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{"id":7814200590586,"title":"Bo Sedkid \/\/ Goring TAPE","handle":"bo-sedkid-goring-tape","description":"\u003cp\u003eスリランカ・コロンボのシンガーソングライターBo Sedkidが、2022年9月にイギリス・ロンドンのアジア系作家専門レーベルChinabotからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなエレクトロニック・ポップ〜レフトフィールド・ヒップホップ14曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528681759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2165508153\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528681759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1683212542\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528681759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom Colombo-based avant-garde songwriter and visual artist Bo Sedkid comes a new album Goring, a wild ride through experimental hip-hop, Sri Lankan instrumentation and dream pop, which at once recalls the political collages of early M.I.A. and the dark experimentations of Yves Tumor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s title references animalistic violence, the act of stabbing with a horn or tusk. It’s also inspired by the 1971 Sri Lankan cinema classic Welikathara, which features a criminal antihero named Goring, evoking the analogue textures and gritty, sweeping emotions of 1970s cinema.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Though Goring is the bad guy of the film I see him as an antihero who fights with style against authority,” says Bo Sedkid. “The title song, Goring, itself talks about local police brutality and political corruption.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoving between experimental hip-hop, Sinhalese spoken word, ambient and acoustic guitar, Goring is a searching, scouring look at darkness and corruption both externally and internally. The title of the song Manokamaya, a made-up Sinhalese word which best translates as ‘self-tripping’, finds beauty in nihilistic solitary dreaming; Bo Sedkid cites philosopher Emil Cioran as another strong\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e influence on the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe song Full Dot turns this darkness on its head, using chopped and screwed vocals over a lilting beat to create a an anthemic, thrilling ode to fatalism. Hot on its heels comes Kavvandha, which combines Sinhalese drum patterns and a throbbing, fuzzed-out techno synths. An album made in turbulence, Goring embraces uncertainty and doubt, exploring the difficulty and contradictions of human nature and finding both joy and darkness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e***\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtist bio (via the label):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u2028\"\u003cem\u003eBo Sedkid (real name Muvindu Binoy, b.1989) is an independent filmmaker and multimedia artist from Sri Lanka. As with his collage-based artworks, he is known for recontextualising traditional Sinhalese sounds and stories in music, touching on everything from tales of Prince Siddhartha to Sri Lanka’s political strife.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bo Sedkid\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e","published_at":"2022-10-20T09:20:20+09:00","created_at":"2022-10-19T14:20:52+09:00","vendor":"Tobira Records","type":"","tags":["chinabot","folk \/ left-field pop","hiphop \/ funk","new","tape"],"price":175000,"price_min":175000,"price_max":175000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43560215281914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bo Sedkid \/\/ Goring TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_5b3d6ac0-50e1-4bb2-8a95-4e7ccff03b08.jpg?v=1666156853","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_dba8f444-365a-4376-a4fb-f7d135e128e6.jpg?v=1666156854"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_5b3d6ac0-50e1-4bb2-8a95-4e7ccff03b08.jpg?v=1666156853","options":["Title"],"media":[{"alt":null,"id":30787504210170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_5b3d6ac0-50e1-4bb2-8a95-4e7ccff03b08.jpg?v=1666156853"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo1_5b3d6ac0-50e1-4bb2-8a95-4e7ccff03b08.jpg?v=1666156853","width":700},{"alt":null,"id":30787504242938,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_dba8f444-365a-4376-a4fb-f7d135e128e6.jpg?v=1666156854"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bo2_dba8f444-365a-4376-a4fb-f7d135e128e6.jpg?v=1666156854","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスリランカ・コロンボのシンガーソングライターBo Sedkidが、2022年9月にイギリス・ロンドンのアジア系作家専門レーベルChinabotからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなエレクトロニック・ポップ〜レフトフィールド・ヒップホップ14曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528681759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2165508153\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528681759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1683212542\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=528681759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom Colombo-based avant-garde songwriter and visual artist Bo Sedkid comes a new album Goring, a wild ride through experimental hip-hop, Sri Lankan instrumentation and dream pop, which at once recalls the political collages of early M.I.A. and the dark experimentations of Yves Tumor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s title references animalistic violence, the act of stabbing with a horn or tusk. It’s also inspired by the 1971 Sri Lankan cinema classic Welikathara, which features a criminal antihero named Goring, evoking the analogue textures and gritty, sweeping emotions of 1970s cinema.