Carlos Niño & Friends // Placenta 2xLP [BLACK/COLOR] / TAPE / CD

Carlos Niño & Friends // Placenta 2xLP [BLACK/COLOR] / TAPE / CD

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アメリカ・LAのマルチ奏者／パーカッショニストCarlos Niñoが、2024年5月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。

アンビエント・ジャズ〜スピリチュアル・ジャズ13曲を収録。

IasosやNate Mercereau、Sam Gendelなど多数の友人が参加しています。

※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします

レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.

-------------------------------------------

Ask us for digital files. Available on 12" black vinyl or 12" 'Placental Purple' vinyl, CD, and TAPE.

Tracklist:

1. Love to all Doulas! 03:52
2. Some rest for the Midwives . . . 07:19
3. Real Vital Organs 03:57
4. Surges, Expansions 02:43
5. In Appreciation of Chico Hamilton's Vast Influence on the West Coast Sound 02:44
6. Birthworkers Magic, and how we get hear . . . 07:21
7. This "I" was not 02:37
8. Placenta, Nourishment, New Home, The Galaxy 09:03
9. Carla's Beads 01:51
10. Moonlight Watsu in Dub 04:34
11. Generous Pelvis 04:26
12. Bi-Location 09:08
13. "Play Kerri Chandler's RAIN" 17:32

Text excerpt by International Anthem:

"Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem in the last four years. It is also the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, co-creating/playing, and co-mixing every song.

Placenta is announced on April 11th, 2024, a date chosen because it is the 1st solar return of Moss Niño (a new being in human form, who Carlos and his partner Annelise are Earth parents of). Their experience of pregnancy, labor and delivery were all profoundly impactful for Carlos. Becoming a father again (a whole 24 years after the birth of Azul Niño, who has become a regular artistic collaborator with Carlos) he felt total Inspiration for this set of recordings, and hence it is perhaps the most conceptually-grounded Carlos Niño & Friends album we've yet to present – fully connected to the spirit of family, birth, and "how we get here."

Artist : Carlos Niño & Friends

Label : International Anthem

CAT No.: IARC0080

Quantity

+ -

アンビエント・ジャズ〜スピリチュアル・ジャズ13曲を収録。

IasosやNate Mercereau、Sam Gendelなど多数の友人が参加しています。

※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします

レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.

-------------------------------------------

Ask us for digital files. Available on 12" black vinyl or 12" 'Placental Purple' vinyl, CD, and TAPE.

Tracklist:

Text excerpt by International Anthem:

Artist : Carlos Niño & Friends

Label : International Anthem

CAT No.: IARC0080

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Since Carlos \u0026amp; Miguel were still in Chicago (before they’d head to New York City for a second Universal Beings performance at\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Le Poisson Rouge), we invited them to do a Special Guest duo set to open the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the conclusion of their 44-minute improvised set that night, Carlos spontaneously dubbed the piece “Chicago Waves.” His proclamation gave us the distinct impression that the previous days spent in South Shore (and the many commutes to-and-from, along Lake Shore Drive) had imprinted the deep blue vastness of early-Winter Lake Michigan into Carlos \u0026amp; Miguel’s respective \u0026amp; collective consciousness, and thus, into the spirit of the luminous music they created that night at Co-Prosperity Sphere. 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Just 11 months prior, Carlos \u0026amp; Miguel were part of recording the ‘Los Angeles Side’ of Universal Beings at Jeff Parker’s house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they’d collectively composed during those sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center – a historic gilded-era urban club-turned-public facility deep on Chicago’s Southside and right along the reedy shore of Lake Michigan, giving the building’s backdrop an infinitely blue Northern expanse.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe night after the performance at South Shore Cultural Center, friend of International Anthem Jeremy Cunningham was scheduled to debut new music (\"The Weather Up There,\" which has since been released on Northern Spy Records) at our HQ, Co-Prosperity Sphere. Since Carlos \u0026amp; Miguel were still in Chicago (before they’d head to New York City for a second Universal Beings performance at\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Le Poisson Rouge), we invited them to do a Special Guest duo set to open the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the conclusion of their 44-minute improvised set that night, Carlos spontaneously dubbed the piece “Chicago Waves.” His proclamation gave us the distinct impression that the previous days spent in South Shore (and the many commutes to-and-from, along Lake Shore Drive) had imprinted the deep blue vastness of early-Winter Lake Michigan into Carlos \u0026amp; Miguel’s respective \u0026amp; collective consciousness, and thus, into the spirit of the luminous music they created that night at Co-Prosperity Sphere. We at IARC are happy to share this recording of Chicago Waves with the world in a time when peace-bringing sound and a sweet memory of live music, sparkling inside the collective breath of community in communal space, has potential to provide the utmost nourishment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist bios by Joe Darling\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eCarlos Niño – a multidimensional and catalytic producer, arranger, percussionist and DJ – made early in-roads through independent music in 1995, founding Spaceways Radio, the longstanding program for LA’s KPFK station and, shortly thereafter, co-founding non-profit internet radio giant Dublab. 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The two became close.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Miguel Atwood-Ferguson is among my dearest, closest friends and collaborators. He is family,” says Niño. “I enjoy every opportunity that we find \/ create, or invitation that we agree to accept, to communicate with each other psychically.” Atwood-Ferguson says: “Carlos has been one of my greatest friends and teachers ever since 2005. I am joyously eternally indebted to him and can't wait to do as much with him as possible!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth prolific independent artists and consummate advocates of creative music in Los Angeles and beyond, Niño and Atwood-Ferguson reunited in 2007 to record their debut album for Alpha Pup, a stirring and plaintive duet entitled Fill the Heart-Shaped Cup. They would go on to play together often over the following decade but it’s not until 2020 that they release another recording as a duet. That recording is Chicago Waves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Miguel Atwood-Ferguson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}

