Shelter Press / Recollection GRM / Ideologic Organ
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{"id":8750131871994,"title":"Sissy Spacek \/\/ Entrance CD","handle":"sissy-spacek-entrance-cd","description":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。CDは異なるアートワークになります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」）として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している：擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGlass-mastered CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161CD\u003c\/p\u003e","published_at":"2025-03-24T15:51:23+09:00","created_at":"2025-03-24T15:46:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","shelter press"],"price":242000,"price_min":242000,"price_max":242000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47212682805498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sissy Spacek \/\/ Entrance CD","public_title":null,"options":["Default Title"],"price":242000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411619","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","options":["Title"],"media":[{"alt":null,"id":35785214656762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","width":1200},{"alt":null,"id":35785272492282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。CDは異なるアートワークになります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」）として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している：擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGlass-mastered CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161CD\u003c\/p\u003e"}
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当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。 ミュージックコンクレート4曲を収録。CDは異なるアートワークになります。 以下、レーベルによる解説です。 "前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。 John Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。 『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web...
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{"id":8750125875450,"title":"Sissy Spacek \/\/ Entrance 2xLP","handle":"sissy-spacek-entrance-2xlp","description":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」）として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している：擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" double black vinyl. Gatefold sleeve. Edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161LP\u003c\/p\u003e","published_at":"2025-03-24T15:45:04+09:00","created_at":"2025-03-24T15:30:29+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","shelter press"],"price":463000,"price_min":463000,"price_max":463000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47212623888634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sissy Spacek \/\/ Entrance 2xLP","public_title":null,"options":["Default Title"],"price":463000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411602","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","\/\/tobirarecords.com\/cdn\/shop\/files\/0038591685_10.jpg?v=1742797915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","options":["Title"],"media":[{"alt":null,"id":35785214656762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","width":1200},{"alt":null,"id":35785214689530,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591685_10.jpg?v=1742797915"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591685_10.jpg?v=1742797915","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」）として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している：擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" double black vinyl. Gatefold sleeve. Edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161LP\u003c\/p\u003e"}
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当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter Pressからリリースした2枚組レコードです。 ミュージックコンクレート4曲を収録。ゲートフォルド仕様です。 以下、レーベルによる解説です。 "前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。 John Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。 『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4）のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品（「Web...
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{"id":8741204132090,"title":"François J. Bonnet \/ Sarah Davachi \/\/ Banshee \/ Basse Brevis LP","handle":"francois-j-bonnet-sarah-davachi-banshee-basse-brevis-lp","description":"\u003cp\u003eスイス／フランスのKassel Jaeger aka FRANCOIS J. BONNETとカナダのSarah Davachi実験音楽家2名が、\u003cspan\u003e2025年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=815260979\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. François J. Bonnet - Banshee\u003cbr\u003e2. Sarah Davachi - Brasse Brevis\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText via the label : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrançois J. Bonnet – Banshee\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBanshee is an ear directed towards the edges of the old world, where these infinite fines terrae cut and fractalize into coasts, harbours, fjords, peninsulas and archipelagos. Drawing its raw material from recordings made in the Inner Hebrides, Banshee tightly weaves a fabric where the sonic avatars of fauna, flora and climate merge with the human presence, its tools and its culture. Thus, a small boat cleaving through a loch becomes the voice of the mountains and wilderness, and the howling of the wind on the moors becomes the lament of a Banshee, harbinger of death, messenger of the Other World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSarah Davachi – Basse Brevis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCo-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to create music that is extremely precise, subtle and lively. But what is striking\u003cspan class=\"bcTruncateMore\"\u003e, and particularly evident in Basse Brevis, is that such an approach, both abstract and restrained, is nonetheless at times utterly poignant. The work combines moments of formal exploration with moments of pure emotion in a perfectly mastered fashion, creating a gentle tension as it swings between two modes of listening that navigate indecisively within both instrumental and concrete approaches, tracing, in parallel, a diagonal of sound that unfolds around perception, sensation and feeling.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François J. Bonnet \/ Sarah Davachi\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press, Recollection Grm) \u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM014lp\u003c\/p\u003e","published_at":"2025-03-11T14:41:45+09:00","created_at":"2025-03-10T14:35:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47182258962682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"François J. Bonnet \/ Sarah Davachi \/\/ Banshee \/ Basse Brevis LP","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411589","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816","\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_a227b524-784a-42f2-87b3-75e6dc474df1.jpg?v=1741584816"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816","options":["Title"],"media":[{"alt":null,"id":35715238756602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816","width":700},{"alt":null,"id":35715238789370,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_a227b524-784a-42f2-87b3-75e6dc474df1.jpg?v=1741584816"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_a227b524-784a-42f2-87b3-75e6dc474df1.jpg?v=1741584816","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス／フランスのKassel Jaeger aka FRANCOIS J. BONNETとカナダのSarah Davachi実験音楽家2名が、\u003cspan\u003e2025年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=815260979\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. François J. Bonnet - Banshee\u003cbr\u003e2. Sarah Davachi - Brasse Brevis\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText via the label : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrançois J. Bonnet – Banshee\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBanshee is an ear directed towards the edges of the old world, where these infinite fines terrae cut and fractalize into coasts, harbours, fjords, peninsulas and archipelagos. Drawing its raw material from recordings made in the Inner Hebrides, Banshee tightly weaves a fabric where the sonic avatars of fauna, flora and climate merge with the human presence, its tools and its culture. Thus, a small boat cleaving through a loch becomes the voice of the mountains and wilderness, and the howling of the wind on the moors becomes the lament of a Banshee, harbinger of death, messenger of the Other World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSarah Davachi – Basse Brevis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCo-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to create music that is extremely precise, subtle and lively. But what is striking\u003cspan class=\"bcTruncateMore\"\u003e, and particularly evident in Basse Brevis, is that such an approach, both abstract and restrained, is nonetheless at times utterly poignant. The work combines moments of formal exploration with moments of pure emotion in a perfectly mastered fashion, creating a gentle tension as it swings between two modes of listening that navigate indecisively within both instrumental and concrete approaches, tracing, in parallel, a diagonal of sound that unfolds around perception, sensation and feeling.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François J. Bonnet \/ Sarah Davachi\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press, Recollection Grm) \u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM014lp\u003c\/p\u003e"}
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スイス／フランスのKassel Jaeger aka FRANCOIS J. BONNETとカナダのSarah Davachi実験音楽家2名が、2025年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 ロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 以下、レーベルによる解説です。 レーベルその他作品はこちら /// Click here to...
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{"id":8741203673338,"title":"Golem Mecanique \/\/ Siamo tutti in pericolo LP","handle":"golem-mecanique-siamo-tutti-in-pericolo-lp","description":"\u003cp\u003eフランスのドローン作家Golem Mecaniqueが、2025年3月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやチター、声による儀式的なドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=785053362\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. La notte 08:35\u003cbr\u003e2. Il giorno prima\u003cbr\u003e3. Teorema\u003cbr\u003e4. Il giorno\u003cbr\u003e5. La tua ultima serata\u003cbr\u003e6. Le lacrime di Maria\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley, 1 Sept 2024, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eSiamo tutti in pericolo\" is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebane's work with the \"drone box\" (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty. On \"Siamo tutti in pericolo\", Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage\/hymns\/meditations on the highly irregular circumstances and questions\/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorff's cover art, \"Siamo tutti in pericolo\", presents a pure presentation of Jebane's \"Golem Mecanique\".\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Golem Mecanique\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA058lp\u003c\/p\u003e","published_at":"2025-03-11T14:52:14+09:00","created_at":"2025-03-10T14:31:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":367000,"price_min":367000,"price_max":367000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47182227243258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Golem Mecanique \/\/ Siamo tutti in pericolo LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408131","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516","\/\/tobirarecords.com\/cdn\/shop\/files\/tutti2.jpg?v=1741584516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516","options":["Title"],"media":[{"alt":null,"id":35715133735162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516","width":700},{"alt":null,"id":35715133767930,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti2.jpg?v=1741584516"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti2.jpg?v=1741584516","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Golem Mecaniqueが、2025年3月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやチター、声による儀式的なドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=785053362\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. La notte 08:35\u003cbr\u003e2. Il giorno prima\u003cbr\u003e3. Teorema\u003cbr\u003e4. Il giorno\u003cbr\u003e5. La tua ultima serata\u003cbr\u003e6. Le lacrime di Maria\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley, 1 Sept 2024, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eSiamo tutti in pericolo\" is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebane's work with the \"drone box\" (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty. On \"Siamo tutti in pericolo\", Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage\/hymns\/meditations on the highly irregular circumstances and questions\/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorff's cover art, \"Siamo tutti in pericolo\", presents a pure presentation of Jebane's \"Golem Mecanique\".\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Golem Mecanique\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA058lp\u003c\/p\u003e"}
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フランスのドローン作家Golem Mecaniqueが、2025年3月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。 ハーディガーディやチター、声による儀式的なドローン6曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥3,670
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{"id":8722398281978,"title":"Nina Garcia \/\/ Bye Bye Bird LP","handle":"nina-garcia-bye-bye-bird-lp","description":"\u003cp\u003eフランスのギタリストNina Garciaが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるドローン〜インプロ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナー\u003cspan\u003eThurston Moore\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nina Garciaは、ノイズギターの芸術を驚くほど魅力的な新しい空間へと積極的に導いてきた。彼女はここしばらくの間、秘密兵器のように見え隠れしていた。彼女の音楽を聴き、彼女のパフォーマンスを見て反芻していると、ごく少数のミュージシャンにしかない気づきがある。少なくともNinaの音楽は、真剣かつ過激で、創造的衝動の瞬間に全面的に取り組んでいるように感じられる。『Bye Bye Bird』は、最も高貴で崇高なレコーディング・コレクションである。素晴らしいアルバムだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2191920208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bye Bye Bird 07:48\u003cbr\u003e2. Le Leurre\u003cbr\u003e3. Ballade des Souffles 01:28\u003cbr\u003e4. Pick-up tentative\u003cbr\u003e5. Dans I'alios\u003cbr\u003e6. Harsh hopping\u003cbr\u003e7. Aubé\u003cbr\u003e8. Whistling Memories\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThurston Moore, London 2024, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes across as serious and radical and wholly engaged in the moment of its creative impulse. With Bye Bye Bird she delivers her most exalted and sublime collection of recordings for all adventurous hearts to hear. A fantastic album.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nina Garcia\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT NO : SOMA059lp\u003c\/p\u003e","published_at":"2025-02-14T13:26:56+09:00","created_at":"2025-02-13T18:16:06+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","shelter press"],"price":376000,"price_min":376000,"price_max":376000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47125775483130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nina Garcia \/\/ Bye Bye Bird LP","public_title":null,"options":["Default Title"],"price":376000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408261","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068","\/\/tobirarecords.com\/cdn\/shop\/files\/by2.jpg?v=1739438067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068","options":["Title"],"media":[{"alt":null,"id":35566530232570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068","width":700},{"alt":null,"id":35566530265338,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by2.jpg?v=1739438067"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by2.jpg?v=1739438067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのギタリストNina Garciaが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるドローン〜インプロ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナー\u003cspan\u003eThurston Moore\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nina Garciaは、ノイズギターの芸術を驚くほど魅力的な新しい空間へと積極的に導いてきた。彼女はここしばらくの間、秘密兵器のように見え隠れしていた。彼女の音楽を聴き、彼女のパフォーマンスを見て反芻していると、ごく少数のミュージシャンにしかない気づきがある。少なくともNinaの音楽は、真剣かつ過激で、創造的衝動の瞬間に全面的に取り組んでいるように感じられる。『Bye Bye Bird』は、最も高貴で崇高なレコーディング・コレクションである。素晴らしいアルバムだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2191920208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bye Bye Bird 07:48\u003cbr\u003e2. Le Leurre\u003cbr\u003e3. Ballade des Souffles 01:28\u003cbr\u003e4. Pick-up tentative\u003cbr\u003e5. Dans I'alios\u003cbr\u003e6. Harsh hopping\u003cbr\u003e7. Aubé\u003cbr\u003e8. Whistling Memories\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThurston Moore, London 2024, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes across as serious and radical and wholly engaged in the moment of its creative impulse. With Bye Bye Bird she delivers her most exalted and sublime collection of recordings for all adventurous hearts to hear. A fantastic album.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nina Garcia\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT NO : SOMA059lp\u003c\/p\u003e"}
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フランスのギタリストNina Garciaが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。 ギターによるドローン〜インプロ8曲を収録。 以下、レーベルオーナーThurston Mooreによる解説です。 "Nina Garciaは、ノイズギターの芸術を驚くほど魅力的な新しい空間へと積極的に導いてきた。彼女はここしばらくの間、秘密兵器のように見え隠れしていた。彼女の音楽を聴き、彼女のパフォーマンスを見て反芻していると、ごく少数のミュージシャンにしかない気づきがある。少なくともNinaの音楽は、真剣かつ過激で、創造的衝動の瞬間に全面的に取り組んでいるように感じられる。『Bye Bye Bird』は、最も高貴で崇高なレコーディング・コレクションである。素晴らしいアルバムだ。" レーベルその他作品はこちら /// Click here to see more...
¥3,760
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{"id":8693876130042,"title":"Nate Wooley \/\/ Henry House CD","handle":"nate-wooley-henry-house-cd","description":"\u003cp\u003eアメリカのトランペッターNate Wooleyが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2937514746\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. Includes 12-page booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Acacia, Burnt Myrrh\u003cbr\u003e2. Stump The World I \u003cbr\u003e3. Clipped Prose of Juncos\u003cbr\u003e4. Stump The World II\u003cbr\u003e5. Aleatory Half Sentences\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHenry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz\/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers, guitarists, a twenty-one-person choir, and the composer on amplified trumpet. But its ritual is more serene, more natural, slower. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHenry House is the first long-form piece that doesn’t feature Wooley’s trumpet. It is also the first to be constructed around his poetic writing. Wooley weaves a strange funeral mass for a fictional everyman from isolated phrases culled from essays, poems, and non-fiction written by Wendell Berry, John Berryman, Joseph Mitchell, and Reiner Stach. After organizing the fragments into a dream narrative, Wooley rewrote the text dozens of times, manipulating the stitched-together story until only glimpses of its sources remained. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese texts become a slowly developing story of care\u003cspan class=\"bcTruncateMore\"\u003e and too much care in living. They are spoken by Mat Maneri and Megan Schubert and set amidst masses of instruments. The outer and middle movements explore the interactions between slowly shifting sine tone frequencies and massed, slightly detuned instruments—vibraphones, brass, pianos—to affect a warmly wobbling harmonic pad that undulates and revolves under Maneri’s performance of the text. The remaining movements move quickly, combining field recordings with hard cuts of Schubert’s singing voice constructed into a massive, tape-affected choir interspersed with her readings.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nate Wooley\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT no : SOMA061\u003c\/p\u003e","published_at":"2025-01-17T08:21:01+09:00","created_at":"2025-01-06T13:26:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","shelter press"],"price":225000,"price_min":225000,"price_max":225000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47013017190650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nate Wooley \/\/ Henry House CD","public_title":null,"options":["Default Title"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408179","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445","\/\/tobirarecords.com\/cdn\/shop\/files\/hous2.jpg?v=1736137445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445","options":["Title"],"media":[{"alt":null,"id":35382761619706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445","width":700},{"alt":null,"id":35382761652474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous2.jpg?v=1736137445"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous2.jpg?v=1736137445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペッターNate Wooleyが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2937514746\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. Includes 12-page booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Acacia, Burnt Myrrh\u003cbr\u003e2. Stump The World I \u003cbr\u003e3. Clipped Prose of Juncos\u003cbr\u003e4. Stump The World II\u003cbr\u003e5. Aleatory Half Sentences\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHenry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz\/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers, guitarists, a twenty-one-person choir, and the composer on amplified trumpet. But its ritual is more serene, more natural, slower. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHenry House is the first long-form piece that doesn’t feature Wooley’s trumpet. It is also the first to be constructed around his poetic writing. Wooley weaves a strange funeral mass for a fictional everyman from isolated phrases culled from essays, poems, and non-fiction written by Wendell Berry, John Berryman, Joseph Mitchell, and Reiner Stach. After organizing the fragments into a dream narrative, Wooley rewrote the text dozens of times, manipulating the stitched-together story until only glimpses of its sources remained. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese texts become a slowly developing story of care\u003cspan class=\"bcTruncateMore\"\u003e and too much care in living. They are spoken by Mat Maneri and Megan Schubert and set amidst masses of instruments. The outer and middle movements explore the interactions between slowly shifting sine tone frequencies and massed, slightly detuned instruments—vibraphones, brass, pianos—to affect a warmly wobbling harmonic pad that undulates and revolves under Maneri’s performance of the text. The remaining movements move quickly, combining field recordings with hard cuts of Schubert’s singing voice constructed into a massive, tape-affected choir interspersed with her readings.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nate Wooley\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT no : SOMA061\u003c\/p\u003e"}
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アメリカのトランペッターNate Wooleyが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。 サウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥2,250
クイックビュー
{"id":8682617569530,"title":"Lisa Lerkenfeldt \/\/ Collagen LP","handle":"lisa-lerkenfeldt-collagen-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2020年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン6曲を収録。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259296074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Comes with 16-page booklet. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Her Hair 05:21\u003cbr\u003e2. Collagen 12:22\u003cbr\u003e3. Gates Of Desire 02:55\u003cbr\u003e4. Music For Three Combs 04:43\u003cbr\u003e5. The Weight Of History 06:30\u003cbr\u003e6. Champagne Smoke 04:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe music of Naarm\/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough each piece exists in its own rare air the composite panorama they present is striking in its sweep\u003cspan class=\"bcTruncateMore\"\u003e and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.\u003cbr\u003e\u003cbr\u003eBut Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.\u003cbr\u003e\u003cbr\u003e14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2024-12-19T15:39:38+09:00","created_at":"2024-12-16T20:51:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","shelter press"],"price":377700,"price_min":377700,"price_max":377700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46956424593658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa Lerkenfeldt \/\/ Collagen LP","public_title":null,"options":["Default Title"],"price":377700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769","\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_e0ecc443-b529-4b5e-a823-711569e3a531.jpg?v=1734349769"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769","options":["Title"],"media":[{"alt":null,"id":35310654882042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769","width":700},{"alt":null,"id":35310654914810,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_e0ecc443-b529-4b5e-a823-711569e3a531.jpg?v=1734349769"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_e0ecc443-b529-4b5e-a823-711569e3a531.jpg?v=1734349769","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2020年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン6曲を収録。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259296074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Comes with 16-page booklet. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Her Hair 05:21\u003cbr\u003e2. Collagen 12:22\u003cbr\u003e3. Gates Of Desire 02:55\u003cbr\u003e4. Music For Three Combs 04:43\u003cbr\u003e5. The Weight Of History 06:30\u003cbr\u003e6. Champagne Smoke 04:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe music of Naarm\/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough each piece exists in its own rare air the composite panorama they present is striking in its sweep\u003cspan class=\"bcTruncateMore\"\u003e and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.\u003cbr\u003e\u003cbr\u003eBut Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.\u003cbr\u003e\u003cbr\u003e14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2020年にフランスの実験レーベルShelter Pressからリリースしたレコードです。 アンビエントドローン6曲を収録。16ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥3,777
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{"id":8657231806714,"title":"Bernard Parmegiani \u0026 François Bayle \/\/ Divine Comédie 4xLP","handle":"bernard-parmegiani-francois-bayle-divine-comedie-4xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMichel Hermon\u003c\/span\u003eの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187468733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl. Includes a poster and DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Bernard Parmegiani - Enfer – La découverte de l'ombre 03:53\u003cbr\u003e2. Bernard Parmegiani - Enfer – Les portes (1e contrainte) I - La bête 01:51\u003cbr\u003e3. Bernard Parmegiani - Enfer – Les portes II - Le chemin difficile 01:25\u003cbr\u003e4. Bernard Parmegiani - Enfer – Les portes III - Les portes de l'enfer 02:22\u003cbr\u003e5. Bernard Parmegiani - Enfer – Les portes IV - L´étendard humain 02:27\u003cbr\u003e6. Bernard Parmegiani - Enfer – Les portes V - Passage de l'Achéron 01:51\u003cbr\u003e7. Bernard Parmegiani - Enfer – L'impouvoir (2e contrainte) I - Béatrice 02:08\u003cbr\u003e8. Bernard Parmegiani - Enfer – L'impouvoir II - Désir sans espérance 01:55\u003cbr\u003e9. Bernard Parmegiani - Enfer – L'impouvoir III - Les châteaux 00:33\u003cbr\u003e10. Bernard Parmegiani - Enfer – L'impouvoir IV - L'ouragan infernal 02:32\u003cbr\u003e11. Bernard Parmegiani - Enfer – Mal-mort (3e contrainte) I - Mal-mort 04:10\u003cbr\u003e12. Bernard Parmegiani - Enfer – Mal-mort II - Le messager céleste 01:03\u003cbr\u003e13. Bernard Parmegiani - Enfer – Les monstres (4e contrainte) I - Femmes de griffe 01:58\u003cbr\u003e14. Bernard Parmegiani - Enfer – Les monstres II - Hommes de ronces 02:15\u003cbr\u003e15. Bernard Parmegiani - Enfer – Les monstres III - Métamorphoses 02:06\u003cbr\u003e16. Bernard Parmegiani - Enfer – Les monstres IV - Cerbères 01:07\u003cbr\u003e17. Bernard Parmegiani - Enfer – Les abysses (5e contrainte) I - Les abysses 03:56\u003cbr\u003e18. Bernard Parmegiani - Enfer – Les abysses II - Le Styx 03:48\u003cbr\u003e19. Bernard Parmegiani - Enfer – Les abysses III - Le rêve du rêve 02:49\u003cbr\u003e20. Bernard Parmegiani - Enfer – Fond de bleu (6e contrainte) I - Le phénix 00:41\u003cbr\u003e21. Bernard Parmegiani - Enfer – Fond de bleu II - Fond de bleu 02:25\u003cbr\u003e22. Bernard Parmegiani - Enfer – Le nœud ardent (7e contrainte) I - Bataille des dragons 03:23\u003cbr\u003e23. Bernard Parmegiani - Enfer – Le nœud ardent II - Le nœud ardent 06:40\u003cbr\u003e24. Bernard Parmegiani - Enfer – Le crépuscule de l'aube 03:50\u003cbr\u003e25. François Bayle - Purgatoire – Danse des chiffres 03:01\u003cbr\u003e26. François Bayle - Purgatoire – Chiffre 1 L'Ange de Dieu - le roseau 05:19\u003cbr\u003e27. François Bayle - Purgatoire – Chiffre 1 - ils… 01:35\u003cbr\u003e28. François Bayle - Purgatoire – Chiffre 1 - la barque 02:07\u003cbr\u003e29. François Bayle - Purgatoire – Chiffre 1 - danse du tremblement initial 03:06\u003cbr\u003e30. François Bayle - Purgatoire – Chiffre 2 La vallée des princes - polyphonie 1 00:51\u003cbr\u003e31. François Bayle - Purgatoire – Chiffre 2 - polyphonie 2 00:50\u003cbr\u003e32. François Bayle - Purgatoire – Chiffre 2 - longue attente 01:50\u003cbr\u003e33. François Bayle - Purgatoire – Chiffre 2 - rêve de l'aigle 02:34\u003cbr\u003e34. François Bayle - Purgatoire – Chiffre 3 La porte ou Deuxième Ange 06:29\u003cbr\u003e35. François Bayle - Purgatoire – Chiffre 4 Les sculptures - épreuve de l'orgueil 04:43\u003cbr\u003e36. François Bayle - Purgatoire – Chiffre 4 - ô notre père 06:02\u003cbr\u003e37. François Bayle - Purgatoire – Chiffre 5 Extase - polyphonie 3 06:13\u003cbr\u003e38. François Bayle - Purgatoire – Chiffre 6 L'Ange-Feu - danse en six parties 07:21\u003cbr\u003e39. François Bayle - Purgatoire – Chiffre 7 Épreuve des flammes - fusion 04:04\u003cbr\u003e40. François Bayle - Purgatoire – Chiffre 7 - maître de toi-même 02:25\u003cbr\u003e41. François Bayle - Purgatoire – Chiffre 8 Paradis terrestre — Béatrice - danse des trois dames 02:10\u003cbr\u003e42. François Bayle - Purgatoire – Chiffre 8 - la forêt 02:32\u003cbr\u003e43. François Bayle - Purgatoire – Chiffre 8 - Béatrice 03:06\u003cbr\u003e44. François Bayle - Purgatoire – Chiffre 9 Transparence - le repentir 01:33\u003cbr\u003e45. François Bayle - Purgatoire – Chiffre 9 - la vérité révélée 02:26\u003cbr\u003e46. François Bayle - Purgatoire – Chiffre 10 Figure supérieure 01:02\u003cbr\u003e47. Bernard Parmegiani, François Bayle - Paradis 21:50 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Divine Comedy stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed piece co-composed and performed live, had never been released on record before. Indeed, fifty years after its premiere, Paradise is unveiled to our ears, thereby rounding off the very first complete edition of the Divine Comedy.\"\u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani \u0026amp; François Bayle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : REGRM032\u003c\/p\u003e","published_at":"2024-11-04T13:31:24+09:00","created_at":"2024-11-04T13:19:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","recommended","shelter press"],"price":635000,"price_min":635000,"price_max":635000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46822779814138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \u0026 François Bayle \/\/ Divine Comédie 4xLP","public_title":null,"options":["Default Title"],"price":635000,"weight":830,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411428","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","options":["Title"],"media":[{"alt":null,"id":35144903033082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","width":700},{"alt":null,"id":35144903098618,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMichel Hermon\u003c\/span\u003eの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187468733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl. Includes a poster and DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Bernard Parmegiani - Enfer – La découverte de l'ombre 03:53\u003cbr\u003e2. Bernard Parmegiani - Enfer – Les portes (1e contrainte) I - La bête 01:51\u003cbr\u003e3. Bernard Parmegiani - Enfer – Les portes II - Le chemin difficile 01:25\u003cbr\u003e4. Bernard Parmegiani - Enfer – Les portes III - Les portes de l'enfer 02:22\u003cbr\u003e5. Bernard Parmegiani - Enfer – Les portes IV - L´étendard humain 02:27\u003cbr\u003e6. Bernard Parmegiani - Enfer – Les portes V - Passage de l'Achéron 01:51\u003cbr\u003e7. Bernard Parmegiani - Enfer – L'impouvoir (2e contrainte) I - Béatrice 02:08\u003cbr\u003e8. Bernard Parmegiani - Enfer – L'impouvoir II - Désir sans espérance 01:55\u003cbr\u003e9. Bernard Parmegiani - Enfer – L'impouvoir III - Les châteaux 00:33\u003cbr\u003e10. Bernard Parmegiani - Enfer – L'impouvoir IV - L'ouragan infernal 02:32\u003cbr\u003e11. Bernard Parmegiani - Enfer – Mal-mort (3e contrainte) I - Mal-mort 04:10\u003cbr\u003e12. Bernard Parmegiani - Enfer – Mal-mort II - Le messager céleste 01:03\u003cbr\u003e13. Bernard Parmegiani - Enfer – Les monstres (4e contrainte) I - Femmes de griffe 01:58\u003cbr\u003e14. Bernard Parmegiani - Enfer – Les monstres II - Hommes de ronces 02:15\u003cbr\u003e15. Bernard Parmegiani - Enfer – Les monstres III - Métamorphoses 02:06\u003cbr\u003e16. Bernard Parmegiani - Enfer – Les monstres IV - Cerbères 01:07\u003cbr\u003e17. Bernard Parmegiani - Enfer – Les abysses (5e contrainte) I - Les abysses 03:56\u003cbr\u003e18. Bernard Parmegiani - Enfer – Les abysses II - Le Styx 03:48\u003cbr\u003e19. Bernard Parmegiani - Enfer – Les abysses III - Le rêve du rêve 02:49\u003cbr\u003e20. Bernard Parmegiani - Enfer – Fond de bleu (6e contrainte) I - Le phénix 00:41\u003cbr\u003e21. Bernard Parmegiani - Enfer – Fond de bleu II - Fond de bleu 02:25\u003cbr\u003e22. Bernard Parmegiani - Enfer – Le nœud ardent (7e contrainte) I - Bataille des dragons 03:23\u003cbr\u003e23. Bernard Parmegiani - Enfer – Le nœud ardent II - Le nœud ardent 06:40\u003cbr\u003e24. Bernard Parmegiani - Enfer – Le crépuscule de l'aube 03:50\u003cbr\u003e25. François Bayle - Purgatoire – Danse des chiffres 03:01\u003cbr\u003e26. François Bayle - Purgatoire – Chiffre 1 L'Ange de Dieu - le roseau 05:19\u003cbr\u003e27. François Bayle - Purgatoire – Chiffre 1 - ils… 01:35\u003cbr\u003e28. François Bayle - Purgatoire – Chiffre 1 - la barque 02:07\u003cbr\u003e29. François Bayle - Purgatoire – Chiffre 1 - danse du tremblement initial 03:06\u003cbr\u003e30. François Bayle - Purgatoire – Chiffre 2 La vallée des princes - polyphonie 1 00:51\u003cbr\u003e31. François Bayle - Purgatoire – Chiffre 2 - polyphonie 2 00:50\u003cbr\u003e32. François Bayle - Purgatoire – Chiffre 2 - longue attente 01:50\u003cbr\u003e33. François Bayle - Purgatoire – Chiffre 2 - rêve de l'aigle 02:34\u003cbr\u003e34. François Bayle - Purgatoire – Chiffre 3 La porte ou Deuxième Ange 06:29\u003cbr\u003e35. François Bayle - Purgatoire – Chiffre 4 Les sculptures - épreuve de l'orgueil 04:43\u003cbr\u003e36. François Bayle - Purgatoire – Chiffre 4 - ô notre père 06:02\u003cbr\u003e37. François Bayle - Purgatoire – Chiffre 5 Extase - polyphonie 3 06:13\u003cbr\u003e38. François Bayle - Purgatoire – Chiffre 6 L'Ange-Feu - danse en six parties 07:21\u003cbr\u003e39. François Bayle - Purgatoire – Chiffre 7 Épreuve des flammes - fusion 04:04\u003cbr\u003e40. François Bayle - Purgatoire – Chiffre 7 - maître de toi-même 02:25\u003cbr\u003e41. François Bayle - Purgatoire – Chiffre 8 Paradis terrestre — Béatrice - danse des trois dames 02:10\u003cbr\u003e42. François Bayle - Purgatoire – Chiffre 8 - la forêt 02:32\u003cbr\u003e43. François Bayle - Purgatoire – Chiffre 8 - Béatrice 03:06\u003cbr\u003e44. François Bayle - Purgatoire – Chiffre 9 Transparence - le repentir 01:33\u003cbr\u003e45. François Bayle - Purgatoire – Chiffre 9 - la vérité révélée 02:26\u003cbr\u003e46. François Bayle - Purgatoire – Chiffre 10 Figure supérieure 01:02\u003cbr\u003e47. Bernard Parmegiani, François Bayle - Paradis 21:50 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Divine Comedy stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed piece co-composed and performed live, had never been released on record before. Indeed, fifty years after its premiere, Paradise is unveiled to our ears, thereby rounding off the very first complete edition of the Divine Comedy.\"\u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani \u0026amp; François Bayle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : REGRM032\u003c\/p\u003e"}
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フランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。 イタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。 以下、レーベルによる解説です。 "ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、Michel Hermonの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。" レーベルその他作品はこちら /// Click here to see...
