open mouth
クイックビュー
{"id":9156140302586,"title":"Bill Nace \/\/ Bill Nace Plays The 2-String Taishogoto LP","handle":"bill-nace-bill-nace-plays-the-2-string-taishogoto-lp-color","description":"\u003cp\u003eアメリカのギタリスト／大正琴奏者Bill Naceが、2026年2月に自身主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2弦の大正琴によるインプロ2曲を収録。版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eJohn Truscinski\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Bill Nace Plays the 2 String Taishogoto』は、私にとって、暗黒時代に向けて灯された松明のようであり、あるいはむしろ、自らを焼き尽くすような犠牲の儀式のように感じられる一枚だ。Naceは、メディア、人々、場所、ドローイング、音、映像、楽器といったあらゆる領域にまたがる創造的な作品群を持つ、アメリカのアンダーグラウンドシーンにおける唯一無二の存在である。私は幸運にも、30年もの間彼を親しい友人と呼べる間柄にある。Billの演奏には独特で言葉では言い表しにくい何かがあるが、私はそれが様々な場面で現れるのを目にしてきた。Billが演奏を始めると、人々は足を止めて耳を傾ける。何か並外れたことが起きているという認識が生まれるのだ。それはギターやバンド、バーという表層を突き破り、目覚めの合図として響き渡る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作では、Billのソロ演奏での2つの輝かしい側面――それぞれが独自の質を備えた――を堪能できる。A面では炎が軽やかに燃え上がる。螺旋状にループする音が土台となり、金属的で深く心地よい声が様々な形をとりながらうめき、嘆き叫ぶ。Billは、長年にわたるアンプや音響システムの故障からしか得られない熟練の技で、風の馬に乗っている。フィードバックは溢れ出そうと絶えず脅かすが、そのたびに新たな表現を見出す。2本の弦から、表情、色彩、形が美しく、あらゆるバリエーションで浮かび上がる。大音量で聴けば、家の窓が割れてしまうかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面ではその形式がひっくり返される。一連の音符が繰り返されるが、それは単なるループではない。血が鼓動し、筋肉が痙攣し、身体が動きながらこれらの音を生成している。最初は、その形式にシンプルさと緊張感がある。しかし、私の脳は次第にその音に溶け込み、広がる空間は広大だ。倍音やハーモニクスが広い部屋の壁に反響し、私の時間感覚は変容する。ここでも、2本の弦が奏でる音域は果てしなく美しく広がる。2本の弦、2つの面、異なるけれど互いに繋がっている。Bill本人と同じように、私はこの音楽が存在し、それを目の当たりにできることに感謝している。ぜひ、あなた自身で聴いて確かめてみてほしい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1934697569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Over\/Under 17:48\u003cbr\u003e2. One for Susan Alcorn 18:47\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eBill Nace Plays the 2 String Taishogoto' is a record that feels to me like a torch set on fire for the dark ages, or maybe more like an immolation. Nace is a singular figure of the American underground with a catalogue of creative output that stretches across mediums, people, places, drawings, sounds, images, instruments. I’ve been lucky enough to call him a close friend for 3 decades now. There’s a quality to Bill’s playing that’s unique and hard to put words to, but I’ve seen it show up in many different settings. When Bill plays people stop and listen up. There’s recognition that something extraordinary is happening. It breaks through the surface of guitars, bands, and bars as a wake-up call. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this case we’re treated to 2 glorious sides of the solo version of Bill, each with its own quality. The flame is light on side A. A spirally loop sets the ground as a metallic and deeply pleasurable voice moans and wails through different forms. Bill rides the wind horse with expertise that can only come from years of broken amps and sound systems. The feedback continuously threatening to spill over only to find a new expression. A full range of faces, colors, and shapes emerge from the 2 strings beautifully. Play\u003cspan class=\"bcTruncateMore\"\u003e it loud and it might smash the windows in your house.\u003cbr\u003e\u003cbr\u003eThe format is flipped upside down on side B. A single series of notes is repeated, but it’s not a loop. Blood is pumping, muscles are twitching, a body is moving to generate these sounds. There’s simplicity and tension in the form at first. But my brain begins to relax into it and the space that opens up is vast. My sense of time is altered as overtones and harmonics are bouncing off the walls of a large room. Again, the range of the 2 strings is endless and beautiful. 2 strings, 2 sides, different yet connected to each other. Like Bill himself, I’m grateful this music exists and that I’m here to witness it. Light it up for yourself and see.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM88\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 28th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-27T07:50:04+09:00","created_at":"2026-03-26T11:07:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","noise","open mouth","recommended"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48540709323002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace \/\/ Bill Nace Plays The 2-String Taishogoto LP","public_title":null,"options":["Default Title"],"price":499600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273","\/\/tobirarecords.com\/cdn\/shop\/files\/taisho3.jpg?v=1774491273"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273","options":["Title"],"media":[{"alt":null,"id":38857475260666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273","width":350},{"alt":null,"id":38857475293434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho3.jpg?v=1774491273"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho3.jpg?v=1774491273","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリスト／大正琴奏者Bill Naceが、2026年2月に自身主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2弦の大正琴によるインプロ2曲を収録。版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eJohn Truscinski\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Bill Nace Plays the 2 String Taishogoto』は、私にとって、暗黒時代に向けて灯された松明のようであり、あるいはむしろ、自らを焼き尽くすような犠牲の儀式のように感じられる一枚だ。Naceは、メディア、人々、場所、ドローイング、音、映像、楽器といったあらゆる領域にまたがる創造的な作品群を持つ、アメリカのアンダーグラウンドシーンにおける唯一無二の存在である。私は幸運にも、30年もの間彼を親しい友人と呼べる間柄にある。Billの演奏には独特で言葉では言い表しにくい何かがあるが、私はそれが様々な場面で現れるのを目にしてきた。Billが演奏を始めると、人々は足を止めて耳を傾ける。何か並外れたことが起きているという認識が生まれるのだ。それはギターやバンド、バーという表層を突き破り、目覚めの合図として響き渡る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作では、Billのソロ演奏での2つの輝かしい側面――それぞれが独自の質を備えた――を堪能できる。A面では炎が軽やかに燃え上がる。螺旋状にループする音が土台となり、金属的で深く心地よい声が様々な形をとりながらうめき、嘆き叫ぶ。Billは、長年にわたるアンプや音響システムの故障からしか得られない熟練の技で、風の馬に乗っている。フィードバックは溢れ出そうと絶えず脅かすが、そのたびに新たな表現を見出す。2本の弦から、表情、色彩、形が美しく、あらゆるバリエーションで浮かび上がる。大音量で聴けば、家の窓が割れてしまうかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面ではその形式がひっくり返される。一連の音符が繰り返されるが、それは単なるループではない。血が鼓動し、筋肉が痙攣し、身体が動きながらこれらの音を生成している。最初は、その形式にシンプルさと緊張感がある。しかし、私の脳は次第にその音に溶け込み、広がる空間は広大だ。倍音やハーモニクスが広い部屋の壁に反響し、私の時間感覚は変容する。ここでも、2本の弦が奏でる音域は果てしなく美しく広がる。2本の弦、2つの面、異なるけれど互いに繋がっている。Bill本人と同じように、私はこの音楽が存在し、それを目の当たりにできることに感謝している。ぜひ、あなた自身で聴いて確かめてみてほしい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1934697569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Over\/Under 17:48\u003cbr\u003e2. One for Susan Alcorn 18:47\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eBill Nace Plays the 2 String Taishogoto' is a record that feels to me like a torch set on fire for the dark ages, or maybe more like an immolation. Nace is a singular figure of the American underground with a catalogue of creative output that stretches across mediums, people, places, drawings, sounds, images, instruments. I’ve been lucky enough to call him a close friend for 3 decades now. There’s a quality to Bill’s playing that’s unique and hard to put words to, but I’ve seen it show up in many different settings. When Bill plays people stop and listen up. There’s recognition that something extraordinary is happening. It breaks through the surface of guitars, bands, and bars as a wake-up call. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this case we’re treated to 2 glorious sides of the solo version of Bill, each with its own quality. The flame is light on side A. A spirally loop sets the ground as a metallic and deeply pleasurable voice moans and wails through different forms. Bill rides the wind horse with expertise that can only come from years of broken amps and sound systems. The feedback continuously threatening to spill over only to find a new expression. A full range of faces, colors, and shapes emerge from the 2 strings beautifully. Play\u003cspan class=\"bcTruncateMore\"\u003e it loud and it might smash the windows in your house.\u003cbr\u003e\u003cbr\u003eThe format is flipped upside down on side B. A single series of notes is repeated, but it’s not a loop. Blood is pumping, muscles are twitching, a body is moving to generate these sounds. There’s simplicity and tension in the form at first. But my brain begins to relax into it and the space that opens up is vast. My sense of time is altered as overtones and harmonics are bouncing off the walls of a large room. Again, the range of the 2 strings is endless and beautiful. 2 strings, 2 sides, different yet connected to each other. Like Bill himself, I’m grateful this music exists and that I’m here to witness it. Light it up for yourself and see.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM88\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 28th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのギタリスト／大正琴奏者Bill Naceが、2026年2月に自身主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。 2弦の大正琴によるインプロ2曲を収録。版元即完のためこの機会をお見逃しなく。 以下、John Truscinskiによる解説です。 『Bill Nace Plays the 2 String Taishogoto』は、私にとって、暗黒時代に向けて灯された松明のようであり、あるいはむしろ、自らを焼き尽くすような犠牲の儀式のように感じられる一枚だ。Naceは、メディア、人々、場所、ドローイング、音、映像、楽器といったあらゆる領域にまたがる創造的な作品群を持つ、アメリカのアンダーグラウンドシーンにおける唯一無二の存在である。私は幸運にも、30年もの間彼を親しい友人と呼べる間柄にある。Billの演奏には独特で言葉では言い表しにくい何かがあるが、私はそれが様々な場面で現れるのを目にしてきた。Billが演奏を始めると、人々は足を止めて耳を傾ける。何か並外れたことが起きているという認識が生まれるのだ。それはギターやバンド、バーという表層を突き破り、目覚めの合図として響き渡る。 本作では、Billのソロ演奏での2つの輝かしい側面――それぞれが独自の質を備えた――を堪能できる。A面では炎が軽やかに燃え上がる。螺旋状にループする音が土台となり、金属的で深く心地よい声が様々な形をとりながらうめき、嘆き叫ぶ。Billは、長年にわたるアンプや音響システムの故障からしか得られない熟練の技で、風の馬に乗っている。フィードバックは溢れ出そうと絶えず脅かすが、そのたびに新たな表現を見出す。2本の弦から、表情、色彩、形が美しく、あらゆるバリエーションで浮かび上がる。大音量で聴けば、家の窓が割れてしまうかもしれない。...
¥4,996
クイックビュー
