Paul Flaherty / Bill Nace // Touchless 7"
Paul Flaherty / Bill Nace // Touchless 7"
¥2,250
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80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7"です。
アルトとギターによるインプロ2曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira.
----------------------------
Edition of 150.
Paul Flaherty--alto sax
Bill Nace--electric guitar
Artist : Paul Flaherty/Bill Nace
Label : Open Mouth
80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7"です。
アルトとギターによるインプロ2曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira.
----------------------------
Edition of 150.
Paul Flaherty--alto sax
Bill Nace--electric guitar
Artist : Paul Flaherty/Bill Nace
Label : Open Mouth
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{"id":8789395669242,"title":"Evan Parker\/Bill Nace \/\/ Branches (Live at Cafe OTO) LP","handle":"evan-parker-bill-nace-branches-live-at-cafe-oto-lp","description":"\u003cp\u003eイギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003178254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A (20:02)\u003cbr\u003e2. SIDE B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eThurston Moore, London, 2025, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"They had never played together before.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey had never even met each other before this springtime 2024 concert at London’s Café Oto.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvan Parker, circular breathing maestro of the saxophone, a legend in the universe that is Free Improvisation since the late 1960s and Bill Nace, one of the most intriguing experimental “noise” guitarists of the 1990s\/2000s underground scene.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those of us who have been enamored by the live and documented work of both these gents, this Café Oto duo was a must-hear event. It could have gone anywhere musically and that would have been totally fine. Particularly with Evan having a history of being thrown into a variety of challenging collaborations throughout his career, employing the learned elegance of trust in his own sensitivity to listening, responding, leading, following, sparring, intertwining, dialoguing, creating in the instant and, essentially, dignifying the non-hierarchical grace of chance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe aesthetics of socialist consideration in Evan Parker’s playing, in his community of expanded and personal technique, for a younger player such as Bill Nace, strikes an exemplary model. This notion of respect would be entirely the reason Nace, when offered a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e residency at the most critical “new music” room in England, would request to play in duo with Parker.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBill Nace came to prominence mostly during the apex of experimental music activity in and around Western Massachusetts in the early days of the aughts, with a focus on visual art and free improvisation guitar action. He could be found in the daytime hours, his head hanging down over a notepad, penning fine-tuned illustrations and abstract line drawings, while in the evenings he’d be attending any number of basement noise gigs, many of which he’d be participating in. His guitar style came across as being informed as much as by the physicality of his writing utensils in friction to the page as it was to his hearing and redefining of radical recordings ranging anywhere from the Black Unity Group to Black Flag.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtilizing various metal files and other small cylindrical objects Bill would allow his guitar and amplifier to be in tandem with the improvisatory movements of his body as the instrument balanced, intentionally and, at times, precariously, upon his lap. The performances came across thrilling and daring and they would be mostly in the context of venues nothing more than a low-ceilinged damp and dank New England basement, a clutch of people hanging onto rusty pipes or sitting up on dilapidated washer\/dryer machines, the shards of Bill’s “file guitar” sounds ringing out like the most alive music on Earth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBy the time Bill reached Café Oto in early 2024 he had relocated to Philadelphia all the while releasing a succession of collaborative LPs on his Open Mouth label to present his developing progression of solo and collaborative work. He also would find himself considerably engaged with playing the electric taishōgoto, a keyboard-activated string instrument from Japan which can exist as a one, two, four, five, or six string oblong sound object. Bill’s approach to the taishōgoto would not be too unlike his approach to the traditional electric guitar, though no outboard implements such as files, sticks, and rocks are utilized. The similarity would lie wholly with Bill’s full immersion of high velocity action-playing where, with the taishōgoto, an electric drone beauty occurs. The flurry of sonics and resultant harmonics emanating from the amplifier (which Bill opts to dial into with borderline loud-as fuck volume settings) furthers the meta-mantra properties of the instrument in an astounding display of drone dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis sound world of Bill’s two-stringed taishōgoto on this Café Oto night worked beautifully with Evan Parker’s improvisatory saxophone conceptions. The duology achieved instant lift off at ground zero only to find it’s eventual finale as if it were organically ordained. Time seemingly morphed from its ancient human construct of control, rendered inconsequential to the torrential transcendence of the room wildly activated by the magic resonance of the multi-directional pan-spatial sonance of the music as if it were some beatific blessing. It was one of those nights where art as a liberating force of spirit gifted the listeners with an offering of exaltation and joy. It was entirely mystical and mind blowing. A night of Total Music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth Records x Otoroku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM86 \/ \u003cmeta charset=\"utf-8\"\u003eOTO43\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-21T16:20:32+09:00","created_at":"2025-05-20T11:17:22+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth","recommended"],"price":497700,"price_min":497700,"price_max":497700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47328863846650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Evan Parker\/Bill Nace \/\/ Branches (Live at Cafe OTO) LP","public_title":null,"options":["Default Title"],"price":497700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","options":["Title"],"media":[{"alt":null,"id":36058351436026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","width":700},{"alt":null,"id":36058351468794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003178254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A (20:02)\u003cbr\u003e2. SIDE B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eThurston Moore, London, 2025, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"They had never played together before.