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Though Goring is the bad guy of the film I see him as an antihero who fights with style against authority,” says Bo Sedkid. “The title song, Goring, itself talks about local police brutality and political corruption.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoving between experimental hip-hop, Sinhalese spoken word, ambient and acoustic guitar, Goring is a searching, scouring look at darkness and corruption both externally and internally. The title of the song Manokamaya, a made-up Sinhalese word which best translates as ‘self-tripping’, finds beauty in nihilistic solitary dreaming; Bo Sedkid cites philosopher Emil Cioran as another strong\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e influence on the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe song Full Dot turns this darkness on its head, using chopped and screwed vocals over a lilting beat to create a an anthemic, thrilling ode to fatalism. Hot on its heels comes Kavvandha, which combines Sinhalese drum patterns and a throbbing, fuzzed-out techno synths. An album made in turbulence, Goring embraces uncertainty and doubt, exploring the difficulty and contradictions of human nature and finding both joy and darkness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e***\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtist bio (via the label):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u2028\"\u003cem\u003eBo Sedkid (real name Muvindu Binoy, b.1989) is an independent filmmaker and multimedia artist from Sri Lanka. As with his collage-based artworks, he is known for recontextualising traditional Sinhalese sounds and stories in music, touching on everything from tales of Prince Siddhartha to Sri Lanka’s political strife.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bo Sedkid\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e"}
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スリランカ・コロンボのシンガーソングライターBo Sedkidが、2022年9月にイギリス・ロンドンのアジア系作家専門レーベルChinabotからリリースしたデビューカセットです。 ドリーミーなエレクトロニック・ポップ〜レフトフィールド・ヒップホップ14曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Chinabot releases available at Tobira. ---------------------------- Includes...
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{"id":7652291805434,"title":"Yokubari \/\/ Sakai TAPE","handle":"yokubari-sakai-tape","description":"\u003cp\u003e日本／ネパール出身アメリカ・NY在住のテクノ作家Yokubari(ex-Black Dice)が、2022年5月にイギリスのChinabotからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eドラムサンプリングによるジューク・テクノ〜IDM4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1652487405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"YOKUBARI is Hisham Akira Bharoocha, an american percussionist, composer, and visual artist based in New York City, which focuses on electronics, drum and sampled sounds. Yokubari, which means “greedy” in Japanese, reflects Bharoocha’s love for every genre of music; a greediness for wanting to incorporate disparate sounds into a song structure or DJ set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith YOKUBARI, Bharoocha aims to create music that entwines the multi-faceted cultures we all come from, to expound upon the interconnectivity of the language of sound, and to embrace the rhythms we experience in daily life as a resplendent yet chaotic balancing act. His debut EP on Chinabot will be released on the 4th of May 2022.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title of this EP is ‘Sakai’ which means “border” in\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Japanese. On this EP, Bharoocha attempts to express the push and pull one feels when they are born from multiple cultures, trying to be accepted by those distinct cultures, yet trying to show self acceptance from being forever different, forever on the cusp.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps best-known for his role as the drummer and founding member of experimental rock band Black Dice, his precise and complex sense of rhythm drives Sakai through a kaleidoscope of textures. Touching on techno, ambient and experimental noise, Sakai remains sonically true to Bharoocha’s own unique cultural background.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBharoocha is half Japanese and half Indian Myanmar, born in Niigata Japan. He was brought up in Japan and The United States. Being half Japanese and living in Japan during his teenage years, he rarely felt accepted in Japan as a culturally Japanese person. For the most part Japan is a monoculture and has historically kept mixed-race Japanese from feeling accepted as Japanese people. On his father’s side Bharoocha’s cultural background is Muslim Myanmar. In day-to-day interactions, Bharoocha notices the lack of acceptance by those who are practicing Muslims towards those who are culturally Muslim.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeing an immigrant in southern California as a child, he was one of the few Asians in his schools. When he moved back to the U.S. for college as a young adult he had to re-adjust to American perspectives, how people interacted, and American social norms. This EP is the sonification of this cultural scrimmage he lives with daily, a riot of left-field global bass.