Ghostly International
![Lusine // Long Light LP [COLOR]](http://tobirarecords.com/cdn/shop/files/lon1_d6497d0b-f23b-4427-8776-aa4b64139035_medium.jpg?v=1695444239)
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{"id":8023592370426,"title":"Lusine \/\/ Long Light LP [COLOR]","handle":"lusine-long-light-lp-color","description":"\u003cp\u003eアメリカ・シアトルのIDM作家Lusineが、2023年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドリーミーなエレクトロニック・ポップ〜IDM9曲を収録。マーブル盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4083105907\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black and tan marble vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome and Go (feat. Vilja Larjosto) 04:24\u003c\/li\u003e\n\u003cli\u003eZero to Sixty (feat. Sarah Jaffe) 04:48 video\u003c\/li\u003e\n\u003cli\u003eFaceless 03:16\u003c\/li\u003e\n\u003cli\u003eDreaming (feat. Asy Saavedra) 04:56\u003c\/li\u003e\n\u003cli\u003eTransonic 04:16\u003c\/li\u003e\n\u003cli\u003ePlateau 03:39\u003c\/li\u003e\n\u003cli\u003eLong Light (feat. Benoît Pioulard) 05:16\u003c\/li\u003e\n\u003cli\u003eCut and Cover 04:58\u003c\/li\u003e\n\u003cli\u003eHome 04:18\u003c\/li\u003e\n\u003cli\u003eRafters 02:58\u003c\/li\u003e\n\u003cli\u003eDouble Take 05:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSeattle-based producer Jeff McIlwain, aka Lusine, returns with his 9th full-length record, Long Light, marking twenty years since he first joined the Ghostly International roster. A cited influence for myriad electronic artists including London’s Loraine James and others, Lusine is known for visceral, kinetically-curious music that fuses techno, pop, and experimental composition. In recent years, McIlwain has pushed his craft skyward with more collaborative, song-forward work. Long Light shines the throughline; his signature looping patterns and textures are dynamic yet minimalist as ever. Structurally straightforward, tight, and bright, the material radiates as the most direct in his catalog, featuring vocal contributions from Asy Saavedra, Sarah Jaffe, and Sensorimotor collaborators Vilja Larjosto and Benoît Pioulard. Lusine found his sound early on, but he’s never stopped pushing and pulling at its potential, patiently deconstructing the distractions and solving the puzzles. With Long Light, a laser-focused, process-driven artist reaches an exceptionally satisfying level of clarity and immediacy. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcIlwain sees the title, taken from the lyrical phrase \"long light signaling the fall again,” written by Benoît Pioulard for what became the title track, as a guiding device that reflects\u003cspan class=\"bcTruncateMore\"\u003e several meanings. “There’s this sort of paranoia where you don't know what is real, it's an age of high anxiety and there are all these distractions,” McIlwain explains. “It's like a fun house mirror situation.” Following the long light is the only true way through, and he holds that metaphor to the album’s recording, which also carried a cyclical nature akin to seasons. Like the start of fall, the album completes a period of cultivation; “Music making is a struggle and you have to have a ton of patience.” Long Light is proof that what lies beyond the noise, at the end of the figurative tunnel, is worth all the work it’s taken to get there. \u003cbr\u003e\u003cbr\u003eAcross the collection, McIlwain identifies the core sonic element, a vocal cut or a simple beat sequence, from which to build everything else off. On the opener “Come And Go,” he multiplies a vocal take from longtime collaborator Vilja Larjosto into a celestial choir, evoking their Sensorimotor standout “Just A Cloud.” It’s the bass hook on the single “Zero to Sixty,” curving around the voice of Sarah Jaffe, whose pliable range and cool delivery provide the source for Lusine’s unmistakable mapping. The chorus is Jaffe’s (“cold-blooded”) line repeated in step with melodic synth pulses and the buzzing deep bass. For the verse, McIlwain unlocks the loop and she completes the thought, giving the track a sense of tension and relief.\u003cbr\u003e\u003cbr\u003e“I feel like I am dreaming \/ You make me feel like I am walking on a cloud \/ I don’t ever want to feel the ground,” sings Asy Saavedra (of Chaos Chaos) on “Dreaming.” This time McIlwain keeps the phrase intact, making subtle tweaks to the timbre and texture as chimes, clinks, and snaps oscillate.\u003cbr\u003e\u003cbr\u003eThe album balances vocal pop motifs with some of Lusine’s strongest instrumental expressions, from ambient-minded foreshadowing (“Faceless,” “Plateau,” “Rafters”) to hypnotic head-nodders like “Cut and Cover” and “Transonic.” The latter jumps out as the rhythmic centerpiece; first McIlwain outlines the track’s silhouette before filling in its details one layer at a time. Stuttering synth hums join the kick, then proliferate a step higher, harmonizing at the peak with sparkled bell sounds and a burst of feedback. \u003cbr\u003e\u003cbr\u003e“Long Light” has it all: Lusine’s percussive mood-building, rendered with samples from drummer Trent Moorman, and a contortion of tender poetry, courtesy of friend Thomas Meluch, aka Benoît Pioulard (Morr Music, Kranky). “This track has a sort of melody that I haven’t really messed with before,” says McIlwain. “It’s this very droney, mysterious thing, that I really liked, and focused on, and kind of counter balanced with a nasty wavetable patch. Tom just absolutely nailed the feel of the song.”\u003cbr\u003e\u003cbr\u003eIt is rare to arrive at a landmark work two decades into one’s craft, but through repetition, refinement, and patience, Lusine extends a defining moment, an essential piece to his discography.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lusine\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2023-09-24T09:47:50+09:00","created_at":"2023-09-23T13:43:58+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","ghostly international","house","lp","new"],"price":2400,"price_min":2400,"price_max":2400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44583432585466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lusine \/\/ Long Light LP [COLOR]","public_title":null,"options":["Default Title"],"price":2400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239","\/\/tobirarecords.com\/cdn\/shop\/files\/lon2.jpg?v=1695444240"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239","options":["Title"],"media":[{"alt":null,"id":32486546931962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239","width":700},{"alt":null,"id":32486546964730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon2.jpg?v=1695444240"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon2.jpg?v=1695444240","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シアトルのIDM作家Lusineが、2023年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドリーミーなエレクトロニック・ポップ〜IDM9曲を収録。マーブル盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4083105907\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black and tan marble vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome and Go (feat. Vilja Larjosto) 04:24\u003c\/li\u003e\n\u003cli\u003eZero to Sixty (feat. Sarah Jaffe) 04:48 video\u003c\/li\u003e\n\u003cli\u003eFaceless 03:16\u003c\/li\u003e\n\u003cli\u003eDreaming (feat. Asy Saavedra) 04:56\u003c\/li\u003e\n\u003cli\u003eTransonic 04:16\u003c\/li\u003e\n\u003cli\u003ePlateau 03:39\u003c\/li\u003e\n\u003cli\u003eLong Light (feat. Benoît Pioulard) 05:16\u003c\/li\u003e\n\u003cli\u003eCut and Cover 04:58\u003c\/li\u003e\n\u003cli\u003eHome 04:18\u003c\/li\u003e\n\u003cli\u003eRafters 02:58\u003c\/li\u003e\n\u003cli\u003eDouble Take 05:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSeattle-based producer Jeff McIlwain, aka Lusine, returns with his 9th full-length record, Long Light, marking twenty years since he first joined the Ghostly International roster. A cited influence for myriad electronic artists including London’s Loraine James and others, Lusine is known for visceral, kinetically-curious music that fuses techno, pop, and experimental composition. In recent years, McIlwain has pushed his craft skyward with more collaborative, song-forward work. Long Light shines the throughline; his signature looping patterns and textures are dynamic yet minimalist as ever. Structurally straightforward, tight, and bright, the material radiates as the most direct in his catalog, featuring vocal contributions from Asy Saavedra, Sarah Jaffe, and Sensorimotor collaborators Vilja Larjosto and Benoît Pioulard. Lusine found his sound early on, but he’s never stopped pushing and pulling at its potential, patiently deconstructing the distractions and solving the puzzles. With Long Light, a laser-focused, process-driven artist reaches an exceptionally satisfying level of clarity and immediacy. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcIlwain sees the title, taken from the lyrical phrase \"long light signaling the fall again,” written by Benoît Pioulard for what became the title track, as a guiding device that reflects\u003cspan class=\"bcTruncateMore\"\u003e several meanings. “There’s this sort of paranoia where you don't know what is real, it's an age of high anxiety and there are all these distractions,” McIlwain explains. “It's like a fun house mirror situation.” Following the long light is the only true way through, and he holds that metaphor to the album’s recording, which also carried a cyclical nature akin to seasons. Like the start of fall, the album completes a period of cultivation; “Music making is a struggle and you have to have a ton of patience.” Long Light is proof that what lies beyond the noise, at the end of the figurative tunnel, is worth all the work it’s taken to get there. \u003cbr\u003e\u003cbr\u003eAcross the collection, McIlwain identifies the core sonic element, a vocal cut or a simple beat sequence, from which to build everything else off. On the opener “Come And Go,” he multiplies a vocal take from longtime collaborator Vilja Larjosto into a celestial choir, evoking their Sensorimotor standout “Just A Cloud.” It’s the bass hook on the single “Zero to Sixty,” curving around the voice of Sarah Jaffe, whose pliable range and cool delivery provide the source for Lusine’s unmistakable mapping. The chorus is Jaffe’s (“cold-blooded”) line repeated in step with melodic synth pulses and the buzzing deep bass. For the verse, McIlwain unlocks the loop and she completes the thought, giving the track a sense of tension and relief.\u003cbr\u003e\u003cbr\u003e“I feel like I am dreaming \/ You make me feel like I am walking on a cloud \/ I don’t ever want to feel the ground,” sings Asy Saavedra (of Chaos Chaos) on “Dreaming.” This time McIlwain keeps the phrase intact, making subtle tweaks to the timbre and texture as chimes, clinks, and snaps oscillate.\u003cbr\u003e\u003cbr\u003eThe album balances vocal pop motifs with some of Lusine’s strongest instrumental expressions, from ambient-minded foreshadowing (“Faceless,” “Plateau,” “Rafters”) to hypnotic head-nodders like “Cut and Cover” and “Transonic.” The latter jumps out as the rhythmic centerpiece; first McIlwain outlines the track’s silhouette before filling in its details one layer at a time. Stuttering synth hums join the kick, then proliferate a step higher, harmonizing at the peak with sparkled bell sounds and a burst of feedback. \u003cbr\u003e\u003cbr\u003e“Long Light” has it all: Lusine’s percussive mood-building, rendered with samples from drummer Trent Moorman, and a contortion of tender poetry, courtesy of friend Thomas Meluch, aka Benoît Pioulard (Morr Music, Kranky). “This track has a sort of melody that I haven’t really messed with before,” says McIlwain. “It’s this very droney, mysterious thing, that I really liked, and focused on, and kind of counter balanced with a nasty wavetable patch. Tom just absolutely nailed the feel of the song.”\u003cbr\u003e\u003cbr\u003eIt is rare to arrive at a landmark work two decades into one’s craft, but through repetition, refinement, and patience, Lusine extends a defining moment, an essential piece to his discography.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lusine\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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アメリカ・シアトルのIDM作家Lusineが、2023年9月に同国Ghostly Internationalからリリースしたレコードです。 ドリーミーなエレクトロニック・ポップ〜IDM9曲を収録。マーブル盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira. ----------------------...
