Giacinto Scelsi // Scelsi Edition 8: The Piano Works 4 CD

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イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。

ピアノのための作品28曲を収録。ジュエルケース、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira.

-----------------------------------------

CD in jewel case.

Tracklist:

Hispania - I. 07:11
Hispania - II. 10:33
Hispania - III. 06:17
Suite No. 5 - I. Deciso 02:10
Suite No. 5 - II. "Quarter Note" = 120 01:40
Suite No. 5 - III. Grazioso 01:48
Suite No. 5 - IV. "Quarter Note" = 108 01:39
Suite No. 5 - V. Spigliato 01:22
Suite No. 5 - VI. "Quarter Note" = 100 02:20
Suite No. 5 - VII. Iniziando A "Dotted Quarter Note" = 132 E Subito Movendo 02:03
Suite No. 5 - VIII. Con Grazia 02:38
Suite No. 5 - IX. Giocoso 01:52
Suite No. 5 - X. Molto Ritmato 02:08
Suite No. 6 - I. Vivace 01:44
Suite No. 6 - II. Agitato 01:30
Suite No. 6 - III. Quarter Note = 80 02:08
Suite No. 6 - IV. Quarter Note - 66 02:49
Suite No. 6 - V. Mosso 01:41
Suite No. 6 - VI. Grazioso 00:59
Suite No. 6 - VII. "Quarter Note" = 63 02:52
Suite No. 6 - VIII. Energico 01:49
Suite No. 6 - IX. Agitato 01:12
Suite No. 6 - X. "Quarter Note" = 108 01:00
Suite No. 6 - XI. Capriccioso 01:39
Suite No. 6 - XII. Energico 01:37
Suite No. 6 - XIII. Vivace 00:56
Suite No. 6 - XIV. Vivacissimo 00:45
Suite No. 6 - XV. Scorrevole 03:13

Mode Records:

"Mode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.

The piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works. The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.

Hispania is a fascinating work, where passages show some signs of Scelsi’s later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi’s work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of predominantly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.

Suite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome’s Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.

Suite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi’s later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi’s nickname for his wife, Dorothy.

This audiophile quality recording was made using high-resolution 96khz/24-bit technology."

Artist : Giacinto Scelsi

Label : Mode Records

CAT No.: mode227

Quantity

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イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。

ピアノのための作品28曲を収録。ジュエルケース、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira.

-----------------------------------------

CD in jewel case.

Tracklist:

Hispania - I. 07:11
Hispania - II. 10:33
Hispania - III. 06:17
Suite No. 5 - I. Deciso 02:10
Suite No. 5 - II. "Quarter Note" = 120 01:40
Suite No. 5 - III. Grazioso 01:48
Suite No. 5 - IV. "Quarter Note" = 108 01:39
Suite No. 5 - V. Spigliato 01:22
Suite No. 5 - VI. "Quarter Note" = 100 02:20
Suite No. 5 - VII. Iniziando A "Dotted Quarter Note" = 132 E Subito Movendo 02:03
Suite No. 5 - VIII. Con Grazia 02:38
Suite No. 5 - IX. Giocoso 01:52
Suite No. 5 - X. Molto Ritmato 02:08
Suite No. 6 - I. Vivace 01:44
Suite No. 6 - II. Agitato 01:30
Suite No. 6 - III. Quarter Note = 80 02:08
Suite No. 6 - IV. Quarter Note - 66 02:49
Suite No. 6 - V. Mosso 01:41
Suite No. 6 - VI. Grazioso 00:59
Suite No. 6 - VII. "Quarter Note" = 63 02:52
Suite No. 6 - VIII. Energico 01:49
Suite No. 6 - IX. Agitato 01:12
Suite No. 6 - X. "Quarter Note" = 108 01:00
Suite No. 6 - XI. Capriccioso 01:39
Suite No. 6 - XII. Energico 01:37
Suite No. 6 - XIII. Vivace 00:56
Suite No. 6 - XIV. Vivacissimo 00:45
Suite No. 6 - XV. Scorrevole 03:13

Mode Records:

"Mode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.

This audiophile quality recording was made using high-resolution 96khz/24-bit technology."

Artist : Giacinto Scelsi

Label : Mode Records

CAT No.: mode227

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イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。バイオリンのための作品17曲を収録。ジュエルケース、シュリンク仕様です。レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira. ----------------------------------------- CD...

