparitions of metallic noises, chaotic percussions and amorphous noises. The oases of harmonies degrade and collapse as a construction abandoned at the mercy of the relentless effects of time and nature.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe three musicians involved on this recording know each other well due to being part of Barcelona's improvised and weird music scene, and have played together on other projects such as Phicus and Ràdium, where Reviriego and Fages collaborate. Carrasco and Reviriego, in addition to L'Ocell, were part of Völga and have performed live together in many different ensembles and contexts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : L'Ocell \u0026amp; Ferran Fages\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、スペインのコントラバス奏者Àlex ReviriegoとギタリストFernando Carrasco によるデュオL'OcellとギタリストFerran Fagesが、2022年3月に75本限定でリリースしたカセットです。 アコースティック・ドローン9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes...
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{"id":7566020411642,"title":"Luke Stewart \/\/ Works For Electric Bass Guitar TAPE","handle":"luke-stewart-works-for-electric-bass-guitar-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 同国ワシントンのベーシストLuke Stewartが、2021年9月に100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e題の通り、エレキベース一本槍のインプロ5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=179925260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWorks For Electric Bass Guitar is a collection of focused improvisations. Using extended techniques, a unique sound is created, oftentimes unlike anything for a bass guitar. All recorded in one take.'\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T15:06:44+09:00","created_at":"2022-03-14T13:49:56+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526032363770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Luke Stewart \/\/ Works For Electric Bass Guitar TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_1e12c065-2643-4d85-9f5d-d27166194b36.jpg?v=1647233398","\/\/tobirarecords.com\/cdn\/shop\/products\/gu2_82e56769-883b-43a9-9ca4-a666a3744e22.jpg?v=1647233400"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_1e12c065-2643-4d85-9f5d-d27166194b36.jpg?v=1647233398","options":["Title"],"media":[{"alt":null,"id":29300729151738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_1e12c065-2643-4d85-9f5d-d27166194b36.jpg?v=1647233398"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu1_1e12c065-2643-4d85-9f5d-d27166194b36.jpg?v=1647233398","width":700},{"alt":null,"id":29300729184506,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu2_82e56769-883b-43a9-9ca4-a666a3744e22.jpg?v=1647233400"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gu2_82e56769-883b-43a9-9ca4-a666a3744e22.jpg?v=1647233400","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 同国ワシントンのベーシストLuke Stewartが、2021年9月に100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e題の通り、エレキベース一本槍のインプロ5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=179925260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWorks For Electric Bass Guitar is a collection of focused improvisations. Using extended techniques, a unique sound is created, oftentimes unlike anything for a bass guitar. All recorded in one take.'\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、 同国ワシントンのベーシストLuke Stewartが、2021年9月に100本限定でリリースしたカセットです。 題の通り、エレキベース一本槍のインプロ5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available...
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{"id":7566014349562,"title":"The Pitch \/\/ KM28 TAPE","handle":"the-pitch-km28-tape-1","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツ・ベルリンのアコースティック・ドローンバンドThe Pitchが、2021年7月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eクラリネットやビブラフォン、アップライトベース、オルガンなどによるドローン6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1825413331\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKM28 is a registration of a Pitch concert in their hometown Berlin, in their favorite borough: Neukoelln, and their favorite venue: KM28. After having played in Poland the night before they’re warmed up, slightly hung over, and very ready to play this new repertoire to a, Covid-restricted, sold-out house.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe musical material delves deeper into Just Intonation and, for the first time, uses subgroups (solos, duos, trios) in a substantial way, to create a richer palette for the whole performance. In parts eschewing the otherwise quite dominant Harmona organ for an in depth listen to the timbres of scordatura tuned, plucked, bass harmonics, clarinet multiphonics blended with Just Intonation vibraphone, home-made, manipulated tape echo and a variety of computer-generated sine tone textures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluded in this set, played as one long hypnotizing suite, are a new JI version of the classic ‘Frozen Surface’ piece and a reworking of a recent Pitch and String Quartet ‘Pillars’ piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is truly a comprehensive aural picture of The Pitch in late 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe Pitch is a Berlin-based ensemble founded in 2009\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoris Baltschun - JI\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eorgan, sines\u003cbr data-mce-fragment=\"1\"\u003eKoen Nutters - upright bass\u003cbr data-mce-fragment=\"1\"\u003eMorten Joh - JI electric vibes, cassette tape delay\u003cbr data-mce-fragment=\"1\"\u003eMichael Thieke - clarinet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith acoustic instruments and minimal live-electronics they collectively compose structures which generate hypnotic melodic movement and deep acoustic textures. Bowed and struck vibraphone tones resonate with bowed bass harmonics, doubled by clarinet and reinforced by organ and sine tones. An intensely focused performance creates an atmosphere where the listener's perception is slowed down to make the smallest sonic details move from background to foreground. The group continually expands into new terrain of musical material and playing styles inspired by fundamental states of matter (and variations thereof) - frozen surfaces, gaseous states, plasmatic fibrils, liquid patterns and molecular motion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely colourful, shifting densitie\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Pitch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tape\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T14:59:04+09:00","created_at":"2022-03-14T13:35:46+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526009131258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Pitch \/\/ KM28 TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_77463fa9-ea8d-4c1e-ac64-d9dc4894ad43.jpg?v=1647232549","\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_14a04ba1-bcad-4362-9f6b-e18dea65c68f.jpg?v=1647232549"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_77463fa9-ea8d-4c1e-ac64-d9dc4894ad43.jpg?v=1647232549","options":["Title"],"media":[{"alt":null,"id":29300680982778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_77463fa9-ea8d-4c1e-ac64-d9dc4894ad43.jpg?v=1647232549"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_77463fa9-ea8d-4c1e-ac64-d9dc4894ad43.jpg?v=1647232549","width":700},{"alt":null,"id":29300681015546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_14a04ba1-bcad-4362-9f6b-e18dea65c68f.jpg?v=1647232549"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_14a04ba1-bcad-4362-9f6b-e18dea65c68f.jpg?v=1647232549","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツ・ベルリンのアコースティック・ドローンバンドThe Pitchが、2021年7月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eクラリネットやビブラフォン、アップライトベース、オルガンなどによるドローン6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1825413331\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKM28 is a registration of a Pitch concert in their hometown Berlin, in their favorite borough: Neukoelln, and their favorite venue: KM28. After having played in Poland the night before they’re warmed up, slightly hung over, and very ready to play this new repertoire to a, Covid-restricted, sold-out house.