Jeff Parker // Blackman 7" FLEXI
Jeff Parker // Blackman 7" FLEXI
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ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerが、2018年にリリースしたソノシート。Georgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
------------------------------
Edition of 333.
Artist : Jeff Parker
Label : International Anthem
ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerが、2018年にリリースしたソノシート。Georgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
------------------------------
Edition of 333.
Artist : Jeff Parker
Label : International Anthem
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{"id":7570091016442,"title":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP","handle":"jeremiah-chiu-marta-sofia-honer-recordings-from-the-aland-islands-lp","description":"\u003cp\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-20T12:24:55+09:00","created_at":"2022-03-20T11:53:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42545093116154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1647744822","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1647744823"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1647744822","options":["Title"],"media":[{"alt":null,"id":29338509148410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1647744822"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1647744822","width":700},{"alt":null,"id":29338509181178,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1647744823"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1647744823","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 ポストニューエイジ・アンビエントジャズ11曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":7540855144698,"title":"Junius Paul \/\/ Ism 2xLP","handle":"junius-paul-ism-2xlp","description":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T19:34:52+09:00","created_at":"2022-02-14T12:01:51+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424809816314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Junius Paul \/\/ Ism 2xLP","public_title":null,"options":["Default Title"],"price":389000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","options":["Title"],"media":[{"alt":null,"id":29149148315898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","width":700},{"alt":null,"id":29149148348666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ International...
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{"id":7540854096122,"title":"Anteloper \/\/ Kudu LP(Melted Highlighter Color)","handle":"anteloper-kudu-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T19:27:59+09:00","created_at":"2022-02-14T11:57:38+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424802214138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anteloper \/\/ Kudu LP(Melted Highlighter Color)","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","options":["Title"],"media":[{"alt":null,"id":29149142221050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","width":700},{"alt":null,"id":29149142253818,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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トランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。 シンセを交えたレフトフィールド・ジャズ5曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7524436312314,"title":"Jeff Parker \/\/ Forfolks LP(Cool Mint) \/ CD","handle":"jeff-parker-forfolks-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-24T12:32:39+09:00","created_at":"2022-01-24T11:57:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","lp","new"],"price":238000,"price_min":238000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42359435034874,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":36493921976570,"product_id":7524436312314,"position":2,"created_at":"2022-01-24T11:57:42+09:00","updated_at":"2022-01-24T11:57:44+09:00","alt":null,"width":1200,"height":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064","variant_ids":[42359435034874]},"available":false,"name":"Jeff Parker \/\/ Forfolks LP(Cool Mint) \/ CD - LP","public_title":"LP","options":["LP"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29050072072442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42359435067642,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":36493923057914,"product_id":7524436312314,"position":3,"created_at":"2022-01-24T11:58:15+09:00","updated_at":"2022-01-24T11:58:17+09:00","alt":null,"width":1200,"height":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097","variant_ids":[42359435067642]},"available":true,"name":"Jeff Parker \/\/ Forfolks LP(Cool Mint) \/ CD - CD","public_title":"CD","options":["CD"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29050073055482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064","options":["format"],"media":[{"alt":null,"id":29050072039674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo.jpg?v=1642993064","width":700},{"alt":null,"id":29050072072442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go2_e0798740-e22e-437c-9516-7fb34e28f8dc.jpg?v=1642993064","width":1200},{"alt":null,"id":29050073055482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go3.jpg?v=1642993097","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバムです。 ギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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