Shame File Music
クイックビュー
{"id":8736665698554,"title":"Astasie-abasie \/\/ Vestigial Gamelan LP","handle":"astasie-abasie-vestigial-gamelan-lp","description":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2025年1月に同国メルボルンのShame Fileから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作ガムランやコンタクトマイクなどを用いた物音〜ストレンジビーツ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eASMRのようで癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/astasie-abasie-elliptical-gamelan-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、微細音の拡大を探求する実験シリーズの第3弾である。手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、さまざまな距離の取り方により、最小限の動作で、オブジェ間の相互作用によって生み出される混沌とした、しかし本質的に反復的なパターンが実現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAstasie-abasieは、イアン・アンドリュースのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォンなどを用いて、小さな物体から発生する音を捉えることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが音を出すために使われることが多く、その後、素材の編集は最小限にとどめられる。「Vestigial Gamelan」は、「Vestigial Gamelan」（2022年）、「Molecular Gamelan」（2021年）に続く「Gamelan」シリーズの3作目である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eイアン・アンドリュースは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse He's Sick』、『Kurt Volentine』、『Cut with the Kitchen Knife』など数え切れないほどのプロジェクトがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「最も重要なことは、音楽がランダムであることだ。風鈴を思い浮かべてほしい。風鈴のチューニングの違いとは違って、ここではチャイムが壊れ、さまざまな音を奏でる。そのすべてがガラガラと音を立て、耳を澄ませばいくつかの編成を感じ取ることができる。どの程度が 「演奏 」されたものなのか、あるいは自動化された結果なのか、またどの程度が編集されたものなのかを語るのは難しい。アスタシエイバーゼは、どれも3分前後の短い曲を選んでおり、それぞれの曲の中で多くのことが起きているだけでなく、このレコード全体を通して多くのバリエーションがある。その多くは中音域で起こり、バスドラムを加えたような低音域もある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2550694812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith locked grooves at the end of each side. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Palimpsest 03:21\u003cbr\u003e2. Atheology 03:07\u003cbr\u003e3. Circulation 02:00\u003cbr\u003e4. Velocity 03:00\u003cbr\u003e5. Xoire 03:07\u003cbr\u003e6. Correlations 02:38\u003cbr\u003e7. Ipse 04:06\u003cbr\u003e8. Quatorze 03:22\u003cbr\u003e9. Terrestre 03:05\u003cbr\u003e10. Glass 03:22\u003cbr\u003e11. Nocturne 03:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring about the sounds, after which any editing of the material is kept to a minimum. \"Vestigial Gamelan\" is the third in the \"Gamelan\"\u003cspan class=\"bcTruncateMore\"\u003e series, following \"Vestigial Gamelan\" (2022) and \"Molecular Gamelan\" (2021).\u003cbr\u003e\u003cbr\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003elabel : Shame File Music\u003c\/p\u003e","published_at":"2025-03-04T19:59:30+09:00","created_at":"2025-03-02T11:26:26+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","recommended","shame file music","strange beats"],"price":528400,"price_min":528400,"price_max":528400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47165918806266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Astasie-abasie \/\/ Vestigial Gamelan LP","public_title":null,"options":["Default Title"],"price":528400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gam1.jpg?v=1740882280","\/\/tobirarecords.com\/cdn\/shop\/files\/gam2.jpg?v=1740882280"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam1.jpg?v=1740882280","options":["Title"],"media":[{"alt":null,"id":35649492484346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam1.jpg?v=1740882280"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam1.jpg?v=1740882280","width":700},{"alt":null,"id":35649492517114,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam2.jpg?v=1740882280"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam2.jpg?v=1740882280","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2025年1月に同国メルボルンのShame Fileから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作ガムランやコンタクトマイクなどを用いた物音〜ストレンジビーツ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eASMRのようで癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/astasie-abasie-elliptical-gamelan-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、微細音の拡大を探求する実験シリーズの第3弾である。手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、さまざまな距離の取り方により、最小限の動作で、オブジェ間の相互作用によって生み出される混沌とした、しかし本質的に反復的なパターンが実現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAstasie-abasieは、イアン・アンドリュースのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォンなどを用いて、小さな物体から発生する音を捉えることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが音を出すために使われることが多く、その後、素材の編集は最小限にとどめられる。「Vestigial Gamelan」は、「Vestigial Gamelan」（2022年）、「Molecular Gamelan」（2021年）に続く「Gamelan」シリーズの3作目である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eイアン・アンドリュースは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse He's Sick』、『Kurt Volentine』、『Cut with the Kitchen Knife』など数え切れないほどのプロジェクトがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「最も重要なことは、音楽がランダムであることだ。風鈴を思い浮かべてほしい。風鈴のチューニングの違いとは違って、ここではチャイムが壊れ、さまざまな音を奏でる。そのすべてがガラガラと音を立て、耳を澄ませばいくつかの編成を感じ取ることができる。どの程度が 「演奏 」されたものなのか、あるいは自動化された結果なのか、またどの程度が編集されたものなのかを語るのは難しい。アスタシエイバーゼは、どれも3分前後の短い曲を選んでおり、それぞれの曲の中で多くのことが起きているだけでなく、このレコード全体を通して多くのバリエーションがある。その多くは中音域で起こり、バスドラムを加えたような低音域もある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2550694812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith locked grooves at the end of each side. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Palimpsest 03:21\u003cbr\u003e2. Atheology 03:07\u003cbr\u003e3. Circulation 02:00\u003cbr\u003e4. Velocity 03:00\u003cbr\u003e5. Xoire 03:07\u003cbr\u003e6. Correlations 02:38\u003cbr\u003e7. Ipse 04:06\u003cbr\u003e8. Quatorze 03:22\u003cbr\u003e9. Terrestre 03:05\u003cbr\u003e10. Glass 03:22\u003cbr\u003e11. Nocturne 03:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring about the sounds, after which any editing of the material is kept to a minimum. \"Vestigial Gamelan\" is the third in the \"Gamelan\"\u003cspan class=\"bcTruncateMore\"\u003e series, following \"Vestigial Gamelan\" (2022) and \"Molecular Gamelan\" (2021).\u003cbr\u003e\u003cbr\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003elabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア・シドニーの美術家Astasie-abasieが、2025年1月に同国メルボルンのShame Fileから100部限定でリリースしたレコードです。 自作ガムランやコンタクトマイクなどを用いた物音〜ストレンジビーツ11曲を収録。DLコード付属。 ASMRのようで癒しすら感じます。 前作もオススメです。 以下、レーベルによる解説です。 "このアルバムは、微細音の拡大を探求する実験シリーズの第3弾である。手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、さまざまな距離の取り方により、最小限の動作で、オブジェ間の相互作用によって生み出される混沌とした、しかし本質的に反復的なパターンが実現されている。 Astasie-abasieは、イアン・アンドリュースのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォンなどを用いて、小さな物体から発生する音を捉えることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが音を出すために使われることが多く、その後、素材の編集は最小限にとどめられる。「Vestigial Gamelan」は、「Vestigial Gamelan」（2022年）、「Molecular Gamelan」（2021年）に続く「Gamelan」シリーズの3作目である。 イアン・アンドリュースは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The...
