international anthem
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{"id":9243631681786,"title":"International Anthem Label T-SHIRT - BLACK - XL","handle":"international-anthem-label-t-shirt-black-xl","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツ(Gildan製)です。\u003c\/p\u003e\n\u003cp\u003eAvailable in XL size. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGildan black tee shirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-31T10:18:18+09:00","created_at":"2026-05-31T10:16:11+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48946897682682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"International Anthem Label T-SHIRT - BLACK - XL","public_title":null,"options":["Default Title"],"price":548000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081","options":["Title"],"media":[{"alt":null,"id":39532697846010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":4284,"width":4284,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081"},"aspect_ratio":1.0,"height":4284,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081","width":4284}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツ(Gildan製)です。\u003c\/p\u003e\n\u003cp\u003eAvailable in XL size. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGildan black tee shirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツ(Gildan製)です。 Available in XL size. Gildan black tee shirt. ++ レーベルその他作品はこちら /// Click here to see...
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{"id":9211223736570,"title":"Irreversible Entanglements \/\/ Open The Gates 2xLP","handle":"irreversible-entanglements-open-the-gates-2xlp","description":"\u003ch2\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-30T07:15:15+09:00","created_at":"2026-04-30T07:14:21+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48792767070458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irreversible Entanglements \/\/ Open The Gates 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991549","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","options":["Title"],"media":[{"alt":null,"id":33656941019386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","width":700},{"alt":null,"id":33656941478138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","width":1200},{"alt":null,"id":33656941838586,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月にInternational Anthemからリリースした2枚組レコードです。 スピリチュアルジャズ7曲、70分以上を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9205523611898,"title":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 (IA11 Edition) LP","handle":"alabaster-deplume-to-cy-lee-instrumentals-vol-1-ia11-edition-lp","description":"\u003cp\u003eロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2444002727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in heavyweight sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e+ a 12-page 11x11\" insert booklet (unique to the IA11 edition, with unpublished photos and new liner notes by Alabaster DePlume) + IARC 2025 OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Visit Croatia 04:52\u003cbr\u003e2. What's Missing 05:05\u003cbr\u003e3. Song of the Foundling 02:55\u003cbr\u003e4. Whisky Story Time 02:19\u003cbr\u003e5. Not Now Jesus 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. If You're Sure You Want To 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Lucky Ones (feat. Danalogue) 06:40\u003cbr\u003e\u003c\/span\u003e8. Why Buzzardman Why 03:52\u003cbr\u003e9. Not My Ask 03:31\u003cbr\u003e10. Turpentine 02:26\u003cbr\u003e11. I Hope 05:27\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Cy and Lee: Instrumentals Vol. 1 is a collection of Mancunian poet, singer, saxophonist and composer Alabaster DePlume’s simple and serenely intimate wordless adventures in melodic ennui. The collection properly introduced the world to a previously under-exposed, undeniably deep dimension of DePlume who, at the time of the its release, was most known to his followers for his music with words, his poetry, and his prowess as an impassioned orator. His performances (especially those that were part of his monthly Peach residency at Total Refreshment Centre in London) were becoming legendary for blurring the boundaries between secular sermon, theatrical monologue and song, as he turned audiences into experimental large ensembles and lead full-throated shout-alongs to tunes like “Is It Enough” and “Be Nice To People” (both from his 2019 Lost Map album The Corner of a Sphere). The instrumental pieces that quietly buffered the big vocal moments of his recorded catalog, to that point, had mostly lived, quietly, in those buffers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’re not really sure what inspired DePlume to gather all of his recorded instrumentals, add a couple new ones, and invite International Anthem to collaborate on the campaign (we had only recently been getting to know him a little deeper, after our\u003cspan class=\"bcTruncateMore\"\u003e second trip to Total Refreshment Centre in the fall of 2018 when we recorded jaimie branch’s FLY or DIE II: bird dogs of paradise). But what we do know is, not long after To Cy \u0026amp; Lee’s February 2020 release and the subsequent arrival of a global pandemic, those recordings went very far, very fast, taking on a new life as stay-at-home hits — the quiet catharsis we didn’t know we needed in the face of rapidly unfolding confusion, fear, and isolation. As the people of the world found themselves inside their small rooms, they began to search for smaller, more intentional sounds to fill them. These instrumentals carried the healing qualities we were after then, and still seek now. As we cite on the obi strip, the music is an antidote with seemingly ancient sonic characteristics, and a unique ability to embrace the core of our very being.\u003cbr\u003e\u003cbr\u003eTo Cy \u0026amp; Lee was also the first document of an ongoing collaboration between DePlume and International Anthem, which has already yielded the albums GOLD (2022), Come With Fierce Grace (2023), and A Blade Because a Blade Is Whole (2025), in addition to sundry singles and EPs. The depth of partnership between DePlume and our crew that has developed since To Cy \u0026amp; Lee, coupled with the endlessly quenching spiritual comforts the album continues to provide, makes it an absolute essential of the International Anthem catalog and a proud choice for the final three of the IA11 series.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0030LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e5th \u003cmeta charset=\"utf-8\"\u003eDecember 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:45:35+09:00","created_at":"2026-04-25T06:45:03+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":462600,"price_min":462600,"price_max":462600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48761050431738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":462600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457226357","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","options":["Title"],"media":[{"alt":null,"id":37931888836858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","width":700},{"alt":null,"id":37931888869626,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2444002727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in heavyweight sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e+ a 12-page 11x11\" insert booklet (unique to the IA11 edition, with unpublished photos and new liner notes by Alabaster DePlume) + IARC 2025 OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Visit Croatia 04:52\u003cbr\u003e2. What's Missing 05:05\u003cbr\u003e3. Song of the Foundling 02:55\u003cbr\u003e4. Whisky Story Time 02:19\u003cbr\u003e5. Not Now Jesus 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. If You're Sure You Want To 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Lucky Ones (feat. Danalogue) 06:40\u003cbr\u003e\u003c\/span\u003e8. Why Buzzardman Why 03:52\u003cbr\u003e9. Not My Ask 03:31\u003cbr\u003e10. Turpentine 02:26\u003cbr\u003e11. I Hope 05:27\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Cy and Lee: Instrumentals Vol. 1 is a collection of Mancunian poet, singer, saxophonist and composer Alabaster DePlume’s simple and serenely intimate wordless adventures in melodic ennui. The collection properly introduced the world to a previously under-exposed, undeniably deep dimension of DePlume who, at the time of the its release, was most known to his followers for his music with words, his poetry, and his prowess as an impassioned orator. His performances (especially those that were part of his monthly Peach residency at Total Refreshment Centre in London) were becoming legendary for blurring the boundaries between secular sermon, theatrical monologue and song, as he turned audiences into experimental large ensembles and lead full-throated shout-alongs to tunes like “Is It Enough” and “Be Nice To People” (both from his 2019 Lost Map album The Corner of a Sphere). The instrumental pieces that quietly buffered the big vocal moments of his recorded catalog, to that point, had mostly lived, quietly, in those buffers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’re not really sure what inspired DePlume to gather all of his recorded instrumentals, add a couple new ones, and invite International Anthem to collaborate on the campaign (we had only recently been getting to know him a little deeper, after our\u003cspan class=\"bcTruncateMore\"\u003e second trip to Total Refreshment Centre in the fall of 2018 when we recorded jaimie branch’s FLY or DIE II: bird dogs of paradise). But what we do know is, not long after To Cy \u0026amp; Lee’s February 2020 release and the subsequent arrival of a global pandemic, those recordings went very far, very fast, taking on a new life as stay-at-home hits — the quiet catharsis we didn’t know we needed in the face of rapidly unfolding confusion, fear, and isolation. As the people of the world found themselves inside their small rooms, they began to search for smaller, more intentional sounds to fill them. These instrumentals carried the healing qualities we were after then, and still seek now. As we cite on the obi strip, the music is an antidote with seemingly ancient sonic characteristics, and a unique ability to embrace the core of our very being.\u003cbr\u003e\u003cbr\u003eTo Cy \u0026amp; Lee was also the first document of an ongoing collaboration between DePlume and International Anthem, which has already yielded the albums GOLD (2022), Come With Fierce Grace (2023), and A Blade Because a Blade Is Whole (2025), in addition to sundry singles and EPs. The depth of partnership between DePlume and our crew that has developed since To Cy \u0026amp; Lee, coupled with the endlessly quenching spiritual comforts the album continues to provide, makes it an absolute essential of the International Anthem catalog and a proud choice for the final three of the IA11 series.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0030LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e5th \u003cmeta charset=\"utf-8\"\u003eDecember 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2020年リリース） エキゾチックな瞑想アンビエント・ジャズ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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![SML // How You Been LP [BLACK]](http://tobirarecords.com/cdn/shop/files/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690_medium.jpg?v=1759812541)
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{"id":9205520761082,"title":"SML \/\/ How You Been LP [BLACK]","handle":"sml-how-you-been-lp-black","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2026-04-25T06:43:33+09:00","created_at":"2026-04-25T06:42:57+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":495600,"price_min":495600,"price_max":495600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48761002852602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SML \/\/ How You Been LP [BLACK]","public_title":null,"options":["Default Title"],"price":495600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224742","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200},{"alt":null,"id":37025344520442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。 レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":9205517779194,"title":"Various Artists (International Anthem) \/\/ Gilles Peterson presents International Anthem 2xLP","handle":"various-artists-international-anthem-gilles-peterson-presents-international-anthem-2xlp","description":"\u003cp\u003eイギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が自身の番組で放送したInternational Anthemの音源29曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1929581628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2 x 12\" black vinyl in \u003cmeta charset=\"utf-8\"\u003ea heavyweight ultra gloss jacket, with insert booklet + IARC 2025 obi strip and printed poly-lined printed inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chicago, January 13th, 2020 - Gilles Peterson 01:11\u003cbr\u003e2. The Jaunt - Makaya McCraven 02:40\u003cbr\u003e3. Asé - Junius Paul 02:51\u003cbr\u003e4. The Creator Has A Master Plan - Dezron Douglas \u0026amp; Brandee Younger 03:15\u003cbr\u003e5. Taking Flight (feat. Brandee Younger) - Resavoir 03:38\u003cbr\u003e6. Open The Gates - Irreversible Entanglements 02:36\u003cbr\u003e7. We Are Starzz - Angel Bat Dawid \u0026amp; Tha Brothahood 04:23\u003cbr\u003e8. Abstract Dark Energy (Parable 9) - Rob Mazurek, Exploding Star Orchestra 02:44\u003cbr\u003e9. The Most Amazing Time - Gilles Peterson 01:06\u003cbr\u003e10. Rebuild A Nation - Damon Locks, Black Monument Ensemble 02:40\u003cbr\u003e11. A Shot in the Dark - Dos Santos 03:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. In\/On - Daniel Villarreal 04:06\u003cbr\u003e\u003c\/span\u003e13. Pokemans - Anna Butterss 03:05\u003cbr\u003e14. Industry - SML 04:27\u003cbr\u003e15. Snåcko - Jeremiah Chiu \u0026amp; Marta Sofia Honer 04:48\u003cbr\u003e16. Cliche - Jeff Parker 04:06\u003cbr\u003e17. And Then The Anointing Fell - Jamire Williams 02:49\u003cbr\u003e18. Please, wake up. - Carlos Niño \u0026amp; Friends 04:06\u003cbr\u003e19. Voice and Tongo Experiment - Thandi Ntuli with Carlos Niño 02:16\u003cbr\u003e20. Quiet as it's Kept - Tom Skinner 04:02\u003cbr\u003e21. Next time I keep my hands down - Ruth Goller 03:43\u003cbr\u003e22. A Gente Acaba (Vento Em Rosa) - Alabaster DePlume 02:44\u003cbr\u003e23. Old Fashioned Chicago Music - Gilles Peterson 01:00\u003cbr\u003e24. theme 001 (live) - jaimie branch 04:44\u003cbr\u003e25. Angela's Angel - Tomin 00:59\u003cbr\u003e26. Melancholia - Asher Gamedze 04:36\u003cbr\u003e27. MESTIZX (Brownswood Basement Live) - Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly 04:17\u003cbr\u003e28. Oh Great Be The Lake - Ben LaMar Gay 03:00\u003cbr\u003e29. Step on Step - Charles Stepney 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGilles Peterson presents International Anthem is a double-LP-length compilation of tracks from Chicago-born record label International Anthem curated by legendary London-based radio host, DJ, label head, and cultural impresario Gilles Peterson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe twenty-nine tracks on this compilation chronicle Peterson’s long-standing affinity for and connection to International Anthem’s expansive creative music community, and were chosen by an extensive review of playlists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation includes a previously unreleased track recorded by Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly at Peterson’s Brownswood Basement studio in London. It also includes several unreleased introductions from a January 2020 Worldwide FM broadcast at Chicago’s Co-Prosperity (also the site of the album cover photo, taken by Carolina Sanchez), where Peterson gave International Anthem “Label of the Year” honors, as part of his 2020 Worldwide Awards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Gilles Peterson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFrom the get go I could see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI could see that International Anthem was the real deal. I could hear it too - more importantly.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA record label with the vision and care that places it in the pantheon of labels where you can pick up any release without knowing what it is and be certain the quality will be there.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA label where the singular attention to every detail - sound, packaging, cover design and branding - shows the respect in which the artists and their music are presented and held.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlso the deep connection to Chicago where the unique crosswinds of Chess Records, Sun Ra’s Saturn and the AACM all intersect with the blues, house music, footwork and post-rock to create a fertile space for creative music to emerge.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational Anthem is more than a record label though. It’s a community that is built on the city’s history but has, over the years, championed the spirit of creative music and pushed it forward with an outlook that reaches out to like minded souls regardless of time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the 10 years of their existence we have crossed paths many times. From being in Chicago to celebrate them as label of the year in January 2020 just before the world shut down, to hanging with the crew in London, to playing so much of the label’s output on both on my radio shows and in my DJ sets.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo it is my pleasure to honour our friendship with a selection of tracks that have soundtracked the journey, so far…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gilles Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC0100\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:36:15+09:00","created_at":"2026-04-25T06:35:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","resavoir","tape"],"price":634200,"price_min":634200,"price_max":634200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760990925050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (International Anthem) \/\/ Gilles Peterson presents International Anthem 2xLP","public_title":null,"options":["Default Title"],"price":634200,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457199231","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","options":["Title"],"media":[{"alt":null,"id":36449731805434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","width":700},{"alt":null,"id":36449731838202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が自身の番組で放送したInternational Anthemの音源29曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1929581628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2 x 12\" black vinyl in \u003cmeta charset=\"utf-8\"\u003ea heavyweight ultra gloss jacket, with insert booklet + IARC 2025 obi strip and printed poly-lined printed inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chicago, January 13th, 2020 - Gilles Peterson 01:11\u003cbr\u003e2. The Jaunt - Makaya McCraven 02:40\u003cbr\u003e3. Asé - Junius Paul 02:51\u003cbr\u003e4. The Creator Has A Master Plan - Dezron Douglas \u0026amp; Brandee Younger 03:15\u003cbr\u003e5. Taking Flight (feat. Brandee Younger) - Resavoir 03:38\u003cbr\u003e6. Open The Gates - Irreversible Entanglements 02:36\u003cbr\u003e7. We Are Starzz - Angel Bat Dawid \u0026amp; Tha Brothahood 04:23\u003cbr\u003e8. Abstract Dark Energy (Parable 9) - Rob Mazurek, Exploding Star Orchestra 02:44\u003cbr\u003e9. The Most Amazing Time - Gilles Peterson 01:06\u003cbr\u003e10. Rebuild A Nation - Damon Locks, Black Monument Ensemble 02:40\u003cbr\u003e11. A Shot in the Dark - Dos Santos 03:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. In\/On - Daniel Villarreal 04:06\u003cbr\u003e\u003c\/span\u003e13. Pokemans - Anna Butterss 03:05\u003cbr\u003e14. Industry - SML 04:27\u003cbr\u003e15. Snåcko - Jeremiah Chiu \u0026amp; Marta Sofia Honer 04:48\u003cbr\u003e16. Cliche - Jeff Parker 04:06\u003cbr\u003e17. And Then The Anointing Fell - Jamire Williams 02:49\u003cbr\u003e18. Please, wake up. - Carlos Niño \u0026amp; Friends 04:06\u003cbr\u003e19. Voice and Tongo Experiment - Thandi Ntuli with Carlos Niño 02:16\u003cbr\u003e20. Quiet as it's Kept - Tom Skinner 04:02\u003cbr\u003e21. Next time I keep my hands down - Ruth Goller 03:43\u003cbr\u003e22. A Gente Acaba (Vento Em Rosa) - Alabaster DePlume 02:44\u003cbr\u003e23. Old Fashioned Chicago Music - Gilles Peterson 01:00\u003cbr\u003e24. theme 001 (live) - jaimie branch 04:44\u003cbr\u003e25. Angela's Angel - Tomin 00:59\u003cbr\u003e26. Melancholia - Asher Gamedze 04:36\u003cbr\u003e27. MESTIZX (Brownswood Basement Live) - Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly 04:17\u003cbr\u003e28. Oh Great Be The Lake - Ben LaMar Gay 03:00\u003cbr\u003e29. Step on Step - Charles Stepney 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGilles Peterson presents International Anthem is a double-LP-length compilation of tracks from Chicago-born record label International Anthem curated by legendary London-based radio host, DJ, label head, and cultural impresario Gilles Peterson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe twenty-nine tracks on this compilation chronicle Peterson’s long-standing affinity for and connection to International Anthem’s expansive creative music community, and were chosen by an extensive review of playlists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation includes a previously unreleased track recorded by Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly at Peterson’s Brownswood Basement studio in London. It also includes several unreleased introductions from a January 2020 Worldwide FM broadcast at Chicago’s Co-Prosperity (also the site of the album cover photo, taken by Carolina Sanchez), where Peterson gave International Anthem “Label of the Year” honors, as part of his 2020 Worldwide Awards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Gilles Peterson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFrom the get go I could see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI could see that International Anthem was the real deal. I could hear it too - more importantly.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA record label with the vision and care that places it in the pantheon of labels where you can pick up any release without knowing what it is and be certain the quality will be there.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA label where the singular attention to every detail - sound, packaging, cover design and branding - shows the respect in which the artists and their music are presented and held.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlso the deep connection to Chicago where the unique crosswinds of Chess Records, Sun Ra’s Saturn and the AACM all intersect with the blues, house music, footwork and post-rock to create a fertile space for creative music to emerge.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational Anthem is more than a record label though. It’s a community that is built on the city’s history but has, over the years, championed the spirit of creative music and pushed it forward with an outlook that reaches out to like minded souls regardless of time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the 10 years of their existence we have crossed paths many times. From being in Chicago to celebrate them as label of the year in January 2020 just before the world shut down, to hanging with the crew in London, to playing so much of the label’s output on both on my radio shows and in my DJ sets.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo it is my pleasure to honour our friendship with a selection of tracks that have soundtracked the journey, so far…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gilles Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC0100\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。 彼が自身の番組で放送したInternational Anthemの音源29曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥6,342
![Ben LaMar Gay // Yowzers LP [BLACK]](http://tobirarecords.com/cdn/shop/files/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0_medium.jpg?v=1750123635)
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{"id":9205517320442,"title":"Ben LaMar Gay \/\/ Yowzers LP [BLACK]","handle":"ben-lamar-gay-yowzers-lp-black","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e","published_at":"2026-04-25T06:34:42+09:00","created_at":"2026-04-25T06:34:12+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":491000,"price_min":491000,"price_max":491000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760989352186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Yowzers LP [BLACK]","public_title":null,"options":["Default Title"],"price":491000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203433","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635","\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","options":["Title"],"media":[{"alt":null,"id":36205637042426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","width":700},{"alt":null,"id":36205637075194,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635","width":1200},{"alt":null,"id":36205637107962,"position":3,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635","width":144}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e"}
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アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 実験スピリチュアル・ジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。 Gayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never...
