Henning Christiansen Archive
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{"id":5654367895717,"title":"Henning Christiansen \/\/ Op. 41 BADET \/ Kom Frem For Satan \/ Min Døde Hest \/ Op.72 Bondeføreren Knud Lavard LP","handle":"henning-christiansen-op-41-badet-kom-frem-for-satan-min-dode-hest-op-72-bondeforeren-knud-lavard-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen \u003c\/span\u003eArchiveからの第2弾は、1967年から1972年までの4つの作品を収録したもの。マスタリングはGiuseppe Ielashi。ポスターとポストカードが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/_3FMOQFc4gU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe second release on the Henning Christiansen Archive is a compilation of four works from 1967-1972 including a poem set in a bath, an unknown musical work, the musical backdrop to a horse sacrifice and a soundtrack to a school play. What binds these works together alongside the period when written is their basis in ‘song’ and some traditional ‘musical’ elements. What separates it from said tradition is that they were composed by Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.41 Badet is a simple work featuring 3 elements: Charlotte Strandgaard reading her poem Badet (The Bath), Henning playing melodica and the sound of water splashing in a bath. The result is an unusual and evocative lo-fi setting to the resigned nature of the reading.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNot a lot is known about Kom Frem For Satan (Come Forward Satan). Possibly a soundtrack of sorts? It certainly carries that mood with it’ jazz inflicted interludes, melodic organ moments all interlaced with the diegetic sounds of cars, footsteps, gunshots, etc. The result comes across like a gangster tinged musique concrete radio play. Kom Frem For Satan also shares musical motifs that appear in Op.72 on side two of the lp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eMin Død Hest was previously released as a single sided 10” under the name Hesteofringen, here restored under it’s correct name. Min Død Hest (My Dead Horse) was written to accompany the Bjørn Nørgaard performance Hesteofringen (The Horse Sacrifice) on the 30th of Jan 1970, one of the most notorious performances in Danish art history. Featuring a poem written by Lene Adler Pedersen, this is a recording made after the performance with Lene Adler Pedersen singing, accompanied by Christiansen on piano (as opposed to the green violin he used in the performance), Min Død Horse is a beautiful haunting fragile song laden with metaphor, a sad lullaby is as simple and unusual as anything in Christiansen’s output.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.72 Bondeføreren Knud Lavard is a the soundtrack to a school play performed on at the Fanefjord School on the island of Møn, Denmark, where he lived, in 1972. Another surprising work in Christiansen’s oeuvre the 6 pieces that make up this work shift between the sinister and sweet, often in the same track. Falling within the same period Henning made the soundtrack to The Executioner, Bondeføreren Knud Lavard mixes the melancholic romantic mood of that soundtrack whilst deep organ chords, military drumming and an acoustic guitar solo (played by Henning’s first son Esben Christiansen) all make an appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an sublime collection from one the 20th Centuries most diverse composers at the bridge between his romantic and avant-garde phases.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","published_at":"2020-09-15T18:19:45+09:00","created_at":"2020-09-15T18:19:44+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","sound poetry","strange beats","The Henning Christiansen Archive"],"price":371800,"price_min":371800,"price_max":371800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183374659749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henning Christiansen \/\/ Op. 41 BADET \/ Kom Frem For Satan \/ Min Døde Hest \/ Op.72 Bondeføreren Knud Lavard LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585","\/\/tobirarecords.com\/cdn\/shop\/products\/0021490049_10.jpg?v=1600161746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585","options":["Title"],"media":[{"alt":null,"id":11154315739301,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585","width":500},{"alt":null,"id":11154345099429,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490049_10.jpg?v=1600161746"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490049_10.jpg?v=1600161746","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen \u003c\/span\u003eArchiveからの第2弾は、1967年から1972年までの4つの作品を収録したもの。