Field Records
クイックビュー
{"id":8847987933434,"title":"Yui Onodera \/\/ Kiso Three Rivers LP","handle":"yui-onodera-kiso-three-rivers-lp","description":"\u003cp\u003e東京のアンビエント作家Yui Onoderaが、2025年5月にドイツのアンビエントレーベルField Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・フォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4025409968\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e壱\u003c\/span\u003e \/ Kodama 1 01:36\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e弐\u003c\/span\u003e \/ Kodama 2 02:33\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e参\u003c\/span\u003e \/ Kodama 3 03:19\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e四\u003c\/span\u003e \/ Kodama 4 02:44\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e伍\u003c\/span\u003e \/ Kodama 5 04:06\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e陸\u003c\/span\u003e \/ Kodama 6 01:18\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の一\u003c\/span\u003e \/ Mizumari (Part 1) 07:42\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の二\u003c\/span\u003e \/ Mizumari (Part 2) 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi plain in Gifu prefecture. In the late 19th century, Japanese authorities collaborated with Dutch engineer Johannes de Rijke to separate the three rivers at the lower part of the Kiso delta. These extensive improvements, which were finalised in 1912, successfully shielded the city of Nagoya from regular flooding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnodera's minimalist palette and detailed approach to spatial sound design balances microscopic field recordings and tonally-rich traditional instruments, which he applies with stark focus to the subject of the Kiso Three Rivers across eight extended pieces of music arranged into two distinct parts. The A-side's shorter tracks are delicately sculpted miniatures interweaving chiming bell tones, treated guitar impressions and hushed pads. The B-side's two longer suites are more overtly minimal in nature, emphasising sampled water sources accented with patient brush strokes of synthesis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yui Onodera\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 36\u003c\/p\u003e","published_at":"2025-07-09T12:16:33+09:00","created_at":"2025-07-02T09:44:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","field records","lp","new"],"price":489500,"price_min":489500,"price_max":489500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47466443866362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Yui Onodera \/\/ Kiso Three Rivers LP","public_title":null,"options":["Default Title"],"price":489500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101481680","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965","\/\/tobirarecords.com\/cdn\/shop\/files\/kiso2.jpg?v=1751416965"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965","options":["Title"],"media":[{"alt":null,"id":36305059152122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965","width":700},{"alt":null,"id":36305059184890,"position":2,"preview_image":{"aspect_ratio":1.133,"height":1059,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso2.jpg?v=1751416965"},"aspect_ratio":1.133,"height":1059,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso2.jpg?v=1751416965","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のアンビエント作家Yui Onoderaが、2025年5月にドイツのアンビエントレーベルField Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・フォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4025409968\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e壱\u003c\/span\u003e \/ Kodama 1 01:36\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e弐\u003c\/span\u003e \/ Kodama 2 02:33\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e参\u003c\/span\u003e \/ Kodama 3 03:19\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e四\u003c\/span\u003e \/ Kodama 4 02:44\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e伍\u003c\/span\u003e \/ Kodama 5 04:06\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e陸\u003c\/span\u003e \/ Kodama 6 01:18\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の一\u003c\/span\u003e \/ Mizumari (Part 1) 07:42\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の二\u003c\/span\u003e \/ Mizumari (Part 2) 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi plain in Gifu prefecture. In the late 19th century, Japanese authorities collaborated with Dutch engineer Johannes de Rijke to separate the three rivers at the lower part of the Kiso delta. These extensive improvements, which were finalised in 1912, successfully shielded the city of Nagoya from regular flooding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnodera's minimalist palette and detailed approach to spatial sound design balances microscopic field recordings and tonally-rich traditional instruments, which he applies with stark focus to the subject of the Kiso Three Rivers across eight extended pieces of music arranged into two distinct parts. The A-side's shorter tracks are delicately sculpted miniatures interweaving chiming bell tones, treated guitar impressions and hushed pads. The B-side's two longer suites are more overtly minimal in nature, emphasising sampled water sources accented with patient brush strokes of synthesis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yui Onodera\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 36\u003c\/p\u003e"}
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東京のアンビエント作家Yui Onoderaが、2025年5月にドイツのアンビエントレーベルField Recordsからリリースしたレコードです。 アンビエント〜アンビエント・フォーク8曲を収録。 -------------------------------------------------- 12" black vinyl. Tracklist: 1. 木霊 壱 / Kodama...