{"id":9045942632698,"title":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","handle":"bill-nace-graham-lambkin-the-dishwashers-lp","description":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜ドローン8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003cspan class=\"il\"\u003eGreg\u003c\/span\u003e \u003cspan class=\"il\"\u003eKelley\u003c\/span\u003e Somerville MA 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-04T05:52:34+09:00","created_at":"2026-01-04T05:51:48+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","open mouth"],"price":428800,"price_min":428800,"price_max":428800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183163420922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","public_title":null,"options":["Default Title"],"price":428800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","options":["Title"],"media":[{"alt":null,"id":11598697824421,"position":1,"preview_image":{"aspect_ratio":1.0,"height":640,"width":640,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670"},"aspect_ratio":1.0,"height":640,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","width":640},{"alt":null,"id":11598697857189,"position":2,"preview_image":{"aspect_ratio":0.995,"height":602,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"},"aspect_ratio":0.995,"height":602,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜ドローン8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003cspan class=\"il\"\u003eGreg\u003c\/span\u003e \u003cspan class=\"il\"\u003eKelley\u003c\/span\u003e Somerville MA 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。 本作は、Bill NaceとGraham Lambkinが2020年にリリースした共作レコードです。 インプロ〜ドローン8曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases...
¥4,288
クイックビュー
{"id":8988459598074,"title":"Sakina Abdou\/Bill Nace \/\/ Rinse Cycle LP","handle":"sakina-abdou-bill-nace-rinse-cycle","description":"\u003cp\u003eフランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=576560277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vented 08:15\u003cbr\u003e2. All in One (in two parts) 06:44\u003cbr\u003e3. Mega Capacity 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfect Steam 06:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Clifford Allen, August 2025\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Over the course of more than two decades, Philadelphia musician Bill Nace (guitar, taishogoto) has carved out unique collaborations across a wide range of contemporary improvisational practices, and though these range from solos to small groups, there’s a keen ear toward the immediate, stark tug of duets. Some of these meetings are one-offs for now (saxophonists Evan Parker and Masayo Koketsu), while others are regular partnerships that have evolved across continual play and refinement (violinist Samara Lubelski and saxophonists Paul Flaherty and Steve Baczkowski). Many of these recordings have been released via Open Mouth, the label that Nace founded in 2004 which documents not only his work, but also that of fellow travelers in the worlds of experimental rock, noise, free improvisation, electronic music, and spectral folk in more or less limited editions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRinse Cycle is the first recorded encounter between Nace and French saxophonist Sakina Abdou, whose searing and personally declarative solo CD, Goodbye Ground, was released by Relative Pitch at the close of 2022. From Lille, Abdou has participated in collectives for many years, but recent solo work has garnered her more attention (especially Stateside) and offers a clear and focused explication of her language. Having a defined unaccompanied approach allows\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for powerful duo situations to emerge––after all, figures like Evan Parker, Lubelski, and Flaherty have significant solo practices, and the development of a strict vocabulary on one’s own offers more conversational resilience. It’s as if isolation opens one up to deep and nuanced listening and the focus on structure and vocabulary grants a bevy of resources for the expanded field. That said, as a player Nace is less like a Derek Bailey or Masayuki Takayanagi in terms of directing the conversation (though he can) and more akin to Sunny Murray, providing a distinct carpet of sound (to quote Sunny Murray in April\/May 1969’s Jazz \u0026amp; Pop, “the continuous cracking of glass”) that acts to both ratchet up tension incrementally and, in sparser moments, creates a complex, shifting surface on which one’s feet are en pointe. [..\u003c\/em\u003e\u003cem\u003e.]\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sakina Abdou\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2025-11-10T15:11:00+09:00","created_at":"2025-11-10T11:21:12+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth","recommended"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47929590644986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sakina Abdou\/Bill Nace \/\/ Rinse Cycle LP","public_title":null,"options":["Default Title"],"price":598000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","options":["Title"],"media":[{"alt":null,"id":37447567180026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","width":700},{"alt":null,"id":37447567212794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=576560277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vented 08:15\u003cbr\u003e2. All in One (in two parts) 06:44\u003cbr\u003e3. Mega Capacity 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfect Steam 06:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Clifford Allen, August 2025\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Over the course of more than two decades, Philadelphia musician Bill Nace (guitar, taishogoto) has carved out unique collaborations across a wide range of contemporary improvisational practices, and though these range from solos to small groups, there’s a keen ear toward the immediate, stark tug of duets. Some of these meetings are one-offs for now (saxophonists Evan Parker and Masayo Koketsu), while others are regular partnerships that have evolved across continual play and refinement (violinist Samara Lubelski and saxophonists Paul Flaherty and Steve Baczkowski). Many of these recordings have been released via Open Mouth, the label that Nace founded in 2004 which documents not only his work, but also that of fellow travelers in the worlds of experimental rock, noise, free improvisation, electronic music, and spectral folk in more or less limited editions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRinse Cycle is the first recorded encounter between Nace and French saxophonist Sakina Abdou, whose searing and personally declarative solo CD, Goodbye Ground, was released by Relative Pitch at the close of 2022. From Lille, Abdou has participated in collectives for many years, but recent solo work has garnered her more attention (especially Stateside) and offers a clear and focused explication of her language. Having a defined unaccompanied approach allows\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for powerful duo situations to emerge––after all, figures like Evan Parker, Lubelski, and Flaherty have significant solo practices, and the development of a strict vocabulary on one’s own offers more conversational resilience. It’s as if isolation opens one up to deep and nuanced listening and the focus on structure and vocabulary grants a bevy of resources for the expanded field. That said, as a player Nace is less like a Derek Bailey or Masayuki Takayanagi in terms of directing the conversation (though he can) and more akin to Sunny Murray, providing a distinct carpet of sound (to quote Sunny Murray in April\/May 1969’s Jazz \u0026amp; Pop, “the continuous cracking of glass”) that acts to both ratchet up tension incrementally and, in sparser moments, creates a complex, shifting surface on which one’s feet are en pointe. [..\u003c\/em\u003e\u003cem\u003e.]\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sakina Abdou\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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フランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。 サックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥5,980
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{"id":8789395669242,"title":"Evan Parker\/Bill Nace \/\/ Branches (Live at Cafe OTO) LP","handle":"evan-parker-bill-nace-branches-live-at-cafe-oto-lp","description":"\u003cp\u003eイギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003178254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A (20:02)\u003cbr\u003e2. SIDE B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eThurston Moore, London, 2025, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"They had never played together before.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey had never even met each other before this springtime 2024 concert at London’s Café Oto.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvan Parker, circular breathing maestro of the saxophone, a legend in the universe that is Free Improvisation since the late 1960s and Bill Nace, one of the most intriguing experimental “noise” guitarists of the 1990s\/2000s underground scene.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those of us who have been enamored by the live and documented work of both these gents, this Café Oto duo was a must-hear event. It could have gone anywhere musically and that would have been totally fine. Particularly with Evan having a history of being thrown into a variety of challenging collaborations throughout his career, employing the learned elegance of trust in his own sensitivity to listening, responding, leading, following, sparring, intertwining, dialoguing, creating in the instant and, essentially, dignifying the non-hierarchical grace of chance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe aesthetics of socialist consideration in Evan Parker’s playing, in his community of expanded and personal technique, for a younger player such as Bill Nace, strikes an exemplary model. This notion of respect would be entirely the reason Nace, when offered a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e residency at the most critical “new music” room in England, would request to play in duo with Parker.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBill Nace came to prominence mostly during the apex of experimental music activity in and around Western Massachusetts in the early days of the aughts, with a focus on visual art and free improvisation guitar action. He could be found in the daytime hours, his head hanging down over a notepad, penning fine-tuned illustrations and abstract line drawings, while in the evenings he’d be attending any number of basement noise gigs, many of which he’d be participating in. His guitar style came across as being informed as much as by the physicality of his writing utensils in friction to the page as it was to his hearing and redefining of radical recordings ranging anywhere from the Black Unity Group to Black Flag.