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this record Bharoocha specifically hones in on sampling sounds that came from the cultures from which he was born. From his Japanese side, he samples the sounds of Japanese Gagaku instruments, traditional Minyo music, and voicing from Kabuki music. The other half of the sampled instrumentation comes from music and singing used in traditional Myanmar music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBharoocha also samples anti establishment protests which happened in Myanmar and in Japan. Those sounds are woven together with synth lines and rhythms that reference the many musical genres Bharoocha experiences daily in the streets of New York City, from percussive slaps to noisy bursts and whirring rattles. Bharoocha wants to express his love for the cultures he is born from, as well the love for the music he hears in New York—on car stereos in passing, to professional sound systems or DIY venue sound systems.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe cover image is a photograph of his father as a young adult on the Staten Island Ferry with the World Trade Center standing in the background. To Bharoocha, this image symbolizes everything he feels being an immigrant in the United States. The look of hope and optimism on his father’s face is undeniable. Hisham was in New York when the World Trade Center was attacked and immediately started to feel anti-Muslim sentiments directed towards him.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe inside sleeve of the cassette is a photograph of his parents holding him and his older brother in a room at his grandparent’s home in Niigata. The image resonates with him by visually communicating how traditions can be broken down but while still embracing the beauty they hold.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eArtist bio (via Chinabot):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Hisham Akira Bharoocha is a multimedia artist based in Brooklyn, New York, working across various mediums including large-scale murals, paintings, drawings, collages, audio\/visual installations, and performances. In the 1990s, he was a founding member of the experimental rock groups Black Dice . He is also known for the large-scale performances he organizes with the experimental rock band Boredoms, which is based in Japan. The most well-known performances have been the BOADRUM series, where up to 100 drummers perform with the band.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBharoocha has performed in many bands touring the world, such as Pixeltan, Soft Circle, IIII, Kill Alters and Boredoms. He has played prestigious venues such as the Sydney Opera House, the Barbican in London, and several of All Tomorrow’s Parties festivals. Bharoocha has also collaborated on musical performances with the artist Doug Aitken at MoMA and the MoCA. His original visual work has been used by Animal Collective, Vans, Sony, Puma, Solange and published in Artforum, NOWNESS, i-D, V, New York Times and Flaunt Magazine, to name a few.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yokubari\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e","published_at":"2022-06-26T11:10:36+09:00","created_at":"2022-06-23T15:03:19+09:00","vendor":"Tobira Records","type":"","tags":["chinabot","house","tape","techno \/ house"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42913628979450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yokubari \/\/ Sakai TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_92e70578-f927-4561-81ac-f3e719e2d58e.jpg?v=1655964200","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_ad6bec2e-1695-4200-900c-a74247685456.jpg?v=1655964201"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_92e70578-f927-4561-81ac-f3e719e2d58e.jpg?v=1655964200","options":["Title"],"media":[{"alt":null,"id":29961360376058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_92e70578-f927-4561-81ac-f3e719e2d58e.jpg?v=1655964200"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa1_92e70578-f927-4561-81ac-f3e719e2d58e.jpg?v=1655964200","width":700},{"alt":null,"id":29961360408826,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_ad6bec2e-1695-4200-900c-a74247685456.jpg?v=1655964201"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sa2_ad6bec2e-1695-4200-900c-a74247685456.jpg?v=1655964201","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本／ネパール出身アメリカ・NY在住のテクノ作家Yokubari(ex-Black Dice)が、2022年5月にイギリスのChinabotからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eドラムサンプリングによるジューク・テクノ〜IDM4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1652487405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"YOKUBARI is Hisham Akira Bharoocha, an american percussionist, composer, and visual artist based in New York City, which focuses on electronics, drum and sampled sounds. Yokubari, which means “greedy” in Japanese, reflects Bharoocha’s love for every genre of music; a greediness for wanting to incorporate disparate sounds into a song structure or DJ set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith YOKUBARI, Bharoocha aims to create music that entwines the multi-faceted cultures we all come from, to expound upon the interconnectivity of the language of sound, and to embrace the rhythms we experience in daily life as a resplendent yet chaotic balancing act. His debut EP on Chinabot will be released on the 4th of May 2022.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title of this EP is ‘Sakai’ which means “border” in\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Japanese. On this EP, Bharoocha attempts to express the push and pull one feels when they are born from multiple cultures, trying to be accepted by those distinct cultures, yet trying to show self acceptance from being forever different, forever on the cusp.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps best-known for his role as the drummer and founding member of experimental rock band Black Dice, his precise and complex sense of rhythm drives Sakai through a kaleidoscope of textures. Touching on techno, ambient and experimental noise, Sakai remains sonically true to Bharoocha’s own unique cultural background.