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{"id":8647552696570,"title":"Flora Yin Wong \/ Sébastien Roux \/\/ Trigram for Earth \/ 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape LP","handle":"flora-yin-wong-sebastien-roux-trigram-for-earth-50-frequency-and-amplitude-modulated-sine-waves-describing-a-landscape-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのFlora Yin Wongとフランス・パリのSébastien Rouxアンビエント作家2名が、2024年10月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Flora Yin Wongによる「Trigram for Earth」は、伝統的な8面のパクア鏡と、その各縁に刻まれた卦からインスピレーションを得ている。鏡の機能は、現実が互いに相反する力によって構成されていることを示し、それらを調整することである。ここでは、エネルギーが操作され、私たちの耳を導くようである。音の迷路に迷い込み、回折され、彼女の記憶、執着、彼女の中にある断片を通して、アーティスト自身の耳と融合する。Flora Yin Wongは、私たちを多面的な音の探求へと誘い、解放された音の力の蛇行、彼女自身の聴力の聴診、そして断片化された永遠に神秘的な内なる世界への扉への旅へと誘う。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eSébastien Roux「風景を描写する50の周波数と振幅変調されたサイン波」\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eは、アルゴリズミックな作曲のアプローチを自然界の観察に応用したもので、海の音と鳥のさえずりを電子的な領域に持ち込み、緩やかな変調のプロセスによって互いを変換する。Sébastien Rouxは、2つの自然主義的な絵画の間にある純粋な音の抽象的な空間を探求し、シンセシスの世界についての魅力的な瞑想を私たちに提供し、手段の経済性と偉大な形式的な優雅さをもって、音のシミュラクルの魔法と人工の奇妙な美しさを、音楽的であると同時に究極的には詩的なジェスチャーで明らかにする。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1823433704\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Flora Yin Wong - Trigram for Earth 18:34\u003cbr\u003e2. Sébastien Roux - 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape 16:59 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Flora YIN WONG 'Trigram for Earth' \u003cbr\u003eTrigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's own listening, through her memories, her obsessions, the fragments she carries within her. Flora Yin Wong invites us to embark on a multi-faceted investigation of sound, a journey through the meanders of liberated sonic forces, an auscultation of her own listening and a portal, at last, ajar to a fragmented and forever mysterious inner world. \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Flora Yin Wong \/ Sébastien Roux\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : SPGRM011lp\u003c\/p\u003e","published_at":"2024-10-20T17:33:30+09:00","created_at":"2024-10-20T17:17:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","monooto","new","shelter press"],"price":314000,"price_min":314000,"price_max":314000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46767956820218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Flora Yin Wong \/ Sébastien Roux \/\/ Trigram for Earth \/ 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape LP","public_title":null,"options":["Default Title"],"price":314000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411367","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392","\/\/tobirarecords.com\/cdn\/shop\/files\/0037046320_10.jpg?v=1729412390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392","options":["Title"],"media":[{"alt":null,"id":35083123949818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392","width":700},{"alt":null,"id":35083123818746,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037046320_10.jpg?v=1729412390"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037046320_10.jpg?v=1729412390","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのFlora Yin Wongとフランス・パリのSébastien Rouxアンビエント作家2名が、2024年10月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Flora Yin Wongによる「Trigram for Earth」は、伝統的な8面のパクア鏡と、その各縁に刻まれた卦からインスピレーションを得ている。鏡の機能は、現実が互いに相反する力によって構成されていることを示し、それらを調整することである。ここでは、エネルギーが操作され、私たちの耳を導くようである。音の迷路に迷い込み、回折され、彼女の記憶、執着、彼女の中にある断片を通して、アーティスト自身の耳と融合する。Flora Yin Wongは、私たちを多面的な音の探求へと誘い、解放された音の力の蛇行、彼女自身の聴力の聴診、そして断片化された永遠に神秘的な内なる世界への扉への旅へと誘う。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eSébastien Roux「風景を描写する50の周波数と振幅変調されたサイン波」\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eは、アルゴリズミックな作曲のアプローチを自然界の観察に応用したもので、海の音と鳥のさえずりを電子的な領域に持ち込み、緩やかな変調のプロセスによって互いを変換する。Sébastien Rouxは、2つの自然主義的な絵画の間にある純粋な音の抽象的な空間を探求し、シンセシスの世界についての魅力的な瞑想を私たちに提供し、手段の経済性と偉大な形式的な優雅さをもって、音のシミュラクルの魔法と人工の奇妙な美しさを、音楽的であると同時に究極的には詩的なジェスチャーで明らかにする。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1823433704\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Flora Yin Wong - Trigram for Earth 18:34\u003cbr\u003e2. Sébastien Roux - 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape 16:59 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Flora YIN WONG 'Trigram for Earth' \u003cbr\u003eTrigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's own listening, through her memories, her obsessions, the fragments she carries within her. Flora Yin Wong invites us to embark on a multi-faceted investigation of sound, a journey through the meanders of liberated sonic forces, an auscultation of her own listening and a portal, at last, ajar to a fragmented and forever mysterious inner world. \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Flora Yin Wong \/ Sébastien Roux\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : SPGRM011lp\u003c\/p\u003e"}
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イギリス・ロンドンのFlora Yin Wongとフランス・パリのSébastien Rouxアンビエント作家2名が、2024年10月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 ロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 以下、レーベルによる解説です。 "Flora Yin Wongによる「Trigram for Earth」は、伝統的な8面のパクア鏡と、その各縁に刻まれた卦からインスピレーションを得ている。鏡の機能は、現実が互いに相反する力によって構成されていることを示し、それらを調整することである。ここでは、エネルギーが操作され、私たちの耳を導くようである。音の迷路に迷い込み、回折され、彼女の記憶、執着、彼女の中にある断片を通して、アーティスト自身の耳と融合する。Flora...
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{"id":8605242228986,"title":"Lukas De Clerck \/\/ The Telescopic Aulos of Atlas LP","handle":"lukas-de-clerck-the-telescopic-aulos-of-atlas-lp","description":"\u003cp\u003eベルギー・ブリュッセルの実験音楽家Lukas De Clerckが、2024年8月にフランス・パリの実験／ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギリシャ神話にも登場する古楽器アウロスを用いたドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Lukas De Clerckは、この驚異的なレコーディングで、彼の新しい解釈による長大な表現力を引き出した伸縮自在のアウロスをもたらした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLukas De Clerckは、音楽における考古学的研究のニッチを探求している。アウロスはギリシャの歴史的楽器であり、ルーカスはそれを分析し、現代のルシアーによって再解釈した。Lukas De Clerckは、古典期の貴重な考古学的資料や視覚芸術から得た情報を解釈し、この楽器の演奏技法と可能な音色の両方を再現した。ドローン、ポスト・ミニマリズム音楽、コンテンポラリー・フォークへの彼の現代的なアプローチにより、私たちは深く満足させられ、説得力のある、遊び心さえ感じさせる歌、音色の練習、作曲のセットを見つけることができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アウロスの形態は、その葦によって定義される。植物の繊維の内側にある管状のメモリが、内側に息を吹き込む口のように、自然に閉じたり開いたりすることを保証する。リードは核であり、音源であり、裸の楽器である。リードは2つのオシレーターのような役割を果たし、高音をビートに変化させる。パイプはコンテクストであり、音のチャンネルだ。物語を創り出すのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley\u003c\/span\u003e aka SUNN O)))のレーベル Ideologic Organによる、ニューミュージックと現代の古音楽学研究の出会いの重要なドキュメントである。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=932804915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jot's Phorbela\u003cbr\u003e2. Singing Phragmites of Pont’Etzu\u003cbr\u003e3. The Cats of Medir\u003cbr\u003e4. Sacrifice of a Reed \u003cbr\u003e5. A Gargling Aulete\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLUKAS DE CLERCK brings the telescopic aulos, which his new interpretation of long-form expression coaxed forth on this tremendous recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The morphology of the aulos is defined by its reeds. The tubular memory inside the plant's fibre will ensure it closes and opens naturally, like the mouth that blows breath inside. The reeds are the core, the sound source—the naked instrument. They behave like two oscillators, bending high-pitched notes into beatings. The\u003cspan class=\"bcTruncateMore\"\u003e pipes are a context, a channel for the sound. They create a narrative.\"\u003cbr\u003e\u003cbr\u003eAn essential document of new music meets contemporary archaemusicological research via Stephen O'Malley of SUNN O)))'s label Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lukas De Clerck\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA046lp\u003c\/p\u003e","published_at":"2024-08-25T09:06:13+09:00","created_at":"2024-08-23T18:45:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46598524600570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lukas De Clerck \/\/ The Telescopic Aulos of Atlas LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408063","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211","\/\/tobirarecords.com\/cdn\/shop\/files\/au2_3a70e01f-172b-408b-9cf1-c88c0e1a6977.jpg?v=1724406211"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211","options":["Title"],"media":[{"alt":null,"id":34763438915834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211","width":700},{"alt":null,"id":34763438948602,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_3a70e01f-172b-408b-9cf1-c88c0e1a6977.jpg?v=1724406211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_3a70e01f-172b-408b-9cf1-c88c0e1a6977.jpg?v=1724406211","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルの実験音楽家Lukas De Clerckが、2024年8月にフランス・パリの実験／ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギリシャ神話にも登場する古楽器アウロスを用いたドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Lukas De Clerckは、この驚異的なレコーディングで、彼の新しい解釈による長大な表現力を引き出した伸縮自在のアウロスをもたらした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLukas De Clerckは、音楽における考古学的研究のニッチを探求している。アウロスはギリシャの歴史的楽器であり、ルーカスはそれを分析し、現代のルシアーによって再解釈した。Lukas De Clerckは、古典期の貴重な考古学的資料や視覚芸術から得た情報を解釈し、この楽器の演奏技法と可能な音色の両方を再現した。ドローン、ポスト・ミニマリズム音楽、コンテンポラリー・フォークへの彼の現代的なアプローチにより、私たちは深く満足させられ、説得力のある、遊び心さえ感じさせる歌、音色の練習、作曲のセットを見つけることができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アウロスの形態は、その葦によって定義される。植物の繊維の内側にある管状のメモリが、内側に息を吹き込む口のように、自然に閉じたり開いたりすることを保証する。リードは核であり、音源であり、裸の楽器である。リードは2つのオシレーターのような役割を果たし、高音をビートに変化させる。パイプはコンテクストであり、音のチャンネルだ。物語を創り出すのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley\u003c\/span\u003e aka SUNN O)))のレーベル Ideologic Organによる、ニューミュージックと現代の古音楽学研究の出会いの重要なドキュメントである。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=932804915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jot's Phorbela\u003cbr\u003e2. Singing Phragmites of Pont’Etzu\u003cbr\u003e3. The Cats of Medir\u003cbr\u003e4. Sacrifice of a Reed \u003cbr\u003e5. A Gargling Aulete\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLUKAS DE CLERCK brings the telescopic aulos, which his new interpretation of long-form expression coaxed forth on this tremendous recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The morphology of the aulos is defined by its reeds. The tubular memory inside the plant's fibre will ensure it closes and opens naturally, like the mouth that blows breath inside. The reeds are the core, the sound source—the naked instrument. They behave like two oscillators, bending high-pitched notes into beatings. The\u003cspan class=\"bcTruncateMore\"\u003e pipes are a context, a channel for the sound. They create a narrative.\"\u003cbr\u003e\u003cbr\u003eAn essential document of new music meets contemporary archaemusicological research via Stephen O'Malley of SUNN O)))'s label Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lukas De Clerck\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA046lp\u003c\/p\u003e"}
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ベルギー・ブリュッセルの実験音楽家Lukas De Clerckが、2024年8月にフランス・パリの実験／ドローンレーベルIdeologic Organからリリースしたレコードです。 ギリシャ神話にも登場する古楽器アウロスを用いたドローン5曲を収録。 以下、レーベルによる解説です。 "Lukas De Clerckは、この驚異的なレコーディングで、彼の新しい解釈による長大な表現力を引き出した伸縮自在のアウロスをもたらした。 Lukas De Clerckは、音楽における考古学的研究のニッチを探求している。アウロスはギリシャの歴史的楽器であり、ルーカスはそれを分析し、現代のルシアーによって再解釈した。Lukas De Clerckは、古典期の貴重な考古学的資料や視覚芸術から得た情報を解釈し、この楽器の演奏技法と可能な音色の両方を再現した。ドローン、ポスト・ミニマリズム音楽、コンテンポラリー・フォークへの彼の現代的なアプローチにより、私たちは深く満足させられ、説得力のある、遊び心さえ感じさせる歌、音色の練習、作曲のセットを見つけることができる。...
¥3,890
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{"id":8386910028026,"title":"Carlos Giffoni \/\/ Dream Walker LP","handle":"carlos-giffoni-dream-walker-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベネズエラ出身アメリカ在住の実験音楽家Carlos Giffoniが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント・ノイズ〜ドローン11曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=578814065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Now Dream 06:18\u003cbr\u003e2. Saltos 03:51\u003cbr\u003e3. Ticking Clock 03:37\u003cbr\u003e4. Euphoria Part 2 02:51\u003cbr\u003e5. Euphoria Part 1 01:54\u003cbr\u003e6. Sleep Walker 03:42 video\u003cbr\u003e7. Episode 02:21\u003cbr\u003e8. One Breath 04:10\u003cbr\u003e9. Lost in Descanso 03:00\u003cbr\u003e10. Sunrise 02:52\u003cbr\u003e11. The Hidden Path 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlan Licht, New York, December 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e","published_at":"2024-04-27T18:31:05+09:00","created_at":"2024-04-27T12:59:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","new","shelter press"],"price":384000,"price_min":384000,"price_max":384000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45794964242682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Giffoni \/\/ Dream Walker LP","public_title":null,"options":["Default Title"],"price":384000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362","\/\/tobirarecords.com\/cdn\/shop\/files\/walk2.jpg?v=1714190362"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362","options":["Title"],"media":[{"alt":null,"id":33869655310586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362","width":700},{"alt":null,"id":33869655343354,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk2.jpg?v=1714190362"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk2.jpg?v=1714190362","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベネズエラ出身アメリカ在住の実験音楽家Carlos Giffoniが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント・ノイズ〜ドローン11曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=578814065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Now Dream 06:18\u003cbr\u003e2. Saltos 03:51\u003cbr\u003e3. Ticking Clock 03:37\u003cbr\u003e4. Euphoria Part 2 02:51\u003cbr\u003e5. Euphoria Part 1 01:54\u003cbr\u003e6. Sleep Walker 03:42 video\u003cbr\u003e7. Episode 02:21\u003cbr\u003e8. One Breath 04:10\u003cbr\u003e9. Lost in Descanso 03:00\u003cbr\u003e10. Sunrise 02:52\u003cbr\u003e11. The Hidden Path 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlan Licht, New York, December 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}
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ベネズエラ出身アメリカ在住の実験音楽家Carlos Giffoniが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。 シンセによるアンビエント・ノイズ〜ドローン11曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥3,840
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{"id":8255392448762,"title":"Attila Csihar \/\/ Void Ov Voices : Baalbek LP \/ CD","handle":"attila-csihar-void-ov-voices-baalbek-lp-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSUNN O)))としても活動しているAttila Csiharが、2023年2月に\u003cmeta charset=\"utf-8\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレバノンのバールベックで録音したドローン2セットを収録。16ページのブックレット付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私は2006年にVoid Ov Voicesを立ち上げ、その場の空間と時間のエネルギーを捉え、干渉しながら、その場のための儀式的な音楽を作り、ライブパフォーマンスのみを行うようになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2008年に初めてレバノンを訪れたのは、トリトンやバールベックの巨大なモノリスを訪れるという特別な理由からでした。そのとき、古代文明の工学技術の高さと、地域全体が持つ強烈な幻想的な雰囲気に深い感銘を受けたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は長い間、古代遺跡や先史時代の遺跡、モノリスに魅了されてきました。この数十年間、私は世界中の多くの場所を訪れました。私はいつも、これらの古代遺跡の中に非常に独特な物理的エネルギーを感じ、それが私の想像力と心の目を興味深く開かせてくれました。さらに、これらの建造物はすべて、忘れ去られた高度なテクノロジーと文明の足跡なのです。さらに、これらの石の塊は、しばしば占星術の事象や神聖幾何学と一直線上に並んでいます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックのトリトンは、ローマ時代以前の技術の純粋な証拠であり、重さ約900トン（VWゴルフ900台分に相当）の石のブロックを持ち上げて運ぶことができる技術であるため、私にとって特別な存在なのです。その輸送そのものを現代で行うことは可能であるとしても、最先端の技術をもってしても大変なことです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックには、このような大きさの石でできた巨大な台地があり、その上にローマ人が世界最大級のローマ建築といわれるジュピター神殿を建てたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックは古代には「太陽の町」と呼ばれていたそうですが、「バベルの塔」の話と関係があるのでしょうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのような神秘的な場所には、さまざまな物語や説があります。しかし、これらの石は、歴史の中で時空を超えて、ただそこに立って待っているのです。そして、最後までそこにあるのです...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらのユニークな構造物にできるだけ近い録音をすることは、常に私の心を揺り動かすものでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eついにバールベックの「南の石」の頂上でレコーディングをすることができたとき、私はトランス状態のような瞑想状態に陥ったのです。音楽は、耳の感覚だけでなく、私たちの身体のすべてを通過していくので、さまざまなレベルで不思議なものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e年月が経つにつれ、私はバールベックについてさらに調べていきました。ハンガリーで最も重要な画家の一人、チョントヴァーリ・コシュトカ・ティヴァダー（1853-1919）も、レバノンの同じ場所で深い感動を受けました。彼の生涯を詳しく調べてみると、私と彼の性格や芸術哲学には多くの共通点があることがわかりました。彼は、深い精神性を持っていましたが、宗教的ではありませんでした。\u003cmeta charset=\"utf-8\"\u003e薬剤師で科学者だった彼が、中年になって絵を描き始めたのは、超越的な衝動に駆られたからにほかなりません。彼は薬剤師のキャリアをあきらめ、残りの人生、魂の欲求を満たすために芸術と絵画にのみ集中し、それ以外の地上的、エゴイスティックな理由ではありませんでした。展覧会を開くこともなく、自分の絵を売るつもりもありませんでした。ベジタリアンになり、社会のアウトサイダーとなりました。晩年には、政府や世界の指導者たちの背後にある隠された手に挑戦する、高度な哲学的文章も書いています。しかし残念なことに、そして典型的な例として、彼の存在が認識されたのは、死後数十年経ってからでした。彼の絵は忘れ去られ、第二次世界大戦後、トラックの荷台のキャンバスとして売られそうになっていました。しかしオークションの最後の最後に、誰かがその芸術的価値を認め、買い上げ、保存してくれたのです。今では、ハンガリーで最も重要で影響力のある画家の一人と言われています。ハンガリーの暗い歴史の中で、どれだけの貴重な美術品が消えていったのだろうかと思うことがあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eとにかく、ツォントヴァーリ・コシュトカ・ティヴァダールとバールベックは私に深いインスピレーションを与えてくれました。2012年、私は再びレバノンのバールベックにある同じ遺跡に行き、儀式的な記録を作り、そのエネルギーを自分のために、永遠に留めておこうと決心したのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのジャケットアートワークに選んだのは、チョントヴァーリが描いた「Sacrificial Stone」という珍しい絵画です。彼はこのシュールな絵をバールベックでも描いているのです。彼が「南の石」にインスピレーションを受け、それが彼のビジョンの中で「サクリファイス・ストーン」になったというのは、私にとって借りのない話です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVoid Ov Voicesでは、音のブロックを繰り返し使って、音の壁を作り出しています。この美しい絵の上で、チョントヴァーリ以上に自分の音楽をイメージすることはできませんでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの個人的な録音をリリースすべきかどうか迷いましたが、友人のスティーブン・オマリーの長年にわたる強いインスピレーションに感謝します。ついに実現することができました。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=940589157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight of 29th of March (on my 41st birthday) in Hotel Jupiter in Baalbek while looking at the Thrilitons of the Jupiter Temple. 27:44\u003c\/li\u003e\n\u003cli\u003eDaytime of 30th of March, on the top of the biggest ever human-made Monolith called Stone Of The South. 20:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAttila Csihar. Budapest, September 2021\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"I started Void Ov Voices in 2006 to create ritualistic music for the moment, to play only live performances while capturing and interfering with the energy of the space and the time of the location.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first time I travelled to Lebanon was in 2008 for one particular reason: to visit the Trilitons and the giant Monoliths of Baalbek. I was deeply impressed by the level of ancient civilisations engineering technology and the intense magical atmosphere of the whole area.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have been fascinated by ancient ruins, prehistorical sites and monoliths for a long time. In the last decades, I visited many of these places around the world. I always felt this very particular fine physical energy among those ancient ruins, which interestingly opened my imagination and mind’s eye. Besides that, all these structures are footprints of a forgotten high advanced technology and civilisations. Moreover, these masses of stone often lie in alignment with astrological events and sacred geometry.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Trilitons of Baalbek are extraordinarily special to me as they are pure evidence of technology from before the Roman period, a technology which could lift and transport blocks of stones, each weighing around approximately 900 tons (which equals\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approximately the weight of 900 VW Golfs, but in one piece!). To do that transportation itself today would be a huge challenge even with our cutting edge technology, if it’s possible at all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a massive plateau in Baalbek made of these sized stones, on top of which the Romans built their famous Jupiter Temple, considered to be one of the largest Roman structures in the world.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBaalbek used to be called The City Of The Sun in ancient times, and I might have one theoretical question: could it be connected to the story of The Tower Of Babel?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere are many stories and theories around these mystical places. But, those stones have been just standing and waiting there in time and space throughout history. And they will be there till the end…\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo make recordings as close as possible to these unique structures always triggered my mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen finally I could make a recording outdoor on the top of the “Stone of the South” in Baalbek, I fell into a trance kind of meditative state of mind, in that welcoming an enormous ancient energy which is present and is also captured on these recordings. Music is magical itself on many levels as it goes through all of our bodies, not only through the sensations of our ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs years passed, I researched Baalbek more. One of Hungary’s most significant painters, Csontváry Kosztka Tivadar (1853-1919), was also deeply touched by the same spot in Lebanon. When I dug more into Csontváry’s life story, I found many similarities between his and my personality and artistic philosophy. He was profoundly spiritual yet not religious. He was an apothecary and scientist who started to paint in his middle age only because of a transcendental impulse he received. He gave up his pharmacist career and, for the rest of his life, focused only on art and painting to fulfil his soul’s desires and not for any other earthly or egoistic reason. He never had an exhibition, and he never intended to sell any of his paintings. He became a vegetarian and an outsider of society. Towards the end of his life, he even wrote some advanced philosophical writings challenging the hidden hands behind the governments and world leaders. Unfortunately and typically, he was only recognised decades after his death. His paintings were forgotten and almost sold as canvas to cover trucks after WWII. Then, at the last minute of an auction, somebody recognised their artistic value, bought up and saved these priceless paintings, which was like a miracle itself. Csontváry is now considered to be one of the most critical and influential Hungarian painters of all time! Sometimes I wonder how much invaluable art might have disappeared through the dark times of our history.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnyway, Csontváry Kosztka Tivadar and Baalbek gave me such deep inspiration that in 2012 I decided to travel back to Lebanon to the same ruins to Baalbek to create a ritualistic recording and try to capture that energy for myself and for forever.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI chose this rare painting from Csontváry called “Sacrificial Stone” for the album’s cover artwork. He painted this surrealistic painting in Baalbek too. No debt to me that he was inspired by “The Stone Of The South”, which became the “Sacrificial Stone” in his vision.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw that painting, I could not believe my eyes: in Void Ov Voices, I use blocks of sounds repeatedly to create a wall of sound. I could not visualise my music better than Csontváry on this beautiful painting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was not sure if I should ever release this personal recording but thank my friend Stephen O’Malley’s strong inspiration through the years. Finally, it can happen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Attila Csihar\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA047\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T08:36:34+09:00","created_at":"2024-04-01T10:00:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","lp","shelter 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data-mce-fragment=\"1\"\u003eSUNN O)))としても活動しているAttila Csiharが、2023年2月に\u003cmeta charset=\"utf-8\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレバノンのバールベックで録音したドローン2セットを収録。16ページのブックレット付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私は2006年にVoid Ov Voicesを立ち上げ、その場の空間と時間のエネルギーを捉え、干渉しながら、その場のための儀式的な音楽を作り、ライブパフォーマンスのみを行うようになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2008年に初めてレバノンを訪れたのは、トリトンやバールベックの巨大なモノリスを訪れるという特別な理由からでした。そのとき、古代文明の工学技術の高さと、地域全体が持つ強烈な幻想的な雰囲気に深い感銘を受けたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は長い間、古代遺跡や先史時代の遺跡、モノリスに魅了されてきました。この数十年間、私は世界中の多くの場所を訪れました。私はいつも、これらの古代遺跡の中に非常に独特な物理的エネルギーを感じ、それが私の想像力と心の目を興味深く開かせてくれました。さらに、これらの建造物はすべて、忘れ去られた高度なテクノロジーと文明の足跡なのです。さらに、これらの石の塊は、しばしば占星術の事象や神聖幾何学と一直線上に並んでいます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックのトリトンは、ローマ時代以前の技術の純粋な証拠であり、重さ約900トン（VWゴルフ900台分に相当）の石のブロックを持ち上げて運ぶことができる技術であるため、私にとって特別な存在なのです。その輸送そのものを現代で行うことは可能であるとしても、最先端の技術をもってしても大変なことです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックには、このような大きさの石でできた巨大な台地があり、その上にローマ人が世界最大級のローマ建築といわれるジュピター神殿を建てたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックは古代には「太陽の町」と呼ばれていたそうですが、「バベルの塔」の話と関係があるのでしょうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのような神秘的な場所には、さまざまな物語や説があります。しかし、これらの石は、歴史の中で時空を超えて、ただそこに立って待っているのです。そして、最後までそこにあるのです...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらのユニークな構造物にできるだけ近い録音をすることは、常に私の心を揺り動かすものでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eついにバールベックの「南の石」の頂上でレコーディングをすることができたとき、私はトランス状態のような瞑想状態に陥ったのです。音楽は、耳の感覚だけでなく、私たちの身体のすべてを通過していくので、さまざまなレベルで不思議なものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e年月が経つにつれ、私はバールベックについてさらに調べていきました。ハンガリーで最も重要な画家の一人、チョントヴァーリ・コシュトカ・ティヴァダー（1853-1919）も、レバノンの同じ場所で深い感動を受けました。彼の生涯を詳しく調べてみると、私と彼の性格や芸術哲学には多くの共通点があることがわかりました。彼は、深い精神性を持っていましたが、宗教的ではありませんでした。\u003cmeta charset=\"utf-8\"\u003e薬剤師で科学者だった彼が、中年になって絵を描き始めたのは、超越的な衝動に駆られたからにほかなりません。彼は薬剤師のキャリアをあきらめ、残りの人生、魂の欲求を満たすために芸術と絵画にのみ集中し、それ以外の地上的、エゴイスティックな理由ではありませんでした。展覧会を開くこともなく、自分の絵を売るつもりもありませんでした。ベジタリアンになり、社会のアウトサイダーとなりました。晩年には、政府や世界の指導者たちの背後にある隠された手に挑戦する、高度な哲学的文章も書いています。しかし残念なことに、そして典型的な例として、彼の存在が認識されたのは、死後数十年経ってからでした。彼の絵は忘れ去られ、第二次世界大戦後、トラックの荷台のキャンバスとして売られそうになっていました。しかしオークションの最後の最後に、誰かがその芸術的価値を認め、買い上げ、保存してくれたのです。今では、ハンガリーで最も重要で影響力のある画家の一人と言われています。ハンガリーの暗い歴史の中で、どれだけの貴重な美術品が消えていったのだろうかと思うことがあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eとにかく、ツォントヴァーリ・コシュトカ・ティヴァダールとバールベックは私に深いインスピレーションを与えてくれました。2012年、私は再びレバノンのバールベックにある同じ遺跡に行き、儀式的な記録を作り、そのエネルギーを自分のために、永遠に留めておこうと決心したのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのジャケットアートワークに選んだのは、チョントヴァーリが描いた「Sacrificial Stone」という珍しい絵画です。彼はこのシュールな絵をバールベックでも描いているのです。彼が「南の石」にインスピレーションを受け、それが彼のビジョンの中で「サクリファイス・ストーン」になったというのは、私にとって借りのない話です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVoid Ov Voicesでは、音のブロックを繰り返し使って、音の壁を作り出しています。この美しい絵の上で、チョントヴァーリ以上に自分の音楽をイメージすることはできませんでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの個人的な録音をリリースすべきかどうか迷いましたが、友人のスティーブン・オマリーの長年にわたる強いインスピレーションに感謝します。ついに実現することができました。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=940589157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight of 29th of March (on my 41st birthday) in Hotel Jupiter in Baalbek while looking at the Thrilitons of the Jupiter Temple. 27:44\u003c\/li\u003e\n\u003cli\u003eDaytime of 30th of March, on the top of the biggest ever human-made Monolith called Stone Of The South. 20:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAttila Csihar. Budapest, September 2021\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"I started Void Ov Voices in 2006 to create ritualistic music for the moment, to play only live performances while capturing and interfering with the energy of the space and the time of the location.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first time I travelled to Lebanon was in 2008 for one particular reason: to visit the Trilitons and the giant Monoliths of Baalbek. I was deeply impressed by the level of ancient civilisations engineering technology and the intense magical atmosphere of the whole area.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have been fascinated by ancient ruins, prehistorical sites and monoliths for a long time. In the last decades, I visited many of these places around the world. I always felt this very particular fine physical energy among those ancient ruins, which interestingly opened my imagination and mind’s eye. Besides that, all these structures are footprints of a forgotten high advanced technology and civilisations. Moreover, these masses of stone often lie in alignment with astrological events and sacred geometry.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Trilitons of Baalbek are extraordinarily special to me as they are pure evidence of technology from before the Roman period, a technology which could lift and transport blocks of stones, each weighing around approximately 900 tons (which equals\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approximately the weight of 900 VW Golfs, but in one piece!). To do that transportation itself today would be a huge challenge even with our cutting edge technology, if it’s possible at all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a massive plateau in Baalbek made of these sized stones, on top of which the Romans built their famous Jupiter Temple, considered to be one of the largest Roman structures in the world.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBaalbek used to be called The City Of The Sun in ancient times, and I might have one theoretical question: could it be connected to the story of The Tower Of Babel?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere are many stories and theories around these mystical places. But, those stones have been just standing and waiting there in time and space throughout history. And they will be there till the end…\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo make recordings as close as possible to these unique structures always triggered my mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen finally I could make a recording outdoor on the top of the “Stone of the South” in Baalbek, I fell into a trance kind of meditative state of mind, in that welcoming an enormous ancient energy which is present and is also captured on these recordings. Music is magical itself on many levels as it goes through all of our bodies, not only through the sensations of our ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs years passed, I researched Baalbek more. One of Hungary’s most significant painters, Csontváry Kosztka Tivadar (1853-1919), was also deeply touched by the same spot in Lebanon. When I dug more into Csontváry’s life story, I found many similarities between his and my personality and artistic philosophy. He was profoundly spiritual yet not religious. He was an apothecary and scientist who started to paint in his middle age only because of a transcendental impulse he received. He gave up his pharmacist career and, for the rest of his life, focused only on art and painting to fulfil his soul’s desires and not for any other earthly or egoistic reason. He never had an exhibition, and he never intended to sell any of his paintings. He became a vegetarian and an outsider of society. Towards the end of his life, he even wrote some advanced philosophical writings challenging the hidden hands behind the governments and world leaders. Unfortunately and typically, he was only recognised decades after his death. His paintings were forgotten and almost sold as canvas to cover trucks after WWII. Then, at the last minute of an auction, somebody recognised their artistic value, bought up and saved these priceless paintings, which was like a miracle itself. Csontváry is now considered to be one of the most critical and influential Hungarian painters of all time! Sometimes I wonder how much invaluable art might have disappeared through the dark times of our history.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnyway, Csontváry Kosztka Tivadar and Baalbek gave me such deep inspiration that in 2012 I decided to travel back to Lebanon to the same ruins to Baalbek to create a ritualistic recording and try to capture that energy for myself and for forever.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI chose this rare painting from Csontváry called “Sacrificial Stone” for the album’s cover artwork. He painted this surrealistic painting in Baalbek too. No debt to me that he was inspired by “The Stone Of The South”, which became the “Sacrificial Stone” in his vision.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw that painting, I could not believe my eyes: in Void Ov Voices, I use blocks of sounds repeatedly to create a wall of sound. I could not visualise my music better than Csontváry on this beautiful painting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was not sure if I should ever release this personal recording but thank my friend Stephen O’Malley’s strong inspiration through the years. Finally, it can happen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Attila Csihar\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA047\u003c\/span\u003e\u003c\/p\u003e"}
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SUNN O)))としても活動しているAttila Csiharが、2023年2月にIdeologic Organからリリースしたレコードです。 レバノンのバールベックで録音したドローン2セットを収録。16ページのブックレット付属。以下、作家本人による解説です。 「私は2006年にVoid Ov Voicesを立ち上げ、その場の空間と時間のエネルギーを捉え、干渉しながら、その場のための儀式的な音楽を作り、ライブパフォーマンスのみを行うようになりました。2008年に初めてレバノンを訪れたのは、トリトンやバールベックの巨大なモノリスを訪れるという特別な理由からでした。そのとき、古代文明の工学技術の高さと、地域全体が持つ強烈な幻想的な雰囲気に深い感銘を受けたのです。私は長い間、古代遺跡や先史時代の遺跡、モノリスに魅了されてきました。この数十年間、私は世界中の多くの場所を訪れました。私はいつも、これらの古代遺跡の中に非常に独特な物理的エネルギーを感じ、それが私の想像力と心の目を興味深く開かせてくれました。さらに、これらの建造物はすべて、忘れ去られた高度なテクノロジーと文明の足跡なのです。さらに、これらの石の塊は、しばしば占星術の事象や神聖幾何学と一直線上に並んでいます。バールベックのトリトンは、ローマ時代以前の技術の純粋な証拠であり、重さ約900トン（VWゴルフ900台分に相当）の石のブロックを持ち上げて運ぶことができる技術であるため、私にとって特別な存在なのです。その輸送そのものを現代で行うことは可能であるとしても、最先端の技術をもってしても大変なことです。バールベックには、このような大きさの石でできた巨大な台地があり、その上にローマ人が世界最大級のローマ建築といわれるジュピター神殿を建てたのです。バールベックは古代には「太陽の町」と呼ばれていたそうですが、「バベルの塔」の話と関係があるのでしょうか？このような神秘的な場所には、さまざまな物語や説があります。しかし、これらの石は、歴史の中で時空を超えて、ただそこに立って待っているのです。そして、最後までそこにあるのです...。これらのユニークな構造物にできるだけ近い録音をすることは、常に私の心を揺り動かすものでした。ついにバールベックの「南の石」の頂上でレコーディングをすることができたとき、私はトランス状態のような瞑想状態に陥ったのです。音楽は、耳の感覚だけでなく、私たちの身体のすべてを通過していくので、さまざまなレベルで不思議なものです。年月が経つにつれ、私はバールベックについてさらに調べていきました。ハンガリーで最も重要な画家の一人、チョントヴァーリ・コシュトカ・ティヴァダー（1853-1919）も、レバノンの同じ場所で深い感動を受けました。彼の生涯を詳しく調べてみると、私と彼の性格や芸術哲学には多くの共通点があることがわかりました。彼は、深い精神性を持っていましたが、宗教的ではありませんでした。薬剤師で科学者だった彼が、中年になって絵を描き始めたのは、超越的な衝動に駆られたからにほかなりません。彼は薬剤師のキャリアをあきらめ、残りの人生、魂の欲求を満たすために芸術と絵画にのみ集中し、それ以外の地上的、エゴイスティックな理由ではありませんでした。展覧会を開くこともなく、自分の絵を売るつもりもありませんでした。ベジタリアンになり、社会のアウトサイダーとなりました。晩年には、政府や世界の指導者たちの背後にある隠された手に挑戦する、高度な哲学的文章も書いています。しかし残念なことに、そして典型的な例として、彼の存在が認識されたのは、死後数十年経ってからでした。彼の絵は忘れ去られ、第二次世界大戦後、トラックの荷台のキャンバスとして売られそうになっていました。しかしオークションの最後の最後に、誰かがその芸術的価値を認め、買い上げ、保存してくれたのです。今では、ハンガリーで最も重要で影響力のある画家の一人と言われています。ハンガリーの暗い歴史の中で、どれだけの貴重な美術品が消えていったのだろうかと思うことがあります。とにかく、ツォントヴァーリ・コシュトカ・ティヴァダールとバールベックは私に深いインスピレーションを与えてくれました。2012年、私は再びレバノンのバールベックにある同じ遺跡に行き、儀式的な記録を作り、そのエネルギーを自分のために、永遠に留めておこうと決心したのです。アルバムのジャケットアートワークに選んだのは、チョントヴァーリが描いた「Sacrificial Stone」という珍しい絵画です。彼はこのシュールな絵をバールベックでも描いているのです。彼が「南の石」にインスピレーションを受け、それが彼のビジョンの中で「サクリファイス・ストーン」になったというのは、私にとって借りのない話です。Void Ov Voicesでは、音のブロックを繰り返し使って、音の壁を作り出しています。この美しい絵の上で、チョントヴァーリ以上に自分の音楽をイメージすることはできませんでした。この個人的な録音をリリースすべきかどうか迷いましたが、友人のスティーブン・オマリーの長年にわたる強いインスピレーションに感謝します。ついに実現することができました。" レーベルその他作品はこちら /// Click here to see...