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![Brijean // Angelo LP [COLOR]](http://tobirarecords.com/cdn/shop/products/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0_medium.jpg?v=1680144953)
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{"id":7946469507322,"title":"Brijean \/\/ Angelo LP [COLOR]","handle":"brijean-angelo-lp-color","description":"\u003cp\u003eアメリカ・LAのエレクトロニック・ポップデュオBrijeanが、2023年3月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディスコハウス・ポップ9曲を収録。ピンクブルー盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3201079726\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ePressed on 12\" pink and blue vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist\/singer Brijean Murphy and multi-instrumentalist\/producer Doug Stuart processing the impossible the only way they know how: through rhythm and movement. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy’s father and both of Stuart’s parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo’s sessions presented Murphy and Stuart a chance to record at their most intimate, “to get us out of our grief and into our bodies,” says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal — a resourceful, collective answer to “what\u003cspan class=\"bcTruncateMore\"\u003e happens now?”\u003cbr\u003e\u003cbr\u003eAngelo the car is a 1981 Toyota Celica they got off Craigslist during their first stint in Los Angeles, where Murphy and Stuart have since settled. “Such a bro-y, ‘80s dude car, it’s been super fun to drive around in a new town,” Murphy says. “He’s older than us, he’s a classic, he’s got a story.” It is a spiritual vehicle with a cinematic appeal, first dropping them off in an alleyway for the scene-setting intro, “Which Way To The Club.” The question is quickly resolved by “Take A Trip” as a cruising bassline mingles with crowd sounds, hand-claps, cuíca hiccups, whip-cracks, even a horse neigh. Brijean have found some club on this cross-dimensional trip — the kind of imagined space or chamber within one’s self capable of “shifting a fraction of who you are,” says Murphy. They wrote the track with the simple intention to be “as free as we could be,” adds Stuart, likening the flip on the B section to a realm unlocked: ”What if the world changed completely? You open the door to a new room.”\u003cbr\u003e\u003cbr\u003eNext is \"Shy Guy,\" a motivational anthem for the wallflowers among us. Murphy sets up the daydream: “We are in junior high, we’re on the dance floor, what’s going down, who is dancing, who is not, how are we gonna make them dance?” The narrator, the MC, hypes up the room as conga-driven rhythms bounce between languid synth and guitar lines. “Show me how to move…I feel something…I know you feel it too,” Murphy sings sweetly, calling back to the opening lines of Feelings, and this time the audience chants it back. It is easy to picture Brijean performing this one — something they only got to do a handful of times until more recently, opening shows for Khruangbin and Washed Out, an experience they found informative. Murphy explains, “It was inspiring to be out there and let loose more. To see how people can expand their expression on stage gave me more liberty with how I viewed my musicianship. My role for so long was to be a backup percussionist, so why would I ever leave the drums, you know? But then after playing all these runs, you see these artists and realize you can, you have permission.”\u003cbr\u003e\u003cbr\u003e“Angelo” and \"Ooo La La\" deliver the danciest stretch in Brijean’s catalog to date. The title track adopts a deep house pulse replete with strings, hi-hats, and kicks. The latter opts for a funkier groove that foregoes verses in favor of warbled hums and extended breakdowns. What follows is perhaps the duo’s dreamiest run, a comedown initiated with the honey-hued interlude “Colors” drifting into “Where Do We Go?”, a tropicália reverie where Murphy contemplates the passage of time and space.\u003cbr\u003e\u0026amp;nbsp;\u003cbr\u003eIt all culminates in \"Caldwell's Way,\" a fond farewell to their Bay Area community — “a part of my life that I knew couldn’t come back,” says Murphy. Above shimmering organ sounds, lush strings, and the birdcall of their former neighborhood, she wistfully articulates the uncertainty of moving on by remembering the characters dear to them. There’s the wisdom of their neighbor, Santos, who refused payment when helping them move out: “I’d rather have 100 friends than 100 dollars.” And the song’s namesake, Benjamin Caldwell Brown, a friend and club night cohort for many years. “I’m only miles away, maybe I’m just feeling lonely,” the line resigns to warm nostalgia, and “Nostalgia” runs the closing credits to this healing and transportive collection.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brijean\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e","published_at":"2023-03-30T13:25:21+09:00","created_at":"2023-03-30T11:55:51+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","ghostly international","house","lp","new"],"price":2100,"price_min":2100,"price_max":2100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134936674554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Brijean \/\/ Angelo LP [COLOR]","public_title":null,"options":["Default Title"],"price":2100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_70ae1654-778b-4a18-aa6c-c390df05b388.jpg?v=1680144953"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953","options":["Title"],"media":[{"alt":null,"id":31752852275450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953","width":700},{"alt":null,"id":31752852308218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_70ae1654-778b-4a18-aa6c-c390df05b388.jpg?v=1680144953"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_70ae1654-778b-4a18-aa6c-c390df05b388.jpg?v=1680144953","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのエレクトロニック・ポップデュオBrijeanが、2023年3月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディスコハウス・ポップ9曲を収録。ピンクブルー盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3201079726\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ePressed on 12\" pink and blue vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist\/singer Brijean Murphy and multi-instrumentalist\/producer Doug Stuart processing the impossible the only way they know how: through rhythm and movement. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy’s father and both of Stuart’s parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo’s sessions presented Murphy and Stuart a chance to record at their most intimate, “to get us out of our grief and into our bodies,” says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal — a resourceful, collective answer to “what\u003cspan class=\"bcTruncateMore\"\u003e happens now?”\u003cbr\u003e\u003cbr\u003eAngelo the car is a 1981 Toyota Celica they got off Craigslist during their first stint in Los Angeles, where Murphy and Stuart have since settled. “Such a bro-y, ‘80s dude car, it’s been super fun to drive around in a new town,” Murphy says. “He’s older than us, he’s a classic, he’s got a story.” It is a spiritual vehicle with a cinematic appeal, first dropping them off in an alleyway for the scene-setting intro, “Which Way To The Club.” The question is quickly resolved by “Take A Trip” as a cruising bassline mingles with crowd sounds, hand-claps, cuíca hiccups, whip-cracks, even a horse neigh. Brijean have found some club on this cross-dimensional trip — the kind of imagined space or chamber within one’s self capable of “shifting a fraction of who you are,” says Murphy. They wrote the track with the simple intention to be “as free as we could be,” adds Stuart, likening the flip on the B section to a realm unlocked: ”What if the world changed completely? You open the door to a new room.”\u003cbr\u003e\u003cbr\u003eNext is \"Shy Guy,\" a motivational anthem for the wallflowers among us. Murphy sets up the daydream: “We are in junior high, we’re on the dance floor, what’s going down, who is dancing, who is not, how are we gonna make them dance?” The narrator, the MC, hypes up the room as conga-driven rhythms bounce between languid synth and guitar lines. “Show me how to move…I feel something…I know you feel it too,” Murphy sings sweetly, calling back to the opening lines of Feelings, and this time the audience chants it back. It is easy to picture Brijean performing this one — something they only got to do a handful of times until more recently, opening shows for Khruangbin and Washed Out, an experience they found informative. Murphy explains, “It was inspiring to be out there and let loose more. To see how people can expand their expression on stage gave me more liberty with how I viewed my musicianship. My role for so long was to be a backup percussionist, so why would I ever leave the drums, you know? But then after playing all these runs, you see these artists and realize you can, you have permission.”\u003cbr\u003e\u003cbr\u003e“Angelo” and \"Ooo La La\" deliver the danciest stretch in Brijean’s catalog to date. The title track adopts a deep house pulse replete with strings, hi-hats, and kicks. The latter opts for a funkier groove that foregoes verses in favor of warbled hums and extended breakdowns. What follows is perhaps the duo’s dreamiest run, a comedown initiated with the honey-hued interlude “Colors” drifting into “Where Do We Go?”, a tropicália reverie where Murphy contemplates the passage of time and space.\u003cbr\u003e\u0026amp;nbsp;\u003cbr\u003eIt all culminates in \"Caldwell's Way,\" a fond farewell to their Bay Area community — “a part of my life that I knew couldn’t come back,” says Murphy. Above shimmering organ sounds, lush strings, and the birdcall of their former neighborhood, she wistfully articulates the uncertainty of moving on by remembering the characters dear to them. There’s the wisdom of their neighbor, Santos, who refused payment when helping them move out: “I’d rather have 100 friends than 100 dollars.” And the song’s namesake, Benjamin Caldwell Brown, a friend and club night cohort for many years. “I’m only miles away, maybe I’m just feeling lonely,” the line resigns to warm nostalgia, and “Nostalgia” runs the closing credits to this healing and transportive collection.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brijean\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e"}
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アメリカ・LAのエレクトロニック・ポップデュオBrijeanが、2023年3月に同国Ghostly Internationalからリリースしたレコードです。 ディスコハウス・ポップ9曲を収録。ピンクブルー盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira. ----------------------...