¥5,284
![Brown/Buck/Mayas // Blue Plum Bloom LP [COLOR]](http://tobirarecords.com/cdn/shop/files/pl1_c7f65e32-69d1-4974-8ea7-3f52011257a0_medium.jpg?v=1731745942)
クイックビュー
{"id":8666426179834,"title":"Brown\/Buck\/Mayas \/\/ Blue Plum Bloom LP [COLOR]","handle":"brown-buck-mayas-blue-plum-bloom-lp-color","description":"\u003cp\u003eオーストラリア／ドイツの即興トリオBrown\/Buck\/Mayasが、2024年8月にオーストラリア・メルボルンの実験レーベルShame Fileから150部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eプリペアードギターとピアノ、物音、ドラムによるフリージャズ3曲を収録。インサートとポストカード、DLコード付属。白青マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1356880313\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" blue and white marbled vinyl. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Polyamourous Sea 22:50\u003cbr\u003e2. Blue Plum Bloom 07:54\u003cbr\u003e3. Forager 12:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras\/Baxter\/Brown, Western Grey, Stone Echidna, Dumb \u0026amp; the Ugly, and countless other sonic explorations) making the ensemble behind this album a unique beast indeed. The trio has been playing sporadically now for about a decade; usually low-key shows in Australia when Buck and Mayas are visiting or when Brown returns the favour in Europe. The trio describe their music as \"pointalistic interactions combined with contrasting timbral sonorities expanding the language developed by Spill into a new, more expansive whole; piano with objects and guitar and drums intertwined and subtlety shifting in focus, like a constantly shifting kaleidoscope of sound\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo release this album is a personal thrill, given that Brown\/Buck\/Mayas are individually musical heroes of mine. David Brown plays the guitar like no one else before or since.He's been a constant presence in Melbourne musical life as\u003cspan class=\"bcTruncateMore\"\u003e long as I can remember. When he plays, you can almost see him sidle his way in between sounds, finding forever-new angles and perspectives. Magda Mayas is a forager with piano and objects (and also clavinet, not heard on this album), a restless improvisor constantly moving through episodes of musical exploration, yet somehow always connected to her fellow musicians. And Tony Buck is a towering figure in improvised drums, who still grounds his playing in a humility and subtlety that continues to defy expectation or categorisation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brown\/Buck\/Mayas\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2024-11-22T09:50:01+09:00","created_at":"2024-11-16T17:34:08+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","shame file music","strange beats"],"price":532200,"price_min":532200,"price_max":532200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46865054236922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Brown\/Buck\/Mayas \/\/ Blue Plum Bloom LP [COLOR]","public_title":null,"options":["Default Title"],"price":532200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_c7f65e32-69d1-4974-8ea7-3f52011257a0.jpg?v=1731745942","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_ac91e42b-0986-4d03-8606-8c5f660eeeb4.jpg?v=1731745942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_c7f65e32-69d1-4974-8ea7-3f52011257a0.jpg?v=1731745942","options":["Title"],"media":[{"alt":null,"id":35195595489530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_c7f65e32-69d1-4974-8ea7-3f52011257a0.jpg?v=1731745942"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_c7f65e32-69d1-4974-8ea7-3f52011257a0.jpg?v=1731745942","width":700},{"alt":null,"id":35195595522298,"position":2,"preview_image":{"aspect_ratio":1.327,"height":904,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_ac91e42b-0986-4d03-8606-8c5f660eeeb4.jpg?v=1731745942"},"aspect_ratio":1.327,"height":904,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_ac91e42b-0986-4d03-8606-8c5f660eeeb4.jpg?v=1731745942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア／ドイツの即興トリオBrown\/Buck\/Mayasが、2024年8月にオーストラリア・メルボルンの実験レーベルShame Fileから150部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eプリペアードギターとピアノ、物音、ドラムによるフリージャズ3曲を収録。インサートとポストカード、DLコード付属。白青マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1356880313\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" blue and white marbled vinyl. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Polyamourous Sea 22:50\u003cbr\u003e2. Blue Plum Bloom 07:54\u003cbr\u003e3. Forager 12:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras\/Baxter\/Brown, Western Grey, Stone Echidna, Dumb \u0026amp; the Ugly, and countless other sonic explorations) making the ensemble behind this album a unique beast indeed. The trio has been playing sporadically now for about a decade; usually low-key shows in Australia when Buck and Mayas are visiting or when Brown returns the favour in Europe. The trio describe their music as \"pointalistic interactions combined with contrasting timbral sonorities expanding the language developed by Spill into a new, more expansive whole; piano with objects and guitar and drums intertwined and subtlety shifting in focus, like a constantly shifting kaleidoscope of sound\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo release this album is a personal thrill, given that Brown\/Buck\/Mayas are individually musical heroes of mine. David Brown plays the guitar like no one else before or since.He's been a constant presence in Melbourne musical life as\u003cspan class=\"bcTruncateMore\"\u003e long as I can remember. When he plays, you can almost see him sidle his way in between sounds, finding forever-new angles and perspectives. Magda Mayas is a forager with piano and objects (and also clavinet, not heard on this album), a restless improvisor constantly moving through episodes of musical exploration, yet somehow always connected to her fellow musicians. And Tony Buck is a towering figure in improvised drums, who still grounds his playing in a humility and subtlety that continues to defy expectation or categorisation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brown\/Buck\/Mayas\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア／ドイツの即興トリオBrown/Buck/Mayasが、2024年8月にオーストラリア・メルボルンの実験レーベルShame Fileから150部限定でリリースしたデビューレコードです。 プリペアードギターとピアノ、物音、ドラムによるフリージャズ3曲を収録。インサートとポストカード、DLコード付属。白青マーブル盤です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. ...
¥5,322
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{"id":8422543524090,"title":"Ad Hoc \/\/ Corpse TAPE","handle":"ad-hoc-corpse-tape","description":"\u003cp\u003eオーストラリア・メルボルンの知られざる実験トリオAd Hocが、2023年9月にメルボルンの実験レーベルShame Fileから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e1980年に録音したライブ音源2曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1731320805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3858157567\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1731320805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Corpse One 15:12\u003cbr\u003e2. Corpse Two 15:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShame File Music and Albert’s Basement follow up the critically-acclaimed 2022 reissue of seminal Melbourne band Ad Hoc's Distance cassette with the band's obscure barely-released (perhaps six home-dubbed copies) live cassette Corpse - available digitally and on a limited edition of 100 cassettes from September 2023 (pre-order now).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDiffering dramatically from Distance, Corpse captures the trio presenting a wall of almost self-playing instruments live to a bemused Clifton Hill Community Music Centre audience in 1980. As James Clayden explains below, the sounds were already set up before the audience entered, then the amps were simply turned on. The performers present perhaps as a corpse; unmoving, yet with a dramatic visceral impact:\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ad Hoc\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2024-05-10T11:44:46+09:00","created_at":"2024-05-09T10:17:25+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","shame file music","tape"],"price":231800,"price_min":231800,"price_max":231800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45881572851962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ad Hoc \/\/ Corpse TAPE","public_title":null,"options":["Default Title"],"price":231800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hoc1.jpg?v=1715217447","\/\/tobirarecords.com\/cdn\/shop\/files\/hoc2.jpg?v=1715217447"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hoc1.jpg?v=1715217447","options":["Title"],"media":[{"alt":null,"id":33967557181690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hoc1.jpg?v=1715217447"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hoc1.jpg?v=1715217447","width":700},{"alt":null,"id":33967557214458,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hoc2.jpg?v=1715217447"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hoc2.jpg?v=1715217447","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの知られざる実験トリオAd Hocが、2023年9月にメルボルンの実験レーベルShame Fileから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e1980年に録音したライブ音源2曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1731320805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3858157567\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1731320805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Corpse One 15:12\u003cbr\u003e2. Corpse Two 15:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShame File Music and Albert’s Basement follow up the critically-acclaimed 2022 reissue of seminal Melbourne band Ad Hoc's Distance cassette with the band's obscure barely-released (perhaps six home-dubbed copies) live cassette Corpse - available digitally and on a limited edition of 100 cassettes from September 2023 (pre-order now).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDiffering dramatically from Distance, Corpse captures the trio presenting a wall of almost self-playing instruments live to a bemused Clifton Hill Community Music Centre audience in 1980. As James Clayden explains below, the sounds were already set up before the audience entered, then the amps were simply turned on. The performers present perhaps as a corpse; unmoving, yet with a dramatic visceral impact:\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ad Hoc\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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{"id":8422542442746,"title":"Clinton Green \/\/ A Conduit CD","handle":"clinton-green-a-conduit-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenが、2024年2月に100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e壊れたウォークマンとターンテーブル、テキストによるミニマルな物音コラージュ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=717382190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Allegations of Ventriloquism 17:08\u003cbr\u003e2. Emucounter 03:43\u003cbr\u003e3. Stopcock (alleged) 15:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllegations of Ventriloquism - a psychodrama; an opera for Walkmans and turntable\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEmucounter - an interlude; an encounter\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStopcock (alleged) - a valve; flow control; no outlet\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClinton Green is an Australian experimental artist and performer. He works with Walkmans, prepared\/hacked turntables and found objects as instruments.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2024-05-09T17:53:51+09:00","created_at":"2024-05-09T10:15:13+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","recommended","shame file music"],"price":184800,"price_min":184800,"price_max":184800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45881552044282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Clinton Green \/\/ A Conduit CD","public_title":null,"options":["Default Title"],"price":184800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_1f503268-893f-4959-92bc-bd74e38c62c6.jpg?v=1715217315","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_566de22b-7a11-4223-a482-deaa57b83b45.jpg?v=1715217315"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_1f503268-893f-4959-92bc-bd74e38c62c6.jpg?v=1715217315","options":["Title"],"media":[{"alt":null,"id":33967542010106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_1f503268-893f-4959-92bc-bd74e38c62c6.jpg?v=1715217315"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_1f503268-893f-4959-92bc-bd74e38c62c6.jpg?v=1715217315","width":700},{"alt":null,"id":33967542042874,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_566de22b-7a11-4223-a482-deaa57b83b45.jpg?v=1715217315"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_566de22b-7a11-4223-a482-deaa57b83b45.jpg?v=1715217315","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenが、2024年2月に100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e壊れたウォークマンとターンテーブル、テキストによるミニマルな物音コラージュ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=717382190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Allegations of Ventriloquism 17:08\u003cbr\u003e2. Emucounter 03:43\u003cbr\u003e3. Stopcock (alleged) 15:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllegations of Ventriloquism - a psychodrama; an opera for Walkmans and turntable\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEmucounter - an interlude; an encounter\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStopcock (alleged) - a valve; flow control; no outlet\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClinton Green is an Australian experimental artist and performer. He works with Walkmans, prepared\/hacked turntables and found objects as instruments.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenが、2024年2月に100部限定でリリースしたCDです。 壊れたウォークマンとターンテーブル、テキストによるミニマルな物音コラージュ3曲を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available...