アメリカ・LAのスピリチュアルマスターCarlos Niñoと、Flyng LotusやThundercat作品にも参加しているヴィオラ奏者Miguel Atwood-Fergusonが、2020年6月にInternational Anthemからリリースした共作レコードです。ポストニューエイジ・スピリチュアルジャズ44分を収録。レーベルその他作品はこちら /// Click here to see more International Anthem releases available...

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Quickview {"id":8586330964218,"title":"Tomin \/\/ Flores para Verene \/ Cantos para Caramina LP [BLACK\/COLOR]","handle":"tomin-flores-para-verene-cantos-para-caramina-lp-black-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年7月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e前編『Flores para Verene』はホルンによる往年の楽曲のカバーを、後編『Cantos para Caramina』ではシンセやエレクトリックピアノによるオリジナル計24曲を収録。帯とライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"27歳の Tomin Perea-Chamblee は、金管楽器とリードを中心としたマルチ・インストゥルメンタリストで、棘のあるハーモニーを持つ作品の作曲・編曲を手がけている。ニューヨークにいる人なら、若い（ジャズに近い）バンドや有名ミュージシャンとの演奏を聴いたことがあるかもしれない。『Flores para Verene \/ Cantos para Caramina』は、Tominという個人アーティストを広く一般に紹介するものであり、多くの意味で家族と伝統への賛辞でもある。それは、明確な目的と彼の若さを超えているかのような重厚さに裏打ちされた音楽でありながら、予期せぬ色合いで彩られ、伝統の厳粛さを超えたところにある新しさと希望に惹きつけられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTominは、2020年から『Flores para Verene \/ Cantos para Caramina』にまとめられた音楽を自主リリースしている。もともとこれらの作品は、個人的な表現の控えめな練習であり、意図的な美のミニ・マーカーであり一種の集大成でもあった。Tominがこれらの曲を録音するまでに、彼はすでにジャズ・アット・リンカーン・センター・ユース・オーケストラの高校生トロンボーン奏者であり、コロンビア大学で学びながら、スタンディング・オン・ザ・コーナーの多くの帽子をかぶったホーン奏者であった。これらのサウンドをテープに書き留めるのは、時間の問題とフォロースルーの問題だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Flores para Verene』（『Flowers for Verene』）は、ミンガス、コルトレーン、ラーサン・ローランド・カーク、アルバート・アイラー、エディ・ゲイルなど、Tominの音楽の寵児たちの作曲をクラリネットとトランペットのソロ・バージョンにまとめたものだ。これらは彼の人生の偉大なヒーローであり、2019年末に母国コロンビアで他界した母方の祖母、ヴィルレニス・ディアス・バレンシアに敬意を表して録音された。（Tominのライナーノーツには、2人が互いに抱いていた愛情が格別に明瞭に表現されている）これらのヴァージョンはミニチュアであり、曲のテーマ以上のものはほとんどなく、クラリネットの鍵盤のクリック感を生かしたローファイな録音で、親密さに満ちている。最高のサウンドと同様、ここでは笑いと涙が対等な関係にある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム『Cantos para Caramina』（「彼の姉Caraminaのための歌」）では、Tomin自身のオリジナル曲が前面に押し出されている。ホーンは使われず、シンセとエレクトリック・キーボードの音波が響く。追憶の憧れは、まだ見ぬ未来の魅力に取って代わられる。テクスチャーのある空気は、エリック・サティやエマホイ・ツェゲ＝マリアム・ゲーブルー、あるいはソロのラーの悲哀を思わせるメロディックな抽象表現で満たされている。2021年、希望が見えてきたとき、Tominは新しいものを創ることでカラミーナに敬意を表したいと考えた。そして、この（同じように）小さなスケールの四重奏曲は、ピンの頭に天使が集まったように踊る。派手さはないが、非常に呼吸しやすい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1807843257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'golden hummingbird' translucent vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Father and Son (for Cal Massey) 01:12\u003cbr\u003e2. Come Sunday, Bass (for Ellington and Dolphy) 01:51\u003cbr\u003e3. The Inflated Tear, v1 (for Rahsaan Roland Kirk) 00:47\u003cbr\u003e4. Fire Waltz (for Waldron, Dolphy and Little) 00:46\u003cbr\u003e5. Desert Fairy Princess (for Sharps, Sebastian and P.A.P.A.) 01:46\u003cbr\u003e6. Fables of Faubus (for Mingus and Richmond) 01:16\u003cbr\u003e7. Aquarius (for J.J. Johnson) 01:33\u003cbr\u003e8. Warm Canto (for Waldron and Dolphy) 00:36\u003cbr\u003e9. The Inflated Tear, v2 (for Rahsaan Roland Kirk) 00:46\u003cbr\u003e10. Come Sunday, Soprano (for Ellington and Dolphy) 02:13\u003cbr\u003e11. Assunta (for Cal Massey) 01:02\u003cbr\u003e12. Father and Son (for Cal Massey) [Alt. Take] 01:42\u003cbr\u003e13. Spirits Rejoice (for Albert Ayler) 01:30\u003cbr\u003e14. Ogún Bára 01:11\u003cbr\u003e15. Angela's Angel 01:01\u003cbr\u003e16. Naima 01:34\u003cbr\u003e17. The Prayer 01:49\u003cbr\u003e18. Rahsaan Is Beautiful 01:07\u003cbr\u003e19. A Walk With Thee 01:01\u003cbr\u003e20. Humility In The Light Of The Creator 02:38\u003cbr\u003e21. Love 02:19\u003cbr\u003e22. Life 02:04\u003cbr\u003e23. Love (Alternate Take) 03:05\u003cbr\u003e24. Life Revisited 01:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Piotr Orlov\u003c\/span\u003e via the label:\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"...