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クイックビュー
{"id":8853258895610,"title":"Monolake \/\/ Gravity 2x12inch","handle":"monolake-gravity-2x12inch","description":"\u003cp\u003eドイツのテクノ作家Monolakeが、2025年4月に同国アンビエントレーベルField Recordsからリリースした再発2枚組12\"です。（オリジナルは2001年にCDリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440274256\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in printed sleeve.\u003cbr\u003eFirst ever vinyl reissue - originally released on CD in 2001\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mobile 07:59\u003cbr\u003e2. Ice 08:29\u003cbr\u003e3. Frost 06:50\u003cbr\u003e4. Static 09:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zero Gravity 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Fragile 12:00\u003cbr\u003e\u003c\/span\u003e7. Aviation 07:49\u003cbr\u003e8. Nucleus 09:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eArriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompared to a lot of overly sterile digital music\u003cspan class=\"bcTruncateMore\"\u003e released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 37\u003c\/p\u003e","published_at":"2025-07-09T12:07:22+09:00","created_at":"2025-07-07T10:10:12+09:00","vendor":"Tobira Records","type":"","tags":["field records","house","lp","new","techno \/ house"],"price":598300,"price_min":598300,"price_max":598300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47484164079866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Monolake \/\/ Gravity 2x12inch","public_title":null,"options":["Default Title"],"price":598300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101480157","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468","\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_3c0682eb-a96d-4e63-a6c2-c5109c1c5cf1.jpg?v=1751850469"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468","options":["Title"],"media":[{"alt":null,"id":36329573646586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468","width":700},{"alt":null,"id":36329573679354,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_3c0682eb-a96d-4e63-a6c2-c5109c1c5cf1.jpg?v=1751850469"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_3c0682eb-a96d-4e63-a6c2-c5109c1c5cf1.jpg?v=1751850469","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのテクノ作家Monolakeが、2025年4月に同国アンビエントレーベルField Recordsからリリースした再発2枚組12\"です。（オリジナルは2001年にCDリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440274256\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in printed sleeve.\u003cbr\u003eFirst ever vinyl reissue - originally released on CD in 2001\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mobile 07:59\u003cbr\u003e2. Ice 08:29\u003cbr\u003e3. Frost 06:50\u003cbr\u003e4. Static 09:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zero Gravity 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Fragile 12:00\u003cbr\u003e\u003c\/span\u003e7. Aviation 07:49\u003cbr\u003e8. Nucleus 09:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eArriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompared to a lot of overly sterile digital music\u003cspan class=\"bcTruncateMore\"\u003e released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 37\u003c\/p\u003e"}
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ドイツのテクノ作家Monolakeが、2025年4月に同国アンビエントレーベルField Recordsからリリースした再発2枚組12"です。（オリジナルは2001年にCDリリース） ダブテクノ〜IDM8曲を収録。 --------------------------------------------- 2 x 12" black vinyl in printed sleeve.First ever vinyl...
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{"id":7983599616250,"title":"Monolake \/\/ Hongkong 2x12\"","handle":"monolake-hongkong-2x12","description":"\u003cp\u003eAbleton Live開発者でもあるドイツ・ベルリンのテクノ作家Monolakeが、2023年5月にオランダのField Recordsからリリースした再発2枚組12\"です。（オリジナルは1997年にBasic Channnel傘下Chain Reactionからリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM〜アンビエント7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1856090930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eField Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside groundbreaking works from the likes of Porter Ricks and Vladislav Delay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tracks that make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max\/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.” \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecredits\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e","published_at":"2023-06-13T09:29:28+09:00","created_at":"2023-06-10T13:58:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","field records","lp","techno \/ house"],"price":528000,"price_min":528000,"price_max":528000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44274699206906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Monolake \/\/ Hongkong 2x12\"","public_title":null,"options":["Default Title"],"price":528000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085","\/\/tobirarecords.com\/cdn\/shop\/files\/mono2.jpg?v=1686373085"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085","options":["Title"],"media":[{"alt":null,"id":32100313039098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085","width":700},{"alt":null,"id":32100313071866,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2.jpg?v=1686373085"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2.jpg?v=1686373085","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAbleton Live開発者でもあるドイツ・ベルリンのテクノ作家Monolakeが、2023年5月にオランダのField Recordsからリリースした再発2枚組12\"です。（オリジナルは1997年にBasic Channnel傘下Chain Reactionからリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM〜アンビエント7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1856090930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eField Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside groundbreaking works from the likes of Porter Ricks and Vladislav Delay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe tracks that make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max\/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.” \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecredits\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e"}
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Ableton Live開発者でもあるドイツ・ベルリンのテクノ作家Monolakeが、2023年5月にオランダのField Recordsからリリースした再発2枚組12"です。（オリジナルは1997年にBasic Channnel傘下Chain Reactionからリリース） ダブテクノ〜IDM〜アンビエント7曲を収録。 ----------------------------------------- 2x12" black vinyl. Field Records: "Field Records...
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