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBharoocha is half Japanese and half Indian Myanmar, born in Niigata Japan. He was brought up in Japan and The United States. Being half Japanese and living in Japan during his teenage years, he rarely felt accepted in Japan as a culturally Japanese person. For the most part Japan is a monoculture and has historically kept mixed-race Japanese from feeling accepted as Japanese people. On his father’s side Bharoocha’s cultural background is Muslim Myanmar. In day-to-day interactions, Bharoocha notices the lack of acceptance by those who are practicing Muslims towards those who are culturally Muslim.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeing an immigrant in southern California as a child, he was one of the few Asians in his schools. When he moved back to the U.S. for college as a young adult he had to re-adjust to American perspectives, how people interacted, and American social norms. This EP is the sonification of this cultural scrimmage he lives with daily, a riot of left-field global bass.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this record Bharoocha specifically hones in on sampling sounds that came from the cultures from which he was born. From his Japanese side, he samples the sounds of Japanese Gagaku instruments, traditional Minyo music, and voicing from Kabuki music. The other half of the sampled instrumentation comes from music and singing used in traditional Myanmar music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBharoocha also samples anti establishment protests which happened in Myanmar and in Japan. Those sounds are woven together with synth lines and rhythms that reference the many musical genres Bharoocha experiences daily in the streets of New York City, from percussive slaps to noisy bursts and whirring rattles. Bharoocha wants to express his love for the cultures he is born from, as well the love for the music he hears in New York—on car stereos in passing, to professional sound systems or DIY venue sound systems.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe cover image is a photograph of his father as a young adult on the Staten Island Ferry with the World Trade Center standing in the background. To Bharoocha, this image symbolizes everything he feels being an immigrant in the United States. The look of hope and optimism on his father’s face is undeniable. Hisham was in New York when the World Trade Center was attacked and immediately started to feel anti-Muslim sentiments directed towards him.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe inside sleeve of the cassette is a photograph of his parents holding him and his older brother in a room at his grandparent’s home in Niigata. The image resonates with him by visually communicating how traditions can be broken down but while still embracing the beauty they hold.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eArtist bio (via Chinabot):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Hisham Akira Bharoocha is a multimedia artist based in Brooklyn, New York, working across various mediums including large-scale murals, paintings, drawings, collages, audio\/visual installations, and performances. In the 1990s, he was a founding member of the experimental rock groups Black Dice . He is also known for the large-scale performances he organizes with the experimental rock band Boredoms, which is based in Japan. The most well-known performances have been the BOADRUM series, where up to 100 drummers perform with the band.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBharoocha has performed in many bands touring the world, such as Pixeltan, Soft Circle, IIII, Kill Alters and Boredoms. He has played prestigious venues such as the Sydney Opera House, the Barbican in London, and several of All Tomorrow’s Parties festivals. Bharoocha has also collaborated on musical performances with the artist Doug Aitken at MoMA and the MoCA. His original visual work has been used by Animal Collective, Vans, Sony, Puma, Solange and published in Artforum, NOWNESS, i-D, V, New York Times and Flaunt Magazine, to name a few.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yokubari\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e"}
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日本／ネパール出身アメリカ・NY在住のテクノ作家Yokubari(ex-Black Dice)が、2022年5月にイギリスのChinabotからリリースした最新作です。 ドラムサンプリングによるジューク・テクノ〜IDM4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Chinabot releases available at Tobira. ---------------------------- Includes...
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{"id":7814202294522,"title":"At Her Open Door \/\/ FLIR TAPE","handle":"at-her-open-door-flir-tape","description":"\u003cp\u003e東京のIDM作家At Her Open Doorが、2022年10月にアジア作家専門レーベルChinabotからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eグリッチが効いたダークなIDM〜dnb8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1661506682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A glitching, heavy darkness pervades FLIR, the new album from Tokyo-based artist At Her Open Door, to be released on Chinabot. Combining uniquely diverse elements – dubstep, traditional Chinese instrumentation, and progressive rock, among others – FLIR is a whirlwind journey through fruitful experimentation, creating a world of jagged sonic edges and frenetic beats along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTaiki Kobayashi of At Her Open Door started out in progressive rock and hardcore bands, and now describes his work as “a fusion of Asian traditional instruments and 80s synths for a modern approach.” With FLIR, wobble bass and jungle add new textures to his precise, melodic compositions, which also make use of the characteristic bell sounds of the Peking Opera.