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{"id":7921572479226,"title":"Khotin \/\/ Release Spirit LP [COLOR]","handle":"khotin-release-spirit-lp-color-1","description":"\u003cp\u003eカナダ・アルベルタのアンビエント・ハウス作家Khotinが、2023年2月にアメリカの\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e透明感のあるアンビエント・ハウス11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2855830944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCanadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014’s Hello World immersed him in the heart of Vancouver’s underground dance scene, and sometimes it follows, like 2018’s Beautiful You, a downtempo salve for DJ fatigue. His melodic sensibility and playful ear for atmosphere remain the rippling core of the project’s fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Edmonton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft — the tone, pacing, and dynamism of new material — arriving at a definitive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin’s dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he’s never sounded better doing it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album title borrows from the “release spirit” mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go-around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds — including the classic Casio SK-1 presets he’s used since the start — mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. “I think it’s my best sounding record to date.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe begin on “HV Road” or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia’s Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin’s most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of “Lovely,” a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bubbling atmosphere and absurdity of “3 pz” offer a cosmic\/comic interlude and also speak to reflections on his family’s move to Canada two generations ago, and the audio tutorials they used to learn English. “I can only imagine my grandparents repeating some of the bizarre phrases.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fountain, Growth” finds Khotin in collaboration with Montreal’s Tess Roby (Dawn to Dawn) for the project’s first-ever vocal track. Roby’s soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of “Life Mask” and seamlessly reaching “Unlimited \u0026lt;3.” The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of “Techno Creep,” a hyperactive REM state before the digitized ambient sprawl of “My Same Size.” In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded “Sound Gathering Trip” to soundtrack a genre of YouTube videos he’s taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin’s project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Galcher Lustwerk\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2023-02-20T14:01:23+09:00","created_at":"2023-02-20T14:01:23+09:00","vendor":"Tobira Records","type":"","tags":["ghostly international","house","lp","new"],"price":2100,"price_min":2100,"price_max":2300,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44007317045498,"title":"PINK","option1":"PINK","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Khotin \/\/ Release Spirit LP [COLOR] - PINK","public_title":"PINK","options":["PINK"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44007317078266,"title":"BLACK","option1":"BLACK","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Khotin \/\/ Release Spirit LP [COLOR] - BLACK","public_title":"BLACK","options":["BLACK"],"price":2100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16_2470666a-7f5c-4eff-a143-b167e4a961cc.jpg?v=1676869321","\/\/tobirarecords.com\/cdn\/shop\/products\/0030610765_10.jpg?v=1676869321","\/\/tobirarecords.com\/cdn\/shop\/products\/0030610752_10.jpg?v=1676869323"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16_2470666a-7f5c-4eff-a143-b167e4a961cc.jpg?v=1676869321","options":["COLOR"],"media":[{"alt":null,"id":31553886650618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16_2470666a-7f5c-4eff-a143-b167e4a961cc.jpg?v=1676869321"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16_2470666a-7f5c-4eff-a143-b167e4a961cc.jpg?v=1676869321","width":700},{"alt":null,"id":31553886683386,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030610765_10.jpg?v=1676869321"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030610765_10.jpg?v=1676869321","width":1200},{"alt":null,"id":31553886879994,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030610752_10.jpg?v=1676869323"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030610752_10.jpg?v=1676869323","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・アルベルタのアンビエント・ハウス作家Khotinが、2023年2月にアメリカの\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e透明感のあるアンビエント・ハウス11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2855830944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCanadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014’s Hello World immersed him in the heart of Vancouver’s underground dance scene, and sometimes it follows, like 2018’s Beautiful You, a downtempo salve for DJ fatigue. His melodic sensibility and playful ear for atmosphere remain the rippling core of the project’s fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Edmonton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft — the tone, pacing, and dynamism of new material — arriving at a definitive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin’s dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he’s never sounded better doing it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album title borrows from the “release spirit” mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go-around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds — including the classic Casio SK-1 presets he’s used since the start — mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. “I think it’s my best sounding record to date.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe begin on “HV Road” or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia’s Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin’s most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of “Lovely,” a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bubbling atmosphere and absurdity of “3 pz” offer a cosmic\/comic interlude and also speak to reflections on his family’s move to Canada two generations ago, and the audio tutorials they used to learn English. “I can only imagine my grandparents repeating some of the bizarre phrases.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fountain, Growth” finds Khotin in collaboration with Montreal’s Tess Roby (Dawn to Dawn) for the project’s first-ever vocal track. Roby’s soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of “Life Mask” and seamlessly reaching “Unlimited \u0026lt;3.” The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of “Techno Creep,” a hyperactive REM state before the digitized ambient sprawl of “My Same Size.” In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded “Sound Gathering Trip” to soundtrack a genre of YouTube videos he’s taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin’s project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Galcher Lustwerk\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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カナダ・アルベルタのアンビエント・ハウス作家Khotinが、2023年2月にアメリカのGhostly Internationalからリリースしたレコードです。 透明感のあるアンビエント・ハウス11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira. ----------------------...
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![Galcher Lustwerk // 100% GALCHER 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/products/ga1_7dcde79a-afb1-4b34-b01f-dc6c859b8085_medium.jpg?v=1669099292)
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{"id":7845870928122,"title":"Galcher Lustwerk \/\/ 100% GALCHER 2xLP [COLOR]","handle":"galu100","description":"\u003cp\u003eアメリカ・NYのハウス作家Galcher Lustwerkが、2022年12月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースする2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e元々は2013年にデジタルのみでリリースしていた自身の楽曲のみで構成したミックス作品です。ディープハウス10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3974626142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, \"100% GALCHER laid out a louche, lysergic and resolutely black take on deep house.\" Pitchfork remembers the music's immediate impact: \"It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin.\" Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: \"My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying.\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. \"Some days I felt like a token, other days I felt invisible.\" At night, he and his friends were carving out their own space, throwing parties in small basements, office buildings, and off-beat karaoke bars in Manhattan, influenced by series such as Mr. Sunday Night in Gowanus and The Bunker at Public Assembly. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lifestyle started to bleed into Lustwerk's musical vision. He remembers the night it clicked in Providence, partying and listening to tunes with Morgan Louis and Alvin Aronson. He went back to New York and pieced together his bedroom setup: a Dave Smith Tempest drum machine, a Waldorf Blofeld synthesizer, and a TEAC cassette recorder. The first sessions were loose. “I wanted to feel like you were tripping, maybe having a bit of heatstroke, or dehydration. Your body feels detached, your jaw clenched. People become furniture. Light becomes the main character, surfaces show their age in real-time. Wabi-sabi shit.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarly snippets went straight to SoundCloud, where Lustwerk tested the crowd. \"I was able to generate moods quickly now, a pad crying like a dozen detuned french horns. Frequency dithering towards red. An 808 comes to the forefront.\" Comments and messages offered instant feedback. One DM proved to be the greenlight: from Matthew Kent, an invitation to his burgeoning mix series Blowing Up The Workshop. \"In his straightforwardness + my willingness at the time to take the opportunity for what it's worth, I decided to go for broke and finish a lil mix, sort of like a rap mixtape you'd find off Datpiff.com.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% GALCHER traveled fast and far. A phenomenon he could only enjoy for a short period before discovering that nearly all the masters of the tracks got wiped by water damage to his computer. \"The only copies were now on the 192kbs mp3 mix I sent Matt.\" Until now, after Lustwerk revived the lost tracks and handed them to Josh Bonati for remastering. \"The original mix was never mastered so I hope older fans can find something new here.\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHearing the enhanced set for the first time delineated by tracklist reveals this was a proper album all along. Sly synth interludes (all titled \"Stem\") clear the air for raspy house anthems like “Fifty” and \"Parlay,\" the set's original breakout. Themes present across Lustwerk's catalog first materialize in this iconic run — the link between the meditative state of Midwest driving and the solitary comedowns of nightlife. Lustwerk, the narrator, is an elusive character, a secret agent of the club, embodied by the hooks: \"One minute I'm on \/ next minute I'm gone,\" he reminds us on cult-favorite \"Put On.\" These narcotic, one-line refrains stick with you; look no further than the original YouTube upload of \"Kaint\" to know that fans can’t let these phrases go. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile recorded alone, 100% GALCHER was a collective moment. A decade later, Lustwerk sees the legacy as shared: \"Making music can be an alienating experience, especially for DJs who travel a lot, it's all super isolating. It's easy to express loneliness in the music itself, but when it comes down to getting things done, putting music out, you def should go on that journey w other people, friends, or maybe just a group of people online, build things with your friends then they can build to help you.\"\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Galcher Lustwerk\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2022-11-22T17:32:56+09:00","created_at":"2022-11-22T15:41:31+09:00","vendor":"Tobira Records","type":"","tags":["ghostly international","house","lp","new"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43672851022074,"title":"Milky Grey","option1":"Milky Grey","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38453803188474,"product_id":7845870928122,"position":2,"created_at":"2022-11-22T15:41:31+09:00","updated_at":"2022-11-22T15:41:32+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_3146389d-06f5-41a5-871f-9f1134423bfa.jpg?v=1669099292","variant_ids":[43672851022074]},"available":true,"name":"Galcher Lustwerk \/\/ 100% GALCHER 2xLP [COLOR] - Milky Grey","public_title":"Milky Grey","options":["Milky Grey"],"price":2500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31050119381242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_3146389d-06f5-41a5-871f-9f1134423bfa.jpg?v=1669099292"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43672851054842,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38453803155706,"product_id":7845870928122,"position":3,"created_at":"2022-11-22T15:41:31+09:00","updated_at":"2022-11-22T15:41:32+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga3_cf13ad43-3002-4232-998a-991ee4aa9273.jpg?v=1669099292","variant_ids":[43672851054842]},"available":true,"name":"Galcher Lustwerk \/\/ 100% GALCHER 2xLP [COLOR] - Black","public_title":"Black","options":["Black"],"price":2500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31050119414010,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga3_cf13ad43-3002-4232-998a-991ee4aa9273.jpg?v=1669099292"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_7dcde79a-afb1-4b34-b01f-dc6c859b8085.jpg?v=1669099292","\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_3146389d-06f5-41a5-871f-9f1134423bfa.jpg?v=1669099292","\/\/tobirarecords.com\/cdn\/shop\/products\/ga3_cf13ad43-3002-4232-998a-991ee4aa9273.jpg?v=1669099292"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_7dcde79a-afb1-4b34-b01f-dc6c859b8085.jpg?v=1669099292","options":["Color"],"media":[{"alt":null,"id":31050119348474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_7dcde79a-afb1-4b34-b01f-dc6c859b8085.jpg?v=1669099292"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga1_7dcde79a-afb1-4b34-b01f-dc6c859b8085.jpg?v=1669099292","width":700},{"alt":null,"id":31050119381242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_3146389d-06f5-41a5-871f-9f1134423bfa.jpg?v=1669099292"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga2_3146389d-06f5-41a5-871f-9f1134423bfa.jpg?v=1669099292","width":1200},{"alt":null,"id":31050119414010,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga3_cf13ad43-3002-4232-998a-991ee4aa9273.jpg?v=1669099292"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ga3_cf13ad43-3002-4232-998a-991ee4aa9273.jpg?v=1669099292","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのハウス作家Galcher Lustwerkが、2022年12月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースする2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e元々は2013年にデジタルのみでリリースしていた自身の楽曲のみで構成したミックス作品です。