¥1,848
クイックビュー
{"id":7757115851002,"title":"Various Artists \/\/ Artefacts of Australian Experimental Music Volume II: 1974-1983 2xCD","handle":"various-artists-artefacts-of-australian-experimental-music-volume-ii-1974-1983-cd","description":"\u003cp\u003eオーストラリア実験音楽の歴史を紐解くコンピレーションアルバム第2弾です。\u003c\/p\u003e\n\u003cp\u003e有名無名関係なく奇天烈な実験音楽28曲を収録。16ページのカラーブックレットが付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2365834656\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDouble glass-mastered CD housed in full colour 6 panel digipak, featuring artworks by Asher Bilu, accompanied by detailed 16 page booklet with full liner notes, images and score excerpts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringes of post-punk, and to the beginnings of industrial and dark wave. The double CD set complete with 16 page booklet features one of Warren Burt’s first compositions completed in Australia, the Loop Orchestra’s first performance, South Australian industrial noise\/punk cabaret, Melbourne post-punk minimalism, mid-1970s Brisbane Dadaist noise\/audio collage, early Sydney aleatoric electronica, and much more.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2022-09-16T14:52:36+09:00","created_at":"2022-09-16T12:57:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","shame file music"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43356458254586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Artefacts of Australian Experimental Music Volume II: 1974-1983 2xCD","public_title":null,"options":["Default Title"],"price":338000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/au1_aa65e3c4-2391-4024-8678-a3403d649f88.jpg?v=1663300654","\/\/tobirarecords.com\/cdn\/shop\/products\/au2_f49c1f53-7113-4a7c-a024-f365626989ec.jpg?v=1663300654","\/\/tobirarecords.com\/cdn\/shop\/products\/au3_56a45fba-0216-48d4-970b-56aeeb0b42af.jpg?v=1663300655"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_aa65e3c4-2391-4024-8678-a3403d649f88.jpg?v=1663300654","options":["Title"],"media":[{"alt":null,"id":30506703487226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_aa65e3c4-2391-4024-8678-a3403d649f88.jpg?v=1663300654"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_aa65e3c4-2391-4024-8678-a3403d649f88.jpg?v=1663300654","width":700},{"alt":null,"id":30506703519994,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au2_f49c1f53-7113-4a7c-a024-f365626989ec.jpg?v=1663300654"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au2_f49c1f53-7113-4a7c-a024-f365626989ec.jpg?v=1663300654","width":1200},{"alt":null,"id":30506703552762,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au3_56a45fba-0216-48d4-970b-56aeeb0b42af.jpg?v=1663300655"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au3_56a45fba-0216-48d4-970b-56aeeb0b42af.jpg?v=1663300655","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア実験音楽の歴史を紐解くコンピレーションアルバム第2弾です。\u003c\/p\u003e\n\u003cp\u003e有名無名関係なく奇天烈な実験音楽28曲を収録。16ページのカラーブックレットが付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2365834656\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDouble glass-mastered CD housed in full colour 6 panel digipak, featuring artworks by Asher Bilu, accompanied by detailed 16 page booklet with full liner notes, images and score excerpts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringes of post-punk, and to the beginnings of industrial and dark wave. The double CD set complete with 16 page booklet features one of Warren Burt’s first compositions completed in Australia, the Loop Orchestra’s first performance, South Australian industrial noise\/punk cabaret, Melbourne post-punk minimalism, mid-1970s Brisbane Dadaist noise\/audio collage, early Sydney aleatoric electronica, and much more.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア実験音楽の歴史を紐解くコンピレーションアルバム第2弾です。 有名無名関係なく奇天烈な実験音楽28曲を収録。16ページのカラーブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
¥3,380
クイックビュー
{"id":7757109559546,"title":"Various Artists \/\/ Artefacts of Australian Experimental Music: 1930-1973 CD","handle":"various-artists-artefacts-of-australian-experimental-music-1930-1973-cd","description":"\u003cp\u003eオーストラリア実験音楽の歴史を紐解くコンピレーションアルバムです。\u003c\/p\u003e\n\u003cp\u003e有名無名関係なく奇天烈な実験音楽14曲を収録。16ページのカラーブックレットが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1509866050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD \u003cspan data-mce-fragment=\"1\"\u003ehoused in a full colour digipak featuring artwork by Robert Rooney, with a 16 page colour booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Shame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA landmark in the history of Australian experimental music, this album documents for the first time the forgotten pioneers like Percy Grainger, Jack Ellitt, the McKimm Rooney Clayton Trio, Keith Humble and more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...one of those rare compilations whose desire to edify is equalled by its unabashed enthusiasm, and whose audio matches and sometimes exceeds expectations. Musically, it answers many questions about our history and poses still more - The Wire, August 2007.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...a delightfully quirky subtext to Australia's musical history. - Sydney Morning Herald 8-9 March 2008\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...represents one of the first serious investigations into the sparse recorded history of experimental sound practice in Australia...this edition is a valuable resource for anyone with even a passing interest in the historical development of experimental sound work in Australia (or anywhere else for that matter) - Paris Transatlantic Magazine, Summer 2007\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnyone who enjoys the avant-garde or have ever been curious about Australia's experimental scene will find this to be essential. An important piece of audio history, don't pass this up - The Run-Off\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Groove #163\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this compilation, Melbourne musician and experimental music aficionado Clinton Green has assembled 14 tracks in an attempt to address exactly this problem. Making no claims to be comprehensive (let alone exhaustive), Artefacts of Australian Experimental Music documents examples of Australian artistic participation in that sustained attempt by 20th century music makers around the world to break the stranglehold that conventional musical practice had on sound and tonality within western music - Realtime Arts Magazine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, enthusiastic label owners have unearthed and released pioneering experimental music from around the world, placing it in a historical context and exposing it to a new generation of listeners. Artefacts… continues this quest, posing the question, “What came before?” and answering it from an antipodean perspective. The extensive liner notes accompanying Artefacts… are essential in outlining the secret history of Australian experimental music, but most importantly, the artefacts that Clinton Green has unearthed deserve to be heard on their own merits - Cyclic Defrost #18.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElegantly packaged, with extensive liner notes, including a bibliography, its historical importance is as palpable as the often exciting and exhilaratingly experimental sounds it contains - Music Forum: Journal of the Music Council of Australia 14(3).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...a true labour of love, one that’s intelligently curated and successfully makes a comprehensive exploded diagram out of a far too sketchy past. Great! - Terrascope Online, January 2008\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...The liners are exquisite. Green distills his knowledge into short descriptions that illuminate and intrigue. A perfect job. The track selection, likewise, is simply brilliant. Every single piece here is electrifying...I'm completely blown away. This is utterly amazing - Aiding and Abetting #304.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various artists\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2022-09-16T14:49:36+09:00","created_at":"2022-09-16T12:55:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","shame file music"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43356357132538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Artefacts of Australian Experimental Music: 1930-1973 CD","public_title":null,"options":["Default Title"],"price":258000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_496b5e85-f62f-479c-8201-d92a367fb24c.jpg?v=1663300506","\/\/tobirarecords.com\/cdn\/shop\/products\/ar2_2a4411e2-829d-4312-b045-50e98ac9ce4b.jpg?v=1663300507"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_496b5e85-f62f-479c-8201-d92a367fb24c.jpg?v=1663300506","options":["Title"],"media":[{"alt":null,"id":30506684088570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_496b5e85-f62f-479c-8201-d92a367fb24c.jpg?v=1663300506"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_496b5e85-f62f-479c-8201-d92a367fb24c.jpg?v=1663300506","width":700},{"alt":null,"id":30506684121338,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar2_2a4411e2-829d-4312-b045-50e98ac9ce4b.jpg?v=1663300507"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar2_2a4411e2-829d-4312-b045-50e98ac9ce4b.jpg?v=1663300507","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア実験音楽の歴史を紐解くコンピレーションアルバムです。\u003c\/p\u003e\n\u003cp\u003e有名無名関係なく奇天烈な実験音楽14曲を収録。