マスタリングはGiuseppe Ielashi。ポスターとポストカードが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/_3FMOQFc4gU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe second release on the Henning Christiansen Archive is a compilation of four works from 1967-1972 including a poem set in a bath, an unknown musical work, the musical backdrop to a horse sacrifice and a soundtrack to a school play. What binds these works together alongside the period when written is their basis in ‘song’ and some traditional ‘musical’ elements. What separates it from said tradition is that they were composed by Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.41 Badet is a simple work featuring 3 elements: Charlotte Strandgaard reading her poem Badet (The Bath), Henning playing melodica and the sound of water splashing in a bath. The result is an unusual and evocative lo-fi setting to the resigned nature of the reading.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNot a lot is known about Kom Frem For Satan (Come Forward Satan). Possibly a soundtrack of sorts? It certainly carries that mood with it’ jazz inflicted interludes, melodic organ moments all interlaced with the diegetic sounds of cars, footsteps, gunshots, etc. The result comes across like a gangster tinged musique concrete radio play. Kom Frem For Satan also shares musical motifs that appear in Op.72 on side two of the lp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eMin Død Hest was previously released as a single sided 10” under the name Hesteofringen, here restored under it’s correct name. Min Død Hest (My Dead Horse) was written to accompany the Bjørn Nørgaard performance Hesteofringen (The Horse Sacrifice) on the 30th of Jan 1970, one of the most notorious performances in Danish art history. Featuring a poem written by Lene Adler Pedersen, this is a recording made after the performance with Lene Adler Pedersen singing, accompanied by Christiansen on piano (as opposed to the green violin he used in the performance), Min Død Horse is a beautiful haunting fragile song laden with metaphor, a sad lullaby is as simple and unusual as anything in Christiansen’s output.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.72 Bondeføreren Knud Lavard is a the soundtrack to a school play performed on at the Fanefjord School on the island of Møn, Denmark, where he lived, in 1972. Another surprising work in Christiansen’s oeuvre the 6 pieces that make up this work shift between the sinister and sweet, often in the same track. Falling within the same period Henning made the soundtrack to The Executioner, Bondeføreren Knud Lavard mixes the melancholic romantic mood of that soundtrack whilst deep organ chords, military drumming and an acoustic guitar solo (played by Henning’s first son Esben Christiansen) all make an appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an sublime collection from one the 20th Centuries most diverse composers at the bridge between his romantic and avant-garde phases.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansenの作品再発レーベルHenning Christiansen Archiveからの第2弾は、1967年から1972年までの4つの作品を収録したもの。マスタリングはGiuseppe Ielashi。ポスターとポストカードが付属。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available at...
¥3,718
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{"id":7819580997882,"title":"Henning Christiansen \/\/ OP.176 PENTHESILEA 5xCD","handle":"henning-christiansen-op-176-penthesilea-5xcd","description":"\u003cp\u003eHenning Christiansenアーカイブシリーズの2022年10月最新作です。怒涛の5枚組みCDに32ページのフルカラーブックレットが付属しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e演出：カルロ・クァルトゥッチ、劇作家：ハインリヒ・フォン・クライストによる悲劇／劇「ペンテシレイア」（24の場面からなる悲劇）のための音楽。1986年11月8日、イタリア・ローマ、テアトロ・オリンピコにて初演。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1984年にローゼンフェストで上演されたHC4 2LPの音源を発展させた4時間半の音声作品。このCDは、1986年のローマ・オリンピコ劇場で行われたカルロ・クァルトゥッチ演出の公演のために用意されたバッキング・テープをフル収録した豪華5枚組です（この公演のライブ録音は現在も見つかっていません）。