ディープハウス10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3974626142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, \"100% GALCHER laid out a louche, lysergic and resolutely black take on deep house.\" Pitchfork remembers the music's immediate impact: \"It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin.\" Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: \"My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying.\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. \"Some days I felt like a token, other days I felt invisible.\" At night, he and his friends were carving out their own space, throwing parties in small basements, office buildings, and off-beat karaoke bars in Manhattan, influenced by series such as Mr. Sunday Night in Gowanus and The Bunker at Public Assembly. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lifestyle started to bleed into Lustwerk's musical vision. He remembers the night it clicked in Providence, partying and listening to tunes with Morgan Louis and Alvin Aronson. He went back to New York and pieced together his bedroom setup: a Dave Smith Tempest drum machine, a Waldorf Blofeld synthesizer, and a TEAC cassette recorder. The first sessions were loose. “I wanted to feel like you were tripping, maybe having a bit of heatstroke, or dehydration. Your body feels detached, your jaw clenched. People become furniture. Light becomes the main character, surfaces show their age in real-time. Wabi-sabi shit.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarly snippets went straight to SoundCloud, where Lustwerk tested the crowd. \"I was able to generate moods quickly now, a pad crying like a dozen detuned french horns. Frequency dithering towards red. An 808 comes to the forefront.\" Comments and messages offered instant feedback. One DM proved to be the greenlight: from Matthew Kent, an invitation to his burgeoning mix series Blowing Up The Workshop. \"In his straightforwardness + my willingness at the time to take the opportunity for what it's worth, I decided to go for broke and finish a lil mix, sort of like a rap mixtape you'd find off Datpiff.com.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100% GALCHER traveled fast and far. A phenomenon he could only enjoy for a short period before discovering that nearly all the masters of the tracks got wiped by water damage to his computer. \"The only copies were now on the 192kbs mp3 mix I sent Matt.\" Until now, after Lustwerk revived the lost tracks and handed them to Josh Bonati for remastering. \"The original mix was never mastered so I hope older fans can find something new here.\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHearing the enhanced set for the first time delineated by tracklist reveals this was a proper album all along. Sly synth interludes (all titled \"Stem\") clear the air for raspy house anthems like “Fifty” and \"Parlay,\" the set's original breakout. Themes present across Lustwerk's catalog first materialize in this iconic run — the link between the meditative state of Midwest driving and the solitary comedowns of nightlife. Lustwerk, the narrator, is an elusive character, a secret agent of the club, embodied by the hooks: \"One minute I'm on \/ next minute I'm gone,\" he reminds us on cult-favorite \"Put On.\" These narcotic, one-line refrains stick with you; look no further than the original YouTube upload of \"Kaint\" to know that fans can’t let these phrases go. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile recorded alone, 100% GALCHER was a collective moment. A decade later, Lustwerk sees the legacy as shared: \"Making music can be an alienating experience, especially for DJs who travel a lot, it's all super isolating. It's easy to express loneliness in the music itself, but when it comes down to getting things done, putting music out, you def should go on that journey w other people, friends, or maybe just a group of people online, build things with your friends then they can build to help you.\"\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Galcher Lustwerk\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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アメリカ・NYのハウス作家Galcher Lustwerkが、2022年12月に同国Ghostly Internationalからリリースする2枚組レコードです。 元々は2013年にデジタルのみでリリースしていた自身の楽曲のみで構成したミックス作品です。ディープハウス10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira....
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![Mary Lattimore // Goodbye, Hotel Arkada LP [COLOR / BLACK]](http://tobirarecords.com/cdn/shop/files/goo1_27e15986-1070-4572-b641-677b7d2fe0fe_medium.jpg?v=1696060849)
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{"id":8026335445242,"title":"Mary Lattimore \/\/ Goodbye, Hotel Arkada LP [COLOR \/ BLACK]","handle":"mary-lattimore-goodbye-hotel-arkada-lp-color-black","description":"\u003cp\u003eアメリカ・LAのハープ奏者Mary Lattimoreが、2023年10月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eネオクラシカル・アンビエント6曲を収録。マーブル群青盤と黒盤からお選びください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dX1POfQ7gSo?si=lD7oZZVAKOyjD2Xl\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BHPHZIrX4SA?si=h2Smgx6yrrowDEfE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" 'inkwell' (blue + black) vinyl or 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnd Then He Wrapped His Wings Around Me (feat. Meg Baird and Walt McClements) 05:23\u003c\/li\u003e\n\u003cli\u003eArrivederci (feat. Lol Tolhurst)\u003c\/li\u003e\n\u003cli\u003eBlender in a Blender (feat. Roy Montgomery\u003c\/li\u003e\n\u003cli\u003eMusic for Applying Shimmering Eye Shadow\u003c\/li\u003e\n\u003cli\u003eHorses, Glossy on the Hill 07:09\u003c\/li\u003e\n\u003cli\u003eYesterday's Parties (feat. Rachel Goswell and Samara Lubelski)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Ghostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThrough evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“When I think of these songs, I think about fading flowers in vases, melted candles, getting older, being on tour and having things change while you're away, not realizing how ephemeral experiences are until they don't happen anymore, fear for a planet we're losing because of greed, an ode to art and music that's really shaped your\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e life that can transport you back in time, longing to maintain sensitivity and to not sink into hollow despondency.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMemories, scenes, and split-second impressions have long filled Lattimore’s musical universe. As one of today’s preeminent instrumental storytellers, she has “the uncanny ability to pluck a string in a way that will instantly make someone remember the taste of their fifth birthday cake,\" writes Pitchfork's Jemima Skala. Lattimore's impulse to record life as it happens matches her drive to travel and perform, as profiled by Grayson Haver Currin for The New York Times: \"Lattimore recognized that being in motion shook loose strands of inspiration, moods she wanted to express with melody. She needed, then, to remain on the go.\" That sense of fluidity has also made her a prolific collaborator outside of solo work. 2020's Silver Ladders, recorded with Slowdive's Neil Halstead, opened the door for Lattimore to widen the vision of her primary project as well, and its proper follow-up is the natural next scale. '\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAll of these people I asked to contribute have deeply affected and inspired my life.'...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mary Lattimore\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e","published_at":"2023-10-01T19:12:39+09:00","created_at":"2023-09-30T17:00:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ghostly international","lp","neo classical","new"],"price":2300,"price_min":2300,"price_max":2300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44594833948922,"title":"COLOR LP","option1":"COLOR LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39877280530682,"product_id":8026335445242,"position":2,"created_at":"2023-09-30T17:00:47+09:00","updated_at":"2023-09-30T17:00:50+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850","variant_ids":[44594833948922]},"available":false,"name":"Mary Lattimore \/\/ Goodbye, Hotel Arkada LP [COLOR \/ BLACK] - COLOR LP","public_title":"COLOR LP","options":["COLOR LP"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32512772702458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44594834014458,"title":"BLACK LP","option1":"BLACK LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39877280465146,"product_id":8026335445242,"position":3,"created_at":"2023-09-30T17:00:48+09:00","updated_at":"2023-09-30T17:00:50+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850","variant_ids":[44594834014458]},"available":false,"name":"Mary Lattimore \/\/ Goodbye, Hotel Arkada LP [COLOR \/ BLACK] - BLACK LP","public_title":"BLACK LP","options":["BLACK LP"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32512772735226,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849","\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850","\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849","options":["Color"],"media":[{"alt":null,"id":32512772669690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_27e15986-1070-4572-b641-677b7d2fe0fe.jpg?v=1696060849","width":700},{"alt":null,"id":32512772702458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_6dffdf49-1a17-4f99-a833-5f6dca253df2.jpg?v=1696060850","width":1200},{"alt":null,"id":32512772735226,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3.jpg?v=1696060850","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのハープ奏者Mary Lattimoreが、2023年10月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eネオクラシカル・アンビエント6曲を収録。マーブル群青盤と黒盤からお選びください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dX1POfQ7gSo?si=lD7oZZVAKOyjD2Xl\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BHPHZIrX4SA?si=h2Smgx6yrrowDEfE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" 'inkwell' (blue + black) vinyl or 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnd Then He Wrapped His Wings Around Me (feat. Meg Baird and Walt McClements) 05:23\u003c\/li\u003e\n\u003cli\u003eArrivederci (feat. Lol Tolhurst)\u003c\/li\u003e\n\u003cli\u003eBlender in a Blender (feat. Roy Montgomery\u003c\/li\u003e\n\u003cli\u003eMusic for Applying Shimmering Eye Shadow\u003c\/li\u003e\n\u003cli\u003eHorses, Glossy on the Hill 07:09\u003c\/li\u003e\n\u003cli\u003eYesterday's Parties (feat. Rachel Goswell and Samara Lubelski)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Ghostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThrough evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“When I think of these songs, I think about fading flowers in vases, melted candles, getting older, being on tour and having things change while you're away, not realizing how ephemeral experiences are until they don't happen anymore, fear for a planet we're losing because of greed, an ode to art and music that's really shaped your\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e life that can transport you back in time, longing to maintain sensitivity and to not sink into hollow despondency.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMemories, scenes, and split-second impressions have long filled Lattimore’s musical universe. As one of today’s preeminent instrumental storytellers, she has “the uncanny ability to pluck a string in a way that will instantly make someone remember the taste of their fifth birthday cake,\" writes Pitchfork's Jemima Skala. Lattimore's impulse to record life as it happens matches her drive to travel and perform, as profiled by Grayson Haver Currin for The New York Times: \"Lattimore recognized that being in motion shook loose strands of inspiration, moods she wanted to express with melody. She needed, then, to remain on the go.\" That sense of fluidity has also made her a prolific collaborator outside of solo work. 2020's Silver Ladders, recorded with Slowdive's Neil Halstead, opened the door for Lattimore to widen the vision of her primary project as well, and its proper follow-up is the natural next scale. '\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAll of these people I asked to contribute have deeply affected and inspired my life.'...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mary Lattimore\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e"}
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アメリカ・LAのハープ奏者Mary Lattimoreが、2023年10月に同国Ghostly Internationalからリリースしたレコードです。 ネオクラシカル・アンビエント6曲を収録。マーブル群青盤と黒盤からお選びください。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira....