16ページのカラーブックレットが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1509866050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD \u003cspan data-mce-fragment=\"1\"\u003ehoused in a full colour digipak featuring artwork by Robert Rooney, with a 16 page colour booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Shame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA landmark in the history of Australian experimental music, this album documents for the first time the forgotten pioneers like Percy Grainger, Jack Ellitt, the McKimm Rooney Clayton Trio, Keith Humble and more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...one of those rare compilations whose desire to edify is equalled by its unabashed enthusiasm, and whose audio matches and sometimes exceeds expectations. Musically, it answers many questions about our history and poses still more - The Wire, August 2007.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...a delightfully quirky subtext to Australia's musical history. - Sydney Morning Herald 8-9 March 2008\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...represents one of the first serious investigations into the sparse recorded history of experimental sound practice in Australia...this edition is a valuable resource for anyone with even a passing interest in the historical development of experimental sound work in Australia (or anywhere else for that matter) - Paris Transatlantic Magazine, Summer 2007\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnyone who enjoys the avant-garde or have ever been curious about Australia's experimental scene will find this to be essential. An important piece of audio history, don't pass this up - The Run-Off\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Groove #163\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this compilation, Melbourne musician and experimental music aficionado Clinton Green has assembled 14 tracks in an attempt to address exactly this problem. Making no claims to be comprehensive (let alone exhaustive), Artefacts of Australian Experimental Music documents examples of Australian artistic participation in that sustained attempt by 20th century music makers around the world to break the stranglehold that conventional musical practice had on sound and tonality within western music - Realtime Arts Magazine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, enthusiastic label owners have unearthed and released pioneering experimental music from around the world, placing it in a historical context and exposing it to a new generation of listeners. Artefacts… continues this quest, posing the question, “What came before?” and answering it from an antipodean perspective. The extensive liner notes accompanying Artefacts… are essential in outlining the secret history of Australian experimental music, but most importantly, the artefacts that Clinton Green has unearthed deserve to be heard on their own merits - Cyclic Defrost #18.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElegantly packaged, with extensive liner notes, including a bibliography, its historical importance is as palpable as the often exciting and exhilaratingly experimental sounds it contains - Music Forum: Journal of the Music Council of Australia 14(3).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...a true labour of love, one that’s intelligently curated and successfully makes a comprehensive exploded diagram out of a far too sketchy past. Great! - Terrascope Online, January 2008\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...The liners are exquisite. Green distills his knowledge into short descriptions that illuminate and intrigue. A perfect job. The track selection, likewise, is simply brilliant. Every single piece here is electrifying...I'm completely blown away. This is utterly amazing - Aiding and Abetting #304.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various artists\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア実験音楽の歴史を紐解くコンピレーションアルバムです。 有名無名関係なく奇天烈な実験音楽14曲を収録。16ページのカラーブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
¥2,580
クイックビュー
{"id":7508717535482,"title":"Clinton Green \u0026 Ernie Althoff \/\/ Blindfold test CD","handle":"clinton-green-ernie-althoff-blindfold-test-cdr","description":"\u003cp\u003eオーストラリアの物音作家Clinton GreenとErnie Althoffが、2018年にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e彼らの自宅で行ったライブパフォーマンス音源です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YOJe_COmIbE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1567201014\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally produced CD in sleeve with four panel cover, including photo documentation of each machine used for studio component of album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"'I think I know how these four machines sound', Clinton said of the images of Ernie's recently constructed kinetic sonic machines.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"Ok, then build four pairs for these, send me the images and the sound files, and I'll mix them down to four duet tracks\", Ernie replied. These became Part 1 of 'Blindfold test'; the name stuck from the start.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cbr\u003ePart 2 eventuated when the duo were asked to perform at 'Autumnal sounds', a house event in Bayswater North. Three different and separate turntable pieces were devised by each player\u003cspan class=\"bcTruncateMore\"\u003e. These were performed back-to-back for added theatrical effect, with photos and videos only later revealing the processes. A mobile phone alarm ended each section.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFull track listing:\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eStudio component\u003cbr\u003e1. First machine pair 10'01\"\u003cbr\u003e2. Second machine pair 10'02\"\u003cbr\u003e3. Third machine pair 10'02\"\u003cbr\u003e4. Fourth machine pair 10'10\"\u003cbr\u003e\u003cbr\u003eLive performance component - 'Autumnal Sounds', Bayswater North, 12 May 2018\u003cbr\u003e5. Excerpt from Part 2 6'10\"\u003cbr\u003e6. Excerpt from Part 3 6'36\"\u003cbr\u003e7. FAQ 0'54\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green \u0026amp; Ernie Althoff\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-10T14:38:59+09:00","created_at":"2022-01-06T17:16:50+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","shame file music"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282769973498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Clinton Green \u0026 Ernie Althoff \/\/ Blindfold test CD","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_6206a779-885e-4aa2-a4ac-7b80baa8759a.jpg?v=1641457012"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_6206a779-885e-4aa2-a4ac-7b80baa8759a.jpg?v=1641457012","options":["Title"],"media":[{"alt":null,"id":28966096929018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_6206a779-885e-4aa2-a4ac-7b80baa8759a.jpg?v=1641457012"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_6206a779-885e-4aa2-a4ac-7b80baa8759a.jpg?v=1641457012","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの物音作家Clinton GreenとErnie Althoffが、2018年にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e彼らの自宅で行ったライブパフォーマンス音源です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YOJe_COmIbE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1567201014\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally produced CD in sleeve with four panel cover, including photo documentation of each machine used for studio component of album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"'I think I know how these four machines sound', Clinton said of the images of Ernie's recently constructed kinetic sonic machines.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"Ok, then build four pairs for these, send me the images and the sound files, and I'll mix them down to four duet tracks\", Ernie replied. These became Part 1 of 'Blindfold test'; the name stuck from the start.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cbr\u003ePart 2 eventuated when the duo were asked to perform at 'Autumnal sounds', a house event in Bayswater North. Three different and separate turntable pieces were devised by each player\u003cspan class=\"bcTruncateMore\"\u003e. These were performed back-to-back for added theatrical effect, with photos and videos only later revealing the processes. A mobile phone alarm ended each section.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eFull track listing:\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eStudio component\u003cbr\u003e1. First machine pair 10'01\"\u003cbr\u003e2. Second machine pair 10'02\"\u003cbr\u003e3. Third machine pair 10'02\"\u003cbr\u003e4. Fourth machine pair 10'10\"\u003cbr\u003e\u003cbr\u003eLive performance component - 'Autumnal Sounds', Bayswater North, 12 May 2018\u003cbr\u003e5. Excerpt from Part 2 6'10\"\u003cbr\u003e6. Excerpt from Part 3 6'36\"\u003cbr\u003e7. FAQ 0'54\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green \u0026amp; Ernie Althoff\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music \u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの物音作家Clinton GreenとErnie Althoffが、2018年にリリースした共作CDです。 彼らの自宅で行ったライブパフォーマンス音源です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
¥1,480
クイックビュー