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtilizing various metal files and other small cylindrical objects Bill would allow his guitar and amplifier to be in tandem with the improvisatory movements of his body as the instrument balanced, intentionally and, at times, precariously, upon his lap. The performances came across thrilling and daring and they would be mostly in the context of venues nothing more than a low-ceilinged damp and dank New England basement, a clutch of people hanging onto rusty pipes or sitting up on dilapidated washer\/dryer machines, the shards of Bill’s “file guitar” sounds ringing out like the most alive music on Earth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBy the time Bill reached Café Oto in early 2024 he had relocated to Philadelphia all the while releasing a succession of collaborative LPs on his Open Mouth label to present his developing progression of solo and collaborative work. He also would find himself considerably engaged with playing the electric taishōgoto, a keyboard-activated string instrument from Japan which can exist as a one, two, four, five, or six string oblong sound object. Bill’s approach to the taishōgoto would not be too unlike his approach to the traditional electric guitar, though no outboard implements such as files, sticks, and rocks are utilized. The similarity would lie wholly with Bill’s full immersion of high velocity action-playing where, with the taishōgoto, an electric drone beauty occurs. The flurry of sonics and resultant harmonics emanating from the amplifier (which Bill opts to dial into with borderline loud-as fuck volume settings) furthers the meta-mantra properties of the instrument in an astounding display of drone dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis sound world of Bill’s two-stringed taishōgoto on this Café Oto night worked beautifully with Evan Parker’s improvisatory saxophone conceptions. The duology achieved instant lift off at ground zero only to find it’s eventual finale as if it were organically ordained. Time seemingly morphed from its ancient human construct of control, rendered inconsequential to the torrential transcendence of the room wildly activated by the magic resonance of the multi-directional pan-spatial sonance of the music as if it were some beatific blessing. It was one of those nights where art as a liberating force of spirit gifted the listeners with an offering of exaltation and joy. It was entirely mystical and mind blowing. A night of Total Music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth Records x Otoroku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM86 \/ \u003cmeta charset=\"utf-8\"\u003eOTO43\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-21T16:20:32+09:00","created_at":"2025-05-20T11:17:22+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth","recommended"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47328863846650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Evan Parker\/Bill Nace \/\/ Branches (Live at Cafe OTO) LP","public_title":null,"options":["Default Title"],"price":548000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","options":["Title"],"media":[{"alt":null,"id":36058351436026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","width":700},{"alt":null,"id":36058351468794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003178254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A (20:02)\u003cbr\u003e2. SIDE B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eThurston Moore, London, 2025, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"They had never played together before.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey had never even met each other before this springtime 2024 concert at London’s Café Oto.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvan Parker, circular breathing maestro of the saxophone, a legend in the universe that is Free Improvisation since the late 1960s and Bill Nace, one of the most intriguing experimental “noise” guitarists of the 1990s\/2000s underground scene.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those of us who have been enamored by the live and documented work of both these gents, this Café Oto duo was a must-hear event. It could have gone anywhere musically and that would have been totally fine. Particularly with Evan having a history of being thrown into a variety of challenging collaborations throughout his career, employing the learned elegance of trust in his own sensitivity to listening, responding, leading, following, sparring, intertwining, dialoguing, creating in the instant and, essentially, dignifying the non-hierarchical grace of chance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe aesthetics of socialist consideration in Evan Parker’s playing, in his community of expanded and personal technique, for a younger player such as Bill Nace, strikes an exemplary model. This notion of respect would be entirely the reason Nace, when offered a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e residency at the most critical “new music” room in England, would request to play in duo with Parker.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBill Nace came to prominence mostly during the apex of experimental music activity in and around Western Massachusetts in the early days of the aughts, with a focus on visual art and free improvisation guitar action. He could be found in the daytime hours, his head hanging down over a notepad, penning fine-tuned illustrations and abstract line drawings, while in the evenings he’d be attending any number of basement noise gigs, many of which he’d be participating in. His guitar style came across as being informed as much as by the physicality of his writing utensils in friction to the page as it was to his hearing and redefining of radical recordings ranging anywhere from the Black Unity Group to Black Flag.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtilizing various metal files and other small cylindrical objects Bill would allow his guitar and amplifier to be in tandem with the improvisatory movements of his body as the instrument balanced, intentionally and, at times, precariously, upon his lap. The performances came across thrilling and daring and they would be mostly in the context of venues nothing more than a low-ceilinged damp and dank New England basement, a clutch of people hanging onto rusty pipes or sitting up on dilapidated washer\/dryer machines, the shards of Bill’s “file guitar” sounds ringing out like the most alive music on Earth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBy the time Bill reached Café Oto in early 2024 he had relocated to Philadelphia all the while releasing a succession of collaborative LPs on his Open Mouth label to present his developing progression of solo and collaborative work. He also would find himself considerably engaged with playing the electric taishōgoto, a keyboard-activated string instrument from Japan which can exist as a one, two, four, five, or six string oblong sound object. Bill’s approach to the taishōgoto would not be too unlike his approach to the traditional electric guitar, though no outboard implements such as files, sticks, and rocks are utilized. The similarity would lie wholly with Bill’s full immersion of high velocity action-playing where, with the taishōgoto, an electric drone beauty occurs. The flurry of sonics and resultant harmonics emanating from the amplifier (which Bill opts to dial into with borderline loud-as fuck volume settings) furthers the meta-mantra properties of the instrument in an astounding display of drone dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis sound world of Bill’s two-stringed taishōgoto on this Café Oto night worked beautifully with Evan Parker’s improvisatory saxophone conceptions. The duology achieved instant lift off at ground zero only to find it’s eventual finale as if it were organically ordained. Time seemingly morphed from its ancient human construct of control, rendered inconsequential to the torrential transcendence of the room wildly activated by the magic resonance of the multi-directional pan-spatial sonance of the music as if it were some beatific blessing. It was one of those nights where art as a liberating force of spirit gifted the listeners with an offering of exaltation and joy. It was entirely mystical and mind blowing. A night of Total Music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth Records x Otoroku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM86 \/ \u003cmeta charset=\"utf-8\"\u003eOTO43\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。 サックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥5,480