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey had never even met each other before this springtime 2024 concert at London’s Café Oto.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvan Parker, circular breathing maestro of the saxophone, a legend in the universe that is Free Improvisation since the late 1960s and Bill Nace, one of the most intriguing experimental “noise” guitarists of the 1990s\/2000s underground scene.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those of us who have been enamored by the live and documented work of both these gents, this Café Oto duo was a must-hear event. It could have gone anywhere musically and that would have been totally fine. Particularly with Evan having a history of being thrown into a variety of challenging collaborations throughout his career, employing the learned elegance of trust in his own sensitivity to listening, responding, leading, following, sparring, intertwining, dialoguing, creating in the instant and, essentially, dignifying the non-hierarchical grace of chance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe aesthetics of socialist consideration in Evan Parker’s playing, in his community of expanded and personal technique, for a younger player such as Bill Nace, strikes an exemplary model. This notion of respect would be entirely the reason Nace, when offered a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e residency at the most critical “new music” room in England, would request to play in duo with Parker.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBill Nace came to prominence mostly during the apex of experimental music activity in and around Western Massachusetts in the early days of the aughts, with a focus on visual art and free improvisation guitar action. He could be found in the daytime hours, his head hanging down over a notepad, penning fine-tuned illustrations and abstract line drawings, while in the evenings he’d be attending any number of basement noise gigs, many of which he’d be participating in. His guitar style came across as being informed as much as by the physicality of his writing utensils in friction to the page as it was to his hearing and redefining of radical recordings ranging anywhere from the Black Unity Group to Black Flag.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtilizing various metal files and other small cylindrical objects Bill would allow his guitar and amplifier to be in tandem with the improvisatory movements of his body as the instrument balanced, intentionally and, at times, precariously, upon his lap. The performances came across thrilling and daring and they would be mostly in the context of venues nothing more than a low-ceilinged damp and dank New England basement, a clutch of people hanging onto rusty pipes or sitting up on dilapidated washer\/dryer machines, the shards of Bill’s “file guitar” sounds ringing out like the most alive music on Earth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBy the time Bill reached Café Oto in early 2024 he had relocated to Philadelphia all the while releasing a succession of collaborative LPs on his Open Mouth label to present his developing progression of solo and collaborative work. He also would find himself considerably engaged with playing the electric taishōgoto, a keyboard-activated string instrument from Japan which can exist as a one, two, four, five, or six string oblong sound object. Bill’s approach to the taishōgoto would not be too unlike his approach to the traditional electric guitar, though no outboard implements such as files, sticks, and rocks are utilized. The similarity would lie wholly with Bill’s full immersion of high velocity action-playing where, with the taishōgoto, an electric drone beauty occurs. The flurry of sonics and resultant harmonics emanating from the amplifier (which Bill opts to dial into with borderline loud-as fuck volume settings) furthers the meta-mantra properties of the instrument in an astounding display of drone dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis sound world of Bill’s two-stringed taishōgoto on this Café Oto night worked beautifully with Evan Parker’s improvisatory saxophone conceptions. The duology achieved instant lift off at ground zero only to find it’s eventual finale as if it were organically ordained. Time seemingly morphed from its ancient human construct of control, rendered inconsequential to the torrential transcendence of the room wildly activated by the magic resonance of the multi-directional pan-spatial sonance of the music as if it were some beatific blessing. It was one of those nights where art as a liberating force of spirit gifted the listeners with an offering of exaltation and joy. It was entirely mystical and mind blowing. A night of Total Music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth Records x Otoroku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM86 \/ \u003cmeta charset=\"utf-8\"\u003eOTO43\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。 サックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥4,977
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{"id":8145424220410,"title":"Bill Nace\/Emily Robb \/\/ Split LP","handle":"bill-nace-emily-robb-split-12","description":"\u003cp\u003eアメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777478291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Originally released as a split tour-only cassette for the Emily Robb\/Bill Nace tour. LP edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBILL NACE 17:31\u003c\/li\u003e\n\u003cli\u003eEMILY ROBB 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpen Mouth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from prepared guitar to the taishogoto, a Japanese instrument rarely heard in the \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ewest.\u003cbr\u003e\u003cbr\u003eWhen Nace plays his taisho live, listeners generally\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cem\u003e respond in a couple of different ways. Some become slightly hypnotized by the constant motion required to maintain the instrument’s frantic, electric flicker. Others, on the edge of their seats, whoop loudly, almost involuntarily, to release the mounting tension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a performer, Nace says the experience is a bit like being watched while jogging in place.Where the guitar easily allows space, this particular model of taishogoto has no sustain. “I have to keep playing it to keep making sound,” Nace says. “I have to get whipped up into this state.” This presents new limitations,and Nace expands to the edges. Here it shudders and sparks, spiking and scribbling like a EKG. It emanates white light, white heat.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobb luminates in a balmier way, like sunshine through leaves. Her guitar arcs and billows. Fripp-y tones and textures establish a structure inside which it feels good to get lost. Robb describes her improvisational playing here as somewhat meditative. “There’s a constant running through it,” she says. It’s like “hearing a story of a person’s mind and emotions as they let music flow through.