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Quickview {"id":7947717738746,"title":"Alvin Lucier \/\/ Swing Bridge; Sizzles CD","handle":"alvin-lucier-swing-bridge-sizzles-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの大御所実験音楽家Alvin Lucierが、2023年1月に同国NYのModeからリリースしたCDです。パイプオルガンによるミニマルドローン3曲を収録。デジパック、シュリンク仕様です。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのリリースでは、ルシエの作曲活動に最適な楽器であるパイプオルガンを中心としたアルヴィン・ルシエの2つの作品を収録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどちらも初録音です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「スウィング・ブリッジ」は、このレコードのアンサンブルであるオーストラリアン・アート・オーケストラが、メルボルン・タウンホール・グランド・オルガンのために委嘱した作品です。この楽譜では、オルガンから特定のパイプを取り外し、それぞれ2本のパイプ（合計6ピッチ）を収納できる、特別に作られた3つのオフセットチェストに通すことが要求されています。これらのパイプは、「パイプ・ウェイバー」と呼ばれる3人以上の演奏者によって操作されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの音楽は、オルガンがその操作をパフォーマンス的かつ内臓的なものにするという現象を探求しています。オルガンが生み出すエネルギーが、演奏・録音された空間を「鳴らす」様子を聴くことができ、また、演奏に立ち会った人たちは、ウェイバーが手で各パイプの調律を微分音的に変化させ、パイプの中を空気が移動する身体性を体験することができました。これは最高級のコンセプチュアルな作品ですが、オルガンが生み出す脈動や部屋の共鳴にアンサンブルの質感が織り込まれ、官能的で美しく、夢中にさせる作品でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオルガンとパイプの揺れには、オルガンと微分音的に関連するロングトーンを作り出すアンサンブルも加わっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSizzlesでは、作曲者は次のように書いています。「さまざまな大きさのドラムが演奏空間のあちこちにランダムに配置されています。ドラムヘッドにはレンズ豆、ひよこ豆、キャンディーハートなどの細かい物質が散りばめられています。オルガンの低い音が鳴ると、ドラムの皮が共鳴して振動し、ドラムが鳴り、素材が動きます。各ドラムは、コンタクトマイクまたはエアマイクと独立したアンプで個別に増幅されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルヴィン・ルシエは、このリリースに掲載されている「Sizzles」のバージョンの最終的な選択を行いました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77947789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes l\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003einer notes by Peter Knight and Alvin Lucier.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth are first recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvin Lucier made the final choices of the versions of “Sizzles” featured on this release.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2023-04-01T14:19:48+09:00","created_at":"2023-04-01T12:27:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","mode","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139589632250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alvin Lucier \/\/ Swing Bridge; Sizzles CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","options":["Title"],"media":[{"alt":null,"id":31764050706682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","width":700},{"alt":null,"id":31764050739450,"position":2,"preview_image":{"aspect_ratio":1.124,"height":1068,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675"},"aspect_ratio":1.124,"height":1068,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの大御所実験音楽家Alvin Lucierが、2023年1月に同国NYのModeからリリースしたCDです。パイプオルガンによるミニマルドローン3曲を収録。デジパック、シュリンク仕様です。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのリリースでは、ルシエの作曲活動に最適な楽器であるパイプオルガンを中心としたアルヴィン・ルシエの2つの作品を収録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどちらも初録音です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「スウィング・ブリッジ」は、このレコードのアンサンブルであるオーストラリアン・アート・オーケストラが、メルボルン・タウンホール・グランド・オルガンのために委嘱した作品です。この楽譜では、オルガンから特定のパイプを取り外し、それぞれ2本のパイプ（合計6ピッチ）を収納できる、特別に作られた3つのオフセットチェストに通すことが要求されています。これらのパイプは、「パイプ・ウェイバー」と呼ばれる3人以上の演奏者によって操作されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの音楽は、オルガンがその操作をパフォーマンス的かつ内臓的なものにするという現象を探求しています。オルガンが生み出すエネルギーが、演奏・録音された空間を「鳴らす」様子を聴くことができ、また、演奏に立ち会った人たちは、ウェイバーが手で各パイプの調律を微分音的に変化させ、パイプの中を空気が移動する身体性を体験することができました。これは最高級のコンセプチュアルな作品ですが、オルガンが生み出す脈動や部屋の共鳴にアンサンブルの質感が織り込まれ、官能的で美しく、夢中にさせる作品でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオルガンとパイプの揺れには、オルガンと微分音的に関連するロングトーンを作り出すアンサンブルも加わっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSizzlesでは、作曲者は次のように書いています。「さまざまな大きさのドラムが演奏空間のあちこちにランダムに配置されています。ドラムヘッドにはレンズ豆、ひよこ豆、キャンディーハートなどの細かい物質が散りばめられています。オルガンの低い音が鳴ると、ドラムの皮が共鳴して振動し、ドラムが鳴り、素材が動きます。各ドラムは、コンタクトマイクまたはエアマイクと独立したアンプで個別に増幅されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルヴィン・ルシエは、このリリースに掲載されている「Sizzles」のバージョンの最終的な選択を行いました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77947789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes l\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003einer notes by Peter Knight and Alvin Lucier.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth are first recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvin Lucier made the final choices of the versions of “Sizzles” featured on this release.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}