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{"id":8255391432954,"title":"Gammelsæter \u0026 Marhaug \/\/ Higgs Boson LP","handle":"gammelsaeter-marhaug-higgs-boson-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェーの実験音楽家Runhild GammelsæterとLasse Marhaugが、2022年にフランスの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e声やギター、シンセによるコラージュ・ドローン8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=820210201\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Stark Effect 02:52\u003c\/li\u003e\n\u003cli\u003eThe Magus 04:43\u003c\/li\u003e\n\u003cli\u003eStatic Case 03:56\u003c\/li\u003e\n\u003cli\u003eOndes De Fase 04:00\u003c\/li\u003e\n\u003cli\u003eForces 05:50\u003c\/li\u003e\n\u003cli\u003ePropeller Arc 06:46\u003c\/li\u003e\n\u003cli\u003eHadron Collider 05:34\u003c\/li\u003e\n\u003cli\u003eThese Questions 09:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eThroughout the profound process of creating\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e “Higgs Boson”, Gammelsæter and Marhaug drew inspiration from various subjects and artists. For Marhaug, it was concepts informed by the structuralist experimental cinema of Japanese directors Takashi Ito and Toshio Matsumoto, futurist worlds of French comic book artists Philippe Druillet and Jean Moebius Giraud, landscape photography of Fay Godwin, Kåre Kivijärvi, and Tamiko Nishimura, amongst others. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt became a metaphysical juxtaposition involving Gammelsaeter’s research and lyrical ideas based on several seemingly unrelated principles. A process of association inspired by “the Glass Bead Game” by Herman Hesse. The discovery of the Higgs Boson as a confirmation of the physical universe. The work of Ernst Schrödinger on the uncertainty principle. The four forces of physics. The Force. Helplessness under armed forces - as the war sailors in World War II. The influence of magic as expressed in tarot. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGammelsæter experiments with a boundary involving the thresholds amongst various states of focus and legibility by forensic experimentation with techniques such as exclusive expression of consonants, syllabic repetition, retrograde text vocalisations and multi-lingual layering. Her vocal inspirational sources include Sidsel Endresen, Diamanda Galas, Natacha Atlas, the choral works of Rachmaninov, and the bands Carcass and Grave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gammelsæter \u0026amp; Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA043lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T08:35:57+09:00","created_at":"2024-04-01T09:58:52+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":357700,"price_min":357700,"price_max":357700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45484059427066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gammelsæter \u0026 Marhaug \/\/ Higgs Boson LP","public_title":null,"options":["Default Title"],"price":357700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134","\/\/tobirarecords.com\/cdn\/shop\/files\/higg2.jpg?v=1711933134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134","options":["Title"],"media":[{"alt":null,"id":33520259793146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134","width":700},{"alt":null,"id":33520259825914,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg2.jpg?v=1711933134"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg2.jpg?v=1711933134","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェーの実験音楽家Runhild GammelsæterとLasse Marhaugが、2022年にフランスの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e声やギター、シンセによるコラージュ・ドローン8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=820210201\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Stark Effect 02:52\u003c\/li\u003e\n\u003cli\u003eThe Magus 04:43\u003c\/li\u003e\n\u003cli\u003eStatic Case 03:56\u003c\/li\u003e\n\u003cli\u003eOndes De Fase 04:00\u003c\/li\u003e\n\u003cli\u003eForces 05:50\u003c\/li\u003e\n\u003cli\u003ePropeller Arc 06:46\u003c\/li\u003e\n\u003cli\u003eHadron Collider 05:34\u003c\/li\u003e\n\u003cli\u003eThese Questions 09:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eThroughout the profound process of creating\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e “Higgs Boson”, Gammelsæter and Marhaug drew inspiration from various subjects and artists. For Marhaug, it was concepts informed by the structuralist experimental cinema of Japanese directors Takashi Ito and Toshio Matsumoto, futurist worlds of French comic book artists Philippe Druillet and Jean Moebius Giraud, landscape photography of Fay Godwin, Kåre Kivijärvi, and Tamiko Nishimura, amongst others. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt became a metaphysical juxtaposition involving Gammelsaeter’s research and lyrical ideas based on several seemingly unrelated principles. A process of association inspired by “the Glass Bead Game” by Herman Hesse. The discovery of the Higgs Boson as a confirmation of the physical universe. The work of Ernst Schrödinger on the uncertainty principle. The four forces of physics. The Force. Helplessness under armed forces - as the war sailors in World War II. The influence of magic as expressed in tarot. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGammelsæter experiments with a boundary involving the thresholds amongst various states of focus and legibility by forensic experimentation with techniques such as exclusive expression of consonants, syllabic repetition, retrograde text vocalisations and multi-lingual layering. Her vocal inspirational sources include Sidsel Endresen, Diamanda Galas, Natacha Atlas, the choral works of Rachmaninov, and the bands Carcass and Grave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gammelsæter \u0026amp; Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA043lp\u003c\/span\u003e\u003c\/p\u003e"}
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ノルウェーの実験音楽家Runhild GammelsæterとLasse Marhaugが、2022年にフランスの実験レーベルIdeologic Organからリリースした共作レコードです。 声やギター、シンセによるコラージュ・ドローン8曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM...
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{"id":8214975250682,"title":"Félicia Atkinson \/\/ Image Langage 2xLP","handle":"felicia-atkinson-image-langage-2xlp","description":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717971465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Edition of 900. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Brume 05:38\u003c\/li\u003e\n\u003cli\u003eThe Lake is Speaking 11:25\u003c\/li\u003e\n\u003cli\u003eThe House That Agnes Built 02:56\u003c\/li\u003e\n\u003cli\u003eOur Tides 10:15\u003c\/li\u003e\n\u003cli\u003eImage Langage 03:55\u003c\/li\u003e\n\u003cli\u003eLes Dunes 11:05\u003c\/li\u003e\n\u003cli\u003eBecoming a Stone 06:20\u003c\/li\u003e\n\u003cli\u003ePieces of Sylvia 07:07\u003c\/li\u003e\n\u003cli\u003eThe World is Full of Abandoned Meanings 04:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThea Ballard, 02.2022\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times listening to Image Langage is immediate\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No.: Shelter 140 LP\u003c\/p\u003e","published_at":"2024-03-10T13:05:28+09:00","created_at":"2024-03-08T11:13:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","shelter press"],"price":597800,"price_min":597800,"price_max":597800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313323335930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Félicia Atkinson \/\/ Image Langage 2xLP","public_title":null,"options":["Default Title"],"price":597800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016","\/\/tobirarecords.com\/cdn\/shop\/files\/image2.jpg?v=1709864016","\/\/tobirarecords.com\/cdn\/shop\/files\/image3.jpg?v=1709864016"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016","options":["Title"],"media":[{"alt":null,"id":33336036819194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016","width":700},{"alt":null,"id":33336036851962,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image2.jpg?v=1709864016"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image2.jpg?v=1709864016","width":1200},{"alt":null,"id":33336036884730,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image3.jpg?v=1709864016"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image3.jpg?v=1709864016","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717971465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Edition of 900. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Brume 05:38\u003c\/li\u003e\n\u003cli\u003eThe Lake is Speaking 11:25\u003c\/li\u003e\n\u003cli\u003eThe House That Agnes Built 02:56\u003c\/li\u003e\n\u003cli\u003eOur Tides 10:15\u003c\/li\u003e\n\u003cli\u003eImage Langage 03:55\u003c\/li\u003e\n\u003cli\u003eLes Dunes 11:05\u003c\/li\u003e\n\u003cli\u003eBecoming a Stone 06:20\u003c\/li\u003e\n\u003cli\u003ePieces of Sylvia 07:07\u003c\/li\u003e\n\u003cli\u003eThe World is Full of Abandoned Meanings 04:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThea Ballard, 02.2022\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times listening to Image Langage is immediate\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No.: Shelter 140 LP\u003c\/p\u003e"}
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フランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。 ピアノやギター、フィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント9曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
¥5,978
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{"id":8022202450170,"title":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","handle":"felicia-atkinson-richard-chartier-ni-envers-ni-endroit-que-cette-roche-brulante-pour-georgia-o-keeffe-recurrence-expansion-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e","published_at":"2023-09-21T19:14:27+09:00","created_at":"2023-09-21T12:00:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44579386261754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","options":["Title"],"media":[{"alt":null,"id":32476273049850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","width":700},{"alt":null,"id":32476273082618,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","width":1200},{"alt":null,"id":32476273115386,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e"}
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フランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 A面はスポークンワード〜アンビエントドローン、B面はミニマルなドローンを収録。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press...
¥4,390
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{"id":7977697870074,"title":"Kassel Jaeger \/\/ Shifted in Dreams LP","handle":"copy-of-kassel-jaeger-shifted-in-dreams-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスのアンビエント作家Kassel Jaegerが、2023年3月にフランス・パリの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e淡いアンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043935200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000. Black 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFranco-Swiss composer François J. Bonnet, aka Kassel Jaeger, returns to Shelter Press with his new solo album, Shifted in Dreams. Over the years, Bonnet has been working closely with Shelter Press on different projects, whether as a musician (Zauberberg, Swamps \/ Things), a theorist (The Music To Come) or as Director of parisian institution INA GRM (SPECTRES, Recollection GRM, Portraits GRM). The common axis of all these actions is the exploration of the deep causes of music, its own potential and its possible appearances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShifted in Dreams is a continuation of such research but takes a somewhat deviated path. If we use the metaphor of music as a paradoxical mountain — an unreachable \"Mont Analogue\", then this record tries to opens up a way that at first seems simpler and marked out by the distinct presence of familiar harmonic and temporal elements. This path, however, is simple only in appearance, for soon it becomes less clear: its contours get blurred, drowned in the mist. Silhouettes form in the distance, like uncertain shadows. We grope our way forward, in this infra-sensitive thickness of the world outside of signs. The recognized markers disappear, giving way, at best, to reminiscences, but increasingly making way to qualities, occurrences, events. We leave the known world of musical codes to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e join that of sound apparitions, their memorial imprints and the impressions they produce.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing a compositional approach stemming from the musique concrète tradition, without adopting a structuralist aesthetic, Shifted in Dreams explores a wide range of instruments and techniques, going seamlessly from instrumental improvisation to field recording, via micro-editing and asynchronous looping. Mixing the electronic waves of an ARP 2500 synthesizer with the acoustic drones of a positive organ, articulating guitar layers with resonances of a Cristal Baschet, bringing together recordings of slamming windows and sounds produced by complex modular synthesis patches, among other things, Bonnet offers a rich and generous palette of sounds, inviting a constantly renewed sonic investigation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShifted in Dreams, despite its title, is not a dreamlike record. The dream here does not designate the symbolical space of interpretation and reinterpretation of reality through cultural patterns. It designates the intermediate, blurred and uncertain state where the reality of signs loses its consistency, while, paradoxically, the reality of senses and impressions becomes imperative, obvious. The reality of demons.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-05-22T08:40:24+09:00","created_at":"2023-05-21T20:41:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44246689743098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kassel Jaeger \/\/ Shifted in Dreams LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299","\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_bf3fddcf-0e5a-4047-8b90-0a047e31e2f6.jpg?v=1684669299"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299","options":["Title"],"media":[{"alt":null,"id":31999992725754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299","width":700},{"alt":null,"id":31999992758522,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_bf3fddcf-0e5a-4047-8b90-0a047e31e2f6.jpg?v=1684669299"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_bf3fddcf-0e5a-4047-8b90-0a047e31e2f6.jpg?v=1684669299","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスのアンビエント作家Kassel Jaegerが、2023年3月にフランス・パリの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e淡いアンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043935200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000. Black 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFranco-Swiss composer François J. Bonnet, aka Kassel Jaeger, returns to Shelter Press with his new solo album, Shifted in Dreams. Over the years, Bonnet has been working closely with Shelter Press on different projects, whether as a musician (Zauberberg, Swamps \/ Things), a theorist (The Music To Come) or as Director of parisian institution INA GRM (SPECTRES, Recollection GRM, Portraits GRM). The common axis of all these actions is the exploration of the deep causes of music, its own potential and its possible appearances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShifted in Dreams is a continuation of such research but takes a somewhat deviated path. If we use the metaphor of music as a paradoxical mountain — an unreachable \"Mont Analogue\", then this record tries to opens up a way that at first seems simpler and marked out by the distinct presence of familiar harmonic and temporal elements. This path, however, is simple only in appearance, for soon it becomes less clear: its contours get blurred, drowned in the mist. Silhouettes form in the distance, like uncertain shadows. We grope our way forward, in this infra-sensitive thickness of the world outside of signs. The recognized markers disappear, giving way, at best, to reminiscences, but increasingly making way to qualities, occurrences, events. We leave the known world of musical codes to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e join that of sound apparitions, their memorial imprints and the impressions they produce.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing a compositional approach stemming from the musique concrète tradition, without adopting a structuralist aesthetic, Shifted in Dreams explores a wide range of instruments and techniques, going seamlessly from instrumental improvisation to field recording, via micro-editing and asynchronous looping. Mixing the electronic waves of an ARP 2500 synthesizer with the acoustic drones of a positive organ, articulating guitar layers with resonances of a Cristal Baschet, bringing together recordings of slamming windows and sounds produced by complex modular synthesis patches, among other things, Bonnet offers a rich and generous palette of sounds, inviting a constantly renewed sonic investigation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShifted in Dreams, despite its title, is not a dreamlike record. The dream here does not designate the symbolical space of interpretation and reinterpretation of reality through cultural patterns. It designates the intermediate, blurred and uncertain state where the reality of signs loses its consistency, while, paradoxically, the reality of senses and impressions becomes imperative, obvious. The reality of demons.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスのアンビエント作家Kassel Jaegerが、2023年3月にフランス・パリの実験レーベルShelter Pressからリリースしたレコードです。 淡いアンビエントドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
¥3,580
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{"id":7960207032570,"title":"Alexandre Babel \u0026 Latifa Echakhch \/\/ The Concert LP","handle":"alexandre-babel-latifa-echakhch-the-concert-12","description":"\u003cp\u003eドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜パーカッシブ・ドローン作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=32142164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSingle-sided black 12\" vinyl. Edition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Concert' is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHer proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e similar path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alexandre Babel \u0026amp; Latifa Echakhch\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-04-22T13:36:36+09:00","created_at":"2023-04-18T11:10:32+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press","strange beats"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44176599286010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alexandre Babel \u0026 Latifa Echakhch \/\/ The Concert LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","options":["Title"],"media":[{"alt":null,"id":31846397280506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","width":700},{"alt":null,"id":31846397313274,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜パーカッシブ・ドローン作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=32142164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSingle-sided black 12\" vinyl. Edition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Concert' is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHer proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e similar path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alexandre Babel \u0026amp; Latifa Echakhch\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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ドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。 コラージュ・ドローン〜パーカッシブ・ドローン作品です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7915798823162,"title":"Bernard Fort \/\/ FRACTALS \/ Brain Fever LP","handle":"bernard-fort-fractals-brain-fever-lp","description":"\u003cp\u003eフランスの実験音楽家Bernard Fortの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1979-1981年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=690079546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack info \/ text by the artist :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"FRACTALS (1981), 21’26\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS, music pieces sculpted in four dimensions, are vast microcosms that can only be inhabited by the mind. Each Fractal can be approached from several angles, far, near, etc. Some can be listened to at different speeds, forwards or backwards.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS: amorphous and endless music pieces whose centre is everywhere and circumference nowhere.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS are available in stereo (34'32), in 8 tracks for concerts, and as \"spare parts\" (separate mixing tracks open to new combinations).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBrain Fever (2017), 18'00\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWherever you may be in the forest of South India, the Brain Fever bird, together with the Seven Sisters, literally gets into\u003cspan class=\"bcTruncateMore\"\u003e your head. Whether it be early morning, daytime, or nighttime, amidst the stridulations of insects, its song utterly reflects Indian life: sonorous, noisy, insistent, dense, overcrowded, mobile, swarming, frantic, overheated, deprived of rest and sleep.\u003cbr\u003eBrain Fever echoes sonic images caught in the Aurovillian forest, near Pondicherry, and rich fragments of improvisations made in Lyon on analog sound synthesis or feedback devices, the kind I used to do in the first GMVL studios.\u003cbr\u003e\u003cbr\u003eBrain Fever is dedicated to Sofia Jannok, a musician and sàmi singer.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Fort\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:17:42+09:00","created_at":"2023-02-11T14:29:13+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979981684986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Fort \/\/ FRACTALS \/ Brain Fever LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356","\/\/tobirarecords.com\/cdn\/shop\/products\/ber2.jpg?v=1676093355"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356","options":["Title"],"media":[{"alt":null,"id":31510501359866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356","width":700},{"alt":null,"id":31510501392634,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber2.jpg?v=1676093355"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber2.jpg?v=1676093355","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Bernard Fortの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1979-1981年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=690079546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack info \/ text by the artist :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"FRACTALS (1981), 21’26\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS, music pieces sculpted in four dimensions, are vast microcosms that can only be inhabited by the mind. Each Fractal can be approached from several angles, far, near, etc. Some can be listened to at different speeds, forwards or backwards.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS: amorphous and endless music pieces whose centre is everywhere and circumference nowhere.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS are available in stereo (34'32), in 8 tracks for concerts, and as \"spare parts\" (separate mixing tracks open to new combinations).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBrain Fever (2017), 18'00\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWherever you may be in the forest of South India, the Brain Fever bird, together with the Seven Sisters, literally gets into\u003cspan class=\"bcTruncateMore\"\u003e your head. Whether it be early morning, daytime, or nighttime, amidst the stridulations of insects, its song utterly reflects Indian life: sonorous, noisy, insistent, dense, overcrowded, mobile, swarming, frantic, overheated, deprived of rest and sleep.\u003cbr\u003eBrain Fever echoes sonic images caught in the Aurovillian forest, near Pondicherry, and rich fragments of improvisations made in Lyon on analog sound synthesis or feedback devices, the kind I used to do in the first GMVL studios.\u003cbr\u003e\u003cbr\u003eBrain Fever is dedicated to Sofia Jannok, a musician and sàmi singer.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Fort\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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フランスの実験音楽家Bernard Fortの再発レコードです。 1979-1981年に録音した2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7911655899386,"title":"Daniel Teruggi \/\/ Sphæra LP","handle":"daniel-teruggi-sphaera-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Daniel Teruggiが、2023年1月にRECOLLECTION GRMからリリースしたレコードです。DLコード付属。 以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1984年から1989年にかけて、私の音響学的研究は、4つの基本的な物質を加工し、融合させることに焦点をあてていました。それぞれの「要素」は、徐々に他の要素と連結され、その物質性に対する私の主観的な知覚を結晶化させました。長年にわたり、私をソクラテスの世界へと駆り立てたギリシャ人の友人の熱意に助けられ、当初は探求の道であったものが、円形で球状の統一体となり、それぞれの出来事が4つの物質の1つに属すると同時に、全体にも帰属するようになったのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの4つのセクションの長さはまちまちで、それぞれの「要素」が私のイマジネーションに与える異なる響きを体現しています。その動きは構成的に順序付けられ、空気の無機質なものから地球の極端な密度に至るまで様々です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEtereaでは、音の伝播のための空間と移動する大衆のための環境という空気の二重の性質が、作品とその形態の発展を形作りました。組織化された動きとしての粒子の広大な広がりであれ、私たちの三次元の知覚における音源の変位であれ、エーテル状の空気が空間を満たし、非物質的な動きや身振りを駆動します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquaticaは、水の物質性をその驚くべき極限状態との関連において位置づけます。水滴から海まで、再構築された液体のさまざまな段階を経て広範な旅が展開されます。静止した水、致命的な水、荒れ狂う水が互いに続き、やがて取り戻された原初の均衡の空中融合に至ります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、フォコラリアと不安定な火、地底に通じる門を開き、飾る、とらえどころのない野生の魔法使いたちが登場します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eテラの地には大気がなく、生命が誕生する前の物質が存在します。原初の物質の音は融合し、より純粋な形へと進化します。生命の誕生に必要な究極の融合、最後の試みに向けた新たな力の均衡に向けた運動の引き金となります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e球体は完成し、世界は創造の準備に入りました......。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3988273884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eDaniel Teruggi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously belongs to one of the four substances as well as the whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese four sections, of uneven durations, embody the different resonances of each « element » upon my imagination. The movements are ordered compositionally and range from the intangibility of the air to the extreme density of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Eterea, the dual nature of air, a space for the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e dissemination of sounds and an environment for mobile masses, shaped the work and the development of its forms. Whether it be the vast expanse of particles as organised movement or the displacement of sources in our three-dimensional perception, ethereal air fills the space and drives the immaterial motions and gestures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquatica locates the materiality of water in relation to its amazing extremes: from the drop to the ocean, an extensive journey unfolds through the various phases of the reinvented liquid. Still waters, deadly waters, raging waters follow one another, leading to the aerial fusion of a primordial equilibrium eventually retrieved.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen comes Focolaria and the unsteady fires, the elusive and wild will-o’-the-wisps that open and adorn the gates leading to the depths of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe land of Terra is devoid of atmosphere, a land of matters before the advent of life. The sounds of the original matter merge and evolve into purer forms. The motions trigger progressions towards new equilibriums of forces, the ultimate fusion, the very last attempt, needed for the emergence of life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sphere is now complete, the world ready for creation…\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Teruggi\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM \u003c\/p\u003e","published_at":"2023-02-05T06:43:19+09:00","created_at":"2023-02-04T12:32:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":346000,"price_min":346000,"price_max":346000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43962001817850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Teruggi \/\/ Sphæra LP","public_title":null,"options":["Default Title"],"price":346000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_1199c921-f4ec-4a02-8fcc-74b07cffb5d5.jpg?v=1675481552"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552","options":["Title"],"media":[{"alt":null,"id":31478606233850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552","width":700},{"alt":null,"id":31478606266618,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_1199c921-f4ec-4a02-8fcc-74b07cffb5d5.jpg?v=1675481552"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_1199c921-f4ec-4a02-8fcc-74b07cffb5d5.jpg?v=1675481552","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Daniel Teruggiが、2023年1月にRECOLLECTION GRMからリリースしたレコードです。DLコード付属。 以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1984年から1989年にかけて、私の音響学的研究は、4つの基本的な物質を加工し、融合させることに焦点をあてていました。それぞれの「要素」は、徐々に他の要素と連結され、その物質性に対する私の主観的な知覚を結晶化させました。長年にわたり、私をソクラテスの世界へと駆り立てたギリシャ人の友人の熱意に助けられ、当初は探求の道であったものが、円形で球状の統一体となり、それぞれの出来事が4つの物質の1つに属すると同時に、全体にも帰属するようになったのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの4つのセクションの長さはまちまちで、それぞれの「要素」が私のイマジネーションに与える異なる響きを体現しています。その動きは構成的に順序付けられ、空気の無機質なものから地球の極端な密度に至るまで様々です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEtereaでは、音の伝播のための空間と移動する大衆のための環境という空気の二重の性質が、作品とその形態の発展を形作りました。組織化された動きとしての粒子の広大な広がりであれ、私たちの三次元の知覚における音源の変位であれ、エーテル状の空気が空間を満たし、非物質的な動きや身振りを駆動します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquaticaは、水の物質性をその驚くべき極限状態との関連において位置づけます。水滴から海まで、再構築された液体のさまざまな段階を経て広範な旅が展開されます。静止した水、致命的な水、荒れ狂う水が互いに続き、やがて取り戻された原初の均衡の空中融合に至ります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、フォコラリアと不安定な火、地底に通じる門を開き、飾る、とらえどころのない野生の魔法使いたちが登場します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eテラの地には大気がなく、生命が誕生する前の物質が存在します。原初の物質の音は融合し、より純粋な形へと進化します。生命の誕生に必要な究極の融合、最後の試みに向けた新たな力の均衡に向けた運動の引き金となります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e球体は完成し、世界は創造の準備に入りました......。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3988273884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eDaniel Teruggi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously belongs to one of the four substances as well as the whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese four sections, of uneven durations, embody the different resonances of each « element » upon my imagination. The movements are ordered compositionally and range from the intangibility of the air to the extreme density of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Eterea, the dual nature of air, a space for the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e dissemination of sounds and an environment for mobile masses, shaped the work and the development of its forms. Whether it be the vast expanse of particles as organised movement or the displacement of sources in our three-dimensional perception, ethereal air fills the space and drives the immaterial motions and gestures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquatica locates the materiality of water in relation to its amazing extremes: from the drop to the ocean, an extensive journey unfolds through the various phases of the reinvented liquid. Still waters, deadly waters, raging waters follow one another, leading to the aerial fusion of a primordial equilibrium eventually retrieved.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen comes Focolaria and the unsteady fires, the elusive and wild will-o’-the-wisps that open and adorn the gates leading to the depths of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe land of Terra is devoid of atmosphere, a land of matters before the advent of life. The sounds of the original matter merge and evolve into purer forms. The motions trigger progressions towards new equilibriums of forces, the ultimate fusion, the very last attempt, needed for the emergence of life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sphere is now complete, the world ready for creation…\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Teruggi\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM \u003c\/p\u003e"}
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フランス・パリの実験音楽家Daniel Teruggiが、2023年1月にRECOLLECTION GRMからリリースしたレコードです。DLコード付属。 以下、作家本人による解説です。 1984年から1989年にかけて、私の音響学的研究は、4つの基本的な物質を加工し、融合させることに焦点をあてていました。それぞれの「要素」は、徐々に他の要素と連結され、その物質性に対する私の主観的な知覚を結晶化させました。長年にわたり、私をソクラテスの世界へと駆り立てたギリシャ人の友人の熱意に助けられ、当初は探求の道であったものが、円形で球状の統一体となり、それぞれの出来事が4つの物質の1つに属すると同時に、全体にも帰属するようになったのです。この4つのセクションの長さはまちまちで、それぞれの「要素」が私のイマジネーションに与える異なる響きを体現しています。その動きは構成的に順序付けられ、空気の無機質なものから地球の極端な密度に至るまで様々です。Etereaでは、音の伝播のための空間と移動する大衆のための環境という空気の二重の性質が、作品とその形態の発展を形作りました。組織化された動きとしての粒子の広大な広がりであれ、私たちの三次元の知覚における音源の変位であれ、エーテル状の空気が空間を満たし、非物質的な動きや身振りを駆動します。Aquaticaは、水の物質性をその驚くべき極限状態との関連において位置づけます。水滴から海まで、再構築された液体のさまざまな段階を経て広範な旅が展開されます。静止した水、致命的な水、荒れ狂う水が互いに続き、やがて取り戻された原初の均衡の空中融合に至ります。そして、フォコラリアと不安定な火、地底に通じる門を開き、飾る、とらえどころのない野生の魔法使いたちが登場します。テラの地には大気がなく、生命が誕生する前の物質が存在します。原初の物質の音は融合し、より純粋な形へと進化します。生命の誕生に必要な究極の融合、最後の試みに向けた新たな力の均衡に向けた運動の引き金となります。球体は完成し、世界は創造の準備に入りました......。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
¥3,460
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{"id":7895855497466,"title":"Beatriz Ferreyra \/\/ Senderos de luz y sombras LP","handle":"beatriz-ferreyra-senderos-de-luz-y-sombras-lp","description":"\u003cp\u003e1960年初頭にPierre Schaefferの助手としてキャリアを開始して以降、エレクトロアコースティックの分野で活躍している作家Beatriz Ferreyraが、2023年1月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRMから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・ドローンスケープ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546910074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2021:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe themes that permeate Senderos de luz y sombras simultaneously engage the overwhelming, unyielding immensity of the beginnings of the universe and the forces at work in the unconscious mind. What connects these themes are the dark energies operating outside our knowledge, far beyond the conceptual scope of our limited thinking. How to convey all this and build music from these concealed forces? What Beatriz Ferreyra achieves, thanks to her trademark virtuosity, is precisely to summon energies, to bring in the raw forces that govern the laws of Acoustics, so as to trigger sonic storms as one would call the rain, to transform all sound matters into the core of a ritual. Indeed, Beatriz Ferreyra addresses the mind-body reconciliation, for in providing this unique sound and musical experience, with a rare sensitive intensity, the great composer simultaneously invites us to engage in a personal experience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-01-16T15:47:02+09:00","created_at":"2023-01-16T14:37:00+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43897219711226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beatriz Ferreyra \/\/ Senderos de luz y sombras LP","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_cf6ca50a-a3f3-40cf-97b5-3ed37dd3f7a7.jpg?v=1673847422"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422","options":["Title"],"media":[{"alt":null,"id":31380818952442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422","width":700},{"alt":null,"id":31380818985210,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_cf6ca50a-a3f3-40cf-97b5-3ed37dd3f7a7.jpg?v=1673847422"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_cf6ca50a-a3f3-40cf-97b5-3ed37dd3f7a7.jpg?v=1673847422","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960年初頭にPierre Schaefferの助手としてキャリアを開始して以降、エレクトロアコースティックの分野で活躍している作家Beatriz Ferreyraが、2023年1月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRMから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・ドローンスケープ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546910074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2021:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe themes that permeate Senderos de luz y sombras simultaneously engage the overwhelming, unyielding immensity of the beginnings of the universe and the forces at work in the unconscious mind. 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1960年初頭にPierre Schaefferの助手としてキャリアを開始して以降、エレクトロアコースティックの分野で活躍している作家Beatriz Ferreyraが、2023年1月にRecollection GRMからリリースしたレコードです。 ロングフォームなコラージュ・ドローンスケープ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