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{"id":9205516894458,"title":"Ben LaMar Gay \/\/ Yowzers LP [COLOR]","handle":"ben-lamar-gay-yowzers-lp-color","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'ipomea jalapa' transparent pink vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e","published_at":"2026-04-25T06:32:03+09:00","created_at":"2026-04-25T06:31:39+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760987123962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Yowzers LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203440","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824","\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","options":["Title"],"media":[{"alt":null,"id":36205644546298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","width":700},{"alt":null,"id":36205644579066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824","width":1200},{"alt":null,"id":36205644611834,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'ipomea jalapa' transparent pink vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e"}
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アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。 Gayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never...
¥5,492
![Charles Stepney // Step on Step 2xLP [BLACK]](http://tobirarecords.com/cdn/shop/products/on1_52e33c8f-3218-47b8-85b7-f402b18657b9_medium.jpg?v=1661569533)
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{"id":9205513814266,"title":"Charles Stepney \/\/ Step on Step 2xLP [BLACK]","handle":"charles-stepney-step-on-step-2xlp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble black vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:29:58+09:00","created_at":"2026-04-25T06:28:27+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":594000,"price_min":594000,"price_max":594000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760919785722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":594000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992553","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble black vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
¥5,940
クイックビュー
{"id":9205512143098,"title":"Charles Stepney \/\/ Step on Step 2xLP [COLOR]","handle":"charles-stepney-step-on-step-2xlp-color","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e今聴いても新鮮な21曲を収録。ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:27:45+09:00","created_at":"2026-04-25T06:27:12+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":683700,"price_min":683700,"price_max":683700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760891080954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":683700,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992577","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700},{"alt":null,"id":36698304250106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e今聴いても新鮮な21曲を収録。ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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※5月下旬再入荷後発送します 1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。ゴールド盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥6,837
![Resavoir // Resavoir LP [BLACK]](http://tobirarecords.com/cdn/shop/files/voi1_medium.jpg?v=1701309353)
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{"id":9205509325050,"title":"Resavoir \/\/ Resavoir LP [BLACK]","handle":"resavoir-resavoir-lp-black","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:25:17+09:00","created_at":"2026-04-25T06:24:26+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new","resavoir"],"price":491000,"price_min":491000,"price_max":491000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760863129850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \/\/ Resavoir LP [BLACK]","public_title":null,"options":["Default Title"],"price":491000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993727","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","options":["Title"],"media":[{"alt":null,"id":32770513797370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","width":700},{"alt":null,"id":32770513862906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 トランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。" レーベルその他作品はこちら /// Click here to see more...
¥4,910
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{"id":9205506212090,"title":"Photay with Carlos Niño \/\/ An Offering TAPE","handle":"photay-with-carlos-nino-an-offering-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:17:27+09:00","created_at":"2026-04-25T06:13:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","new","post newage","tape"],"price":259800,"price_min":259800,"price_max":259800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760851759354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering TAPE","public_title":null,"options":["Default Title"],"price":259800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":39137474347258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","width":1200},{"alt":null,"id":39137474380026,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9205498282234,"title":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [COLOR]","handle":"whitney-johnson-lia-kohl-macie-stewart-body-sound-lp-color","description":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \"Grapefruit\" color vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:06:58+09:00","created_at":"2026-04-25T06:05:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","neo classical","new","recommended"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760731533562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","options":["Title"],"media":[{"alt":null,"id":38829615251706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","width":350},{"alt":null,"id":38829615284474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","width":1200},{"alt":null,"id":39137445511418,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \"Grapefruit\" color vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。 インプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":9193019605242,"title":"Alabaster DePlume \/\/ Dear Children of Our Children, I Knew: Epilogue LP","handle":"alabaster-deplume-dear-children-of-our-children-i-knew-epilogue-lp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2026年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアメリカツアー中に録音した5曲を収録。Record Store Day限定盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"『\u003cem\u003eDear Children of Our Children, I Knew: Epilogue』は、Alabaster DePlumeによる新作EPで、2025年3月の全米ツアー中に録音された。Alabaster DePlumeは、ベーシストのシャザド・イスマイリー、ドラマーのチェサー・ホームズと共にライブを行い、批評家から絶賛されたアルバム『A Blade Because A Blade Is Whole』（2025年3月リリース）の楽曲を披露していた。トリオのステージ上の息の合い方は非常に自然で強固なものであったため、ブルックリンでのオフ日に、Alabaster DePlumeはその絆を形に残すことを決意した。本作は、全米各地の観客に向けて『A Blade』の楽曲を演奏し、共有し、即興で展開する中で培われた体験によって形作られたインストゥルメンタル曲集である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlabaster DePlumeは次のように語っている。「ライブで皆さんと出会った時、私は皆さんが声を失っていると感じました。それは、今日私たちがICE（移民・関税執行局）という形で目の当たりにしている現実をも示唆する、ある倫理的な問題に関するものでした。皆さんと共有したその体験は、壁に描かれたグラフィティやポスターのように、私の心に深く刻まれています。皆さんの声を届けること、それが私の役目であり、このレコードはまさにそのためのものです。そして、行動を起こすこと。その切迫感が、私をその場でレコーディングへと駆り立てたのです。そして今、私たちはここにいる。私たちが言ったように、この世界は、すでに生きていた現実へと目覚めつつあるのです。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Dear Children』は、『A Blade Because A Blade Is Whole』のエピローグであり、2024年10月にリリースされたEP『Cremisan: Prologue to A Blade』と対をなす作品となっている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDePlumeが近年発表してきたほぼすべての作品と同様に、これらすべての作品とパレスチナとの結びつきは深い。『Cremisan』EP自体もパレスチナで録音された。『Dear Children』には、西岸地区での子供たちの遊びや日常のフィールドレコーディングやサンプルが取り入れられており、そのジャケットアートには、ガザ出身の13歳の少年が描いたイラストの貼り紙ポスターが描かれている（使用許諾済み）。カバーアートにはアラビア語で次のように記されている。「殉教者／証人オバイダ・アフマド・アル＝キラムの母へ捧ぐ。安らかに眠れ。あなたの教え子であり、アーティストであるハサン・ジャワド・アブダヤより。」”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3966764814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bringing Up The Nakba \u003cbr\u003e2. I Play A Role In It And I Know\u003cbr\u003e3. It's Only Now Once (Elbit Systems Windowpane) \u003cbr\u003e4. Glass \u003cbr\u003e5. What Did The Child Say \/ Facing Reality\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eDear Children of Our Children, I Knew: Epilogue' is a new EP by Alabaster DePlume, recorded during the middle of his March 2025 US tour. DePlume had been playing shows with bassist Shahzad Ismaily and drummer Tcheser Holmes, performing music from his critically acclaimed album 'A Blade Because A Blade Is Whole' (released March 2025). The trio’s onstage rapport was so immediate and strong that, on an off day in Brooklyn, DePlume chose to capture that connection, recording this collection of instrumental pieces shaped by the experience of performing, sharing, and improvising off the music of A Blade for audiences across the US.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDePlume says: “Meeting with you all at the shows I sensed that you felt voiceless, on this ethical issue that also spelled out what we’re seeing today, in the form of ICE. That experience with you is etched into me, like graffiti or a poster on the wall. It’s my job to deliver your voice, and that’s what this record is. And to take action. That urgency compelled me to record then. And now here we are. As we said, this world is awakening to the reality it was already living.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDear Children serves as an epilogue to A Blade Because A Blade Is Whole, and as a companion bookend with his October 2024 EP 'Cremisan: Prologue to A\u003cspan class=\"bcTruncateMore\"\u003e Blade'.\u003cbr\u003e\u003cbr\u003eAs with almost everything that DePlume has put forth in recent years, the connection of all these works to Palestine is deep. The Cremisan EP itself was recorded in Palestine. Dear Children incorporates field recordings and samples of children playing and of normal life in the West Bank, and its cover art depicts wheatpaste posters of a drawing made by a 13-year-old boy from Gaza (used with permission). The inscription on the cover art says, in Arabic, “Dedicated to the mother of the martyr\/witness Obaida Ahmed al-Qiram. May you rest in peace. From your student, the artist, Hasan Jawad Abudayyeh.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0110LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T06:31:37+09:00","created_at":"2026-04-17T09:47:38+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":443000,"price_min":443000,"price_max":443000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48689807556858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ Dear Children of Our Children, I Knew: Epilogue LP","public_title":null,"options":["Default Title"],"price":443000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457242128","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678","options":["Title"],"media":[{"alt":null,"id":39066770178298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2026年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアメリカツアー中に録音した5曲を収録。Record Store Day限定盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"『\u003cem\u003eDear Children of Our Children, I Knew: Epilogue』は、Alabaster DePlumeによる新作EPで、2025年3月の全米ツアー中に録音された。Alabaster DePlumeは、ベーシストのシャザド・イスマイリー、ドラマーのチェサー・ホームズと共にライブを行い、批評家から絶賛されたアルバム『A Blade Because A Blade Is Whole』（2025年3月リリース）の楽曲を披露していた。トリオのステージ上の息の合い方は非常に自然で強固なものであったため、ブルックリンでのオフ日に、Alabaster DePlumeはその絆を形に残すことを決意した。本作は、全米各地の観客に向けて『A Blade』の楽曲を演奏し、共有し、即興で展開する中で培われた体験によって形作られたインストゥルメンタル曲集である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlabaster DePlumeは次のように語っている。「ライブで皆さんと出会った時、私は皆さんが声を失っていると感じました。それは、今日私たちがICE（移民・関税執行局）という形で目の当たりにしている現実をも示唆する、ある倫理的な問題に関するものでした。皆さんと共有したその体験は、壁に描かれたグラフィティやポスターのように、私の心に深く刻まれています。皆さんの声を届けること、それが私の役目であり、このレコードはまさにそのためのものです。そして、行動を起こすこと。その切迫感が、私をその場でレコーディングへと駆り立てたのです。そして今、私たちはここにいる。私たちが言ったように、この世界は、すでに生きていた現実へと目覚めつつあるのです。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Dear Children』は、『A Blade Because A Blade Is Whole』のエピローグであり、2024年10月にリリースされたEP『Cremisan: Prologue to A Blade』と対をなす作品となっている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDePlumeが近年発表してきたほぼすべての作品と同様に、これらすべての作品とパレスチナとの結びつきは深い。『Cremisan』EP自体もパレスチナで録音された。『Dear Children』には、西岸地区での子供たちの遊びや日常のフィールドレコーディングやサンプルが取り入れられており、そのジャケットアートには、ガザ出身の13歳の少年が描いたイラストの貼り紙ポスターが描かれている（使用許諾済み）。カバーアートにはアラビア語で次のように記されている。「殉教者／証人オバイダ・アフマド・アル＝キラムの母へ捧ぐ。安らかに眠れ。あなたの教え子であり、アーティストであるハサン・ジャワド・アブダヤより。」”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3966764814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bringing Up The Nakba \u003cbr\u003e2. I Play A Role In It And I Know\u003cbr\u003e3. It's Only Now Once (Elbit Systems Windowpane) \u003cbr\u003e4. Glass \u003cbr\u003e5. What Did The Child Say \/ Facing Reality\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eDear Children of Our Children, I Knew: Epilogue' is a new EP by Alabaster DePlume, recorded during the middle of his March 2025 US tour. DePlume had been playing shows with bassist Shahzad Ismaily and drummer Tcheser Holmes, performing music from his critically acclaimed album 'A Blade Because A Blade Is Whole' (released March 2025). The trio’s onstage rapport was so immediate and strong that, on an off day in Brooklyn, DePlume chose to capture that connection, recording this collection of instrumental pieces shaped by the experience of performing, sharing, and improvising off the music of A Blade for audiences across the US.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDePlume says: “Meeting with you all at the shows I sensed that you felt voiceless, on this ethical issue that also spelled out what we’re seeing today, in the form of ICE. That experience with you is etched into me, like graffiti or a poster on the wall. It’s my job to deliver your voice, and that’s what this record is. And to take action. That urgency compelled me to record then. And now here we are. As we said, this world is awakening to the reality it was already living.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDear Children serves as an epilogue to A Blade Because A Blade Is Whole, and as a companion bookend with his October 2024 EP 'Cremisan: Prologue to A\u003cspan class=\"bcTruncateMore\"\u003e Blade'.\u003cbr\u003e\u003cbr\u003eAs with almost everything that DePlume has put forth in recent years, the connection of all these works to Palestine is deep. The Cremisan EP itself was recorded in Palestine. Dear Children incorporates field recordings and samples of children playing and of normal life in the West Bank, and its cover art depicts wheatpaste posters of a drawing made by a 13-year-old boy from Gaza (used with permission). The inscription on the cover art says, in Arabic, “Dedicated to the mother of the martyr\/witness Obaida Ahmed al-Qiram. May you rest in peace. From your student, the artist, Hasan Jawad Abudayyeh.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0110LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2026年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 アメリカツアー中に録音した5曲を収録。Record Store Day限定盤です。 以下、レーベルによる解説です。 "『Dear Children of Our Children, I Knew:...
¥4,430
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{"id":9175006413050,"title":"Jeff Parker ETA IVtet \/\/ Happy Today CD","handle":"jeff-parker-eta-ivtet-happy-today-cd","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 15th May 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e","published_at":"2026-04-02T14:52:06+09:00","created_at":"2026-04-02T09:55:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595341377786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ Happy Today CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365","\/\/tobirarecords.com\/cdn\/shop\/files\/hap4.jpg?v=1775091365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365","options":["Title"],"media":[{"alt":null,"id":38928974315770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365","width":350},{"alt":null,"id":38928974348538,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap4.jpg?v=1775091365"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap4.jpg?v=1775091365","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 15th May 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e"}
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アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。 レーベルその他作品はこちら /// Click here to see...