\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eFlores para Verene (“Flowers for Verene”) brings together solo clarinet-and-trumpet versions of compositions by Tomin’s musical paragons — Mingus, Coltrane, Rahsaan Roland Kirk, Albert Ayler, Eddie Gale, among others. They were recorded to honour his life’s great hero, his maternal grandmother, Virlenice Diaz Valencia, who’d passed away in late 2019 in her native Colombia. (Tomin’s liner notes express the love the two had for one another with an exceptional clarity.) These versions are miniatures—short-length, layered constructions offering little more than the song’s theme, in lo-fi recordings that embrace the click of the clarinet keys—yet full-hearted in their intimacy. As with all the best sounds, laughter and tears are on equal footing here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the album's Cantos para Caramina (“Songs for Caramina”) side, it’s Tomin’s own originals—dedicated to his older, very much living sister, Caramina—which rise to the fore. Horns are abandoned for the sine-waves of synths and electric keyboards. The longing of remembrance is replaced with the allure of a future yet to happen. The textured air is filled with melodic abstraction reminiscent of Erik Satie or Emahoy Tsegué-Maryam Guèbrou, or maybe even Ra at his solo and sanguine. In 2021, as hope came into view, Tomin wanted to honour Caramina by creating something new. And this quartet of (equally) small-scaled compositions dance like a gathering of angels on the head of a pin. None too fancy, but eminently breathable. The kind of thing that insists, “There is more to this world.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Tomin\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0083\u003c\/p\u003e","published_at":"2024-08-05T18:00:55+09:00","created_at":"2024-08-05T17:30:17+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":439000,"price_min":439000,"price_max":494000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46518064972026,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41950580015354,"product_id":8586330964218,"position":3,"created_at":"2024-08-05T17:26:08+09:00","updated_at":"2024-08-05T17:26:09+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa4.jpg?v=1722846369","variant_ids":[46518064972026]},"available":true,"name":"Tomin \/\/ Flores para Verene \/ Cantos para Caramina LP [BLACK\/COLOR] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34661771542778,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa4.jpg?v=1722846369"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46518065004794,"title":"Translucent Gold Vinyl","option1":"Translucent Gold Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41950579982586,"product_id":8586330964218,"position":4,"created_at":"2024-08-05T17:26:08+09:00","updated_at":"2024-08-05T17:26:09+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa3.jpg?v=1722846369","variant_ids":[46518065004794]},"available":true,"name":"Tomin \/\/ Flores para Verene \/ Cantos para Caramina LP [BLACK\/COLOR] - Translucent Gold Vinyl","public_title":"Translucent Gold Vinyl","options":["Translucent Gold