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks like CINA display this approach, blending up a\u003cspan class=\"bcTruncateMore\"\u003e melody that could have come from an 80’s sci fi soundtrack with Chinese instrumentation and wobble bass, for an aggressive, thumping blitz on the senses.\u003cbr\u003e\u003cbr\u003e“FLIR is an acronym for “forward-looking infrared” and is intended to mean the result of detecting something hot,” says Kobayashi, referring to his exploratory musical process. “In composing the songs, I have been focused on reproducing and shaping the sound that I want to hear now.”\u003cbr\u003e\u003cbr\u003eLately, he has also been inspired by electronic music from Depeche Mode and Yellow Magic Orchestra. “What I valued in creating FLIR was the fusion of the esoteric and aggressive atmosphere of that music with the 80s romanticism that I have explored in the past,” he says.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eArtist bio (via the label):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"At Her Open Door is an experimental music project started in 2007 by Japanese artist Taiki Kobayashi. His music is characterized by crossing various genres such as dubstep, experimental, IDM, new wave, Traditional asian instrumentations, new age, and 80s synth wave.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : At Her Open Door\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e","published_at":"2022-10-20T09:35:22+09:00","created_at":"2022-10-19T14:22:43+09:00","vendor":"Tobira Records","type":"","tags":["chinabot","new","tape","techno \/ house"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43560224227578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"At Her Open Door \/\/ FLIR TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at1_29cee5b3-1d7b-4b1d-ae0f-966b5b856b9a.jpg?v=1666156965","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at2_ea6809c3-409e-4f71-adc8-2411d3c10f72.jpg?v=1666156964"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at1_29cee5b3-1d7b-4b1d-ae0f-966b5b856b9a.jpg?v=1666156965","options":["Title"],"media":[{"alt":null,"id":30787516530938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at1_29cee5b3-1d7b-4b1d-ae0f-966b5b856b9a.jpg?v=1666156965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at1_29cee5b3-1d7b-4b1d-ae0f-966b5b856b9a.jpg?v=1666156965","width":700},{"alt":null,"id":30787516563706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at2_ea6809c3-409e-4f71-adc8-2411d3c10f72.jpg?v=1666156964"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/at2_ea6809c3-409e-4f71-adc8-2411d3c10f72.jpg?v=1666156964","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のIDM作家At Her Open Doorが、2022年10月にアジア作家専門レーベルChinabotからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eグリッチが効いたダークなIDM〜dnb8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1661506682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A glitching, heavy darkness pervades FLIR, the new album from Tokyo-based artist At Her Open Door, to be released on Chinabot. Combining uniquely diverse elements – dubstep, traditional Chinese instrumentation, and progressive rock, among others – FLIR is a whirlwind journey through fruitful experimentation, creating a world of jagged sonic edges and frenetic beats along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTaiki Kobayashi of At Her Open Door started out in progressive rock and hardcore bands, and now describes his work as “a fusion of Asian traditional instruments and 80s synths for a modern approach.” With FLIR, wobble bass and jungle add new textures to his precise, melodic compositions, which also make use of the characteristic bell sounds of the Peking Opera.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks like CINA display this approach, blending up a\u003cspan class=\"bcTruncateMore\"\u003e melody that could have come from an 80’s sci fi soundtrack with Chinese instrumentation and wobble bass, for an aggressive, thumping blitz on the senses.\u003cbr\u003e\u003cbr\u003e“FLIR is an acronym for “forward-looking infrared” and is intended to mean the result of detecting something hot,” says Kobayashi, referring to his exploratory musical process. “In composing the songs, I have been focused on reproducing and shaping the sound that I want to hear now.”\u003cbr\u003e\u003cbr\u003eLately, he has also been inspired by electronic music from Depeche Mode and Yellow Magic Orchestra. “What I valued in creating FLIR was the fusion of the esoteric and aggressive atmosphere of that music with the 80s romanticism that I have explored in the past,” he says.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eArtist bio (via the label):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"At Her Open Door is an experimental music project started in 2007 by Japanese artist Taiki Kobayashi. His music is characterized by crossing various genres such as dubstep, experimental, IDM, new wave, Traditional asian instrumentations, new age, and 80s synth wave.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : At Her Open Door\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e"}
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東京のIDM作家At Her Open Doorが、2022年10月にアジア作家専門レーベルChinabotからリリースしたカセットです。 グリッチが効いたダークなIDM〜dnb8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Chinabot releases available at Tobira. ...