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{"id":8145424220410,"title":"Bill Nace\/Emily Robb \/\/ Split LP","handle":"bill-nace-emily-robb-split-12","description":"\u003cp\u003eアメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777478291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Originally released as a split tour-only cassette for the Emily Robb\/Bill Nace tour. LP edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBILL NACE 17:31\u003c\/li\u003e\n\u003cli\u003eEMILY ROBB 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpen Mouth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from prepared guitar to the taishogoto, a Japanese instrument rarely heard in the \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ewest.\u003cbr\u003e\u003cbr\u003eWhen Nace plays his taisho live, listeners generally\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cem\u003e respond in a couple of different ways. Some become slightly hypnotized by the constant motion required to maintain the instrument’s frantic, electric flicker. Others, on the edge of their seats, whoop loudly, almost involuntarily, to release the mounting tension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a performer, Nace says the experience is a bit like being watched while jogging in place.Where the guitar easily allows space, this particular model of taishogoto has no sustain. “I have to keep playing it to keep making sound,” Nace says. “I have to get whipped up into this state.” This presents new limitations,and Nace expands to the edges. Here it shudders and sparks, spiking and scribbling like a EKG. It emanates white light, white heat.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobb luminates in a balmier way, like sunshine through leaves. Her guitar arcs and billows. Fripp-y tones and textures establish a structure inside which it feels good to get lost. Robb describes her improvisational playing here as somewhat meditative. “There’s a constant running through it,” she says. It’s like “hearing a story of a person’s mind and emotions as they let music flow through.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\/Emily Robb\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2024-01-18T18:10:26+09:00","created_at":"2024-01-18T17:20:42+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","noise","open mouth"],"price":439800,"price_min":439800,"price_max":439800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45041137746170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Emily Robb \/\/ Split LP","public_title":null,"options":["Default Title"],"price":439800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044","\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","options":["Title"],"media":[{"alt":null,"id":33002373710074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","width":700},{"alt":null,"id":33002373742842,"position":2,"preview_image":{"aspect_ratio":0.5,"height":1200,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044"},"aspect_ratio":0.5,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044","width":600},{"alt":null,"id":33002373775610,"position":3,"preview_image":{"aspect_ratio":0.773,"height":1200,"width":927,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045"},"aspect_ratio":0.773,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045","width":927}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777478291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Originally released as a split tour-only cassette for the Emily Robb\/Bill Nace tour. LP edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBILL NACE 17:31\u003c\/li\u003e\n\u003cli\u003eEMILY ROBB 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpen Mouth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from prepared guitar to the taishogoto, a Japanese instrument rarely heard in the \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ewest.\u003cbr\u003e\u003cbr\u003eWhen Nace plays his taisho live, listeners generally\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cem\u003e respond in a couple of different ways. Some become slightly hypnotized by the constant motion required to maintain the instrument’s frantic, electric flicker. Others, on the edge of their seats, whoop loudly, almost involuntarily, to release the mounting tension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a performer, Nace says the experience is a bit like being watched while jogging in place.Where the guitar easily allows space, this particular model of taishogoto has no sustain. “I have to keep playing it to keep making sound,” Nace says. “I have to get whipped up into this state.” This presents new limitations,and Nace expands to the edges. Here it shudders and sparks, spiking and scribbling like a EKG. It emanates white light, white heat.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobb luminates in a balmier way, like sunshine through leaves. Her guitar arcs and billows. Fripp-y tones and textures establish a structure inside which it feels good to get lost. Robb describes her improvisational playing here as somewhat meditative. “There’s a constant running through it,” she says. It’s like “hearing a story of a person’s mind and emotions as they let music flow through.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\/Emily Robb\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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アメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。 元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥4,398
クイックビュー
{"id":7607545397498,"title":"Paul Flaherty \/ Bill Nace \/\/ Touchless 7\"","handle":"paul-flaherty-bill-nace-touchless-7","description":"\u003cp\u003e80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7\"です。\u003c\/p\u003e\n\u003cp\u003eアルトとギターによるインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2730444608\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Flaherty--alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Flaherty\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2022-05-10T15:58:10+09:00","created_at":"2022-05-10T08:55:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","open mouth"],"price":225000,"price_min":225000,"price_max":225000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42741172371706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paul Flaherty \/ Bill Nace \/\/ Touchless 7\"","public_title":null,"options":["Default Title"],"price":225000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540","options":["Title"],"media":[{"alt":null,"id":29692194980090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7\"です。\u003c\/p\u003e\n\u003cp\u003eアルトとギターによるインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2730444608\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Flaherty--alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Flaherty\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7"です。 アルトとギターによるインプロ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at...
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{"id":6955732992165,"title":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","handle":"bill-nace-solo-guitar-2-one-note-lp","description":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T03:04:42+09:00","created_at":"2021-08-05T13:50:16+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","noise","open mouth","sale22"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40509671899301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","options":["Title"],"media":[{"alt":null,"id":23211357864101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","width":4429},{"alt":null,"id":23211357896869,"position":2,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019","width":4429}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9009668161786,"title":"Masayo Koketsu \/ Bill Nace s\/t LP","handle":"masayo-koketsu-bill-nace-s-t-lp","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e岐阜のサックス奏者Masayo Koketsuとアメリカのギタリスト／大正琴奏者Bill Naceが、2023年にBill Nace主宰レーベルOpen Mouthから100部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスとギターによるガチンコフリージャズ7曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2782014871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Teddy's 08:51\u003cbr\u003e2. Burger and Fries 04:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Luring out Chew 03:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Too Drunk to Fuck 05:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Calming Terry 04:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hampshire Drive Blues 02:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Can I Watch? 04:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMasayo Koketsu--Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masayo Koketsu\/Bill Nace Duo\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM82\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T11:44:56+09:00","created_at":"2025-11-23T10:37:14+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998170104058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Masayo Koketsu \/ Bill Nace s\/t LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732","\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_c047989f-fe5e-4929-8959-7fc22e5e6b45.jpg?v=1763861732"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732","options":["Title"],"media":[{"alt":null,"id":37590343778554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732","width":700},{"alt":null,"id":37590343811322,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_c047989f-fe5e-4929-8959-7fc22e5e6b45.jpg?v=1763861732"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_c047989f-fe5e-4929-8959-7fc22e5e6b45.jpg?v=1763861732","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e岐阜のサックス奏者Masayo Koketsuとアメリカのギタリスト／大正琴奏者Bill Naceが、2023年にBill Nace主宰レーベルOpen Mouthから100部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスとギターによるガチンコフリージャズ7曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2782014871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Teddy's 08:51\u003cbr\u003e2. Burger and Fries 04:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Luring out Chew 03:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Too Drunk to Fuck 05:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Calming Terry 04:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hampshire Drive Blues 02:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Can I Watch? 04:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMasayo Koketsu--Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masayo Koketsu\/Bill Nace Duo\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM82\u003c\/span\u003e\u003c\/p\u003e"}
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※当店限定販売です 岐阜のサックス奏者Masayo Koketsuとアメリカのギタリスト／大正琴奏者Bill Naceが、2023年にBill Nace主宰レーベルOpen Mouthから100部限定でリリースした共作レコードです。 サックスとギターによるガチンコフリージャズ7曲を収録。版元即完のため最初で最後の入荷となります。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases...