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヘニングが取り組んだ最も野心的なプロジェクトである「Penthesilea」プロジェクトは、最も成功したプロジェクトのひとつでもあり、この野心的で重要な作品に至るまでに彼が創作活動を通じて培ってきた数々の実験とテクニックを探求するものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e。ローゼンフェストの録音で取り上げられたフィールドレコーディングが、豊富な新しい音環境とともに紹介されています。馬の\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e蹄や\u003c\/span\u003eボクシングの試合はエレクトロニクスで処理され、別世界のような雰囲気を醸し出します。XIII XIV では、ヘニングの初期のクラシック作品のような瞬間が訪れ、囁くようなゴーストメロディーの中で、穏やかな機械の音が谷間に沈んでいきます。また、プロト・テクノのビートが、かつてローゼンフェストの録音で聴いた雪を踏みつけ、素朴な鳴き声がホルンのソロとなり、さらに、風が激しくなり、物語が激しくなります...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1910801461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic for a tragedy\/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, 1986, Playwright: Heinrich von Kleist. First performance at Teatro Olimpico, Rome, Italy, on November 8, 1986\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis four and a half hour audio work heavily expands on the foundation laid out for Rosenfest in 1984 as featured on the HC4 2LP release. This lavish 5CD set presents the full backing tape prepared for the performances at Teatro Olímpico, Rome in 1986 as directed by Carlo Quartucci (the live recordings of the performances remain elusive to this day).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe most ambitious project Henning undertook, the Penthesilea project is also one of the most successful as it explores the numerous experiments and techniques he had developed throughout his creative life culminating in this ambitious and significant work. Unheard until now and required listening now.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe full narrative of Kleists text unfolds as an audio excursion for the mind to wander. An audiobook presented as sound. The field recordings featured in Rosenfest recordings are featured alongside a wealth of new sonic environments. Horses trot, a boxing match is treated with electronics creating an otherworldly atmosphere. In the piece ‘XIII XIV’ we encounter moments of Henning’s\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e early classical works only to subside in a valley of gentle machines clacking amongst a whispering ghost melody. Elsewhere a thumping proto-techno beat tramples on the once trampled snow we heard in the Rosenfest recordings, a rustic squeak acts as a horn solo, onwards, the wind gets fiercer, the narrative intensifies…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing exceptional performances from Werner Durand (pan-ney, Persian ney and baritone horn with sax mouthpiece), Jan Tilman Schade (violonello and tuba) along with Carla Tatò's almost develish voice and Ernst Kretzer's uncanny soundwork this is a heady unusual cocktail of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOP. 176 PENTHESILEA is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll material copyright The Henning Christiansen Archive with the exception of the watercolour paintings in HC5 copyright Edition Block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-----\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e","published_at":"2022-10-26T10:07:15+09:00","created_at":"2022-10-25T15:24:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","The Henning Christiansen Archive"],"price":648000,"price_min":648000,"price_max":648000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43580771959034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ OP.176 PENTHESILEA 5xCD","public_title":null,"options":["Default Title"],"price":648000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046","\/\/tobirarecords.com\/cdn\/shop\/products\/op2_6b63f74b-8d9a-43f8-a1a6-27f71c2e5fbf.jpg?v=1666679047"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046","options":["Title"],"media":[{"alt":null,"id":30839920328954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046","width":700},{"alt":null,"id":30839920361722,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_6b63f74b-8d9a-43f8-a1a6-27f71c2e5fbf.jpg?v=1666679047"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_6b63f74b-8d9a-43f8-a1a6-27f71c2e5fbf.jpg?v=1666679047","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eHenning Christiansenアーカイブシリーズの2022年10月最新作です。怒涛の5枚組みCDに32ページのフルカラーブックレットが付属しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e演出：カルロ・クァルトゥッチ、劇作家：ハインリヒ・フォン・クライストによる悲劇／劇「ペンテシレイア」（24の場面からなる悲劇）のための音楽。