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![Emeralds // Does It Look Like I'm Here? (Expanded Remaster) 2xLP [COLOR / BLACK]](http://tobirarecords.com/cdn/shop/files/em1_7fa8982e-31f2-4fb8-ace3-bb8f3bfdda71_medium.jpg?v=1693122609)
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{"id":8011725668602,"title":"Emeralds \/\/ Does It Look Like I'm Here? (Expanded Remaster) 2xLP [COLOR \/ BLACK]","handle":"emeralds-does-it-look-like-im-here-expanded-remaster-2xlp-color-black","description":"\u003cp\u003eアメリカのアンビエントトリオEmeraldsが、2023年8月に同国老舗レーベルGhostly Internationalからリリースした再発2枚組レコードです。（オリジナルは2010年リリース）\u003c\/p\u003e\n\u003cp\u003eサイケデリックでスペーシーなシンセアンビエント〜クラウトアンビエント19曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649541475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black or 12\" 'ectoplasm' multicolor vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCandy Shoppe 04:43\u003c\/li\u003e\n\u003cli\u003eThe Cycle Of Abuse 04:57\u003c\/li\u003e\n\u003cli\u003eDouble Helix 03:01\u003c\/li\u003e\n\u003cli\u003eScience Center 04:37\u003c\/li\u003e\n\u003cli\u003eGenetic 12:06\u003c\/li\u003e\n\u003cli\u003eGoes By 04:10\u003c\/li\u003e\n\u003cli\u003eDoes It Look Like I'm Here? 07:27\u003c\/li\u003e\n\u003cli\u003eSummerdata 04:47\u003c\/li\u003e\n\u003cli\u003eShade 04:25\u003c\/li\u003e\n\u003cli\u003eIt Doesn't Arrive 03:33\u003c\/li\u003e\n\u003cli\u003eNow You See Me 03:37\u003c\/li\u003e\n\u003cli\u003eAccess Granted 04:04\u003c\/li\u003e\n\u003cli\u003eEscape Wheel 06:42\u003c\/li\u003e\n\u003cli\u003eAugust (Extended) 08:08\u003c\/li\u003e\n\u003cli\u003eIn Love 03:40\u003c\/li\u003e\n\u003cli\u003eLake Effect 03:19\u003c\/li\u003e\n\u003cli\u003eGenetic (Rehearsal) 28:46\u003c\/li\u003e\n\u003cli\u003eDoes It Look Like I'm Here? (Daphni Mix 1) 08:29\u003c\/li\u003e\n\u003cli\u003eDoes It Look Like I'm Here? (Daphni Mix 2) 06:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the late 2000s a sprawling catalog of what is now genre-defining music was emanating from an unlikely place. Cleveland, Ohio has a broad reputation for many things, but in the aughts, psyche-expanding Kosmische wasn’t necessarily Cleveland’s calling card… until Emeralds. The trio of John Elliott, Steve Hauschildt, and Mark McGuire had released a profusion of limited-run cassettes, CD-Rs, and vinyl titles that had been passed around basement shows and then migrated to niche music communities online, creating a unique kind of murmur, even in the height of the DIY blog era. Three kids from the rust belt were crafting a distinctive and truly far-out strain of music on their own terms in the Midwest. They were flipping lids in wood-paneled basements and circulating around the underground with soaring sounds stylistically indebted to deep German electronic music pioneers and released with the ethos and twisted fervor of renegade Midwestern noise freaks. After several releases garnered a die-hard fandom in niche circles of internet\/music culture, and then catching the attention of the late Peter Rehberg, the renowned artist and curator of the Editions Mego label, an expectation was set that the next Emeralds record was going to be a big one. And in 2010, Does it Look Like I’m Here?\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e was it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtistically, the album is a definitive statement; this is to say it was crafted by heads for heads, a genuine article and a profoundly deep listen, but the mainstream dove in too. Pitchfork acknowledged the rarefied nature of the album’s electricity with a “best new music” rating. This crossover success is a result of the tracks' potency and wonderfully engineered and succinct structures. It’s dialed in. Still creating their distinct yawning cosmic sound, Elliott and Hauschildt shower the stereo spectrum with shimmering arpeggios, dusty, melodically dynamic swells, rippling FM textures, and canyon-wide waveshapes. McGuire’s signature guitar playing echoes emotive new age pathos and cascading astral space rock trance states. Their previous albums found many tracks hovering past the ten-minute mark, but these new songs were short, potent. “Candy Shoppe” opens the album with polished elegance; Emeralds’ throbbing synthetic sound made bite-sized, an incandescent morsel wrapped in waxed paper. On “Goes By” the languid electric guitar strums and swooning synth pads peel apart into enveloping sheets of synth gargling and soaring leads. Both tracks are entire worlds kept neatly under five minutes. If previous albums like Solar Bridge and What Happened were lysergic sprawls, Does It Look Like I’m Here? presents itself as a tin holding a series of psychonautic blasts. This is all to say, the album lived up to the hype.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA twelve-song expedition across a dusty and shimmering dreamscape, Does It Look Like I’m Here?, with its iconic cover presenting the aesthetic, was a radiant tube tv left humming, collecting space-dust in a darkened room, grandma’s vase filled with oil-dinged polypropylene flowers. The album seems aware of the cultural flood\/void that the internet was then and would only further create, and yet there is a beauty here, an embracing of the past, both authentically and through a kind of tripped-out kitsch, as a way to find a new ecstatic present. Hallowed pioneers – think Tangerine Dream, Ash Ra Temple, Kraftwerk, Can – had felt legendarily out of reach across time and culture; a star-pocked thing of the distant misty past. Emeralds took that \u003cbr data-mce-fragment=\"1\"\u003esound and made it contemporary, made it punk, made it American-outsider. Thus, an entire wave of American DIY ambient music was heralded into mid-if-not-mainstream attention; Emeralds, and the acts that followed their lead after, permitted the noise community to embrace more melody and structure, and too invited the quasi-academic world of deep ambient to become crusty and home-spun. DIY venues would suddenly need to make space between droves of scuzzy indie acts or punishing no-input mixer debacles so the ambient zoners could astral project while Emeralds, or groups following Emeralds’ lead, created soundscapes on piles of synths and pedals. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListening to it now, 13 years after its original release on Editions Mego, the album sounds however timeless, still immediate. There is a wide-pupiled and cotton-mouthed awe sewn into these radiant folds of sound; for those newly into this sort of thing, let this reissue serve as an initiation, a history lesson, and a heroic dose. For those who’ve come up in the scene and have worn out their pirated mp3s of this album; they can finally get a fresh copy on vinyl. Does It Look Like I’m Here? became a hallmark that would carve a path for an entire scene. Ghostly International is thrilled to reissue the album, remastered by Heba Kadry, including 7 bonus tracks exclusive to the digital album and CD. The limited edition 2xLP includes extensive liner notes by Chris Madak (Bee Mask).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emeralds\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2023-08-27T18:31:26+09:00","created_at":"2023-08-27T16:50:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ghostly international","lp","new"],"price":2700,"price_min":2700,"price_max":2700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44522057171194,"title":"'Ectoplasm' multicolor vinyl","option1":"'Ectoplasm' multicolor vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39752529740026,"product_id":8011725668602,"position":2,"created_at":"2023-08-27T16:50:07+09:00","updated_at":"2023-08-27T16:50:09+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_e8ea75f0-aebf-4a49-bc01-5cde02e8dc6f.jpg?v=1693122609","variant_ids":[44522057171194]},"available":false,"name":"Emeralds \/\/ Does It Look Like I'm Here? (Expanded Remaster) 2xLP [COLOR \/ BLACK] - 'Ectoplasm' multicolor vinyl","public_title":"'Ectoplasm' multicolor vinyl","options":["'Ectoplasm' multicolor vinyl"],"price":2700,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32379412578554,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_e8ea75f0-aebf-4a49-bc01-5cde02e8dc6f.jpg?v=1693122609"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44522057203962,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39752529805562,"product_id":8011725668602,"position":3,"created_at":"2023-08-27T16:50:07+09:00","updated_at":"2023-08-27T16:50:10+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec3_d3bc0c4d-21b4-4b5c-abe1-33fe4cb4a910.jpg?v=1693122610","variant_ids":[44522057203962]},"available":false,"name":"Emeralds \/\/ Does It Look Like I'm Here? (Expanded Remaster) 2xLP [COLOR \/ BLACK] - Black","public_title":"Black","options":["Black"],"price":2700,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32379412611322,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec3_d3bc0c4d-21b4-4b5c-abe1-33fe4cb4a910.jpg?v=1693122610"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/em1_7fa8982e-31f2-4fb8-ace3-bb8f3bfdda71.jpg?v=1693122609","\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_e8ea75f0-aebf-4a49-bc01-5cde02e8dc6f.jpg?v=1693122609","\/\/tobirarecords.com\/cdn\/shop\/files\/ec3_d3bc0c4d-21b4-4b5c-abe1-33fe4cb4a910.jpg?v=1693122610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_7fa8982e-31f2-4fb8-ace3-bb8f3bfdda71.jpg?v=1693122609","options":["Color"],"media":[{"alt":null,"id":32379412545786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_7fa8982e-31f2-4fb8-ace3-bb8f3bfdda71.jpg?v=1693122609"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_7fa8982e-31f2-4fb8-ace3-bb8f3bfdda71.jpg?v=1693122609","width":700},{"alt":null,"id":32379412578554,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_e8ea75f0-aebf-4a49-bc01-5cde02e8dc6f.jpg?v=1693122609"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_e8ea75f0-aebf-4a49-bc01-5cde02e8dc6f.jpg?v=1693122609","width":1200},{"alt":null,"id":32379412611322,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec3_d3bc0c4d-21b4-4b5c-abe1-33fe4cb4a910.jpg?v=1693122610"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec3_d3bc0c4d-21b4-4b5c-abe1-33fe4cb4a910.jpg?v=1693122610","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエントトリオEmeraldsが、2023年8月に同国老舗レーベルGhostly Internationalからリリースした再発2枚組レコードです。