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{"id":8857792774394,"title":"Noise Nomads \/\/ Obsidian shards pooled in Silver LP","handle":"noise-nomads-obsidian-shards-pooled-in-silver-lp","description":"\u003cp\u003eアメリカのノイズ作家Noise Nomadsが、2025年6月にBill Nace主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなハーシュノイズ2曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823225353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. This light intoxication: the madness of candor 17:38\u003cbr\u003e2. Full Steam 17:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo years ago I gained access to a practice spot for the first time. Until now my whole career in sound was built on putting my ideas to the test in front of people in live situations. That whole period of almost 30 years was a steady stream of changing ideas and modes of operation. The intent was to keep it interesting for myself and for the audience. Trying something new every time I performed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen the pandemic hit and people were trying to maintain their levels of social\/creative output with live streaming themselves. I had the personal realization that I could take a break from the endless road of live performance. So I stopped playing for two years. Coming out of the pandemic I was less interested in such a deep focus on live performance. The practice spot gave me the opportunity to truly play for myself. A welcome change. I began focusing on a singular idea. Study that idea the way a jazz musician is dedicated to his instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the set up I’ve been working with for the past two years: I had found an industrial metal table at work and promptly put a contact mic on it. Started using a singing bowl on the table with various effects. Along with an oscillator, brushes and a spring stretched on a 4’ piece of spruce. I also use a modified Korg Monotron. I like the way the singing bowl resonates thru the table. The percussive element of the brushes and spring maintain the visceral aspects while I feel that the bowl and oscillator represent an attempt to find a deeper focus and thoughtfulness in what I do with sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI recorded the record at my studio in Erving, ma. My relationship with recording has always been challenging. I find paying for time at a recording studio to be stressful and I tend to not like what comes out of those laboratory situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have a very simple approach these days. I might fill a few blown out tracks on the ol’ Tascam. Then I will give it a quick live edit and mix down to a master tape. I don’t have a lot of patience for learning techniques or technology. I don’t have a computerized recording setup.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording for Bill was born out of frustration with the recording process. It took me a long time to get off my ass and document what I’ve been doing. Once I did it came together quickly. One day to record and the next day to re listen and mix. This recording was also heavily inspired by the work of a friend and I think it shows thru in the directness of the material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI first got into music through my father’s country records and skateboarding videos. Then at some point a desire for more challenging and dynamic sounds took hold of me. I’ve been chasing difficult music ever since. The Do it yourself attitude from punk rock scene of the nineties is what drove me to start making my own music. I didn’t have like minded friends in high school to start a band with. So I played alone and made noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHistorically playing music has always been a visceral experience for me. I don’t spend too much time thinking about or debating what I should or shouldn’t do. I just tend to go for it and hope I will succeed with an idea.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI loved LA for the change of scenery. During my time out there I drove around everywhere and enjoyed being in a natural environment that was different from New England. I played a handful of shows and enjoyed checking out the local music and art scene as well. In a moment of weakness I decided to come home. So I hopped on an Amtrak back to WMass. I have 4 nieces and wanted to get to know them instead of being that uncle they might meet once. My time there was brief and I miss it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Noise Nomads\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : OM76\u003c\/p\u003e","published_at":"2025-07-13T14:36:29+09:00","created_at":"2025-07-11T11:03:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","noise","open mouth","recommended"],"price":497700,"price_min":497700,"price_max":497700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502291763450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Noise Nomads \/\/ Obsidian shards pooled in Silver LP","public_title":null,"options":["Default Title"],"price":497700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310","\/\/tobirarecords.com\/cdn\/shop\/files\/pool2.jpg?v=1752199310"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310","options":["Title"],"media":[{"alt":null,"id":36352371687674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool1_1ea171f9-bc2e-445b-aeee-eeacc08008c8.jpg?v=1752199310","width":700},{"alt":null,"id":36352371720442,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool2.jpg?v=1752199310"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pool2.jpg?v=1752199310","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのノイズ作家Noise Nomadsが、2025年6月にBill Nace主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックなハーシュノイズ2曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823225353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. This light intoxication: the madness of candor 17:38\u003cbr\u003e2. Full Steam 17:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo years ago I gained access to a practice spot for the first time. Until now my whole career in sound was built on putting my ideas to the test in front of people in live situations. That whole period of almost 30 years was a steady stream of changing ideas and modes of operation. The intent was to keep it interesting for myself and for the audience. Trying something new every time I performed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen the pandemic hit and people were trying to maintain their levels of social\/creative output with live streaming themselves. I had the personal realization that I could take a break from the endless road of live performance. So I stopped playing for two years. Coming out of the pandemic I was less interested in such a deep focus on live performance. The practice spot gave me the opportunity to truly play for myself. A welcome change. I began focusing on a singular idea. Study that idea the way a jazz musician is dedicated to his instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the set up I’ve been working with for the past two years: I had found an industrial metal table at work and promptly put a contact mic on it. Started using a singing bowl on the table with various effects. Along with an oscillator, brushes and a spring stretched on a 4’ piece of spruce. I also use a modified Korg Monotron. I like the way the singing bowl resonates thru the table. The percussive element of the brushes and spring maintain the visceral aspects while I feel that the bowl and oscillator represent an attempt to find a deeper focus and thoughtfulness in what I do with sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI recorded the record at my studio in Erving, ma. My relationship with recording has always been challenging. I find paying for time at a recording studio to be stressful and I tend to not like what comes out of those laboratory situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have a very simple approach these days. I might fill a few blown out tracks on the ol’ Tascam. Then I will give it a quick live edit and mix down to a master tape. I don’t have a lot of patience for learning techniques or technology. I don’t have a computerized recording setup.