¥3,450
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{"id":7641880527098,"title":"Marina Rosenfeld \/\/ Deathstar 2xLP","handle":"marina-rosenfeld-deathstar-2xlp","description":"\u003cp\u003eアメリカ・NYの音響作家／映像作家Marina Rosenfeldが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女がドイツ・フランクフルトで行った個展を基に制作した作品5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1057017583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt Germany— performs a recursive operation, listening to and recirculating sounds continuously morphed by feedback and reflection. This machine music repeats itself in seemingly endless versions, abstractly and in an evolving relationship to the grammars of reproduction and performance, presence, absence, and accumulation. Later, recorded traces of this installation rendered as musical notation produce a series of events—concerts that explore the outcomes of the acts of amplifying, writing, and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe four sides of the album Deathstar follow four such events: first, the installation of the Deathstar in exhibition space; then, a piano performance, also within the Deathstar’s machinic environment, of a recording of the installation that Rosenfeld\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e notated on paper; then, her re-notation of these recorded traces in the form of a concerto for piano and chamber orchestra, all aggressively amplified through a wall of guitar amps; and finally, the orchestration’s reduction to something like chamber music, with acoustic instruments tasked with the representation of an ever more attenuated body of traces. Throughout, the extraordinary virtuoso pianist Marino Formenti and ensembles MusikFabrik (Cologne) and Yarn\/Wire (New York) extract a dazzling variety of sounds from their readings of the work’s written and acoustic forms. Deathstar is a complex and monumental work from a composer who has long explored the limits of form as an artist and as a listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2022-06-18T14:49:39+09:00","created_at":"2022-06-14T11:17:45+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","shelter press"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42875831451898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marina Rosenfeld \/\/ Deathstar 2xLP","public_title":null,"options":["Default Title"],"price":379000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_95d9b6a8-4959-4f4a-ae1e-5f4dcc88e67a.jpg?v=1655173067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067","options":["Title"],"media":[{"alt":null,"id":29897049080058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067","width":700},{"alt":null,"id":29897049112826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_95d9b6a8-4959-4f4a-ae1e-5f4dcc88e67a.jpg?v=1655173067"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_95d9b6a8-4959-4f4a-ae1e-5f4dcc88e67a.jpg?v=1655173067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家／映像作家Marina Rosenfeldが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女がドイツ・フランクフルトで行った個展を基に制作した作品5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1057017583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt Germany— performs a recursive operation, listening to and recirculating sounds continuously morphed by feedback and reflection. This machine music repeats itself in seemingly endless versions, abstractly and in an evolving relationship to the grammars of reproduction and performance, presence, absence, and accumulation. Later, recorded traces of this installation rendered as musical notation produce a series of events—concerts that explore the outcomes of the acts of amplifying, writing, and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe four sides of the album Deathstar follow four such events: first, the installation of the Deathstar in exhibition space; then, a piano performance, also within the Deathstar’s machinic environment, of a recording of the installation that Rosenfeld\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e notated on paper; then, her re-notation of these recorded traces in the form of a concerto for piano and chamber orchestra, all aggressively amplified through a wall of guitar amps; and finally, the orchestration’s reduction to something like chamber music, with acoustic instruments tasked with the representation of an ever more attenuated body of traces. Throughout, the extraordinary virtuoso pianist Marino Formenti and ensembles MusikFabrik (Cologne) and Yarn\/Wire (New York) extract a dazzling variety of sounds from their readings of the work’s written and acoustic forms. Deathstar is a complex and monumental work from a composer who has long explored the limits of form as an artist and as a listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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アメリカ・NYの音響作家／映像作家Marina Rosenfeldが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコードです。 彼女がドイツ・フランクフルトで行った個展を基に制作した作品5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":7450449740026,"title":"Black Zone Magick Chant \/\/ Voyage Sacrifice LP","handle":"black-zone-magick-chant-voyage-sacrifice-lp","description":"\u003cp\u003eフランスのエセ密林系鬼才High Wolfが、別名義Black Zone Magick Chantで同国実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003e独特のサイケ感は残しつつも、High Wolfに比べてよりダークな印象を受けるコラージュ・ストレンジビーツ3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=626382735\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe latest liminal low-end odyssey from French shape-shifter Maxime Primault’s BZMC entity swaps the screwed alien dancehall of past outings in favor of miasmic subterranean ritual, with compelling results. Born of “a few very intense sessions, in altered states of consciousness,” the three sprawling compositions comprising Voyage Sacrifice ooze in slow, smoke-choked darkness, awash with dungeon groans, insectoid noise, reverbed bells, molten bass, and distant demonic mumblings. Primault speaks of recent creative strategies attempting to “delete time, or escape time,” at which these pieces certainly succeed, entrancing the listener in their spiral sinkhole infinity: beatless, lightless, limitless.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOccasionally a rusted, lurching metronome emerges, infusing a drugged sense of forward motion, but the essence of Voyage Sacrifice is textural and tantric – “almost like some kind of prayer.” Chants are chanted; the zone is black. The specter of dub still looms in the disorienting fog of FX and negative space but ultimately these sides exist outside (and deep beneath) any recognizable sonic lineage. This is cultic, questing music, deprivation chamber hallucinations “beyond good and evil, beyond sense and non-sense.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis Rorschach enigma dimension is foundational, as Primault admits: “It’s a mental journey. I handled the sacrifice; the voyage is yours.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Zone Magick Chant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T07:31:22+09:00","created_at":"2021-11-15T16:17:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press","strange beats"],"price":308000,"price_min":308000,"price_max":308000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057956294906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Black Zone Magick Chant \/\/ Voyage Sacrifice LP","public_title":null,"options":["Default Title"],"price":308000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651","\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_8d099440-004b-4bc2-812e-09551bbcacb4.jpg?v=1636960652"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651","options":["Title"],"media":[{"alt":null,"id":26931242762490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651","width":700},{"alt":null,"id":26931242795258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_8d099440-004b-4bc2-812e-09551bbcacb4.jpg?v=1636960652"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_8d099440-004b-4bc2-812e-09551bbcacb4.jpg?v=1636960652","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのエセ密林系鬼才High Wolfが、別名義Black Zone Magick Chantで同国実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003e独特のサイケ感は残しつつも、High Wolfに比べてよりダークな印象を受けるコラージュ・ストレンジビーツ3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=626382735\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe latest liminal low-end odyssey from French shape-shifter Maxime Primault’s BZMC entity swaps the screwed alien dancehall of past outings in favor of miasmic subterranean ritual, with compelling results. Born of “a few very intense sessions, in altered states of consciousness,” the three sprawling compositions comprising Voyage Sacrifice ooze in slow, smoke-choked darkness, awash with dungeon groans, insectoid noise, reverbed bells, molten bass, and distant demonic mumblings. Primault speaks of recent creative strategies attempting to “delete time, or escape time,” at which these pieces certainly succeed, entrancing the listener in their spiral sinkhole infinity: beatless, lightless, limitless.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOccasionally a rusted, lurching metronome emerges, infusing a drugged sense of forward motion, but the essence of Voyage Sacrifice is textural and tantric – “almost like some kind of prayer.” Chants are chanted; the zone is black. The specter of dub still looms in the disorienting fog of FX and negative space but ultimately these sides exist outside (and deep beneath) any recognizable sonic lineage. This is cultic, questing music, deprivation chamber hallucinations “beyond good and evil, beyond sense and non-sense.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis Rorschach enigma dimension is foundational, as Primault admits: “It’s a mental journey. I handled the sacrifice; the voyage is yours.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Zone Magick Chant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのエセ密林系鬼才High Wolfが、別名義Black Zone Magick Chantで同国実験レーベルShelter Pressからリリースしたレコード。 独特のサイケ感は残しつつも、High Wolfに比べてよりダークな印象を受けるコラージュ・ストレンジビーツ3曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":8728893980922,"title":"Judith Hamann \/\/ Aunes LP [PRE-ORDER]","handle":"judith-hamann-aunes-lp","description":"\u003cp\u003e過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロや声によるアコースティック・ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu' Redentore」は、キウシュレの野外ミサに向かうために丘を登っていく様子を記録したもので、足音や虫の音、その他の付随音に近くて遠い声を重ねている。モニエク・ダージやリュック・フェラーリの作品のように、録音された場所は空間と時間の中で折りたたまれ、その記録的な機能は夢のような効果をもたらすために脱臼している。他の作品では、Hamannが柔らかく歌い、ハミングするヴォーカルの親密な儚さや、冒頭の「by the line」でマイクの向こう側でそよぐ衣服など、演奏する身体の存在が強調され、音楽の根拠となっている。Hamannが喘息の発作に苦しんでいる間に録音された口笛のレイヤーから作曲されたもので、想像上の鳥小屋のフィールドレコーディングとアンリ・ショパンのオーディオポエムの中間のような仕上がりとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHamannのこれまでのどのソロ作品よりも、Aunesには強いメロディセンスが貫かれている。たとえ「seventeen fabrics of measure」のように、音楽がほんの一本の糸でつながっているような場合でも。豊かなシンセのハーモニーを奏でる「by the line」は、『ハウンズ・オブ・ラヴ』のバックトラックの断片が溶け出したような曲だ。この曲は、オーバーダビングされた2人の声と、ジャスト・イントンのチェロの音の限りない深みとハーモニーの豊かさが組み合わされており、そのエレガントなスローモーションの弧の中でオッケガムやリンダ・ケイトリン・スミスを呼び起こす。Hamannにとって最も個人的な作品である『Aunes』は、この曲の多くが録音された仮設住宅のひとつ、アカデミー・シュロス・ソリチュードの友人であり住人でもあったウィルダー・アリソンが、染めた羊毛を縫い合わせて描いた絵の一部を再現した印象的なスリーブに入っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362798960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 14, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. by the line\u003cbr\u003e2. Casa Di Riposo, Gesu’ Redentore\u003cbr\u003e3. seventeen fabrics of measure 06:15\u003cbr\u003e4. bruststärke (lung song)\u003cbr\u003e5. schloss, night\u003cbr\u003e6. neither from nor towards\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the\u003cspan class=\"bcTruncateMore\"\u003e reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.\u003cbr\u003e\u003cbr\u003eMore than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP154lp\u003c\/p\u003e","published_at":"2025-02-23T11:07:23+09:00","created_at":"2025-02-22T18:11:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145080520954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Judith Hamann \/\/ Aunes LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411459","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","options":["Title"],"media":[{"alt":null,"id":35610026836218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","width":700},{"alt":null,"id":35610026868986,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロや声によるアコースティック・ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu' Redentore」は、キウシュレの野外ミサに向かうために丘を登っていく様子を記録したもので、足音や虫の音、その他の付随音に近くて遠い声を重ねている。モニエク・ダージやリュック・フェラーリの作品のように、録音された場所は空間と時間の中で折りたたまれ、その記録的な機能は夢のような効果をもたらすために脱臼している。他の作品では、Hamannが柔らかく歌い、ハミングするヴォーカルの親密な儚さや、冒頭の「by the line」でマイクの向こう側でそよぐ衣服など、演奏する身体の存在が強調され、音楽の根拠となっている。Hamannが喘息の発作に苦しんでいる間に録音された口笛のレイヤーから作曲されたもので、想像上の鳥小屋のフィールドレコーディングとアンリ・ショパンのオーディオポエムの中間のような仕上がりとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHamannのこれまでのどのソロ作品よりも、Aunesには強いメロディセンスが貫かれている。たとえ「seventeen fabrics of measure」のように、音楽がほんの一本の糸でつながっているような場合でも。豊かなシンセのハーモニーを奏でる「by the line」は、『ハウンズ・オブ・ラヴ』のバックトラックの断片が溶け出したような曲だ。この曲は、オーバーダビングされた2人の声と、ジャスト・イントンのチェロの音の限りない深みとハーモニーの豊かさが組み合わされており、そのエレガントなスローモーションの弧の中でオッケガムやリンダ・ケイトリン・スミスを呼び起こす。Hamannにとって最も個人的な作品である『Aunes』は、この曲の多くが録音された仮設住宅のひとつ、アカデミー・シュロス・ソリチュードの友人であり住人でもあったウィルダー・アリソンが、染めた羊毛を縫い合わせて描いた絵の一部を再現した印象的なスリーブに入っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362798960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 14, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. by the line\u003cbr\u003e2. Casa Di Riposo, Gesu’ Redentore\u003cbr\u003e3. seventeen fabrics of measure 06:15\u003cbr\u003e4. bruststärke (lung song)\u003cbr\u003e5. schloss, night\u003cbr\u003e6. neither from nor towards\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the\u003cspan class=\"bcTruncateMore\"\u003e reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.\u003cbr\u003e\u003cbr\u003eMore than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP154lp\u003c\/p\u003e"}
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過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 チェロや声によるアコースティック・ドローン6曲を収録。 以下、レーベルによる解説です。 "オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。 教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu'...
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{"id":8682349363450,"title":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","handle":"ben-vida-with-yarn-wire-and-nina-dante-the-beat-my-head-hit-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス（言語がグループをユニゾンで呼吸する場所へと導くこと）は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる？タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP145\u003c\/p\u003e","published_at":"2024-12-16T08:26:42+09:00","created_at":"2024-12-16T08:26:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":457600,"price_min":457600,"price_max":457600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46955171971322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","public_title":null,"options":["Default Title"],"price":457600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","options":["Title"],"media":[{"alt":null,"id":31999976767738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","width":700},{"alt":null,"id":31999976800506,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス（言語がグループをユニゾンで呼吸する場所へと導くこと）は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる？タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP145\u003c\/p\u003e"}
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アメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 Yarn/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。 これまでの作風とは異なり、アコースティック・アンビエント色が強く押し出た5曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。しかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。The beat my head...
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{"id":8648700297466,"title":"Pierre Henry \/\/ Labyrinthe ! 2xLP","handle":"pierre-henry-labyrinthe-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Pierre Henry(1927-2017)が、2024年11月に同国実験レーベルPortraits GRMからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン10曲を収録。ゲートフォルド仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Labyrinthe!』は、Pierre Henryの卓越したレパートリーの中でも非常にユニークな作品であるだけでなく、彼の作曲技術と音楽的特異性を顕著に示すものでもある。実際、この曲のためにPierre Henryは、彼自身の、そうでなければ不可欠な音素材を奪われた。当時のGRMの共同制作者たちから提供された音は、それぞれ独自の物語、感性、特質を持っている。しかし、この食い違いにもかかわらず、Pierre Henryの声、彼自身の音楽の息づかいとダイナミクスがすぐに現れる。この音の迷路を通して、Pierre Henryが並外れた明晰さと決意をもって適用する、音、その発展、その使用に完全に焦点を絞った音楽が生まれる。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3436296910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in embossed gatefold sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Enfoncement 07:44\u003cbr\u003e2. Gouffre Circulaire\u003cbr\u003e3. Noyau Secret\u003cbr\u003e4. Apesanteur\u003cbr\u003e5. Entrailles\u003cbr\u003e6. Four Solaire\u003cbr\u003e7. Fissures\u003cbr\u003e8. Mer Intérieure\u003cbr\u003e9. Éruption\u003cbr\u003e10. Remontée\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAn expedition in sound in 10 sequences: Enfoncement [Deep Sink], Gouffre circulaire [Circular Abyss], Noyau secret [Secret Core], Apesanteur [Weightlessness], Entrailles [Entrails], Four solaire [Solar Furnace], Fissures [Cracks], Mer intérieure [Inner Sea], Éruption [Eruption], Remontée [Ascension].\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLabyrinthe ! is not only a very unique piece in Pierre Henry’s masterful repertoire, but also a remarkable demonstration of his compositional skills and musical singularity. Indeed, for this piece, Pierre Henry was deprived of his own, otherwise essential, sonic material. Here, the sounds, provided by GRM collaborators at the time, carry their own distinct stories, sensitivities and qualities. Yet, despite this discrepancy, Pierre Henry’s voice, the breath and dynamics of his own music, quickly appear. Through this sonic maze, a music arises, utterly focused on sounds, their development and their use, which Pierre Henry applies with extraordinary clarity and determination.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Henry\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e\n\u003cp\u003eCAT No : REGRM031\u003c\/p\u003e","published_at":"2024-10-23T14:52:53+09:00","created_at":"2024-10-22T14:59:04+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":467500,"price_min":467500,"price_max":467500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46774261022970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pierre Henry \/\/ Labyrinthe ! 2xLP","public_title":null,"options":["Default Title"],"price":467500,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411268","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648","\/\/tobirarecords.com\/cdn\/shop\/files\/hen2.jpg?v=1729576647"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648","options":["Title"],"media":[{"alt":null,"id":35093949120762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648","width":700},{"alt":null,"id":35093949153530,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen2.jpg?v=1729576647"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen2.jpg?v=1729576647","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Pierre Henry(1927-2017)が、2024年11月に同国実験レーベルPortraits GRMからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン10曲を収録。ゲートフォルド仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Labyrinthe!』は、Pierre Henryの卓越したレパートリーの中でも非常にユニークな作品であるだけでなく、彼の作曲技術と音楽的特異性を顕著に示すものでもある。実際、この曲のためにPierre Henryは、彼自身の、そうでなければ不可欠な音素材を奪われた。当時のGRMの共同制作者たちから提供された音は、それぞれ独自の物語、感性、特質を持っている。しかし、この食い違いにもかかわらず、Pierre Henryの声、彼自身の音楽の息づかいとダイナミクスがすぐに現れる。この音の迷路を通して、Pierre Henryが並外れた明晰さと決意をもって適用する、音、その発展、その使用に完全に焦点を絞った音楽が生まれる。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3436296910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in embossed gatefold sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Enfoncement 07:44\u003cbr\u003e2. Gouffre Circulaire\u003cbr\u003e3. Noyau Secret\u003cbr\u003e4. Apesanteur\u003cbr\u003e5. Entrailles\u003cbr\u003e6. Four Solaire\u003cbr\u003e7. Fissures\u003cbr\u003e8. Mer Intérieure\u003cbr\u003e9. Éruption\u003cbr\u003e10. Remontée\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAn expedition in sound in 10 sequences: Enfoncement [Deep Sink], Gouffre circulaire [Circular Abyss], Noyau secret [Secret Core], Apesanteur [Weightlessness], Entrailles [Entrails], Four solaire [Solar Furnace], Fissures [Cracks], Mer intérieure [Inner Sea], Éruption [Eruption], Remontée [Ascension].\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLabyrinthe ! is not only a very unique piece in Pierre Henry’s masterful repertoire, but also a remarkable demonstration of his compositional skills and musical singularity. Indeed, for this piece, Pierre Henry was deprived of his own, otherwise essential, sonic material. Here, the sounds, provided by GRM collaborators at the time, carry their own distinct stories, sensitivities and qualities. Yet, despite this discrepancy, Pierre Henry’s voice, the breath and dynamics of his own music, quickly appear. Through this sonic maze, a music arises, utterly focused on sounds, their development and their use, which Pierre Henry applies with extraordinary clarity and determination.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Henry\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e\n\u003cp\u003eCAT No : REGRM031\u003c\/p\u003e"}
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フランス・パリの実験音楽家Pierre Henry(1927-2017)が、2024年11月に同国実験レーベルPortraits GRMからリリースした2枚組レコードです。 コラージュ・ドローン10曲を収録。ゲートフォルド仕様です。DLコード付属。 以下、レーベルによる解説です。 『Labyrinthe!』は、Pierre Henryの卓越したレパートリーの中でも非常にユニークな作品であるだけでなく、彼の作曲技術と音楽的特異性を顕著に示すものでもある。実際、この曲のためにPierre Henryは、彼自身の、そうでなければ不可欠な音素材を奪われた。当時のGRMの共同制作者たちから提供された音は、それぞれ独自の物語、感性、特質を持っている。しかし、この食い違いにもかかわらず、Pierre Henryの声、彼自身の音楽の息づかいとダイナミクスがすぐに現れる。この音の迷路を通して、Pierre Henryが並外れた明晰さと決意をもって適用する、音、その発展、その使用に完全に焦点を絞った音楽が生まれる。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8638402134266,"title":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD","handle":"felicia-atkinson-space-as-an-instrument-lp-cd","description":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques 』では目に見えない地形を横切るリズミカルな足音。これらのフィールドレコーディングは、私たちを共感覚的体験の瀬戸際へと誘い、想像力の地形を耳で垣間見ることを可能にしてくれる。しかし、Atkinsonの音楽は、このシーンに対する特異な視点や明確な結論に抵抗する。「それは何も説明しない」と彼女は言う。しかし、それは私がそれを知覚する方法を、どうにかして翻訳する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xsUh-PasZQY?si=5Tipfngg8CgHOqby\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PAx9LTSZTpA?si=ohGmmhIlaxp_wV5u\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The healing 04:04\u003cbr\u003e2. This was her reply\u003cbr\u003e3. Thinking iceberg 12:50\u003cbr\u003e4. La pluie\u003cbr\u003e5. Sorry\u003cbr\u003e6. Shall I return to you\u003cbr\u003e7. Pensées magiques\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOne of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one’s internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space as an instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are guided through Space as an instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music’s margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of\u003cspan class=\"bcTruncateMore\"\u003e digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003cbr\u003e\u003cbr\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on “Sorry,” arhythmic footsteps traversing an invisible terrain on “Pensées Magiques.” These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson’s music resists any kind of singular perspective on the scene, or any distinct conclusion. “It doesn’t explain anything,” she says, “but it translates the way I perceive it, somehow.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP155\u003c\/p\u003e\n\u003cp\u003eBARCODE : 788362411343 \/ 788362411305\u003c\/p\u003e","published_at":"2024-10-08T18:32:23+09:00","created_at":"2024-10-08T16:46:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","lp","neo classical","new","shelter press"],"price":228000,"price_min":228000,"price_max":357000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46726884884730,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42415198503162,"product_id":8638402134266,"position":2,"created_at":"2024-10-08T16:43:47+09:00","updated_at":"2024-10-08T16:43:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","variant_ids":[46726884884730]},"available":false,"name":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD - LP","public_title":"LP","options":["LP"],"price":357000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411305","featured_media":{"alt":null,"id":35015554892026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46726884917498,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42415198535930,"product_id":8638402134266,"position":3,"created_at":"2024-10-08T16:43:47+09:00","updated_at":"2024-10-08T16:43:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428","variant_ids":[46726884917498]},"available":false,"name":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411343","featured_media":{"alt":null,"id":35015554957562,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","options":["Format"],"media":[{"alt":null,"id":35015554859258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","width":700},{"alt":null,"id":35015554892026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","width":1200},{"alt":null,"id":35015554957562,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques 』では目に見えない地形を横切るリズミカルな足音。これらのフィールドレコーディングは、私たちを共感覚的体験の瀬戸際へと誘い、想像力の地形を耳で垣間見ることを可能にしてくれる。しかし、Atkinsonの音楽は、このシーンに対する特異な視点や明確な結論に抵抗する。「それは何も説明しない」と彼女は言う。しかし、それは私がそれを知覚する方法を、どうにかして翻訳する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xsUh-PasZQY?si=5Tipfngg8CgHOqby\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PAx9LTSZTpA?si=ohGmmhIlaxp_wV5u\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The healing 04:04\u003cbr\u003e2. This was her reply\u003cbr\u003e3. Thinking iceberg 12:50\u003cbr\u003e4. La pluie\u003cbr\u003e5. Sorry\u003cbr\u003e6. Shall I return to you\u003cbr\u003e7. Pensées magiques\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOne of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one’s internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space as an instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are guided through Space as an instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music’s margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of\u003cspan class=\"bcTruncateMore\"\u003e digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003cbr\u003e\u003cbr\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on “Sorry,” arhythmic footsteps traversing an invisible terrain on “Pensées Magiques.” These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson’s music resists any kind of singular perspective on the scene, or any distinct conclusion. “It doesn’t explain anything,” she says, “but it translates the way I perceive it, somehow.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP155\u003c\/p\u003e\n\u003cp\u003eBARCODE : 788362411343 \/ 788362411305\u003c\/p\u003e"}
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フランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。 ピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。 以下、レーベルによる解説です。 "地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。 エレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。 それでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques...
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{"id":8630744940794,"title":"Timothy Archambault \/\/ Onimikìg LP","handle":"timothy-archambault-onimikig-lp","description":"\u003cp\u003eネイティブアメリカンのフルート奏者Timothy Archambaultが、2024年9月にフランス・パリの実験／ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e先住民族アルゴンキン族（オニミキグ）のブロントマンシー（雷による占い）インスパイアの無伴奏フルート楽曲11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Timothy Archambault の無伴奏フルート曲は、先住民のブロントマンシー（雷による占い）にインスパイアされている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e各作品は、クラップ、ピール、ロール、ゴロゴロ、反転、CG（Cloud to Ground-雲から地面へ-）など、雷の音の種類に比喩的に関連した、異なる拡張フルート奏法を強調している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの録音で使用されている先住民族のフルートは、キチェシピリーニやオタワ川とセントローレンス川沿いに住む他の部族が伝統的に使用してきた杉材で作られている。アルゴンキン族にとってフルート（ピビグワン）は、風を起こすもの、風のエッセンスである。他の部族が求愛のための楽器としてフルートを使用するのとは異なり、アルゴンキン族は自然の音を模倣するため、または紛争時の合図として、フルートをより瞑想的な用途に使用した。ラブソングが必要な場合は、悲しみや寂しさ、恋人との別れなどを表現する、より悲しげな性格のものが一般的だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのイントロは、アルゴンキンの長老アジャワジェシから贈られた、カワウソのペニスの骨、魚の背骨、熊の爪、ヘラジカの歯、鹿の皮のネックレスを揺らすところから始まる。フルートの曲が始まる前に、聴き手の注意を集中させるためのものだ。全曲に共通するワルブルやマルチフォニック・オシレーションは、伝統的にトニック・ノートの「喉を鳴らす」発声を表しており、メロディーが浮かび上がる地平線として知られることもある。マルチフォニック・オシレーションの繰り返しにより、演奏者は不規則な呼吸をし、伝統的な儀式に似た変容した状態を作り出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242780544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. * 01:30\u003cbr\u003e2. CG I 02:28\u003cbr\u003e3. CG II 03:47\u003cbr\u003e4. Claps 03:57\u003cbr\u003e5. Inversions 02:39\u003cbr\u003e6. Peals 04:35\u003cbr\u003e7. Rolls 03:46\u003cbr\u003e8. Rumbles I 04:53\u003cbr\u003e9. Rumbles II 04:04\u003cbr\u003e10. Rumbles III 03:40\u003cbr\u003e11. Din of Silence for The Indigenous Children 02:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa \u0026amp; Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide\u003cspan class=\"bcTruncateMore\"\u003e, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener’s attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the “throat rattling” vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.\u003cbr\u003e\u003cbr\u003eAn important document of new music meets contemporary musicological research via Stephen O’Malley of SUNN O)))’s Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timothy Archambault\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA057lp\u003c\/p\u003e","published_at":"2024-09-29T14:15:57+09:00","created_at":"2024-09-27T19:51:25+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","shelter press"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46695094223098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Timothy Archambault \/\/ Onimikìg LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_c5ca76e2-8298-4683-873a-1fda083d23eb.jpg?v=1727434200"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199","options":["Title"],"media":[{"alt":null,"id":34947341549818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199","width":700},{"alt":null,"id":34947341582586,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_c5ca76e2-8298-4683-873a-1fda083d23eb.jpg?v=1727434200"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_c5ca76e2-8298-4683-873a-1fda083d23eb.jpg?v=1727434200","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eネイティブアメリカンのフルート奏者Timothy Archambaultが、2024年9月にフランス・パリの実験／ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e先住民族アルゴンキン族（オニミキグ）のブロントマンシー（雷による占い）インスパイアの無伴奏フルート楽曲11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Timothy Archambault の無伴奏フルート曲は、先住民のブロントマンシー（雷による占い）にインスパイアされている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e各作品は、クラップ、ピール、ロール、ゴロゴロ、反転、CG（Cloud to Ground-雲から地面へ-）など、雷の音の種類に比喩的に関連した、異なる拡張フルート奏法を強調している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの録音で使用されている先住民族のフルートは、キチェシピリーニやオタワ川とセントローレンス川沿いに住む他の部族が伝統的に使用してきた杉材で作られている。アルゴンキン族にとってフルート（ピビグワン）は、風を起こすもの、風のエッセンスである。他の部族が求愛のための楽器としてフルートを使用するのとは異なり、アルゴンキン族は自然の音を模倣するため、または紛争時の合図として、フルートをより瞑想的な用途に使用した。ラブソングが必要な場合は、悲しみや寂しさ、恋人との別れなどを表現する、より悲しげな性格のものが一般的だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのイントロは、アルゴンキンの長老アジャワジェシから贈られた、カワウソのペニスの骨、魚の背骨、熊の爪、ヘラジカの歯、鹿の皮のネックレスを揺らすところから始まる。フルートの曲が始まる前に、聴き手の注意を集中させるためのものだ。全曲に共通するワルブルやマルチフォニック・オシレーションは、伝統的にトニック・ノートの「喉を鳴らす」発声を表しており、メロディーが浮かび上がる地平線として知られることもある。マルチフォニック・オシレーションの繰り返しにより、演奏者は不規則な呼吸をし、伝統的な儀式に似た変容した状態を作り出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242780544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. * 01:30\u003cbr\u003e2. CG I 02:28\u003cbr\u003e3. CG II 03:47\u003cbr\u003e4. Claps 03:57\u003cbr\u003e5. Inversions 02:39\u003cbr\u003e6. Peals 04:35\u003cbr\u003e7. Rolls 03:46\u003cbr\u003e8. Rumbles I 04:53\u003cbr\u003e9. Rumbles II 04:04\u003cbr\u003e10. Rumbles III 03:40\u003cbr\u003e11. Din of Silence for The Indigenous Children 02:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa \u0026amp; Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide\u003cspan class=\"bcTruncateMore\"\u003e, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener’s attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the “throat rattling” vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.\u003cbr\u003e\u003cbr\u003eAn important document of new music meets contemporary musicological research via Stephen O’Malley of SUNN O)))’s Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timothy Archambault\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA057lp\u003c\/p\u003e"}
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ネイティブアメリカンのフルート奏者Timothy Archambaultが、2024年9月にフランス・パリの実験／ドローンレーベルIdeologic Organからリリースしたレコードです。 先住民族アルゴンキン族（オニミキグ）のブロントマンシー（雷による占い）インスパイアの無伴奏フルート楽曲11曲を収録。 以下、レーベルによる解説です。 "Timothy Archambault の無伴奏フルート曲は、先住民のブロントマンシー（雷による占い）にインスパイアされている。各作品は、クラップ、ピール、ロール、ゴロゴロ、反転、CG（Cloud to Ground-雲から地面へ-）など、雷の音の種類に比喩的に関連した、異なる拡張フルート奏法を強調している。 この録音で使用されている先住民族のフルートは、キチェシピリーニやオタワ川とセントローレンス川沿いに住む他の部族が伝統的に使用してきた杉材で作られている。アルゴンキン族にとってフルート（ピビグワン）は、風を起こすもの、風のエッセンスである。他の部族が求愛のための楽器としてフルートを使用するのとは異なり、アルゴンキン族は自然の音を模倣するため、または紛争時の合図として、フルートをより瞑想的な用途に使用した。ラブソングが必要な場合は、悲しみや寂しさ、恋人との別れなどを表現する、より悲しげな性格のものが一般的だった。 アルバムのイントロは、アルゴンキンの長老アジャワジェシから贈られた、カワウソのペニスの骨、魚の背骨、熊の爪、ヘラジカの歯、鹿の皮のネックレスを揺らすところから始まる。フルートの曲が始まる前に、聴き手の注意を集中させるためのものだ。全曲に共通するワルブルやマルチフォニック・オシレーションは、伝統的にトニック・ノートの「喉を鳴らす」発声を表しており、メロディーが浮かび上がる地平線として知られることもある。マルチフォニック・オシレーションの繰り返しにより、演奏者は不規則な呼吸をし、伝統的な儀式に似た変容した状態を作り出す。" レーベルその他作品はこちら /// Click here to...