¥2,780
![Jeff Parker ETA IVtet // Happy Today LP [COLOR]](http://tobirarecords.com/cdn/shop/files/hap1_cee0a98c-a7db-4821-879c-92141180f95a_medium.jpg?v=1775091254)
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{"id":9175006216442,"title":"Jeff Parker ETA IVtet \/\/ Happy Today LP [COLOR]","handle":"jeff-parker-eta-ivtet-happy-today-lp-color","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。日本限定オレンジ盤です。帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJapan Edition 12\" orange vinyl with obi. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109LPJP\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e","published_at":"2026-04-02T14:51:07+09:00","created_at":"2026-04-02T09:53:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":518500,"price_min":518500,"price_max":518500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595339182330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker ETA IVtet \/\/ Happy Today LP [COLOR]","public_title":null,"options":["Default Title"],"price":518500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"760944511290","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254","\/\/tobirarecords.com\/cdn\/shop\/files\/jp425_725e9b03-b4fd-4d35-9b99-847d9c3ad1bb.jpg?v=1777077682"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254","options":["Title"],"media":[{"alt":null,"id":38928967467258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254","width":350},{"alt":null,"id":39138130133242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp425_725e9b03-b4fd-4d35-9b99-847d9c3ad1bb.jpg?v=1777077682"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp425_725e9b03-b4fd-4d35-9b99-847d9c3ad1bb.jpg?v=1777077682","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。日本限定オレンジ盤です。帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJapan Edition 12\" orange vinyl with obi. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109LPJP\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e"}
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アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。日本限定オレンジ盤です。帯が付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to...
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![Jeff Parker ETA IVtet // Happy Today LP [BLACK]](http://tobirarecords.com/cdn/shop/files/hap1_medium.jpg?v=1775091005)
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{"id":9175006118138,"title":"Jeff Parker ETA IVtet \/\/ Happy Today LP [BLACK]","handle":"jeff-parker-eta-ivtet-happy-today-lp-black","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e","published_at":"2026-04-02T14:49:37+09:00","created_at":"2026-04-02T09:53:09+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595338756346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ Happy Today LP [BLACK]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"760944510996","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005","\/\/tobirarecords.com\/cdn\/shop\/files\/hap2.jpg?v=1775091005"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005","options":["Title"],"media":[{"alt":null,"id":38928959799546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005","width":350},{"alt":null,"id":38928959832314,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap2.jpg?v=1775091005"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap2.jpg?v=1775091005","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e"}
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アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to...
¥4,980
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{"id":9165611204858,"title":"Resavoir s\/t LP","handle":"resavoir-s-t-lp","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2019年にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ニュージャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276148849\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro 01:24\u003cbr\u003e2. Resavoir 05:46\u003cbr\u003e3. Taking Flight (feat. Brandee Younger) 03:37\u003cbr\u003e4. Plantasy 04:20\u003cbr\u003e5. Clouds 01:11\u003cbr\u003e6. Woah 04:09\u003cbr\u003e7. Illusion 02:49\u003cbr\u003e8. Escalator (feat. Sen Morimoto) 04:05\u003cbr\u003e9. LML 02:26\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRiding the ripples of their debut single “Escalator” (which BBC’s Gilles Peterson called “a winner,” and Supreme Standards’ Tina Edwards likened to “Radiohead on a Jazz trip”), Chicago collective Resavoir return with their first full length effort. The self-titled album presents a juicy suite of elegantly-orchestrated lo-fi jazz instrumentals germinated from home recording experiments by the group’s producer\/arranger Will Miller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eApplying a compositional approach attributable to his experience producing hip-hop beats as much as his studies at Oberlin Conservatory, Miller built melodic sketches on foundations of samples \u0026amp; loops before bringing pieces to the group for collective development. After integrating recordings of the full band into his home-produced impressions (not unlike IARC predecessors Jeff Parker and Makaya McCraven), he over-dubbed another dozen friends into the mix (including Brandee Younger, Sen Morimoto, Carter Lang, Knox Fortune and Macie Stewart) before finalizing the arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Miller’s modest editing room, Resavoir grew from experiment into epic opus recalling the lush, psychedelic soul jazz orchestrations of David Axelrod \u0026amp; Charles Stepney… but in the sampled-laden style of Yesterday’s New Quintet, Broadcast, or Thundercat, with a lyrical affinity for minimalism \u0026amp; texturalism, like trumpeter\/composers Jon Hassell \u0026amp; Justin Walter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0026\u003c\/p\u003e\n\u003cp\u003eRelease date : 28th June 2019\u003c\/p\u003e","published_at":"2026-04-02T06:37:26+09:00","created_at":"2026-03-27T10:14:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48559535784186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir s\/t LP","public_title":null,"options":["Default Title"],"price":499500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892","\/\/tobirarecords.com\/cdn\/shop\/files\/resa2.jpg?v=1774573893"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892","options":["Title"],"media":[{"alt":null,"id":38878142464250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892","width":350},{"alt":null,"id":38878142497018,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa2.jpg?v=1774573893"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa2.jpg?v=1774573893","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2019年にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ニュージャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276148849\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro 01:24\u003cbr\u003e2. Resavoir 05:46\u003cbr\u003e3. Taking Flight (feat. Brandee Younger) 03:37\u003cbr\u003e4. Plantasy 04:20\u003cbr\u003e5. Clouds 01:11\u003cbr\u003e6. Woah 04:09\u003cbr\u003e7. Illusion 02:49\u003cbr\u003e8. Escalator (feat. Sen Morimoto) 04:05\u003cbr\u003e9. LML 02:26\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRiding the ripples of their debut single “Escalator” (which BBC’s Gilles Peterson called “a winner,” and Supreme Standards’ Tina Edwards likened to “Radiohead on a Jazz trip”), Chicago collective Resavoir return with their first full length effort. The self-titled album presents a juicy suite of elegantly-orchestrated lo-fi jazz instrumentals germinated from home recording experiments by the group’s producer\/arranger Will Miller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eApplying a compositional approach attributable to his experience producing hip-hop beats as much as his studies at Oberlin Conservatory, Miller built melodic sketches on foundations of samples \u0026amp; loops before bringing pieces to the group for collective development. After integrating recordings of the full band into his home-produced impressions (not unlike IARC predecessors Jeff Parker and Makaya McCraven), he over-dubbed another dozen friends into the mix (including Brandee Younger, Sen Morimoto, Carter Lang, Knox Fortune and Macie Stewart) before finalizing the arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Miller’s modest editing room, Resavoir grew from experiment into epic opus recalling the lush, psychedelic soul jazz orchestrations of David Axelrod \u0026amp; Charles Stepney… but in the sampled-laden style of Yesterday’s New Quintet, Broadcast, or Thundercat, with a lyrical affinity for minimalism \u0026amp; texturalism, like trumpeter\/composers Jon Hassell \u0026amp; Justin Walter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0026\u003c\/p\u003e\n\u003cp\u003eRelease date : 28th June 2019\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2019年にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 アンビエント・ジャズ〜ニュージャズ9曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":9149499638010,"title":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [BLACK]","handle":"whitney-johnson-lia-kohl-macie-stewart-body-sound-lp","description":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-25T08:25:30+09:00","created_at":"2026-03-24T10:13:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","neo classical","new","recommended"],"price":469000,"price_min":469000,"price_max":469000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48522460233978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [BLACK]","public_title":null,"options":["Default Title"],"price":469000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457243880","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/bod3.jpg?v=1774314665"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","options":["Title"],"media":[{"alt":null,"id":38829615251706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","width":350},{"alt":null,"id":38829615284474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","width":1200},{"alt":null,"id":38829615317242,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod3.jpg?v=1774314665"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod3.jpg?v=1774314665","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。 インプロによるネオクラシカル・アンビエントドローン11曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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![Daniel Villarreal // Panamá 77 LP [COLOR]](http://tobirarecords.com/cdn/shop/files/pan1_81b78fc8-fad9-441a-a30f-4db6d8396f74_medium.jpg?v=1774314403)
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{"id":9149496525050,"title":"Daniel Villarreal \/\/ Panamá 77 LP [COLOR]","handle":"daniel-villarreal-panama-77-lp-color","description":"\u003cp\u003e\u003cspan\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealが、2026年2月にアメリカ・シカゴのInternational Anthemからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eトライバル・ジャズファンク12曲を収録\u003c\/span\u003e。ベイビーブルー盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Panamá 77』は、パナマ出身でシカゴを拠点とするドラマー／DJ Daniel Villarrealによるデビューアルバムであり、ジャズを織り交ぜたサイケデリックなインストゥルメンタル・フォークファンクが、多彩なテクスチャーと豊かな緑のように生き生きと広がる作品だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e世間の目にはデビュー作として映るが、Daniel Villarrealはシカゴの音楽シーンにおいて、かねてより広く知られ、愛されてきた存在だ。週のほぼどの夜でも、彼の地元ピルセンの賑やかな18thストリートにある少なくとも1つのスポットで、彼がDJをしている姿を見かけることができる。（退廃的な雰囲気のトラック「18th \u0026amp; Morgan」は、その一帯へのオマージュであり、ローライダーとロイ・エアーズが融合したような雰囲気で、ビーバー革のステットソン帽と色付きのアビエーターサングラスを身につけ、クラシックなベビーブルーのメルセデス・セダンでギグへ向かうDaniel Villarrealの日常を鮮やかに描き出している。） そこにいない時は、ドス・サントス、ヴァレボル、ザ・ロス・サンダウンズ、あるいはイダ・イ・ブエルタ（いずれも彼が共同リーダーを務めるバンド）でドラムを叩いているか、ワイルド・ベルやルディ・デ・アンダのセッションに参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDaniel Villarrealは、その派手なスタイルと人を惹きつける人柄で最も知られているかもしれないが、シーンのミュージシャンたちにとっては、多様なスタイルやサウンドにおいて確かなリズム感を持ち、柔軟かつ頼りになるドラマーとしての才能も同様に評価されている。ドス・サントスやイダ・イ・ブエルタを通じて、彼はラテン・フォークロア音楽の様々な分野における幅広い知識と技能を示してきた。しかし皮肉なことに、彼が伝統的なラテン音楽を本格的に演奏し始めたのは、故郷のパナマシティからアメリカに移住してからのことだった。彼のドラミングにおける最も深いルーツは、90年代後半に彼のバンドであるNOHAYDIAや2 Huevos 1 Caminoが活動していた、中米のプログレッシブ・パンクやハードコア・シーンにある。こうした形成期の経験こそが、彼の音楽キャリアの礎となっている。\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=781567185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" baby blue vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4-page insert booklet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bella Vista 02:26\u003cbr\u003e2. Ofelia 04:45\u003cbr\u003e3. Uncanny 02:07\u003cbr\u003e4. I Didn't Expect That 01:14\u003cbr\u003e5. In\/On 04:08\u003cbr\u003e6. Cali Colors 05:46\u003cbr\u003e7. Activo 03:37\u003cbr\u003e8. Sombras 01:57\u003cbr\u003e9. Parque En Seis 04:45\u003cbr\u003e10. Patria 02:35\u003cbr\u003e11. 18th \u0026amp; Morgan 04:12\u003cbr\u003e12. Messenger 03:18\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePanamá 77 – a vibrant and verdant suite of multi-textural, jazz-laced psychedelic instrumental folk-funk – is the debut album by Panamá-born, Chicago-based drummer and DJ Daniel Villarreal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough it’s a debut work in the eyes of the world, Villarreal has long been a widely known and beloved character on the Chicago music scene. On almost any night of the week, you’ll find him DJing at atleast one spot on bustling 18th Street in his home neighborhood of Pilsen. (The decadent track “18th \u0026amp; Morgan” is an homage to that strip, with its lowrider meets Roy Ayers vibe, vividly depicting Villarreal’s daily life driving to a gig in his classic baby-blue Mercedes sedan, wearing a beaver-skin Stetson and tinted aviators.) If he’s not there, he’s playing drums with Dos Santos, Valebol, The Los Sundowns or Ida y Vuelta (all bands he co-leads), or sitting in with Wild Belle or Rudy De Anda.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVillarreal may be most known for his big style and magnetic personality, but to musicians on the scene, it’s as much for his talents as a malleable and reliable drummer, with a deep pocket in many styles and sounds. Through Dos Santos and Ida y Vuelta, he’s demonstrated a range of knowledge and skill in various stripes of folkloric Latin music; but, ironically, he didn’t\u003cspan class=\"bcTruncateMore\"\u003e really play traditional Latin music until he moved to the States from his hometown Panamá City. His deepest roots in drumming are from the progressive punk and hardcore scenes of Central America, where his bands NOHAYDIA and 2 Huevos 1 Camino were active in the late 90s. Those formative experiences are the foundation of his career in music...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Villarreal\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0054\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : February 2026 (repress)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-25T08:34:50+09:00","created_at":"2026-03-24T10:08:46+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":499700,"price_min":499700,"price_max":499700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48522450993402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Villarreal \/\/ Panamá 77 LP [COLOR]","public_title":null,"options":["Default Title"],"price":499700,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457229815","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_81b78fc8-fad9-441a-a30f-4db6d8396f74.jpg?v=1774314403","\/\/tobirarecords.com\/cdn\/shop\/files\/pan2_eca2d8c0-bc68-433a-b3e7-5e746878a947.jpg?v=1774314402"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_81b78fc8-fad9-441a-a30f-4db6d8396f74.jpg?v=1774314403","options":["Title"],"media":[{"alt":null,"id":38829594640634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_81b78fc8-fad9-441a-a30f-4db6d8396f74.jpg?v=1774314403"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_81b78fc8-fad9-441a-a30f-4db6d8396f74.jpg?v=1774314403","width":350},{"alt":null,"id":38829594673402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan2_eca2d8c0-bc68-433a-b3e7-5e746878a947.jpg?v=1774314402"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan2_eca2d8c0-bc68-433a-b3e7-5e746878a947.jpg?v=1774314402","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealが、2026年2月にアメリカ・シカゴのInternational Anthemからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eトライバル・ジャズファンク12曲を収録\u003c\/span\u003e。ベイビーブルー盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Panamá 77』は、パナマ出身でシカゴを拠点とするドラマー／DJ Daniel Villarrealによるデビューアルバムであり、ジャズを織り交ぜたサイケデリックなインストゥルメンタル・フォークファンクが、多彩なテクスチャーと豊かな緑のように生き生きと広がる作品だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e世間の目にはデビュー作として映るが、Daniel Villarrealはシカゴの音楽シーンにおいて、かねてより広く知られ、愛されてきた存在だ。週のほぼどの夜でも、彼の地元ピルセンの賑やかな18thストリートにある少なくとも1つのスポットで、彼がDJをしている姿を見かけることができる。（退廃的な雰囲気のトラック「18th \u0026amp; Morgan」は、その一帯へのオマージュであり、ローライダーとロイ・エアーズが融合したような雰囲気で、ビーバー革のステットソン帽と色付きのアビエーターサングラスを身につけ、クラシックなベビーブルーのメルセデス・セダンでギグへ向かうDaniel Villarrealの日常を鮮やかに描き出している。） そこにいない時は、ドス・サントス、ヴァレボル、ザ・ロス・サンダウンズ、あるいはイダ・イ・ブエルタ（いずれも彼が共同リーダーを務めるバンド）でドラムを叩いているか、ワイルド・ベルやルディ・デ・アンダのセッションに参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDaniel Villarrealは、その派手なスタイルと人を惹きつける人柄で最も知られているかもしれないが、シーンのミュージシャンたちにとっては、多様なスタイルやサウンドにおいて確かなリズム感を持ち、柔軟かつ頼りになるドラマーとしての才能も同様に評価されている。ドス・サントスやイダ・イ・ブエルタを通じて、彼はラテン・フォークロア音楽の様々な分野における幅広い知識と技能を示してきた。しかし皮肉なことに、彼が伝統的なラテン音楽を本格的に演奏し始めたのは、故郷のパナマシティからアメリカに移住してからのことだった。彼のドラミングにおける最も深いルーツは、90年代後半に彼のバンドであるNOHAYDIAや2 Huevos 1 Caminoが活動していた、中米のプログレッシブ・パンクやハードコア・シーンにある。こうした形成期の経験こそが、彼の音楽キャリアの礎となっている。\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=781567185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" baby blue vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4-page insert booklet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bella Vista 02:26\u003cbr\u003e2. Ofelia 04:45\u003cbr\u003e3. Uncanny 02:07\u003cbr\u003e4. I Didn't Expect That 01:14\u003cbr\u003e5. In\/On 04:08\u003cbr\u003e6. Cali Colors 05:46\u003cbr\u003e7. Activo 03:37\u003cbr\u003e8. Sombras 01:57\u003cbr\u003e9. Parque En Seis 04:45\u003cbr\u003e10. Patria 02:35\u003cbr\u003e11. 18th \u0026amp; Morgan 04:12\u003cbr\u003e12. Messenger 03:18\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePanamá 77 – a vibrant and verdant suite of multi-textural, jazz-laced psychedelic instrumental folk-funk – is the debut album by Panamá-born, Chicago-based drummer and DJ Daniel Villarreal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough it’s a debut work in the eyes of the world, Villarreal has long been a widely known and beloved character on the Chicago music scene. On almost any night of the week, you’ll find him DJing at atleast one spot on bustling 18th Street in his home neighborhood of Pilsen. (The decadent track “18th \u0026amp; Morgan” is an homage to that strip, with its lowrider meets Roy Ayers vibe, vividly depicting Villarreal’s daily life driving to a gig in his classic baby-blue Mercedes sedan, wearing a beaver-skin Stetson and tinted aviators.) If he’s not there, he’s playing drums with Dos Santos, Valebol, The Los Sundowns or Ida y Vuelta (all bands he co-leads), or sitting in with Wild Belle or Rudy De Anda.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVillarreal may be most known for his big style and magnetic personality, but to musicians on the scene, it’s as much for his talents as a malleable and reliable drummer, with a deep pocket in many styles and sounds. Through Dos Santos and Ida y Vuelta, he’s demonstrated a range of knowledge and skill in various stripes of folkloric Latin music; but, ironically, he didn’t\u003cspan class=\"bcTruncateMore\"\u003e really play traditional Latin music until he moved to the States from his hometown Panamá City. His deepest roots in drumming are from the progressive punk and hardcore scenes of Central America, where his bands NOHAYDIA and 2 Huevos 1 Camino were active in the late 90s. Those formative experiences are the foundation of his career in music...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Villarreal\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0054\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : February 2026 (repress)\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealが、2026年2月にアメリカ・シカゴのInternational Anthemからリリースした再発レコードです。（オリジナルは2022年リリース） トライバル・ジャズファンク12曲を収録。ベイビーブルー盤です。 以下、レーベルによる解説です。 "『Panamá 77』は、パナマ出身でシカゴを拠点とするドラマー／DJ Daniel Villarrealによるデビューアルバムであり、ジャズを織り交ぜたサイケデリックなインストゥルメンタル・フォークファンクが、多彩なテクスチャーと豊かな緑のように生き生きと広がる作品だ。 世間の目にはデビュー作として映るが、Daniel Villarrealはシカゴの音楽シーンにおいて、かねてより広く知られ、愛されてきた存在だ。週のほぼどの夜でも、彼の地元ピルセンの賑やかな18thストリートにある少なくとも1つのスポットで、彼がDJをしている姿を見かけることができる。（退廃的な雰囲気のトラック「18th & Morgan」は、その一帯へのオマージュであり、ローライダーとロイ・エアーズが融合したような雰囲気で、ビーバー革のステットソン帽と色付きのアビエーターサングラスを身につけ、クラシックなベビーブルーのメルセデス・セダンでギグへ向かうDaniel Villarrealの日常を鮮やかに描き出している。）...