Vinyl"],"price":494000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34661771477242,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa3.jpg?v=1722846369"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_446e3554-f008-45a9-ac92-b05752dd183c.jpg?v=1722846369","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_75a7694d-62ba-44fa-9685-23a772d87f01.jpg?v=1722846369","\/\/tobirarecords.com\/cdn\/shop\/files\/pa4.jpg?v=1722846369","\/\/tobirarecords.com\/cdn\/shop\/files\/pa3.jpg?v=1722846369"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_446e3554-f008-45a9-ac92-b05752dd183c.jpg?v=1722846369","options":["Vinyl Color"],"media":[{"alt":null,"id":34661771411706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_446e3554-f008-45a9-ac92-b05752dd183c.jpg?v=1722846369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_446e3554-f008-45a9-ac92-b05752dd183c.jpg?v=1722846369","width":700},{"alt":null,"id":34661771444474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_75a7694d-62ba-44fa-9685-23a772d87f01.jpg?v=1722846369"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_75a7694d-62ba-44fa-9685-23a772d87f01.jpg?v=1722846369","width":1200},{"alt":null,"id":34661771542778,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa4.jpg?v=1722846369"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa4.jpg?v=1722846369","width":1200},{"alt":null,"id":34661771477242,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa3.jpg?v=1722846369"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa3.jpg?v=1722846369","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年7月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e前編『Flores para Verene』はホルンによる往年の楽曲のカバーを、後編『Cantos para Caramina』ではシンセやエレクトリックピアノによるオリジナル計24曲を収録。帯とライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"27歳の Tomin Perea-Chamblee は、金管楽器とリードを中心としたマルチ・インストゥルメンタリストで、棘のあるハーモニーを持つ作品の作曲・編曲を手がけている。ニューヨークにいる人なら、若い（ジャズに近い）バンドや有名ミュージシャンとの演奏を聴いたことがあるかもしれない。『Flores para Verene \/ Cantos para Caramina』は、Tominという個人アーティストを広く一般に紹介するものであり、多くの意味で家族と伝統への賛辞でもある。それは、明確な目的と彼の若さを超えているかのような重厚さに裏打ちされた音楽でありながら、予期せぬ色合いで彩られ、伝統の厳粛さを超えたところにある新しさと希望に惹きつけられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTominは、2020年から『Flores para Verene \/ Cantos para Caramina』にまとめられた音楽を自主リリースしている。もともとこれらの作品は、個人的な表現の控えめな練習であり、意図的な美のミニ・マーカーであり一種の集大成でもあった。Tominがこれらの曲を録音するまでに、彼はすでにジャズ・アット・リンカーン・センター・ユース・オーケストラの高校生トロンボーン奏者であり、コロンビア大学で学びながら、スタンディング・オン・ザ・コーナーの多くの帽子をかぶったホーン奏者であった。これらのサウンドをテープに書き留めるのは、時間の問題とフォロースルーの問題だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Flores para Verene』（『Flowers for Verene』）は、ミンガス、コルトレーン、ラーサン・ローランド・カーク、アルバート・アイラー、エディ・ゲイルなど、Tominの音楽の寵児たちの作曲をクラリネットとトランペットのソロ・バージョンにまとめたものだ。これらは彼の人生の偉大なヒーローであり、2019年末に母国コロンビアで他界した母方の祖母、ヴィルレニス・ディアス・バレンシアに敬意を表して録音された。（Tominのライナーノーツには、2人が互いに抱いていた愛情が格別に明瞭に表現されている）これらのヴァージョンはミニチュアであり、曲のテーマ以上のものはほとんどなく、クラリネットの鍵盤のクリック感を生かしたローファイな録音で、親密さに満ちている。最高のサウンドと同様、ここでは笑いと涙が対等な関係にある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム『Cantos para Caramina』（「彼の姉Caraminaのための歌」）では、Tomin自身のオリジナル曲が前面に押し出されている。ホーンは使われず、シンセとエレクトリック・キーボードの音波が響く。追憶の憧れは、まだ見ぬ未来の魅力に取って代わられる。テクスチャーのある空気は、エリック・サティやエマホイ・ツェゲ＝マリアム・ゲーブルー、あるいはソロのラーの悲哀を思わせるメロディックな抽象表現で満たされている。2021年、希望が見えてきたとき、Tominは新しいものを創ることでカラミーナに敬意を表したいと考えた。そして、この（同じように）小さなスケールの四重奏曲は、ピンの頭に天使が集まったように踊る。派手さはないが、非常に呼吸しやすい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1807843257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'golden hummingbird' translucent vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Father and Son (for Cal Massey) 01:12\u003cbr\u003e2. Come Sunday, Bass (for Ellington and Dolphy) 01:51\u003cbr\u003e3. The Inflated Tear, v1 (for Rahsaan Roland Kirk) 00:47\u003cbr\u003e4. Fire Waltz (for Waldron, Dolphy and Little) 00:46\u003cbr\u003e5. Desert Fairy Princess (for Sharps, Sebastian and P.A.P.A.) 01:46\u003cbr\u003e6. Fables of Faubus (for Mingus and Richmond) 01:16\u003cbr\u003e7. Aquarius (for J.J. Johnson) 