1986年11月8日、イタリア・ローマ、テアトロ・オリンピコにて初演。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1984年にローゼンフェストで上演されたHC4 2LPの音源を発展させた4時間半の音声作品。このCDは、1986年のローマ・オリンピコ劇場で行われたカルロ・クァルトゥッチ演出の公演のために用意されたバッキング・テープをフル収録した豪華5枚組です（この公演のライブ録音は現在も見つかっていません）。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヘニングが取り組んだ最も野心的なプロジェクトである「Penthesilea」プロジェクトは、最も成功したプロジェクトのひとつでもあり、この野心的で重要な作品に至るまでに彼が創作活動を通じて培ってきた数々の実験とテクニックを探求するものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e。ローゼンフェストの録音で取り上げられたフィールドレコーディングが、豊富な新しい音環境とともに紹介されています。馬の\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e蹄や\u003c\/span\u003eボクシングの試合はエレクトロニクスで処理され、別世界のような雰囲気を醸し出します。XIII XIV では、ヘニングの初期のクラシック作品のような瞬間が訪れ、囁くようなゴーストメロディーの中で、穏やかな機械の音が谷間に沈んでいきます。また、プロト・テクノのビートが、かつてローゼンフェストの録音で聴いた雪を踏みつけ、素朴な鳴き声がホルンのソロとなり、さらに、風が激しくなり、物語が激しくなります...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1910801461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic for a tragedy\/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, 1986, Playwright: Heinrich von Kleist. First performance at Teatro Olimpico, Rome, Italy, on November 8, 1986\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis four and a half hour audio work heavily expands on the foundation laid out for Rosenfest in 1984 as featured on the HC4 2LP release. This lavish 5CD set presents the full backing tape prepared for the performances at Teatro Olímpico, Rome in 1986 as directed by Carlo Quartucci (the live recordings of the performances remain elusive to this day).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe most ambitious project Henning undertook, the Penthesilea project is also one of the most successful as it explores the numerous experiments and techniques he had developed throughout his creative life culminating in this ambitious and significant work. Unheard until now and required listening now.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe full narrative of Kleists text unfolds as an audio excursion for the mind to wander. An audiobook presented as sound. The field recordings featured in Rosenfest recordings are featured alongside a wealth of new sonic environments. Horses trot, a boxing match is treated with electronics creating an otherworldly atmosphere. In the piece ‘XIII XIV’ we encounter moments of Henning’s\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e early classical works only to subside in a valley of gentle machines clacking amongst a whispering ghost melody. Elsewhere a thumping proto-techno beat tramples on the once trampled snow we heard in the Rosenfest recordings, a rustic squeak acts as a horn solo, onwards, the wind gets fiercer, the narrative intensifies…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing exceptional performances from Werner Durand (pan-ney, Persian ney and baritone horn with sax mouthpiece), Jan Tilman Schade (violonello and tuba) along with Carla Tatò's almost develish voice and Ernst Kretzer's uncanny soundwork this is a heady unusual cocktail of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOP. 176 PENTHESILEA is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll material copyright The Henning Christiansen Archive with the exception of the watercolour paintings in HC5 copyright Edition Block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-----\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e"}
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Henning Christiansenアーカイブシリーズの2022年10月最新作です。怒涛の5枚組みCDに32ページのフルカラーブックレットが付属しています。以下、レーベルによる解説です。 演出：カルロ・クァルトゥッチ、劇作家：ハインリヒ・フォン・クライストによる悲劇／劇「ペンテシレイア」（24の場面からなる悲劇）のための音楽。1986年11月8日、イタリア・ローマ、テアトロ・オリンピコにて初演。1984年にローゼンフェストで上演されたHC4 2LPの音源を発展させた4時間半の音声作品。このCDは、1986年のローマ・オリンピコ劇場で行われたカルロ・クァルトゥッチ演出の公演のために用意されたバッキング・テープをフル収録した豪華5枚組です（この公演のライブ録音は現在も見つかっていません）。ヘニングが取り組んだ最も野心的なプロジェクトである「Penthesilea」プロジェクトは、最も成功したプロジェクトのひとつでもあり、この野心的で重要な作品に至るまでに彼が創作活動を通じて培ってきた数々の実験とテクニックを探求するものです。。ローゼンフェストの録音で取り上げられたフィールドレコーディングが、豊富な新しい音環境とともに紹介されています。馬の 蹄やボクシングの試合はエレクトロニクスで処理され、別世界のような雰囲気を醸し出します。XIII XIV では、ヘニングの初期のクラシック作品のような瞬間が訪れ、囁くようなゴーストメロディーの中で、穏やかな機械の音が谷間に沈んでいきます。また、プロト・テクノのビートが、かつてローゼンフェストの録音で聴いた雪を踏みつけ、素朴な鳴き声がホルンのソロとなり、さらに、風が激しくなり、物語が激しくなります...。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive...