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe musical material delves deeper into Just Intonation and, for the first time, uses subgroups (solos, duos, trios) in a substantial way, to create a richer palette for the whole performance. In parts eschewing the otherwise quite dominant Harmona organ for an in depth listen to the timbres of scordatura tuned, plucked, bass harmonics, clarinet multiphonics blended with Just Intonation vibraphone, home-made, manipulated tape echo and a variety of computer-generated sine tone textures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluded in this set, played as one long hypnotizing suite, are a new JI version of the classic ‘Frozen Surface’ piece and a reworking of a recent Pitch and String Quartet ‘Pillars’ piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is truly a comprehensive aural picture of The Pitch in late 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe Pitch is a Berlin-based ensemble founded in 2009\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoris Baltschun - JI\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eorgan, sines\u003cbr data-mce-fragment=\"1\"\u003eKoen Nutters - upright bass\u003cbr data-mce-fragment=\"1\"\u003eMorten Joh - JI electric vibes, cassette tape delay\u003cbr data-mce-fragment=\"1\"\u003eMichael Thieke - clarinet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith acoustic instruments and minimal live-electronics they collectively compose structures which generate hypnotic melodic movement and deep acoustic textures. Bowed and struck vibraphone tones resonate with bowed bass harmonics, doubled by clarinet and reinforced by organ and sine tones. An intensely focused performance creates an atmosphere where the listener's perception is slowed down to make the smallest sonic details move from background to foreground. The group continually expands into new terrain of musical material and playing styles inspired by fundamental states of matter (and variations thereof) - frozen surfaces, gaseous states, plasmatic fibrils, liquid patterns and molecular motion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely colourful, shifting densitie\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Pitch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tape\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、ドイツ・ベルリンのアコースティック・ドローンバンドThe Pitchが、2021年7月に75本限定でリリースしたカセットです。 クラリネットやビブラフォン、アップライトベース、オルガンなどによるドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at...
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{"id":7566013333754,"title":"The Relatives \/\/ The Relatives TAPE","handle":"the-relatives-the-relatives-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国\u003cmeta charset=\"utf-8\"\u003eT.J. Borden (cello), James McKain (tenor sax), and Leo Suarez (drums\/perc)によるインプロバンドThe Relativesが、2022年3月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3682002272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Relatives is a new group split between New York City and Philadelphia consisting of T.J. Borden (cello), James McKain (tenor sax), and Leo Suarez (drums\/perc). After many sessions and live performances of various groupings, this self-titled release is the trio’s debut recording, displaying a personally refined approach to pointillistic communication, interplay and the construction\/demolition of static foundations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArriving at the NorthEast megalopolis from distant isolation (Western NY, Southern Illinois, Central FL),The Relatives came about through a mixture of playing shows along the East Coast, various Spring Garden House sessions, lunches at Café Nhan, and lengthy discussions of many things musical and extra-musical. The group began specifically honing in on a trio language around the Winter of 2020 and started meeting for frequent sessions. In March of 2021, this recording was engineered in North Philly by Jared Radichel, and mixed\/mastered by Nathan Corder. Outside of the group, Borden, McKain and Suarez all work in a wide spectrum of sound environments, but collectively approach The Relatives as a focused improvising unit, simultaneously digesting and emitting particles of influence and musical syntax.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Relatives\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-14T15:16:32+09:00","created_at":"2022-03-14T13:33:19+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42526006870266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Relatives \/\/ The Relatives TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_cc75ace7-2c2e-49a9-80c2-a0be0e90b085.jpg?v=1647232401","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_ba0c5b66-a49f-48a3-8f5b-5cfbe23014f0.jpg?v=1647232401"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_cc75ace7-2c2e-49a9-80c2-a0be0e90b085.jpg?v=1647232401","options":["Title"],"media":[{"alt":null,"id":29300673020154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_cc75ace7-2c2e-49a9-80c2-a0be0e90b085.jpg?v=1647232401"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_cc75ace7-2c2e-49a9-80c2-a0be0e90b085.jpg?v=1647232401","width":700},{"alt":null,"id":29300673052922,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_ba0c5b66-a49f-48a3-8f5b-5cfbe23014f0.jpg?v=1647232401"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_ba0c5b66-a49f-48a3-8f5b-5cfbe23014f0.jpg?v=1647232401","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国\u003cmeta charset=\"utf-8\"\u003eT.J. Borden (cello), James McKain (tenor sax), and Leo Suarez (drums\/perc)によるインプロバンドThe Relativesが、2022年3月に75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3682002272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eTripticks Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Relatives is a new group split between New York City and Philadelphia consisting of T.J. Borden (cello), James McKain (tenor sax), and Leo Suarez (drums\/perc). After many sessions and live performances of various groupings, this self-titled release is the trio’s debut recording, displaying a personally refined approach to pointillistic communication, interplay and the construction\/demolition of static foundations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArriving at the NorthEast megalopolis from distant isolation (Western NY, Southern Illinois, Central FL),The Relatives came about through a mixture of playing shows along the East Coast, various Spring Garden House sessions, lunches at Café Nhan, and lengthy discussions of many things musical and extra-musical. The group began specifically honing in on a trio language around the Winter of 2020 and started meeting for frequent sessions. In March of 2021, this recording was engineered in North Philly by Jared Radichel, and mixed\/mastered by Nathan Corder. Outside of the group, Borden, McKain and Suarez all work in a wide spectrum of sound environments, but collectively approach The Relatives as a focused improvising unit, simultaneously digesting and emitting particles of influence and musical syntax.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Relatives\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、同国T.J. Borden (cello), James McKain (tenor sax), and Leo Suarez (drums/perc)によるインプロバンドThe Relativesが、2022年3月に75本限定でリリースしたカセットです。...