01:33\u003cbr\u003e8. Warm Canto (for Waldron and Dolphy) 00:36\u003cbr\u003e9. The Inflated Tear, v2 (for Rahsaan Roland Kirk) 00:46\u003cbr\u003e10. Come Sunday, Soprano (for Ellington and Dolphy) 02:13\u003cbr\u003e11. Assunta (for Cal Massey) 01:02\u003cbr\u003e12. Father and Son (for Cal Massey) [Alt. Take] 01:42\u003cbr\u003e13. Spirits Rejoice (for Albert Ayler) 01:30\u003cbr\u003e14. Ogún Bára 01:11\u003cbr\u003e15. Angela's Angel 01:01\u003cbr\u003e16. Naima 01:34\u003cbr\u003e17. The Prayer 01:49\u003cbr\u003e18. Rahsaan Is Beautiful 01:07\u003cbr\u003e19. A Walk With Thee 01:01\u003cbr\u003e20. Humility In The Light Of The Creator 02:38\u003cbr\u003e21. Love 02:19\u003cbr\u003e22. Life 02:04\u003cbr\u003e23. Love (Alternate Take) 03:05\u003cbr\u003e24. Life Revisited 01:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Piotr Orlov\u003c\/span\u003e via the label:\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"...\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eFlores para Verene (“Flowers for Verene”) brings together solo clarinet-and-trumpet versions of compositions by Tomin’s musical paragons — Mingus, Coltrane, Rahsaan Roland Kirk, Albert Ayler, Eddie Gale, among others. They were recorded to honour his life’s great hero, his maternal grandmother, Virlenice Diaz Valencia, who’d passed away in late 2019 in her native Colombia. (Tomin’s liner notes express the love the two had for one another with an exceptional clarity.) These versions are miniatures—short-length, layered constructions offering little more than the song’s theme, in lo-fi recordings that embrace the click of the clarinet keys—yet full-hearted in their intimacy. As with all the best sounds, laughter and tears are on equal footing here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the album's Cantos para Caramina (“Songs for Caramina”) side, it’s Tomin’s own originals—dedicated to his older, very much living sister, Caramina—which rise to the fore. Horns are abandoned for the sine-waves of synths and electric keyboards. The longing of remembrance is replaced with the allure of a future yet to happen. The textured air is filled with melodic abstraction reminiscent of Erik Satie or Emahoy Tsegué-Maryam Guèbrou, or maybe even Ra at his solo and sanguine. In 2021, as hope came into view, Tomin wanted to honour Caramina by creating something new. And this quartet of (equally) small-scaled compositions dance like a gathering of angels on the head of a pin. None too fancy, but eminently breathable. The kind of thing that insists, “There is more to this world.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Tomin\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0083\u003c\/p\u003e"}

Quickview {"id":8291650175226,"title":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD","handle":"jeremiah-chiu-marta-sofia-honer-recordings-from-the-aland-islands","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-10T13:35:06+09:00","created_at":"2024-04-10T13:34:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":258000,"price_min":258000,"price_max":411000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45603070411002,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40960895680762,"product_id":8291650175226,"position":2,"created_at":"2024-04-10T13:34:37+09:00","updated_at":"2024-04-10T13:34:37+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","variant_ids":[45603070411002]},"available":true,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD - 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They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}