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording for Bill was born out of frustration with the recording process. It took me a long time to get off my ass and document what I’ve been doing. Once I did it came together quickly. One day to record and the next day to re listen and mix. This recording was also heavily inspired by the work of a friend and I think it shows thru in the directness of the material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI first got into music through my father’s country records and skateboarding videos. Then at some point a desire for more challenging and dynamic sounds took hold of me. I’ve been chasing difficult music ever since. The Do it yourself attitude from punk rock scene of the nineties is what drove me to start making my own music. I didn’t have like minded friends in high school to start a band with. So I played alone and made noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHistorically playing music has always been a visceral experience for me. I don’t spend too much time thinking about or debating what I should or shouldn’t do. I just tend to go for it and hope I will succeed with an idea.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI loved LA for the change of scenery. During my time out there I drove around everywhere and enjoyed being in a natural environment that was different from New England. I played a handful of shows and enjoyed checking out the local music and art scene as well. In a moment of weakness I decided to come home. So I hopped on an Amtrak back to WMass. I have 4 nieces and wanted to get to know them instead of being that uncle they might meet once. My time there was brief and I miss it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Noise Nomads\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : OM76\u003c\/p\u003e"}
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アメリカのノイズ作家Noise Nomadsが、2025年6月にBill Nace主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。 サイケデリックなハーシュノイズ2曲を収録。版元即完のため最初で最後の入荷となります。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
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{"id":8726119350522,"title":"Bangone Ensemble s\/t LP","handle":"bangone-ensemble-s-t-lp","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e1970年代半ばに活動していたアメリカ・ニュージャージーの実験ジャズバンドBangone Ensembleが、2025年1月にBill Nace主宰レーベルOpen Mouthから200部限定でリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1975年に録音したライブ音源です。版元即完のため今回限りの入荷となります。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"70年代半ば、ニュージャージー州北部で、友人たちと私はAtomic Squawkというアンサンブルを結成し、自分たちの極めて限られた音楽テクニックを駆使して、同業者の誰も気にもとめないような奇抜なサウンドを演奏していた。「おかしな」トーキング・ブルース、フリーフォームのスクロンク、ビーフハートとヴェルヴェッツの漠然としたカヴァー--これらが私たちの商売であり、ランディ・チャールズの地下室で酒を飲んで騒いで幸せな時間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e50マイル南下したところでは、スティール・ティップス、キング・オブ・サイアム、ストラッピング・フィールドハンズ、スパイ・ゴッズなど、後にサウスジャージーのサブ・アンダーグラウンドの伝説となるミュージシャンのメンバーにとっても、状況はほとんど同じだった。しかし、Bangone Ensembleの活動的な（そして準活動的な）参加者たちは、ラトガーズ周辺にいる、より多くの、より優れたミュージシャンたちにアクセスすることができた。つまり、Bangone EnsembleのサウンドはAtomic Squawkをはるかに凌駕していたのだ。それでも、私たちは同じ美的衝動を共有していた。1975年当時、ラフィング・ドッグスやアナザー・プリティ・フェイスのようなジャージーのバンドは最先端とみなされていた。もしあなたが何かを知っていたなら、この考え方はとんでもないジョークだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私には（事実の詳細は謎に包まれているが）、Bangone Ensembleには最大12人の奏者がいて、楽器の幅が何マイルもあり、イサカのゾーボー・ファン・バンドとほぼ同等のチョップがあったように聞こえる。ここには本当に素晴らしい演奏がいくつもあるが、それはすべて変人ロックの名の下に行われており、バカバカしくないティーンエイジャーの反抗を最も忠実に表現している。ジャズ、アートロック、「ニューミュージック」、プリミティヴィズムを、DCのバンドマフィンズが初期にやっていたのと同じようにミックスした素晴らしいサウンドだ。そのサウンドは、マザーズからソフト・マシーン、マジック・バンド、アーケストラなど、前衛音楽への子供の手引書のようなものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBangone Ensembleのサウンドは、かなり四角四面だった時代と場所からの、偉大なる自由の気流なのだ。彼らは知らず知らずのうちに、90年代半ばのフリーロック・ポストエヴリシング・フュージョンユニットに匹敵するペースを作り上げたのだ。ミック・ファーレンが言ったように、「アナーキストにタバコをくれてやれ！」。彼らはそれを獲得したのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314599527\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 200. \u003cbr\u003eOriginally recorded in 1975.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE 1 20:48\u003cbr\u003e2. SIDE 2 21:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eByron Coley, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the mid-70s in Northern New Jersey, some friends and I formed an ensemble called Atomic Squawk, with which we used our extremely limited musical techniques to play the sorts of whacked-out sounds about which none of our fucking peers gave a rat's ass. “Funny” talking blues, free form skronk, vaguely detourned covers of Beefheart and the Velvets -- these were our stocks in trade, and much happy time was whiled away in Randy Charles' basement drinking and making noise, simply because most all the live music being played in the area was dull as shit; useless unless your only goal was trying to get a sloppy blowjob in the parking lot of Mother's.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFifty miles south, things were pretty much the same for future members of Steel Tips, King of Siam, Strapping Fieldhands, Spy Gods and other future legends of the South Jersey sub-underground. But the active (and semi-active) participants in Bangone Ensemble had access to many more and better musicians down around Rutgers. This meant the Bangone Ensemble's sound was leagues beyond Atomic Squawk's. Still, we shared the same aesthetic impulse. In 1975, Jersey bands like the Laughing Dogs and Another Pretty Face were considered cutting edge. If you knew\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e anything about anything, this notion was a goddamn joke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt sounds to me (factual details are shrouded in mystery) like Bangone Ensemble had up to a dozen players at times, with miles of instrumental width, and chops almost on a par with Ithaca's Zobo Fun Band. There's some seriously good playing going on here, but it's all being done in the name of weirdo-rock as the truest expression of non-idiotic teen rebellion. It's a great damn sound, mixing jazz, art-rock, “new music” and primitivism in much the same way DC band the Muffins did during their earliest days. The sound is kind of like a child's guide to the avant garde -- from the Mothers to the Soft Machine to the Magic Band to the Arkestra and beyond, with a soupçon of sheer wise-assery stirred in for good measure.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBangone Ensemble's sound is just a great gust of freedom from a time and a place that was pretty fucking square. They unwittingly set a pace not really matched until some of the free-rock post-everything fusion units of the mid '90s. As Mick Farren might have said, “Give the anarchists a cigarette!” They earned it.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bangone Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2025-02-18T11:36:14+09:00","created_at":"2025-02-18T10:43:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","open mouth","recommended","strange beats"],"price":456400,"price_min":456400,"price_max":456400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136721666298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bangone Ensemble s\/t LP","public_title":null,"options":["Default Title"],"price":456400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_e1bc7994-89ff-4306-9c33-b8453f82038e.jpg?v=1739842862","\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_b551c409-82a7-4cf4-a29c-3c209134e9f9.jpg?v=1739842862"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_e1bc7994-89ff-4306-9c33-b8453f82038e.jpg?v=1739842862","options":["Title"],"media":[{"alt":null,"id":35588211933434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_e1bc7994-89ff-4306-9c33-b8453f82038e.jpg?v=1739842862"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_e1bc7994-89ff-4306-9c33-b8453f82038e.jpg?v=1739842862","width":700},{"alt":null,"id":35588211966202,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_b551c409-82a7-4cf4-a29c-3c209134e9f9.jpg?v=1739842862"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_b551c409-82a7-4cf4-a29c-3c209134e9f9.jpg?v=1739842862","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e1970年代半ばに活動していたアメリカ・ニュージャージーの実験ジャズバンドBangone Ensembleが、2025年1月にBill Nace主宰レーベルOpen Mouthから200部限定でリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1975年に録音したライブ音源です。版元即完のため今回限りの入荷となります。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"70年代半ば、ニュージャージー州北部で、友人たちと私はAtomic Squawkというアンサンブルを結成し、自分たちの極めて限られた音楽テクニックを駆使して、同業者の誰も気にもとめないような奇抜なサウンドを演奏していた。「おかしな」トーキング・ブルース、フリーフォームのスクロンク、ビーフハートとヴェルヴェッツの漠然としたカヴァー--これらが私たちの商売であり、ランディ・チャールズの地下室で酒を飲んで騒いで幸せな時間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e50マイル南下したところでは、スティール・ティップス、キング・オブ・サイアム、ストラッピング・フィールドハンズ、スパイ・ゴッズなど、後にサウスジャージーのサブ・アンダーグラウンドの伝説となるミュージシャンのメンバーにとっても、状況はほとんど同じだった。しかし、Bangone Ensembleの活動的な（そして準活動的な）参加者たちは、ラトガーズ周辺にいる、より多くの、より優れたミュージシャンたちにアクセスすることができた。つまり、Bangone EnsembleのサウンドはAtomic Squawkをはるかに凌駕していたのだ。それでも、私たちは同じ美的衝動を共有していた。1975年当時、ラフィング・ドッグスやアナザー・プリティ・フェイスのようなジャージーのバンドは最先端とみなされていた。