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{"id":8584521974010,"title":"Zelienople \/\/ Everything Is Simple LP","handle":"zelienople-everything-is-simple-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのロックバンドZelienopleが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスペース・アンビエントロック8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1619382200\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1899414832\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Holy Rollers 06:29\u003cbr\u003e2. Hold In My Hands 04:18\u003cbr\u003e3. In This Town Again 05:01\u003cbr\u003e4. Wishing Wells 05:32\u003cbr\u003e5. Santa Chiara 02:58\u003cbr\u003e6. Orange Capsule 06:38\u003cbr\u003e7. Everything Is Simple 06:13\u003cbr\u003e8. Make The Whole Town Decay 05:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eSinger-guitarist Matt Christensen, multi-instrumentalist Brian Harding, and drummer Mike Weis had all been in other bands before they united to become Zelienople in 1998 (the band’s name references a town in Pennsylvania where Harding and Christensen were once stranded while waiting for parts necessary to fix a broken-down car). All of them have all played other music since then. Harding records long-form instrumental music under the guise Ill Professor. Weis has explored ambient sound, studied Korean rhythmic practices, and improvised with Kwaidan and Slow Bell Trio. Christensen is torrentially productive on his own; at the end of April 2024 he had 212 digital releases on Bandcamp, and by the time you read this, there’ll be more. If Christensen is driven by compulsive necessity, Zelienople’s rate of production must be a\u003cspan class=\"bcTruncateMore\"\u003e spoiler, not an enhancer. But the three musicians need each other to make the convergence of ceremonial cadences, echo-laden instrumentation, and mournfully resigned singing that constitutes Zelienople’s music. \u003cbr\u003e \u003cbr\u003eStill, the making of Everything Is Simple took Zelienople out of its comfort zone. In 2020, Weis left Chicago for Kalamazoo, Michigan, which meant that the band no longer had access to its usual recording refuge in his basement. They turned loss into an opportunity to change their approach. Instead of layering tracks incrementally, they recorded mostly live with two extra musicians, Eric Eleazer (synthesizer, Fender Rhodes piano) and PM Tummala (synthesizer, Fender Rhodes piano, vibraphones). Keyboards and metallophones broaden the sound field around Weis’ patiently perambulating percussion. And instead of clinging, Harding’s basses and clarinets swirl and wreath around Christensen’s apprehensive articulations of the experience of being a quiet person in a menacingly loud cultural moment. Tummala also contributed his engineering skills, which enabled Christensen to step back from recording duties to concentrate on singing and playing, and his studio, which is much more spacious than Weis’ old basement. While the basic tracks went down quickly, a lengthy period of mixing and fixing ensued, followed by the spatially conscious mastering of Slowdive’s Simon Scott, all of which further magnified the effect of being a bigger band in a bigger space. Still, Zelienople wears its expansiveness lightly; Everything Is Simple may loom sonically, but it doesn’t overwhelm the listener so much as give them the space to inhabit a singular realm.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zelienople\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP153\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-05T11:39:35+09:00","created_at":"2024-08-03T08:53:03+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","shelter press"],"price":442400,"price_min":442400,"price_max":442400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46509935460602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Zelienople \/\/ Everything Is Simple LP","public_title":null,"options":["Default Title"],"price":442400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637","\/\/tobirarecords.com\/cdn\/shop\/files\/sim2.jpg?v=1722642637"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637","options":["Title"],"media":[{"alt":null,"id":34651733262586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637","width":700},{"alt":null,"id":34651733295354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2.jpg?v=1722642637"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2.jpg?v=1722642637","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのロックバンドZelienopleが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスペース・アンビエントロック8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1619382200\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1899414832\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Holy Rollers 06:29\u003cbr\u003e2. Hold In My Hands 04:18\u003cbr\u003e3. In This Town Again 05:01\u003cbr\u003e4. Wishing Wells 05:32\u003cbr\u003e5. Santa Chiara 02:58\u003cbr\u003e6. Orange Capsule 06:38\u003cbr\u003e7. Everything Is Simple 06:13\u003cbr\u003e8. Make The Whole Town Decay 05:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eSinger-guitarist Matt Christensen, multi-instrumentalist Brian Harding, and drummer Mike Weis had all been in other bands before they united to become Zelienople in 1998 (the band’s name references a town in Pennsylvania where Harding and Christensen were once stranded while waiting for parts necessary to fix a broken-down car). All of them have all played other music since then. Harding records long-form instrumental music under the guise Ill Professor. Weis has explored ambient sound, studied Korean rhythmic practices, and improvised with Kwaidan and Slow Bell Trio. Christensen is torrentially productive on his own; at the end of April 2024 he had 212 digital releases on Bandcamp, and by the time you read this, there’ll be more. If Christensen is driven by compulsive necessity, Zelienople’s rate of production must be a\u003cspan class=\"bcTruncateMore\"\u003e spoiler, not an enhancer. But the three musicians need each other to make the convergence of ceremonial cadences, echo-laden instrumentation, and mournfully resigned singing that constitutes Zelienople’s music. \u003cbr\u003e \u003cbr\u003eStill, the making of Everything Is Simple took Zelienople out of its comfort zone. In 2020, Weis left Chicago for Kalamazoo, Michigan, which meant that the band no longer had access to its usual recording refuge in his basement. They turned loss into an opportunity to change their approach. Instead of layering tracks incrementally, they recorded mostly live with two extra musicians, Eric Eleazer (synthesizer, Fender Rhodes piano) and PM Tummala (synthesizer, Fender Rhodes piano, vibraphones). Keyboards and metallophones broaden the sound field around Weis’ patiently perambulating percussion. And instead of clinging, Harding’s basses and clarinets swirl and wreath around Christensen’s apprehensive articulations of the experience of being a quiet person in a menacingly loud cultural moment. Tummala also contributed his engineering skills, which enabled Christensen to step back from recording duties to concentrate on singing and playing, and his studio, which is much more spacious than Weis’ old basement. While the basic tracks went down quickly, a lengthy period of mixing and fixing ensued, followed by the spatially conscious mastering of Slowdive’s Simon Scott, all of which further magnified the effect of being a bigger band in a bigger space. Still, Zelienople wears its expansiveness lightly; Everything Is Simple may loom sonically, but it doesn’t overwhelm the listener so much as give them the space to inhabit a singular realm.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zelienople\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP153\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのロックバンドZelienopleが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。 スペース・アンビエントロック8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8222044815610,"title":"Jessica Ekomane \/ Laurel Halo \/\/ Manifolds \/ Octavia LP","handle":"jessica-ekomane-laurel-halo-manifolds-octavia-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのJessica EkomaneとアメリカのLaurel Halo実験音楽家2名が、2024年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はコンピューターによるコラージュ・ドローン、B面は実験ネオクラシカル・アンビエント\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266146378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Jessica Ekomane - Manifolds 17:28\u003cbr\u003e2. Laurel Halo - Octavia 21:18\u003c\/p\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jessica EKOMANE « Manifolds » \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEntirely computer-generated, Manifolds is a work that explores the multiple possibilities of polyphonic writing, extending it to the “multiphonic” universe where sources and timbres diffract themselves in the listening space. The different voices of the composition no longer follow the traditional parallel trajectories of musical dialogue, but find themselves propelled as if into a particle accelerator, a “collider” freed from all formal rhetoric to reach a state of liberation of energies that is truly confounding. It is then that, in the multi-layered universe of sonic electrons, as if against its own will, a “chant” of overwhelming humanity is revealed. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaurel HALO « Octavia » (2022) \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOctavia, a piece for piano and electronics, explores the relationship between melodic motifs and textures in a singular way, intermittent moments of melody, harmony and sound materials connecting and disconnecting, to indicate a series of nets or webs, swaying in and out of one another. These sonic nets gently float, spin and merge, and the effect is one of gently floating over an abyss. The work is inspired by the “spiderweb city” of the same name in Italo Calvino's Invisible Cities: “Below there is nothing for hundreds of feet: a few\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e clouds glide past; further down you can glimpse the chasm’s bed….Suspended over the abyss, the life of Octavia’s inhabitants is less uncertain than in other cities. They know the net will last only so long.”\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessica Ekomane \/ Laurel Halo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e","published_at":"2024-03-12T13:28:33+09:00","created_at":"2024-03-12T13:17:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","neo classical","new","shelter press"],"price":439800,"price_min":439800,"price_max":439800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45331966918906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jessica Ekomane \/ Laurel Halo \/\/ Manifolds \/ Octavia LP","public_title":null,"options":["Default Title"],"price":439800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148","options":["Title"],"media":[{"alt":null,"id":33365073363194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのJessica EkomaneとアメリカのLaurel Halo実験音楽家2名が、2024年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はコンピューターによるコラージュ・ドローン、B面は実験ネオクラシカル・アンビエント\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266146378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Jessica Ekomane - Manifolds 17:28\u003cbr\u003e2. Laurel Halo - Octavia 21:18\u003c\/p\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jessica EKOMANE « Manifolds » \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEntirely computer-generated, Manifolds is a work that explores the multiple possibilities of polyphonic writing, extending it to the “multiphonic” universe where sources and timbres diffract themselves in the listening space. The different voices of the composition no longer follow the traditional parallel trajectories of musical dialogue, but find themselves propelled as if into a particle accelerator, a “collider” freed from all formal rhetoric to reach a state of liberation of energies that is truly confounding. It is then that, in the multi-layered universe of sonic electrons, as if against its own will, a “chant” of overwhelming humanity is revealed. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaurel HALO « Octavia » (2022) \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOctavia, a piece for piano and electronics, explores the relationship between melodic motifs and textures in a singular way, intermittent moments of melody, harmony and sound materials connecting and disconnecting, to indicate a series of nets or webs, swaying in and out of one another. These sonic nets gently float, spin and merge, and the effect is one of gently floating over an abyss. The work is inspired by the “spiderweb city” of the same name in Italo Calvino's Invisible Cities: “Below there is nothing for hundreds of feet: a few\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e clouds glide past; further down you can glimpse the chasm’s bed….Suspended over the abyss, the life of Octavia’s inhabitants is less uncertain than in other cities. They know the net will last only so long.”\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessica Ekomane \/ Laurel Halo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e"}
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{"id":8149994504442,"title":"Horacio Vaggione \/\/ ‘Schall’ \/ ‘Rechant’ LP","handle":"horacio-vaggione-schall-rechant-lp","description":"\u003cp\u003eイタリアの大御所実験音楽家Horacio Vaggioneが、2024年1月にフランスの実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Horacio Vaggioneは、過去50年以上にわたり、野心的で緻密な、そして非常に重要な作品群を創り続けてきた。このディスクでは、Horacio Vaggioneによって開発されたこの特異で魅力的な文法を、それぞれ独自の方法で説明する4つの純粋な電子音響作品を提供する。この複雑だが豊饒な文法は、ポリフォニーとメタモルフォーゼからなる魅力的な音楽空間を創造するために、構造とテクスチャー、物質と定型の間に非常に特別な関係を確立する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1477061162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchall 07:28\u003c\/li\u003e\n\u003cli\u003eRechant 15:51\u003c\/li\u003e\n\u003cli\u003e24 Variations 09:50\u003c\/li\u003e\n\u003cli\u003eGymel 09:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and texture, between matter and formula, to create a fascinating musical space, made up of polyphonies and metamorphoses.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Horacio Vaggione\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2024-01-23T08:17:32+09:00","created_at":"2024-01-22T13:59:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":444800,"price_min":444800,"price_max":444800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45063738884346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Horacio Vaggione \/\/ ‘Schall’ \/ ‘Rechant’ LP","public_title":null,"options":["Default Title"],"price":444800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_f11298c0-ccb6-4a61-8d3f-9d90ffac7ce3.jpg?v=1705899575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575","options":["Title"],"media":[{"alt":null,"id":33025077149946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575","width":700},{"alt":null,"id":33025077182714,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_f11298c0-ccb6-4a61-8d3f-9d90ffac7ce3.jpg?v=1705899575"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_f11298c0-ccb6-4a61-8d3f-9d90ffac7ce3.jpg?v=1705899575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの大御所実験音楽家Horacio Vaggioneが、2024年1月にフランスの実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Horacio Vaggioneは、過去50年以上にわたり、野心的で緻密な、そして非常に重要な作品群を創り続けてきた。このディスクでは、Horacio Vaggioneによって開発されたこの特異で魅力的な文法を、それぞれ独自の方法で説明する4つの純粋な電子音響作品を提供する。この複雑だが豊饒な文法は、ポリフォニーとメタモルフォーゼからなる魅力的な音楽空間を創造するために、構造とテクスチャー、物質と定型の間に非常に特別な関係を確立する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1477061162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchall 07:28\u003c\/li\u003e\n\u003cli\u003eRechant 15:51\u003c\/li\u003e\n\u003cli\u003e24 Variations 09:50\u003c\/li\u003e\n\u003cli\u003eGymel 09:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and texture, between matter and formula, to create a fascinating musical space, made up of polyphonies and metamorphoses.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Horacio Vaggione\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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イタリアの大御所実験音楽家Horacio Vaggioneが、2024年1月にフランスの実験レーベルShelter PressとRecollection GRMからリリースしたレコードです。 ミュージックコンクレート4曲を収録。DLコード付属。 マスタリングはGiusepe Ielashiが担当しています。 以下、レーベルによる解説です。 "Horacio Vaggioneは、過去50年以上にわたり、野心的で緻密な、そして非常に重要な作品群を創り続けてきた。このディスクでは、Horacio Vaggioneによって開発されたこの特異で魅力的な文法を、それぞれ独自の方法で説明する4つの純粋な電子音響作品を提供する。この複雑だが豊饒な文法は、ポリフォニーとメタモルフォーゼからなる魅力的な音楽空間を創造するために、構造とテクスチャー、物質と定型の間に非常に特別な関係を確立する。" レーベルその他作品はこちら /// Click here to see...
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{"id":8149992145146,"title":"Robert Cahen \/\/ La nef des fous LP","handle":"robert-cahen-la-nef-des-fous-lp","description":"\u003cp\u003eフランスの実験映像作家Robert Cahenが、2024年1月に同国実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1971-1974年に制作したミュージックコンクレート5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1970年代、Robert Cahenは急成長するビデオ・アートの分野に転向し、先駆的なアーティストとなった。彼は元々、創作のバックグラウンドであるミュジーク・コンクレートの訓練を受け、1972年にGroupe de Recherches Musicalesに参加した。このレコードに収録された作品は、1971年から1974年にかけてGRMのスタジオで作曲された。これらの作品は、生き生きとしたインスピレーションとイマジネーション、そして早熟な形式的熟練とが組み合わさったものであり、後の展開の種をすでに持っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2675703381\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa nef des fous 12:00\u003c\/li\u003e\n\u003cli\u003eMasques 2 08:34\u003c\/li\u003e\n\u003cli\u003ePlurielles 08:35\u003c\/li\u003e\n\u003cli\u003ePersona 08:34\u003c\/li\u003e\n\u003cli\u003ePassé composé 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. He was originally trained in musique concrète, his creative background, and joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios between 1971 and 1974. They testify to a lively inspiration and imagination combined with a precocious formal mastery that already carries the seeds of later developments, which the artist cleverly and inventively deployed in the field of visual arts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Cahen\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2024-01-23T08:14:16+09:00","created_at":"2024-01-22T13:57:24+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":398200,"price_min":398200,"price_max":398200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45063722991866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Robert Cahen \/\/ La nef des fous LP","public_title":null,"options":["Default Title"],"price":398200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_2f65238f-f683-469f-af9f-25a3f3b563a5.jpg?v=1705899445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445","options":["Title"],"media":[{"alt":null,"id":33025067352314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445","width":700},{"alt":null,"id":33025067385082,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_2f65238f-f683-469f-af9f-25a3f3b563a5.jpg?v=1705899445"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_2f65238f-f683-469f-af9f-25a3f3b563a5.jpg?v=1705899445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験映像作家Robert Cahenが、2024年1月に同国実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1971-1974年に制作したミュージックコンクレート5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1970年代、Robert Cahenは急成長するビデオ・アートの分野に転向し、先駆的なアーティストとなった。彼は元々、創作のバックグラウンドであるミュジーク・コンクレートの訓練を受け、1972年にGroupe de Recherches Musicalesに参加した。このレコードに収録された作品は、1971年から1974年にかけてGRMのスタジオで作曲された。これらの作品は、生き生きとしたインスピレーションとイマジネーション、そして早熟な形式的熟練とが組み合わさったものであり、後の展開の種をすでに持っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2675703381\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa nef des fous 12:00\u003c\/li\u003e\n\u003cli\u003eMasques 2 08:34\u003c\/li\u003e\n\u003cli\u003ePlurielles 08:35\u003c\/li\u003e\n\u003cli\u003ePersona 08:34\u003c\/li\u003e\n\u003cli\u003ePassé composé 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. He was originally trained in musique concrète, his creative background, and joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios between 1971 and 1974. They testify to a lively inspiration and imagination combined with a precocious formal mastery that already carries the seeds of later developments, which the artist cleverly and inventively deployed in the field of visual arts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Cahen\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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フランスの実験映像作家Robert Cahenが、2024年1月に同国実験レーベルShelter PressとRecollection GRMからリリースしたレコードです。 1971-1974年に制作したミュージックコンクレート5曲を収録。DLコード付属。 マスタリングはGiusepe Ielashiが担当しています。 以下、レーベルによる解説です。 "1970年代、Robert Cahenは急成長するビデオ・アートの分野に転向し、先駆的なアーティストとなった。彼は元々、創作のバックグラウンドであるミュジーク・コンクレートの訓練を受け、1972年にGroupe de Recherches Musicalesに参加した。このレコードに収録された作品は、1971年から1974年にかけてGRMのスタジオで作曲された。これらの作品は、生き生きとしたインスピレーションとイマジネーション、そして早熟な形式的熟練とが組み合わさったものであり、後の展開の種をすでに持っている。" レーベルその他作品はこちら ///...
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{"id":8149185364218,"title":"Kali Malone \/\/ All Life Long 2xLP \/ CD","handle":"kali-malone-all-life-long-2xlp-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2024年1月にフランスの実験レーベルPortraits GRMからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンや声、金管楽器によるドローン〜アンビエントドローン12曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3S7l24OoBx0?si=1DDivJRaJFchB6pz\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XuiMdHjcMk0?si=bx3zgjYRvIjT8qjs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/d_CzAiIqaJU?si=xc4ntEbO-HJA7kUP\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2x12\" black vinyl in gatefold sleeve with 8pp booklet (edition of 4000), or CD in 6-panel digisleeve with 20pp booklet (edition of 2500). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePassage Through the Spheres 06:48\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for organ) 08:38\u003c\/li\u003e\n\u003cli\u003eNo Sun to Burn (for brass) 03:12\u003c\/li\u003e\n\u003cli\u003ePrisoned on Watery Shore\u003c\/li\u003e\n\u003cli\u003eRetrograde Canon\u003c\/li\u003e\n\u003cli\u003eSlow of Faith\u003c\/li\u003e\n\u003cli\u003eFastened Maze\u003c\/li\u003e\n\u003cli\u003eNo Sun To Burn (for Organ)\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for voice)\u003c\/li\u003e\n\u003cli\u003eMoving Forward\u003c\/li\u003e\n\u003cli\u003eFormation Flight\u003c\/li\u003e\n\u003cli\u003eThe Unification of Inner \u0026amp; Outer Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKali Malone's anticipated new album \"All Life Long\" is a collection of music for pipe organ, choir, and brass quintet composed by Kali Malone, 2020 - 2023. Choral music performed by Macadam Ensemble and conducted by Etienne Ferschaud at Chapelle Notre-Dame-de-L'Immaculée-Conception in Nantes. Brass quintet music performed by Anima Brass at The Bunker Studio in New York City. Organ music performed by Kali Malone and Stephen O’Malley on the historical meantone tempered pipe organs at Église Saint-François in Lausanne, Orgelpark in Amsterdam, and Malmö Konstmuseum in Sweden.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMalone’s new album All Life Long, created between 2020 - 2023, presents her first compositions for organ since 2019’s breakthrough album The Sacrificial Code alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass. Over the course of twelve pieces, harmonic themes and patterns recur, presented in altered forms and for varied instrumentation. They emerge and reemerge like echoes of their former selves, making the familiar uncanny. Propelled by lungs and breath rather than bellows and oscillators, Malone’s compositions for choir and brass take on expressive qualities that complicate the austerity that has defined her work, introducing lyricism and the beauty of human fallibility into music that has been driven by mechanical processes. At the same time, the works for organ, performed by Malone with additional accompaniment by Stephen O’Malley on four different organs dating from the 15th to 17th centuries, underscore the mighty, spectral power that those rigorous operations can achieve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll Life Long simmers in an ever-shifting tension between repetition and variation. The pieces for brass, organ, and voice are alternated asymmetrically, providing nearly continuous timbral fluctuation across its 78-minute runtime even as thematic material reiterates. Each composition’s internal framework of fractal pattern permutations has the paradoxical effect of creating anticipated keystone moments of dramatic reverie and lulling the listener into believing in an illusory endlessness. On an even more granular level, the historical meantone tuning systems of each organ used, and the variable intonation of brass and voice, provide further points of emotional excavation within the harmony[...]\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2024-01-21T13:20:33+09:00","created_at":"2024-01-21T12:48:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","lp","new","shelter press"],"price":265000,"price_min":265000,"price_max":548000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45058511667450,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40352773013754,"product_id":8149185364218,"position":2,"created_at":"2024-01-21T12:48:39+09:00","updated_at":"2024-01-21T12:48:41+09:00","alt":null,"width":1200,"height":842,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921","variant_ids":[45058511667450]},"available":false,"name":"Kali Malone \/\/ All Life Long 2xLP \/ CD - 2xLP","public_title":"2xLP","options":["2xLP"],"price":548000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33019556233466,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45058511634682,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40352772915450,"product_id":8149185364218,"position":3,"created_at":"2024-01-21T12:48:39+09:00","updated_at":"2024-01-21T12:48:40+09:00","alt":null,"width":1200,"height":856,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920","variant_ids":[45058511634682]},"available":false,"name":"Kali Malone \/\/ All Life Long 2xLP \/ CD - CD","public_title":"CD","options":["CD"],"price":265000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33019556266234,"position":3,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921","\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921","\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921","options":["Format"],"media":[{"alt":null,"id":33019556200698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921","width":700},{"alt":null,"id":33019556233466,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921","width":1200},{"alt":null,"id":33019556266234,"position":3,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2024年1月にフランスの実験レーベルPortraits GRMからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンや声、金管楽器によるドローン〜アンビエントドローン12曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3S7l24OoBx0?si=1DDivJRaJFchB6pz\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XuiMdHjcMk0?si=bx3zgjYRvIjT8qjs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/d_CzAiIqaJU?si=xc4ntEbO-HJA7kUP\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2x12\" black vinyl in gatefold sleeve with 8pp booklet (edition of 4000), or CD in 6-panel digisleeve with 20pp booklet (edition of 2500). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePassage Through the Spheres 06:48\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for organ) 08:38\u003c\/li\u003e\n\u003cli\u003eNo Sun to Burn (for brass) 03:12\u003c\/li\u003e\n\u003cli\u003ePrisoned on Watery Shore\u003c\/li\u003e\n\u003cli\u003eRetrograde Canon\u003c\/li\u003e\n\u003cli\u003eSlow of Faith\u003c\/li\u003e\n\u003cli\u003eFastened Maze\u003c\/li\u003e\n\u003cli\u003eNo Sun To Burn (for Organ)\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for voice)\u003c\/li\u003e\n\u003cli\u003eMoving Forward\u003c\/li\u003e\n\u003cli\u003eFormation Flight\u003c\/li\u003e\n\u003cli\u003eThe Unification of Inner \u0026amp; Outer Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKali Malone's anticipated new album \"All Life Long\" is a collection of music for pipe organ, choir, and brass quintet composed by Kali Malone, 2020 - 2023. Choral music performed by Macadam Ensemble and conducted by Etienne Ferschaud at Chapelle Notre-Dame-de-L'Immaculée-Conception in Nantes. Brass quintet music performed by Anima Brass at The Bunker Studio in New York City. Organ music performed by Kali Malone and Stephen O’Malley on the historical meantone tempered pipe organs at Église Saint-François in Lausanne, Orgelpark in Amsterdam, and Malmö Konstmuseum in Sweden.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMalone’s new album All Life Long, created between 2020 - 2023, presents her first compositions for organ since 2019’s breakthrough album The Sacrificial Code alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass. Over the course of twelve pieces, harmonic themes and patterns recur, presented in altered forms and for varied instrumentation. They emerge and reemerge like echoes of their former selves, making the familiar uncanny. Propelled by lungs and breath rather than bellows and oscillators, Malone’s compositions for choir and brass take on expressive qualities that complicate the austerity that has defined her work, introducing lyricism and the beauty of human fallibility into music that has been driven by mechanical processes. At the same time, the works for organ, performed by Malone with additional accompaniment by Stephen O’Malley on four different organs dating from the 15th to 17th centuries, underscore the mighty, spectral power that those rigorous operations can achieve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll Life Long simmers in an ever-shifting tension between repetition and variation. The pieces for brass, organ, and voice are alternated asymmetrically, providing nearly continuous timbral fluctuation across its 78-minute runtime even as thematic material reiterates. Each composition’s internal framework of fractal pattern permutations has the paradoxical effect of creating anticipated keystone moments of dramatic reverie and lulling the listener into believing in an illusory endlessness. On an even more granular level, the historical meantone tuning systems of each organ used, and the variable intonation of brass and voice, provide further points of emotional excavation within the harmony[...]\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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スウェーデン・ストックホルムのドローン作家Kali Maloneが、2024年1月にフランスの実験レーベルPortraits GRMからリリースしたアルバムです。 オルガンや声、金管楽器によるドローン〜アンビエントドローン12曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases...