¥4,997
![Ibelisse Guardia Ferragutti & Frank Rosaly // MESTIZX LP [BLACK]](http://tobirarecords.com/cdn/shop/files/ib1_medium.jpg?v=1712034906)
クイックビュー
{"id":9076542013690,"title":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [BLACK]","handle":"ibelisse-guardia-ferragutti-frank-rosaly-mestizx-lp-black","description":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-09T14:15:56+09:00","created_at":"2026-02-09T14:13:56+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":528800,"price_min":528800,"price_max":528800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305079812346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [BLACK]","public_title":null,"options":["Default Title"],"price":528800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994052","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","options":["Title"],"media":[{"alt":null,"id":33530977190138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","width":700},{"alt":null,"id":33530977222906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906","width":1200},{"alt":null,"id":33530977288442,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e"}
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ボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。 ラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。 広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。" レーベルその他作品はこちら /// Click here to see more...
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クイックビュー
{"id":9076541620474,"title":"jaimie branch \/\/ Fly or Die Fly or Die Fly or Die ((world war)) LP","handle":"jaimie-branch-fly-or-die-fly-or-die-fly-or-die-world-war-lp","description":"\u003cp\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branch(2022年7月に他界)が、2023年8月に同国シカゴのジャズ巣窟International Anthemからリリースした遺作です。\u003c\/p\u003e\n\u003cp\u003eスリリングなスピリチュアル・ジャズ9曲を収録。インサートと帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年7月、jaimie branchの死が世界中に衝撃を与えるわずか1ヶ月前、トランペット奏者であり作曲家でもある彼女は、シカゴのインターナショナル・アンセム・スタジオでアルバムの仕上げ作業を行っていた。それは、彼女が作曲し、ネブラスカ州オマハのベミス・センター・フォー・コンテンポラリー・アーツでのレジデンスの間に、彼女の代表的アンサンブルであるフライ・オア・ダイとともにレコーディングした音楽の組曲だった。彼女の後では、アルバムはほぼ完成しており、ミキシングの微調整、最終的なタイトル、アートワークだけが完全に実現されていた。その後数ヶ月間、妹のケイト・ブランチを中心とする彼女の家族、彼女のバンド（ジェイソン・エイジェミアン、レスター・セントルイス、チャド・テイラー）、そしてIARCの協力者たちが、ジェイミーの思い出、テキスト、Eメール、写真、アートワーク、断片を集め、前途を照らした。目標は常に、ジェイミーがしたであろうことをすることだった。ジョン・ハーンドン、デイモン・ロックス、そしてブランチ自身による素晴らしいアートワークに包まれた『Fly or Die Fly or Die ((world war))』は、ジェイミーがフライ・オア・ダイ・カルテットで残した最後のアルバムである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266839691\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die, over the course of a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska. In her wake, the album was near complete, with only mixing tweaks, final titles, and artwork to be fully realized. In the months following, her family (led by sister Kate Branch), her band (Jason Ajemian, Lester St. Louis, and Chad Taylor), and her collaborators at IARC banded together to gather memories, texts, emails, photographs, artwork and fragments belonging to jaimie to light the path forward. The goal was always to do what jaimie would have done. Packaged in stunning artwork by John Herndon, Damon Locks, and branch herself, Fly or Die Fly or Die Fly or Die ((world war)) is jaimie’s final album with her Fly or Die quartet.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e++\u003cbr\u003e\u003cbr\u003eFrom the album's liner notes, written by jaimie's Fly or Die bandmates:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003ejaimie never had small ideas. She always thought big. The minute you told her she couldn’t do something, or that something\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e would be too difficult to accomplish, the more determined and focused she became. And this album is big. Far bigger and more demanding — for us, and for you — than any other Fly or Die record. For this, jaimie wanted to play with longer forms, more modulations, more noise, more singing, and as always, grooves and melodies. She was a dynamic melodicist. jaimie wanted this album to be lush, grand and full of life, just as she was. Every time we take a listen, we feel the deep imprint of her all over the music, and we see all of us making it together.\u003c\/em\u003e”\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : jaimie branch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-09T14:13:06+09:00","created_at":"2026-02-09T14:12:36+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":528800,"price_min":528800,"price_max":528800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305076371706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"jaimie branch \/\/ Fly or Die Fly or Die Fly or Die ((world war)) LP","public_title":null,"options":["Default Title"],"price":528800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993222","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604","\/\/tobirarecords.com\/cdn\/shop\/files\/die2_b75a4384-3942-4c26-821a-1e6c17536251.jpg?v=1691981605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604","options":["Title"],"media":[{"alt":null,"id":32325905678586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604","width":700},{"alt":null,"id":32325905711354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die2_b75a4384-3942-4c26-821a-1e6c17536251.jpg?v=1691981605"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die2_b75a4384-3942-4c26-821a-1e6c17536251.jpg?v=1691981605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branch(2022年7月に他界)が、2023年8月に同国シカゴのジャズ巣窟International Anthemからリリースした遺作です。\u003c\/p\u003e\n\u003cp\u003eスリリングなスピリチュアル・ジャズ9曲を収録。インサートと帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年7月、jaimie branchの死が世界中に衝撃を与えるわずか1ヶ月前、トランペット奏者であり作曲家でもある彼女は、シカゴのインターナショナル・アンセム・スタジオでアルバムの仕上げ作業を行っていた。それは、彼女が作曲し、ネブラスカ州オマハのベミス・センター・フォー・コンテンポラリー・アーツでのレジデンスの間に、彼女の代表的アンサンブルであるフライ・オア・ダイとともにレコーディングした音楽の組曲だった。彼女の後では、アルバムはほぼ完成しており、ミキシングの微調整、最終的なタイトル、アートワークだけが完全に実現されていた。その後数ヶ月間、妹のケイト・ブランチを中心とする彼女の家族、彼女のバンド（ジェイソン・エイジェミアン、レスター・セントルイス、チャド・テイラー）、そしてIARCの協力者たちが、ジェイミーの思い出、テキスト、Eメール、写真、アートワーク、断片を集め、前途を照らした。目標は常に、ジェイミーがしたであろうことをすることだった。ジョン・ハーンドン、デイモン・ロックス、そしてブランチ自身による素晴らしいアートワークに包まれた『Fly or Die Fly or Die ((world war))』は、ジェイミーがフライ・オア・ダイ・カルテットで残した最後のアルバムである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266839691\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die, over the course of a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska. In her wake, the album was near complete, with only mixing tweaks, final titles, and artwork to be fully realized. In the months following, her family (led by sister Kate Branch), her band (Jason Ajemian, Lester St. Louis, and Chad Taylor), and her collaborators at IARC banded together to gather memories, texts, emails, photographs, artwork and fragments belonging to jaimie to light the path forward. The goal was always to do what jaimie would have done. Packaged in stunning artwork by John Herndon, Damon Locks, and branch herself, Fly or Die Fly or Die Fly or Die ((world war)) is jaimie’s final album with her Fly or Die quartet.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e++\u003cbr\u003e\u003cbr\u003eFrom the album's liner notes, written by jaimie's Fly or Die bandmates:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003ejaimie never had small ideas. She always thought big. The minute you told her she couldn’t do something, or that something\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e would be too difficult to accomplish, the more determined and focused she became. And this album is big. Far bigger and more demanding — for us, and for you — than any other Fly or Die record. For this, jaimie wanted to play with longer forms, more modulations, more noise, more singing, and as always, grooves and melodies. She was a dynamic melodicist. jaimie wanted this album to be lush, grand and full of life, just as she was. Every time we take a listen, we feel the deep imprint of her all over the music, and we see all of us making it together.\u003c\/em\u003e”\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : jaimie branch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ロングアイランドのトランペット奏者jaimie branch(2022年7月に他界)が、2023年8月に同国シカゴのジャズ巣窟International Anthemからリリースした遺作です。 スリリングなスピリチュアル・ジャズ9曲を収録。インサートと帯が付属。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2022年7月、jaimie branchの死が世界中に衝撃を与えるわずか1ヶ月前、トランペット奏者であり作曲家でもある彼女は、シカゴのインターナショナル・アンセム・スタジオでアルバムの仕上げ作業を行っていた。それは、彼女が作曲し、ネブラスカ州オマハのベミス・センター・フォー・コンテンポラリー・アーツでのレジデンスの間に、彼女の代表的アンサンブルであるフライ・オア・ダイとともにレコーディングした音楽の組曲だった。彼女の後では、アルバムはほぼ完成しており、ミキシングの微調整、最終的なタイトル、アートワークだけが完全に実現されていた。その後数ヶ月間、妹のケイト・ブランチを中心とする彼女の家族、彼女のバンド（ジェイソン・エイジェミアン、レスター・セントルイス、チャド・テイラー）、そしてIARCの協力者たちが、ジェイミーの思い出、テキスト、Eメール、写真、アートワーク、断片を集め、前途を照らした。目標は常に、ジェイミーがしたであろうことをすることだった。ジョン・ハーンドン、デイモン・ロックス、そしてブランチ自身による素晴らしいアートワークに包まれた『Fly or Die Fly or Die ((world...
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{"id":9076540965114,"title":"Photay with Carlos Niño \/\/ An Offering LP [BLACK]","handle":"photay-with-carlos-nino-an-offering-lp-black","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。180g重量盤、見開きゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-02-09T14:10:51+09:00","created_at":"2026-02-09T14:09:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305060577530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering LP [BLACK]","public_title":null,"options":["Default Title"],"price":439000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992782","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0029880828_10_33f9cdde-a93b-47e1-b0ab-48935b52e498.jpg?v=1723955221"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":30864630776058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","width":1200},{"alt":null,"id":34726378045690,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880828_10_33f9cdde-a93b-47e1-b0ab-48935b52e498.jpg?v=1723955221"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880828_10_33f9cdde-a93b-47e1-b0ab-48935b52e498.jpg?v=1723955221","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。180g重量盤、見開きゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 ポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。180g重量盤、見開きゲートフォルド仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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![Carlos Niño & Friends // More Energy Fields, Current LP [COLOR]](http://tobirarecords.com/cdn/shop/files/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d_medium.jpg?v=1709951609)
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{"id":9076539851002,"title":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP [COLOR]","handle":"carlos-nino-friends-more-energy-fields-current-lp-color-コピー","description":"\u003cp\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。Water Spiritsカラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" water spirits color vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr\u003e\u003cbr\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr\u003e\u003cbr\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eCat No : IARC0040LPWS\u003c\/p\u003e","published_at":"2026-02-09T14:06:55+09:00","created_at":"2026-02-09T14:06:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":516200,"price_min":516200,"price_max":516200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305041506554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP [COLOR]","public_title":null,"options":["Default Title"],"price":516200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991273","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","options":["Title"],"media":[{"alt":null,"id":33341293789434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","width":700},{"alt":null,"id":33341293822202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。Water Spiritsカラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" water spirits color vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr\u003e\u003cbr\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr\u003e\u003cbr\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eCat No : IARC0040LPWS\u003c\/p\u003e"}
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Leaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。 Sam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作したアンビエント・ジャズ10曲を収録。Water Spiritsカラー盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":9076539588858,"title":"Resavoir \/\/ Resavoir LP [COLOR]","handle":"resavoir-resavoir-lp-color","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。クリアオレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" orange clear vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-09T14:03:17+09:00","created_at":"2026-02-09T14:02:35+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new","resavoir"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305030889722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \/\/ Resavoir LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993673","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/0033523326_10.jpg?v=1756676864"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","options":["Title"],"media":[{"alt":null,"id":32770513797370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","width":700},{"alt":null,"id":32770513862906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","width":1200},{"alt":null,"id":36698331447546,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033523326_10.jpg?v=1756676864"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033523326_10.jpg?v=1756676864","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。クリアオレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" orange clear vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 トランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。クリアオレンジ盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。" レーベルその他作品はこちら /// Click here to see more...