{"id":7508715077882,"title":"Ernie Althoff \/\/ Symmetry Marred By Impulse CD","handle":"ernie-althoff-symmetry-marred-by-impulse-cdr","description":"\u003cp\u003eオーストラリア・メルボルンの物音作家Ernie Althoffが、2021年11月にShame FileからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eマイクロコズミックな物音スケープ6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3837794960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePro-produced disc housed in plastic sleeve with 4-panel, full colour cover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ernie Althoff is a Melbourne sound artist and instrument maker active in Australian experimental music since the late 1970s. He is unique not only for the original textures and sonic elements he creates, often tempered with wry humour, but also for his practically continuous contribution to and participation in the Melbourne experimental music community over this extensive period.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis new album \"Symmetry marred by impulse\" opens a rich new vein of ‘Althoffisms’; delicate percussive worlds that articulate and rotate through new sonic spaces, realising their own inherent structures and symmetries along the way. It’s tempting to identify this new work as emblematic of a ‘late-career renaissance’ for Althoff, particularly the rich tonal depth and spaciousness enhanced by his recent use digital production techniques. The truth is that Althoff’s inventiveness and curiosity have been constants throughout four-plus decades of work, and continue to make his music essential listening.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eErnie Althoff:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“For some time I'd been putting the smaller sonic items I'd acquired into a separate container, but it was only when a friend gave me the little alarm-clock bells that I started thinking of the contents as a discrete set. Inappropriate for concert performances, but pretty good for spreading out on a blanket under the stereo pair of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e microphones and playing, trying all the while to push these insignificant little trinkets into sonically intriguing relationships. After the recording, being able to then use digital software to further move, adjust and tweak makes the already large field of possibilities vast. The four “Section” pieces are the results. The symmetry's centre is a combination of a doubled recording of a recently built kinetic machine and another way of playing my previously described elastic-band instrument. These elastic-bands have a square cross-section, enabling the playing technique – one cannot do this with guitar strings! The final work is a multi-track mix of the loose-fitting lid of a small Japanese lacquered box being pushed around to produce the erratic 1-2-3-4 rhythms. I'm not sure that this found object is part of the 'tiny' set, but the final mix sounded as if it would work well as a closer. So it is”.\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ernie Althoff \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-07T19:58:00+09:00","created_at":"2022-01-06T17:07:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","shame file music"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282733568250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ernie Althoff \/\/ Symmetry Marred By Impulse CD","public_title":null,"options":["Default Title"],"price":148000,"weight":40,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_8729aa31-be96-459d-ac5d-ea8d2cc66c32.jpg?v=1641456447","\/\/tobirarecords.com\/cdn\/shop\/products\/im2_5e8294f5-7d59-488b-9b3a-0ca033718cbe.jpg?v=1641456447"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_8729aa31-be96-459d-ac5d-ea8d2cc66c32.jpg?v=1641456447","options":["Title"],"media":[{"alt":null,"id":28966064947450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_8729aa31-be96-459d-ac5d-ea8d2cc66c32.jpg?v=1641456447"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_8729aa31-be96-459d-ac5d-ea8d2cc66c32.jpg?v=1641456447","width":700},{"alt":null,"id":28966064980218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_5e8294f5-7d59-488b-9b3a-0ca033718cbe.jpg?v=1641456447"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_5e8294f5-7d59-488b-9b3a-0ca033718cbe.jpg?v=1641456447","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの物音作家Ernie Althoffが、2021年11月にShame FileからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eマイクロコズミックな物音スケープ6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3837794960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePro-produced disc housed in plastic sleeve with 4-panel, full colour cover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ernie Althoff is a Melbourne sound artist and instrument maker active in Australian experimental music since the late 1970s. He is unique not only for the original textures and sonic elements he creates, often tempered with wry humour, but also for his practically continuous contribution to and participation in the Melbourne experimental music community over this extensive period.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis new album \"Symmetry marred by impulse\" opens a rich new vein of ‘Althoffisms’; delicate percussive worlds that articulate and rotate through new sonic spaces, realising their own inherent structures and symmetries along the way. It’s tempting to identify this new work as emblematic of a ‘late-career renaissance’ for Althoff, particularly the rich tonal depth and spaciousness enhanced by his recent use digital production techniques. The truth is that Althoff’s inventiveness and curiosity have been constants throughout four-plus decades of work, and continue to make his music essential listening.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eErnie Althoff:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“For some time I'd been putting the smaller sonic items I'd acquired into a separate container, but it was only when a friend gave me the little alarm-clock bells that I started thinking of the contents as a discrete set. Inappropriate for concert performances, but pretty good for spreading out on a blanket under the stereo pair of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e microphones and playing, trying all the while to push these insignificant little trinkets into sonically intriguing relationships. After the recording, being able to then use digital software to further move, adjust and tweak makes the already large field of possibilities vast. The four “Section” pieces are the results. The symmetry's centre is a combination of a doubled recording of a recently built kinetic machine and another way of playing my previously described elastic-band instrument. These elastic-bands have a square cross-section, enabling the playing technique – one cannot do this with guitar strings! The final work is a multi-track mix of the loose-fitting lid of a small Japanese lacquered box being pushed around to produce the erratic 1-2-3-4 rhythms. I'm not sure that this found object is part of the 'tiny' set, but the final mix sounded as if it would work well as a closer. So it is”.\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ernie Althoff \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music \u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・メルボルンの物音作家Ernie Althoffが、2021年11月にShame FileからリリースしたCDです。 マイクロコズミックな物音スケープ6曲を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
¥1,480
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{"id":6983059964069,"title":"Jamie Fielding \/\/ Extinkt LP","handle":"jamie-fielding-extinkt-lp","description":"\u003cp\u003e1993年に列車事故により32歳の若さで他界した、オーストラリア・シドニーの知られざる実験音楽家Jamie Fieldingの生前録音音源がレコードでリリース。\u003c\/p\u003e\n\u003cp\u003eJon EvansやMichael Sheridan、John Murphyも参加した全13曲を収録。デッドストック盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Mtq8g5YcEvM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhen Australian piano player Jamie Fielding died in 1993 in a train accident in Sydney, he was 32 and virtually unknown. Although no projects were released under his name during his lifetime… it now seems evident that Fielding will become a legendary, semi-mythic figure, for in imaginative scope, virtuoso technique and joyful audacity, the only musician to compare him with is the late Russian Sergey Kuryokhin.” – David Lewis, Coda.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis posthumous release also features a who’s who of Australian 1980s experimental\/improv, including Jon Evans, Michael Sheridan and John Murphy. LP and CD both come in a limited edition of 500 numbered copies, featuring Fielding’s drawings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamie Fielding\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-18T17:57:53+09:00","created_at":"2021-08-17T10:35:46+09:00","vendor":"Tobira Records","type":"","tags":["lp","noise","shame file music"],"price":264000,"price_min":264000,"price_max":264000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598240985253,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jamie Fielding \/\/ Extinkt LP","public_title":null,"options":["Default Title"],"price":264000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148","options":["Title"],"media":[{"alt":null,"id":23384565383333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2560,"width":2560,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148"},"aspect_ratio":1.0,"height":2560,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148","width":2560}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1993年に列車事故により32歳の若さで他界した、オーストラリア・シドニーの知られざる実験音楽家Jamie Fieldingの生前録音音源がレコードでリリース。\u003c\/p\u003e\n\u003cp\u003eJon EvansやMichael Sheridan、John Murphyも参加した全13曲を収録。デッドストック盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Mtq8g5YcEvM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhen Australian piano player Jamie Fielding died in 1993 in a train accident in Sydney, he was 32 and virtually unknown. Although no projects were released under his name during his lifetime… it now seems evident that Fielding will become a legendary, semi-mythic figure, for in imaginative scope, virtuoso technique and joyful audacity, the only musician to compare him with is the late Russian Sergey Kuryokhin.” – David Lewis, Coda.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis posthumous release also features a who’s who of Australian 1980s experimental\/improv, including Jon Evans, Michael Sheridan and John Murphy. LP and CD both come in a limited edition of 500 numbered copies, featuring Fielding’s drawings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamie Fielding\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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1993年に列車事故により32歳の若さで他界した、オーストラリア・シドニーの知られざる実験音楽家Jamie Fieldingの生前録音音源がレコードでリリース。 Jon EvansやMichael Sheridan、John Murphyも参加した全13曲を収録。デッドストック盤です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases...
