Die Schachtel
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{"id":5826483716261,"title":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","handle":"teresa-rampazzi-immagini-per-diana-baylon-lp","description":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eDie Schachtel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Teresa Rampazzi \u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel \u003c\/p\u003e","published_at":"2020-10-24T04:06:06+09:00","created_at":"2020-10-24T04:06:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","Die Schachtel","lp"],"price":360800,"price_min":360800,"price_max":360800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36866225078437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","options":["Title"],"media":[{"alt":null,"id":12697594036389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","width":600},{"alt":null,"id":12697594069157,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eDie Schachtel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Teresa Rampazzi \u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel \u003c\/p\u003e"}
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John Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。 レーベルその他作品はこちら /// Click here to see more Die Schachtel ...
¥3,608
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{"id":5811494584485,"title":"Marino Zuccheri \/\/ Parete 67 LP","handle":"marino-zuccheri-parete-67-lp","description":"\u003cp\u003eエレクトロニック・ミュージックの誕生と発展に多大な貢献をしたMarino Zuccheriが1967年モントリオール万博のイタリア館のために制作したインスタレーション音源。2005年にリリースされましたが、この度イタリア発掘専門レーベルDie Schachtel再プレス。ライナーノート\u003cspan data-mce-fragment=\"1\"\u003eインサート付属の限定300枚。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916880132\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Marino Zuccheri \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDie Schachtel\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-24T12:56:21+09:00","created_at":"2020-10-21T07:51:34+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","noise"],"price":360800,"price_min":360800,"price_max":360800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36813805846693,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marino Zuccheri \/\/ Parete 67 LP","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794","options":["Title"],"media":[{"alt":null,"id":12725607923877,"position":1,"preview_image":{"aspect_ratio":1.007,"height":571,"width":575,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794"},"aspect_ratio":1.007,"height":571,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794","width":575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエレクトロニック・ミュージックの誕生と発展に多大な貢献をしたMarino Zuccheriが1967年モントリオール万博のイタリア館のために制作したインスタレーション音源。2005年にリリースされましたが、この度イタリア発掘専門レーベルDie Schachtel再プレス。ライナーノート\u003cspan data-mce-fragment=\"1\"\u003eインサート付属の限定300枚。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916880132\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Marino Zuccheri \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDie Schachtel\u003c\/span\u003e\u003c\/p\u003e"}
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エレクトロニック・ミュージックの誕生と発展に多大な貢献をしたMarino Zuccheriが1967年モントリオール万博のイタリア館のために制作したインスタレーション音源。2005年にリリースされましたが、この度イタリア発掘専門レーベルDie Schachtel再プレス。ライナーノートインサート付属の限定300枚。 レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira. Artist : Marino...
¥3,608
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{"id":7830392537338,"title":"Jim O'Rourke, Giovanni Di Domenico \/\/ Immanent in Nervous Activity LP","handle":"jim-orourke-giovanni-di-domenico-immanent-in-nervous-activity-lp","description":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeと当店おなじみイタリアのピアニストGiovanni Di Domenicoが、2022年9月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelから400部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなネオクラシカル・アンビエント〜アンビエントドローン長尺2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiko IshibashiとTatsuhisa Yamamotoも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=692582215\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. I\u003cspan data-mce-fragment=\"1\"\u003encludes 90x30cm art poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDelivering the long overdue follow up to their brilliant 2015 outing, Arco, the duo of Giovanni Di Domenico and Jim O’Rourke return to Die Schachtel with Immanent in Nervous Activity. Understated and elegant – enlisting the contributions of Eiko Ishibashi and Tatsuhisa Yamamoto – across the album’s two sides Di Domenico and O’Rourke slow time, deftly weaving tension into restrained sheets of tonality, texture, and harmonic dissonance, producing a startlingly beautiful intervention with the temperaments of experimental sound practice that shifts the borders of electroacoustic music and high minimalism. Issued on vinyl in a limited deluxe edition of 400 copies, housed in a sleeve with an original artwork by Bruno Stucchi\/dinamomilano and complete with a large format poster, Die Schachtel is thrilled to deliver another defining statement by one of the most exciting partnerships in the contemporary landscape of adventurous sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile less than a decade apart in age and equally diverse in the range of practices they have embraced over the course of their respective careers, Giovanni Di Domenico and Jim O’Rourke each represent the creative high points and ambitions of two very different generations. Initially emerging in Chicago during the late ‘80s and based in Japan since the mid-2000s, for more than three decades\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e O'Rourke has carved a relentless path through the field of experimental sound, creating a body of work - hundreds of albums deep - that refuses any form of stasis and obligation to genre or idiom. He is an artist driven by a singular quest, his endless curiosity driving him to constantly forge into uncharted, visionary realms. Italian born and Brussels based, since his appearance on the scene during late ‘90s and early 2000s, Giovanni Di Domenico has constructed a striking solo practice that bridges numerous forms of improvised and electroacoustic music, all the while rigorously working within various ensembles - Abschattungen, AufHeben, Bonjintan, Cement Shoes, etc. - and intimate collaborations with Akira Sakata, Tatsuhisa Yamamoto, Chris Corsano, Joe Talia, and others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDi Domenico and O’Rourke have retained a regular and fruitful working partnership over the last decade, collaborating within the groups Bonjintan and Delivery Health, as well as a handful of jointly billed ensembles, but their 2015 LP, Arco - an investigation into waiting and patience as means toward musical form - was the first to encounter them as a duo, and marked an unquestionable high point within this collaborative body of work. Seven years on, their latest outing, Immanent in Nervous Activity, picks