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{"id":9065045328122,"title":"Gregory Uhlmann \/\/ Extra Stars CD","handle":"gregory-uhlmann-extra-stars-cd","description":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 6th March 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExtra Stars encompasses all he’s learned through all\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e","published_at":"2026-01-25T07:17:24+09:00","created_at":"2026-01-24T11:39:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","new"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48253808345338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gregory Uhlmann \/\/ Extra Stars CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437","\/\/tobirarecords.com\/cdn\/shop\/files\/gre6.jpg?v=1769222449","\/\/tobirarecords.com\/cdn\/shop\/files\/gre5.jpg?v=1769222449"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437","options":["Title"],"media":[{"alt":null,"id":38153035219194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437","width":700},{"alt":null,"id":38153035284730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre6.jpg?v=1769222449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre6.jpg?v=1769222449","width":1200},{"alt":null,"id":38153035251962,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre5.jpg?v=1769222449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre5.jpg?v=1769222449","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 6th March 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExtra Stars encompasses all he’s learned through all\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e"}
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SMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":9065044967674,"title":"Gregory Uhlmann \/\/ Extra Stars LP [COLOR]","handle":"gregory-uhlmann-extra-stars-lp-color","description":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。帯付属。スターダスト盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'stardust' transparent color vinyl vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExtra Stars encompasses all he’s learned through all\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e","published_at":"2026-01-25T07:15:58+09:00","created_at":"2026-01-24T11:38:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":498400,"price_min":498400,"price_max":498400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48253807198458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gregory Uhlmann \/\/ Extra Stars LP [COLOR]","public_title":null,"options":["Default Title"],"price":498400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457237292","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8e01ba76-d825-4b70-ab78-fba961e4f927.jpg?v=1769222340","\/\/tobirarecords.com\/cdn\/shop\/files\/gre2_e4531e71-0cf7-41df-8a42-61113460eacd.jpg?v=1769222340","\/\/tobirarecords.com\/cdn\/shop\/files\/gre4.jpg?v=1769222341"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8e01ba76-d825-4b70-ab78-fba961e4f927.jpg?v=1769222340","options":["Title"],"media":[{"alt":null,"id":38153031123194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8e01ba76-d825-4b70-ab78-fba961e4f927.jpg?v=1769222340"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8e01ba76-d825-4b70-ab78-fba961e4f927.jpg?v=1769222340","width":700},{"alt":null,"id":38153031155962,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre2_e4531e71-0cf7-41df-8a42-61113460eacd.jpg?v=1769222340"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre2_e4531e71-0cf7-41df-8a42-61113460eacd.jpg?v=1769222340","width":1200},{"alt":null,"id":38153031188730,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre4.jpg?v=1769222341"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre4.jpg?v=1769222341","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。帯付属。スターダスト盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'stardust' transparent color vinyl vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. 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For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e"}
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SMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。帯付属。スターダスト盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥4,984
![Gregory Uhlmann // Extra Stars LP [BLACK]](http://tobirarecords.com/cdn/shop/files/gre1_7e65379f-1af9-4156-bd78-761e008983cf_medium.jpg?v=1769222073)
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{"id":9065044902138,"title":"Gregory Uhlmann \/\/ Extra Stars LP [BLACK]","handle":"gregory-uhlmann-extra-stars-lp-black","description":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExtra Stars encompasses all he’s learned through all\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e","published_at":"2026-01-25T07:14:50+09:00","created_at":"2026-01-24T11:37:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":469800,"price_min":469800,"price_max":469800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48253806772474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gregory Uhlmann \/\/ Extra Stars LP [BLACK]","public_title":null,"options":["Default Title"],"price":469800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457237285","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_7e65379f-1af9-4156-bd78-761e008983cf.jpg?v=1769222073","\/\/tobirarecords.com\/cdn\/shop\/files\/gre2_56db3c10-4827-4129-9950-110a1e1d74a3.jpg?v=1769222073","\/\/tobirarecords.com\/cdn\/shop\/files\/gre3.jpg?v=1769222073"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_7e65379f-1af9-4156-bd78-761e008983cf.jpg?v=1769222073","options":["Title"],"media":[{"alt":null,"id":38153013559546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_7e65379f-1af9-4156-bd78-761e008983cf.jpg?v=1769222073"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_7e65379f-1af9-4156-bd78-761e008983cf.jpg?v=1769222073","width":700},{"alt":null,"id":38153013592314,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre2_56db3c10-4827-4129-9950-110a1e1d74a3.jpg?v=1769222073"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre2_56db3c10-4827-4129-9950-110a1e1d74a3.jpg?v=1769222073","width":1200},{"alt":null,"id":38153013625082,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre3.jpg?v=1769222073"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre3.jpg?v=1769222073","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. 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SMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。帯付属。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥4,698
クイックビュー
{"id":9058193834234,"title":"Makaya McCraven \/\/ Universal Beings (IA11 Edition) 2xLP","handle":"makaya-mccraven-universal-beings-ia11-edition-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2018年にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2018年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ヒップホップ22曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=554872921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" double black vinyl + \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e IARC 2025 obi strip.\u003cbr\u003e\u003c\/span\u003e2025 IA11 Edition reissue - originally released by the label in 2018. \u003cbr\u003eIA11 Edition includes new \u003cspan\u003e16-page 11\"x11\" insert booklet with unpublished photos and new interviews with Joel Ross, Junius Paul, Nubya Garcia, and Anna Butterss. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Queen's Intro 00:32\u003cbr\u003e2. Holy Lands 05:14\u003cbr\u003e3. Young Genius 05:32\u003cbr\u003e4. Black Lion 02:56\u003cbr\u003e5. Tall Tales 04:16\u003cbr\u003e6. Mantra 03:48\u003cbr\u003e7. Pharaoh's Intro 01:58\u003cbr\u003e8. Atlantic Black 09:10\u003cbr\u003e9. Inner Flight 03:02\u003cbr\u003e10. Wise Man, Wiser Woman 03:13\u003cbr\u003e11. Prosperity's Fear 06:11\u003cbr\u003e12. Flipped OUT 02:40\u003cbr\u003e13. Voila 05:00\u003cbr\u003e14. Suite Haus 05:09\u003cbr\u003e15. The Newbies Lift Off 06:19\u003cbr\u003e16. The Royal Outro 01:44\u003cbr\u003e17. The Count Off 01:09\u003cbr\u003e18. Butterss's 02:59\u003cbr\u003e19. Turtle Tricks 04:15\u003cbr\u003e20. The Fifth Monk 08:01\u003cbr\u003e21. Brighter Days Beginning 02:32\u003cbr\u003e22. Universal Beings 04:08\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2018 release of Universal Beings, in many ways, feels like the moment that the gates swung open for both Makaya McCraven and International Anthem. On one hand, it's a four-sided communal showcase of the inter-city exchange that had started to develop in the “new jazz” hubs, collecting group improvisations from New York, London, Chicago, and Los Angeles. On the other, it is an editing and post-production masterclass – the MVP of McCraven’s “organic beat music” concept – and a landmark moment where his cut-splice-reassembly chops shine as brightly as the players themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe musicians on the album were a combined who’s-who and who’s-gonna-be-who of their respective scenes: Brandee Younger (harp), Joel Ross (vibraphone), Tomeka Reid (cello), Dezron Douglas (double bass), Shabaka Hutchings (tenor saxophone), Junius Paul (double bass), Nubya Garcia (tenor saxophone), Ashley Henry (Rhodes piano), Daniel Casimir (double bass), Josh Johnson (alto saxophone), Miguel Atwood-Ferguson (violin), Jeff Parker (guitar), Anna Butterss (double bass), and Carlos Niño (percussion). In our original press release, we called it “an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.” In our off-the-record conversations at the time, we said ‘it’s like Dr\u003cspan class=\"bcTruncateMore\"\u003e. Dre’s The Chronic, but for jazz’.\u003cbr\u003e\u003cbr\u003eUniversal Beings earned rave reviews across the board. It was a consensus year-end favorite (as seen in NPR Music, WIRE Magazine, New York Times, Chicago Tribune, LA Times, Rolling Stone, Vice, Stereogum, the list goes on…) that cemented McCraven as a must-buy album producer and a must-see live performer, and brought enough energy to our “plucky Chicago indie label” that we were able to move out of a closet and into an actual office.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0022LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: 4th December 2025\u003c\/p\u003e","published_at":"2026-01-14T11:23:00+09:00","created_at":"2026-01-14T09:18:17+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":488600,"price_min":488600,"price_max":488600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221865738490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Makaya McCraven \/\/ Universal Beings (IA11 Edition) 2xLP","public_title":null,"options":["Default Title"],"price":488600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457226340","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bei1_6381b29b-2598-4599-8eac-dade24d3ea69.jpg?v=1768349699","\/\/tobirarecords.com\/cdn\/shop\/files\/bei2_675f33fc-5ac8-4560-a643-4f39c16032b1.jpg?v=1768349699"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei1_6381b29b-2598-4599-8eac-dade24d3ea69.jpg?v=1768349699","options":["Title"],"media":[{"alt":null,"id":38080118358266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei1_6381b29b-2598-4599-8eac-dade24d3ea69.jpg?v=1768349699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei1_6381b29b-2598-4599-8eac-dade24d3ea69.jpg?v=1768349699","width":700},{"alt":null,"id":38080118391034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei2_675f33fc-5ac8-4560-a643-4f39c16032b1.jpg?v=1768349699"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei2_675f33fc-5ac8-4560-a643-4f39c16032b1.jpg?v=1768349699","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2018年にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2018年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ヒップホップ22曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=554872921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" double black vinyl + \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e IARC 2025 obi strip.\u003cbr\u003e\u003c\/span\u003e2025 IA11 Edition reissue - originally released by the label in 2018. \u003cbr\u003eIA11 Edition includes new \u003cspan\u003e16-page 11\"x11\" insert booklet with unpublished photos and new interviews with Joel Ross, Junius Paul, Nubya Garcia, and Anna Butterss. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Queen's Intro 00:32\u003cbr\u003e2. Holy Lands 05:14\u003cbr\u003e3. Young Genius 05:32\u003cbr\u003e4. Black Lion 02:56\u003cbr\u003e5. Tall Tales 04:16\u003cbr\u003e6. Mantra 03:48\u003cbr\u003e7. Pharaoh's Intro 01:58\u003cbr\u003e8. Atlantic Black 09:10\u003cbr\u003e9. Inner Flight 03:02\u003cbr\u003e10. Wise Man, Wiser Woman 03:13\u003cbr\u003e11. Prosperity's Fear 06:11\u003cbr\u003e12. Flipped OUT 02:40\u003cbr\u003e13. Voila 05:00\u003cbr\u003e14. Suite Haus 05:09\u003cbr\u003e15. The Newbies Lift Off 06:19\u003cbr\u003e16. The Royal Outro 01:44\u003cbr\u003e17. The Count Off 01:09\u003cbr\u003e18. Butterss's 02:59\u003cbr\u003e19. Turtle Tricks 04:15\u003cbr\u003e20. The Fifth Monk 08:01\u003cbr\u003e21. Brighter Days Beginning 02:32\u003cbr\u003e22. Universal Beings 04:08\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2018 release of Universal Beings, in many ways, feels like the moment that the gates swung open for both Makaya McCraven and International Anthem. On one hand, it's a four-sided communal showcase of the inter-city exchange that had started to develop in the “new jazz” hubs, collecting group improvisations from New York, London, Chicago, and Los Angeles. On the other, it is an editing and post-production masterclass – the MVP of McCraven’s “organic beat music” concept – and a landmark moment where his cut-splice-reassembly chops shine as brightly as the players themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe musicians on the album were a combined who’s-who and who’s-gonna-be-who of their respective scenes: Brandee Younger (harp), Joel Ross (vibraphone), Tomeka Reid (cello), Dezron Douglas (double bass), Shabaka Hutchings (tenor saxophone), Junius Paul (double bass), Nubya Garcia (tenor saxophone), Ashley Henry (Rhodes piano), Daniel Casimir (double bass), Josh Johnson (alto saxophone), Miguel Atwood-Ferguson (violin), Jeff Parker (guitar), Anna Butterss (double bass), and Carlos Niño (percussion). In our original press release, we called it “an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.” In our off-the-record conversations at the time, we said ‘it’s like Dr\u003cspan class=\"bcTruncateMore\"\u003e. Dre’s The Chronic, but for jazz’.\u003cbr\u003e\u003cbr\u003eUniversal Beings earned rave reviews across the board. It was a consensus year-end favorite (as seen in NPR Music, WIRE Magazine, New York Times, Chicago Tribune, LA Times, Rolling Stone, Vice, Stereogum, the list goes on…) that cemented McCraven as a must-buy album producer and a must-see live performer, and brought enough energy to our “plucky Chicago indie label” that we were able to move out of a closet and into an actual office.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0022LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: 4th December 2025\u003c\/p\u003e"}
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アメリカ・シカゴのジャズドラマーMakaya McCravenが、2018年にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2018年リリース） ジャズ・ヒップホップ22曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
¥4,886
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{"id":9058122760442,"title":"Tortoise \/\/ Oganesson Remixes LP","handle":"tortoise-oganesson-remixes-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズバンドTortoiseが、2025年9月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らの音源Oganessonのリミックス集です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3080052266\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oganesson (original version) 03:13\u003cbr\u003e2. Oganesson (Saul Williams Remix) 03:14\u003cbr\u003e3. Oganesson (Heba Kadry Remix) 07:00\u003cbr\u003e4. Oganesson (Patrick Carney Remix) 03:24\u003cbr\u003e5. Oganesson (Broken Social Scene Remix) 05:06\u003cbr\u003e6. Oganesson (Makaya McCraven Remix) 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCraven. The Oganesson Remixes EP comes ahead of a new album by Tortoise, which will be released this fall via International Anthem and Nonesuch Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise \/ Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCOG99\u003c\/p\u003e","published_at":"2026-01-14T05:42:24+09:00","created_at":"2026-01-14T05:41:54+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":395000,"price_min":395000,"price_max":395000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221674832122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tortoise \/\/ Oganesson Remixes LP","public_title":null,"options":["Default Title"],"price":395000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597895186","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261","\/\/tobirarecords.com\/cdn\/shop\/files\/ogan2.jpg?v=1757806260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261","options":["Title"],"media":[{"alt":null,"id":36804891083002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261","width":700},{"alt":null,"id":36804891115770,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan2.jpg?v=1757806260"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan2.jpg?v=1757806260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズバンドTortoiseが、2025年9月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らの音源Oganessonのリミックス集です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3080052266\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oganesson (original version) 03:13\u003cbr\u003e2. Oganesson (Saul Williams Remix) 03:14\u003cbr\u003e3. Oganesson (Heba Kadry Remix) 07:00\u003cbr\u003e4. Oganesson (Patrick Carney Remix) 03:24\u003cbr\u003e5. Oganesson (Broken Social Scene Remix) 05:06\u003cbr\u003e6. Oganesson (Makaya McCraven Remix) 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCraven. The Oganesson Remixes EP comes ahead of a new album by Tortoise, which will be released this fall via International Anthem and Nonesuch Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise \/ Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCOG99\u003c\/p\u003e"}
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アメリカ・シカゴのジャズバンドTortoiseが、2025年9月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 彼らの音源Oganessonのリミックス集です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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![Saul Williams, Carlos Niño & Friends // Saul Williams meets Carlos Niño & Friends at TreePeople 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/files/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718_medium.jpg?v=1753945420)
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{"id":9058122301690,"title":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [COLOR]","handle":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2xlp-color","description":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" 'forest edition' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e","published_at":"2026-01-14T05:41:21+09:00","created_at":"2026-01-14T05:40:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":599500,"price_min":599500,"price_max":599500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221673783546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":599500,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457216679","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","options":["Title"],"media":[{"alt":null,"id":36458594107642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","width":700},{"alt":null,"id":36458594140410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" 'forest edition' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e"}
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アメリカのラッパーSaul Williamsと当店おなじみCarlos Niño & Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。 アンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします "2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño & Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。...
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{"id":9058121613562,"title":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [BLACK]","handle":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2xlp-black","description":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e","published_at":"2026-01-14T05:38:27+09:00","created_at":"2026-01-14T05:37:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":565000,"price_min":565000,"price_max":565000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221665624314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":565000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457216686","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","options":["Title"],"media":[{"alt":null,"id":36458580410618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","width":700},{"alt":null,"id":36458580443386,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e"}
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アメリカのラッパーSaul Williamsと当店おなじみCarlos Niño & Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。 アンビエント・ジャズ〜スポークンワード5曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします "2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño & Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。...
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{"id":9058121220346,"title":"Resavoir \u0026 Matt Gold \/\/ Horizon LP [BLACK]","handle":"resavoir-matt-gold-horizon-lp-black","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年5月にシカゴのジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096\u003c\/p\u003e","published_at":"2026-01-14T05:36:56+09:00","created_at":"2026-01-14T05:36:27+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended","resavoir"],"price":471700,"price_min":471700,"price_max":471700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221664968954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \u0026 Matt Gold \/\/ Horizon LP [BLACK]","public_title":null,"options":["Default Title"],"price":471700,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203396","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_76c20b3b-b4b4-4cf1-b964-b8a204261f7d.jpg?v=1747006500"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","options":["Title"],"media":[{"alt":null,"id":36011425202426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","width":700},{"alt":null,"id":36011425235194,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_76c20b3b-b4b4-4cf1-b964-b8a204261f7d.jpg?v=1747006500"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_76c20b3b-b4b4-4cf1-b964-b8a204261f7d.jpg?v=1747006500","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年5月にシカゴのジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年5月にシカゴのジャズレーベルInternational Anthemからリリースした共作レコードです。 アンビエント・ジャズ〜フュージョン10曲を収録。 Macie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ...