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{"id":7665737597178,"title":"Henning Christiansen \/\/ OP.163 PENTHESILEA 2xLP","handle":"henning-christiansen-op-163-penthesilea-2xlp","description":"\u003cp\u003eデンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106618489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at Rosenfest. Hebbel-Theater West-Berlin, 16 December 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it means the unanswered question: “Who threw the first stone?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive x Penultimate Press\u003c\/p\u003e","published_at":"2022-07-19T10:58:27+09:00","created_at":"2022-07-03T11:49:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","Penultimate Press","The Henning Christiansen Archive"],"price":533000,"price_min":533000,"price_max":533000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42949266276602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ OP.163 PENTHESILEA 2xLP","public_title":null,"options":["Default Title"],"price":533000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","options":["Title"],"media":[{"alt":null,"id":30051034136826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","width":700},{"alt":null,"id":30051034169594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106618489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at Rosenfest. Hebbel-Theater West-Berlin, 16 December 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it means the unanswered question: “Who threw the first stone?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive x Penultimate Press\u003c\/p\u003e"}
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デンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。 1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。 フィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available at...
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{"id":7542066282746,"title":"Henning Christiansen \/\/ Op.1984 (160C) Goodday, Mr Orwell, Green Ear-Year CD","handle":"henning-christiansen-op-1984-160c-goodday-mr-orwell-green-ear-year-cd","description":"\u003cp\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、1984年に制作した未発表音源を収録しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジョージ・オーウェルへ捧げた作品です。1977年、ヘニングはソビエト連邦を訪問し、反スターリン主義者になった。トロツキストでありながら、アメリカを訪れた際、メディアやジャーナリストを通して、ソ連と同じようにアメリカを監視し、大衆を操るビッグブラザーを目の当たりにした。ヘニングはこの年、メディアや政治家ではなく、自然の声に耳を傾けようと、自分の耳を緑色に塗った。1984年、緑色の耳の年に、長男のエスベンとともにMøn Musikfestivalに出演しました。エスベンはロックミュージシャンとして地元の有名人でした。この演奏に出会った人々は、Esbenが有名なロック音楽を演奏していないことに非常に腹を立て、演奏中、火をつけたり、私たち信頼できるデュオに怒鳴ったりしていました。しかし、ヘニングとエスベンは最後まで演奏を続けた。エスベンはこれが最後の演奏となり、これ以後ロックを演奏することも、演奏することもなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのラジオ曲は、MønのChristiansen家の農場と、Mønの地元で録音されたものです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837939907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by the Henning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePreviously unreleased Henning Christiansen work from 1984. A dedication to George Orwell. Someone he was very fond of. In 1977 Henning visited the USSR only to become a staunch anti Stalinist. A pro Trotskyite who, when visiting the USA, also saw Big Brother watching the US in the same way in the USSR through media and the journalists that worked for each side to manipulate the masses. Henning painted his ear green that year because he wanted to listen to nature and not the media and politicians. Performed at the Møn Musikfestival in the green ear year, 1984 with his first son, Esben, a local celebrity for his work in rock music. Encountering this performance people were very upset that Esben was not playing the rock music he was known for resulting in them setting fires and yelling at our trusty duo throughout the performance. Henning and Esben continued until the end. This was the last performance Esben did, he never played rock music or performed again after this.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe radio piece here was recorded on the Christiansen family farm on Møn and the also the local surroundings on Møn.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Penultimate Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T20:28:23+09:00","created_at":"2022-02-15T19:07:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Penultimate Press","The Henning Christiansen Archive"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42428984885498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ Op.1984 (160C) Goodday, Mr Orwell, Green Ear-Year CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649","options":["Title"],"media":[{"alt":null,"id":29155266658554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_57aed1da-e024-44cc-9967-fddd0c52a4d6.jpg?v=1644919649","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansen作品の再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの最新CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作では、1984年に制作した未発表音源を収録しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジョージ・オーウェルへ捧げた作品です。