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\/Emily Robb\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2024-01-18T18:10:26+09:00","created_at":"2024-01-18T17:20:42+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","noise","open mouth"],"price":439800,"price_min":439800,"price_max":439800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45041137746170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Emily Robb \/\/ Split LP","public_title":null,"options":["Default Title"],"price":439800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044","\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","options":["Title"],"media":[{"alt":null,"id":33002373710074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","width":700},{"alt":null,"id":33002373742842,"position":2,"preview_image":{"aspect_ratio":0.5,"height":1200,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044"},"aspect_ratio":0.5,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044","width":600},{"alt":null,"id":33002373775610,"position":3,"preview_image":{"aspect_ratio":0.773,"height":1200,"width":927,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045"},"aspect_ratio":0.773,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045","width":927}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777478291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Originally released as a split tour-only cassette for the Emily Robb\/Bill Nace tour. LP edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBILL NACE 17:31\u003c\/li\u003e\n\u003cli\u003eEMILY ROBB 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpen Mouth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from prepared guitar to the taishogoto, a Japanese instrument rarely heard in the \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ewest.\u003cbr\u003e\u003cbr\u003eWhen Nace plays his taisho live, listeners generally\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cem\u003e respond in a couple of different ways. Some become slightly hypnotized by the constant motion required to maintain the instrument’s frantic, electric flicker. Others, on the edge of their seats, whoop loudly, almost involuntarily, to release the mounting tension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a performer, Nace says the experience is a bit like being watched while jogging in place.Where the guitar easily allows space, this particular model of taishogoto has no sustain. “I have to keep playing it to keep making sound,” Nace says. “I have to get whipped up into this state.” This presents new limitations,and Nace expands to the edges. Here it shudders and sparks, spiking and scribbling like a EKG. It emanates white light, white heat.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobb luminates in a balmier way, like sunshine through leaves. Her guitar arcs and billows. Fripp-y tones and textures establish a structure inside which it feels good to get lost. Robb describes her improvisational playing here as somewhat meditative. “There’s a constant running through it,” she says. It’s like “hearing a story of a person’s mind and emotions as they let music flow through.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\/Emily Robb\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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アメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。 元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥4,398
クイックビュー
{"id":6955732992165,"title":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","handle":"bill-nace-solo-guitar-2-one-note-lp","description":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T03:04:42+09:00","created_at":"2021-08-05T13:50:16+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","noise","open mouth","sale22"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40509671899301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","options":["Title"],"media":[{"alt":null,"id":23211357864101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","width":4429},{"alt":null,"id":23211357896869,"position":2,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019","width":4429}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e"}
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Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。 題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。 tobirec4 · Billnace_excerpt レーベルその他作品はこちら /// Click here to see more Open...
¥3,980
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{"id":5721529221285,"title":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","handle":"bill-nace-graham-lambkin-the-dishwashers-lp","description":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが、2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e2019年秋にロンドンで録音された本作は、両者のこれまでの作品とは似ても似つかぬ作風で、たまたま紛れ込んだ鳥の鳴き声や車の音などもそのまま使われており、とてもレイドバックなスタイルとなっております。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899200108\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/glbn-open-mouth\" title=\"GLBN Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGLBN Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eGreg\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eKelley\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Somerville MA 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-02T10:21:10+09:00","created_at":"2020-10-02T10:21:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","open mouth","recommended","sale22"],"price":428800,"price_min":428800,"price_max":428800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36501324103845,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","public_title":null,"options":["Default Title"],"price":428800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","options":["Title"],"media":[{"alt":null,"id":11598697824421,"position":1,"preview_image":{"aspect_ratio":1.0,"height":640,"width":640,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670"},"aspect_ratio":1.0,"height":640,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","width":640},{"alt":null,"id":11598697857189,"position":2,"preview_image":{"aspect_ratio":0.995,"height":602,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"},"aspect_ratio":0.995,"height":602,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが、2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e2019年秋にロンドンで録音された本作は、両者のこれまでの作品とは似ても似つかぬ作風で、たまたま紛れ込んだ鳥の鳴き声や車の音などもそのまま使われており、とてもレイドバックなスタイルとなっております。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899200108\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/glbn-open-mouth\" title=\"GLBN Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGLBN Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eGreg\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eKelley\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Somerville MA 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。 本作は、Bill NaceとGraham Lambkinが、2020年にリリースした共作レコードです。 2019年秋にロンドンで録音された本作は、両者のこれまでの作品とは似ても似つかぬ作風で、たまたま紛れ込んだ鳥の鳴き声や車の音などもそのまま使われており、とてもレイドバックなスタイルとなっております。 レーベルその他作品はこちら /// Click here to see more Open Mouth...
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