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{"id":9058119647482,"title":"SML \/\/ Small Medium Large LP","handle":"sml-small-medium-large-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2024年6月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pNRpJq3frvE?si=Fp5-Cwo7CEGvI4MY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/k7A-OXtRZzE?si=WsioDwf16ngOlcnS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" orange vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rubber Tree Dance\u003cbr\u003e2. Industry 04:27\u003cbr\u003e3. Herbie for Commercials\u003cbr\u003e4. Search Bar Hi Hat\u003cbr\u003e5. Window Sill Song\u003cbr\u003e6. Switchboard Operations\u003cbr\u003e7. Soft Sand\u003cbr\u003e8. Three Over Steel 05:42 video\u003cbr\u003e9. Chasing Brain\u003cbr\u003e10. History of Communication\u003cbr\u003e11. Feed The Birds\u003cbr\u003e12. Greg's Melody\u003cbr\u003e13. Dolphin Language\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir debut album 'Small Medium Large' began as a collection of long form improvisations recorded during two separate two-night stands at beloved Highland Park, Los Angeles venue ETA. Unfortunately, this major development site for the burgeoning new West Coast jazz \u0026amp; improvised music sound closed its doors permanently at the end of 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe venue, perhaps best known outside of LA for Jeff Parker's 2022 album 'Mondays at the Enfield Tennis Academy', was the perfect location for the start of SML, especially given that both bassist Anna Butterss and saxophonist Josh Johnson are part of Parker's quartet that held down a regular gig at ETA since the venue's early days (and hence thoroughly documented, heard on Parker's album). 'Small Medium Large' was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and studio composition by SML across their various home studios.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile editing, chopping, and rearranging stereo mixed\u003cspan class=\"bcTruncateMore\"\u003e improvisations is hardly a new idea (for a modern and relevant example we can look to Makaya McCraven's output on IARC) these results are a stunning expansion of the Teo Macero \/ Miles Davis editing concept explored on classics like 'In a Silent Way', 'On The Corner', and 'Get Up With It'. Stylistically though, these recordings have more in common with the proto-trance repetitions of Harmonia, and with Holgar Czukay's re-assembly technique used in his work with Can. Throw in a supremely intuitive utilization of polyrhythmic floating patterns (a la Susumu Yokota), and the result is a truly innovative take on time-clocked electronic rhythms augmented with live instrumentation that never loses that elusive human sway.\u003cbr\u003e\u003cbr\u003e'Small Medium Large' is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament\/Funkadelic, or the glitchy dub techno of Pole. Taken in totality, the album captures a euphoric creative synchronicity between some of today's most exciting musicians.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0085\u003c\/p\u003e","published_at":"2026-01-14T05:35:12+09:00","created_at":"2026-01-14T05:34:41+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":488500,"price_min":488500,"price_max":488500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221660184826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SML \/\/ Small Medium Large LP","public_title":null,"options":["Default Title"],"price":488500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994366","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274","\/\/tobirarecords.com\/cdn\/shop\/files\/med2_27eb0b9e-135e-4a3f-b0ac-4d63acdd19f2.jpg?v=1718520274"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274","options":["Title"],"media":[{"alt":null,"id":34337485193466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274","width":700},{"alt":null,"id":34337485226234,"position":2,"preview_image":{"aspect_ratio":1.273,"height":943,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med2_27eb0b9e-135e-4a3f-b0ac-4d63acdd19f2.jpg?v=1718520274"},"aspect_ratio":1.273,"height":943,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med2_27eb0b9e-135e-4a3f-b0ac-4d63acdd19f2.jpg?v=1718520274","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2024年6月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pNRpJq3frvE?si=Fp5-Cwo7CEGvI4MY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/k7A-OXtRZzE?si=WsioDwf16ngOlcnS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" orange vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rubber Tree Dance\u003cbr\u003e2. Industry 04:27\u003cbr\u003e3. Herbie for Commercials\u003cbr\u003e4. Search Bar Hi Hat\u003cbr\u003e5. Window Sill Song\u003cbr\u003e6. Switchboard Operations\u003cbr\u003e7. Soft Sand\u003cbr\u003e8. Three Over Steel 05:42 video\u003cbr\u003e9. Chasing Brain\u003cbr\u003e10. History of Communication\u003cbr\u003e11. Feed The Birds\u003cbr\u003e12. Greg's Melody\u003cbr\u003e13. Dolphin Language\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir debut album 'Small Medium Large' began as a collection of long form improvisations recorded during two separate two-night stands at beloved Highland Park, Los Angeles venue ETA. Unfortunately, this major development site for the burgeoning new West Coast jazz \u0026amp; improvised music sound closed its doors permanently at the end of 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe venue, perhaps best known outside of LA for Jeff Parker's 2022 album 'Mondays at the Enfield Tennis Academy', was the perfect location for the start of SML, especially given that both bassist Anna Butterss and saxophonist Josh Johnson are part of Parker's quartet that held down a regular gig at ETA since the venue's early days (and hence thoroughly documented, heard on Parker's album). 'Small Medium Large' was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and studio composition by SML across their various home studios.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile editing, chopping, and rearranging stereo mixed\u003cspan class=\"bcTruncateMore\"\u003e improvisations is hardly a new idea (for a modern and relevant example we can look to Makaya McCraven's output on IARC) these results are a stunning expansion of the Teo Macero \/ Miles Davis editing concept explored on classics like 'In a Silent Way', 'On The Corner', and 'Get Up With It'. Stylistically though, these recordings have more in common with the proto-trance repetitions of Harmonia, and with Holgar Czukay's re-assembly technique used in his work with Can. Throw in a supremely intuitive utilization of polyrhythmic floating patterns (a la Susumu Yokota), and the result is a truly innovative take on time-clocked electronic rhythms augmented with live instrumentation that never loses that elusive human sway.\u003cbr\u003e\u003cbr\u003e'Small Medium Large' is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament\/Funkadelic, or the glitchy dub techno of Pole. Taken in totality, the album captures a euphoric creative synchronicity between some of today's most exciting musicians.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0085\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2024年6月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International...
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![Daniel Villarreal with Jeff Parker & Anna Butterss // Lados B LP [COLOR]](http://tobirarecords.com/cdn/shop/files/a4049990247_16_medium.jpg?v=1696149838)
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{"id":9058119287034,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [COLOR]","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。クリアスモーク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" clear smoke vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-14T05:33:30+09:00","created_at":"2026-01-14T05:32:11+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":542900,"price_min":542900,"price_max":542900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221659169018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [COLOR]","public_title":null,"options":["Default Title"],"price":542900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993611","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。クリアスモーク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" clear smoke vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。クリアスモーク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
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{"id":9058119090426,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [BLACK]","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-14T05:31:53+09:00","created_at":"2026-01-14T05:31:02+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":489800,"price_min":489800,"price_max":489800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221658808570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [BLACK]","public_title":null,"options":["Default Title"],"price":489800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993710","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200},{"alt":null,"id":32515111977210,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
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{"id":9058116698362,"title":"Photay with Carlos Niño \/\/ An Offering LP [COLOR]","handle":"photay-with-carlos-nino-an-offering-lp-color","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003eレコードは180gクリア重量盤、見開きゲートフォルド仕様です。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-01-14T05:27:42+09:00","created_at":"2026-01-14T05:27:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221651403002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Photay with Carlos Niño \/\/ An Offering LP [COLOR]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992799","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0029880810_10.jpg?v=1723955220"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":30864630776058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","width":1200},{"alt":null,"id":34726377980154,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880810_10.jpg?v=1723955220"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880810_10.jpg?v=1723955220","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003eレコードは180gクリア重量盤、見開きゲートフォルド仕様です。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 レコードは180gクリア重量盤、見開きゲートフォルド仕様です。クリア盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":9054960746746,"title":"jaimie branch \/\/ FLY or DIE II: bird dogs of paradise (IA11 edition) LP","handle":"jaimie-branch-fly-or-die-ii-bird-dogs-of-paradise-ia11-edition-lp","description":"\u003cp\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branch(1983-2022)が、2025年12月に同国シカゴのジャズ巣窟International Anthemからリリースした再発レコードです。（オリジナルは2019年リリース）\u003c\/p\u003e\n\u003cp\u003eトライバル・ジャズ〜ストレンジビーツ9曲を収録。帯とインサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1502026302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC 2025 obi strip.\u003cbr\u003e\u003c\/span\u003e2025 IA11 reissue edition - originally released in 2019. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cmeta charset=\"utf-8\"\u003eIA11 edition includes a new 16-page 11x11\" insert booklet, with unpublished photos and two sets of new liner notes by jaimie's mom Soledad \"Sally\" Branch, as told to Kate Branch, and Fly or Die bassist Jason Ajemian.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. birds of paradise 03:57\u003cbr\u003e2. prayer for amerikkka pt. 1 \u0026amp; 2 11:26\u003cbr\u003e3. lesterlude 00:40\u003cbr\u003e4. twenty-three n me, jupiter redux 03:43\u003cbr\u003e5. whales 01:04\u003cbr\u003e6. simple silver surfer 05:39\u003cbr\u003e7. bird dogs of paradise 04:04\u003cbr\u003e8. nuevo roquero estéreo 08:13\u003cbr\u003e9. love song 06:07\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ejaimie branch’s FLY or DIE II: bird dogs of paradise, originally released in the fall of 2019, was hugely anticipated in its time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRoughly a year before its release, and following the success of her debut Fly or Die album, branch whisked her incredible quartet across Europe for a string of performances. Across that November 2018 tour, the group stretched a songbook in-process to its limit, improvising en modo deconstructivo, tugging at the music’s edges and relentlessly morphing the sound of a four-fold liberation machine that included branch (trumpet), Chad Taylor (drums), Jason Ajemian (bass), and newcomer Lester St. Louis (cello), who had recently replaced Tomeka Reid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of bird dogs of paradise was recorded in studio at Total Refreshment Centre over three days, and live at Café OTO over two nights that same week – at the tail end of the tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album itself captures a very significant moment in the arc of branch's band. St. Louis’s presence had provided a fresh injection of virtuosic curiosity, and the interplay between him and Ajemian rejiggered the crew’s string-driven multi-rhythmic plonk swing while also refreshing their alternately aggressive and melodious heavy-bite bowing with an expanded pocket. It was a highly fertile\u003cspan class=\"bcTruncateMore\"\u003e foundation for branch to experiment and explore, reach for the nether regions of her instrument, and continue to focus and refine her flagship ensemble into a wholly original sound.\u003cbr\u003e\u003cbr\u003ebird dogs of paradise also introduced the wider world to branch’s singing voice. “prayer for amerikkka pt. 1 \u0026amp; 2” - written and first performed by branch in Paris on the night of the 2018 US midterm elections - has since become a rallying cry for those who share her sense of justice in a world controlled by those who are seemingly unconcerned with it. And on “love song\" (for assholes and clowns), branch shows us her cards with a wink and a smile. “So much beauty lies in the abstract of instrumental music,” branch says in the album’s original liner notes, “but being this ain’t a particularly beautiful time, I’ve chosen a more literal path. The voice is good for that.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0027LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-14T05:19:27+09:00","created_at":"2026-01-11T09:15:31+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","strange beats"],"price":438300,"price_min":438300,"price_max":438300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48211718078714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"jaimie branch \/\/ FLY or DIE II: bird dogs of paradise (IA11 edition) LP","public_title":null,"options":["Default Title"],"price":438300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457229808","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jaim1.jpg?v=1768090287","\/\/tobirarecords.com\/cdn\/shop\/files\/jaim2.jpg?v=1768090287","\/\/tobirarecords.com\/cdn\/shop\/files\/jaim3.jpg?v=1768090288"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim1.jpg?v=1768090287","options":["Title"],"media":[{"alt":null,"id":38052262674682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim1.jpg?v=1768090287"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim1.jpg?v=1768090287","width":700},{"alt":null,"id":38052262707450,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim2.jpg?v=1768090287"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim2.jpg?v=1768090287","width":1200},{"alt":null,"id":38052262740218,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim3.jpg?v=1768090288"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jaim3.jpg?v=1768090288","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branch(1983-2022)が、2025年12月に同国シカゴのジャズ巣窟International Anthemからリリースした再発レコードです。（オリジナルは2019年リリース）\u003c\/p\u003e\n\u003cp\u003eトライバル・ジャズ〜ストレンジビーツ9曲を収録。帯とインサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1502026302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC 2025 obi strip.\u003cbr\u003e\u003c\/span\u003e2025 IA11 reissue edition - originally released in 2019. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cmeta charset=\"utf-8\"\u003eIA11 edition includes a new 16-page 11x11\" insert booklet, with unpublished photos and two sets of new liner notes by jaimie's mom Soledad \"Sally\" Branch, as told to Kate Branch, and Fly or Die bassist Jason Ajemian.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. birds of paradise 03:57\u003cbr\u003e2. prayer for amerikkka pt. 1 \u0026amp; 2 11:26\u003cbr\u003e3. lesterlude 00:40\u003cbr\u003e4. twenty-three n me, jupiter redux 03:43\u003cbr\u003e5. whales 01:04\u003cbr\u003e6. simple silver surfer 05:39\u003cbr\u003e7. bird dogs of paradise 04:04\u003cbr\u003e8. nuevo roquero estéreo 08:13\u003cbr\u003e9. love song 06:07\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ejaimie branch’s FLY or DIE II: bird dogs of paradise, originally released in the fall of 2019, was hugely anticipated in its time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRoughly a year before its release, and following the success of her debut Fly or Die album, branch whisked her incredible quartet across Europe for a string of performances. Across that November 2018 tour, the group stretched a songbook in-process to its limit, improvising en modo deconstructivo, tugging at the music’s edges and relentlessly morphing the sound of a four-fold liberation machine that included branch (trumpet), Chad Taylor (drums), Jason Ajemian (bass), and newcomer Lester St. Louis (cello), who had recently replaced Tomeka Reid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of bird dogs of paradise was recorded in studio at Total Refreshment Centre over three days, and live at Café OTO over two nights that same week – at the tail end of the tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album itself captures a very significant moment in the arc of branch's band. St. Louis’s presence had provided a fresh injection of virtuosic curiosity, and the interplay between him and Ajemian rejiggered the crew’s string-driven multi-rhythmic plonk swing while also refreshing their alternately aggressive and melodious heavy-bite bowing with an expanded pocket. It was a highly fertile\u003cspan class=\"bcTruncateMore\"\u003e foundation for branch to experiment and explore, reach for the nether regions of her instrument, and continue to focus and refine her flagship ensemble into a wholly original sound.\u003cbr\u003e\u003cbr\u003ebird dogs of paradise also introduced the wider world to branch’s singing voice. “prayer for amerikkka pt. 1 \u0026amp; 2” - written and first performed by branch in Paris on the night of the 2018 US midterm elections - has since become a rallying cry for those who share her sense of justice in a world controlled by those who are seemingly unconcerned with it. And on “love song\" (for assholes and clowns), branch shows us her cards with a wink and a smile. “So much beauty lies in the abstract of instrumental music,” branch says in the album’s original liner notes, “but being this ain’t a particularly beautiful time, I’ve chosen a more literal path. The voice is good for that.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0027LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ロングアイランドのトランペット奏者jaimie branch(1983-2022)が、2025年12月に同国シカゴのジャズ巣窟International Anthemからリリースした再発レコードです。（オリジナルは2019年リリース） トライバル・ジャズ〜ストレンジビーツ9曲を収録。帯とインサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9026485354746,"title":"Jeff Parker ETA IVtet + Various Artists \/\/ The Hard Way In to The Way Out of Easy LP","handle":"jeff-parker-eta-ivtet-the-hard-way-in-to-the-way-out-of-easy-lp","description":"\u003cp\u003eアメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らがリリースした\u003ca href=\"https:\/\/tobirarecords.com\/products\/jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp\"\u003e『The Way Out of Easy』\u003c\/a\u003eのリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eRemixes of Jeff Parker ETA IVtet's October 2024 Album 'The Way Out Of Easy', submitted by artists from all over the world and hand-selected and sequenced by Jeff Parker himself for this special one-time release. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Seprock\u003c\/span\u003e\u003cspan\u003e - Pothole Hijinx\u003cbr\u003e2. \u003c\/span\u003e\u003cspan\u003eYEHAIYAHAN\u003c\/span\u003e\u003cspan\u003e - Jazz My Life (\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYEHAIYAHAN Remix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eft. EDHEM)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. Megadead - Out Of The Way\u003cbr\u003e4. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMaodea\u003c\/span\u003e\u003cspan\u003e - Hard Way In (Easy Way Out Remix) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Kyron - Chrome Dome (Kyron Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Diogo\u003c\/span\u003e\u003cspan\u003e - Chrome Dome (Diogo Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Andrew Connor\u003c\/span\u003e\u003cspan\u003e - EZ Way\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Swimming\u003c\/span\u003e\u003cspan\u003e - 24hr IVtet Flip (interlude) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Sergio Castañeda - Tripkadelic\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. PRE98\u003c\/span\u003e\u003cspan\u003e - Swing Door\u003cbr\u003e\u003c\/span\u003e11. Taishiji - Flickadelic\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"A month before @jeffparkersounds’ The Way Out Of Easy was released in October 2024, we distributed USB sticks containing the album tracks to record shops around the world, along with an open invitation for anyone interested in reimagining the music to pick one up, get to work, and submit a remix for potential inclusion on this limited edition LP. One month later, the portal was closed, and a whopping 77 remixes had been submitted! \u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eJeff Parker reviewed all submissions - which came from every corner of the globe – and selected and sequenced the tracklist himself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet + Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCRM89\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e","published_at":"2025-12-12T11:28:58+09:00","created_at":"2025-12-12T10:54:27+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":496500,"price_min":496500,"price_max":496500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48100261822714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet + Various Artists \/\/ The Hard Way In to The Way Out of Easy LP","public_title":null,"options":["Default Title"],"price":496500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","options":["Title"],"media":[{"alt":null,"id":37760879755514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","width":3024},{"alt":null,"id":37760879788282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879821050,"position":3,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879853818,"position":4,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879886586,"position":5,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915","width":4032},{"alt":null,"id":37760879919354,"position":6,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914","width":4032}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らがリリースした\u003ca href=\"https:\/\/tobirarecords.com\/products\/jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp\"\u003e『The Way Out of Easy』\u003c\/a\u003eのリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eRemixes of Jeff Parker ETA IVtet's October 2024 Album 'The Way Out Of Easy', submitted by artists from all over the world and hand-selected and sequenced by Jeff Parker himself for this special one-time release. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Seprock\u003c\/span\u003e\u003cspan\u003e - Pothole Hijinx\u003cbr\u003e2. \u003c\/span\u003e\u003cspan\u003eYEHAIYAHAN\u003c\/span\u003e\u003cspan\u003e - Jazz My Life (\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYEHAIYAHAN Remix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eft. EDHEM)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. Megadead - Out Of The Way\u003cbr\u003e4. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMaodea\u003c\/span\u003e\u003cspan\u003e - Hard Way In (Easy Way Out Remix) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Kyron - Chrome Dome (Kyron Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Diogo\u003c\/span\u003e\u003cspan\u003e - Chrome Dome (Diogo Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Andrew Connor\u003c\/span\u003e\u003cspan\u003e - EZ Way\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Swimming\u003c\/span\u003e\u003cspan\u003e - 24hr IVtet Flip (interlude) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Sergio Castañeda - Tripkadelic\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. PRE98\u003c\/span\u003e\u003cspan\u003e - Swing Door\u003cbr\u003e\u003c\/span\u003e11. Taishiji - Flickadelic\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"A month before @jeffparkersounds’ The Way Out Of Easy was released in October 2024, we distributed USB sticks containing the album tracks to record shops around the world, along with an open invitation for anyone interested in reimagining the music to pick one up, get to work, and submit a remix for potential inclusion on this limited edition LP. One month later, the portal was closed, and a whopping 77 remixes had been submitted! \u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eJeff Parker reviewed all submissions - which came from every corner of the globe – and selected and sequenced the tracklist himself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet + Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCRM89\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e"}
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アメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 彼らがリリースした『The Way Out of Easy』のリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to...