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{"id":8111086239994,"title":"Jessika Kenney \u0026 Eyvind Kang \/\/ Azure LP","handle":"jessika-kenney-eyvind-kang-azure-lp","description":"\u003cp\u003eボーカリストJessika Kenneyとヴィオラ奏者Eyvind Kangが、2023年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とヴィオラによるネオクラシカル・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3985192887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEclipse 07:17\u003c\/li\u003e\n\u003cli\u003eAzure 10:58\u003c\/li\u003e\n\u003cli\u003eOcean 08:11\u003c\/li\u003e\n\u003cli\u003eForest Floor 09:55\u003c\/li\u003e\n\u003cli\u003eNo Sound 13:31\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"[...]\u003cem\u003eAmong their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contemporary minimalism that slowly unfolds across the album’s length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEmerging from the Pacific Northwest, Jessika Kenney and Eyvind Kang have retained a strong presence within the context of North American experimental music since the mid 1990s, each producing some of the most grippingly original music to have appeared over the subsequent years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKenney is a vocalist and composer internationally regarded for her spellbinding timbres and her in-depth study of oral traditions. Her work takes the form of sound installations, talismanic scores, music for film, electronics, and choir. She released the groundbreaking experimental gamelan album Atria (Sige) in 2015, and has collaborated with Lori Goldston, Holland Andrews\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Niloufar Shiri, Tashi Wada, Alvin Lucier, Sarah Davachi, Melati Suryodarmo, Ensemble Nist-Nah, Sunn O))), and numerous others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKang, a multi-instrumentalist, composer and arranger, works across genre and discipline, bringing subtlety, fluidity, and emotional intensity to each of his varied projects. In addition to creating a striking body of solo works that has traced its way across the last two and half decades - most recently including Sonic Gnostic (Aspen Edities, 2021) and Ajaeng Ajaeng (Ideologic Organ, 2020) - he has played on albums by Bill Frisell, Joe McPhee, Sun City Girls, Ikue Mori, Laurie Anderson, Blonde Redhead, William Hooker, Animal Collective, and numerous others[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessika Kenney \u0026amp; Eyvind Kang\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2023-12-13T08:38:32+09:00","created_at":"2023-12-12T18:20:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","neo classical","new","shelter press"],"price":399800,"price_min":399800,"price_max":399800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44878885126394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jessika Kenney \u0026 Eyvind Kang \/\/ Azure LP","public_title":null,"options":["Default Title"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_537758d2-962e-488b-8040-24bb2a5e7d44.jpg?v=1702372851"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852","options":["Title"],"media":[{"alt":null,"id":32828185772282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852","width":700},{"alt":null,"id":32828185805050,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_537758d2-962e-488b-8040-24bb2a5e7d44.jpg?v=1702372851"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_537758d2-962e-488b-8040-24bb2a5e7d44.jpg?v=1702372851","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eボーカリストJessika Kenneyとヴィオラ奏者Eyvind Kangが、2023年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とヴィオラによるネオクラシカル・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3985192887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEclipse 07:17\u003c\/li\u003e\n\u003cli\u003eAzure 10:58\u003c\/li\u003e\n\u003cli\u003eOcean 08:11\u003c\/li\u003e\n\u003cli\u003eForest Floor 09:55\u003c\/li\u003e\n\u003cli\u003eNo Sound 13:31\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"[...]\u003cem\u003eAmong their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contemporary minimalism that slowly unfolds across the album’s length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEmerging from the Pacific Northwest, Jessika Kenney and Eyvind Kang have retained a strong presence within the context of North American experimental music since the mid 1990s, each producing some of the most grippingly original music to have appeared over the subsequent years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKenney is a vocalist and composer internationally regarded for her spellbinding timbres and her in-depth study of oral traditions. Her work takes the form of sound installations, talismanic scores, music for film, electronics, and choir. She released the groundbreaking experimental gamelan album Atria (Sige) in 2015, and has collaborated with Lori Goldston, Holland Andrews\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Niloufar Shiri, Tashi Wada, Alvin Lucier, Sarah Davachi, Melati Suryodarmo, Ensemble Nist-Nah, Sunn O))), and numerous others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKang, a multi-instrumentalist, composer and arranger, works across genre and discipline, bringing subtlety, fluidity, and emotional intensity to each of his varied projects. In addition to creating a striking body of solo works that has traced its way across the last two and half decades - most recently including Sonic Gnostic (Aspen Edities, 2021) and Ajaeng Ajaeng (Ideologic Organ, 2020) - he has played on albums by Bill Frisell, Joe McPhee, Sun City Girls, Ikue Mori, Laurie Anderson, Blonde Redhead, William Hooker, Animal Collective, and numerous others[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessika Kenney \u0026amp; Eyvind Kang\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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ボーカリストJessika Kenneyとヴィオラ奏者Eyvind Kangが、2023年11月にIdeologic Organからリリースしたレコードです。 声とヴィオラによるネオクラシカル・ドローン5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8103205667066,"title":"Jules Reidy \/\/ Trances LP","handle":"jules-reidy-trances-lp","description":"\u003cp\u003eドイツ・ベルリンのJules Reidyが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にチューニングしたカスタムヘキサフォニックギターによるアンビエントフォーク・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3094940285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNON-LINEAR STAGES (I, II, III, I, IV, II) 22:33\u003c\/li\u003e\n\u003cli\u003eNON-LINEAR STAGES (V, II, I, VI, II) 22:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrances, Jules Reidy’s follow-up to the celebrated World in World (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTrances’ primary instrument is a custom hexaphonic electric guitar tuned in Just Intonation. Reidy’s combination of fingerpicked phrases, open strums, and corrugated processing push on the grammar of guitar-driven experimentalism, locating expressive heft in open-ended harmonics and the odd angles formed by overlapping elements. Chords are slowed and stretched as if to examine their resonance, then overtaken by subterranean motion. The effect is that of oceanic depth, but the rippling that passes between the compositions’ sedimentary layers often takes on a metallic edge. The addition of synthesizers, sampled 12-string guitar, field recordings, and half-submerged autotuned voice further denaturalize the compositions. Reidy’s vocal interjections—their particular linguistic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e content rendered inaccessible—are based on counting and self-observational techniques for bringing oneself back into the present; at times Reidy’s picking also assumes a mantra-like quality, though ultimately the flow of the composition subsumes both.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a heavy sense of the strange throughout these songs, which bleed at their edges into a continuous, questioning whole. That Reidy’s compositions here have a tendency to engulf the listener, like a wave or a squall, can be variously comforting and disorienting. Either way, we are fortunate to follow Reidy on such a journey.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jules Reidy\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-12-07T07:00:20+09:00","created_at":"2023-12-06T18:42:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","shelter press"],"price":395000,"price_min":395000,"price_max":395000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44849081614586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jules Reidy \/\/ Trances LP","public_title":null,"options":["Default Title"],"price":395000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778","\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_845e9eb7-0bd5-42ce-bd6f-a82f99793b28.jpg?v=1701855778"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778","options":["Title"],"media":[{"alt":null,"id":32800774127866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778","width":700},{"alt":null,"id":32800774160634,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_845e9eb7-0bd5-42ce-bd6f-a82f99793b28.jpg?v=1701855778"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_845e9eb7-0bd5-42ce-bd6f-a82f99793b28.jpg?v=1701855778","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのJules Reidyが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にチューニングしたカスタムヘキサフォニックギターによるアンビエントフォーク・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3094940285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNON-LINEAR STAGES (I, II, III, I, IV, II) 22:33\u003c\/li\u003e\n\u003cli\u003eNON-LINEAR STAGES (V, II, I, VI, II) 22:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrances, Jules Reidy’s follow-up to the celebrated World in World (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTrances’ primary instrument is a custom hexaphonic electric guitar tuned in Just Intonation. Reidy’s combination of fingerpicked phrases, open strums, and corrugated processing push on the grammar of guitar-driven experimentalism, locating expressive heft in open-ended harmonics and the odd angles formed by overlapping elements. Chords are slowed and stretched as if to examine their resonance, then overtaken by subterranean motion. The effect is that of oceanic depth, but the rippling that passes between the compositions’ sedimentary layers often takes on a metallic edge. The addition of synthesizers, sampled 12-string guitar, field recordings, and half-submerged autotuned voice further denaturalize the compositions. Reidy’s vocal interjections—their particular linguistic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e content rendered inaccessible—are based on counting and self-observational techniques for bringing oneself back into the present; at times Reidy’s picking also assumes a mantra-like quality, though ultimately the flow of the composition subsumes both.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a heavy sense of the strange throughout these songs, which bleed at their edges into a continuous, questioning whole. That Reidy’s compositions here have a tendency to engulf the listener, like a wave or a squall, can be variously comforting and disorienting. Either way, we are fortunate to follow Reidy on such a journey.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jules Reidy\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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ドイツ・ベルリンのJules Reidyが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 純正律にチューニングしたカスタムヘキサフォニックギターによるアンビエントフォーク・ドローン2曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8080456646906,"title":"Lisa Lerkenfeldt \/\/ Halos of Perception LP","handle":"lisa-lerkenfeldt-halos-of-perception-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノや地下トンネルのフィールドレコーディングによる実験ネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Halos of Perception』は、中国マレーシア系オーストラリア人ビデオアーティスト、\u003cmeta charset=\"utf-8\"\u003eTristan Jallehとのコラボレーションによるハイパーリアルフィルムとともに、2023年11月3日にリリースされる。Lerkenfeldtのフィールドワークと電子音響の実践から導き出されたピアノ、チェロ、テープループのアレンジが、内省的なミュージックコンクレート、インストゥルメンタルコンポジション、シュールな映画のパッチワークの中で、失われた部屋と地下の歴史を照らし出す。Shelter Pressからリリースされた2枚目のLPは、口承伝承、実験的なAVコンポジション、日記のようなヴィネットを通して、現実、ヴァーチャリティ、知覚への疑問を投げかけるアンダーグラウンド・ネットワークにスポットを当てている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e知覚の光輪が黒い仮の湖に波紋を描く。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e真っ暗闇の中、五感が冴え渡る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e懐中電灯の明かりの下で、私は白い蜘蛛が濡れた煌めきの中に巣を作るのを見る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e交通は触覚の楽器となり\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私がいる場所まで300キロのトンネル。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私たちが話すと、それは32秒間反響する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eあなたは1991年の話をしてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e湿った土の下では、すべての瞬間が延長される。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e壁さえも声を持つ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私の首には汗のお守りがある」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピアノ、チェロとテープループのための：\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLisaが私にこの作品を紹介してくれたように、経験を共有することでこの作品『HALOS OF PERPECTION』を紹介したい。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eLisaと私は、この作品について話すためにサウス・ヤラ駅の近くを散歩した。レジャーウェアの世界、無限の代替ミルク、鳴り響くネオンから、音と生命に溢れた水辺の緑地へとほとんどシームレスに移動し、バーンリーのボルダリングウォールを登る数人の人々や、熱風に吊るされた蝶、名前を知りたかったたくさんの植物を見た。頭上では、隠された生態系、想像の空間、ケアのネットワークについて語り合う間、車が絶え間なく動物のように鳴り響いた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e洞窟探検のオリジナルメンバーとの偶然の出会いから始まったこの作品は、私たちの知覚の外に存在する世界を探求している。川のそばで、\u003cmeta charset=\"utf-8\"\u003eLisaがオフィスワークスでプリントアウトしたトンネルの写真のセレクションに目を通すと、異質な質感、奈落の底へと続くトンネル、地下を流れる小川が見えてくる。光はまばらで繊細で、\u003cmeta charset=\"utf-8\"\u003eLisaのピアノ曲の揺らぎやゆらめきに反映されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歩きながら、私たちはインフラがしばしば人を締め出すように設計されていることに気づいた。フェンスに切り取られたドアや、切り取られたワイヤーは、それに対する積極的かつ継続的な反抗を示している。私たちは、彼女の洞窟の一族の友人が、かつてこの絵の描かれた部屋に降りて、ロウソクを明かりにして孤独に読書をしていたという話をした。中空のセメントトンネルに包まれた地下には音が存在する。人々が地下でどのようにショーを開いていたのか、安全のためにどのようなルールがあったのか（雨の後は探検しない、一人で行動しない）。このような温かさと他の人の経験の吸収は、\u003cmeta charset=\"utf-8\"\u003eLisaの作品にも存在する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは散歩の途中でベリーを食べながら、『The Caretaker』がどのように録音された音で一過性の世界を創り出すのか、この技術がどのように記憶を捉えるのか、そしてポーリン・オリヴェロスのディープリスニングバンドの探索的探求について話した。これらの記憶とディープリスニングの引用は、リサが自身の世界構築においてアナログ楽器やクラシック楽器、再生アーチファクト、アコースティックフィードバックを使用することに影響を与えている。『Halos of Perception（知覚の光輪）』について語るとき、彼女はこの作品を、クラシカルなダイナミクス、アコースティックミラー、トランスペアレントな音色を使った遊びだと表現している。\u003cbr\u003e\u003cbr\u003eLisaの作曲には、ネットワークと絡み合いのアイデアが深く感じられ、モチーフが重なり合うことで、多くの手が戯れに、優しく、そっと連なるイメージを喚起させる。彼女のコンポジションが屈折や反響を掘り下げていく様子は、トンネルや、トンネルが様々な可能性に分裂していく様を思い起こさせる。坑道の地下の空気に香る石灰質、土、苔の空気を連想させる操作されたテクスチャー。注意深く、執着に近い注意を促す触覚的なディテール。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの仕事は、潜在的な生態系を想像することでもある。Lisaはこのプロジェクトの間、夢の中で地下のネットワークを想像し直し、口承伝承や、水が空から大地へ、地面を通って、これらすべての球体をつなぐ動きについて考えてきたと教えてくれた。ハイパーリアル・ビデオアーティストのトリスタン・ジャレとのコラボレーションで実現した\u003cmeta charset=\"utf-8\"\u003eLisaの夢の風景は、滝、水漏れ、花の落書き、想像上の光源に照らされた隠されたメッセージと、既存の地中ネットワークとを融合させている。彼女が作り上げたこの世界には、忍耐と注意によって都市がどのように姿を現すのか、都市とその秘密がどのように夢の中に入り込んでくるのか、といった不思議な感覚がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=98784845\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1974012903\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991723612\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDescription by Panda Wong\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Halos of Perception’ releases on November 3, 2023 with a hyperreal film in collaboration with Chinese-Malaysian Australian video artist Tristan Jalleh. Drawing from Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema. The artist's sophomore LP on Shelter Press spotlights underground networks opening questions of reality, virtuality and perception through oral traditions, experimental AV composition and diary-like vignettes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Halos of perception ripple in a black temporary lake.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSenses are alight in total darkness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnder torchlight I see a white spider build a web in wet glitter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTraffic becomes a tactile instrument ringing through\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e300km of tunnels to where I am.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen we speak it reverberates for 32 seconds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou tell me stories from 1991.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery moment is extended when under the damp earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEven the walls have a voice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn amulet of sweat forms on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e my neck.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor piano, cello and tape loops:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a play with classical dynamics, acoustic mirrors and transportive timbres.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIdeas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP148\u003c\/p\u003e","published_at":"2023-11-14T16:52:35+09:00","created_at":"2023-11-14T16:52:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":457600,"price_min":457600,"price_max":457600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44769328070906,"title":"Default Title","option1":"Default 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Title"],"price":457600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677","\/\/tobirarecords.com\/cdn\/shop\/files\/0033644056_10.jpg?v=1699948679"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677","options":["Title"],"media":[{"alt":null,"id":32688498901242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677","width":700},{"alt":null,"id":32688499491066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033644056_10.jpg?v=1699948679"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033644056_10.jpg?v=1699948679","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノや地下トンネルのフィールドレコーディングによる実験ネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Halos of Perception』は、中国マレーシア系オーストラリア人ビデオアーティスト、\u003cmeta charset=\"utf-8\"\u003eTristan Jallehとのコラボレーションによるハイパーリアルフィルムとともに、2023年11月3日にリリースされる。Lerkenfeldtのフィールドワークと電子音響の実践から導き出されたピアノ、チェロ、テープループのアレンジが、内省的なミュージックコンクレート、インストゥルメンタルコンポジション、シュールな映画のパッチワークの中で、失われた部屋と地下の歴史を照らし出す。Shelter Pressからリリースされた2枚目のLPは、口承伝承、実験的なAVコンポジション、日記のようなヴィネットを通して、現実、ヴァーチャリティ、知覚への疑問を投げかけるアンダーグラウンド・ネットワークにスポットを当てている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e知覚の光輪が黒い仮の湖に波紋を描く。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e真っ暗闇の中、五感が冴え渡る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e懐中電灯の明かりの下で、私は白い蜘蛛が濡れた煌めきの中に巣を作るのを見る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e交通は触覚の楽器となり\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私がいる場所まで300キロのトンネル。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私たちが話すと、それは32秒間反響する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eあなたは1991年の話をしてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e湿った土の下では、すべての瞬間が延長される。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e壁さえも声を持つ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私の首には汗のお守りがある」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピアノ、チェロとテープループのための：\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLisaが私にこの作品を紹介してくれたように、経験を共有することでこの作品『HALOS OF PERPECTION』を紹介したい。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eLisaと私は、この作品について話すためにサウス・ヤラ駅の近くを散歩した。レジャーウェアの世界、無限の代替ミルク、鳴り響くネオンから、音と生命に溢れた水辺の緑地へとほとんどシームレスに移動し、バーンリーのボルダリングウォールを登る数人の人々や、熱風に吊るされた蝶、名前を知りたかったたくさんの植物を見た。頭上では、隠された生態系、想像の空間、ケアのネットワークについて語り合う間、車が絶え間なく動物のように鳴り響いた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e洞窟探検のオリジナルメンバーとの偶然の出会いから始まったこの作品は、私たちの知覚の外に存在する世界を探求している。川のそばで、\u003cmeta charset=\"utf-8\"\u003eLisaがオフィスワークスでプリントアウトしたトンネルの写真のセレクションに目を通すと、異質な質感、奈落の底へと続くトンネル、地下を流れる小川が見えてくる。光はまばらで繊細で、\u003cmeta charset=\"utf-8\"\u003eLisaのピアノ曲の揺らぎやゆらめきに反映されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歩きながら、私たちはインフラがしばしば人を締め出すように設計されていることに気づいた。フェンスに切り取られたドアや、切り取られたワイヤーは、それに対する積極的かつ継続的な反抗を示している。私たちは、彼女の洞窟の一族の友人が、かつてこの絵の描かれた部屋に降りて、ロウソクを明かりにして孤独に読書をしていたという話をした。中空のセメントトンネルに包まれた地下には音が存在する。人々が地下でどのようにショーを開いていたのか、安全のためにどのようなルールがあったのか（雨の後は探検しない、一人で行動しない）。このような温かさと他の人の経験の吸収は、\u003cmeta charset=\"utf-8\"\u003eLisaの作品にも存在する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは散歩の途中でベリーを食べながら、『The Caretaker』がどのように録音された音で一過性の世界を創り出すのか、この技術がどのように記憶を捉えるのか、そしてポーリン・オリヴェロスのディープリスニングバンドの探索的探求について話した。これらの記憶とディープリスニングの引用は、リサが自身の世界構築においてアナログ楽器やクラシック楽器、再生アーチファクト、アコースティックフィードバックを使用することに影響を与えている。『Halos of Perception（知覚の光輪）』について語るとき、彼女はこの作品を、クラシカルなダイナミクス、アコースティックミラー、トランスペアレントな音色を使った遊びだと表現している。\u003cbr\u003e\u003cbr\u003eLisaの作曲には、ネットワークと絡み合いのアイデアが深く感じられ、モチーフが重なり合うことで、多くの手が戯れに、優しく、そっと連なるイメージを喚起させる。彼女のコンポジションが屈折や反響を掘り下げていく様子は、トンネルや、トンネルが様々な可能性に分裂していく様を思い起こさせる。坑道の地下の空気に香る石灰質、土、苔の空気を連想させる操作されたテクスチャー。注意深く、執着に近い注意を促す触覚的なディテール。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの仕事は、潜在的な生態系を想像することでもある。Lisaはこのプロジェクトの間、夢の中で地下のネットワークを想像し直し、口承伝承や、水が空から大地へ、地面を通って、これらすべての球体をつなぐ動きについて考えてきたと教えてくれた。ハイパーリアル・ビデオアーティストのトリスタン・ジャレとのコラボレーションで実現した\u003cmeta charset=\"utf-8\"\u003eLisaの夢の風景は、滝、水漏れ、花の落書き、想像上の光源に照らされた隠されたメッセージと、既存の地中ネットワークとを融合させている。彼女が作り上げたこの世界には、忍耐と注意によって都市がどのように姿を現すのか、都市とその秘密がどのように夢の中に入り込んでくるのか、といった不思議な感覚がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=98784845\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1974012903\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991723612\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDescription by Panda Wong\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Halos of Perception’ releases on November 3, 2023 with a hyperreal film in collaboration with Chinese-Malaysian Australian video artist Tristan Jalleh. Drawing from Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema. The artist's sophomore LP on Shelter Press spotlights underground networks opening questions of reality, virtuality and perception through oral traditions, experimental AV composition and diary-like vignettes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Halos of perception ripple in a black temporary lake.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSenses are alight in total darkness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnder torchlight I see a white spider build a web in wet glitter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTraffic becomes a tactile instrument ringing through\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e300km of tunnels to where I am.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen we speak it reverberates for 32 seconds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou tell me stories from 1991.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery moment is extended when under the damp earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEven the walls have a voice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn amulet of sweat forms on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e my neck.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor piano, cello and tape loops:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a play with classical dynamics, acoustic mirrors and transportive timbres.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIdeas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP148\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 ピアノや地下トンネルのフィールドレコーディングによる実験ネオクラシカル・アンビエント6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 『Halos of Perception』は、中国マレーシア系オーストラリア人ビデオアーティスト、Tristan Jallehとのコラボレーションによるハイパーリアルフィルムとともに、2023年11月3日にリリースされる。Lerkenfeldtのフィールドワークと電子音響の実践から導き出されたピアノ、チェロ、テープループのアレンジが、内省的なミュージックコンクレート、インストゥルメンタルコンポジション、シュールな映画のパッチワークの中で、失われた部屋と地下の歴史を照らし出す。Shelter Pressからリリースされた2枚目のLPは、口承伝承、実験的なAVコンポジション、日記のようなヴィネットを通して、現実、ヴァーチャリティ、知覚への疑問を投げかけるアンダーグラウンド・ネットワークにスポットを当てている。知覚の光輪が黒い仮の湖に波紋を描く。真っ暗闇の中、五感が冴え渡る。懐中電灯の明かりの下で、私は白い蜘蛛が濡れた煌めきの中に巣を作るのを見る。交通は触覚の楽器となり私がいる場所まで300キロのトンネル。私たちが話すと、それは32秒間反響する。あなたは1991年の話をしてくれる。湿った土の下では、すべての瞬間が延長される。壁さえも声を持つ。私の首には汗のお守りがある」。ピアノ、チェロとテープループのための：Lisaが私にこの作品を紹介してくれたように、経験を共有することでこの作品『HALOS OF PERPECTION』を紹介したい。Lisaと私は、この作品について話すためにサウス・ヤラ駅の近くを散歩した。レジャーウェアの世界、無限の代替ミルク、鳴り響くネオンから、音と生命に溢れた水辺の緑地へとほとんどシームレスに移動し、バーンリーのボルダリングウォールを登る数人の人々や、熱風に吊るされた蝶、名前を知りたかったたくさんの植物を見た。頭上では、隠された生態系、想像の空間、ケアのネットワークについて語り合う間、車が絶え間なく動物のように鳴り響いた。 洞窟探検のオリジナルメンバーとの偶然の出会いから始まったこの作品は、私たちの知覚の外に存在する世界を探求している。川のそばで、Lisaがオフィスワークスでプリントアウトしたトンネルの写真のセレクションに目を通すと、異質な質感、奈落の底へと続くトンネル、地下を流れる小川が見えてくる。光はまばらで繊細で、Lisaのピアノ曲の揺らぎやゆらめきに反映されている。歩きながら、私たちはインフラがしばしば人を締め出すように設計されていることに気づいた。フェンスに切り取られたドアや、切り取られたワイヤーは、それに対する積極的かつ継続的な反抗を示している。私たちは、彼女の洞窟の一族の友人が、かつてこの絵の描かれた部屋に降りて、ロウソクを明かりにして孤独に読書をしていたという話をした。中空のセメントトンネルに包まれた地下には音が存在する。人々が地下でどのようにショーを開いていたのか、安全のためにどのようなルールがあったのか（雨の後は探検しない、一人で行動しない）。このような温かさと他の人の経験の吸収は、Lisaの作品にも存在する。...
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{"id":8024050139386,"title":"Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim \/\/ Placelessness LP","handle":"chris-abrahams-oren-ambarchi-robbie-avenaim-placelessness-lp","description":"\u003cp\u003eChris AbrahamsとOren Ambarchi、Robbie Avenaim実験音楽家3名が、2023年9月にフランス・パリの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームでミニマルな即興アンビエント2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3876927962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlacelessness I 18:28\u003c\/li\u003e\n\u003cli\u003ePlacelessness II 20:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing nearly 20 years of working together as a trio, and numerous cross-collaborations in different configuration between them, Ideologic Organ presents Placelessness, the debut full-length by Chris Abrahams, Oren Ambarchi, and Robbie Avenaim, comprising two long-form works at juncture of ambient music, minimalism, rigorous experimentalism and improvisation, and machine music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving carved distinct pathways across a diverse number of musical idioms for decades, Chris Abrahams, Oren Ambarchi, and Robbie Avenaim are each, respectively, among the most noteworthy and groundbreaking figures to have emerged from Australia’s thriving experimental music scene. Ambarchi and Avenaim first encountered Abrahams when seeing the Necks - the project that has served as the primary vehicle for his singular approach to the piano since its founding in 1987 - together during the late 1980s, not long after having met in Sydney’s underground music community. The pair’s collaborations date back more than 35 years, criss-crossing Ambarchi’s pioneering solo and ensemble work for guitar and Avenaim’s visionary efforts for SARPS (Semi Automated Robotic Percussion System), robotic and kinetic extensions to his drum kit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2004, fate brought the three together in a trio\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performance at the What Is Music? Festival, the annual touring showcase of experimental music founded and run by Ambarchi and Avenaim between 1994-2012. For the nearly two decades since, Abrahams, Ambarchi, and Avenaim have intermittently reformed in exclusively live contexts, in Australia and abroad, cultivating and refining the fertile ground first tilled in that early meeting. Placelessness is the first album to present this remarkable trio’s efforts in recorded form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlacelessness is the joining of three highly individualised streams, working in perfect harmony; the point at which friendship, mutual respect, and decades of creative exploration produce a singular spectrum of sound. Featuring Abrahams on piano, Ambarchi on guitar, and Avenaim on drums, the album’s two sides draw on each artist’s enduring dedication to long-form composition. Its two pieces, Placelessness I and Placelessness II, initially began as a single, 40 minute work, before being divided and reworked into distinct, complimentary gestures for the corresponding sides of the LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeginning with restrained clusters of reverberant piano tones, Placelessness I progresses at an almost glacial pace, with Abrahams’ interventions increasing met by sparse responses, darting within vast ambiences, on guitar and percussion by Ambarchi and Avenaim. Remarkably conversational within its convergences of tonal, rhythmic, and textural abstraction, over the work’s duration a progressive sense of tension unfurls and contracts, refusing release, as each of the ensemble’s members contribute to an increasingly tangled sense of density at its resolve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile an entirely autonomous work, Placelessness II rapidly realises a distillation of the energy hinted at across the length of its predecessor. Following a luring passage of harmonious calm, Abrahams’ launches into shimmering lines of repeating arpeggios, complimented at each escalation of tempo by Avenaim’s machine gun fire percussion work and Ambarchi’s masterful delivery of tonality and texture, as the trio collectively generate dense sheets of pointillistic ambience within which individual identity is almost lost, before slowly unspooling into unexpected abstractions and dissonances that deftly intervene with the work’s inner logic and calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat could easily be termed a maximalist take on Minimalism, Placelessness is a masterstroke of contemporary, real time composition, that blurs the boundaries between ambient music, experimentalism, free improvisation, and machine music. Drawing on Chris Abrahams, Oren Ambarchi, and Robbie Avenaim’s decades of respective solo and collaborative practice, and the culmination of nearly twenty years of working together as a trio, it’s two durational pieces - Placelessness I and Placelessness II - take form with a startling sense of effortlessness and grace, neither shying away from explicit beauty or rigorously tension within their forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2023-09-24T14:23:44+09:00","created_at":"2023-09-24T12:41:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","shelter press"],"price":369800,"price_min":369800,"price_max":369800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44584773648634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim \/\/ Placelessness LP","public_title":null,"options":["Default Title"],"price":369800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881","options":["Title"],"media":[{"alt":null,"id":32490721706234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eChris AbrahamsとOren Ambarchi、Robbie Avenaim実験音楽家3名が、2023年9月にフランス・パリの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームでミニマルな即興アンビエント2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3876927962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlacelessness I 18:28\u003c\/li\u003e\n\u003cli\u003ePlacelessness II 20:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing nearly 20 years of working together as a trio, and numerous cross-collaborations in different configuration between them, Ideologic Organ presents Placelessness, the debut full-length by Chris Abrahams, Oren Ambarchi, and Robbie Avenaim, comprising two long-form works at juncture of ambient music, minimalism, rigorous experimentalism and improvisation, and machine music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving carved distinct pathways across a diverse number of musical idioms for decades, Chris Abrahams, Oren Ambarchi, and Robbie Avenaim are each, respectively, among the most noteworthy and groundbreaking figures to have emerged from Australia’s thriving experimental music scene. Ambarchi and Avenaim first encountered Abrahams when seeing the Necks - the project that has served as the primary vehicle for his singular approach to the piano since its founding in 1987 - together during the late 1980s, not long after having met in Sydney’s underground music community. The pair’s collaborations date back more than 35 years, criss-crossing Ambarchi’s pioneering solo and ensemble work for guitar and Avenaim’s visionary efforts for SARPS (Semi Automated Robotic Percussion System), robotic and kinetic extensions to his drum kit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2004, fate brought the three together in a trio\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performance at the What Is Music? Festival, the annual touring showcase of experimental music founded and run by Ambarchi and Avenaim between 1994-2012. For the nearly two decades since, Abrahams, Ambarchi, and Avenaim have intermittently reformed in exclusively live contexts, in Australia and abroad, cultivating and refining the fertile ground first tilled in that early meeting. Placelessness is the first album to present this remarkable trio’s efforts in recorded form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlacelessness is the joining of three highly individualised streams, working in perfect harmony; the point at which friendship, mutual respect, and decades of creative exploration produce a singular spectrum of sound. Featuring Abrahams on piano, Ambarchi on guitar, and Avenaim on drums, the album’s two sides draw on each artist’s enduring dedication to long-form composition. Its two pieces, Placelessness I and Placelessness II, initially began as a single, 40 minute work, before being divided and reworked into distinct, complimentary gestures for the corresponding sides of the LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeginning with restrained clusters of reverberant piano tones, Placelessness I progresses at an almost glacial pace, with Abrahams’ interventions increasing met by sparse responses, darting within vast ambiences, on guitar and percussion by Ambarchi and Avenaim. Remarkably conversational within its convergences of tonal, rhythmic, and textural abstraction, over the work’s duration a progressive sense of tension unfurls and contracts, refusing release, as each of the ensemble’s members contribute to an increasingly tangled sense of density at its resolve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile an entirely autonomous work, Placelessness II rapidly realises a distillation of the energy hinted at across the length of its predecessor. Following a luring passage of harmonious calm, Abrahams’ launches into shimmering lines of repeating arpeggios, complimented at each escalation of tempo by Avenaim’s machine gun fire percussion work and Ambarchi’s masterful delivery of tonality and texture, as the trio collectively generate dense sheets of pointillistic ambience within which individual identity is almost lost, before slowly unspooling into unexpected abstractions and dissonances that deftly intervene with the work’s inner logic and calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat could easily be termed a maximalist take on Minimalism, Placelessness is a masterstroke of contemporary, real time composition, that blurs the boundaries between ambient music, experimentalism, free improvisation, and machine music. Drawing on Chris Abrahams, Oren Ambarchi, and Robbie Avenaim’s decades of respective solo and collaborative practice, and the culmination of nearly twenty years of working together as a trio, it’s two durational pieces - Placelessness I and Placelessness II - take form with a startling sense of effortlessness and grace, neither shying away from explicit beauty or rigorously tension within their forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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Chris AbrahamsとOren Ambarchi、Robbie Avenaim実験音楽家3名が、2023年9月にフランス・パリの実験レーベルIdeologic Organからリリースした共作レコードです。 ロングフォームでミニマルな即興アンビエント2曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
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{"id":8022196519162,"title":"Stephen O’Malley \u0026 Anthony Pateras \/\/ Sept duos pour guitare acoustique \u0026 piano préparé 2x12\"","handle":"stephen-o-malley-anthony-pateras-sept-duos-pour-guitare-acoustique-piano-prepare-2xlp","description":"\u003cp\u003eアメリカのギタリストStephen O’MalleyとオーストラリアのピアニストAnthony Paterasが、2023年9月にフランスの実験レーベルShelter Pressからリリースした共作2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e アコースティックギターとピアノによるインプロ〜コンテンポラリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3125129529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003edéjà revé 10:00\u003c\/li\u003e\n\u003cli\u003edéjà vécu 09:42\u003c\/li\u003e\n\u003cli\u003edéjà voulu 08:18\u003c\/li\u003e\n\u003cli\u003edéjà senti 06:40\u003c\/li\u003e\n\u003cli\u003edéjà su 04:44\u003c\/li\u003e\n\u003cli\u003edéjà trouvé 10:14\u003c\/li\u003e\n\u003cli\u003edéjà raconté 11:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments are notable: this is O’Malley’s most extensive recording on steel string acoustic guitar (playing an instrument whose previous owners include Marissa Nadler and Glenn Jones) and Pateras return to the prepared piano, which he has rarely employed in recent years, after spending much of the first decade of the 21st century exploring its possibilities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during O’Malley’s residency at La Becque on Lake Geneva in the summer of 2021, from the first moments of the opening ‘déjà revé’ the music immediately establishes the distinctive landscape of chiming tones and hovering clouds of resonance explored throughout its one-hour running time. Pateras’ preparations create tolling bell-like tones alive with complex overtones, alongside which O’Malley’s open strings and natural harmonics add a sparkling clarity\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. While Pateras’ music often uses a densely chromatic harmonic language, these duos are remarkable for their modal simplicity. However, the interaction between the pure intervals of O’Malley’s just-intoned strings and the unstable harmonies created by the piano preparations suspends the music in an oneiric state of hazy ambiguity. Without obvious reference to tempo or meter, the music floats in what the composer Ernstalbrecht Stiebler has called a ‘bottomless sound space’, the temporal placement of events determined by bodily rhythms and the performers’ own listening to (and enjoyment of) the sounds being made.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHeard one way, this music can seem striking in its consistency, almost environmental. Attending more carefully, the listener hears the pitch sets and tunings changing throughout the album’s length. Each piece has its own character, subtly distinguished from the others through mood, pacing, and timbre. On ‘déjà voulu’, for instance, O’Malley makes prominent use of slide, the woozy, bending pitches weaving through a series of lush arpeggiated chords from the piano. ‘Déjà senti’, on the other hand, is particularly spare, the gestures spaced out to the extent that they often float in isolation against the background of fading resonance. Much of ‘déjà su’ is built around a slowly pulsing single prepared piano tone, creating an almost ominous tension, whereas the sparkling guitar harmonics and arpeggios of the closing ‘déjà raconté’ have a gently triumphal air. While the music’s calm, rippling surface is immediately entrancing, these seven duos – in the tradition of the best improvised music – also reward close listening, which reveals sonic details and focuses the listener’s attention on how the music unfolds spontaneously from decision to decision, from gesture to gesture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded during a period when O’Malley and Pateras were grieving the loss of recently departed friends and collaborators, these seven duos possess a reflective, at times almost mournful quality. More importantly, though, they are imbued with other qualities that can arise from personal loss: a clarity that allows one to clear away the inessential, to begin again, to renew one’s faith in friendship and music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O’Malley \u0026amp; Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-09-22T11:49:40+09:00","created_at":"2023-09-21T11:51:19+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new","shelter press"],"price":499800,"price_min":499800,"price_max":499800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44579369419002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen O’Malley \u0026 Anthony Pateras \/\/ Sept duos pour guitare acoustique \u0026 piano préparé 2x12\"","public_title":null,"options":["Default Title"],"price":499800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681","\/\/tobirarecords.com\/cdn\/shop\/files\/duo2.jpg?v=1695264681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681","options":["Title"],"media":[{"alt":null,"id":32476235858170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681","width":700},{"alt":null,"id":32476235890938,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2.jpg?v=1695264681"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2.jpg?v=1695264681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストStephen O’MalleyとオーストラリアのピアニストAnthony Paterasが、2023年9月にフランスの実験レーベルShelter Pressからリリースした共作2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e アコースティックギターとピアノによるインプロ〜コンテンポラリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3125129529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003edéjà revé 10:00\u003c\/li\u003e\n\u003cli\u003edéjà vécu 09:42\u003c\/li\u003e\n\u003cli\u003edéjà voulu 08:18\u003c\/li\u003e\n\u003cli\u003edéjà senti 06:40\u003c\/li\u003e\n\u003cli\u003edéjà su 04:44\u003c\/li\u003e\n\u003cli\u003edéjà trouvé 10:14\u003c\/li\u003e\n\u003cli\u003edéjà raconté 11:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments are notable: this is O’Malley’s most extensive recording on steel string acoustic guitar (playing an instrument whose previous owners include Marissa Nadler and Glenn Jones) and Pateras return to the prepared piano, which he has rarely employed in recent years, after spending much of the first decade of the 21st century exploring its possibilities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during O’Malley’s residency at La Becque on Lake Geneva in the summer of 2021, from the first moments of the opening ‘déjà revé’ the music immediately establishes the distinctive landscape of chiming tones and hovering clouds of resonance explored throughout its one-hour running time. Pateras’ preparations create tolling bell-like tones alive with complex overtones, alongside which O’Malley’s open strings and natural harmonics add a sparkling clarity\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. While Pateras’ music often uses a densely chromatic harmonic language, these duos are remarkable for their modal simplicity. However, the interaction between the pure intervals of O’Malley’s just-intoned strings and the unstable harmonies created by the piano preparations suspends the music in an oneiric state of hazy ambiguity. Without obvious reference to tempo or meter, the music floats in what the composer Ernstalbrecht Stiebler has called a ‘bottomless sound space’, the temporal placement of events determined by bodily rhythms and the performers’ own listening to (and enjoyment of) the sounds being made.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHeard one way, this music can seem striking in its consistency, almost environmental. Attending more carefully, the listener hears the pitch sets and tunings changing throughout the album’s length. Each piece has its own character, subtly distinguished from the others through mood, pacing, and timbre. On ‘déjà voulu’, for instance, O’Malley makes prominent use of slide, the woozy, bending pitches weaving through a series of lush arpeggiated chords from the piano. ‘Déjà senti’, on the other hand, is particularly spare, the gestures spaced out to the extent that they often float in isolation against the background of fading resonance. Much of ‘déjà su’ is built around a slowly pulsing single prepared piano tone, creating an almost ominous tension, whereas the sparkling guitar harmonics and arpeggios of the closing ‘déjà raconté’ have a gently triumphal air. While the music’s calm, rippling surface is immediately entrancing, these seven duos – in the tradition of the best improvised music – also reward close listening, which reveals sonic details and focuses the listener’s attention on how the music unfolds spontaneously from decision to decision, from gesture to gesture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded during a period when O’Malley and Pateras were grieving the loss of recently departed friends and collaborators, these seven duos possess a reflective, at times almost mournful quality. More importantly, though, they are imbued with other qualities that can arise from personal loss: a clarity that allows one to clear away the inessential, to begin again, to renew one’s faith in friendship and music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O’Malley \u0026amp; Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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アメリカのギタリストStephen O’MalleyとオーストラリアのピアニストAnthony Paterasが、2023年9月にフランスの実験レーベルShelter Pressからリリースした共作2枚組レコードです。 アコースティックギターとピアノによるインプロ〜コンテンポラリー7曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
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{"id":7984170795258,"title":"perila \/\/ On The Corner Of The Day TAPE","handle":"perila-on-the-corner-of-the-day-tape","description":"\u003cp\u003e過去にMotion Wardや Lillerne Tapesなどから発表しているロシアのアンビエント作家perilaが、2023年5月にフランスの実験レーベルShelter Pressから300本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティックアプローチの実験アンビエント8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3670538075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eAmassing a dozen or so releases over the last 4 years for Sferic, Smalltown Supersound, The Trilogy Tapes, Motion Ward, Paralaxe Editions and our own Documenting Sound, Perila’s prolific output has been fuelled by a restless development of ideas and techniques that now finally brings her to the esteemed Shelter Press label, for which she assembles an engrossing suite of quietly experimental wonders.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during a residency at ‘Maison Salvan’ in a little town outside Toulouse, ‘On The Corner Of The Day’ vividly conjures that elusive feeling of getting away from the daily routine, of life in suspension. Moving further away from explicitly electronic dimensions, the opening winds a gong soundbath around Perila’s vocal narration, applied at a distance, designed to soothe. Through eight parts, she proceeds to bloom from metallic sound poems to laminal concrète with a quiet and deliciously heatsick logic that turns the slow-baked atmosphere of her environment into iridescent postcard snapshots that appear to shimmer and sway like dappled shadows.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s her most amorphous and precise yet freely sketched work to date, suspending disbelief thru a skin-touch sensitivity and near-olfactory level of synaesthesia. The frothed choral baubles of ‘Dropping Closely at First Light’, and sublime traces of early ‘80s new age private pressings in ‘Elastic Stitches Gracefully in Making’, only make the voluminous mixing of ‘Window Frame Lisergic’ trippier in relief. ‘Scivia’ follows with a strange presence that pairs sinuous bass muscularity with barely there, OOBE-like impressionism, and ‘Decision to Out and Onwards’ feels as though we’re carried thru the window by the breeze to the aerial shoegaze shimmers of ‘Estimated to Savage’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe whole thing runs like a dream, one with inexplicable healing properties.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : perila\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-06-13T15:53:07+09:00","created_at":"2023-06-13T13:47:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","monooto","shelter press","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277877080314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"perila \/\/ On The Corner Of The Day TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_52abc35d-3d71-45f3-a30a-1bad442806dc.jpg?v=1686631679"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679","options":["Title"],"media":[{"alt":null,"id":32108788318458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679","width":700},{"alt":null,"id":32108788351226,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_52abc35d-3d71-45f3-a30a-1bad442806dc.jpg?v=1686631679"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_52abc35d-3d71-45f3-a30a-1bad442806dc.jpg?v=1686631679","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にMotion Wardや Lillerne Tapesなどから発表しているロシアのアンビエント作家perilaが、2023年5月にフランスの実験レーベルShelter Pressから300本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティックアプローチの実験アンビエント8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3670538075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eAmassing a dozen or so releases over the last 4 years for Sferic, Smalltown Supersound, The Trilogy Tapes, Motion Ward, Paralaxe Editions and our own Documenting Sound, Perila’s prolific output has been fuelled by a restless development of ideas and techniques that now finally brings her to the esteemed Shelter Press label, for which she assembles an engrossing suite of quietly experimental wonders.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during a residency at ‘Maison Salvan’ in a little town outside Toulouse, ‘On The Corner Of The Day’ vividly conjures that elusive feeling of getting away from the daily routine, of life in suspension. Moving further away from explicitly electronic dimensions, the opening winds a gong soundbath around Perila’s vocal narration, applied at a distance, designed to soothe. Through eight parts, she proceeds to bloom from metallic sound poems to laminal concrète with a quiet and deliciously heatsick logic that turns the slow-baked atmosphere of her environment into iridescent postcard snapshots that appear to shimmer and sway like dappled shadows.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s her most amorphous and precise yet freely sketched work to date, suspending disbelief thru a skin-touch sensitivity and near-olfactory level of synaesthesia. The frothed choral baubles of ‘Dropping Closely at First Light’, and sublime traces of early ‘80s new age private pressings in ‘Elastic Stitches Gracefully in Making’, only make the voluminous mixing of ‘Window Frame Lisergic’ trippier in relief. ‘Scivia’ follows with a strange presence that pairs sinuous bass muscularity with barely there, OOBE-like impressionism, and ‘Decision to Out and Onwards’ feels as though we’re carried thru the window by the breeze to the aerial shoegaze shimmers of ‘Estimated to Savage’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe whole thing runs like a dream, one with inexplicable healing properties.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : perila\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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過去にMotion Wardや Lillerne Tapesなどから発表しているロシアのアンビエント作家perilaが、2023年5月にフランスの実験レーベルShelter Pressから300本限定でリリースしたカセットです。 エレクトロアコースティックアプローチの実験アンビエント8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7961535938810,"title":"Eve Aboulkheir \/ Lasse Marhaug \/\/ 22\/12\/2017 Guilin Synthetic Daydream \/ How to Avoid Ants LP","handle":"eve-aboulkheir-lasse-marhaug-22-12-2017-guilin-synthetic-daydream-how-to-avoid-ants-lp","description":"\u003cp\u003eフランスのEve AboulkheirとノルウェーのLasse Marhaug実験音楽家2名\u003cspan data-mce-fragment=\"1\"\u003eが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3084867396\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003cbr\u003eMastered by Giuseppe Ielasi\u003cbr\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003cbr\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us, caught and fascinated by these volutes of sound that fracture like a kaleidoscope in which our eyes-ears are immersed. 22\/12\/2017 Guilin Synthetic Daydream approaches the musical form in the most direct way possible, i.e. through its effects and its empire on our sensorium.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream est un piège à perception.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHOW TO AVOID ANTS\u003cbr data-mce-fragment=\"1\"\u003eUsing concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eve Aboulkheir \/ Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2023-04-20T15:25:11+09:00","created_at":"2023-04-20T15:25:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181358706938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eve Aboulkheir \/ Lasse Marhaug \/\/ 22\/12\/2017 Guilin Synthetic Daydream \/ How to Avoid Ants LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245","options":["Title"],"media":[{"alt":null,"id":31856350593274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのEve AboulkheirとノルウェーのLasse Marhaug実験音楽家2名\u003cspan data-mce-fragment=\"1\"\u003eが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3084867396\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003cbr\u003eMastered by Giuseppe Ielasi\u003cbr\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003cbr\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us, caught and fascinated by these volutes of sound that fracture like a kaleidoscope in which our eyes-ears are immersed. 22\/12\/2017 Guilin Synthetic Daydream approaches the musical form in the most direct way possible, i.e. through its effects and its empire on our sensorium.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream est un piège à perception.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHOW TO AVOID ANTS\u003cbr data-mce-fragment=\"1\"\u003eUsing concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eve Aboulkheir \/ Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
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フランスのEve AboulkheirとノルウェーのLasse Marhaug実験音楽家2名が、2023年4月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 コラージュ・ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection...