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{"id":7015007649957,"title":"Nat Baldwin \/\/ AUTONOMIA III: Endnotes TAPE","handle":"nat-baldwin-autonomia-iii-endnotes-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国メイン州物音ジャズ作家Nat Baldwinが、2020年10月に75本限定でリリースしたカセットです。インプロ物音ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581214852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eText by \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNat Baldwin's AUTONOMIA III: Endnotes extends his series of experimental works for solo double bass, marking his third and final release of 2020. Its precursors include AUTONOMIA I: Body Without Organs (Shinkoyo) and AUTONOMIA II: Recombinations (Traced Objects). Endnotes embraces perhaps an even more extreme form of reductionism than the previous works. Like its predecessors, however, even when engaging the highly concentrated approaches associated with noise and new music, the expressivity and energy generated through the spirit of free improvisation remains a powerful presence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album opens with “polarities”, featuring the bass lying flat on its back, a strategy that provided the closing tracks on the previous two albums. The metal peg at the bottom of the bass, used to adjust its height, acts as the primary sonic source by removing it to attack the two wires and its surroundings below the body, as well as the strings below the bridge, creating a polyphony of overlapping textures. Bringing the bass back to its upright stance, the next track, “hydra”, emphasizes repetition and velocity through aggressive circular bowing techniques aided by an additional bow jammed between the strings and fingerboard. The position of the prepared bow stays the same for the title track “endnotes”, but the right hand\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e shifts to microscopic spiccato bursts and hushed percussive gestures. The album closes with “currents”, celebrating the high harmonic range of the double bass with a patient arch of expanding dynamics and density, its peak providing the proper climax to an explosive body of work produced by Baldwin over the past year.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nat Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-02T15:43:37+09:00","created_at":"2021-08-31T12:22:15+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40695591108773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nat Baldwin \/\/ AUTONOMIA III: Endnotes TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/au1_8a29092d-5907-4db0-86a3-6133281422ea.jpg?v=1630380137","\/\/tobirarecords.com\/cdn\/shop\/products\/au2_018a17fd-2508-4354-9748-1310c4bcc1bf.jpg?v=1630380137"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_8a29092d-5907-4db0-86a3-6133281422ea.jpg?v=1630380137","options":["Title"],"media":[{"alt":null,"id":23554270920869,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_8a29092d-5907-4db0-86a3-6133281422ea.jpg?v=1630380137"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_8a29092d-5907-4db0-86a3-6133281422ea.jpg?v=1630380137","width":700},{"alt":null,"id":23554270953637,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au2_018a17fd-2508-4354-9748-1310c4bcc1bf.jpg?v=1630380137"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au2_018a17fd-2508-4354-9748-1310c4bcc1bf.jpg?v=1630380137","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国メイン州物音ジャズ作家Nat Baldwinが、2020年10月に75本限定でリリースしたカセットです。インプロ物音ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581214852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eText by \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNat Baldwin's AUTONOMIA III: Endnotes extends his series of experimental works for solo double bass, marking his third and final release of 2020. Its precursors include AUTONOMIA I: Body Without Organs (Shinkoyo) and AUTONOMIA II: Recombinations (Traced Objects). Endnotes embraces perhaps an even more extreme form of reductionism than the previous works. Like its predecessors, however, even when engaging the highly concentrated approaches associated with noise and new music, the expressivity and energy generated through the spirit of free improvisation remains a powerful presence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album opens with “polarities”, featuring the bass lying flat on its back, a strategy that provided the closing tracks on the previous two albums. The metal peg at the bottom of the bass, used to adjust its height, acts as the primary sonic source by removing it to attack the two wires and its surroundings below the body, as well as the strings below the bridge, creating a polyphony of overlapping textures. Bringing the bass back to its upright stance, the next track, “hydra”, emphasizes repetition and velocity through aggressive circular bowing techniques aided by an additional bow jammed between the strings and fingerboard. The position of the prepared bow stays the same for the title track “endnotes”, but the right hand\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e shifts to microscopic spiccato bursts and hushed percussive gestures. The album closes with “currents”, celebrating the high harmonic range of the double bass with a patient arch of expanding dynamics and density, its peak providing the proper climax to an explosive body of work produced by Baldwin over the past year.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nat Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、同国メイン州物音ジャズ作家Nat Baldwinが、2020年10月に75本限定でリリースしたカセットです。インプロ物音ジャズ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
¥1,590
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{"id":7015003390117,"title":"Patrick Shiroishi \/\/ Resting In the Heart of Green Shade TAPE","handle":"patrick-shiroishi-resting-in-the-heart-of-green-shade-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、風物詩バンドのメンバーでもあるLAのサックス奏者Patrick Shiroishiが、2021年2月に100本限定でリリースしたカセットです。サックス一本によるインプロ4曲を収録。DLコード付属。既に廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1661511700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by Matthew Sage (Cachedmedia):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatrick Shiroishi is a prolific voice in the burgeoning world where experimental music and jazz playfully overlap. He is constantly collaborating with groups, including his own collective, Danketsu 10. These collaborations find him typically adding lyrical voicings through his woodwinds, predominantly the saxophone. On Resting in the Heart of Green Shade, Shiroishi goes solo, and does so with provocative aplomb.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese four explorations of tension and release, of melody and dissonance, become a study of potential for the arrays of personality that await activation inside these instruments. These four offerings are character studies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn “Words Turn Into Stone” alto saxophone becomes a conversational presence and absence. Moving between blistering dissonant arpeggios, strained halftone slow motion harmonic bellows, and at times utterly noteless rattles of pads and keys being slammed in an otherwise silent room, there is a spellbinding sense of dynamism at play that only comes from a deep intimacy with an instrument. Shiroishi is a storyteller here, and the story is one where a shady hero goes through twists and turns. The tension of the track suddenly opens up at the end into a bubbling set of fifths that feel like\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Reich riding off the rails before peeling off into chattering pads and honking blows separated by witty silences. A kind of victory of personality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Orange Pedals” dwells in far more pastoral and nostalgic terrain before turning into an almost humorous piece. The soprano sax here lilts at places in soft and flowing phrases, then squeals like grass pinched between the thumbs. Suddenly it begins to ruffle and chitter, almost giggling in pizzicato. There is a playful and joyous sensability here, a kind of comedic inflection, even though the demands of this skillful playership are anything to laugh at.