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{"id":7652296261882,"title":"Jaeho Hwang \/\/ Inner-self TAPE","handle":"jaeho-hwang-inner-self-tape","description":"\u003cp\u003e韓国のガバ作家Jaeho Hwangが、2022年6月にイギリスのChinabotからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e韓国の伝統楽器を取り入れたポストインダストリアル・テクノ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4jSpNuVDlQ8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065694536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Jaeho Hwang is releasing his second EP, Inner-self, on Chinabot. Combining elements of gabber, industrial rythms components and experimental music gleaned from ten years in London's electronic music scene, Hwang also uses traditional Korean instrumentation as part of his compelling, original voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe literal and spiritual follow-up to his 2019 EP Non-self, Inner-self examines contemporary life through a Buddhist lens. But where Non-self took delight in the glitchy, dissolution of the self in a digital landscape or on the dance floor of a club, Inner-self looks back towards Korea's past, exploring the echoes of past people and cultures in Seoul's modern landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHwang's desire to reach into the past is personal. In 2020 he moved from London, his home of a decade, back to Seoul to spend\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e time with his mother before her death in 2021, which he calls “the most shocking, sorrowful, and bizarre event in my life.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the self-directed video for the lead track Betweenness\/사이, archive footage of early 20th century Seoul life is interspersed with Hwang's own daily life, a hundred years later. Many actions remain the same across the centuries – dancing, working, walking down the street. The two time frames are interlinked further with hovering squares of facial recognition technology over the faces from the past, an attempt to use technology to “recognise” people who are ultimately unreachable, but whose culture deeply influences those in Seoul today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“During this period [of his mothers passing], I was lost in thought of how the deceased affects or changes us who continue to live in this world, what kind of meaning has been left after they have gone,” says Hwang. With its joyful melody piped out on a classical Piri flute, undercut with a dirty, bouncing bass line, Betweenness\/사이warmly embraces living traces of the past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTraditional Korean instrumentation continues to meet sounds from contemporary clubland throughout the record. On the closing track On the Way to the End, created in the final months of Hwang's mothers life, a tense shiver of Kkwaenggwari cymbals are punctuated by a clash of the Jing gong, while a post-industrial dirge whirls beneath. The track is the first time Hwang has used his own vocals – his distorted voice becomes a primordial wail of grief and rage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Yellow Eardrum, gabber beats and a punching kick drum create a driving rhythm under an otherworldly voice, a sample from master shaman Dae-rye Kim. Born in 1935 on the island of Jindo, Kim believed she could cleanse the souls of the recently deceased, as well as their living relatives, through her shamanistic singing and ritual practice she had learned from her mother. Similarly, Inner-self creates a space of communion between the past and present, making for a cathartic, timeless record.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003eArtist bio (via Chinabot):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"Jaeho Hwang is a London\/Seoul-based DJ, producer, and visual artist who recontextualises traditional Korean instrumentation and brings it into the contemporary club music scene. After releasing his first EP on Chinabot in 2019, he has been featured in DJ Mag, BBC Radio 6 Music, 4:3 Boiler Room, XLR8R, DUMMY Magazine and Mixmag Korea. Now based primarily in Seoul, he is involved with Seoul community radio and Nek-O Future Club.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jaeho Hwang\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e","published_at":"2022-07-03T11:47:06+09:00","created_at":"2022-06-23T15:05:36+09:00","vendor":"Tobira Records","type":"","tags":["chinabot","tape","techno \/ house"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42913635467514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jaeho Hwang \/\/ Inner-self TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_60602928-04c9-4b55-b261-c209c14cb1bc.jpg?v=1655964338","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_e4853013-ce23-40e7-9d76-09d89099beb5.jpg?v=1655964338"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_60602928-04c9-4b55-b261-c209c14cb1bc.jpg?v=1655964338","options":["Title"],"media":[{"alt":null,"id":29961386426618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_60602928-04c9-4b55-b261-c209c14cb1bc.jpg?v=1655964338"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_60602928-04c9-4b55-b261-c209c14cb1bc.jpg?v=1655964338","width":700},{"alt":null,"id":29961386459386,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_e4853013-ce23-40e7-9d76-09d89099beb5.jpg?v=1655964338"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in2_e4853013-ce23-40e7-9d76-09d89099beb5.jpg?v=1655964338","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国のガバ作家Jaeho Hwangが、2022年6月にイギリスのChinabotからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e韓国の伝統楽器を取り入れたポストインダストリアル・テクノ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4jSpNuVDlQ8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065694536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Jaeho Hwang is releasing his second EP, Inner-self, on Chinabot. Combining elements of gabber, industrial rythms components and experimental music gleaned from ten years in London's electronic music scene, Hwang also uses traditional Korean instrumentation as part of his compelling, original voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe literal and spiritual follow-up to his 2019 EP Non-self, Inner-self examines contemporary life through a Buddhist lens. But where Non-self took delight in the glitchy, dissolution of the self in a digital landscape or on the dance floor of a club, Inner-self looks back towards Korea's past, exploring the echoes of past people and cultures in Seoul's modern landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHwang's desire to reach into the past is personal. In 2020 he moved from London, his home of a decade, back to Seoul to spend\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e time with his mother before her death in 2021, which he calls “the most shocking, sorrowful, and bizarre event in my life.