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{"id":7961535348986,"title":"Dafne Vicente-Sandoval \/ Lars Petter Hagen \/\/ Minos Circuit \/ Transfiguration 4 LP","handle":"dafne-vicente-sandoval-lars-petter-hagen-minos-circuit-transfiguration-4-lp","description":"\u003cp\u003eフランスのファゴット奏者Dafne Vicente-Sandovalと、ノルウェーの作曲家／\u003cspan data-mce-fragment=\"1\"\u003eオスロフィルハーモニー管弦楽団顧問\u003cmeta charset=\"utf-8\"\u003eLars Petter Hagenが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はフィードバックによるミニマル・ドローン〜B面は弦楽器によるネオクラシカル・ドローン\u003cspan data-mce-fragment=\"1\"\u003e2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1706851675\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic performed and created by Dafne Vicente-Sandoval (feedback, voice)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in Jan. 2021 at GRM studios by Emmanuel Richier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Giuseppe Ielasi and Dafne Vicente-Sandoval\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMINOS CIRCUIT\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinos Circuit is the resonance of a double exploration, that of an instrument, the bassoon - an instrument dear to Dafne Vicente-Sandoval - and that of a listening, of a gaze, almost. The first exploration deconstructs the instrument, tearing it apart, reducing it to an archipelago of sound bodies stimulated by an electro-acoustic device that generates feedback and infiltrates each part of the bassoon, in order to carry out a methodical, systematic examination. The second exploration is the inner one of attention and listening, the one that measures, at each moment, the necessity or not of an intervention in the very act of the musical work, of this subtle balance that is established between composition and observation, between action and contemplation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTRANSFIGURATION 4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoth a “meditation on musical ruins” and “a study of the material of Richard Strauss’s Metamorfosen”, Transfiguration 4 works on the musical fragment as an expressive and poetic possibility that can be deployed below or beyond simple musical syntax, a syntax that is still too often equated with music itself. What Lars Petter Hagen highlights in this remarkable work is that the power of music lies at its fringes, that is, at the edge of its own disappearance. Transfiguration 4 floats in a particularly moving way in these troubled lands, where nothing is ever resolved, and where everything, however, is suspended, like a stream of blurred memories that memory would summon to form an intuition. A musical intuition.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dafne Vicente-Sandoval \/ Lars Petter Hagen\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2023-04-20T15:12:19+09:00","created_at":"2023-04-20T15:12:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","neo classical","shelter press"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181356347642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dafne Vicente-Sandoval \/ Lars Petter Hagen \/\/ Minos Circuit \/ Transfiguration 4 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278","options":["Title"],"media":[{"alt":null,"id":31856292036858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのファゴット奏者Dafne Vicente-Sandovalと、ノルウェーの作曲家／\u003cspan data-mce-fragment=\"1\"\u003eオスロフィルハーモニー管弦楽団顧問\u003cmeta charset=\"utf-8\"\u003eLars Petter Hagenが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はフィードバックによるミニマル・ドローン〜B面は弦楽器によるネオクラシカル・ドローン\u003cspan data-mce-fragment=\"1\"\u003e2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1706851675\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic performed and created by Dafne Vicente-Sandoval (feedback, voice)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in Jan. 2021 at GRM studios by Emmanuel Richier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Giuseppe Ielasi and Dafne Vicente-Sandoval\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMINOS CIRCUIT\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinos Circuit is the resonance of a double exploration, that of an instrument, the bassoon - an instrument dear to Dafne Vicente-Sandoval - and that of a listening, of a gaze, almost. The first exploration deconstructs the instrument, tearing it apart, reducing it to an archipelago of sound bodies stimulated by an electro-acoustic device that generates feedback and infiltrates each part of the bassoon, in order to carry out a methodical, systematic examination. The second exploration is the inner one of attention and listening, the one that measures, at each moment, the necessity or not of an intervention in the very act of the musical work, of this subtle balance that is established between composition and observation, between action and contemplation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTRANSFIGURATION 4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoth a “meditation on musical ruins” and “a study of the material of Richard Strauss’s Metamorfosen”, Transfiguration 4 works on the musical fragment as an expressive and poetic possibility that can be deployed below or beyond simple musical syntax, a syntax that is still too often equated with music itself. What Lars Petter Hagen highlights in this remarkable work is that the power of music lies at its fringes, that is, at the edge of its own disappearance. Transfiguration 4 floats in a particularly moving way in these troubled lands, where nothing is ever resolved, and where everything, however, is suspended, like a stream of blurred memories that memory would summon to form an intuition. A musical intuition.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dafne Vicente-Sandoval \/ Lars Petter Hagen\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
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フランスのファゴット奏者Dafne Vicente-Sandovalと、ノルウェーの作曲家／オスロフィルハーモニー管弦楽団顧問Lars Petter Hagenが、2023年4月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 A面はフィードバックによるミニマル・ドローン〜B面は弦楽器によるネオクラシカル・ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":7915799019770,"title":"Lionel Marchetti \/\/ La grande vallée \/ Micro-climat LP","handle":"lionel-marchetti-la-grande-vallee-micro-climat-lp","description":"\u003cp\u003eフランス・マルセイユの実験音楽家Lionel Marchettiが1989-1990年に制作した作品の再発レコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したディープリスニング系物音コラージュ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794709396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInclude DL codes.\u003c\/p\u003e\n\u003cp\u003eTrack info text via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eLA GRANDE VALLÉE (1993\/95), 20’41\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, design and sound production carried out at the INA grm Studios (Paris) in 1993\/95\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginal audio recordings in the Drôme and the Mont\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Ventoux areas\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVoice: Hélène Bettencourt\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVocal occurrences: Frédéric Malenfer, Bruno Roche, Lionel Marchetti\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBass clarinet (for processing): Jean Andréo\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA grm and produced in its studios\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered during the Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1996\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e-\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMICRO-CLIMAT (1989\/90), 21’33\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicro-climat is the first movement of the Sirrus cycle (Micro-climat, Passerelle, Sirrus) composed in 1989\/90.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, sound design and production, audio recordings in 1989\/90 at the CFMI studios in Lyon (Lumière University, Lyon 2)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered at Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1991\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Lionel Marchetti, 2011:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eI wonder if my fascination for clouds (without being an obsession) may have risen at the end of the 80s as, whilst composing Micro-climat, I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear field for the mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe sky and its forces: our ally.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA model for a natural music which, although fixed, as in musique concrète (a rule of the genre), moreover on a recording tape, will remain charged with such a poetic quality that (isn't it its role or rather its reality?) it will ensure a perpetual renewal for our senses, so as to reach another idea of the world, far more open and richer than what we could have imagined.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003cbr\u003e\u003cbr\u003eReview by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2020:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLionel Marchetti is a major figure of the “third generation” of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the sonic world, with ears wide open, so as to extract a fertile, rich and multiple substance then shaped and conveyed towards a formal and musical abstraction. Lionel Marchetti has mastered this process, but his real distinctive feature is a truly unique talent for setting climates (as one sets traps) and keeping us on constant alert. The two pieces in this record perfectly illustrate the entrancing dimension of Lionel Marchetti's music, whose charm leads us, through each successive listening, to become voluntary captives so as to better liberate ourselves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-12T17:36:34+09:00","created_at":"2023-02-11T14:33:22+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":375000,"price_min":375000,"price_max":375000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979983978746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lionel Marchetti \/\/ La grande vallée \/ Micro-climat LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605","\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_ec016088-914e-4e1c-9893-8986e6180cf7.jpg?v=1676093604"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605","options":["Title"],"media":[{"alt":null,"id":31510509027578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605","width":700},{"alt":null,"id":31510509060346,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_ec016088-914e-4e1c-9893-8986e6180cf7.jpg?v=1676093604"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_ec016088-914e-4e1c-9893-8986e6180cf7.jpg?v=1676093604","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・マルセイユの実験音楽家Lionel Marchettiが1989-1990年に制作した作品の再発レコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したディープリスニング系物音コラージュ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794709396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInclude DL codes.\u003c\/p\u003e\n\u003cp\u003eTrack info text via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eLA GRANDE VALLÉE (1993\/95), 20’41\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, design and sound production carried out at the INA grm Studios (Paris) in 1993\/95\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginal audio recordings in the Drôme and the Mont\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Ventoux areas\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVoice: Hélène Bettencourt\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVocal occurrences: Frédéric Malenfer, Bruno Roche, Lionel Marchetti\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBass clarinet (for processing): Jean Andréo\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA grm and produced in its studios\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered during the Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1996\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e-\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMICRO-CLIMAT (1989\/90), 21’33\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicro-climat is the first movement of the Sirrus cycle (Micro-climat, Passerelle, Sirrus) composed in 1989\/90.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, sound design and production, audio recordings in 1989\/90 at the CFMI studios in Lyon (Lumière University, Lyon 2)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered at Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1991\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Lionel Marchetti, 2011:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eI wonder if my fascination for clouds (without being an obsession) may have risen at the end of the 80s as, whilst composing Micro-climat, I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear field for the mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe sky and its forces: our ally.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA model for a natural music which, although fixed, as in musique concrète (a rule of the genre), moreover on a recording tape, will remain charged with such a poetic quality that (isn't it its role or rather its reality?) it will ensure a perpetual renewal for our senses, so as to reach another idea of the world, far more open and richer than what we could have imagined.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003cbr\u003e\u003cbr\u003eReview by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2020:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLionel Marchetti is a major figure of the “third generation” of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the sonic world, with ears wide open, so as to extract a fertile, rich and multiple substance then shaped and conveyed towards a formal and musical abstraction. Lionel Marchetti has mastered this process, but his real distinctive feature is a truly unique talent for setting climates (as one sets traps) and keeping us on constant alert. The two pieces in this record perfectly illustrate the entrancing dimension of Lionel Marchetti's music, whose charm leads us, through each successive listening, to become voluntary captives so as to better liberate ourselves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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フランス・マルセイユの実験音楽家Lionel Marchettiが1989-1990年に制作した作品の再発レコードです。 フィールドレコーディングを加工したディープリスニング系物音コラージュ・ドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7915798561018,"title":"Luc Ferrari \/\/ Music Promenade \/ Unheimlich Schön LP","handle":"luc-ferrari-music-promenade-unheimlich-schon-lp","description":"\u003cp\u003e大御所実験音楽家Luc Ferrariの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1964-1970年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2754909540\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Music Promenade (1964–1969), 20’29\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElectroacoustic Music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWorld premiere for the Théâtre de la musique, March 16, 1970\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e« Hétéro-Concert »\u2028»\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePermanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a man is struck by the violence of his surroundings.\u2028 Nature has disappeared in a whirlwind of warfare and industry in the midst of which he encounters a dying folklore and a lost young girl.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe \"Installation\" version is used to sonify a place in which walkers are free to choose their musical itinerary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnheimlich Schön (1971), 15’40\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusique concrète made in 1971 in the studios of the Südwestfunk in Baden-Baden.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVoice: Ilse Mengel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“How does a young woman breathe when thinking about something else ?”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo be listened to at a low volume.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:10:32+09:00","created_at":"2023-02-11T14:26:18+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979979620602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Luc Ferrari \/\/ Music Promenade \/ Unheimlich Schön LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180","\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_11145a88-3698-476e-8188-ed16be9ae01b.jpg?v=1676093180"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180","options":["Title"],"media":[{"alt":null,"id":31510493757690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180","width":700},{"alt":null,"id":31510493790458,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_11145a88-3698-476e-8188-ed16be9ae01b.jpg?v=1676093180"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_11145a88-3698-476e-8188-ed16be9ae01b.jpg?v=1676093180","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所実験音楽家Luc Ferrariの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1964-1970年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2754909540\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Music Promenade (1964–1969), 20’29\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElectroacoustic Music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWorld premiere for the Théâtre de la musique, March 16, 1970\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e« Hétéro-Concert »\u2028»\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePermanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a man is struck by the violence of his surroundings.\u2028 Nature has disappeared in a whirlwind of warfare and industry in the midst of which he encounters a dying folklore and a lost young girl.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe \"Installation\" version is used to sonify a place in which walkers are free to choose their musical itinerary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnheimlich Schön (1971), 15’40\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusique concrète made in 1971 in the studios of the Südwestfunk in Baden-Baden.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVoice: Ilse Mengel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“How does a young woman breathe when thinking about something else ?”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo be listened to at a low volume.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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大御所実験音楽家Luc Ferrariの再発レコードです。 1964-1970年に録音した2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7915798397178,"title":"Régis Renouard Larivière \/\/ Contrée LP","handle":"regis-renouard-lariviere-contree-lp","description":"\u003cp\u003eフランスの実験音楽家Régis Renouard Larivièreが、2019年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4007979921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called \"repetitive\" music. These are types of high-end music. And it is more about insistence, the obstinacy of an individual who keeps knocking on a door that will never open.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAllégeance's rustic drumming, talkative, acidulous, colourful and overarticulated, with almost clownish desinences, eventually dies out in this very respite. The iterative and puffy shimmering of Esquive with its dull, thin and precise sounds, shifts and is engulfed into another sonic world — which appears as a gaping and collapsed response to this prime insistency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is, indeed, a ‘volatile allegiance’ and ‘avoidance’ from the sonic to the musical elements: the musical phenomenon anticipated and pursued as the non-sound of sound — or, in other words, the void of sound. This seems to be the lesson of the concrete attitude in music. Such is the kind of questioning that stirs the composer.\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe returns with another title: Contrée, which, once again, speaks of a counter-event. Here, the movement is broader, more\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e generous, more confident. Time spreads and stretches out. What seems to be a landscape of entanglements, trajectories, influx, masses and points emerges. “Something” rises and presents itself out of the sounds - these escaping beings, these \"relatively short combustion flames \" (Schaeffer).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe piece consists of five consecutive and uninterrupted parts: Entrée and Stance I — Véhémence de l’air and Stance II — Grande Allure. It is the central section of an electroacoustic triptych with Sables (2011) as the first and Nil (2017) as the last.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContrée is dedicated to Philippe Mion, whose friendly ears have been entrusted with my music for so many years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Régis Renouard Larivière\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:20:50+09:00","created_at":"2023-02-11T14:23:44+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979977130234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Régis Renouard Larivière \/\/ Contrée LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026","\/\/tobirarecords.com\/cdn\/shop\/products\/con2_71f9fe3e-a7b9-4a12-aff4-df8dca378970.jpg?v=1676093026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026","options":["Title"],"media":[{"alt":null,"id":31510488449274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026","width":700},{"alt":null,"id":31510488482042,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con2_71f9fe3e-a7b9-4a12-aff4-df8dca378970.jpg?v=1676093026"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con2_71f9fe3e-a7b9-4a12-aff4-df8dca378970.jpg?v=1676093026","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Régis Renouard Larivièreが、2019年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4007979921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called \"repetitive\" music. These are types of high-end music. And it is more about insistence, the obstinacy of an individual who keeps knocking on a door that will never open.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAllégeance's rustic drumming, talkative, acidulous, colourful and overarticulated, with almost clownish desinences, eventually dies out in this very respite. The iterative and puffy shimmering of Esquive with its dull, thin and precise sounds, shifts and is engulfed into another sonic world — which appears as a gaping and collapsed response to this prime insistency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is, indeed, a ‘volatile allegiance’ and ‘avoidance’ from the sonic to the musical elements: the musical phenomenon anticipated and pursued as the non-sound of sound — or, in other words, the void of sound. This seems to be the lesson of the concrete attitude in music. Such is the kind of questioning that stirs the composer.\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe returns with another title: Contrée, which, once again, speaks of a counter-event. Here, the movement is broader, more\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e generous, more confident. Time spreads and stretches out. What seems to be a landscape of entanglements, trajectories, influx, masses and points emerges. “Something” rises and presents itself out of the sounds - these escaping beings, these \"relatively short combustion flames \" (Schaeffer).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe piece consists of five consecutive and uninterrupted parts: Entrée and Stance I — Véhémence de l’air and Stance II — Grande Allure. It is the central section of an electroacoustic triptych with Sables (2011) as the first and Nil (2017) as the last.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContrée is dedicated to Philippe Mion, whose friendly ears have been entrusted with my music for so many years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Régis Renouard Larivière\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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フランスの実験音楽家Régis Renouard Larivièreが、2019年にRecollection GRMからリリースしたレコードです。 エレクトロアコースティック3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7915798298874,"title":"Christian Zanési \/\/ Grand Bruit \/ Stop! l'horizon LP","handle":"christian-zanesi-grand-bruit-stop-lhorizon-lp","description":"\u003cp\u003eフランスの実験音楽家Christian Zanésiの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1983年と1991年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092299351\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Grand Bruit (1991), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe great mobile sound bodies have an ordinary yet amazing ability to place the listener-traveller within, as if he or she was inside a giant double bass, in this case a train stroked by a double bow: the rails and the air.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn 1991, I explored this phenomenon during my daily commute from the studio to my home. I used only a 21 minutes recording and treated it as a single sound object. I then processed and enhanced it as a photographer would have done, immersing it in successive 'baths'. The title I chose for this singular form was Grand Bruit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStop ! l’horizon (1983), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaturday morning, nine o’clock as I reach the studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo one here.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI only turn on the spotlights as the fluorescent tubes are too noisy. I switch the power on, shut the door, unplug the telephone. I then switch the mixing desk on, which sends an electronic impulse into the amps. The four speakers react individually with a very brief and low hiss. A kind of presence.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI haven't listened to anything since the evening before and\u003cspan class=\"bcTruncateMore\"\u003e my ear is refreshed by a night’s sleep.\u003cbr\u003eI feed the original mix into the master recorder and sit down in the centre.\u003cbr\u003eRemote control: PLAY\u003cbr\u003eWith the first sound I close my eyes. The studio instantly vanishes. Another place, a much larger space opens up.\u003cbr\u003eI enter it.\u003cbr\u003eI have the very distinct feeling that music is merely a “great noise”, chiselled inside with a thousand details. It opens up like a living organism to let my hearing wander across it. A magnetic relation quickly occur and all the sounds that constitute this great noise draw me towards the East.\u003cbr\u003eI accept this direction.\u003cbr\u003eLater, much later, I\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Zanési\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:23:08+09:00","created_at":"2023-02-11T14:21:44+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979975360762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christian Zanési \/\/ Grand Bruit \/ Stop! l'horizon LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907","options":["Title"],"media":[{"alt":null,"id":31510483730682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Christian Zanésiの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1983年と1991年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092299351\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Grand Bruit (1991), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe great mobile sound bodies have an ordinary yet amazing ability to place the listener-traveller within, as if he or she was inside a giant double bass, in this case a train stroked by a double bow: the rails and the air.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn 1991, I explored this phenomenon during my daily commute from the studio to my home. I used only a 21 minutes recording and treated it as a single sound object. I then processed and enhanced it as a photographer would have done, immersing it in successive 'baths'. The title I chose for this singular form was Grand Bruit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStop ! l’horizon (1983), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaturday morning, nine o’clock as I reach the studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo one here.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI only turn on the spotlights as the fluorescent tubes are too noisy. I switch the power on, shut the door, unplug the telephone. I then switch the mixing desk on, which sends an electronic impulse into the amps. The four speakers react individually with a very brief and low hiss. A kind of presence.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI haven't listened to anything since the evening before and\u003cspan class=\"bcTruncateMore\"\u003e my ear is refreshed by a night’s sleep.\u003cbr\u003eI feed the original mix into the master recorder and sit down in the centre.\u003cbr\u003eRemote control: PLAY\u003cbr\u003eWith the first sound I close my eyes. The studio instantly vanishes. Another place, a much larger space opens up.\u003cbr\u003eI enter it.\u003cbr\u003eI have the very distinct feeling that music is merely a “great noise”, chiselled inside with a thousand details. It opens up like a living organism to let my hearing wander across it. A magnetic relation quickly occur and all the sounds that constitute this great noise draw me towards the East.\u003cbr\u003eI accept this direction.\u003cbr\u003eLater, much later, I\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Zanési\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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フランスの実験音楽家Christian Zanésiの再発レコードです。 1983年と1991年に録音した2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7888877519098,"title":"Joshua Bonnetta \/\/ Innse Gall LP+BOOKLET","handle":"joshua-bonnetta-innse-gall-lp","description":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2022年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系フィールドレコーディング・コラージュ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60ページのブックレットと\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eErika Balsomによるエッセイ、ポストカード、映像作品「The Two Sights」の視聴コード\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eボネッタは、フィルム、写真、録音を使い、互いに密接に、生成的な対話を行います。写真は音の近さと緊急性を示し、音は動画の必要性を示し、フィルムは眼球を利用して音波の領域を前進させるのです。フィルム、レコード、写真など、彼の作品を構成する各要素は、自律的であると同時に、相互に関連しています。- アーティストとオブジェクトは主観的なレンズとして機能し、人間の経験の本質と、受け継がれた歴史、文化、場所、自己の接点における多様で潜在的な心理的現実を探究します。それは、場所や状況との出会いから生まれる反応的な実践であり、心を驚かせ、伝説や神話へと導くような混沌とした抽象的なものに秩序を与えようとするものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの作品は、コンクレートやジョンケージが追求した「個人の趣味や記憶（心理）から自由な」実験音楽のような抽象的で「純粋な」音色の状態ではなく、サウンド・コラージュの副産物であるが、ルック・フェラーリの「逸話的音楽」という概念に深い共感を示し、素材や録音に含まれる社会性や自伝的文脈、その意味の次元を説明し保持することが可能です。アーティストに関する固定観念を強制するのではなく、リスナーは自分自身の物語を構築するよう促されます。これは、2017年から19年にかけてアウター・ヘブリディーズ諸島のバーラ、ベルネレイ、ノース・ユイスト、ハリス、ルイスで行われたフィールド・レコーディングからボネッタが構成した2つのオーディオ作品、インス・ガル「The Islands of the Strangers」についても同様です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの、場所と人々を調査する主要な手段としての音の魅力を引き出し、Innse Gall 'The Islands of the Strangers' は、ロブスターの巻き網で長時間かけて録音したハイドロフォンや泥炭地から漏れ出すガスの録音、インタビューの断片、海運業の音、歌、アザラシ、ウズラ、シギ、その他自然界の要素をとらえた野外録音など、幅広い音の素材に注目しています。このアルバムの2つの作品、Innse Gall IとInnse Gall IIは、島を構成するこれらの多様な要素が相互に関連する音響生態系を探求する中で、丹念にコラージュ（再構築）され、これらの古今の風景に埋め込まれた皮肉な物語が、その記憶を保持する消えゆくゲールの口頭伝承と照らし合わせられ、物語、環境、それらが互いに及ぼす影響の関係について深く聴覚的に考察する結果となりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInnse Gall「The Islands of the Strangers」は、日常から深い詩、美、意味を引き出し、フィールドレコーディングとサウンドコラージュの条件を一歩一歩見直しています。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021881724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e• includes an essay by Erika Balsom\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Includes a 60-page booklet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Includes a postcard to download the film \"The Two Sights\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoshua Bonnetta - Innse Gall ‘The Islands of the Strangers’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBridging acoustic ecology and interdisciplinary creative practice, Joshua Bonnetta returns to Shelter Press with Innse Gall ‘The Islands of the Strangers’, his second LP for the label. Recorded and assembled between 2017 and 2020 and acting as a companion piece to Bonnetta’s film, An Dà Shealladh ‘The Two Sights’, these two interrelated side-long works - Innse Gall I and Innse Gall II - respectively deploy a rigorous approach to field recording and auditory phenomena, pursuing the complex relationship between landscape, place, language, and culture in the Outer Hebrides, where both the film and album’s source material was gathered. Representing a radical rethinking of the potential of sound collage, Innse Gall ‘The Islands of the Strangers’, is issued by Shelter Press as a limited edition, deluxe vinyl LP, housed in a 7mm reverse-board outer sleeve and a heavyweight reverse-board inner sleeve, accompanied by a sixty page booklet containing extensive photographic studies made for ‘The Two Sights’ by the artist and an essay by Erika Balsom, as well as a postcard to download the film An Dà Shealladh ‘The Two Sights’, generously provided by Cinema Guild, and Arsenal - Institut für Film und\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Videokunst.\u003cbr data-mce-fragment=\"1\"\u003eSince the late 2000s Canadian artist Joshua Bonnetta has cultivated a highly singular interdisciplinary creative practice that spans film, video, sound, performance, and installation. In addition to his previous LP on Shelter Press, Lago, he has released albums on Senufo Editions, Experimedia, and Canti Magnetici, and exhibited at The Berlin Film Festival, BFI London Film Festival, ICA London, MOMA, The New York Film Festival, Rotterdam Film Festival, Toronto International Film Festival, amongst others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBonnetta’s use of film, photography, and sound recording operate in close, generative dialog with each other; a photograph indicating the proximity and urgency of sound, a sound indicating the necessity for moving image, and a film utilising the ocular to forward a realm of sonority. Each discreet element of his output - a film, record, photograph, etc. - is regarded as autonomous while interconnected with, and dependent on, other realms of perception and experience; the artist and object acting as a subjective lens, inquiring after the nature of human experience and the diverse, latent psychological realities at juncture of inherited history, culture, place, and self. It is a responsive practice, emerging out of an encounter with place and circumstance, that attempts to give order to the chaos and abstractions that cause the mind wonder, and give way to legend and myth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile very much the byproduct of sound collage, rather than the states of abstraction and ‘pure’ sonority most often pursued by musique concrète, or an experimental music “free of individual taste and memory (psychology)”, as pursued by John Cage, Bonnetta’s work displays a deeper sympathy with Luc Ferrari’s notion of ‘anecdotal music’, in which the social and autobiographical contexts of the source material \/ recordings - with their embedded dimensions of meaning - is accounted for and retained. Rather than enforcing a fixed vision of the artist, the listener in encouraged construct a narrative of their own. This is no less the case for Innse Gall ‘The Islands of the Strangers’, comprising two audio works constructed by Bonnetta from field recordings made on the Outer Hebrides islands of Barra, Berneray, North Uist, Harris, \u0026amp; Lewis between 2017-19.