up where its predecessor left off; a second chapter informed by the territories of creative exploration that each has traversed since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmanent in Nervous Activity rides the razor’s edge between bristling electroacoustic wizardry and the constrained structures and harmonic interplay most often encountered within musical minimalism. Begun in a studio not far from O’Rourke’s home in Japan with Di Domenico simultaneously playing piano and Rhodes organ, as the sessions gathered steam - O’Rourke’s deft hand processing and delivering electric interventions - the duo was joined intermittently by Eiko Ishibashi on flute and Tatsuhisa Yamamoto on snare drum, radically expanding the pallet of sound sources at their disposal. In its final form, produced via a rigorous and lengthy process of mixing, Immanent in Nervous Activity operates in two movements. The first rests largely in acoustic realm, with Di Domenico’s fluidly percussive piano and organ lines offering structure and harmony to the delicate textural interventions of Ishibashi, Yamamoto, and O’Rourke. Together they collectively weave a hypnotic tapestry of tonality and texture that inexplicably bridges the challenges of avant-gardism with the pure pleasure of pop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second movement - constructed by O’Rourke from the material generated by the sessions - shatters form to an elemental and sprawling state, slowly distilling the remnants into an otherworldly, sonorous ooze that fully departs the earthy zones for pure, electroacoustic abstraction. Over the glacial evolution of its side-long duration, tension builds as material sources and the presence of each artist’s hands draw in and out of focus, droning and abrading within a vast expanse of pointillistic nature that renders itself subservient to the sweeping force of the whole, seemingly rethinking the terms and possibilities of electroacoustic music in real time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoining the conversant vision of two of the most striking voices within the field of contemporary sound, Immanent in Nervous Activity is issued by Die Schachtel in a very limited edition of 400 copies on high quality black vinyl, sleeve printed in Italy in deep black and metallic silver on extra matt white heavy cardboard, including a black\/silver limited \"zepelin\" 30x90cm poster, original artwork + design by Bruno Stucchi\/dinamomilano.\u003c\/span\u003e \u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke, Giovanni Di Domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e","published_at":"2022-11-07T15:36:18+09:00","created_at":"2022-11-07T12:00:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","lp","neo classical","new"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622715162874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jim O'Rourke, Giovanni Di Domenico \/\/ Immanent in Nervous Activity LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_dd7243b9-5dae-4bd0-bcda-e5c2aa217d66.jpg?v=1667790057"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058","options":["Title"],"media":[{"alt":null,"id":30937541443834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058","width":700},{"alt":null,"id":30937541476602,"position":2,"preview_image":{"aspect_ratio":1.014,"height":1184,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_dd7243b9-5dae-4bd0-bcda-e5c2aa217d66.jpg?v=1667790057"},"aspect_ratio":1.014,"height":1184,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/im2_dd7243b9-5dae-4bd0-bcda-e5c2aa217d66.jpg?v=1667790057","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeと当店おなじみイタリアのピアニストGiovanni Di Domenicoが、2022年9月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelから400部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなネオクラシカル・アンビエント〜アンビエントドローン長尺2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiko IshibashiとTatsuhisa Yamamotoも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=692582215\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. I\u003cspan data-mce-fragment=\"1\"\u003encludes 90x30cm art poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDelivering the long overdue follow up to their brilliant 2015 outing, Arco, the duo of Giovanni Di Domenico and Jim O’Rourke return to Die Schachtel with Immanent in Nervous Activity. Understated and elegant – enlisting the contributions of Eiko Ishibashi and Tatsuhisa Yamamoto – across the album’s two sides Di Domenico and O’Rourke slow time, deftly weaving tension into restrained sheets of tonality, texture, and harmonic dissonance, producing a startlingly beautiful intervention with the temperaments of experimental sound practice that shifts the borders of electroacoustic music and high minimalism. Issued on vinyl in a limited deluxe edition of 400 copies, housed in a sleeve with an original artwork by Bruno Stucchi\/dinamomilano and complete with a large format poster, Die Schachtel is thrilled to deliver another defining statement by one of the most exciting partnerships in the contemporary landscape of adventurous sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile less than a decade apart in age and equally diverse in the range of practices they have embraced over the course of their respective careers, Giovanni Di Domenico and Jim O’Rourke each represent the creative high points and ambitions of two very different generations. Initially emerging in Chicago during the late ‘80s and based in Japan since the mid-2000s, for more than three decades\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e O'Rourke has carved a relentless path through the field of experimental sound, creating a body of work - hundreds of albums deep - that refuses any form of stasis and obligation to genre or idiom. He is an artist driven by a singular quest, his endless curiosity driving him to constantly forge into uncharted, visionary realms. Italian born and Brussels based, since his appearance on the scene during late ‘90s and early 2000s, Giovanni Di Domenico has constructed a striking solo practice that bridges numerous forms of improvised and electroacoustic music, all the while rigorously working within various ensembles - Abschattungen, AufHeben, Bonjintan, Cement Shoes, etc. - and intimate collaborations with Akira Sakata, Tatsuhisa Yamamoto, Chris Corsano, Joe Talia, and others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDi Domenico and O’Rourke have retained a regular and fruitful working partnership over the last decade, collaborating within the groups Bonjintan and Delivery Health, as well as a handful of jointly billed ensembles, but their 2015 LP, Arco - an investigation into waiting and patience as means toward musical form - was the first to encounter them as a duo, and marked an unquestionable high point within this collaborative body of work. Seven years on, their latest outing, Immanent in Nervous Activity, picks up where its predecessor