1977年、ヘニングはソビエト連邦を訪問し、反スターリン主義者になった。トロツキストでありながら、アメリカを訪れた際、メディアやジャーナリストを通して、ソ連と同じようにアメリカを監視し、大衆を操るビッグブラザーを目の当たりにした。ヘニングはこの年、メディアや政治家ではなく、自然の声に耳を傾けようと、自分の耳を緑色に塗った。1984年、緑色の耳の年に、長男のエスベンとともにMøn Musikfestivalに出演しました。エスベンはロックミュージシャンとして地元の有名人でした。この演奏に出会った人々は、Esbenが有名なロック音楽を演奏していないことに非常に腹を立て、演奏中、火をつけたり、私たち信頼できるデュオに怒鳴ったりしていました。しかし、ヘニングとエスベンは最後まで演奏を続けた。エスベンはこれが最後の演奏となり、これ以後ロックを演奏することも、演奏することもなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのラジオ曲は、MønのChristiansen家の農場と、Mønの地元で録音されたものです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837939907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by the Henning Christiansen Archive:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePreviously unreleased Henning Christiansen work from 1984. A dedication to George Orwell. Someone he was very fond of. In 1977 Henning visited the USSR only to become a staunch anti Stalinist. A pro Trotskyite who, when visiting the USA, also saw Big Brother watching the US in the same way in the USSR through media and the journalists that worked for each side to manipulate the masses. Henning painted his ear green that year because he wanted to listen to nature and not the media and politicians. Performed at the Møn Musikfestival in the green ear year, 1984 with his first son, Esben, a local celebrity for his work in rock music. Encountering this performance people were very upset that Esben was not playing the rock music he was known for resulting in them setting fires and yelling at our trusty duo throughout the performance. Henning and Esben continued until the end. This was the last performance Esben did, he never played rock music or performed again after this.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe radio piece here was recorded on the Christiansen family farm on Møn and the also the local surroundings on Møn.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Penultimate Press\u003c\/span\u003e\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansen作品の再発レーベルHenning Christiansen Archiveからの最新CDです。 本作では、1984年に制作した未発表音源を収録しています。以下、レーベルによる解説です。 ジョージ・オーウェルへ捧げた作品です。1977年、ヘニングはソビエト連邦を訪問し、反スターリン主義者になった。トロツキストでありながら、アメリカを訪れた際、メディアやジャーナリストを通して、ソ連と同じようにアメリカを監視し、大衆を操るビッグブラザーを目の当たりにした。ヘニングはこの年、メディアや政治家ではなく、自然の声に耳を傾けようと、自分の耳を緑色に塗った。1984年、緑色の耳の年に、長男のエスベンとともにMøn Musikfestivalに出演しました。エスベンはロックミュージシャンとして地元の有名人でした。この演奏に出会った人々は、Esbenが有名なロック音楽を演奏していないことに非常に腹を立て、演奏中、火をつけたり、私たち信頼できるデュオに怒鳴ったりしていました。しかし、ヘニングとエスベンは最後まで演奏を続けた。エスベンはこれが最後の演奏となり、これ以後ロックを演奏することも、演奏することもなかった。このラジオ曲は、MønのChristiansen家の農場と、Mønの地元で録音されたものです。 レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at...
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{"id":5654381592741,"title":"Henning Christiansen \/\/ Op.201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP","handle":"henning-christiansen-op-201-l-essere-umano-errabando-la-voca-errabando-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/p7DQXu1t9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe third release on the Henning Christiansen Archive features a previously unreleased work from 1991. The Wandering Human Being – The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrsula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist’s play Penthesilea (forthcoming on The Henning Christiansen archive).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wandering Human Being – The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHuman-basic-technology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist: Henning Christiansen\u003c\/p\u003e\n\u003cp\u003elabel : Henning Christiansen Archive\u003c\/p\u003e","published_at":"2020-09-15T18:33:41+09:00","created_at":"2020-09-15T18:33:39+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","sound poetry","strange beats","The Henning Christiansen Archive"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183527293093,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ Op.201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","options":["Title"],"media":[{"alt":null,"id":11154447892645,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","width":700},{"alt":null,"id":11154447925413,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/p7DQXu1t9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe third release on the Henning Christiansen Archive features a previously unreleased work from 1991. The Wandering Human Being – The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrsula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist’s play Penthesilea (forthcoming on The Henning Christiansen archive).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wandering Human Being – The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHuman-basic-technology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist: Henning Christiansen\u003c\/p\u003e\n\u003cp\u003elabel : Henning Christiansen Archive\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansenの作品再発レーベルHenning Christiansen Archiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available at...