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paper Mountain” announces its sturdy presence, this time on tenor saxophone, with timbrel foghorn blasts and timed silences in a sequence that then pivots into delicate harmonics. There is a dual presence here too, of the mountain that sits firmly and the sky that it juts up into. The air that circles the peak is thin and wispy though the landscape is unmoving and craggy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShiroishi pushes his compositions, his characters, his instruments, into a state of crisis; on “Paper Mountain” there is a storm that breaks in and out, coming in blasts and fluttering away into silences. Cascading half-played voicings roll down from the peak and into the canyon below where they bounce and refract as the chasm swallows the melody.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “The Very Heart of Things” Shiroishi returns to alto sax, this time conjuring a patient and stoic portrait in minor keys. This track is the most lyrical of the four, though not compromising Shiroishi’s skillful sense of daring. He turns a familiar musical phrase inside out, upside down, and around itself through his complex playership. The character here is maudlin, self-critical, doubtful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSolo instrumental works can invite a structural sensibility to some; in the vacuum that befalls a solo recording when the player stops, there can be a fear of rest, of silence, of untouched space that demands a kind of hyperactivity to fill those beguiling emptinesses. Shiroishi huffs into those silences, he pulls back in the crises, he leans in and tells jokes, he asks questions. Though the pieces are far from structural, they are profoundly intimate and cunning in how they capture the dynamic character of these instruments and the air coursing through them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---Matthew Sage\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patrick Shiroishi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-02T15:31:09+09:00","created_at":"2021-08-31T12:20:20+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40695582785701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Patrick Shiroishi \/\/ Resting In the Heart of Green Shade TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_147d82c0-f1e9-4be7-b9de-f391742013fe.jpg?v=1630380021","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_5a8535df-f843-4725-a479-84bedb649473.jpg?v=1630380021"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_147d82c0-f1e9-4be7-b9de-f391742013fe.jpg?v=1630380021","options":["Title"],"media":[{"alt":null,"id":23554257911973,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_147d82c0-f1e9-4be7-b9de-f391742013fe.jpg?v=1630380021"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_147d82c0-f1e9-4be7-b9de-f391742013fe.jpg?v=1630380021","width":700},{"alt":null,"id":23554257944741,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_5a8535df-f843-4725-a479-84bedb649473.jpg?v=1630380021"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_5a8535df-f843-4725-a479-84bedb649473.jpg?v=1630380021","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、風物詩バンドのメンバーでもあるLAのサックス奏者Patrick Shiroishiが、2021年2月に100本限定でリリースしたカセットです。サックス一本によるインプロ4曲を収録。DLコード付属。既に廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1661511700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by Matthew Sage (Cachedmedia):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatrick Shiroishi is a prolific voice in the burgeoning world where experimental music and jazz playfully overlap. He is constantly collaborating with groups, including his own collective, Danketsu 10. These collaborations find him typically adding lyrical voicings through his woodwinds, predominantly the saxophone. On Resting in the Heart of Green Shade, Shiroishi goes solo, and does so with provocative aplomb.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese four explorations of tension and release, of melody and dissonance, become a study of potential for the arrays of personality that await activation inside these instruments. These four offerings are character studies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn “Words Turn Into Stone” alto saxophone becomes a conversational presence and absence. Moving between blistering dissonant arpeggios, strained halftone slow motion harmonic bellows, and at times utterly noteless rattles of pads and keys being slammed in an otherwise silent room, there is a spellbinding sense of dynamism at play that only comes from a deep intimacy with an instrument. Shiroishi is a storyteller here, and the story is one where a shady hero goes through twists and turns. The tension of the track suddenly opens up at the end into a bubbling set of fifths that feel like\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Reich riding off the rails before peeling off into chattering pads and honking blows separated by witty silences. A kind of victory of personality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Orange Pedals” dwells in far more pastoral and nostalgic terrain before turning into an almost humorous piece. The soprano sax here lilts at places in soft and flowing phrases, then squeals like grass pinched between the thumbs. Suddenly it begins to ruffle and chitter, almost giggling in pizzicato. There is a playful and joyous sensability here, a kind of comedic inflection, even though the demands of this skillful playership are anything to laugh at.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paper Mountain” announces its sturdy presence, this time on tenor saxophone, with timbrel foghorn blasts and timed silences in a sequence that then pivots into delicate harmonics. There is a dual presence here too, of the mountain that sits firmly and the sky that it juts up into. The air that circles the peak is thin and wispy though the landscape is unmoving and craggy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShiroishi pushes his compositions, his characters, his instruments, into a state of crisis; on “Paper Mountain” there is a storm that breaks in and out, coming in blasts and fluttering away into silences. Cascading half-played voicings roll down from the peak and into the canyon below where they bounce and refract as the chasm swallows the melody.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “The Very Heart of Things” Shiroishi returns to alto sax, this time conjuring a patient and stoic portrait in minor keys. This track is the most lyrical of the four, though not compromising Shiroishi’s skillful sense of daring. He turns a familiar musical phrase inside out, upside down, and around itself through his complex playership. The character here is maudlin, self-critical, doubtful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSolo instrumental works can invite a structural sensibility to some; in the vacuum that befalls a solo recording when the player stops, there can be a fear of rest, of silence, of untouched space that demands a kind of hyperactivity to fill those beguiling emptinesses. Shiroishi huffs into those silences, he pulls back in the crises, he leans in and tells jokes, he asks questions. Though the pieces are far from structural, they are profoundly intimate and cunning in how they capture the dynamic character of these instruments and the air coursing through them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---Matthew Sage\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patrick Shiroishi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、風物詩バンドのメンバーでもあるLAのサックス奏者Patrick Shiroishiが、2021年2月に100本限定でリリースしたカセットです。サックス一本によるインプロ4曲を収録。DLコード付属。既に廃盤です。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