left off; a second chapter informed by the territories of creative exploration that each has traversed since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmanent in Nervous Activity rides the razor’s edge between bristling electroacoustic wizardry and the constrained structures and harmonic interplay most often encountered within musical minimalism. Begun in a studio not far from O’Rourke’s home in Japan with Di Domenico simultaneously playing piano and Rhodes organ, as the sessions gathered steam - O’Rourke’s deft hand processing and delivering electric interventions - the duo was joined intermittently by Eiko Ishibashi on flute and Tatsuhisa Yamamoto on snare drum, radically expanding the pallet of sound sources at their disposal. In its final form, produced via a rigorous and lengthy process of mixing, Immanent in Nervous Activity operates in two movements. The first rests largely in acoustic realm, with Di Domenico’s fluidly percussive piano and organ lines offering structure and harmony to the delicate textural interventions of Ishibashi, Yamamoto, and O’Rourke. Together they collectively weave a hypnotic tapestry of tonality and texture that inexplicably bridges the challenges of avant-gardism with the pure pleasure of pop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second movement - constructed by O’Rourke from the material generated by the sessions - shatters form to an elemental and sprawling state, slowly distilling the remnants into an otherworldly, sonorous ooze that fully departs the earthy zones for pure, electroacoustic abstraction. Over the glacial evolution of its side-long duration, tension builds as material sources and the presence of each artist’s hands draw in and out of focus, droning and abrading within a vast expanse of pointillistic nature that renders itself subservient to the sweeping force of the whole, seemingly rethinking the terms and possibilities of electroacoustic music in real time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoining the conversant vision of two of the most striking voices within the field of contemporary sound, Immanent in Nervous Activity is issued by Die Schachtel in a very limited edition of 400 copies on high quality black vinyl, sleeve printed in Italy in deep black and metallic silver on extra matt white heavy cardboard, including a black\/silver limited \"zepelin\" 30x90cm poster, original artwork + design by Bruno Stucchi\/dinamomilano.\u003c\/span\u003e \u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke, Giovanni Di Domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e"}
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アメリカ出身日本在住の実験音楽家Jim O'Rourkeと当店おなじみイタリアのピアニストGiovanni Di Domenicoが、2022年9月にイタリアの実験レーベルDie Schachtelから400部限定でリリースした共作レコードです。 ミニマルなネオクラシカル・アンビエント〜アンビエントドローン長尺2曲を収録。 Eiko IshibashiとTatsuhisa Yamamotoも参加しています。 -------------------------------------- Edition of 400. Includes...
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{"id":5826545811621,"title":"Mario Bertoncini \/\/ Arpe Eolie LP ","handle":"mario-bertoncini-arpe-eolie-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e即興団体Nuova Consonanzaや現音ピアニストとしての活動で知られている哲学者\u003c\/span\u003eMario Bertonciniが自身では初となるLPをイ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eタリア発掘音源専門レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDIE SCHACHTELよりリリース\u003c\/span\u003e。70年代初頭から制作を開始した音響彫刻・エオリアンハープの録音物を収録。作曲家や音楽家が介入できない自然の音を感じてみてください。4ページブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/QhYwi6RKb8s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-10-24T04:45:56+09:00","created_at":"2020-10-24T04:45:53+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","monooto"],"price":360800,"price_min":360800,"price_max":360800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36866559639717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mario Bertoncini \/\/ Arpe Eolie LP ","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bertoncini_arpe3.jpg?v=1603482355"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355","options":["Title"],"media":[{"alt":null,"id":12699188330661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355","width":600},{"alt":null,"id":12699188363429,"position":2,"preview_image":{"aspect_ratio":3.39,"height":146,"width":495,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bertoncini_arpe3.jpg?v=1603482355"},"aspect_ratio":3.39,"height":146,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bertoncini_arpe3.jpg?v=1603482355","width":495}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e即興団体Nuova Consonanzaや現音ピアニストとしての活動で知られている哲学者\u003c\/span\u003eMario Bertonciniが自身では初となるLPをイ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eタリア発掘音源専門レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDIE SCHACHTELよりリリース\u003c\/span\u003e。70年代初頭から制作を開始した音響彫刻・エオリアンハープの録音物を収録。作曲家や音楽家が介入できない自然の音を感じてみてください。4ページブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/QhYwi6RKb8s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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{"id":5817690423461,"title":"Vértice \/\/ Decay Music n. 1: Besoch Trauma LP","handle":"vertice-decay-music-n-1-besoch-trauma-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eM.BことMaurizio Bianchi、Saverio Evangelista、Juan Manuel Cidrónによるトリオ\u003c\/span\u003eVérticeの2曲入りLP。250部限定、残りわずかです。180g仕様。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=726797185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/dieschachtelrecords.bandcamp.com\/album\/decay-music-n-1-besoch-trauma\"\u003eDecay Music n. 1: Besoch Trauma by Vértice\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlmost all great music is bridge - spanning geography and time, defying easy definition. It is the product of collaboration and mutual respect - individual voice, fused within a collective force. These are the roots for the trio Vértice, an unlikely formation by experimental luminaries, Maurizio Bianchi, Saverio Evangelista, and Juan Manuel Cidrón - each hailing from their own discrete musical geography in Italy and Spain. Devotion to sound and craft are the bonds which join. Milan based Die Schachtel is proud to present Besoch Trauma, this remarkable project’s first recorded outing, years in the making and now marking the launch of a new series from the imprint - Decay Music, highlighting inspired contemporary experimental efforts in the ambient, ethereal, and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eemotively\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003eabstract.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach member of Vértice comes from a luminous and historic musical pedigree. Maurizio Bianchi is one of Italy’s earliest and most important figures in Industrial music, beginning to issue a wild series of visionary releases during the late 1970s. Saverio Evangelista is well known for his decades longs efforts within the seminal outfits, Esplendor Geométrico and M.S.B., while Juan Manuel Cidrón is one of the great cult figures of Spanish electronic music. Together they shed skin, reforming as one, diving into uncharted waters, while remaining unrecognizable within.