¥2,640
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{"id":6983049052325,"title":"Ernie Althoff \/\/ Moggs Creek Picnic Ground CD","handle":"ernie-althoff-two-long-works-cd","description":"\u003cp\u003e80年代から活動するオーストラリアの大御所実験音楽家Ernie Althoffが2012年に100部限定でリリースしたCD。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e70分の\u003c\/span\u003e100%ピュアフィールドレコーディング作品です。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3233728846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShowcasing for the first time Althoff’s field recording work, this single-take, unedited 70 minute recording was made by Althoff in 2004 at the titular picnic ground in the Otway Ranges, Western Victoria. It captures near-magical interactions between a plethora of birdlife against a backdrop of windblown eucalyptus trees. Althoff describes the session’s highlight in the liner notes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"… a magpie making repeated short and plaintive calls from various points in the bush as it approaches the picnic ground. Small variations occur in the call’s structure as well. In the 50th minute the magpie flies into the clearing with strongly audible wingbeats. It calls plaintively some more. Then it flies to a tree in front of the microphones and warbles beautifully before returning to its previous short calls. Finally the magpie departs, flying strongly to the left to exit.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoggs Creek is sublime listening as e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003either ambient soundscape or for those interested in native bird song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released on CD by Shame File Music, 2012, with the recording indexed into 70 one minute tracks. The full recording is presented here as a single track for the first time.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e-----\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ernie Althoff\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-22T11:06:16+09:00","created_at":"2021-08-17T10:20:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","shame file music"],"price":128000,"price_min":128000,"price_max":128000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598203662501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ernie Althoff \/\/ Moggs Creek Picnic Ground CD","public_title":null,"options":["Default Title"],"price":128000,"weight":30,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942","options":["Title"],"media":[{"alt":null,"id":23451868430501,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1449,"width":1449,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942"},"aspect_ratio":1.0,"height":1449,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942","width":1449}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e80年代から活動するオーストラリアの大御所実験音楽家Ernie Althoffが2012年に100部限定でリリースしたCD。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e70分の\u003c\/span\u003e100%ピュアフィールドレコーディング作品です。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3233728846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShowcasing for the first time Althoff’s field recording work, this single-take, unedited 70 minute recording was made by Althoff in 2004 at the titular picnic ground in the Otway Ranges, Western Victoria. It captures near-magical interactions between a plethora of birdlife against a backdrop of windblown eucalyptus trees. Althoff describes the session’s highlight in the liner notes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"… a magpie making repeated short and plaintive calls from various points in the bush as it approaches the picnic ground. Small variations occur in the call’s structure as well. In the 50th minute the magpie flies into the clearing with strongly audible wingbeats. It calls plaintively some more. Then it flies to a tree in front of the microphones and warbles beautifully before returning to its previous short calls. Finally the magpie departs, flying strongly to the left to exit.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoggs Creek is sublime listening as e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003either ambient soundscape or for those interested in native bird song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released on CD by Shame File Music, 2012, with the recording indexed into 70 one minute tracks. The full recording is presented here as a single track for the first time.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e-----\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ernie Althoff\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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80年代から活動するオーストラリアの大御所実験音楽家Ernie Althoffが2012年に100部限定でリリースしたCD。70分の100%ピュアフィールドレコーディング作品です。ライナーノート付属。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
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{"id":6983046496421,"title":"Arthur Cantrill \/\/ Hootonics LP","handle":"arthur-cantrill-hootonics-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-27T11:44:53+09:00","created_at":"2021-08-17T10:16:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","noise","shame file music"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598192914597,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arthur Cantrill \/\/ Hootonics LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","options":["Title"],"media":[{"alt":null,"id":23384482218149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家Harry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
¥2,780
クイックビュー
{"id":6983045087397,"title":"Club Sound Witches \/\/ #freakinmeout CD","handle":"club-sound-witches-freakinmeout-cd","description":"\u003cp\u003e当店人気のオーストラリア物音テクノデュオが2020年3月に同国メルボルンのShame FileからリリースしたCD。相変わらずのフロア棒立ち脳内ダンス系テクノ2曲、55分を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634766404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etk 1 recorded live by paul kidney, make it up club, melbourne, 2 July 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eStrange music, but there is something in there that I found very captivating. Maybe this is the new dance music?\"\u003c\/em\u003e – Vital Weekly #1237\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Club Sound Witches\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-17T11:39:15+09:00","created_at":"2021-08-17T10:14:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","club sound witches","monooto","shame file music","strange beats","techno \/ house"],"price":175000,"price_min":175000,"price_max":175000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598190588069,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Club Sound Witches \/\/ #freakinmeout CD","public_title":null,"options":["Default Title"],"price":175000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_10978e1e-4937-45b1-9016-c13c712a126e.jpg?v=1629162879","\/\/tobirarecords.com\/cdn\/shop\/products\/fr2_025f50ea-a15d-47fc-b9e8-678af790065a.jpg?v=1629162879"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_10978e1e-4937-45b1-9016-c13c712a126e.jpg?v=1629162879","options":["Title"],"media":[{"alt":null,"id":23384476188837,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_10978e1e-4937-45b1-9016-c13c712a126e.jpg?v=1629162879"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_10978e1e-4937-45b1-9016-c13c712a126e.jpg?v=1629162879","width":700},{"alt":null,"id":23384476221605,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr2_025f50ea-a15d-47fc-b9e8-678af790065a.jpg?v=1629162879"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr2_025f50ea-a15d-47fc-b9e8-678af790065a.jpg?v=1629162879","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店人気のオーストラリア物音テクノデュオが2020年3月に同国メルボルンのShame FileからリリースしたCD。相変わらずのフロア棒立ち脳内ダンス系テクノ2曲、55分を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634766404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etk 1 recorded live by paul kidney, make it up club, melbourne, 2 July 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eStrange music, but there is something in there that I found very captivating. Maybe this is the new dance music?\"\u003c\/em\u003e – Vital Weekly #1237\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Club Sound Witches\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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当店人気のオーストラリア物音テクノデュオが2020年3月に同国メルボルンのShame FileからリリースしたCD。相変わらずのフロア棒立ち脳内ダンス系テクノ2曲、55分を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
¥1,750
クイックビュー
{"id":7757102842106,"title":"Ad Hoc \/\/ Distance TAPE","handle":"ad-hoc-distance-tape","description":"\u003cp\u003eオーストラリア・メルボルンの知られざるニューエイジバンドAd Hocが、2022年9月に同国実験レーベルShame Fileから100本限定でリリースした再発カセットです。（オリジナルは1980年自主リリース）\u003c\/p\u003e\n\u003cp\u003e42年前とは思えないほどに新鮮なニューエイジ・ネオクラシカルアンビエント〜アンビエント・ストレンジビーツ7曲を収録。DLコード付属。既に廃盤のため今回限りの入荷となります。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2568764722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2275391786\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2568764722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=842260172\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2568764722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRisograph cover - replica of the original 1980 release.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eShame File Music and Albert’s Basement present a reissue of Ad Hoc’s 1980 release \"Distance\". Ad Hoc (James Clayden, Chris Knowles \u0026amp; David Wadelton, and at times David Brown) were an obscure Melbourne outfit of the late 1970s\/early 80s who stood curiously apart of from many of their more-storied contemporaries, but whose haunting ambient instrumentals sound remarkably contemporary four decades later.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eText by David Wadelton, 2022\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A typed note from our archive states, “The members of AD HOC began working together in April 1978. They are David Brown, James Clayden, Chris Knowles, and David Wadelton.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAd Hoc grew out of art school friendships. We were all making experimental and uncategorisable work in various media. We’d all attended P.I.T. and taken David Tolley’s “sound” unit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris took out a bank loan (for $700!) and acquired an EMS Synthi AKS Suitcase Synthesiser. He locked himself in a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e room in our Northcote share house for months, learning its many foibles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJames and I picked up cheap guitars from a favourite place of ours - Clemens Music in Russell Street, a charming time-capsule of old-world Melbourne retail.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJames was a bit older than Chris and I, and already on the scene. He lived in Cardigan Street and had lots of connections in Carlton. Soon after suggesting we work together James quickly arranged a couple of shows at La Mama. He was also able to pull strings and secure the use of a parking garage behind Cafe Paradiso in Lygon Street for us to use on weekends (Melbourne closed down at midday on Saturday). We set up our rented Fender amps, blasting out an improvised wall of droning, squalling white noise set to 11 that could be heard up and down the street. It was an art performance without an audience, apart from a Sennheiser Dummy Head.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a vibrant underground experimental music scene in Melbourne in the late 1970s and early 1980s. Clifton Hill Community Music Centre (run by David Chesworth) became a focus of much activity. We performed there as either Ad Hoc or Signals on many occasions. We were included on the New Music compilation LP on Philip Brophy and David Chesworth’s Innocent Records in 1980.