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the self-directed video for the lead track Betweenness\/사이, archive footage of early 20th century Seoul life is interspersed with Hwang's own daily life, a hundred years later. Many actions remain the same across the centuries – dancing, working, walking down the street. The two time frames are interlinked further with hovering squares of facial recognition technology over the faces from the past, an attempt to use technology to “recognise” people who are ultimately unreachable, but whose culture deeply influences those in Seoul today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“During this period [of his mothers passing], I was lost in thought of how the deceased affects or changes us who continue to live in this world, what kind of meaning has been left after they have gone,” says Hwang. With its joyful melody piped out on a classical Piri flute, undercut with a dirty, bouncing bass line, Betweenness\/사이warmly embraces living traces of the past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTraditional Korean instrumentation continues to meet sounds from contemporary clubland throughout the record. On the closing track On the Way to the End, created in the final months of Hwang's mothers life, a tense shiver of Kkwaenggwari cymbals are punctuated by a clash of the Jing gong, while a post-industrial dirge whirls beneath. The track is the first time Hwang has used his own vocals – his distorted voice becomes a primordial wail of grief and rage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Yellow Eardrum, gabber beats and a punching kick drum create a driving rhythm under an otherworldly voice, a sample from master shaman Dae-rye Kim. Born in 1935 on the island of Jindo, Kim believed she could cleanse the souls of the recently deceased, as well as their living relatives, through her shamanistic singing and ritual practice she had learned from her mother. Similarly, Inner-self creates a space of communion between the past and present, making for a cathartic, timeless record.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003eArtist bio (via Chinabot):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"Jaeho Hwang is a London\/Seoul-based DJ, producer, and visual artist who recontextualises traditional Korean instrumentation and brings it into the contemporary club music scene. After releasing his first EP on Chinabot in 2019, he has been featured in DJ Mag, BBC Radio 6 Music, 4:3 Boiler Room, XLR8R, DUMMY Magazine and Mixmag Korea. Now based primarily in Seoul, he is involved with Seoul community radio and Nek-O Future Club.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jaeho Hwang\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e"}
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韓国のガバ作家Jaeho Hwangが、2022年6月にイギリスのChinabotからリリースした最新作です。 韓国の伝統楽器を取り入れたポストインダストリアル・テクノ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Chinabot releases available at Tobira. ---------------------------- Includes...
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{"id":7652286660858,"title":"Liew Niyomkarn \/\/ I Think of Another Time When You Heard It TAPE","handle":"liew-niyomkarn-i-think-of-another-time-when-you-heard-it-tape","description":"\u003cp\u003eタイの音響作家Liew Niyomkarnが、2022年6月にイギリスのChinabotからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e彼女が過ごしたタイ北部での幼少期を追体験するようなポストニューエイジ・アンビエント11曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1034408627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"An untuned lyre. A mother speaking in soft Northern Thai dialect. The pulse of a Moog Subharmonicon. A gush of a waterfall, enjoyed with friends. A snatch of mundane conversation with a lover; a session with a psychotherapist. On Liew Niyomkarn’s new album, released on Chinabot, the Thai sound artist builds a soft, dreamlike replica of the world around her with field recordings and found object samples, and invites us to slip into her subjective experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album, titled I Think of Another Time When You Heard It, is “a reconstruction of memories in my childhood home, a place I grew up in, and conversations I had with people I met during the time I made this album,” says Niyomkarn. “I extensively use field recording in my work because I want to be able to remember it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eField recordings map memories onto memories as she jumps between time and place;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efrom pulsating synth experimentalism to delicate folk sounds. The textural electronics of the dreamscape collage are “intertwined with an unabashedly long attack and decay, and amorphous sound of untuned lyre and prepared guitar into one spiral segue,” she says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe result is a diaristic, ambient soundscape, with a light, spacious musicality, a reflection of her extensive work in sound\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e installation and film soundtracks. At times recalling the work of Claire Rousay, Felicia Atkinson, Ana Roxane and Marja Ahti, her juxtaposition of vocals, electronic and acoustic elements, as well as some Southeast Asian tuning systems, gives her work a granular singularity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded between her native Thailand and current home in Antwerp, I Think of Another Time When You Heard It sometimes has a jetlagged, homesick quality, rich with complex emotions. Cross over between begins with a sunrise recording at a farm in Northern Thailand. The woozy synths of her electroacoustic composition bleed into the sound of birds and crickets, capturing a moment of isolation and peace before an intense day ahead.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes the disorientation is more literal – the track Ear crystals reflects on her diagnosis of vertigo, sampling a manoeuvrer experience with her physiotherapist. The tender spoken-word track You and me in original time was written as Niyomkarn discovered her family dog, Coconut, was very sick just as she had to leave him to return to Belgium. These small, personal moments become universal in Niyomkarn’s hands; she transforms the detritus of everyday life into quiet moments of beauty, reminding us to practice the same inquisitive attention to our own lives.