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{"id":7014998638757,"title":"Phicus \/\/ Liquid TAPE","handle":"phicus-liquid-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スペイン・バルセロナのインプロトリオPhicusが、2021年3月に100本限定でリリースしたカセットです。物音・ドローンジャズ43分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1290451161\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom the very beginning of the band there has been a dichotomy in the heart of Phicus' music: for every loud and aggressive impulse there's an instinct that leads back to the more meditative and static territories. A ying for every yang. A cold and hidden dark side of the moon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe initial plan for the recording of the second album was to make something louder, sludgier, much nastier than the first release Plom or their collaborations with Martin Küchen and Illia Belorukov. During the live European dates of the previous year they had been playing noisier and harder than ever before, building sets around down-tuned double bass bowings, guitar feedback and sulphurous drumming. It was fun. It was wild. It felt natural for the band to plan the recording session in that direction.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd, in a way, that was how the session went. The working titles speak for themselves: several \"Doom\" pieces, \"Gorecki Hardcore\"… as always happens, it wasn't exactly as planned, but it worked out quite well. Much of the music included in Solid (Astral Spirits 2020) was from these early sessions. They were excited about finally making the \"loud\" album, but....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...but, as said before, the double nature of Phicus\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e started to play its games. What if what they just recorded was some sort of \"photographic negative\" of another album, the \"real\" one that they should be making instead? Or maybe they should do this \"other\" album, the \"quiet one\", to work as a canvas for the \"real\" one? Who is the doppelganger and who is the \"me\"?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo they just did it. They moved the double bass outside of the cabin where it was placed for the previous day sessions, turned down the amps and started playing some of their most meditative music to date. And the point is that it was easy. Not just easy, it was effortless. The very first 40 minutes of music from this \"alternative\" session are captured here on Liquid.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaken as an isolated piece of music it works as the best display yet of the band's more contemplative playing. A faded photography of an almost forgotten memory. Beautiful but slightly unsettling. But if you take it as a part of a bigger picture you can't avoid finding echoes of its sibling's brutality everywhere. A slab of distorted guitar is now a subtle long tone, the metallic growl of the cymbals is now a shimmering bell-like sound, the savage multiphonics are now gentle bowed harmonics. Nothing really disappearing, just suffering a change. Sea-change, into something rich and strange.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom solid state to liquid state. And back.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phicus\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-02T15:37:17+09:00","created_at":"2021-08-31T12:18:06+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","monooto","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40695573545125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phicus \/\/ Liquid TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_4cfb2488-8d72-4ae1-ad01-6d3c12e65926.jpg?v=1630379888","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_4d874e56-0fb7-414b-8a86-1ab23b6712b6.jpg?v=1630379888"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_4cfb2488-8d72-4ae1-ad01-6d3c12e65926.jpg?v=1630379888","options":["Title"],"media":[{"alt":null,"id":23554241691813,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_4cfb2488-8d72-4ae1-ad01-6d3c12e65926.jpg?v=1630379888"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_4cfb2488-8d72-4ae1-ad01-6d3c12e65926.jpg?v=1630379888","width":700},{"alt":null,"id":23554241757349,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_4d874e56-0fb7-414b-8a86-1ab23b6712b6.jpg?v=1630379888"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_4d874e56-0fb7-414b-8a86-1ab23b6712b6.jpg?v=1630379888","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スペイン・バルセロナのインプロトリオPhicusが、2021年3月に100本限定でリリースしたカセットです。物音・ドローンジャズ43分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1290451161\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom the very beginning of the band there has been a dichotomy in the heart of Phicus' music: for every loud and aggressive impulse there's an instinct that leads back to the more meditative and static territories. A ying for every yang. A cold and hidden dark side of the moon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe initial plan for the recording of the second album was to make something louder, sludgier, much nastier than the first release Plom or their collaborations with Martin Küchen and Illia Belorukov. During the live European dates of the previous year they had been playing noisier and harder than ever before, building sets around down-tuned double bass bowings, guitar feedback and sulphurous drumming. It was fun. It was wild. It felt natural for the band to plan the recording session in that direction.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd, in a way, that was how the session went. The working titles speak for themselves: several \"Doom\" pieces, \"Gorecki Hardcore\"… as always happens, it wasn't exactly as planned, but it worked out quite well. Much of the music included in Solid (Astral Spirits 2020) was from these early sessions. They were excited about finally making the \"loud\" album, but....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...but, as said before, the double nature of Phicus\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e started to play its games. What if what they just recorded was some sort of \"photographic negative\" of another album, the \"real\" one that they should be making instead? Or maybe they should do this \"other\" album, the \"quiet one\", to work as a canvas for the \"real\" one? Who is the doppelganger and who is the \"me\"?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo they just did it. They moved the double bass outside of the cabin where it was placed for the previous day sessions, turned down the amps and started playing some of their most meditative music to date. And the point is that it was easy. Not just easy, it was effortless. The very first 40 minutes of music from this \"alternative\" session are captured here on Liquid.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaken as an isolated piece of music it works as the best display yet of the band's more contemplative playing. A faded photography of an almost forgotten memory. Beautiful but slightly unsettling. But if you take it as a part of a bigger picture you can't avoid finding echoes of its sibling's brutality everywhere. A slab of distorted guitar is now a subtle long tone, the metallic growl of the cymbals is now a shimmering bell-like sound, the savage multiphonics are now gentle bowed harmonics. Nothing really disappearing, just suffering a change. Sea-change, into something rich and strange.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom solid state to liquid state. And back.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phicus\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、スペイン・バルセロナのインプロトリオPhicusが、2021年3月に100本限定でリリースしたカセットです。物音・ドローンジャズ43分を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ------------------------...