¥4,965
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{"id":9024653787386,"title":"International Anthem \/\/ Tracing The Lines | Issue #4 (IA11 Edition) ZINE","handle":"international-anthem-tracing-the-lines-issue-4-ia11-edition-zine","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年11月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cbr\u003e64-page annual zine by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem.\u003cbr\u003e170x250mm newsprint.\u003cbr\u003ePrinted in CMYK on 77gsm stock. \u003cbr\u003e\u003cbr\u003eIncludes contributions from:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAaron Lowell Denton, Abu-Bakaar Bacaicoa, Alabaster DePlume, Alejandro Ayala, Angel Bat Dawid, Charlie Boss, Chet Zenor, Dave Vettraino, David Allen, David Brown, Jennifer Lynn Christie, Jeremiah Chiu, Julia Dratel, Justin Vernon, Kari Skaflen, Lori Mendoza, Macie Stewart, Maren Celest, Mark Pallman, Martell Stepney, Nicole Mckenzie, Pascal Gambarte, Regina Martinez, Rob Mazurek, Sam Klickner and Scott McNiece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIssue #4 of Tracing The Lines is a creative exploration of International Anthem and the community that surrounds it. This fourth annual installment (the \"IA11 Edition\") focuses the lens on a celebration of the label's eleventh year. The IA11 Issue, in turn, acts as the final piece of the celebration, looking back with one eye on the future.\u003c\/span\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToday, December 2nd 2025 (our label's ACTUAL eleventh anniversary) we are very happy to release the latest edition of our zine, Tracing The Lines.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis annual publication, designed by Jeremiah Chiu and edited by David Brown, was created to explore the catalog of our label and the community that surrounds it in a creative way that is separate from the hustle of the new release cycle.\u003cbr\u003e\u003cbr\u003eThis one being the Autumn 2025 issue, it felt appropriate to focus the zine's 64 pages around stories and reflections related to the eleven \"IA11 Edition\" albums we reissued across 2025, in celebration of our label's 11th year. Hence Issue #4 of Tracing The Lines is an IA11 Edition itself – the final media entry into the IA11 series.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eRelease date : 2nd December 2025\u003c\/p\u003e","published_at":"2025-12-10T12:12:23+09:00","created_at":"2025-12-10T11:53:47+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48088805867770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"International Anthem \/\/ Tracing The Lines | Issue #4 (IA11 Edition) ZINE","public_title":null,"options":["Default Title"],"price":148000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.12am_bc3b3b70-4215-431b-bec0-4f224ba48057.png?v=1765335265","\/\/tobirarecords.com\/cdn\/shop\/files\/zine1.jpg?v=1765335248","\/\/tobirarecords.com\/cdn\/shop\/files\/zine2.jpg?v=1765335248","\/\/tobirarecords.com\/cdn\/shop\/files\/zine3.jpg?v=1765335248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265","options":["Title"],"media":[{"alt":null,"id":37742895169786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":558,"width":558,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265"},"aspect_ratio":1.0,"height":558,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265","width":558},{"alt":null,"id":37742895137018,"position":2,"preview_image":{"aspect_ratio":0.905,"height":621,"width":562,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.12am_bc3b3b70-4215-431b-bec0-4f224ba48057.png?v=1765335265"},"aspect_ratio":0.905,"height":621,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.12am_bc3b3b70-4215-431b-bec0-4f224ba48057.png?v=1765335265","width":562},{"alt":null,"id":37742895202554,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine1.jpg?v=1765335248"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine1.jpg?v=1765335248","width":900},{"alt":null,"id":37742895235322,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine2.jpg?v=1765335248"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine2.jpg?v=1765335248","width":900},{"alt":null,"id":37742895268090,"position":5,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine3.jpg?v=1765335248"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine3.jpg?v=1765335248","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年11月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cbr\u003e64-page annual zine by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem.\u003cbr\u003e170x250mm newsprint.\u003cbr\u003ePrinted in CMYK on 77gsm stock. \u003cbr\u003e\u003cbr\u003eIncludes contributions from:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAaron Lowell Denton, Abu-Bakaar Bacaicoa, Alabaster DePlume, Alejandro Ayala, Angel Bat Dawid, Charlie Boss, Chet Zenor, Dave Vettraino, David Allen, David Brown, Jennifer Lynn Christie, Jeremiah Chiu, Julia Dratel, Justin Vernon, Kari Skaflen, Lori Mendoza, Macie Stewart, Maren Celest, Mark Pallman, Martell Stepney, Nicole Mckenzie, Pascal Gambarte, Regina Martinez, Rob Mazurek, Sam Klickner and Scott McNiece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIssue #4 of Tracing The Lines is a creative exploration of International Anthem and the community that surrounds it. This fourth annual installment (the \"IA11 Edition\") focuses the lens on a celebration of the label's eleventh year. The IA11 Issue, in turn, acts as the final piece of the celebration, looking back with one eye on the future.\u003c\/span\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToday, December 2nd 2025 (our label's ACTUAL eleventh anniversary) we are very happy to release the latest edition of our zine, Tracing The Lines.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis annual publication, designed by Jeremiah Chiu and edited by David Brown, was created to explore the catalog of our label and the community that surrounds it in a creative way that is separate from the hustle of the new release cycle.\u003cbr\u003e\u003cbr\u003eThis one being the Autumn 2025 issue, it felt appropriate to focus the zine's 64 pages around stories and reflections related to the eleven \"IA11 Edition\" albums we reissued across 2025, in celebration of our label's 11th year. Hence Issue #4 of Tracing The Lines is an IA11 Edition itself – the final media entry into the IA11 series.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eRelease date : 2nd December 2025\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemが、2025年11月にリリースしたZINEです。 64-page annual zine by International Anthem.170x250mm newsprint.Printed in CMYK on 77gsm stock. Includes...
¥1,480
![Jeff Parker // Forfolks LP [BLACK]](http://tobirarecords.com/cdn/shop/files/R-21371338-1639662625-9098_medium.jpg?v=1754011771)
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{"id":9023093768442,"title":"Jeff Parker \/\/ Forfolks LP [BLACK]","handle":"jeff-parker-forfolks-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:55:06+09:00","created_at":"2025-12-09T05:54:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079955230970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Forfolks LP [BLACK]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912104","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9023093440762,"title":"Jeff Parker \/\/ The New Breed (IA11 Edition) LP","handle":"jeff-parker-the-new-breed-ia11-edition-lp","description":"\u003cp\u003eアメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released by Int'l Anthem in 2016 --- this special reissue contains a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Executive Life 07:38\u003cbr\u003e2. Para Ha Tay 00:49\u003cbr\u003e3. Here Comes Ezra 03:01\u003cbr\u003e4. Visions 04:21\u003cbr\u003e5. Jrifted 07:45\u003cbr\u003e6. How Fun It Is To Year Whip 04:39\u003cbr\u003e7. Get Dressed 03:48\u003cbr\u003e8. Cliche 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr\u003e\u003cbr\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr\u003e\u003cbr\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC009\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:52:35+09:00","created_at":"2025-12-09T05:51:58+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":449800,"price_min":449800,"price_max":449800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079950741754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ The New Breed (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":449800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457209152","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","options":["Title"],"media":[{"alt":null,"id":36205657424122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","width":700},{"alt":null,"id":36205657456890,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released by Int'l Anthem in 2016 --- this special reissue contains a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Executive Life 07:38\u003cbr\u003e2. Para Ha Tay 00:49\u003cbr\u003e3. Here Comes Ezra 03:01\u003cbr\u003e4. Visions 04:21\u003cbr\u003e5. Jrifted 07:45\u003cbr\u003e6. How Fun It Is To Year Whip 04:39\u003cbr\u003e7. Get Dressed 03:48\u003cbr\u003e8. Cliche 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr\u003e\u003cbr\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr\u003e\u003cbr\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC009\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース） スピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9020617228538,"title":"Jeff Parker \/\/ Forfolks LP [COLOR]","handle":"jeff-parker-forfolks-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-05T14:54:15+09:00","created_at":"2025-12-05T14:52:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48066335703290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Forfolks LP [COLOR]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991969","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595},{"alt":null,"id":36457416753402,"position":2,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8958407573754,"title":"Makaya McCraven \/\/ Off the Record 2xLP [COLOR]","handle":"makaya-mccraven-off-the-record-2xlp-color","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e4枚のEPをコンパイルしたアルバムです。白盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s Mixtape』『Hidden Out!』『PopUp Shop』で構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、GRAMMY が「マクレイヴン史上もっとも野心的な作品」と評した2022年の傑作『In These Times』以来の作品であり、マカヤが2015年のデビュー作『In the Moment』で確立し、その後の『Highly Rare』(2017年)、『Where We Come From』(2018年)、『Universal Beings』(2018年)で深めてきた “オーガニック・ビート・ミュージック”の真髄があらためて表現されている。マカヤは彼のライブ音源をシカゴの自宅スタジオで、編集・オーバーダブ・ポストプロダクションを重ねることで、彼独自のサウンド世界へと再構築している。そんな4つのEPまとめた『Off the Record』は、単なる音源集ではなく、創造性と共同性に満ちた、“その場にいた”からこそ生まれた音楽の瞬間を祝福するドキュメント作品でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今の時代、人はスマートフォンやヴァーチャルな世界で容易につながれるようになった。だがその一方で、何が本物で、何が偽物なのか、その境界線はどんどん曖昧になってきている。本当に大切なのは、実際に“そこに居た”ということ。その現場に身を置き、音を体で受け止めたという体験に、勝るものはない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e-マカヤ・マクレイヴン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e以下各EPに関して:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Techno Logic (feat. Theon Cross \u0026amp; Ben LaMar Gay)』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eベン・ラマー・ゲイとセオン・クロスが参加。2017年のロンドン、2024年のベルリン、そして2025年のニューヨークでのライヴ録音から構成されており、この3人の間に築かれてきた約8年間にわたる音楽的な信頼関係が刻まれている。彼らの最初の出会いは、Worldwide FMのかつてのロンドン北部スタジオでのセッションだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The People's Mixtape』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2025年1月にブルックリンのPublic Recordsで行われたライヴ録音を土台としている。この公演は、マカヤが自身の代表作『In the Moment』の10周年を記念して開催したものであり、同作のセッションを通じて確立した即興言語に、意図的に立ち返る試みでもあった。この特別な夜にマカヤと共演したのは、ベーシストのユニウス・ポールとトランペット奏者のマーキス・ヒル。いずれも『In the Moment』において重要な役割を果たした演奏者たちだ。さらに、『Universal Beings』(2017年)のセッション以来の常連コラボレーターであるヴィブラフォン奏者のジョエル・ロス、そしてマカヤにとって初共演となるアンビエント・ジャズ・プロジェクト、SMLの共同リーダーであり、〈International Anthem〉所属のシンセ奏者、ジェレミア・チウも加わった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Hidden Out!』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2017年6月にマカヤがシカゴのThe Hideoutで行ったレジデンシー企画での録音を基に構成されている。この期間、彼は毎週入れ替わりのメンバーとともに即興演奏を行っており、参加者にはユニウス・ポールに加え、トータスのメンバーであり、〈International Anthem〉のレーベルメイトでもあるギタリスト\/作曲家のジェフ・パーカー、さらに同じくSMLの共同リーダーでありグラミー賞受賞歴を持つアルトサックス奏者\/プロデューサーのジョシュ・ジョンソンが名を連ねている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『PopUp Shop』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2015年にマカヤがロサンゼルスのDel Monte Speakeasyで初めてパフォーマンスを行った際の録音を基に制作された。このとき彼は、シカゴのDJ\/キュレーターであるキング・ヒッポと、サンフランシスコ発の前衛的な音楽プラットフォーム、Grown Kids Radioが企画したイベント「RAWS:LA」に出演し、ギタリストのジェフ・パーカー、ヴィブラフォン奏者のジャステファン、ベーシストのベンジャミン・J・シェパードと即興セッションを行っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2344641602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=177735624\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1068782011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2497618056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" white vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e'OFF THE RECORD' is a compilation of Makaya McCraven's four EPs released October 2025 (Techno Logic, The People's Mixtape, Hidden Out!, and PopUp Shop) in a single physical format.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. YoYoYo Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Venice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Imafan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Los Gatos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Sweet Stuff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Battleships\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Dark Parks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Awaze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. News Feed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Braddas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. Gnu Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. Technology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3. Boom Bapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4. Prime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC5. Strikes Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. Choo Choo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. The Beat Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3. What a Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4. Lake Shore Drive Five\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0103\u003c\/p\u003e","published_at":"2025-10-17T11:13:05+09:00","created_at":"2025-10-17T10:21:47+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":662400,"price_min":662400,"price_max":662400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47831818240250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Makaya McCraven \/\/ Off the Record 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":662400,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597894516","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am_78ccb636-4d36-4b65-b685-01f0e7db0325.png?v=1760664181","\/\/tobirarecords.com\/cdn\/shop\/files\/mak_35aec5e8-4169-4574-acd7-6d9810f23e6c.jpg?v=1760664161"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am_78ccb636-4d36-4b65-b685-01f0e7db0325.png?v=1760664181","options":["Title"],"media":[{"alt":null,"id":37125304516858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":512,"width":512,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am_78ccb636-4d36-4b65-b685-01f0e7db0325.png?v=1760664181"},"aspect_ratio":1.0,"height":512,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am_78ccb636-4d36-4b65-b685-01f0e7db0325.png?v=1760664181","width":512},{"alt":null,"id":37125304484090,"position":2,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak_35aec5e8-4169-4574-acd7-6d9810f23e6c.jpg?v=1760664161"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak_35aec5e8-4169-4574-acd7-6d9810f23e6c.jpg?v=1760664161","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e4枚のEPをコンパイルしたアルバムです。白盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s Mixtape』『Hidden Out!』『PopUp Shop』で構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、GRAMMY が「マクレイヴン史上もっとも野心的な作品」と評した2022年の傑作『In These Times』以来の作品であり、マカヤが2015年のデビュー作『In the Moment』で確立し、その後の『Highly Rare』(2017年)、『Where We Come From』(2018年)、『Universal Beings』(2018年)で深めてきた “オーガニック・ビート・ミュージック”の真髄があらためて表現されている。マカヤは彼のライブ音源をシカゴの自宅スタジオで、編集・オーバーダブ・ポストプロダクションを重ねることで、彼独自のサウンド世界へと再構築している。そんな4つのEPまとめた『Off the Record』は、単なる音源集ではなく、創造性と共同性に満ちた、“その場にいた”からこそ生まれた音楽の瞬間を祝福するドキュメント作品でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今の時代、人はスマートフォンやヴァーチャルな世界で容易につながれるようになった。だがその一方で、何が本物で、何が偽物なのか、その境界線はどんどん曖昧になってきている。本当に大切なのは、実際に“そこに居た”ということ。その現場に身を置き、音を体で受け止めたという体験に、勝るものはない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e-マカヤ・マクレイヴン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e以下各EPに関して:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Techno Logic (feat. Theon Cross \u0026amp; Ben LaMar Gay)』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eベン・ラマー・ゲイとセオン・クロスが参加。2017年のロンドン、2024年のベルリン、そして2025年のニューヨークでのライヴ録音から構成されており、この3人の間に築かれてきた約8年間にわたる音楽的な信頼関係が刻まれている。彼らの最初の出会いは、Worldwide FMのかつてのロンドン北部スタジオでのセッションだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The People's Mixtape』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2025年1月にブルックリンのPublic Recordsで行われたライヴ録音を土台としている。この公演は、マカヤが自身の代表作『In the Moment』の10周年を記念して開催したものであり、同作のセッションを通じて確立した即興言語に、意図的に立ち返る試みでもあった。この特別な夜にマカヤと共演したのは、ベーシストのユニウス・ポールとトランペット奏者のマーキス・ヒル。いずれも『In the Moment』において重要な役割を果たした演奏者たちだ。さらに、『Universal Beings』(2017年)のセッション以来の常連コラボレーターであるヴィブラフォン奏者のジョエル・ロス、そしてマカヤにとって初共演となるアンビエント・ジャズ・プロジェクト、SMLの共同リーダーであり、〈International Anthem〉所属のシンセ奏者、ジェレミア・チウも加わった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Hidden Out!』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2017年6月にマカヤがシカゴのThe Hideoutで行ったレジデンシー企画での録音を基に構成されている。この期間、彼は毎週入れ替わりのメンバーとともに即興演奏を行っており、参加者にはユニウス・ポールに加え、トータスのメンバーであり、〈International Anthem〉のレーベルメイトでもあるギタリスト\/作曲家のジェフ・パーカー、さらに同じくSMLの共同リーダーでありグラミー賞受賞歴を持つアルトサックス奏者\/プロデューサーのジョシュ・ジョンソンが名を連ねている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『PopUp Shop』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2015年にマカヤがロサンゼルスのDel Monte Speakeasyで初めてパフォーマンスを行った際の録音を基に制作された。このとき彼は、シカゴのDJ\/キュレーターであるキング・ヒッポと、サンフランシスコ発の前衛的な音楽プラットフォーム、Grown Kids Radioが企画したイベント「RAWS:LA」に出演し、ギタリストのジェフ・パーカー、ヴィブラフォン奏者のジャステファン、ベーシストのベンジャミン・J・シェパードと即興セッションを行っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2344641602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=177735624\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1068782011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2497618056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" white vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e'OFF THE RECORD' is a compilation of Makaya McCraven's four EPs released October 2025 (Techno Logic, The People's Mixtape, Hidden Out!, and PopUp Shop) in a single physical format.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. YoYoYo Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Venice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Imafan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Los Gatos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Sweet Stuff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Battleships\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Dark Parks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Awaze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. News Feed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Braddas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. Gnu Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. Technology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3. Boom Bapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4. Prime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC5. Strikes Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. Choo Choo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. The Beat Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3. What a Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4. Lake Shore Drive Five\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0103\u003c\/p\u003e"}
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アメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。 4枚のEPをコンパイルしたアルバムです。白盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s...