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{"id":5654345351333,"title":"VA \/\/ SAVE THE NATURE —– USE FLUXUS, The Box parking lot, Los Angeles 2LP","handle":"hca1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家\u003c\/span\u003e\u003cspan\u003eHenning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen \/ Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT THE BIRD SONGS」の一環として、ギャラリー駐車場にて6時間のパフォーマンスが行われました。本２枚組LPはその演奏のハイライトを編集したもの。\u003c\/p\u003e\n\u003cp\u003e個展のカタログやポスターなど付属品も豪華。今回限りの入荷です、お見逃しなく。マスタリングはSean McCann。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/829942081\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Penultimate Press\" href=\"https:\/\/soundcloud.com\/quockenzocker\" target=\"_blank\"\u003ePenultimate Press\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\" href=\"https:\/\/soundcloud.com\/quockenzocker\/save-the-nature-use-fluxus-the-box-gallery-parking-lot-los-angeles\" target=\"_blank\"\u003eSAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_IimA2boN8?start=1166\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen \/ Ursula Reuter Christiansen exhibition THEY WON’T SURVIVE WITHOUT THE BIRD SONGS\u2028. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work instigated by Henning during his lifetime. The resulting performance included archival recordings taken from the H.C. Archive, which houses a vast collection of compositions, scores and correspondence of the late Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis limited edition 2LP collects edited highlights from the day capturing the unique and somewhat unsettling atmosphere provoked by a diverse range of performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThorbjørn Reuter Christiansen developed a new action where he performed a sound piece on iconic instruments of Henning’s alongside recorded sounds of his father. Father and son re-united again in performance. The New Sound of the Living Dead.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBjørn Nørgaard presented two new iterations of some of his historical actions; Homage to Henning and Joseph, Manresa, a piece he first collaborated on with Henning Christiansen and Joseph Beuys at Galerieleri Schmela in Düsseldorf in 1966, and The Cake, a live construction of a monolithic yet impermanent sculpture meant to decay over time. Mai Dengsøe Hansen performed EURASIENSTAB fluxorum organum op. 39, a piece for organ that Henning scored and used as the soundtrack for the film Eurasienstab, with Beuys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe BOX gallery founder Mara McCarthy, along with her father Paul McCarthy and Chiara Giovando performed Knock Harder, a 20 min. improvisation that loosely recalls Knocking, a sound scape Henning used repeatedly throughout many of his own compositions. Chiara and Mara can be heard singing and playing a selection of small instruments, while Paul methodically slammed the back door of the gallery with a piece of scrap 2×4 pinewood – a kind of dedication to the monotony of Fluxus.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMark Harwood, the founder of the expansive experimental independent label Penultimate Press performed an improvised musical protest incorporating fire, rhythm and chaos alongside field recordings of the civil unrest in Chile that he collected occurred just prior to the opening of this exhibition. Harwood’s contribution speaks to Hennings political activism and dedication.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout SAVE THE NATURE —- USE FLUXUS all came together to celebrate these great artists and to embody the same spirit of communal collaboration that has so thoroughly been a part of both Ursula and Henning’s lifelong endeavors.\u003c\/em\u003e\u003cem\u003eThis is a co-release between the Henning Christiansen Archive (Europe) and The Box (USA)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Various Artists\u003c\/p\u003e\n\u003cp\u003elabel : The Henning Christiansen Archive\u003c\/p\u003e","published_at":"2020-09-15T17:59:58+09:00","created_at":"2020-09-15T17:59:56+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","sound poetry","strange beats","The Henning Christiansen Archive"],"price":568000,"price_min":568000,"price_max":568000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183109992613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"VA \/\/ SAVE THE NATURE —– USE FLUXUS, The Box parking lot, Los Angeles 2LP","public_title":null,"options":["Default