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Liew Niyomkarn is a Thai sound artist and musician based in Antwerp. Her work focuses on listening practice and the conveyance of memories through sound. She uses field recordings to detect time, (non)-human voices, everyday routines, text, archival sounds, and different tuning systems in nature -- to combine them with a sonic palette and the properties of sound itself such as sounds of spaces -- she presents her work in the form of live performance and sound installation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Liew Niyomkarn\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e","published_at":"2022-06-26T09:53:43+09:00","created_at":"2022-06-23T15:00:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","chinabot","post newage","tape"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42913621639418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Liew Niyomkarn \/\/ I Think of Another Time When You Heard It TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_e2368234-52e5-4cb9-ba1d-a376b467fddd.jpg?v=1655964050","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_630adb9b-7147-45ad-8776-657833b2cd99.jpg?v=1655964050"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_e2368234-52e5-4cb9-ba1d-a376b467fddd.jpg?v=1655964050","options":["Title"],"media":[{"alt":null,"id":29961327608058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_e2368234-52e5-4cb9-ba1d-a376b467fddd.jpg?v=1655964050"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th1_e2368234-52e5-4cb9-ba1d-a376b467fddd.jpg?v=1655964050","width":700},{"alt":null,"id":29961327640826,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_630adb9b-7147-45ad-8776-657833b2cd99.jpg?v=1655964050"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/th2_630adb9b-7147-45ad-8776-657833b2cd99.jpg?v=1655964050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eタイの音響作家Liew Niyomkarnが、2022年6月にイギリスのChinabotからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e彼女が過ごしたタイ北部での幼少期を追体験するようなポストニューエイジ・アンビエント11曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1034408627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chinabot\"\u003ehere\u003c\/a\u003e to see more Chinabot releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eChinabot:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"An untuned lyre. A mother speaking in soft Northern Thai dialect. The pulse of a Moog Subharmonicon. A gush of a waterfall, enjoyed with friends. A snatch of mundane conversation with a lover; a session with a psychotherapist. On Liew Niyomkarn’s new album, released on Chinabot, the Thai sound artist builds a soft, dreamlike replica of the world around her with field recordings and found object samples, and invites us to slip into her subjective experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album, titled I Think of Another Time When You Heard It, is “a reconstruction of memories in my childhood home, a place I grew up in, and conversations I had with people I met during the time I made this album,” says Niyomkarn. “I extensively use field recording in my work because I want to be able to remember it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eField recordings map memories onto memories as she jumps between time and place;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efrom pulsating synth experimentalism to delicate folk sounds. The textural electronics of the dreamscape collage are “intertwined with an unabashedly long attack and decay, and amorphous sound of untuned lyre and prepared guitar into one spiral segue,” she says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe result is a diaristic, ambient soundscape, with a light, spacious musicality, a reflection of her extensive work in sound\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e installation and film soundtracks. At times recalling the work of Claire Rousay, Felicia Atkinson, Ana Roxane and Marja Ahti, her juxtaposition of vocals, electronic and acoustic elements, as well as some Southeast Asian tuning systems, gives her work a granular singularity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded between her native Thailand and current home in Antwerp, I Think of Another Time When You Heard It sometimes has a jetlagged, homesick quality, rich with complex emotions. Cross over between begins with a sunrise recording at a farm in Northern Thailand. The woozy synths of her electroacoustic composition bleed into the sound of birds and crickets, capturing a moment of isolation and peace before an intense day ahead.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes the disorientation is more literal – the track Ear crystals reflects on her diagnosis of vertigo, sampling a manoeuvrer experience with her physiotherapist. The tender spoken-word track You and me in original time was written as Niyomkarn discovered her family dog, Coconut, was very sick just as she had to leave him to return to Belgium. These small, personal moments become universal in Niyomkarn’s hands; she transforms the detritus of everyday life into quiet moments of beauty, reminding us to practice the same inquisitive attention to our own lives.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Liew Niyomkarn is a Thai sound artist and musician based in Antwerp. Her work focuses on listening practice and the conveyance of memories through sound. She uses field recordings to detect time, (non)-human voices, everyday routines, text, archival sounds, and different tuning systems in nature -- to combine them with a sonic palette and the properties of sound itself such as sounds of spaces -- she presents her work in the form of live performance and sound installation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Liew Niyomkarn\u003c\/p\u003e\n\u003cp\u003eLabel : Chinabot\u003c\/p\u003e"}
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タイの音響作家Liew Niyomkarnが、2022年6月にイギリスのChinabotからリリースした最新作です。 彼女が過ごしたタイ北部での幼少期を追体験するようなポストニューエイジ・アンビエント11曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Chinabot releases available at Tobira. ---------------------------- Includes...
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