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{"id":7014993232037,"title":"Graham \/ Hobbs \/ Nakatani \/ Shen \/\/ Scar's the Limit TAPE","handle":"graham-hobbs-nakatani-shen-scars-the-limit-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eForbes Graham、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJim Hobbs 、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTatsuya Nakatani 、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVictoria Shenが、\u003c\/span\u003e2021年5月に100本限定でリリースしたカセットです。インプロ物音ジャズ41分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2203832314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText and artist bios by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eScar’s the Limit documents a live set of electroacoustic improvisations featuring Forbes Graham (trumpet), Jim Hobbs (alto saxophone), Tatsuya Nakatani (percussion), and Victoria Shen (electronics). The show was organized within a Nakatani solo tour where each night he’d assemble a supergroup of local improvisers. Some of the members here had collaborated in some capacity off and on over the years, but this show marks their first performance in this particular configuration. The results feel both reflective and unrestrained, full of dynamic intensity and dense textures, a looming sense of doom balanced by the exuberance of exploration and surprise. Each musician displays a deep commitment to their own personal sonic vernacular, while communing to produce a truly mesmeric and explosive collective experience.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\/\/\/\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForbes Graham is a trumpet player, electronic musician, and composer living and working in Boston, Massachusetts. He is the founder of the Rock Flint Artists Retreat, and has appeared at numerous festivals including High Zero, Full Force, and Vision. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJim Hobbs was born and raised in north-eastern\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Indiana at the convergence of three rivers. He is a recipient of the Doris Duke New Works Grant for composition from Chamber Music America. He received a full scholarship to Berklee College of Music where he majored in composition. It was there that he met bassist Timo Shanko and started the Fully Celebrated Orchestra (FCO), which has released 10+ recordings on various labels including Silkheart, Skycap and Innova. He has performed and recorded with Joe Morris, Luther Gray, Taylor Ho Bynum, Bill Lowe, The Jazz Composers Alliance, Forbes Graham, Fred Hopkins, Laurence Cook, Junko Simons, Josh Roseman, Curtis Hasselbring, Laura Andel and many others. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTatsuya Nakatani is an avant-garde percussionist, composer, and artist of sound. Active internationally since the 1990’s, Nakatani has released over 80 recordings and tours extensively, performing over 150 concerts a year. His primary focus is his solo work and his large ensemble project, the Nakatani Gong Orchestra. Originally from Japan, he makes his home in the desert town of Truth or Consequences, New Mexico. Nakatani creates his distinctive music centered around his adapted bowed gong, supported by an array of drums, cymbals, and singing bowls. In consort with his hand carved Kobo Bows, it is an instrument he has spent decades developing. Nakatani approaches his orchestral project (NGO) as an arrangement of formations of vibrations, incorporated in shimmering layers of silence and texture. Within this contemporary work, one can still recognize the dramatic pacing, formal elegance and space (ma) felt in traditional Japanese music. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVictoria Shen is an experimental music performer and sound artist from San Francisco. Though analog synthesizers are the backbone of Shen’s music, while performing live, she plays self-made electronics, invented instruments, and even acoustic objects like a bull whip. Shen is a markedly mobile performer that muddles the boundaries between performer and audience, stage and floor. Her sets tend to be site-specific, in direct response to the physical and acoustic qualities of the space in which she performs. Her live show vacillates between moments of restraint and swells of frenetic and confrontational movement. A tightrope walk between control and chance, the whiff of danger is never far during Shen’s performances. Her sound is dynamic with a sensitivity to texture and structure throughout.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham \/ Hobbs \/ Nakatani \/ Shen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-02T15:53:37+09:00","created_at":"2021-08-31T12:16:12+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","noise","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40695566696613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Graham \/ Hobbs \/ Nakatani \/ Shen \/\/ Scar's the Limit TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_08b05b37-2f9b-48ee-9e27-abc0e0dabc89.jpg?v=1630379774","\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_78fa926e-a502-43f4-9314-28f379f7dc69.jpg?v=1630379774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_08b05b37-2f9b-48ee-9e27-abc0e0dabc89.jpg?v=1630379774","options":["Title"],"media":[{"alt":null,"id":23554225602725,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_08b05b37-2f9b-48ee-9e27-abc0e0dabc89.jpg?v=1630379774"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_08b05b37-2f9b-48ee-9e27-abc0e0dabc89.jpg?v=1630379774","width":700},{"alt":null,"id":23554225635493,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_78fa926e-a502-43f4-9314-28f379f7dc69.jpg?v=1630379774"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_78fa926e-a502-43f4-9314-28f379f7dc69.jpg?v=1630379774","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eForbes Graham、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJim Hobbs 、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTatsuya Nakatani 、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVictoria Shenが、\u003c\/span\u003e2021年5月に100本限定でリリースしたカセットです。インプロ物音ジャズ41分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2203832314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText and artist bios by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eScar’s the Limit documents a live set of electroacoustic improvisations featuring Forbes Graham (trumpet), Jim Hobbs (alto saxophone), Tatsuya Nakatani (percussion), and Victoria Shen (electronics). The show was organized within a Nakatani solo tour where each night he’d assemble a supergroup of local improvisers. Some of the members here had collaborated in some capacity off and on over the years, but this show marks their first performance in this particular configuration. The results feel both reflective and unrestrained, full of dynamic intensity and dense textures, a looming sense of doom balanced by the exuberance of exploration and surprise. Each musician displays a deep commitment to their own personal sonic vernacular, while communing to produce a truly mesmeric and explosive collective experience.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\/\/\/\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForbes Graham is a trumpet player, electronic musician, and composer living and working in Boston, Massachusetts. He is the founder of the Rock Flint Artists Retreat, and has appeared at numerous festivals including High Zero, Full Force, and Vision. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJim Hobbs was born and raised in north-eastern\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Indiana at the convergence of three rivers. He is a recipient of the Doris Duke New Works Grant for composition from Chamber Music America. He received a full scholarship to Berklee College of Music where he majored in composition. It was there that he met bassist Timo Shanko and started the Fully Celebrated Orchestra (FCO), which has released 10+ recordings on various labels including Silkheart, Skycap and Innova. He has performed and recorded with Joe Morris, Luther Gray, Taylor Ho Bynum, Bill Lowe, The Jazz Composers Alliance, Forbes Graham, Fred Hopkins, Laurence Cook, Junko Simons, Josh Roseman, Curtis Hasselbring, Laura Andel and many others. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTatsuya Nakatani is an avant-garde percussionist, composer, and artist of sound. Active internationally since the 1990’s, Nakatani has released over 80 recordings and tours extensively, performing over 150 concerts a year. His primary focus is his solo work and his large ensemble project, the Nakatani Gong Orchestra. Originally from Japan, he makes his home in the desert town of Truth or Consequences, New Mexico. Nakatani creates his distinctive music centered around his adapted bowed gong, supported by an array of drums, cymbals, and singing bowls. In consort with his hand carved Kobo Bows, it is an instrument he has spent decades developing. Nakatani approaches his orchestral project (NGO) as an arrangement of formations of vibrations, incorporated in shimmering layers of silence and texture. Within this contemporary work, one can still recognize the dramatic pacing, formal elegance and space (ma) felt in traditional Japanese music. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVictoria Shen is an experimental music performer and sound artist from San Francisco. Though analog synthesizers are the backbone of Shen’s music, while performing live, she plays self-made electronics, invented instruments, and even acoustic objects like a bull whip. Shen is a markedly mobile performer that muddles the boundaries between performer and audience, stage and floor. Her sets tend to be site-specific, in direct response to the physical and acoustic qualities of the space in which she performs. Her live show vacillates between moments of restraint and swells of frenetic and confrontational movement. A tightrope walk between control and chance, the whiff of danger is never far during Shen’s performances. Her sound is dynamic with a sensitivity to texture and structure throughout.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham \/ Hobbs \/ Nakatani \/ Shen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。 本作は、Forbes Graham、Jim Hobbs 、Tatsuya Nakatani 、Victoria Shenが、2021年5月に100本限定でリリースしたカセットです。インプロ物音ジャズ41分を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks...