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlow, sophisticated, and a deeply meditative, minimalist wonder, Besoch Trauma progresses like a melancholic dream - the slow wilting of sounds, pondering their own rebirth. Repetitive and restrained piano lines rise among drifting synthesiser tones and textural ambiances, fall away and return, fracture, break, stagger, and distort across the entirety of the albums first side, while murky, implacable sounds breed with flirting electronics and piano, sculpting the vast expanse of abstraction which emerges across the entirety of the second - clattering and droning, filled with air, fading melodies, and rippling tones - the inorganic rising as a synthetic vision of the natural world, and a music which entirely refuses to say what it is.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eTwo slow burning sides, unfolding with greater depth at every turn, across Besoch Trauma Bianchi, Evangelista, and Cidrón, joined as Vértice, build rich tapestry of creatively challenging sound - a hypothetical imagining of historic minimalism and ambient music, bred with industrial and punk. Dark, inhabitable, and unquestionably beautiful.\u003cbr data-mce-fragment=\"1\"\u003eThe perfectly sounding Decay Music records have been perfectly cut and pressed using a surprising thick grey hi-quality vinyl featuring a \"decay-like\" marbling effect. The overall design is by the usual suspect Bruno Stucchi\/dinamomilano.com, who created a \"half alchemic-half decadent\" custom typeface for the series. The covers - featuring mysterious and obscure drawings by obscure artists – are printed in silver on heavy matt black paper stock, and hosted in a transparent outer sleeve, on which the typography is silkscreened in white on clear acetate.\u003cbr data-mce-fragment=\"1\"\u003eIssued on vinyl in a one-time edition of 250 copies and pressed to 180g marble vinyl, housed in pro-printed inner sleeve and jacket, itself contained in a silkscreened pvc sleeve\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-10-22T11:56:51+09:00","created_at":"2020-10-22T11:56:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","drone","lp"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36835078340773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Vértice \/\/ Decay Music n. 1: Besoch Trauma LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13705728-1559411467-3628_jpeg.jpg?v=1603335403"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13705728-1559411467-3628_jpeg.jpg?v=1603335403","options":["Title"],"media":[{"alt":null,"id":12565475459237,"position":1,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13705728-1559411467-3628_jpeg.jpg?v=1603335403"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13705728-1559411467-3628_jpeg.jpg?v=1603335403","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eM.BことMaurizio Bianchi、Saverio Evangelista、Juan Manuel Cidrónによるトリオ\u003c\/span\u003eVérticeの2曲入りLP。250部限定、残りわずかです。180g仕様。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=726797185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/dieschachtelrecords.bandcamp.com\/album\/decay-music-n-1-besoch-trauma\"\u003eDecay Music n. 1: Besoch Trauma by Vértice\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlmost all great music is bridge - spanning geography and time, defying easy definition. It is the product of collaboration and mutual respect - individual voice, fused within a collective force. These are the roots for the trio Vértice, an unlikely formation by experimental luminaries, Maurizio Bianchi, Saverio Evangelista, and Juan Manuel Cidrón - each hailing from their own discrete musical geography in Italy and Spain. Devotion to sound and craft are the bonds which join. Milan based Die Schachtel is proud to present Besoch Trauma, this remarkable project’s first recorded outing, years in the making and now marking the launch of a new series from the imprint - Decay Music, highlighting inspired contemporary experimental efforts in the ambient, ethereal, and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eemotively\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003eabstract.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach member of Vértice comes from a luminous and historic musical pedigree. Maurizio Bianchi is one of Italy’s earliest and most important figures in Industrial music, beginning to issue a wild series of visionary releases during the late 1970s. Saverio Evangelista is well known for his decades longs efforts within the seminal outfits, Esplendor Geométrico and M.S.B., while Juan Manuel Cidrón is one of the great cult figures of Spanish electronic music. Together they shed skin, reforming as one, diving into uncharted waters, while remaining unrecognizable within.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlow, sophisticated, and a deeply meditative, minimalist wonder, Besoch Trauma progresses like a melancholic dream - the slow wilting of sounds, pondering their own rebirth. Repetitive and restrained piano lines rise among drifting synthesiser tones and textural ambiances, fall away and return, fracture, break, stagger, and distort across the entirety of the albums first side, while murky, implacable sounds breed with flirting electronics and piano, sculpting the vast expanse of abstraction which emerges across the entirety of the second - clattering and droning, filled with air, fading melodies, and rippling tones - the inorganic rising as a synthetic vision of the natural world, and a music which entirely refuses to say what it is.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eTwo slow burning sides, unfolding with greater depth at every turn, across Besoch Trauma Bianchi, Evangelista, and Cidrón, joined as Vértice, build rich tapestry of creatively challenging sound - a hypothetical imagining of historic minimalism and ambient music, bred with industrial and punk. Dark, inhabitable, and unquestionably beautiful.\u003cbr data-mce-fragment=\"1\"\u003eThe perfectly sounding Decay Music records have been perfectly cut and pressed using a surprising thick grey hi-quality vinyl featuring a \"decay-like\" marbling effect. The overall design is by the usual suspect Bruno Stucchi\/dinamomilano.com, who created a \"half alchemic-half decadent\" custom typeface for the series. The covers - featuring mysterious and obscure drawings by obscure artists – are printed in silver on heavy matt black paper stock, and hosted in a transparent outer sleeve, on which the typography is silkscreened in white on clear acetate.\u003cbr data-mce-fragment=\"1\"\u003eIssued on vinyl in a one-time edition of 250 copies and pressed to 180g marble vinyl, housed in pro-printed inner sleeve and jacket, itself contained in a silkscreened pvc sleeve\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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M.BことMaurizio Bianchi、Saverio Evangelista、Juan Manuel CidrónによるトリオVérticeの2曲入りLP。250部限定、残りわずかです。180g仕様。 Decay Music n. 1: Besoch Trauma by Vértice Almost...