（オリジナルは2010年リリース）\u003c\/p\u003e\n\u003cp\u003eサイケデリックでスペーシーなシンセアンビエント〜クラウトアンビエント19曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649541475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black or 12\" 'ectoplasm' multicolor vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCandy Shoppe 04:43\u003c\/li\u003e\n\u003cli\u003eThe Cycle Of Abuse 04:57\u003c\/li\u003e\n\u003cli\u003eDouble Helix 03:01\u003c\/li\u003e\n\u003cli\u003eScience Center 04:37\u003c\/li\u003e\n\u003cli\u003eGenetic 12:06\u003c\/li\u003e\n\u003cli\u003eGoes By 04:10\u003c\/li\u003e\n\u003cli\u003eDoes It Look Like I'm Here? 07:27\u003c\/li\u003e\n\u003cli\u003eSummerdata 04:47\u003c\/li\u003e\n\u003cli\u003eShade 04:25\u003c\/li\u003e\n\u003cli\u003eIt Doesn't Arrive 03:33\u003c\/li\u003e\n\u003cli\u003eNow You See Me 03:37\u003c\/li\u003e\n\u003cli\u003eAccess Granted 04:04\u003c\/li\u003e\n\u003cli\u003eEscape Wheel 06:42\u003c\/li\u003e\n\u003cli\u003eAugust (Extended) 08:08\u003c\/li\u003e\n\u003cli\u003eIn Love 03:40\u003c\/li\u003e\n\u003cli\u003eLake Effect 03:19\u003c\/li\u003e\n\u003cli\u003eGenetic (Rehearsal) 28:46\u003c\/li\u003e\n\u003cli\u003eDoes It Look Like I'm Here? (Daphni Mix 1) 08:29\u003c\/li\u003e\n\u003cli\u003eDoes It Look Like I'm Here? (Daphni Mix 2) 06:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the late 2000s a sprawling catalog of what is now genre-defining music was emanating from an unlikely place. Cleveland, Ohio has a broad reputation for many things, but in the aughts, psyche-expanding Kosmische wasn’t necessarily Cleveland’s calling card… until Emeralds. The trio of John Elliott, Steve Hauschildt, and Mark McGuire had released a profusion of limited-run cassettes, CD-Rs, and vinyl titles that had been passed around basement shows and then migrated to niche music communities online, creating a unique kind of murmur, even in the height of the DIY blog era. Three kids from the rust belt were crafting a distinctive and truly far-out strain of music on their own terms in the Midwest. They were flipping lids in wood-paneled basements and circulating around the underground with soaring sounds stylistically indebted to deep German electronic music pioneers and released with the ethos and twisted fervor of renegade Midwestern noise freaks. After several releases garnered a die-hard fandom in niche circles of internet\/music culture, and then catching the attention of the late Peter Rehberg, the renowned artist and curator of the Editions Mego label, an expectation was set that the next Emeralds record was going to be a big one. And in 2010, Does it Look Like I’m Here?\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e was it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtistically, the album is a definitive statement; this is to say it was crafted by heads for heads, a genuine article and a profoundly deep listen, but the mainstream dove in too. Pitchfork acknowledged the rarefied nature of the album’s electricity with a “best new music” rating. This crossover success is a result of the tracks' potency and wonderfully engineered and succinct structures. It’s dialed in. Still creating their distinct yawning cosmic sound, Elliott and Hauschildt shower the stereo spectrum with shimmering arpeggios, dusty, melodically dynamic swells, rippling FM textures, and canyon-wide waveshapes. McGuire’s signature guitar playing echoes emotive new age pathos and cascading astral space rock trance states. Their previous albums found many tracks hovering past the ten-minute mark, but these new songs were short, potent. “Candy Shoppe” opens the album with polished elegance; Emeralds’ throbbing synthetic sound made bite-sized, an incandescent morsel wrapped in waxed paper. On “Goes By” the languid electric guitar strums and swooning synth pads peel apart into enveloping sheets of synth gargling and soaring leads. Both tracks are entire worlds kept neatly under five minutes. If previous albums like Solar Bridge and What Happened were lysergic sprawls, Does It Look Like I’m Here? presents itself as a tin holding a series of psychonautic blasts. This is all to say, the album lived up to the hype.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA twelve-song expedition across a dusty and shimmering dreamscape, Does It Look Like I’m Here?, with its iconic cover presenting the aesthetic, was a radiant tube tv left humming, collecting space-dust in a darkened room, grandma’s vase filled with oil-dinged polypropylene flowers. The album seems aware of the cultural flood\/void that the internet was then and would only further create, and yet there is a beauty here, an embracing of the past, both authentically and through a kind of tripped-out kitsch, as a way to find a new ecstatic present. Hallowed pioneers – think Tangerine Dream, Ash Ra Temple, Kraftwerk, Can – had felt legendarily out of reach across time and culture; a star-pocked thing of the distant misty past. Emeralds took that \u003cbr data-mce-fragment=\"1\"\u003esound and made it contemporary, made it punk, made it American-outsider. Thus, an entire wave of American DIY ambient music was heralded into mid-if-not-mainstream attention; Emeralds, and the acts that followed their lead after, permitted the noise community to embrace more melody and structure, and too invited the quasi-academic world of deep ambient to become crusty and home-spun. DIY venues would suddenly need to make space between droves of scuzzy indie acts or punishing no-input mixer debacles so the ambient zoners could astral project while Emeralds, or groups following Emeralds’ lead, created soundscapes on piles of synths and pedals. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListening to it now, 13 years after its original release on Editions Mego, the album sounds however timeless, still immediate. There is a wide-pupiled and cotton-mouthed awe sewn into these radiant folds of sound; for those newly into this sort of thing, let this reissue serve as an initiation, a history lesson, and a heroic dose. For those who’ve come up in the scene and have worn out their pirated mp3s of this album; they can finally get a fresh copy on vinyl. Does It Look Like I’m Here? became a hallmark that would carve a path for an entire scene. Ghostly International is thrilled to reissue the album, remastered by Heba Kadry, including 7 bonus tracks exclusive to the digital album and CD. The limited edition 2xLP includes extensive liner notes by Chris Madak (Bee Mask).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emeralds\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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アメリカのアンビエントトリオEmeraldsが、2023年8月に同国老舗レーベルGhostly Internationalからリリースした再発2枚組レコードです。（オリジナルは2010年リリース） サイケデリックでスペーシーなシンセアンビエント〜クラウトアンビエント19曲を収録。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira. ----------------------...
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{"id":8000838664442,"title":"Helios \/\/ Espera LP [COLOR]","handle":"helios-espera-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※最終入荷です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・ポートランドのエレクトロニカ作家keith kenniff aka Heliosが、2023年8月に同国オールジャンルレーベルGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e生楽器とエレクトロニクスが程よくブレンドされたドリーミーなアンビエントIDM〜エレクトロニカ11曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/A4lnDTHMxh8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3604615246\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFainted Fog\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntertwine \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll The While\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvery Time\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eImpossible Valley\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLineoa \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Familiar Place\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLowland\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWell Within\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmeralds\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRounds\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist :Helios\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2023-08-01T18:22:03+09:00","created_at":"2023-08-01T18:22:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ghostly international","house","lp","neo classical","new"],"price":2300,"price_min":2300,"price_max":2500,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44410778386682,"title":"Beryl","option1":"Beryl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39668672233722,"product_id":8000838664442,"position":2,"created_at":"2023-08-01T18:23:19+09:00","updated_at":"2023-08-01T18:23:19+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726080_10.jpg?v=1690881799","variant_ids":[44410778386682]},"available":false,"name":"Helios \/\/ Espera LP [COLOR] - Beryl","public_title":"Beryl","options":["Beryl"],"price":2500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32287591235834,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726080_10.jpg?v=1690881799"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44410778419450,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":39668672856314,"product_id":8000838664442,"position":4,"created_at":"2023-08-01T18:28:23+09:00","updated_at":"2023-08-01T18:28:23+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726086_10.jpg?v=1690882103","variant_ids":[44410778419450]},"available":false,"name":"Helios \/\/ Espera LP [COLOR] - Black","public_title":"Black","options":["Black"],"price":2300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32287592087802,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726086_10.jpg?v=1690882103"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0939568497_16.jpg?v=1690881785","\/\/tobirarecords.com\/cdn\/shop\/products\/0032726080_10.jpg?v=1690881799","\/\/tobirarecords.com\/cdn\/shop\/files\/0032726084_10.jpg?v=1690882101","\/\/tobirarecords.com\/cdn\/shop\/products\/0032726086_10.jpg?v=1690882103","\/\/tobirarecords.com\/cdn\/shop\/files\/0032726088_10.jpg?v=1690882111"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0939568497_16.jpg?v=1690881785","options":["Color"],"media":[{"alt":null,"id":32287591170298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0939568497_16.jpg?v=1690881785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0939568497_16.jpg?v=1690881785","width":700},{"alt":null,"id":32287591235834,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726080_10.jpg?v=1690881799"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726080_10.jpg?v=1690881799","width":1200},{"alt":null,"id":32287592055034,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032726084_10.jpg?v=1690882101"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032726084_10.jpg?v=1690882101","width":1200},{"alt":null,"id":32287592087802,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726086_10.jpg?v=1690882103"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0032726086_10.jpg?v=1690882103","width":1200},{"alt":null,"id":32287592120570,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032726088_10.jpg?v=1690882111"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032726088_10.jpg?v=1690882111","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※最終入荷です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・ポートランドのエレクトロニカ作家keith kenniff aka Heliosが、2023年8月に同国オールジャンルレーベルGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e生楽器とエレクトロニクスが程よくブレンドされたドリーミーなアンビエントIDM〜エレクトロニカ11曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/A4lnDTHMxh8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3604615246\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFainted Fog\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntertwine \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll The While\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvery Time\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eImpossible Valley\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLineoa \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Familiar Place\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLowland\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWell Within\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmeralds\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRounds\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist :Helios\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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※最終入荷です アメリカ・ポートランドのエレクトロニカ作家keith kenniff aka Heliosが、2023年8月に同国オールジャンルレーベルGhostly Internationalからリリースしたレコードです。 生楽器とエレクトロニクスが程よくブレンドされたドリーミーなアンビエントIDM〜エレクトロニカ11曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases...