¥1,590
クイックビュー
{"id":7014985957541,"title":"Àlex Reviriego \/\/ Raben TAPE","handle":"alex-reviriego-raben-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 スペインのベーシストÀlex Reviriegoが、2021年7月に66本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eダブルベース一本によるアコースティックドローン〜インプロ物音ジャズ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4073974245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 66.\u003c\/p\u003e\n\u003cp\u003eText and artist bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter a year with plenty of band-oriented releases and collaborations, Àlex Reviriego goes back to the solo, his favourite format and one that he’s been cultivating since the very beginning of his career. Following Blaue Tauben (Sirulita 2018), Raben is the second chapter of his “german poets trilogy”, this time inspired by the writings of Paul Celan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf the Trakl-inspired Blaue Tauben was full-on in the bleak expressionistic domain, packed with grit and aggression, this new collection of solo pieces gravitates toward a more contemplative and pensive mood. Extremely slow, repetitive bowings, muted stubborn tremolos and luminous harmonics interact in an almost static dance, reflecting Celan’s stark and cryptic language.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRejecting almost any tendency towards development, narrative or overt emotionality, this music is “just there”, facing us with a blank stare, listening to us as much as we listen to it. As happens with the characters on Sprachtgritter or Fadensonnen, words and acts are repeated, again and again, creating an inner chart of codes and meanings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded by Ferran Fages with a minimal setup and mastered by Lasse Marhaug, it retains the numbing cold of the winter\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e days of 2019 when it was recorded.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eBIO:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÀlex Reviriego (Barcelona, 1986) plays double bass, organ and electronics. He is a member of the bands Phicus, Inhumankind, Ràdium and Möhit, and one of the most active and in-demand musicians in the experimental music scene in Spain, appearing on recordings and concerts across styles as diverse as contemporary composition, black metal, folk and harsh noise. His solo work explores the timbric possibilities of the unaccompanied double bass, focusing on extended bowing techniques and slow repetitive developments. Raben (Tripticks Tapes 2021) is the second installment of a trilogy started with Blaue Tauben (Sirulita 2019), loosely based around the figures of Georg Trakl, Paul Celan and Friedrich Hölderlin.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Àlex Reviriego\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2021-09-02T15:18:03+09:00","created_at":"2021-08-31T12:13:53+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","monooto","sale22","tape","tripticks tapes"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40695547429029,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Àlex Reviriego \/\/ Raben TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_6f323b4a-12c9-49b4-8ad7-bf02d46c9a9b.jpg?v=1630379635","\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_f1f97589-e2d3-4be3-91ad-6d1b3da069cf.jpg?v=1630379635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_6f323b4a-12c9-49b4-8ad7-bf02d46c9a9b.jpg?v=1630379635","options":["Title"],"media":[{"alt":null,"id":23554205024421,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_6f323b4a-12c9-49b4-8ad7-bf02d46c9a9b.jpg?v=1630379635"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_6f323b4a-12c9-49b4-8ad7-bf02d46c9a9b.jpg?v=1630379635","width":700},{"alt":null,"id":23554205057189,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_f1f97589-e2d3-4be3-91ad-6d1b3da069cf.jpg?v=1630379635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_f1f97589-e2d3-4be3-91ad-6d1b3da069cf.jpg?v=1630379635","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、 スペインのベーシストÀlex Reviriegoが、2021年7月に66本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eダブルベース一本によるアコースティックドローン〜インプロ物音ジャズ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4073974245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 66.\u003c\/p\u003e\n\u003cp\u003eText and artist bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter a year with plenty of band-oriented releases and collaborations, Àlex Reviriego goes back to the solo, his favourite format and one that he’s been cultivating since the very beginning of his career. Following Blaue Tauben (Sirulita 2018), Raben is the second chapter of his “german poets trilogy”, this time inspired by the writings of Paul Celan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf the Trakl-inspired Blaue Tauben was full-on in the bleak expressionistic domain, packed with grit and aggression, this new collection of solo pieces gravitates toward a more contemplative and pensive mood. Extremely slow, repetitive bowings, muted stubborn tremolos and luminous harmonics interact in an almost static dance, reflecting Celan’s stark and cryptic language.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRejecting almost any tendency towards development, narrative or overt emotionality, this music is “just there”, facing us with a blank stare, listening to us as much as we listen to it. As happens with the characters on Sprachtgritter or Fadensonnen, words and acts are repeated, again and again, creating an inner chart of codes and meanings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded by Ferran Fages with a minimal setup and mastered by Lasse Marhaug, it retains the numbing cold of the winter\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e days of 2019 when it was recorded.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eBIO:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÀlex Reviriego (Barcelona, 1986) plays double bass, organ and electronics. He is a member of the bands Phicus, Inhumankind, Ràdium and Möhit, and one of the most active and in-demand musicians in the experimental music scene in Spain, appearing on recordings and concerts across styles as diverse as contemporary composition, black metal, folk and harsh noise. His solo work explores the timbric possibilities of the unaccompanied double bass, focusing on extended bowing techniques and slow repetitive developments. Raben (Tripticks Tapes 2021) is the second installment of a trilogy started with Blaue Tauben (Sirulita 2019), loosely based around the figures of Georg Trakl, Paul Celan and Friedrich Hölderlin.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Àlex Reviriego\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験レーベルTripticks Tapesを入荷しました。 本作は、 スペインのベーシストÀlex Reviriegoが、2021年7月に66本限定でリリースしたカセットです。 ダブルベース一本によるアコースティックドローン〜インプロ物音ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available...
