Maths Balance Volumes // Cycles of Tonight LP

Maths Balance Volumes // Cycles of Tonight LP

¥4,488

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過去にchocolate monkやkyeなどから発表をしているアメリカ・ミネソタの実験フォークトリオMaths Balance Volumesが、2023年12月にイギリスの実験レーベルPenultimate Pressからリリースしたレコードです。

亡霊フォーク〜ストレンジビーツ〜物音コラージュ11曲を収録。

前作もオススメです。

レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira.

----------------------

Ask us for digital files. 12" black vinyl. Edition of 300.

Tracklist:

Stay 03:38
Janet’s Song 03:13
Thursday Afternoon 03:25
Tonight 01:29
Egyptian Wedding 03:06
Forming a round 04:04
A Dream of you 03:01
Staples to Nimrod 03:52
They leave their Horns 02:11
Yellow for Doddie 04:48
I’ll Know You 03:05

Penultimate Press:

"Maths Balance Volumes follow up their acclaimed 2020 release A Year Closer with a further and sturdier bucket of songs scraped from the dust of being. Haunted, fragile and beautiful, this is music that explores the ghostly zones of its own creation. The loneliness and vulnerability that unfolds with the opening cut Stay lays the way for exploration of sound and song with simple melodic guitar and organ whilst the subsequent Janet’s Song weaves mirror elements alongside the sound of pebbles on water.

This is evocative music made thoroughly by humans with the most basic of tools. Unafraid to step away from their screens Maths Balance Volumes stroll with breezy resistance to the current thread of platform regurgitation.

Tonight flips the song on its side as a barnstorming melange of concrete hustle made from shakers, animals, humans and beelzebub knows what. Egyptian Wedding sounds like they operated off the depths of a rotating well. Forming a round is a dusty scratchy heartbreaker that encapsulates the hybrid Smithsonian Folkways label approach that only MBV do.

There is something enormously human about Maths Balance Volumes take on underground experimental music, one far more so than the human pitched music made in the mainstream today. In the 20th Century it was the other way around. What has happened ? I will let you contemplate that. But for me, in this case explicitly this press scribe is chuffed at the consequence of this reversal. Very happy indeed. "

Artist : Maths Balance Volumes

Label : Penultimate Press

Quantity

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亡霊フォーク〜ストレンジビーツ〜物音コラージュ11曲を収録。

前作もオススメです。

レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira.

----------------------

Ask us for digital files. 12" black vinyl. Edition of 300.

Tracklist:

Stay 03:38
Janet’s Song 03:13
Thursday Afternoon 03:25
Tonight 01:29
Egyptian Wedding 03:06
Forming a round 04:04
A Dream of you 03:01
Staples to Nimrod 03:52
They leave their Horns 02:11
Yellow for Doddie 04:48
I’ll Know You 03:05

Penultimate Press:

Artist : Maths Balance Volumes

Label : Penultimate Press

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Sammy would bring his self made cassettes to Usedkids Records and Ron thought it would be something that would interest me, which\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e indeed it did.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI had a cassette-only label I started in 1985 called OldAge\/NoAge which had just started to garner interest in the outside world thanks to a RARE cassette review in Byron Coley's Underground column for Spin Magazine (the 1989 Nick Cave issue) which was quite a surprise unto itself as it was a format Coley usually disdained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI always knew Sam as a street slumming angel, never a bad word about anyone and always humble about his own prolific art (Sam also painted). Sadly there is so much more material that will likely never be heard, much of which is in an archive I call \"The Esh File\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSammy was born and raised circa 1940 in Ephrata, PA. a small Amish\/Mennonite town. His mother was a Smucker, a family famous in America for its jelly \u0026amp; jam empire. The school in Ephrata Sam attended as a teen specialised in linguistics because its founder was fluent in seven languages. Sam is a highly intelligent man who can read those seven, and also speak two of them; French \u0026amp; Swedish. Hence comes the roots of \"Esh-ese\", as I call the generally incomprehensible to most folks he slips in and out of, his lyrical dialogue. I am quite likely the only person that has heard his 'alternative language' enough to understand most of it! Sam often sang and played in drug induced states hence this unique lingual hodgepodge streams direct from his altered temporal reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA large part of it has to do with a tragic event in Sam's life 50+ years ago. He and his wife were in San Francisco during the late 60's and imbibed in most of the indulgences that time \u0026amp; place was known for. They 'took a trip' to a remote area of Baja Mexico, and during an extended acid trip Sam caught dysentery, a bacterial disease that results from contaminated food or water. Being he was in a rural undeveloped area at the time, and under the influence of said drugs Sam very nearly died from lack of proper medical attention, and was severely affected cognitively by this near death experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe result of this trauma was a cognitive state that has ever since required medications psychotropic medications that do not mesh well with alcohol which Sam has been on and off for decades. Regardless Sam liked to drink, and when he did he developed something of a 'Jeckyl-Hyde' personality as a result. Sam was never violent or antisocial, but often quite difficult to relate to for most people.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne can only surmise this is why Sam was relegated to a quasi-street life existence by the time we started working together. Through six months of amazing shows (I drummed for the band he recruited to back him up called Hard Black Thing) Sam was quite charismatic on stage. We recorded the Incendiary release \"Sam Esh \u0026amp; Hard Black Thing \/ Montezuma Baby Duck\" released on Siltbreeze Records from '92. Get a copy while they still have 'em (I think a few are still available)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWell I could go on, but am thinking I have said enough. Sammy now lives in seclusion far away from his Midwest roots in the deep South, but we still exchange correspondence art \u0026amp; music periodically.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinally on Sam's behalf I want to thank Mark Harwood, Tom Lax and Graham Lambkin for helping make this release happen.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"If You Know Where You Are Standing \/You Are Standing Still\". Sam's music flows eternal\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Esh\u003c\/p\u003e\n\u003cp\u003eLabel : Penultimate Press\u003c\/p\u003e"}

アメリカのアウトサイダー・ブルース作家Sam Eshが、1990年代前半にひっそりとリリースしたカセットの音源がこの度2枚組CDで再発。酒とドラッグ、ギターによるミニマルなLo-Fi実験ブルース・ロック21曲を収録。レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira. ----------------------...

¥2,790

Quickview {"id":7665737597178,"title":"Henning Christiansen \/\/ OP.163 PENTHESILEA 2xLP","handle":"henning-christiansen-op-163-penthesilea-2xlp","description":"\u003cp\u003eデンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106618489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at Rosenfest. Hebbel-Theater West-Berlin, 16 December 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it means the unanswered question: “Who threw the first stone?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive x Penultimate Press\u003c\/p\u003e","published_at":"2022-07-19T10:58:27+09:00","created_at":"2022-07-03T11:49:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","Penultimate Press","The Henning Christiansen Archive"],"price":533000,"price_min":533000,"price_max":533000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42949266276602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henning Christiansen \/\/ OP.163 PENTHESILEA 2xLP","public_title":null,"options":["Default Title"],"price":533000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","options":["Title"],"media":[{"alt":null,"id":30051034136826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","width":700},{"alt":null,"id":30051034169594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106618489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at Rosenfest. Hebbel-Theater West-Berlin, 16 December 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it means the unanswered question: “Who threw the first stone?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive x Penultimate Press\u003c\/p\u003e"}