Title"],"price":568000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","options":["Title"],"media":[{"alt":null,"id":11154100715685,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","width":600},{"alt":null,"id":11154100748453,"position":2,"preview_image":{"aspect_ratio":1.415,"height":424,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398"},"aspect_ratio":1.415,"height":424,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398","width":600},{"alt":null,"id":11154100781221,"position":3,"preview_image":{"aspect_ratio":0.983,"height":300,"width":295,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398"},"aspect_ratio":0.983,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家\u003c\/span\u003e\u003cspan\u003eHenning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen \/ Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT THE BIRD SONGS」の一環として、ギャラリー駐車場にて6時間のパフォーマンスが行われました。本２枚組LPはその演奏のハイライトを編集したもの。\u003c\/p\u003e\n\u003cp\u003e個展のカタログやポスターなど付属品も豪華。今回限りの入荷です、お見逃しなく。マスタリングはSean McCann。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/829942081\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Penultimate Press\" href=\"https:\/\/soundcloud.com\/quockenzocker\" target=\"_blank\"\u003ePenultimate Press\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\" href=\"https:\/\/soundcloud.com\/quockenzocker\/save-the-nature-use-fluxus-the-box-gallery-parking-lot-los-angeles\" target=\"_blank\"\u003eSAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_IimA2boN8?start=1166\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen \/ Ursula Reuter Christiansen exhibition THEY WON’T SURVIVE WITHOUT THE BIRD SONGS\u2028. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work instigated by Henning during his lifetime. The resulting performance included archival recordings taken from the H.C. Archive, which houses a vast collection of compositions, scores and correspondence of the late Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis limited edition 2LP collects edited highlights from the day capturing the unique and somewhat unsettling atmosphere provoked by a diverse range of performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThorbjørn Reuter Christiansen developed a new action where he performed a sound piece on iconic instruments of Henning’s alongside recorded sounds of his father. Father and son re-united again in performance. The New Sound of the Living Dead.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBjørn Nørgaard presented two new iterations of some of his historical actions; Homage to Henning and Joseph, Manresa, a piece he first collaborated on with Henning Christiansen and Joseph Beuys at Galerieleri Schmela in Düsseldorf in 1966, and The Cake, a live construction of a monolithic yet impermanent sculpture meant to decay over time. Mai Dengsøe Hansen performed EURASIENSTAB fluxorum organum op. 39, a piece for organ that Henning scored and used as the soundtrack for the film Eurasienstab, with Beuys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe BOX gallery founder Mara McCarthy, along with her father Paul McCarthy and Chiara Giovando performed Knock Harder, a 20 min. improvisation that loosely recalls Knocking, a sound scape Henning used repeatedly throughout many of his own compositions. Chiara and Mara can be heard singing and playing a selection of small instruments, while Paul methodically slammed the back door of the gallery with a piece of scrap 2×4 pinewood – a kind of dedication to the monotony of Fluxus.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMark Harwood, the founder of the expansive experimental independent label Penultimate Press performed an improvised musical protest incorporating fire, rhythm and chaos alongside field recordings of the civil unrest in Chile that he collected occurred just prior to the opening of this exhibition. Harwood’s contribution speaks to Hennings political activism and dedication.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout SAVE THE NATURE —- USE FLUXUS all came together to celebrate these great artists and to embody the same spirit of communal collaboration that has so thoroughly been a part of both Ursula and Henning’s lifelong endeavors.\u003c\/em\u003e\u003cem\u003eThis is a co-release between the Henning Christiansen Archive (Europe) and The Box (USA)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Various Artists\u003c\/p\u003e\n\u003cp\u003elabel : The Henning Christiansen Archive\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。 2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen / Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT...
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