¥1,680
クイックビュー
{"id":7014978879653,"title":"Fluke-mogul \/ Liberatore \/ Mattrey \/ Mendoza \/\/ Death In the Gilded Age TAPE","handle":"fluke-mogul-liberatore-mattrey-mendoza-death-in-the-gilded-age-tape","description":"\u003cp\u003eアメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003egabby fluke-mogul、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatteo Liberatore、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoanna Mattrey、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAva Mendoza\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、\u003c\/span\u003e2021年8月に100本限定でリリースしたカセットです。インプロジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=980602307\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRooted in rich and varied musical backgrounds while sharing a deep love of free improvisation, gabby fluke-mogul, Matteo Liberatore, Joanna Mattrey, and Ava Mendoza explore an expansive range of sonic possibilities. The quartet integrates electronic and acoustic approaches to create a powerfully distinctive alchemy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a true collective, formed by Joanna Mattrey but explicitly leaderless. Much of improvised music is defined by its conception, and with Mattrey’s unique choice of companions the stage was set for a thrilling new kind of “string quartet.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group recorded in February 2021 during the pandemic, in upstate New York. From the get-go the quartet’s chemistry, vast timbral palette, and propulsive connection were clear. The sheer joy and excitement of playing again after months of isolation were palpable. But also keenly felt was the weight of last year’s pervasive loss, separation, and death. If there was ever the slightest doubt, the recent past had made it clear: the same social power dynamics that define people’s lives also determine the how and when of their deaths. The group dove into these depths--coming up for air as necessary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeath In the Gilded Age was born out of those disparate feelings. Amplified acoustic instruments and electric guitar\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e gel and spike, countering and reinforcing each other. All four players move seamlessly between noise and melody, extended technique and traditional playing. They employ a vast sonic arsenal but are extremely attentive at balancing each other out in real time. They don’t shy away from melody, though often one player’s melodic elements are balanced by another’s abstract or noisy approach. This creates a unique blend of beautiful and controlled intensity, in which even the quiet moments are kinetically charged. The music maintains its immediacy without rushing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDeath In the Gilded Age is offered humbly and with respect, as a meditation on loss and on new life.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : fluke-mogul \/ Liberatore \/ Mattrey \/ Mendoza\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2021-09-02T15:55:59+09:00","created_at":"2021-08-31T12:10:12+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40695524786341,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fluke-mogul \/ Liberatore \/ Mattrey \/ Mendoza \/\/ Death In the Gilded Age TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_b99a574f-4090-4567-8fa3-390773e70676.jpg?v=1630379414","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_26dcb7ca-91a2-4368-82de-350a55f70eae.jpg?v=1630379414"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_b99a574f-4090-4567-8fa3-390773e70676.jpg?v=1630379414","options":["Title"],"media":[{"alt":null,"id":23554176876709,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_b99a574f-4090-4567-8fa3-390773e70676.jpg?v=1630379414"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_b99a574f-4090-4567-8fa3-390773e70676.jpg?v=1630379414","width":700},{"alt":null,"id":23554176909477,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_26dcb7ca-91a2-4368-82de-350a55f70eae.jpg?v=1630379414"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_26dcb7ca-91a2-4368-82de-350a55f70eae.jpg?v=1630379414","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003egabby fluke-mogul、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatteo Liberatore、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoanna Mattrey、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAva Mendoza\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、\u003c\/span\u003e2021年8月に100本限定でリリースしたカセットです。インプロジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=980602307\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRooted in rich and varied musical backgrounds while sharing a deep love of free improvisation, gabby fluke-mogul, Matteo Liberatore, Joanna Mattrey, and Ava Mendoza explore an expansive range of sonic possibilities. The quartet integrates electronic and acoustic approaches to create a powerfully distinctive alchemy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a true collective, formed by Joanna Mattrey but explicitly leaderless. Much of improvised music is defined by its conception, and with Mattrey’s unique choice of companions the stage was set for a thrilling new kind of “string quartet.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group recorded in February 2021 during the pandemic, in upstate New York. From the get-go the quartet’s chemistry, vast timbral palette, and propulsive connection were clear. The sheer joy and excitement of playing again after months of isolation were palpable. But also keenly felt was the weight of last year’s pervasive loss, separation, and death. If there was ever the slightest doubt, the recent past had made it clear: the same social power dynamics that define people’s lives also determine the how and when of their deaths. The group dove into these depths--coming up for air as necessary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeath In the Gilded Age was born out of those disparate feelings. Amplified acoustic instruments and electric guitar\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e gel and spike, countering and reinforcing each other. All four players move seamlessly between noise and melody, extended technique and traditional playing. They employ a vast sonic arsenal but are extremely attentive at balancing each other out in real time. They don’t shy away from melody, though often one player’s melodic elements are balanced by another’s abstract or noisy approach. This creates a unique blend of beautiful and controlled intensity, in which even the quiet moments are kinetically charged. The music maintains its immediacy without rushing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDeath In the Gilded Age is offered humbly and with respect, as a meditation on loss and on new life.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : fluke-mogul \/ Liberatore \/ Mattrey \/ Mendoza\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカ・マサチューセッツの実験ジャズレーベルTripticks Tapesを入荷しました。 本作は、gabby fluke-mogul、Matteo Liberatore、Joanna Mattrey、Ava Mendozaが、2021年8月に100本限定でリリースしたカセットです。インプロジャズ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases...
¥1,590