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong other memorable shows, we played in Discurio’s basement on a bill called “MET on a Thursday” with Essendon Airport, Laughing Hands and Tsk Tsk Tsk. While the other groups were high profile, we remained on the fringes of the underground. Despite this, we were included in the 1982 Sydney Biennale entitled Vision in Disbelief, as Signals – (when James moved to NSW Dave returned and we became Signals, joined by Philip Thomson on drums).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe only venture to the “other side of the Yarra” that I can recall was a show for the bewildered patrons of the Evelyn Hotel in Prahran alongside Essendon Airport and Laughing Hands, during the hotel’s Friday Night “Tea Garden” nights.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMelbourne was different then and we were all able to individually rent single-front inner-city terraces while living on little more than the dole. Collectively (and more mellow than previously), we recorded \"Distance\" in Chris’s place over 1979-80 in the then distinctly un-gentrified Lt. George Street, near Gertrude Street, in Fitzroy. Chris had his Synth and tape recorder set up in his front room, along with an upright piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll the recordings arose out of lengthy improvisations that Chris, James and I made. When we could “feel it” one of us would hit the record button. From there it went to a stereo two-track cassette. As there was no track separation the mix was locked-in, along with the room ambience. A typed note from this period states “Where editing is used it has consisted of simply presenting short sections from longer improvisations. No overdubs have been used”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the spirit of the times, we self-produced and self-released the cassette in a small edition without any expectations, just to get it “out there”.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ad Hoc\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2022-09-16T14:22:17+09:00","created_at":"2022-09-16T12:51:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","post newage","recommended","shame file music","tape"],"price":224000,"price_min":224000,"price_max":224000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43356045902074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ad Hoc \/\/ Distance TAPE","public_title":null,"options":["Default Title"],"price":224000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_8ff80a53-1538-42be-89c4-30348962308c.jpg?v=1663300269","\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_bae35331-b7b7-4290-8282-1b5653823e6d.jpg?v=1663300269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_8ff80a53-1538-42be-89c4-30348962308c.jpg?v=1663300269","options":["Title"],"media":[{"alt":null,"id":30506644930810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_8ff80a53-1538-42be-89c4-30348962308c.jpg?v=1663300269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_8ff80a53-1538-42be-89c4-30348962308c.jpg?v=1663300269","width":700},{"alt":null,"id":30506644963578,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_bae35331-b7b7-4290-8282-1b5653823e6d.jpg?v=1663300269"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_bae35331-b7b7-4290-8282-1b5653823e6d.jpg?v=1663300269","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの知られざるニューエイジバンドAd Hocが、2022年9月に同国実験レーベルShame Fileから100本限定でリリースした再発カセットです。（オリジナルは1980年自主リリース）\u003c\/p\u003e\n\u003cp\u003e42年前とは思えないほどに新鮮なニューエイジ・ネオクラシカルアンビエント〜アンビエント・ストレンジビーツ7曲を収録。DLコード付属。既に廃盤のため今回限りの入荷となります。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2568764722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2275391786\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2568764722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=842260172\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2568764722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eRisograph cover - replica of the original 1980 release.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eShame File Music and Albert’s Basement present a reissue of Ad Hoc’s 1980 release \"Distance\". Ad Hoc (James Clayden, Chris Knowles \u0026amp; David Wadelton, and at times David Brown) were an obscure Melbourne outfit of the late 1970s\/early 80s who stood curiously apart of from many of their more-storied contemporaries, but whose haunting ambient instrumentals sound remarkably contemporary four decades later.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eText by David Wadelton, 2022\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A typed note from our archive states, “The members of AD HOC began working together in April 1978. They are David Brown, James Clayden, Chris Knowles, and David Wadelton.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAd Hoc grew out of art school friendships. We were all making experimental and uncategorisable work in various media. We’d all attended P.I.T. and taken David Tolley’s “sound” unit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris took out a bank loan (for $700!) and acquired an EMS Synthi AKS Suitcase Synthesiser. He locked himself in a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e room in our Northcote share house for months, learning its many foibles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJames and I picked up cheap guitars from a favourite place of ours - Clemens Music in Russell Street, a charming time-capsule of old-world Melbourne retail.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJames was a bit older than Chris and I, and already on the scene. He lived in Cardigan Street and had lots of connections in Carlton. Soon after suggesting we work together James quickly arranged a couple of shows at La Mama. He was also able to pull strings and secure the use of a parking garage behind Cafe Paradiso in Lygon Street for us to use on weekends (Melbourne closed down at midday on Saturday). We set up our rented Fender amps, blasting out an improvised wall of droning, squalling white noise set to 11 that could be heard up and down the street. It was an art performance without an audience, apart from a Sennheiser Dummy Head.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a vibrant underground experimental music scene in Melbourne in the late 1970s and early 1980s. Clifton Hill Community Music Centre (run by David Chesworth) became a focus of much activity. We performed there as either Ad Hoc or Signals on many occasions. We were included on the New Music compilation LP on Philip Brophy and David Chesworth’s Innocent Records in 1980.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong other memorable shows, we played in Discurio’s basement on a bill called “MET on a Thursday” with Essendon Airport, Laughing Hands and Tsk Tsk Tsk. While the other groups were high profile, we remained on the fringes of the underground. Despite this, we were included in the 1982 Sydney Biennale entitled Vision in Disbelief, as Signals – (when James moved to NSW Dave returned and we became Signals, joined by Philip Thomson on drums).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe only venture to the “other side of the Yarra” that I can recall was a show for the bewildered patrons of the Evelyn Hotel in Prahran alongside Essendon Airport and Laughing Hands, during the hotel’s Friday Night “Tea Garden” nights.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMelbourne was different then and we were all able to individually rent single-front inner-city terraces while living on little more than the dole. Collectively (and more mellow than previously), we recorded \"Distance\" in Chris’s place over 1979-80 in the then distinctly un-gentrified Lt. George Street, near Gertrude Street, in Fitzroy. Chris had his Synth and tape recorder set up in his front room, along with an upright piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll the recordings arose out of lengthy improvisations that Chris, James and I made. When we could “feel it” one of us would hit the record button. From there it went to a stereo two-track cassette. As there was no track separation the mix was locked-in, along with the room ambience. A typed note from this period states “Where editing is used it has consisted of simply presenting short sections from longer improvisations. No overdubs have been used”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the spirit of the times, we self-produced and self-released the cassette in a small edition without any expectations, just to get it “out there”.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ad Hoc\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア・メルボルンの知られざるニューエイジバンドAd Hocが、2022年9月に同国実験レーベルShame Fileから100本限定でリリースした再発カセットです。（オリジナルは1980年自主リリース） 42年前とは思えないほどに新鮮なニューエイジ・ネオクラシカルアンビエント〜アンビエント・ストレンジビーツ7曲を収録。DLコード付属。既に廃盤のため今回限りの入荷となります。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
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{"id":7086859190437,"title":"Clinton Green \/\/ Here?\/Secret TAPE","handle":"clinton-green-here-secret-tape","description":"\u003cp\u003eオーストラリア・メルボルンの大御所実験音楽家Clinton Greenが、2021年8月に自身主宰レーベルShame Fileから17本限定でリリースしたカセット。\u003c\/p\u003e\n\u003cp\u003e声をメインソースとした激渋物音コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eアートワークとインサートは一点一点異なります。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3511576899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------- \u003c\/p\u003e\n\u003cp\u003eLimited edition of 17.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLimited edition cassette\/art object hand-made by visual artist, Simon Fisher. Each cassette case has been transformed by into a unique object d'art, with a painted cassette case featuring a unique cover, containing further unique full colour sleeve and inserts, plus liner notes. Hand-numbered edition of 17 copies only.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Here?\/Secret is a new work of tape compositions reimagining voice and the reverberant influence of collaboration, by Australian experimental musician Clinton Green.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe seeds of this project were planted during Melbourne's hard COVID lockdown of 2020, when I could not access my studio and the majority of my equipment. After several months of not making any new music, I felt it imperative to do SOMETHING, and looked at what I had around me at home:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- An old Tascam 4-track cassette porta-studio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cheap Walkmans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cassettes that had been generated over several performances and rehearsals around 2015-16.