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{"id":7982935376122,"title":"quickly, quickly \/\/ Easy Listening TAPE","handle":"quickly-quickly-easy-listening-tape","description":"\u003cp\u003eアメリカ・ポートランドのインディーポップ作家quickly, quicklyが、2023年6月に同国\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e浮遊感のあるドリームポップ〜コンテンポラリーR\u0026amp;B6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4258466586\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ghostly International releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eThe new quickly, quickly EP finds Portland, Oregon’s Graham Jonson back in his home studio, engrossed in ‘60s psychedelic soul music, imagining some bygone era where it was all about the drum sounds and tape decay. He calls it Easy Listening; the songs are short and inviting, modest yet loaded with ideas. Each started with the drum part, a loose grid for Jonson to paint his idiosyncratic psych-pop across, again playing nearly every instrument. The set follows his 2021 LP, The Long And The Short of It, the 22-year-old musician’s debut on Ghostly International, a coming-of-age jump from the chill beats-oriented corners of the internet to a full-fledged songwriting project with hi-fi sophistication. The moment culminated with Pitchfork’s Rising profile, “quickly, quickly’s Technicolor Pop Bursts Beyond the Algorithm,” and kickstarted the formation of his 6-piece live band for a run of exploratory shows along the west coast. But as the tangible demands for his music pulled him outward and some growing pains in his personal life ensued, Jonson focused his energy back inside; to the comforts of home recording, filling his space with more gear and sessions with friends. Maybe a bit of a droll title for a hard time, Easy Listening briefly pauses for air, offering five of his breeziest basement jams for public\u003cspan class=\"bcTruncateMore\"\u003e enjoyment.\u003cbr\u003e\u003cbr\u003eThat basement is home to racks of synthesizers and an array of drum machines, guitars, bongos, xylophones, and the like. One notable addition to the Easy Listening setup was the Teac reel-to-reel tape machine he found on eBay and hooked up to Ableton. “I used it frequently to add color\/texture to the project by running individual instruments through and warping the tape with my finger. After I had finished all the songs, I ran the full mix of every song in a row through the tape to add one more layer of low-fidelity weirdness.”\u003cbr\u003e\u003cbr\u003e“Colors” opens the portal to Jonson’s retro-tinged dream world; a symphonic section pulls the curtain back to reveal a drum kit spattering rapid fills as the bassline grooves deeply between organ shimmers and hazy hums. The din of what sounds like a ‘60s church service appears here and throughout the collection; the words are blurred by decades of tape mold, adding to an overall hypnotic, disorienting feel.\u003cbr\u003e\u003cbr\u003e“Satellite,” one of Jonson’s funkiest and catchiest tracks to date, is either a love letter to technology or a tongue-in-cheek song about surveillance. The jazzy percussion taps from the get-go as he peppers clever lines to his subject in the sky, at one point losing his wallet (evoking the comedic tone of Thundercat’s “Captain Stupido”), before riding out on a squealing synth solo.\u003cbr\u003e\u003cbr\u003eThe campy, softly psychedelic “Falling Apart Without You” is in the vein of Stereolab. It started out as a fictional breakup song but ultimately became a self-fulfilling prophecy. The only cut from the EP that Jonson and his band have played live so far, it’s easy to picture it translating on stage; the lovesick singer flanked by a tight ensemble on keys, bass, and drums. Next, he slows it down for “Photobook,” the first half is an organ-led ballad for self-improvement — “I think I can, think I can…” Jonson trails off into a rhythmic reverie. We end on the wistful, soulful “Natural Form,” featuring The Long And The Short of It collaborator Elliot Cleverdon on strings. “I can’t say goodbye,” are Jonson’s parting words; it’s a sweet outro, some healing for him, and for us as fans, it’s a lovely place to leave quickly, quickly for now. \u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : quickly, quickly\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Ghostly International\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-08T18:43:00+09:00","created_at":"2023-06-08T18:38:19+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","ghostly international","tape"],"price":1100,"price_min":1100,"price_max":1100,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271758147834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"quickly, quickly \/\/ Easy Listening TAPE","public_title":null,"options":["Default Title"],"price":1100,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0723609734_16.jpg?v=1686217369","\/\/tobirarecords.com\/cdn\/shop\/files\/0031983419_10.jpg?v=1686217370"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0723609734_16.jpg?v=1686217369","options":["Title"],"media":[{"alt":null,"id":32092406612218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0723609734_16.jpg?v=1686217369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0723609734_16.jpg?v=1686217369","width":700},{"alt":null,"id":32092406644986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031983419_10.jpg?v=1686217370"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031983419_10.jpg?v=1686217370","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのインディーポップ作家quickly, quicklyが、2023年6月に同国\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e浮遊感のあるドリームポップ〜コンテンポラリーR\u0026amp;B6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4258466586\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ghostly International releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eThe new quickly, quickly EP finds Portland, Oregon’s Graham Jonson back in his home studio, engrossed in ‘60s psychedelic soul music, imagining some bygone era where it was all about the drum sounds and tape decay. He calls it Easy Listening; the songs are short and inviting, modest yet loaded with ideas. Each started with the drum part, a loose grid for Jonson to paint his idiosyncratic psych-pop across, again playing nearly every instrument. The set follows his 2021 LP, The Long And The Short of It, the 22-year-old musician’s debut on Ghostly International, a coming-of-age jump from the chill beats-oriented corners of the internet to a full-fledged songwriting project with hi-fi sophistication. The moment culminated with Pitchfork’s Rising profile, “quickly, quickly’s Technicolor Pop Bursts Beyond the Algorithm,” and kickstarted the formation of his 6-piece live band for a run of exploratory shows along the west coast. But as the tangible demands for his music pulled him outward and some growing pains in his personal life ensued, Jonson focused his energy back inside; to the comforts of home recording, filling his space with more gear and sessions with friends. Maybe a bit of a droll title for a hard time, Easy Listening briefly pauses for air, offering five of his breeziest basement jams for public\u003cspan class=\"bcTruncateMore\"\u003e enjoyment.\u003cbr\u003e\u003cbr\u003eThat basement is home to racks of synthesizers and an array of drum machines, guitars, bongos, xylophones, and the like. One notable addition to the Easy Listening setup was the Teac reel-to-reel tape machine he found on eBay and hooked up to Ableton. “I used it frequently to add color\/texture to the project by running individual instruments through and warping the tape with my finger. After I had finished all the songs, I ran the full mix of every song in a row through the tape to add one more layer of low-fidelity weirdness.”\u003cbr\u003e\u003cbr\u003e“Colors” opens the portal to Jonson’s retro-tinged dream world; a symphonic section pulls the curtain back to reveal a drum kit spattering rapid fills as the bassline grooves deeply between organ shimmers and hazy hums. The din of what sounds like a ‘60s church service appears here and throughout the collection; the words are blurred by decades of tape mold, adding to an overall hypnotic, disorienting feel.\u003cbr\u003e\u003cbr\u003e“Satellite,” one of Jonson’s funkiest and catchiest tracks to date, is either a love letter to technology or a tongue-in-cheek song about surveillance. The jazzy percussion taps from the get-go as he peppers clever lines to his subject in the sky, at one point losing his wallet (evoking the comedic tone of Thundercat’s “Captain Stupido”), before riding out on a squealing synth solo.\u003cbr\u003e\u003cbr\u003eThe campy, softly psychedelic “Falling Apart Without You” is in the vein of Stereolab. It started out as a fictional breakup song but ultimately became a self-fulfilling prophecy. The only cut from the EP that Jonson and his band have played live so far, it’s easy to picture it translating on stage; the lovesick singer flanked by a tight ensemble on keys, bass, and drums. Next, he slows it down for “Photobook,” the first half is an organ-led ballad for self-improvement — “I think I can, think I can…” Jonson trails off into a rhythmic reverie. We end on the wistful, soulful “Natural Form,” featuring The Long And The Short of It collaborator Elliot Cleverdon on strings. “I can’t say goodbye,” are Jonson’s parting words; it’s a sweet outro, some healing for him, and for us as fans, it’s a lovely place to leave quickly, quickly for now. \u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : quickly, quickly\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Ghostly International\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ポートランドのインディーポップ作家quickly, quicklyが、2023年6月に同国Ghostly Internationalからリリースしたカセットです。 浮遊感のあるドリームポップ〜コンテンポラリーR&B6曲を収録。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira....
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{"id":7921571627258,"title":"Khotin \/\/ Release Spirit TAPE","handle":"khotin-release-spirit-lp-color","description":"\u003cp\u003eカナダ・アルベルタのアンビエント・ハウス作家Khotinが、2023年2月にアメリカの\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e透明感のあるアンビエント・ハウス11曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2855830944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCanadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014’s Hello World immersed him in the heart of Vancouver’s underground dance scene, and sometimes it follows, like 2018’s Beautiful You, a downtempo salve for DJ fatigue. His melodic sensibility and playful ear for atmosphere remain the rippling core of the project’s fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Edmonton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft — the tone, pacing, and dynamism of new material — arriving at a definitive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin’s dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he’s never sounded better doing it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album title borrows from the “release spirit” mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go-around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds — including the classic Casio SK-1 presets he’s used since the start — mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. “I think it’s my best sounding record to date.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe begin on “HV Road” or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia’s Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin’s most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of “Lovely,” a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bubbling atmosphere and absurdity of “3 pz” offer a cosmic\/comic interlude and also speak to reflections on his family’s move to Canada two generations ago, and the audio tutorials they used to learn English. “I can only imagine my grandparents repeating some of the bizarre phrases.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fountain, Growth” finds Khotin in collaboration with Montreal’s Tess Roby (Dawn to Dawn) for the project’s first-ever vocal track. Roby’s soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of “Life Mask” and seamlessly reaching “Unlimited \u0026lt;3.” The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of “Techno Creep,” a hyperactive REM state before the digitized ambient sprawl of “My Same Size.” In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded “Sound Gathering Trip” to soundtrack a genre of YouTube videos he’s taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin’s project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Galcher Lustwerk\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2023-02-20T13:54:00+09:00","created_at":"2023-02-20T13:54:00+09:00","vendor":"Tobira Records","type":"","tags":["ghostly international","house","tape"],"price":1200,"price_min":1200,"price_max":1200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44007304528122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Khotin \/\/ Release Spirit TAPE","public_title":null,"options":["Default Title"],"price":1200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16.jpg?v=1676869064"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16.jpg?v=1676869064","options":["Title"],"media":[{"alt":null,"id":31553878655226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16.jpg?v=1676869064"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0207547869_16.jpg?v=1676869064","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・アルベルタのアンビエント・ハウス作家Khotinが、2023年2月にアメリカの\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e透明感のあるアンビエント・ハウス11曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2855830944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCanadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014’s Hello World immersed him in the heart of Vancouver’s underground dance scene, and sometimes it follows, like 2018’s Beautiful You, a downtempo salve for DJ fatigue. His melodic sensibility and playful ear for atmosphere remain the rippling core of the project’s fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Edmonton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft — the tone, pacing, and dynamism of new material — arriving at a definitive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin’s dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he’s never sounded better doing it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album title borrows from the “release spirit” mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go-around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds — including the classic Casio SK-1 presets he’s used since the start — mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. “I think it’s my best sounding record to date.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe begin on “HV Road” or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia’s Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin’s most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of “Lovely,” a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bubbling atmosphere and absurdity of “3 pz” offer a cosmic\/comic interlude and also speak to reflections on his family’s move to Canada two generations ago, and the audio tutorials they used to learn English. “I can only imagine my grandparents repeating some of the bizarre phrases.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fountain, Growth” finds Khotin in collaboration with Montreal’s Tess Roby (Dawn to Dawn) for the project’s first-ever vocal track. Roby’s soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of “Life Mask” and seamlessly reaching “Unlimited \u0026lt;3.” The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRelease Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of “Techno Creep,” a hyperactive REM state before the digitized ambient sprawl of “My Same Size.” In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded “Sound Gathering Trip” to soundtrack a genre of YouTube videos he’s taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin’s project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Galcher Lustwerk\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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カナダ・アルベルタのアンビエント・ハウス作家Khotinが、2023年2月にアメリカのGhostly Internationalからリリースしたカセットです。 透明感のあるアンビエント・ハウス11曲を収録。 --------------------------------------- Ghostly International: "Canadian producer Dylan Khotin-Foote has kept his Khotin...