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing upon Bonnetta’s fascination with sound as a primary means to survey place and people, Innse Gall ‘The Islands of the Strangers’ draws upon a vast range of sonorous material: hydrophone recordings made over extended periods in lobster creels and of gases escaping a peat bog, interview fragments, and field recordings feature capturing the sounds of maritime industry, song, seals, corncrake, snipe, and other elements of the natural world. Meticulously collaged and reworked within an exploration of the interrelated acoustic ecology of these diverse elements of the islands’ make-up, the album’s two works - Innse Gall I and Innse Gall II - bristle with the subcutaneous narratives embedded within these ancient and modern landscapes, played against the disappearing Gaelic oral traditions which hold their memories, resulting in a deep, auditory reflection on the relationship between narrative, environment, and the reciprocal influences they exact upon one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChallenging the perceived boundaries and interconnectedness of place and occupation - to what extent the perception of an environment is modelled by language, culture, and myth, or that the environment underscores the very becoming of those things - Bonnetta’s Innse Gall ‘The Islands of the Strangers’, draws profound poetry, beauty, and meaning from the everyday, rethinking the terms of field recording and sound collage every step of the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-01-08T15:52:19+09:00","created_at":"2023-01-08T14:29:43+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","monooto","shelter press"],"price":538000,"price_min":538000,"price_max":538000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43864097358074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joshua Bonnetta \/\/ Innse Gall LP+BOOKLET","public_title":null,"options":["Default Title"],"price":538000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784","\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","options":["Title"],"media":[{"alt":null,"id":31336258502906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","width":700},{"alt":null,"id":31336258535674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784","width":1200},{"alt":null,"id":31336258568442,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784","width":1200},{"alt":null,"id":31336475263226,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2022年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系フィールドレコーディング・コラージュ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60ページのブックレットと\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eErika Balsomによるエッセイ、ポストカード、映像作品「The Two Sights」の視聴コード\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eボネッタは、フィルム、写真、録音を使い、互いに密接に、生成的な対話を行います。写真は音の近さと緊急性を示し、音は動画の必要性を示し、フィルムは眼球を利用して音波の領域を前進させるのです。フィルム、レコード、写真など、彼の作品を構成する各要素は、自律的であると同時に、相互に関連しています。- アーティストとオブジェクトは主観的なレンズとして機能し、人間の経験の本質と、受け継がれた歴史、文化、場所、自己の接点における多様で潜在的な心理的現実を探究します。それは、場所や状況との出会いから生まれる反応的な実践であり、心を驚かせ、伝説や神話へと導くような混沌とした抽象的なものに秩序を与えようとするものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの作品は、コンクレートやジョンケージが追求した「個人の趣味や記憶（心理）から自由な」実験音楽のような抽象的で「純粋な」音色の状態ではなく、サウンド・コラージュの副産物であるが、ルック・フェラーリの「逸話的音楽」という概念に深い共感を示し、素材や録音に含まれる社会性や自伝的文脈、その意味の次元を説明し保持することが可能です。アーティストに関する固定観念を強制するのではなく、リスナーは自分自身の物語を構築するよう促されます。これは、2017年から19年にかけてアウター・ヘブリディーズ諸島のバーラ、ベルネレイ、ノース・ユイスト、ハリス、ルイスで行われたフィールド・レコーディングからボネッタが構成した2つのオーディオ作品、インス・ガル「The Islands of the Strangers」についても同様です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの、場所と人々を調査する主要な手段としての音の魅力を引き出し、Innse Gall 'The Islands of the Strangers' は、ロブスターの巻き網で長時間かけて録音したハイドロフォンや泥炭地から漏れ出すガスの録音、インタビューの断片、海運業の音、歌、アザラシ、ウズラ、シギ、その他自然界の要素をとらえた野外録音など、幅広い音の素材に注目しています。このアルバムの2つの作品、Innse Gall IとInnse Gall IIは、島を構成するこれらの多様な要素が相互に関連する音響生態系を探求する中で、丹念にコラージュ（再構築）され、これらの古今の風景に埋め込まれた皮肉な物語が、その記憶を保持する消えゆくゲールの口頭伝承と照らし合わせられ、物語、環境、それらが互いに及ぼす影響の関係について深く聴覚的に考察する結果となりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInnse Gall「The Islands of the Strangers」は、日常から深い詩、美、意味を引き出し、フィールドレコーディングとサウンドコラージュの条件を一歩一歩見直しています。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021881724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e• includes an essay by Erika Balsom\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Includes a 60-page booklet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Includes a postcard to download the film \"The Two Sights\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoshua Bonnetta - Innse Gall ‘The Islands of the Strangers’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBridging acoustic ecology and interdisciplinary creative practice, Joshua Bonnetta returns to Shelter Press with Innse Gall ‘The Islands of the Strangers’, his second LP for the label. Recorded and assembled between 2017 and 2020 and acting as a companion piece to Bonnetta’s film, An Dà Shealladh ‘The Two Sights’, these two interrelated side-long works - Innse Gall I and Innse Gall II - respectively deploy a rigorous approach to field recording and auditory phenomena, pursuing the complex relationship between landscape, place, language, and culture in the Outer Hebrides, where both the film and album’s source material was gathered. Representing a radical rethinking of the potential of sound collage, Innse Gall ‘The Islands of the Strangers’, is issued by Shelter Press as a limited edition, deluxe vinyl LP, housed in a 7mm reverse-board outer sleeve and a heavyweight reverse-board inner sleeve, accompanied by a sixty page booklet containing extensive photographic studies made for ‘The Two Sights’ by the artist and an essay by Erika Balsom, as well as a postcard to download the film An Dà Shealladh ‘The Two Sights’, generously provided by Cinema Guild, and Arsenal - Institut für Film und\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Videokunst.\u003cbr data-mce-fragment=\"1\"\u003eSince the late 2000s Canadian artist Joshua Bonnetta has cultivated a highly singular interdisciplinary creative practice that spans film, video, sound, performance, and installation. In addition to his previous LP on Shelter Press, Lago, he has released albums on Senufo Editions, Experimedia, and Canti Magnetici, and exhibited at The Berlin Film Festival, BFI London Film Festival, ICA London, MOMA, The New York Film Festival, Rotterdam Film Festival, Toronto International Film Festival, amongst others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBonnetta’s use of film, photography, and sound recording operate in close, generative dialog with each other; a photograph indicating the proximity and urgency of sound, a sound indicating the necessity for moving image, and a film utilising the ocular to forward a realm of sonority. Each discreet element of his output - a film, record, photograph, etc. - is regarded as autonomous while interconnected with, and dependent on, other realms of perception and experience; the artist and object acting as a subjective lens, inquiring after the nature of human experience and the diverse, latent psychological realities at juncture of inherited history, culture, place, and self. It is a responsive practice, emerging out of an encounter with place and circumstance, that attempts to give order to the chaos and abstractions that cause the mind wonder, and give way to legend and myth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile very much the byproduct of sound collage, rather than the states of abstraction and ‘pure’ sonority most often pursued by musique concrète, or an experimental music “free of individual taste and memory (psychology)”, as pursued by John Cage, Bonnetta’s work displays a deeper sympathy with Luc Ferrari’s notion of ‘anecdotal music’, in which the social and autobiographical contexts of the source material \/ recordings - with their embedded dimensions of meaning - is accounted for and retained. Rather than enforcing a fixed vision of the artist, the listener in encouraged construct a narrative of their own. This is no less the case for Innse Gall ‘The Islands of the Strangers’, comprising two audio works constructed by Bonnetta from field recordings made on the Outer Hebrides islands of Barra, Berneray, North Uist, Harris, \u0026amp; Lewis between 2017-19.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing upon Bonnetta’s fascination with sound as a primary means to survey place and people, Innse Gall ‘The Islands of the Strangers’ draws upon a vast range of sonorous material: hydrophone recordings made over extended periods in lobster creels and of gases escaping a peat bog, interview fragments, and field recordings feature capturing the sounds of maritime industry, song, seals, corncrake, snipe, and other elements of the natural world. Meticulously collaged and reworked within an exploration of the interrelated acoustic ecology of these diverse elements of the islands’ make-up, the album’s two works - Innse Gall I and Innse Gall II - bristle with the subcutaneous narratives embedded within these ancient and modern landscapes, played against the disappearing Gaelic oral traditions which hold their memories, resulting in a deep, auditory reflection on the relationship between narrative, environment, and the reciprocal influences they exact upon one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eChallenging the perceived boundaries and interconnectedness of place and occupation - to what extent the perception of an environment is modelled by language, culture, and myth, or that the environment underscores the very becoming of those things - Bonnetta’s Innse Gall ‘The Islands of the Strangers’, draws profound poetry, beauty, and meaning from the everyday, rethinking the terms of field recording and sound collage every step of the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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カナダの音響作家Joshua Bonnettaが、2022年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 ディープリスニング系フィールドレコーディング・コラージュ2曲を収録。 60ページのブックレットとErika Balsomによるエッセイ、ポストカード、映像作品「The Two Sights」の視聴コードが付属。以下、レーベルによる解説です。 ボネッタは、フィルム、写真、録音を使い、互いに密接に、生成的な対話を行います。写真は音の近さと緊急性を示し、音は動画の必要性を示し、フィルムは眼球を利用して音波の領域を前進させるのです。フィルム、レコード、写真など、彼の作品を構成する各要素は、自律的であると同時に、相互に関連しています。- アーティストとオブジェクトは主観的なレンズとして機能し、人間の経験の本質と、受け継がれた歴史、文化、場所、自己の接点における多様で潜在的な心理的現実を探究します。それは、場所や状況との出会いから生まれる反応的な実践であり、心を驚かせ、伝説や神話へと導くような混沌とした抽象的なものに秩序を与えようとするものです。ボネッタの作品は、コンクレートやジョンケージが追求した「個人の趣味や記憶（心理）から自由な」実験音楽のような抽象的で「純粋な」音色の状態ではなく、サウンド・コラージュの副産物であるが、ルック・フェラーリの「逸話的音楽」という概念に深い共感を示し、素材や録音に含まれる社会性や自伝的文脈、その意味の次元を説明し保持することが可能です。アーティストに関する固定観念を強制するのではなく、リスナーは自分自身の物語を構築するよう促されます。これは、2017年から19年にかけてアウター・ヘブリディーズ諸島のバーラ、ベルネレイ、ノース・ユイスト、ハリス、ルイスで行われたフィールド・レコーディングからボネッタが構成した2つのオーディオ作品、インス・ガル「The Islands of the Strangers」についても同様です。ボネッタの、場所と人々を調査する主要な手段としての音の魅力を引き出し、Innse...
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{"id":7888876339450,"title":"Joshua Bonnetta \/\/ Lago LP","handle":"joshua-bonnetta-lago-lp","description":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系物音コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2815007469\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLago is an LP recording created in dialogue with the photobook (of the same title) by American photographer Ron Jude, published by MACK (UK).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe two compositions revisit the sites of Jude’s initial photographs in and around the Salton Sea in the Southern California desert, and use site specific field recordings and analogue processing to craft an aural counterpoint to the photographs themselves and the photographic process. Contact microphones and hydrophones were used to gather sounds from flora, desert refuse, architectural ruins and the Salton Sea itself to create an expanded study of the acoustic ecology of the area. The work weaves together location recordings alongside interviews to construct an acoustic portrait of the desert that is steeped in intimations of narrative dealing with loss, history and a landscape haunted by a spectre in darkness. Lago is an attempt to enter into the perceptual horizons of the desert whilst also engaging a past that shapes the encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-01-08T15:57:31+09:00","created_at":"2023-01-08T14:27:01+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43864091590906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joshua Bonnetta \/\/ Lago LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_f3b3fbd9-4946-4fe9-9bf4-96b95e843768.jpg?v=1673155622"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_f3b3fbd9-4946-4fe9-9bf4-96b95e843768.jpg?v=1673155622","options":["Title"],"media":[{"alt":null,"id":31336250278138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_f3b3fbd9-4946-4fe9-9bf4-96b95e843768.jpg?v=1673155622"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_f3b3fbd9-4946-4fe9-9bf4-96b95e843768.jpg?v=1673155622","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系物音コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2815007469\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLago is an LP recording created in dialogue with the photobook (of the same title) by American photographer Ron Jude, published by MACK (UK).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe two compositions revisit the sites of Jude’s initial photographs in and around the Salton Sea in the Southern California desert, and use site specific field recordings and analogue processing to craft an aural counterpoint to the photographs themselves and the photographic process. Contact microphones and hydrophones were used to gather sounds from flora, desert refuse, architectural ruins and the Salton Sea itself to create an expanded study of the acoustic ecology of the area. The work weaves together location recordings alongside interviews to construct an acoustic portrait of the desert that is steeped in intimations of narrative dealing with loss, history and a landscape haunted by a spectre in darkness. Lago is an attempt to enter into the perceptual horizons of the desert whilst also engaging a past that shapes the encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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カナダの音響作家Joshua Bonnettaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコードです。 ディープリスニング系物音コラージュ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":7788209668346,"title":"Peter Rehberg \/\/ at GRM LP","handle":"peter-rehberg-at-grm-lp","description":"\u003cp\u003eオーストリアの実験レーベルEditions Mego主宰\u003cspan data-mce-fragment=\"1\"\u003ePeter Rehberg（\u003cmeta charset=\"utf-8\"\u003e2021年7月\u003cmeta charset=\"utf-8\"\u003e逝去）が、GRMスタジオで演奏したライブ録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=157222896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePortraits GRM:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShelter Press and Ina grm are pleased and moved to present two previously unreleased recordings of Peter Rehberg, two live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 22 July 2021, Peter Rehberg passed away, leaving a great emptiness in his wake. Many initiatives have already celebrated or will soon celebrate his memory and the titanic work he put at the service of so many artists - a whole musical community, in fact - through Editions Mego. INA grm, Shelter Press and Stephen O’Malley, who are continuing some of the collaborative Editions Mego sub-labels (Recollection GRM, Portraits GRM and Ideologic Organ), wanted to pay tribute more specifically to the musician Peter Rehberg, and to his immense talent.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Rehberg, as an artist, has collaborated with the GRM on numerous occasions, both with Stephen O’Malley (as KTL) and solo. This release features two concerts given for the GRM, each time as part of the Présences électronique festival. The first concert, given on 15 March 2009 at the Maison de la Radio in Paris, marked the first collaboration between Peter Rehberg and the GRM and the beginning of a long and fruitful friendship. The second concert took\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e place on 6 March 2016. Between these two concerts, 7 years have passed, 7 years in which the ties between Peter Rehberg and the GRM have been strengthened, 7 years in which Peter Rehberg’s music has flourished. What is striking in these two concerts is how Peter Rehberg’s unique musical sensitivity and ‘grammar’ can be heard beyond the instruments. For while the first concert is pure laptop music, the second is extended to the field of modular synthesis. However, in both concerts, the elements that are so personal to Peter Rehberg’s music are present and combine in a layering of sonic abrasions, raw sensations and a sensitivity that is as much about formal awareness as it is about the invocation of overwhelming emotions, even though a little hidden behind a radicality that is always a bit provocative. Peter Rehberg offers us a “portrait music”, a music that gives some clues about the personality of its author and whose absence continues to deepen an inconsolable sadness.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Peter Rehberg\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2022-10-03T18:37:39+09:00","created_at":"2022-10-02T13:08:37+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43471333163258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peter Rehberg \/\/ at GRM LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718","\/\/tobirarecords.com\/cdn\/shop\/products\/at3_74bb1aaa-3d3b-421c-8b87-2602f98f1db4.jpg?v=1664683718"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718","options":["Title"],"media":[{"alt":null,"id":30621854564602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718","width":700},{"alt":null,"id":30621854597370,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at3_74bb1aaa-3d3b-421c-8b87-2602f98f1db4.jpg?v=1664683718"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at3_74bb1aaa-3d3b-421c-8b87-2602f98f1db4.jpg?v=1664683718","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアの実験レーベルEditions Mego主宰\u003cspan data-mce-fragment=\"1\"\u003ePeter Rehberg（\u003cmeta charset=\"utf-8\"\u003e2021年7月\u003cmeta charset=\"utf-8\"\u003e逝去）が、GRMスタジオで演奏したライブ録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=157222896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePortraits GRM:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShelter Press and Ina grm are pleased and moved to present two previously unreleased recordings of Peter Rehberg, two live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 22 July 2021, Peter Rehberg passed away, leaving a great emptiness in his wake. Many initiatives have already celebrated or will soon celebrate his memory and the titanic work he put at the service of so many artists - a whole musical community, in fact - through Editions Mego. INA grm, Shelter Press and Stephen O’Malley, who are continuing some of the collaborative Editions Mego sub-labels (Recollection GRM, Portraits GRM and Ideologic Organ), wanted to pay tribute more specifically to the musician Peter Rehberg, and to his immense talent.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Rehberg, as an artist, has collaborated with the GRM on numerous occasions, both with Stephen O’Malley (as KTL) and solo. This release features two concerts given for the GRM, each time as part of the Présences électronique festival. The first concert, given on 15 March 2009 at the Maison de la Radio in Paris, marked the first collaboration between Peter Rehberg and the GRM and the beginning of a long and fruitful friendship. The second concert took\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e place on 6 March 2016. Between these two concerts, 7 years have passed, 7 years in which the ties between Peter Rehberg and the GRM have been strengthened, 7 years in which Peter Rehberg’s music has flourished. What is striking in these two concerts is how Peter Rehberg’s unique musical sensitivity and ‘grammar’ can be heard beyond the instruments. For while the first concert is pure laptop music, the second is extended to the field of modular synthesis. However, in both concerts, the elements that are so personal to Peter Rehberg’s music are present and combine in a layering of sonic abrasions, raw sensations and a sensitivity that is as much about formal awareness as it is about the invocation of overwhelming emotions, even though a little hidden behind a radicality that is always a bit provocative. Peter Rehberg offers us a “portrait music”, a music that gives some clues about the personality of its author and whose absence continues to deepen an inconsolable sadness.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Peter Rehberg\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
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オーストリアの実験レーベルEditions Mego主宰Peter Rehberg（2021年7月逝去）が、GRMスタジオで演奏したライブ録音盤です。 コラージュ・ドローン2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7677202661626,"title":"Kali Malone \/\/ Living Torch LP","handle":"kali-malone-living-torch-lp","description":"\u003cp\u003eスウェーデン・ストックホルムのアンビエント作家Kali Maloneが、2023年3月にフランス・パリの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePortraits GRMからリリースする\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e前作にメインソースとして使用したパイプオルガンは封印し、トロンボーンやバスクラリネットなどの伝統的な楽器やARP 2500シンセサイザーなどを使用して制作したロングフォームのドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3191162786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving Torch, through its unique structural form and harmonic material, is a bold continuation of Kali Malone’s demanding and exciting body of work, while opening new perspectives and increasing the emotional potential of the music tenfold. As such, Living Torch is a major new piece by the composer and adds a significant milestone to an already fascinating repertoire.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeparting from the pipe organ that Malone’s music is most notable for, Living Torch features a complex electroacoustic ensemble. Leafing through recordings from conventional instruments like the trombone and bass clarinet to more experimental machines like the boîte à bourdon, passing through sinewave generators and Éliane Radigue’s ARP 2500 synthesizer. Living Torch weaves its own history, its own genealogy, and that of its author. It extends her robust structural approach to a liberated palette of timbre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving Torch was initially commissioned by GRM for its legendary loudspeaker orchestra, the Acousmonium, and premiered in its complete multichannel form at the Grand Auditorium of Radio France in a concert entirely dedicated to the artist.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed at GRM studios in Paris between 2020-2021, Living Torch is a work of great intensity, an oeuvre-monde that is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singularly placed at the crossroads of instrumental writing and electroacoustic composition. Living Torch proceeds from multiple lineages, including early modern music, American minimalism, and musique concrète. It’s a work as much turned towards exploring justly tuned harmony and canonic structures as towards the polyphony of unique timbres, the scaling of dynamic range, and the revelation of sound qualities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRM (Groupe de Recherches Musicales), the pioneering institution of electroacoustic, acousmatic, and musique concrète, has been a unique laboratory for sonorous research since 1958. Witnessing the extreme vitality of the music championed by GRM, the Portraits GRM record series extends and expands this momentum with Kali Malone’s Living Torch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe French label-partner Shelter Press is proud to continue the collaboration with GRM, which Peter Rehberg of Editions MEGO set the foundation for in 2012.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2022-07-15T12:52:32+09:00","created_at":"2022-07-15T12:29:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":449000,"price_min":449000,"price_max":449000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993202036986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kali Malone \/\/ Living Torch LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_984ce1eb-5748-43ad-ab16-73f61fc75df5.jpg?v=1657855776"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776","options":["Title"],"media":[{"alt":null,"id":30124619006202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776","width":700},{"alt":null,"id":30124619038970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_984ce1eb-5748-43ad-ab16-73f61fc75df5.jpg?v=1657855776"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_984ce1eb-5748-43ad-ab16-73f61fc75df5.jpg?v=1657855776","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのアンビエント作家Kali Maloneが、2023年3月にフランス・パリの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePortraits GRMからリリースする\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e前作にメインソースとして使用したパイプオルガンは封印し、トロンボーンやバスクラリネットなどの伝統的な楽器やARP 2500シンセサイザーなどを使用して制作したロングフォームのドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3191162786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving Torch, through its unique structural form and harmonic material, is a bold continuation of Kali Malone’s demanding and exciting body of work, while opening new perspectives and increasing the emotional potential of the music tenfold. As such, Living Torch is a major new piece by the composer and adds a significant milestone to an already fascinating repertoire.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeparting from the pipe organ that Malone’s music is most notable for, Living Torch features a complex electroacoustic ensemble. Leafing through recordings from conventional instruments like the trombone and bass clarinet to more experimental machines like the boîte à bourdon, passing through sinewave generators and Éliane Radigue’s ARP 2500 synthesizer. Living Torch weaves its own history, its own genealogy, and that of its author. It extends her robust structural approach to a liberated palette of timbre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving Torch was initially commissioned by GRM for its legendary loudspeaker orchestra, the Acousmonium, and premiered in its complete multichannel form at the Grand Auditorium of Radio France in a concert entirely dedicated to the artist.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed at GRM studios in Paris between 2020-2021, Living Torch is a work of great intensity, an oeuvre-monde that is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singularly placed at the crossroads of instrumental writing and electroacoustic composition. Living Torch proceeds from multiple lineages, including early modern music, American minimalism, and musique concrète. It’s a work as much turned towards exploring justly tuned harmony and canonic structures as towards the polyphony of unique timbres, the scaling of dynamic range, and the revelation of sound qualities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRM (Groupe de Recherches Musicales), the pioneering institution of electroacoustic, acousmatic, and musique concrète, has been a unique laboratory for sonorous research since 1958. Witnessing the extreme vitality of the music championed by GRM, the Portraits GRM record series extends and expands this momentum with Kali Malone’s Living Torch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe French label-partner Shelter Press is proud to continue the collaboration with GRM, which Peter Rehberg of Editions MEGO set the foundation for in 2012.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
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スウェーデン・ストックホルムのアンビエント作家Kali Maloneが、2023年3月にフランス・パリの実験レーベルPortraits GRMからリリースする再発レコードです。 前作にメインソースとして使用したパイプオルガンは封印し、トロンボーンやバスクラリネットなどの伝統的な楽器やARP 2500シンセサイザーなどを使用して制作したロングフォームのドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7646415126778,"title":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Un hiver en plein été LP","handle":"felicia-atkinson-jefre-cantu-ledesma-un-hiver-en-plein-ete-lp","description":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonと、アメリカのアンビエントレーベルroot Strata主宰Jefre Cantu-Ledesmaが、2021年12月にShelter Pressからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやシンセをメインソースとしたネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2582458817\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 700.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted inner \u0026amp; outer with artwork by Yu Nishimura\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFrom its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it presents a means to find common ground and communicate through the elemental form of sound. Over the last 5 years, this precisely what the duo of Félicia Atkinson \u0026amp; Jefre Cantu-Ledesma has achieved, intertwining sublime sonorities across the geographic expanses between their respective homes in France and the United States. Their third album for Shelter Press, ‘Un hiver en plein été’ (‘A winter in the middle of summer’) - the first to have been largely recorded by Atkinson and Cantu-Ledesma together in the same space - distills a mesmerizing pallet of acoustic and electronic sources into an open discourse of radically poetic forms, offering glimpses of warmth and intimacy waiting in the post-covid world to come.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoth veteran experimentalists with celebrated bodies of solo work behind them - each traversing the challenges of electroacoustic practice in their own singular ways - prior to their first recorded outing in 2016, Félicia Atkinson and Jefre Cantu-Ledesma had only crossed paths in person once, initially meeting in San Fransisco\u003cspan class=\"bcTruncateMore\"\u003e during 2009. The mutual bond formed during that brief encounter flowered into their first LP, ‘Comme Un Seul Narcisse’, followed two years later by 2018’s ‘Limpid As The Solitudes’. Both recorded remotely - sending files back and forth, fortified by conversations on a vast range of subjects - these two albums were guided by impassioned conceptual nods to Guy Debord, Baudelaire, Brion Gysin and Sylvia Plath, while seeking resolutions for the challenges and unique possibilities that working at a distance provoked.\u003cbr\u003e\u003cbr\u003eWhere the triumphs of its predecessors rose from the bridging of disparate moments and divergent spaces, ‘Un hiver en plein été’ culminates as a celebration of closeness, a result of Atkinson and Cantu-Ledesma working together in the studio, responsively in real time, for the first time. Recorded in Brooklyn during August of 2019 - a handful of months before the pandemic would impose chasmic distances across the globe - its six discrete works, carefully crafted and finalized over the ensuing year, evolve seamlessly across the album’s two sides, weaving a sprawling tapestry of sonority, within which both artists retaining their own voices and visions, while drawing each other towards uncharted ground.\u003cbr\u003e\u003cbr\u003eAtkinson likens the recording of ‘Un hiver en plein été’ to have been akin to “a playground”, each artist “hungry for each sound, a bit like the rush in the Louvre in Godard’s Bande à part”, to which Cantu-Ledesma adds that the process seemed to have had “a mind of its own”, with both “along for the ride”. This organic sense of entropy and enthusiasm - a joyous exploration of the unknown - guides the momentum of the album’s evolving arc, as unfolding chasms of ambient space ripple with humanity, life, and fleeting glimpses of the actions that led to its material core.\u003cbr\u003e\u003cbr\u003eCrafted from deconstructed melodic elements and drifting long-tones - laden with subtle nods to Indian classical ragas and free jazz - searching patterns of speech, textural elements captured within the studio and the outside world, and searching tonal and percussive interventions, ‘Un hiver en plein été’ coheres as a multi-faceted series of electroacoustic dialogues; nesting conversations between two artists working at the juncture of abstraction and narration, field recording and harmony, and the philosophical and phenomenological, in search for the meaning of friendship, and its manifestation in pure sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2022-06-18T14:36:48+09:00","created_at":"2022-06-18T12:06:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","shelter press"],"price":309000,"price_min":309000,"price_max":309000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42892736758010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Un hiver en plein été LP","public_title":null,"options":["Default Title"],"price":309000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598","\/\/tobirarecords.com\/cdn\/shop\/products\/un2_4868ca15-b976-4814-b8c1-267c76e13b12.jpg?v=1655521597"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598","options":["Title"],"media":[{"alt":null,"id":29925604425978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598","width":700},{"alt":null,"id":29925604458746,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_4868ca15-b976-4814-b8c1-267c76e13b12.jpg?v=1655521597"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_4868ca15-b976-4814-b8c1-267c76e13b12.jpg?v=1655521597","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonと、アメリカのアンビエントレーベルroot Strata主宰Jefre Cantu-Ledesmaが、2021年12月にShelter Pressからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやシンセをメインソースとしたネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2582458817\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 700.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted inner \u0026amp; outer with artwork by Yu Nishimura\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFrom its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it presents a means to find common ground and communicate through the elemental form of sound. Over the last 5 years, this precisely what the duo of Félicia Atkinson \u0026amp; Jefre Cantu-Ledesma has achieved, intertwining sublime sonorities across the geographic expanses between their respective homes in France and the United States. Their third album for Shelter Press, ‘Un hiver en plein été’ (‘A winter in the middle of summer’) - the first to have been largely recorded by Atkinson and Cantu-Ledesma together in the same space - distills a mesmerizing pallet of acoustic and electronic sources into an open discourse of radically poetic forms, offering glimpses of warmth and intimacy waiting in the post-covid world to come.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoth veteran experimentalists with celebrated bodies of solo work behind them - each traversing the challenges of electroacoustic practice in their own singular ways - prior to their first recorded outing in 2016, Félicia Atkinson and Jefre Cantu-Ledesma had only crossed paths in person once, initially meeting in San Fransisco\u003cspan class=\"bcTruncateMore\"\u003e during 2009. The mutual bond formed during that brief encounter flowered into their first LP, ‘Comme Un Seul Narcisse’, followed two years later by 2018’s ‘Limpid As The Solitudes’. Both recorded remotely - sending files back and forth, fortified by conversations on a vast range of subjects - these two albums were guided by impassioned conceptual nods to Guy Debord, Baudelaire, Brion Gysin and Sylvia Plath, while seeking resolutions for the challenges and unique possibilities that working at a distance provoked.\u003cbr\u003e\u003cbr\u003eWhere the triumphs of its predecessors rose from the bridging of disparate moments and divergent spaces, ‘Un hiver en plein été’ culminates as a celebration of closeness, a result of Atkinson and Cantu-Ledesma working together in the studio, responsively in real time, for the first time. Recorded in Brooklyn during August of 2019 - a handful of months before the pandemic would impose chasmic distances across the globe - its six discrete works, carefully crafted and finalized over the ensuing year, evolve seamlessly across the album’s two sides, weaving a sprawling tapestry of sonority, within which both artists retaining their own voices and visions, while drawing each other towards uncharted ground.\u003cbr\u003e\u003cbr\u003eAtkinson likens the recording of ‘Un hiver en plein été’ to have been akin to “a playground”, each artist “hungry for each sound, a bit like the rush in the Louvre in Godard’s Bande à part”, to which Cantu-Ledesma adds that the process seemed to have had “a mind of its own”, with both “along for the ride”. This organic sense of entropy and enthusiasm - a joyous exploration of the unknown - guides the momentum of the album’s evolving arc, as unfolding chasms of ambient space ripple with humanity, life, and fleeting glimpses of the actions that led to its material core.\u003cbr\u003e\u003cbr\u003eCrafted from deconstructed melodic elements and drifting long-tones - laden with subtle nods to Indian classical ragas and free jazz - searching patterns of speech, textural elements captured within the studio and the outside world, and searching tonal and percussive interventions, ‘Un hiver en plein été’ coheres as a multi-faceted series of electroacoustic dialogues; nesting conversations between two artists working at the juncture of abstraction and narration, field recording and harmony, and the philosophical and phenomenological, in search for the meaning of friendship, and its manifestation in pure sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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フランスのアンビエント作家Felicia Atkinsonと、アメリカのアンビエントレーベルroot Strata主宰Jefre Cantu-Ledesmaが、2021年12月にShelter Pressからリリースした共作レコードです。 ピアノやシンセをメインソースとしたネオクラシカル・アンビエント6曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press releases available...
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