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{"id":5817541918885,"title":"Alvin Lucier \/\/ Vespers LP","handle":"alvin-lucier-vespers-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e","published_at":"2020-10-22T11:12:21+09:00","created_at":"2020-10-22T11:12:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","lp","monooto","strange beats"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834620539045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Vespers LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020093482_10.jpg?v=1603332734"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020093482_10.jpg?v=1603332734","options":["Title"],"media":[{"alt":null,"id":12562984599717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020093482_10.jpg?v=1603332734"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0020093482_10.jpg?v=1603332734","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e"}
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1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、 演奏者とその空間という2つの対等な存在によって生み出された作品で、短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。 イタリア Die Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。Vespers by Alvin Lucier Since its advent within the...
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{"id":5817500729509,"title":"Alvin Curran \/\/ Canti Illuminati LP","handle":"alvin-curran-canti-illuminati-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-10-22T10:58:53+09:00","created_at":"2020-10-22T10:58:44+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834473607333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Canti Illuminati LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0015687034_10.jpg?v=1603331925"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0015687034_10.jpg?v=1603331925","options":["Title"],"media":[{"alt":null,"id":12562188468389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0015687034_10.jpg?v=1603331925"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0015687034_10.jpg?v=1603331925","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e"}
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イタリアDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。Giuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。 An occupant of the present and thread to the...
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{"id":5808477536421,"title":"Alessandra Novaga \/\/ I Should Have Been a Gardener LP","handle":"alessandra-novaga-i-should-have-been-a-gardener-lp","description":"\u003cp\u003e イタリア人女性ギタリストAlessandra Novagaによる2020年7月リリースの新作。題が示す通り、本作は映像作家兼園芸家Derek Jarmanに捧げるギターアンビエント作品となっています。Loren Connors諸作がお好きな方にもおすすめします。180g重量イエローヴァイナル仕様。200部限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2651973502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/dieschachtelrecords.bandcamp.com\/album\/i-should-have-been-a-gardener\"\u003eI Should Have Been a Gardener by Alessandra Novaga\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOffering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman, with \"I Should Have Been a Gardener\", proudly presented by Die Schachtel.\u003cbr\u003e\u003cbr\u003eAlessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. Remarkably ambitious and forward thinking, her approach to the guitar veers from the trajectories of visceral emotiveness and textural extended techniques that have held sway over the instruments applications within avant-garde contexts over the last half century, encountering her relentlessly deconstructing and rethinking its unique properties through applications of structure, resonance, space, and tone.\u003cbr\u003e\u003cbr\u003e\"I Should Have Been a Gardener\" - building on from the territory explored within 2017’s \"Fassbinder Wunderkammer\" - is Novaga’s second LP to draw conceptually on her love for film. Rather than focusing on a fixed point of inspiration, the album takes form as a distillation, pulling from across the unique life, death\u003cspan class=\"bcTruncateMore\"\u003e, work, political commitment, and diaries of Derek Jarman. Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.\u003cbr\u003e\u003cbr\u003eAs remarkably listenable as it is challenging and pregnant with ideas, Novaga’s \"I Should Have Been a Gardener\" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003eartist : Alessandra Novaga\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003elabel : Die Schachtel\u003c\/span\u003e\u003c\/div\u003e","published_at":"2020-10-20T12:04:14+09:00","created_at":"2020-10-20T12:04:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","lp"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36800889421989,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alessandra Novaga \/\/ I Should Have Been a Gardener LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3124067952_16.jpg?v=1603163054","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-15605107-1594464729-4884_jpeg.jpg?v=1603163055","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-15605107-1594466280-9258_jpeg.jpg?v=1603163055","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/A-4436754-1464265664-4539_jpeg.jpg?v=1603163055"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3124067952_16.jpg?v=1603163054","options":["Title"],"media":[{"alt":null,"id":12444170551461,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3124067952_16.jpg?v=1603163054"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3124067952_16.jpg?v=1603163054","width":700},{"alt":null,"id":12444170584229,"position":2,"preview_image":{"aspect_ratio":0.997,"height":601,"width":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-15605107-1594464729-4884_jpeg.jpg?v=1603163055"},"aspect_ratio":0.997,"height":601,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-15605107-1594464729-4884_jpeg.jpg?v=1603163055","width":599},{"alt":null,"id":12444170616997,"position":3,"preview_image":{"aspect_ratio":0.977,"height":300,"width":293,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-15605107-1594466280-9258_jpeg.jpg?v=1603163055"},"aspect_ratio":0.977,"height":300,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-15605107-1594466280-9258_jpeg.jpg?v=1603163055","width":293},{"alt":null,"id":12444170649765,"position":4,"preview_image":{"aspect_ratio":0.667,"height":900,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/A-4436754-1464265664-4539_jpeg.jpg?v=1603163055"},"aspect_ratio":0.667,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/A-4436754-1464265664-4539_jpeg.jpg?v=1603163055","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e イタリア人女性ギタリストAlessandra Novagaによる2020年7月リリースの新作。題が示す通り、本作は映像作家兼園芸家Derek Jarmanに捧げるギターアンビエント作品となっています。Loren Connors諸作がお好きな方にもおすすめします。180g重量イエローヴァイナル仕様。200部限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2651973502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/dieschachtelrecords.bandcamp.com\/album\/i-should-have-been-a-gardener\"\u003eI Should Have Been a Gardener by Alessandra Novaga\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOffering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman, with \"I Should Have Been a Gardener\", proudly presented by Die Schachtel.\u003cbr\u003e\u003cbr\u003eAlessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. 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Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.\u003cbr\u003e\u003cbr\u003eAs remarkably listenable as it is challenging and pregnant with ideas, Novaga’s \"I Should Have Been a Gardener\" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003eartist : Alessandra Novaga\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003elabel : Die Schachtel\u003c\/span\u003e\u003c\/div\u003e"}