もしあなたが何かを知っていたなら、この考え方はとんでもないジョークだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私には（事実の詳細は謎に包まれているが）、Bangone Ensembleには最大12人の奏者がいて、楽器の幅が何マイルもあり、イサカのゾーボー・ファン・バンドとほぼ同等のチョップがあったように聞こえる。ここには本当に素晴らしい演奏がいくつもあるが、それはすべて変人ロックの名の下に行われており、バカバカしくないティーンエイジャーの反抗を最も忠実に表現している。ジャズ、アートロック、「ニューミュージック」、プリミティヴィズムを、DCのバンドマフィンズが初期にやっていたのと同じようにミックスした素晴らしいサウンドだ。そのサウンドは、マザーズからソフト・マシーン、マジック・バンド、アーケストラなど、前衛音楽への子供の手引書のようなものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBangone Ensembleのサウンドは、かなり四角四面だった時代と場所からの、偉大なる自由の気流なのだ。彼らは知らず知らずのうちに、90年代半ばのフリーロック・ポストエヴリシング・フュージョンユニットに匹敵するペースを作り上げたのだ。ミック・ファーレンが言ったように、「アナーキストにタバコをくれてやれ！」。彼らはそれを獲得したのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314599527\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 200. \u003cbr\u003eOriginally recorded in 1975.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE 1 20:48\u003cbr\u003e2. SIDE 2 21:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eByron Coley, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the mid-70s in Northern New Jersey, some friends and I formed an ensemble called Atomic Squawk, with which we used our extremely limited musical techniques to play the sorts of whacked-out sounds about which none of our fucking peers gave a rat's ass. “Funny” talking blues, free form skronk, vaguely detourned covers of Beefheart and the Velvets -- these were our stocks in trade, and much happy time was whiled away in Randy Charles' basement drinking and making noise, simply because most all the live music being played in the area was dull as shit; useless unless your only goal was trying to get a sloppy blowjob in the parking lot of Mother's.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFifty miles south, things were pretty much the same for future members of Steel Tips, King of Siam, Strapping Fieldhands, Spy Gods and other future legends of the South Jersey sub-underground. But the active (and semi-active) participants in Bangone Ensemble had access to many more and better musicians down around Rutgers. This meant the Bangone Ensemble's sound was leagues beyond Atomic Squawk's. Still, we shared the same aesthetic impulse. In 1975, Jersey bands like the Laughing Dogs and Another Pretty Face were considered cutting edge. If you knew\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e anything about anything, this notion was a goddamn joke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt sounds to me (factual details are shrouded in mystery) like Bangone Ensemble had up to a dozen players at times, with miles of instrumental width, and chops almost on a par with Ithaca's Zobo Fun Band. There's some seriously good playing going on here, but it's all being done in the name of weirdo-rock as the truest expression of non-idiotic teen rebellion. It's a great damn sound, mixing jazz, art-rock, “new music” and primitivism in much the same way DC band the Muffins did during their earliest days. The sound is kind of like a child's guide to the avant garde -- from the Mothers to the Soft Machine to the Magic Band to the Arkestra and beyond, with a soupçon of sheer wise-assery stirred in for good measure.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBangone Ensemble's sound is just a great gust of freedom from a time and a place that was pretty fucking square. They unwittingly set a pace not really matched until some of the free-rock post-everything fusion units of the mid '90s. As Mick Farren might have said, “Give the anarchists a cigarette!” They earned it.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bangone Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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※当店限定販売です 1970年代半ばに活動していたアメリカ・ニュージャージーの実験ジャズバンドBangone Ensembleが、2025年1月にBill Nace主宰レーベルOpen Mouthから200部限定でリリースしたレコードです。 1975年に録音したライブ音源です。版元即完のため今回限りの入荷となります。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "70年代半ば、ニュージャージー州北部で、友人たちと私はAtomic Squawkというアンサンブルを結成し、自分たちの極めて限られた音楽テクニックを駆使して、同業者の誰も気にもとめないような奇抜なサウンドを演奏していた。「おかしな」トーキング・ブルース、フリーフォームのスクロンク、ビーフハートとヴェルヴェッツの漠然としたカヴァー--これらが私たちの商売であり、ランディ・チャールズの地下室で酒を飲んで騒いで幸せな時間を過ごした。 50マイル南下したところでは、スティール・ティップス、キング・オブ・サイアム、ストラッピング・フィールドハンズ、スパイ・ゴッズなど、後にサウスジャージーのサブ・アンダーグラウンドの伝説となるミュージシャンのメンバーにとっても、状況はほとんど同じだった。しかし、Bangone Ensembleの活動的な（そして準活動的な）参加者たちは、ラトガーズ周辺にいる、より多くの、より優れたミュージシャンたちにアクセスすることができた。つまり、Bangone EnsembleのサウンドはAtomic Squawkをはるかに凌駕していたのだ。それでも、私たちは同じ美的衝動を共有していた。1975年当時、ラフィング・ドッグスやアナザー・プリティ・フェイスのようなジャージーのバンドは最先端とみなされていた。もしあなたが何かを知っていたなら、この考え方はとんでもないジョークだった。...
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{"id":8145424580858,"title":"Matt Krefting \/\/ Finer Points LP","handle":"matt-krefting-finer-points-lp","description":"\u003cp\u003eアメリカ・ニューハンプシャーの実験音楽家Matt Kreftingが、2023年12月に同国実験レーベルOpen Mouthから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート〜ドローン6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、実験音楽家\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e \u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マットとは、彼がまだハンプシャー大学の学生だった00年代初期からの付き合いだ。私たちはすぐに大親友になり、それ以来ずっとそうだ。マットはIFCOのメンバー（現在はフルタイム）であり、その他にも多くのプロジェクトで一緒に仕事をしてきた。つまり、私は少し偏っているのかもしれない。(マットはもう10年以上もソロでテープミュージックをやっている。私の記憶では、最初はミキシング・デスクと安物のカセット・マシンの束を使ったライブだった。フィールドレコーディングやテープなどを使って音楽をやっている人はたくさんいるが、たいていの場合、その音楽は雑なあくび祭りのようなものだ。それはクレフト流ではない。Finer Pointsに収録されている6つの作品は、それぞれ限られた数の要素がゆっくりと回転している。各トラックのサウンドはバラバラだが、同じような手法で作られている。全体的な効果は、ジョセフ・コーネルの箱の中のボトルのようだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eマットのリリースは砂漠の花のように華やかに咲き誇り、やがて消えていく。ビル・ネイスにも乾杯。小さなレーベルを運営したことのある人なら誰でも言うだろう、『それは愚の骨頂だ』と。しかし、ビルのような愚か者がいなければ、世界は多くの素晴らしい音楽を失っていただろう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2686595393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAway from the Clearing 04:23\u003c\/li\u003e\n\u003cli\u003eA Double Request 08:09\u003c\/li\u003e\n\u003cli\u003eLet's Look Again 05:02\u003c\/li\u003e\n\u003cli\u003eAn Eye on the Future 03:01\u003c\/li\u003e\n\u003cli\u003eBoth This Life and the Next 05:57\u003c\/li\u003e\n\u003cli\u003eJust to Have Him Around 09:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e via the label: \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"I have known Matt since the very early 00’s when he was still a student at Hampshire College. We became great friends right away and have remained so since. Matt has been an on-and-off member of IFCO (full time now), and we have worked together on a number of other projects. This is to say, I might be a little biased. (But everyone is biased, no matter how much they write in the third person.) Matt has been doing solo tape music for well over ten years now. My memory says it started out as a live thing with a mixing desk and a bunch of cheap cassette machines. (My memory says a lot of things.) I’m not sure exactly what he does now, but it is something similar and still involves cassette tapes. There are loads of people doing music with field recordings and tapes, etc., and, for the most part, the music is a messy yawn-fest. That is not The Krefting Way. Each of the six pieces on Finer Points has a limited number of elements that slowly revolve. Each track is discrete in its sound pallet but made in a similar fashion. The overall effect is like the bottles in a Joseph Cornell box. My favorite bottle is the one for a guitar (Spanish?) It manages to hit a sweet spot between hypnotic and unsettling. The whole LP is great and expertly sequenced. (The lost art of recording!) Matt’s releases\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e are like desert flowers that bloom and are gorgeous, then they are gone. A tip of the glass to Bill Nace as well. He has kept Open Mouth running for quite a while, and as anyone who has ever run a small label will tell you, ‘It’s a fool’s errand.’ It is, too – but if it weren’t for fools like Bill, the world would be missing a lot of great music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Matt Krefting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-18T17:59:54+09:00","created_at":"2024-01-18T17:23:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","noise","open mouth"],"price":428800,"price_min":428800,"price_max":428800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45041140564218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matt Krefting \/\/ Finer Points LP","public_title":null,"options":["Default Title"],"price":428800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194","\/\/tobirarecords.com\/cdn\/shop\/files\/fin2.jpg?v=1705566194"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194","options":["Title"],"media":[{"alt":null,"id":33002381377786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194","width":700},{"alt":null,"id":33002381410554,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2.jpg?v=1705566194"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2.jpg?v=1705566194","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ニューハンプシャーの実験音楽家Matt Kreftingが、2023年12月に同国実験レーベルOpen Mouthから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート〜ドローン6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、実験音楽家\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e \u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マットとは、彼がまだハンプシャー大学の学生だった00年代初期からの付き合いだ。