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI devised a compositional procedure for laying out excerpts from these cassettes on the 4-track tape, including changes of tape speed, panning, tape reversal (by flipping the master cassette), changing tracks, etc. I also included some field recordings of local frog populations, and a recording of record gifted to me by Kerrie Farnsworth, who had found it in a drain in Kiev. I transferred the results in bulk to digital and slowly edited them down with a more conscious and less-process driven aesthetic driving\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe resulting compositions. The results regularly astounded me as I played them back; this feels like something completely different from what I've previously created, and in that spirit I've decided to share them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eNoise Not Music\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e review:\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\"This newly released two-track set makes no attempt to conceal the ugly, knobby seams and blemishes inherent to physical media and fusions or exhumations thereof; like a zealous dig through the bargain cassette bin at your local thrift store—old answering machine archives and sound effects collections and obsolete dictations and forgotten world music thrown (in)discriminately into the “yes” bag—“Here?” stitches an abstractly (yet disturbingly) coherent sequence from voices mangled to oblivion and harsh analog ephemera, while “Secret” plays with sputtering negative space, radio squawks, and sporadic bursts of raucous, chattering chaos made even more gleefully caustic by the hiss and screech of the low-fidelity playback. Moments of warm beauty also lurk quietly in the marshes of both halves, only briefly emerging when absolutely necessary to avoid wasted impact: a flutter of buzzing drone like a ray of light through the dust, a snatch of familiar innocence amidst bedlam. Lovely stuff\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File\u003c\/p\u003e","published_at":"2021-10-04T13:15:06+09:00","created_at":"2021-10-04T11:26:04+09:00","vendor":"Tobira Records","type":"","tags":["Clinton Green","monooto","noise","shame file music","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40937856434341,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Clinton Green \/\/ Here?\/Secret TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366","\/\/tobirarecords.com\/cdn\/shop\/products\/se2_16e47c46-7a4b-44a5-8301-ed60894108ed.jpg?v=1633314366"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366","options":["Title"],"media":[{"alt":null,"id":23945483681957,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_d0d66cdc-ca00-445f-9fa9-f0745c20db47.jpg?v=1633314366","width":700},{"alt":null,"id":23945483714725,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_16e47c46-7a4b-44a5-8301-ed60894108ed.jpg?v=1633314366"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_16e47c46-7a4b-44a5-8301-ed60894108ed.jpg?v=1633314366","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの大御所実験音楽家Clinton Greenが、2021年8月に自身主宰レーベルShame Fileから17本限定でリリースしたカセット。\u003c\/p\u003e\n\u003cp\u003e声をメインソースとした激渋物音コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eアートワークとインサートは一点一点異なります。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3511576899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------- \u003c\/p\u003e\n\u003cp\u003eLimited edition of 17.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLimited edition cassette\/art object hand-made by visual artist, Simon Fisher. Each cassette case has been transformed by into a unique object d'art, with a painted cassette case featuring a unique cover, containing further unique full colour sleeve and inserts, plus liner notes. Hand-numbered edition of 17 copies only.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Here?\/Secret is a new work of tape compositions reimagining voice and the reverberant influence of collaboration, by Australian experimental musician Clinton Green.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe seeds of this project were planted during Melbourne's hard COVID lockdown of 2020, when I could not access my studio and the majority of my equipment. After several months of not making any new music, I felt it imperative to do SOMETHING, and looked at what I had around me at home:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- An old Tascam 4-track cassette porta-studio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cheap Walkmans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Some cassettes that had been generated over several performances and rehearsals around 2015-16.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI devised a compositional procedure for laying out excerpts from these cassettes on the 4-track tape, including changes of tape speed, panning, tape reversal (by flipping the master cassette), changing tracks, etc. I also included some field recordings of local frog populations, and a recording of record gifted to me by Kerrie Farnsworth, who had found it in a drain in Kiev. I transferred the results in bulk to digital and slowly edited them down with a more conscious and less-process driven aesthetic driving\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe resulting compositions. The results regularly astounded me as I played them back; this feels like something completely different from what I've previously created, and in that spirit I've decided to share them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eNoise Not Music\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e review:\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\"This newly released two-track set makes no attempt to conceal the ugly, knobby seams and blemishes inherent to physical media and fusions or exhumations thereof; like a zealous dig through the bargain cassette bin at your local thrift store—old answering machine archives and sound effects collections and obsolete dictations and forgotten world music thrown (in)discriminately into the “yes” bag—“Here?” stitches an abstractly (yet disturbingly) coherent sequence from voices mangled to oblivion and harsh analog ephemera, while “Secret” plays with sputtering negative space, radio squawks, and sporadic bursts of raucous, chattering chaos made even more gleefully caustic by the hiss and screech of the low-fidelity playback. Moments of warm beauty also lurk quietly in the marshes of both halves, only briefly emerging when absolutely necessary to avoid wasted impact: a flutter of buzzing drone like a ray of light through the dust, a snatch of familiar innocence amidst bedlam. Lovely stuff\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File\u003c\/p\u003e"}
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オーストラリア・メルボルンの大御所実験音楽家Clinton Greenが、2021年8月に自身主宰レーベルShame Fileから17本限定でリリースしたカセット。 声をメインソースとした激渋物音コラージュ2曲を収録。DLコード付属。 アートワークとインサートは一点一点異なります。 ----------------------------- Limited edition of 17. Limited edition cassette/art object...
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{"id":6983047839909,"title":"Clinton Green \/\/ Thylacine CDR","handle":"clinton-green-thylacine-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenが2018年にリリースしたアルバム。ターンテーブルのような音響装置での演奏や蛙のフィールドレコーディングを用いた楽曲など3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3992130328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded at Cradle Mountain National Park and Cradle Mountain Wilderness Gallery, Tasmania, October 2017.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-22T17:08:18+09:00","created_at":"2021-08-17T10:18:19+09:00","vendor":"Tobira Records","type":"","tags":["cd","Clinton Green","field recording","monooto","shame file music"],"price":125000,"price_min":125000,"price_max":125000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598197698725,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Clinton Green \/\/ Thylacine CDR","public_title":null,"options":["Default Title"],"price":125000,"weight":30,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_a349200a-be67-49db-adcf-0ff7049b0e4d.jpg?v=1629163100","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_d9ad8c0c-066b-4ad0-acde-d0e4ac77b70a.jpg?v=1629163100"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_a349200a-be67-49db-adcf-0ff7049b0e4d.jpg?v=1629163100","options":["Title"],"media":[{"alt":null,"id":23384490475685,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_a349200a-be67-49db-adcf-0ff7049b0e4d.jpg?v=1629163100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_a349200a-be67-49db-adcf-0ff7049b0e4d.jpg?v=1629163100","width":700},{"alt":null,"id":23384490508453,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_d9ad8c0c-066b-4ad0-acde-d0e4ac77b70a.jpg?v=1629163100"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_d9ad8c0c-066b-4ad0-acde-d0e4ac77b70a.jpg?v=1629163100","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenが2018年にリリースしたアルバム。ターンテーブルのような音響装置での演奏や蛙のフィールドレコーディングを用いた楽曲など3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3992130328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded at Cradle Mountain National Park and Cradle Mountain Wilderness Gallery, Tasmania, October 2017.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenが2018年にリリースしたアルバム。ターンテーブルのような音響装置での演奏や蛙のフィールドレコーディングを用いた楽曲など3曲を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
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{"id":8771821535482,"title":"Astasie-abasie \/\/ Elliptical Gamelan LP","handle":"astasie-abasie-elliptical-gamelan-lp","description":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2022年7月に同国メルボルンのShame Fileから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e「楕円形のガムラン」と名付けた自作楽器による超ミニマルな物音10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011565262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 150.\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the second in a series of experiments exploring the magnification of the insignificant sounds of small metal objects such as washers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e about the sounds, after which any editing of the material is kept to a minimum. \"Elliptical Gamelan\" is the follow-up album from \"Molecular Gamelan\" (2021,sham115).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2025-04-25T06:30:04+09:00","created_at":"2025-04-25T06:29:14+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","shame file music","strange beats"],"price":528400,"price_min":528400,"price_max":528400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275072979194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Astasie-abasie \/\/ Elliptical Gamelan LP","public_title":null,"options":["Default Title"],"price":528400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_55152488-1a25-4263-b3f1-ade5ffddc88b.jpg?v=1662861527","\/\/tobirarecords.com\/cdn\/shop\/products\/el2_fbc1dc61-826b-40c0-bb7a-a926a4b0400e.jpg?v=1662861527"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_55152488-1a25-4263-b3f1-ade5ffddc88b.jpg?v=1662861527","options":["Title"],"media":[{"alt":null,"id":30470470205690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_55152488-1a25-4263-b3f1-ade5ffddc88b.jpg?v=1662861527"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_55152488-1a25-4263-b3f1-ade5ffddc88b.jpg?v=1662861527","width":700},{"alt":null,"id":30470470238458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_fbc1dc61-826b-40c0-bb7a-a926a4b0400e.jpg?v=1662861527"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_fbc1dc61-826b-40c0-bb7a-a926a4b0400e.jpg?v=1662861527","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2022年7月に同国メルボルンのShame Fileから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e「楕円形のガムラン」と名付けた自作楽器による超ミニマルな物音10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011565262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 150.\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the second in a series of experiments exploring the magnification of the insignificant sounds of small metal objects such as washers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e about the sounds, after which any editing of the material is kept to a minimum. \"Elliptical Gamelan\" is the follow-up album from \"Molecular Gamelan\" (2021,sham115).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリア・シドニーの美術家Astasie-abasieが、2022年7月に同国メルボルンのShame Fileから150部限定でリリースしたレコードです。 「楕円形のガムラン」と名付けた自作楽器による超ミニマルな物音10曲を収録。DLコード付属。 癒しすら感じます。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
¥5,284