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{"id":5808430842021,"title":"Raven Chacon \/\/ An Anthology of Chants Operations LP ","handle":"raven-chacon-ouidah","description":"\u003cp\u003eイタリア実験レーベルDie Schachtel傘下Ouidahからの2作目は、ニューメキシコ州を拠点に活動するパフォーマー、即興演奏家、作曲家、サウンドアーティストのRaven Chaconの最新LP『An Anthology of Chants Operations』です。本作は、彼が過去10年間で制作したライブパフォーマンス、インスタレーション、作曲を収録した9つの楽曲から構成されています。国立公園で行ったインスタレーションでは、彼自身で作った太陽光で動くウインドハープなど使用しており、それぞれの歴史や場所、環境への深い好奇心が表現されています。三角形の特殊ジャケットに収納されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/914124514\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Raven Chacon An Anthology Of Chants Operations\" href=\"https:\/\/soundcloud.com\/user-198195096\/raven-chacon-an-anthology-of-chants-operations\" target=\"_blank\"\u003eRaven Chacon An Anthology Of Chants Operations\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e**Edition of 200. Triangular cover**\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eWhile often laying unobserved below a landscape of the seemingly unfamiliar, experimental music is the imagining of the future, embedded in a quest for fundamental truth. It is a music that attempts to speak of who we are, fueled by curiosity and formed into creative languages that seek new relationships to meaning and communication through organizations of sound. New Mexico based performer, improvisor, composer, and sound artist\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eRaven Chacon\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e’s latest LP,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, the second outing from\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eOuidah\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e- a new imprint in the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eBlume Editions\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003efamily, dedicated to ambitious artists working in often overlooked geographies - is a shimmering window into the rigour, hope, and beauty of these pursuits; a body of recordings drawn from across the last decade of his output, that weaves the elemental and topical into startling abstract forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRaised in Fort Defiance, Navajo Nation, Arizona, and a student of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eJames Tenney\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMorton Subotnick\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMichael Pisaro\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eWadada Leo Smith\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eat CalArts, for the last 20 years Raven Chacon has bridged the creative realms of chamber music, noise, site specific installation, and performance, building a body of singular solo efforts, as well as critically heralded collaborative works within the collective\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003ePostcommodity\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eDeeply introspective, Chacon’s work rests at the root meaning and intention of experimental practice. It is the outcome of an action that, at its inception, responds to a question for which\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003ethe answer is unknown. In his hands, sound is a raw, democratic material, with a near infinite number of possibilities and sources - sometimes found and encountered, others self-generated - reformed into an image that refract the notions of humanity and being outside of themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003ecomprises a body of 9 recordings created by Chacon between 2010 and 2020, capturing live performance, installation, and composition. Offering an expansive cross-section of the cohesive diversity that defines his practice, each is a free-standing encounter, drawing on the artist’s deep sense of curiosity about the meaning that develops through a relation to history, happening, place, and environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eSinging Toward the Wind Now \/ Singing Toward the Sun Now\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eis a work that documents an installation staged at Canyon de Chelly National Monument in Chinle, Arizona in 2012, for which Chacon created 4 metal sculptures that function as musical instruments - 2 wind harps and 2 solar-powered oscillators - played by the natural elements. Encountered here as a tapestry of drone, subtle electronic beating, and environmental sound, the work forms part of a multidimensional image, alluding to their unseen forms and countless experiences and phenomena, across the millennia, of the land where it was staged.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThis navigation of the experiential manifestations of history’s contemporary life, carries into\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMVHS\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a work constructed from recordings of Navajo high-school students learning to play a 5-hole \"Indian\" flute in their music class. Forced upon them by their teacher as a \"classical\" instrument, despite lacking precedent in their own culture, Chacon unveils an unfolding simulacrum of Native American identity and heritage that amounts to garish cliché, reappropriating it as a raw material to indicate the complex alignment of meaning – both internal and external - connected to a people, place, and the nurture of their truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eChacon’s work is bound by the cohesion of his ideas, explorations, and the nature of his responses, rather a tangible loyalty to aesthetic appearance or form. The immersion into the dynamics of this approach, relating to action, place, and meaning that develops at their meeting, continuous to expand as his “Anthology” unfolds, blurring the line between the performative, chance encounter, and the composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThe wondrously beautiful and aptly named\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eStudy for Human-made Bird Calls and Microphone out a Moving Car Window\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eTyuonyi\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a sound work deploying field recordings at the ruins of Tyuonyi, delve toward radically different depictions of the abstractions that develop between object and the occupation of place, weaving ambience and intervention into unexpected forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eChant\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, one of a larger body of performances for voice;\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAntler\/Glass\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, capturing a live performance with amplified deer antler and a sheet of glass; and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003ePinefire Song\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a piece made from shaken and processed shells from Zuni Pueblo, and a tape loop of a bonfire of pine needles, shift their materiality and actions toward signifier and sign, with Chacon’s body channeling the historical and cultural potency that rests at the conjunction of sound and action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMSRC\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a microtonal, collaborative improvisation with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarc Sabat\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eon viola and Chacon on custom-tuned organ, and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eOperation\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a chance-composition, through their own distinct notions of musicality, sculpt transient spaces of imagistic sonority, pointing to the depth at their source, given new life in the present by Chacon’s deep sensitively to the effect of the place, and the contained elements and happenings that move him to act, respond, and explore.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eFilled with life, vitality, and the curiosity that follows, Raven Chacon’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003epresents a wildly expanded and revitalized notion of experimental practice that stretches far beyond the potentialities within which it is normatively conformed. A deeply human music, asking after the effects of place on who we are. Issued by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eOuidah\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e in a beautiful edition of 200 copies on black vinyl, packaged in the label’s signature monochrome triangular sleeve, a Nagaoka anti-static sleeve, and complete with two informative inserts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eartist : Raven Chacon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\" data-mce-style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-10-20T11:23:57+09:00","created_at":"2020-10-20T11:23:54+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","monooto"],"price":293700,"price_min":293700,"price_max":293700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36800596377765,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Raven Chacon \/\/ An Anthology of Chants Operations LP ","public_title":null,"options":["Default Title"],"price":293700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.12.49.png?v=1603160636","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.13.06.png?v=1603160636","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.13.16.png?v=1603160636"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.12.49.png?v=1603160636","options":["Title"],"media":[{"alt":null,"id":12443865612453,"position":1,"preview_image":{"aspect_ratio":1.136,"height":826,"width":938,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.12.49.png?v=1603160636"},"aspect_ratio":1.136,"height":826,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.12.49.png?v=1603160636","width":938},{"alt":null,"id":12443865645221,"position":2,"preview_image":{"aspect_ratio":1.105,"height":898,"width":992,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.13.06.png?v=1603160636"},"aspect_ratio":1.105,"height":898,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.13.06.png?v=1603160636","width":992},{"alt":null,"id":12443865677989,"position":3,"preview_image":{"aspect_ratio":1.16,"height":836,"width":970,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.13.16.png?v=1603160636"},"aspect_ratio":1.16,"height":836,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/2020-10-2011.13.16.png?v=1603160636","width":970}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア実験レーベルDie Schachtel傘下Ouidahからの2作目は、ニューメキシコ州を拠点に活動するパフォーマー、即興演奏家、作曲家、サウンドアーティストのRaven Chaconの最新LP『An Anthology of Chants Operations』です。本作は、彼が過去10年間で制作したライブパフォーマンス、インスタレーション、作曲を収録した9つの楽曲から構成されています。国立公園で行ったインスタレーションでは、彼自身で作った太陽光で動くウインドハープなど使用しており、それぞれの歴史や場所、環境への深い好奇心が表現されています。三角形の特殊ジャケットに収納されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/914124514\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Raven Chacon An Anthology Of Chants Operations\" href=\"https:\/\/soundcloud.com\/user-198195096\/raven-chacon-an-anthology-of-chants-operations\" target=\"_blank\"\u003eRaven Chacon An Anthology Of Chants Operations\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e**Edition of 200. Triangular cover**\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eWhile often laying unobserved below a landscape of the seemingly unfamiliar, experimental music is the imagining of the future, embedded in a quest for fundamental truth. It is a music that attempts to speak of who we are, fueled by curiosity and formed into creative languages that seek new relationships to meaning and communication through organizations of sound. New Mexico based performer, improvisor, composer, and sound artist\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eRaven Chacon\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e’s latest LP,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, the second outing from\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eOuidah\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e- a new imprint in the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eBlume Editions\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003efamily, dedicated to ambitious artists working in often overlooked geographies - is a shimmering window into the rigour, hope, and beauty of these pursuits; a body of recordings drawn from across the last decade of his output, that weaves the elemental and topical into startling abstract forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRaised in Fort Defiance, Navajo Nation, Arizona, and a student of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eJames Tenney\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMorton Subotnick\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMichael Pisaro\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eWadada Leo Smith\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eat CalArts, for the last 20 years Raven Chacon has bridged the creative realms of chamber music, noise, site specific installation, and performance, building a body of singular solo efforts, as well as critically heralded collaborative works within the collective\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003ePostcommodity\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eDeeply introspective, Chacon’s work rests at the root meaning and intention of experimental practice. It is the outcome of an action that, at its inception, responds to a question for which\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003ethe answer is unknown. In his hands, sound is a raw, democratic material, with a near infinite number of possibilities and sources - sometimes found and encountered, others self-generated - reformed into an image that refract the notions of humanity and being outside of themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003ecomprises a body of 9 recordings created by Chacon between 2010 and 2020, capturing live performance, installation, and composition. Offering an expansive cross-section of the cohesive diversity that defines his practice, each is a free-standing encounter, drawing on the artist’s deep sense of curiosity about the meaning that develops through a relation to history, happening, place, and environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eSinging Toward the Wind Now \/ Singing Toward the Sun Now\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eis a work that documents an installation staged at Canyon de Chelly National Monument in Chinle, Arizona in 2012, for which Chacon created 4 metal sculptures that function as musical instruments - 2 wind harps and 2 solar-powered oscillators - played by the natural elements. Encountered here as a tapestry of drone, subtle electronic beating, and environmental sound, the work forms part of a multidimensional image, alluding to their unseen forms and countless experiences and phenomena, across the millennia, of the land where it was staged.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThis navigation of the experiential manifestations of history’s contemporary life, carries into\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMVHS\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a work constructed from recordings of Navajo high-school students learning to play a 5-hole \"Indian\" flute in their music class. Forced upon them by their teacher as a \"classical\" instrument, despite lacking precedent in their own culture, Chacon unveils an unfolding simulacrum of Native American identity and heritage that amounts to garish cliché, reappropriating it as a raw material to indicate the complex alignment of meaning – both internal and external - connected to a people, place, and the nurture of their truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eChacon’s work is bound by the cohesion of his ideas, explorations, and the nature of his responses, rather a tangible loyalty to aesthetic appearance or form. The immersion into the dynamics of this approach, relating to action, place, and meaning that develops at their meeting, continuous to expand as his “Anthology” unfolds, blurring the line between the performative, chance encounter, and the composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThe wondrously beautiful and aptly named\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eStudy for Human-made Bird Calls and Microphone out a Moving Car Window\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eTyuonyi\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a sound work deploying field recordings at the ruins of Tyuonyi, delve toward radically different depictions of the abstractions that develop between object and the occupation of place, weaving ambience and intervention into unexpected forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eChant\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, one of a larger body of performances for voice;\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAntler\/Glass\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, capturing a live performance with amplified deer antler and a sheet of glass; and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003ePinefire Song\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a piece made from shaken and processed shells from Zuni Pueblo, and a tape loop of a bonfire of pine needles, shift their materiality and actions toward signifier and sign, with Chacon’s body channeling the historical and cultural potency that rests at the conjunction of sound and action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMSRC\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a microtonal, collaborative improvisation with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarc Sabat\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eon viola and Chacon on custom-tuned organ, and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eOperation\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a chance-composition, through their own distinct notions of musicality, sculpt transient spaces of imagistic sonority, pointing to the depth at their source, given new life in the present by Chacon’s deep sensitively to the effect of the place, and the contained elements and happenings that move him to act, respond, and explore.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eFilled with life, vitality, and the curiosity that follows, Raven Chacon’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003epresents a wildly expanded and revitalized notion of experimental practice that stretches far beyond the potentialities within which it is normatively conformed. A deeply human music, asking after the effects of place on who we are. Issued by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eOuidah\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e in a beautiful edition of 200 copies on black vinyl, packaged in the label’s signature monochrome triangular sleeve, a Nagaoka anti-static sleeve, and complete with two informative inserts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eartist : Raven Chacon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\" data-mce-style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e"}
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イタリア実験レーベルDie Schachtel傘下Ouidahからの2作目は、ニューメキシコ州を拠点に活動するパフォーマー、即興演奏家、作曲家、サウンドアーティストのRaven Chaconの最新LP『An Anthology of Chants Operations』です。本作は、彼が過去10年間で制作したライブパフォーマンス、インスタレーション、作曲を収録した9つの楽曲から構成されています。国立公園で行ったインスタレーションでは、彼自身で作った太陽光で動くウインドハープなど使用しており、それぞれの歴史や場所、環境への深い好奇心が表現されています。三角形の特殊ジャケットに収納されています。 tobirarecs · Raven Chacon An Anthology Of...
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