Sombat Simla // Master Of Bamboo Mouth Organ - Isan, Thailand LP

タイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。

ライナーノート付属。

レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. 

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12" black vinyl. 

Tracklist:

1. Line Rod Fai - Train 04:33
2. Tuey Non Tarn 03:06
3. Lom Phat Prow 03:11
4. Tang Waii - Wicker Stool 02:42
5. Lai Soy Puen Baan 03:25
6. Line Khene Racing 04:36
7. Hak Sao Siang Khene 03:17
8. Seung Swing 03:09
9. Siang Khene Hoy Hooun 03:05
10. Khene Lam Sing 03:30

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Black Truffle:

"Black Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Aided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.

Later the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.
As Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation. "

Artist : Sombat Simla

Label : Black Truffle