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{"id":7527620378874,"title":"Mary Lattimore \/\/ Collected Pieces 2015-2020 2xLP","handle":"mary-lattimore-collected-pieces-ii-2xlp","description":"\u003cp\u003eアメリカ・LAのハープ奏者が、2022年1月にGhostly Internationalからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り、2015-2020年に制作した楽曲のベスト盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2660832200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eText by Ghostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the afterglow of her acclaimed 2020 album *Silver Ladders* (a year-end favorite of NPR, Pitchfork, The New Yorker, and others), Los Angeles-based harpist and composer Mary Lattimore returns with a culminating counterpart release, *Collected Pieces: 2015-2020*, out January 14, 2022. The limited-edition LP sequences selections from her two rarities collections, *Collected Pieces I* (2017) and *Collected Pieces II* (2020), bringing archive highlights and fan favorites to vinyl and CD for the first time. Lattimore has described the process of arranging these releases as akin to “opening a box filled with memories,” and here that box continues to populate, accessible for both the artist and fans. Evocative material separated by years, framed as a portrait of an instrumental storyteller who rarely pauses, recording and often sharing music as soon as it strikes her. Seemingly in constant forward motion for the last five years since her Ghostly debut, Lattimore glances back for a breath, inviting new chances to live in these fleeting moments and emotions; all the beauty, sorrow, sunshine, and darkness housed within.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA familiar harp sequence opens the set, making its first vinyl appearance is “Wawa By The Ocean,” Lattimore’s ode to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e her favorite convenience store, Wawa #700 in Ship Bottom, New Jersey. “Twelve summers of solo trips to Ship Bottom and it hasn't really changed. I'll always visit it in my dreams,” Lattimore said upon its initial release, and surely that beachside landmark still appears each time this delightful pattern unfolds, hoagies and all. Next is a newer single, “We Wave From Our Boats,” which she improvised after walking her neighborhood during the early days of lockdown in 2020, and shared on her Bandcamp. “I would just wave at neighbors I didn't know in a gesture of solidarity and it reminded me of how you’re compelled to wave at people on the other boat when you’re on a boat yourself, or on a bridge or something. The pull to wave feels very innate and natural.” The heart of the track is a somber loop, over top which Lattimore’s synth notes ruminate, each a gentle shimmer of optimism in the most anxious and absurd of days.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlso recorded in 2020, “What The Living Do” is inspired by Marie Howe’s poem of the same name, which reflects on loss through an appreciation for the mundane messiness of being human. The echoed, slow-marching track has a distant feel to it, as if the listener is outside of it, watching life play out as a film. “Princess Nicotine (1909)” scores actual footage, a dream sequence Lattimore imagined for J. Stuart Blackton’s surreal silent film *(link: \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_UvG5ItVzxc\u0026amp;feature=youtu.be\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.youtube.com\/watch?v=_UvG5ItVzxc\u0026amp;feature=youtu.be\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.youtube.com\/watch?v=_UvG5ItVzxc\u0026amp;feature=youtu.be\u003c\/a\u003e text: Princess Nicotine; or, the Smoke Fairy)*. She adopted the same approach for “Polly of the Circus,” explaining it was the name of one of the old silent films discovered in permafrost in the Yukon [featured in the documentary *Dawson City: Frozen Time*], “the only copy that survived and it kind of warped in the aging process.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Mary, You Were Wrong” mirrors an author’s bout with a broken heart. “It’s about how you have to keep on going even if you make some mistakes,” she says. The bittersweet refrain cycles throughout, a little brighter every time, slowly, like the way time tends to heal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA trove of pieces are collected here, most recorded in the moment, just Lattimore and her Lyon and Healy Concert Grand Harp, contact mics, and pedals. There’s the one about the late Twin Peaks actress Margaret Lanterman (“We Just Found Out She Died”), the American astronaut’s homecoming (“For Scott Kelly, Returned To Earth”), the joke about the cannibal’s wife (“The Warm Shoulder”), the Charlie Chaplin-like character who lost their glasses (“Be My Four Eyes”), and the high school kids driving their shiny cars in a parking lot (“Your Glossy Camry”). Like her most affecting work, these songs showcase Lattimore’s gifts as an observer, able to shape her craft around emotional frequencies and scenes. Her power as a musician is rooted in how she sees the world: in vivid detail, profoundly empathic, with deep gratitude for nature and nuance.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mary Lattimore\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2022-01-28T15:20:28+09:00","created_at":"2022-01-28T14:47:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ghostly international","lp","neo classical"],"price":2400,"price_min":2400,"price_max":2400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42371848700154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mary Lattimore \/\/ Collected Pieces 2015-2020 2xLP","public_title":null,"options":["Default Title"],"price":2400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_1185f199-4837-4194-8a78-4948e420357d.jpg?v=1643348827","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_22480f4a-d940-4a13-a6da-e9bb7c9fe484.jpg?v=1643348827"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_1185f199-4837-4194-8a78-4948e420357d.jpg?v=1643348827","options":["Title"],"media":[{"alt":null,"id":29071430942970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_1185f199-4837-4194-8a78-4948e420357d.jpg?v=1643348827"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_1185f199-4837-4194-8a78-4948e420357d.jpg?v=1643348827","width":700},{"alt":null,"id":29071430975738,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_22480f4a-d940-4a13-a6da-e9bb7c9fe484.jpg?v=1643348827"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_22480f4a-d940-4a13-a6da-e9bb7c9fe484.jpg?v=1643348827","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのハープ奏者が、2022年1月にGhostly Internationalからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り、2015-2020年に制作した楽曲のベスト盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2660832200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eText by Ghostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the afterglow of her acclaimed 2020 album *Silver Ladders* (a year-end favorite of NPR, Pitchfork, The New Yorker, and others), Los Angeles-based harpist and composer Mary Lattimore returns with a culminating counterpart release, *Collected Pieces: 2015-2020*, out January 14, 2022. The limited-edition LP sequences selections from her two rarities collections, *Collected Pieces I* (2017) and *Collected Pieces II* (2020), bringing archive highlights and fan favorites to vinyl and CD for the first time. Lattimore has described the process of arranging these releases as akin to “opening a box filled with memories,” and here that box continues to populate, accessible for both the artist and fans. Evocative material separated by years, framed as a portrait of an instrumental storyteller who rarely pauses, recording and often sharing music as soon as it strikes her. Seemingly in constant forward motion for the last five years since her Ghostly debut, Lattimore glances back for a breath, inviting new chances to live in these fleeting moments and emotions; all the beauty, sorrow, sunshine, and darkness housed within.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA familiar harp sequence opens the set, making its first vinyl appearance is “Wawa By The Ocean,” Lattimore’s ode to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e her favorite convenience store, Wawa #700 in Ship Bottom, New Jersey. “Twelve summers of solo trips to Ship Bottom and it hasn't really changed. I'll always visit it in my dreams,” Lattimore said upon its initial release, and surely that beachside landmark still appears each time this delightful pattern unfolds, hoagies and all. Next is a newer single, “We Wave From Our Boats,” which she improvised after walking her neighborhood during the early days of lockdown in 2020, and shared on her Bandcamp. “I would just wave at neighbors I didn't know in a gesture of solidarity and it reminded me of how you’re compelled to wave at people on the other boat when you’re on a boat yourself, or on a bridge or something. The pull to wave feels very innate and natural.” The heart of the track is a somber loop, over top which Lattimore’s synth notes ruminate, each a gentle shimmer of optimism in the most anxious and absurd of days.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlso recorded in 2020, “What The Living Do” is inspired by Marie Howe’s poem of the same name, which reflects on loss through an appreciation for the mundane messiness of being human. The echoed, slow-marching track has a distant feel to it, as if the listener is outside of it, watching life play out as a film. “Princess Nicotine (1909)” scores actual footage, a dream sequence Lattimore imagined for J. Stuart Blackton’s surreal silent film *(link: \u003ca href=\"https:\/\/www.youtube.com\/watch?v=_UvG5ItVzxc\u0026amp;feature=youtu.be\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.youtube.com\/watch?v=_UvG5ItVzxc\u0026amp;feature=youtu.be\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.youtube.com\/watch?v=_UvG5ItVzxc\u0026amp;feature=youtu.be\u003c\/a\u003e text: Princess Nicotine; or, the Smoke Fairy)*. She adopted the same approach for “Polly of the Circus,” explaining it was the name of one of the old silent films discovered in permafrost in the Yukon [featured in the documentary *Dawson City: Frozen Time*], “the only copy that survived and it kind of warped in the aging process.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Mary, You Were Wrong” mirrors an author’s bout with a broken heart. “It’s about how you have to keep on going even if you make some mistakes,” she says. The bittersweet refrain cycles throughout, a little brighter every time, slowly, like the way time tends to heal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA trove of pieces are collected here, most recorded in the moment, just Lattimore and her Lyon and Healy Concert Grand Harp, contact mics, and pedals. There’s the one about the late Twin Peaks actress Margaret Lanterman (“We Just Found Out She Died”), the American astronaut’s homecoming (“For Scott Kelly, Returned To Earth”), the joke about the cannibal’s wife (“The Warm Shoulder”), the Charlie Chaplin-like character who lost their glasses (“Be My Four Eyes”), and the high school kids driving their shiny cars in a parking lot (“Your Glossy Camry”). Like her most affecting work, these songs showcase Lattimore’s gifts as an observer, able to shape her craft around emotional frequencies and scenes. Her power as a musician is rooted in how she sees the world: in vivid detail, profoundly empathic, with deep gratitude for nature and nuance.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mary Lattimore\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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アメリカ・LAのハープ奏者が、2022年1月にGhostly Internationalからリリースした2枚組レコードです。 題の通り、2015-2020年に制作した楽曲のベスト盤です。DLコード付属。 --------------------------- Text by Ghostly International: "In the afterglow of her acclaimed...
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