Authentically Plastic // Raw Space LP

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2019年9月のNyege Nyegeフェスティバルでの豪快なパフォーマンスにより、ウガンダの政治家から「ナイルの悪魔」とまで呼ばれるカンパラを拠点とする音響催眠術師Authentically Plasticが、2022年9月に同国Hakuna Kulalaからリリースしたデビューレコードです。

ポストインダストリアル・Gqom9曲を収録。

レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira.

----------------------------

Hakuna Kulala:

"RAW SPACE" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed "demon of the Nile" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.

As both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.

On opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.

Writing "RAW SPACE", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected "

Artist : Authentically Plastic

Label : Hakuna Kulala

ポストインダストリアル・Gqom9曲を収録。

レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira.

----------------------------

Hakuna Kulala:

Artist : Authentically Plastic

Label : Hakuna Kulala

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Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}

日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。ポストインダストリアル・テクノ5曲を収録。レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...

¥2,137

クイックビュー {"id":8666368868602,"title":"Mariam Rezaei \/\/ BOWN TAPE","handle":"mariam-rezaei-bown-tape","description":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:47:25+09:00","created_at":"2024-11-16T15:43:06+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","jazz","monooto","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864904454394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mariam Rezaei \/\/ BOWN TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","options":["Title"],"media":[{"alt":null,"id":35195321712890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","width":700},{"alt":null,"id":35195321745658,"position":2,"preview_image":{"aspect_ratio":0.865,"height":1200,"width":1038,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"},"aspect_ratio":0.865,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282","width":1038}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}

イギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。レーベルその他作品はこちら /// Click here to see more Heat Crimes releases...

¥2,137

クイックビュー {"id":8666368049402,"title":"Christian Love Forum \/\/ X-Nihilo TAPE","handle":"christian-love-forum-x-nihilo-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:58:43+09:00","created_at":"2024-11-16T15:40:24+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864899997946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christian Love Forum \/\/ X-Nihilo TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","options":["Title"],"media":[{"alt":null,"id":35195317485818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","width":700},{"alt":null,"id":35195317518586,"position":2,"preview_image":{"aspect_ratio":0.955,"height":1200,"width":1146,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"},"aspect_ratio":0.955,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115","width":1146}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eギリシャ／ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}