私たちはすぐに大親友になり、それ以来ずっとそうだ。マットはIFCOのメンバー（現在はフルタイム）であり、その他にも多くのプロジェクトで一緒に仕事をしてきた。つまり、私は少し偏っているのかもしれない。(マットはもう10年以上もソロでテープミュージックをやっている。私の記憶では、最初はミキシング・デスクと安物のカセット・マシンの束を使ったライブだった。フィールドレコーディングやテープなどを使って音楽をやっている人はたくさんいるが、たいていの場合、その音楽は雑なあくび祭りのようなものだ。それはクレフト流ではない。Finer Pointsに収録されている6つの作品は、それぞれ限られた数の要素がゆっくりと回転している。各トラックのサウンドはバラバラだが、同じような手法で作られている。全体的な効果は、ジョセフ・コーネルの箱の中のボトルのようだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eマットのリリースは砂漠の花のように華やかに咲き誇り、やがて消えていく。ビル・ネイスにも乾杯。小さなレーベルを運営したことのある人なら誰でも言うだろう、『それは愚の骨頂だ』と。しかし、ビルのような愚か者がいなければ、世界は多くの素晴らしい音楽を失っていただろう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2686595393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAway from the Clearing 04:23\u003c\/li\u003e\n\u003cli\u003eA Double Request 08:09\u003c\/li\u003e\n\u003cli\u003eLet's Look Again 05:02\u003c\/li\u003e\n\u003cli\u003eAn Eye on the Future 03:01\u003c\/li\u003e\n\u003cli\u003eBoth This Life and the Next 05:57\u003c\/li\u003e\n\u003cli\u003eJust to Have Him Around 09:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e via the label: \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"I have known Matt since the very early 00’s when he was still a student at Hampshire College. We became great friends right away and have remained so since. Matt has been an on-and-off member of IFCO (full time now), and we have worked together on a number of other projects. This is to say, I might be a little biased. (But everyone is biased, no matter how much they write in the third person.) Matt has been doing solo tape music for well over ten years now. My memory says it started out as a live thing with a mixing desk and a bunch of cheap cassette machines. (My memory says a lot of things.) I’m not sure exactly what he does now, but it is something similar and still involves cassette tapes. There are loads of people doing music with field recordings and tapes, etc., and, for the most part, the music is a messy yawn-fest. That is not The Krefting Way. Each of the six pieces on Finer Points has a limited number of elements that slowly revolve. Each track is discrete in its sound pallet but made in a similar fashion. The overall effect is like the bottles in a Joseph Cornell box. My favorite bottle is the one for a guitar (Spanish?) It manages to hit a sweet spot between hypnotic and unsettling. The whole LP is great and expertly sequenced. (The lost art of recording!) Matt’s releases\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e are like desert flowers that bloom and are gorgeous, then they are gone. A tip of the glass to Bill Nace as well. He has kept Open Mouth running for quite a while, and as anyone who has ever run a small label will tell you, ‘It’s a fool’s errand.’ It is, too – but if it weren’t for fools like Bill, the world would be missing a lot of great music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Matt Krefting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ニューハンプシャーの実験音楽家Matt Kreftingが、2023年12月に同国実験レーベルOpen Mouthから200部限定でリリースしたレコードです。 Lo-Fiコンクレート〜ドローン6曲を収録。廃盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、実験音楽家Scott Foust による解説です。 "マットとは、彼がまだハンプシャー大学の学生だった00年代初期からの付き合いだ。私たちはすぐに大親友になり、それ以来ずっとそうだ。マットはIFCOのメンバー（現在はフルタイム）であり、その他にも多くのプロジェクトで一緒に仕事をしてきた。つまり、私は少し偏っているのかもしれない。(マットはもう10年以上もソロでテープミュージックをやっている。私の記憶では、最初はミキシング・デスクと安物のカセット・マシンの束を使ったライブだった。フィールドレコーディングやテープなどを使って音楽をやっている人はたくさんいるが、たいていの場合、その音楽は雑なあくび祭りのようなものだ。それはクレフト流ではない。Finer Pointsに収録されている6つの作品は、それぞれ限られた数の要素がゆっくりと回転している。各トラックのサウンドはバラバラだが、同じような手法で作られている。全体的な効果は、ジョセフ・コーネルの箱の中のボトルのようだ。マットのリリースは砂漠の花のように華やかに咲き誇り、やがて消えていく。ビル・ネイスにも乾杯。小さなレーベルを運営したことのある人なら誰でも言うだろう、『それは愚の骨頂だ』と。しかし、ビルのような愚か者がいなければ、世界は多くの素晴らしい音楽を失っていただろう。" レーベルその他作品はこちら /// Click here to see more...
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{"id":7607545626874,"title":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","handle":"rick-myers-obstacle-79-memory-is-current-lp","description":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2022-05-10T16:09:59+09:00","created_at":"2022-05-10T08:57:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","open mouth"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42741175091450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","options":["Title"],"media":[{"alt":null,"id":29692197175546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","width":700},{"alt":null,"id":29692197208314,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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イギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月にアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。 数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って自動演奏ピアノを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira. ...
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{"id":5721553338533,"title":"Jake Meginsky \/\/ Gates \u0026 Variations LP","handle":"jake-meginsky-gates-variations-lp","description":"\u003cp\u003eパーカッショニストJake Meginskyが2017年にOpen Mouthからリリースした隠れた名盤をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003eGiuseppe Ielashiのビート作品が好みの方にもおすすめの物音テクノ6曲を収録。廃盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899196673\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/jake_gates-and-variations_open-mouth\" title=\"Jake_Gates And Variations_Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eJake_Gates And Variations_Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eGates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each others space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again, so effortlessly that its hard to tell if its intended or if something imperceptible within you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jake Meginsky\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e","published_at":"2020-10-02T10:30:57+09:00","created_at":"2020-10-02T10:30:56+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","open mouth","strange beats","techno \/ house"],"price":418000,"price_min":418000,"price_max":418000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36501387542693,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jake Meginsky \/\/ Gates \u0026 Variations LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257","\/\/tobirarecords.com\/cdn\/shop\/products\/R-10949632-1507046856-3746_jpeg.jpg?v=1601602257"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257","options":["Title"],"media":[{"alt":null,"id":11598773682341,"position":1,"preview_image":{"aspect_ratio":1.006,"height":318,"width":320,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257"},"aspect_ratio":1.006,"height":318,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257","width":320},{"alt":null,"id":11598773715109,"position":2,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-10949632-1507046856-3746_jpeg.jpg?v=1601602257"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-10949632-1507046856-3746_jpeg.jpg?v=1601602257","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eパーカッショニストJake Meginskyが2017年にOpen Mouthからリリースした隠れた名盤をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003eGiuseppe Ielashiのビート作品が好みの方にもおすすめの物音テクノ6曲を収録。廃盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899196673\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/jake_gates-and-variations_open-mouth\" title=\"Jake_Gates And Variations_Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eJake_Gates And Variations_Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eGates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. 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These are dense environments where sections can move from microscopic to macroscopic, day to night and back again, so effortlessly that its hard to tell if its intended or if something imperceptible within you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jake Meginsky\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e"}
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パーカッショニストJake Meginskyが2017年にOpen Mouthからリリースした隠れた名盤をデッドストック入荷しました。 Giuseppe Ielashiのビート作品が好みの方にもおすすめの物音テクノ6曲を収録。廃盤です。DLコード付属。 tobirarecs · Jake_Gates And Variations_Open Mouth Gates and...
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