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{"id":8958407475450,"title":"Makaya McCraven \/\/ Off the Record 2xLP [BLACK]","handle":"makaya-mccraven-off-the-record-2xlp","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e4枚のEPをコンパイルしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s Mixtape』『Hidden Out!』『PopUp Shop』で構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、GRAMMY が「マクレイヴン史上もっとも野心的な作品」と評した2022年の傑作『In These Times』以来の作品であり、マカヤが2015年のデビュー作『In the Moment』で確立し、その後の『Highly Rare』(2017年)、『Where We Come From』(2018年)、『Universal Beings』(2018年)で深めてきた “オーガニック・ビート・ミュージック”の真髄があらためて表現されている。マカヤは彼のライブ音源をシカゴの自宅スタジオで、編集・オーバーダブ・ポストプロダクションを重ねることで、彼独自のサウンド世界へと再構築している。そんな4つのEPまとめた『Off the Record』は、単なる音源集ではなく、創造性と共同性に満ちた、“その場にいた”からこそ生まれた音楽の瞬間を祝福するドキュメント作品でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今の時代、人はスマートフォンやヴァーチャルな世界で容易につながれるようになった。だがその一方で、何が本物で、何が偽物なのか、その境界線はどんどん曖昧になってきている。本当に大切なのは、実際に“そこに居た”ということ。その現場に身を置き、音を体で受け止めたという体験に、勝るものはない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e-マカヤ・マクレイヴン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e以下各EPに関して:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Techno Logic (feat. Theon Cross \u0026amp; Ben LaMar Gay)』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eベン・ラマー・ゲイとセオン・クロスが参加。2017年のロンドン、2024年のベルリン、そして2025年のニューヨークでのライヴ録音から構成されており、この3人の間に築かれてきた約8年間にわたる音楽的な信頼関係が刻まれている。彼らの最初の出会いは、Worldwide FMのかつてのロンドン北部スタジオでのセッションだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The People's Mixtape』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2025年1月にブルックリンのPublic Recordsで行われたライヴ録音を土台としている。この公演は、マカヤが自身の代表作『In the Moment』の10周年を記念して開催したものであり、同作のセッションを通じて確立した即興言語に、意図的に立ち返る試みでもあった。この特別な夜にマカヤと共演したのは、ベーシストのユニウス・ポールとトランペット奏者のマーキス・ヒル。いずれも『In the Moment』において重要な役割を果たした演奏者たちだ。さらに、『Universal Beings』(2017年)のセッション以来の常連コラボレーターであるヴィブラフォン奏者のジョエル・ロス、そしてマカヤにとって初共演となるアンビエント・ジャズ・プロジェクト、SMLの共同リーダーであり、〈International Anthem〉所属のシンセ奏者、ジェレミア・チウも加わった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Hidden Out!』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2017年6月にマカヤがシカゴのThe Hideoutで行ったレジデンシー企画での録音を基に構成されている。この期間、彼は毎週入れ替わりのメンバーとともに即興演奏を行っており、参加者にはユニウス・ポールに加え、トータスのメンバーであり、〈International Anthem〉のレーベルメイトでもあるギタリスト\/作曲家のジェフ・パーカー、さらに同じくSMLの共同リーダーでありグラミー賞受賞歴を持つアルトサックス奏者\/プロデューサーのジョシュ・ジョンソンが名を連ねている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『PopUp Shop』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2015年にマカヤがロサンゼルスのDel Monte Speakeasyで初めてパフォーマンスを行った際の録音を基に制作された。このとき彼は、シカゴのDJ\/キュレーターであるキング・ヒッポと、サンフランシスコ発の前衛的な音楽プラットフォーム、Grown Kids Radioが企画したイベント「RAWS:LA」に出演し、ギタリストのジェフ・パーカー、ヴィブラフォン奏者のジャステファン、ベーシストのベンジャミン・J・シェパードと即興セッションを行っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2344641602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=177735624\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1068782011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2497618056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e'OFF THE RECORD' is a compilation of Makaya McCraven's four EPs released October 2025 (Techno Logic, The People's Mixtape, Hidden Out!, and PopUp Shop) in a single physical format.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. YoYoYo Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Venice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Imafan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Los Gatos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Sweet Stuff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Battleships\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Dark Parks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Awaze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. News Feed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Braddas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. Gnu Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. Technology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3. Boom Bapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4. Prime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC5. Strikes Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. Choo Choo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. The Beat Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3. What a Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4. Lake Shore Drive Five\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0103\u003c\/p\u003e","published_at":"2025-10-17T11:10:41+09:00","created_at":"2025-10-17T10:21:11+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":588400,"price_min":588400,"price_max":588400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47831818141946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Off the Record 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":588400,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597894523","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237","\/\/tobirarecords.com\/cdn\/shop\/files\/off1_8ea8ab38-b980-429b-bbb4-8c9357b29a6b.jpg?v=1760663377","\/\/tobirarecords.com\/cdn\/shop\/files\/off3.jpg?v=1760663377"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237","options":["Title"],"media":[{"alt":null,"id":37125295603962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":510,"width":510,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237"},"aspect_ratio":1.0,"height":510,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237","width":510},{"alt":null,"id":37125295505658,"position":2,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off1_8ea8ab38-b980-429b-bbb4-8c9357b29a6b.jpg?v=1760663377"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off1_8ea8ab38-b980-429b-bbb4-8c9357b29a6b.jpg?v=1760663377","width":400},{"alt":null,"id":37125295571194,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off3.jpg?v=1760663377"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off3.jpg?v=1760663377","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e4枚のEPをコンパイルしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s Mixtape』『Hidden Out!』『PopUp Shop』で構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、GRAMMY が「マクレイヴン史上もっとも野心的な作品」と評した2022年の傑作『In These Times』以来の作品であり、マカヤが2015年のデビュー作『In the Moment』で確立し、その後の『Highly Rare』(2017年)、『Where We Come From』(2018年)、『Universal Beings』(2018年)で深めてきた “オーガニック・ビート・ミュージック”の真髄があらためて表現されている。マカヤは彼のライブ音源をシカゴの自宅スタジオで、編集・オーバーダブ・ポストプロダクションを重ねることで、彼独自のサウンド世界へと再構築している。そんな4つのEPまとめた『Off the Record』は、単なる音源集ではなく、創造性と共同性に満ちた、“その場にいた”からこそ生まれた音楽の瞬間を祝福するドキュメント作品でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今の時代、人はスマートフォンやヴァーチャルな世界で容易につながれるようになった。だがその一方で、何が本物で、何が偽物なのか、その境界線はどんどん曖昧になってきている。本当に大切なのは、実際に“そこに居た”ということ。その現場に身を置き、音を体で受け止めたという体験に、勝るものはない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e-マカヤ・マクレイヴン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e以下各EPに関して:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Techno Logic (feat. Theon Cross \u0026amp; Ben LaMar Gay)』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eベン・ラマー・ゲイとセオン・クロスが参加。2017年のロンドン、2024年のベルリン、そして2025年のニューヨークでのライヴ録音から構成されており、この3人の間に築かれてきた約8年間にわたる音楽的な信頼関係が刻まれている。彼らの最初の出会いは、Worldwide FMのかつてのロンドン北部スタジオでのセッションだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The People's Mixtape』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2025年1月にブルックリンのPublic Recordsで行われたライヴ録音を土台としている。この公演は、マカヤが自身の代表作『In the Moment』の10周年を記念して開催したものであり、同作のセッションを通じて確立した即興言語に、意図的に立ち返る試みでもあった。この特別な夜にマカヤと共演したのは、ベーシストのユニウス・ポールとトランペット奏者のマーキス・ヒル。いずれも『In the Moment』において重要な役割を果たした演奏者たちだ。さらに、『Universal Beings』(2017年)のセッション以来の常連コラボレーターであるヴィブラフォン奏者のジョエル・ロス、そしてマカヤにとって初共演となるアンビエント・ジャズ・プロジェクト、SMLの共同リーダーであり、〈International Anthem〉所属のシンセ奏者、ジェレミア・チウも加わった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Hidden Out!』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2017年6月にマカヤがシカゴのThe Hideoutで行ったレジデンシー企画での録音を基に構成されている。この期間、彼は毎週入れ替わりのメンバーとともに即興演奏を行っており、参加者にはユニウス・ポールに加え、トータスのメンバーであり、〈International Anthem〉のレーベルメイトでもあるギタリスト\/作曲家のジェフ・パーカー、さらに同じくSMLの共同リーダーでありグラミー賞受賞歴を持つアルトサックス奏者\/プロデューサーのジョシュ・ジョンソンが名を連ねている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『PopUp Shop』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2015年にマカヤがロサンゼルスのDel Monte Speakeasyで初めてパフォーマンスを行った際の録音を基に制作された。このとき彼は、シカゴのDJ\/キュレーターであるキング・ヒッポと、サンフランシスコ発の前衛的な音楽プラットフォーム、Grown Kids Radioが企画したイベント「RAWS:LA」に出演し、ギタリストのジェフ・パーカー、ヴィブラフォン奏者のジャステファン、ベーシストのベンジャミン・J・シェパードと即興セッションを行っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2344641602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=177735624\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1068782011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2497618056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e'OFF THE RECORD' is a compilation of Makaya McCraven's four EPs released October 2025 (Techno Logic, The People's Mixtape, Hidden Out!, and PopUp Shop) in a single physical format.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. YoYoYo Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Venice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Imafan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Los Gatos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Sweet Stuff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Battleships\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Dark Parks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Awaze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. News Feed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Braddas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. Gnu Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. Technology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3. Boom Bapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4. Prime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC5. Strikes Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. Choo Choo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. The Beat Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3. What a Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4. Lake Shore Drive Five\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0103\u003c\/p\u003e"}
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アメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。 4枚のEPをコンパイルしたアルバムです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s...
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{"id":8949197046010,"title":"Tortoise \/\/ Touch CD","handle":"tortoise-touch-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/18のリスニングイベントで販売開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e","published_at":"2025-10-07T14:44:39+09:00","created_at":"2025-10-07T14:42:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800418107642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tortoise \/\/ Touch CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993995875","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","options":["Title"],"media":[{"alt":null,"id":37025637204218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","width":1200},{"alt":null,"id":37025760346362,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/18のリスニングイベントで販売開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e"}
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※10/18のリスニングイベントで販売開始します アメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now...
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{"id":8949189214458,"title":"Tortoise \/\/ Touch LP [COLOR]","handle":"tortoise-touch-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。アキシャルシーマウントカラー盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLimited Edition 'Axial Seamount' color vinyl inside a heavyweight reverse-board jacket with IARC OBI strip \u0026amp; printed poly-lined innersleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e","published_at":"2025-10-07T14:41:42+09:00","created_at":"2025-10-07T14:38:13+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800409948410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tortoise \/\/ Touch LP [COLOR]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449","\/\/tobirarecords.com\/cdn\/shop\/files\/0040943633_10.jpg?v=1759815524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","options":["Title"],"media":[{"alt":null,"id":37025637204218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","width":1200},{"alt":null,"id":37025643004154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449","width":1200},{"alt":null,"id":37025668858106,"position":3,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943633_10.jpg?v=1759815524"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943633_10.jpg?v=1759815524","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。アキシャルシーマウントカラー盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLimited Edition 'Axial Seamount' color vinyl inside a heavyweight reverse-board jacket with IARC OBI strip \u0026amp; printed poly-lined innersleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e"}
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アメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。アキシャルシーマウントカラー盤です。帯付属。 以下、レーベルによる解説です。 "『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will...
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{"id":8949163622650,"title":"Tortoise \/\/ Touch LP","handle":"tortoise-touch-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e","published_at":"2025-10-07T14:37:28+09:00","created_at":"2025-10-07T14:17:08+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":499000,"price_min":499000,"price_max":499000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800332353786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tortoise \/\/ Touch LP","public_title":null,"options":["Default Title"],"price":499000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993995899","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449","\/\/tobirarecords.com\/cdn\/shop\/files\/0041116873_10.jpg?v=1759815449"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","options":["Title"],"media":[{"alt":null,"id":37025637204218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","width":1200},{"alt":null,"id":37025643004154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449","width":1200},{"alt":null,"id":37025640382714,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116873_10.jpg?v=1759815449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116873_10.jpg?v=1759815449","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e"}
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アメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。帯付属。 以下、レーベルによる解説です。 "『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will...
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{"id":8949159002362,"title":"SML \/\/ How You Been CD","handle":"sml-how-you-been-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2025-10-07T14:09:47+09:00","created_at":"2025-10-07T14:08:07+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800317542650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SML \/\/ How You Been CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224766","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":8949156446458,"title":"SML \/\/ How You Been LP [COLOR]","handle":"sml-how-you-been-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。プランクトングリーン盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Limited Edition \"Plankton\" color vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2025-10-07T14:05:37+09:00","created_at":"2025-10-07T13:59:18+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":537300,"price_min":537300,"price_max":537300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800304894202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SML \/\/ How You Been LP [COLOR]","public_title":null,"options":["Default Title"],"price":537300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224759","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","\/\/tobirarecords.com\/cdn\/shop\/files\/0041081823_10.jpg?v=1759813276"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200},{"alt":null,"id":37025448296698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081823_10.jpg?v=1759813276"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081823_10.jpg?v=1759813276","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。プランクトングリーン盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Limited Edition \"Plankton\" color vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。プランクトングリーン盤です。帯付属。 レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":8935077380346,"title":"Resavoir \u0026 Matt Gold \/\/ Horizon CD","handle":"resavoir-matt-gold-horizon-cd","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年7月にシカゴのジャズレーベルInternational Anthemからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipak.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096CD\u003c\/p\u003e","published_at":"2025-09-25T07:35:52+09:00","created_at":"2025-09-25T07:33:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended","resavoir"],"price":261600,"price_min":261600,"price_max":261600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47756173771002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Resavoir \u0026 Matt Gold \/\/ Horizon CD","public_title":null,"options":["Default Title"],"price":261600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203419","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","options":["Title"],"media":[{"alt":null,"id":36011425202426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年7月にシカゴのジャズレーベルInternational Anthemからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipak.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. 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