Black Truffle
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{"id":7511819124986,"title":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","handle":"david-behrman-viewfinder-hide-seek-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-01-19T18:08:39+09:00","created_at":"2022-01-11T16:10:00+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","post newage"],"price":296000,"price_min":296000,"price_max":296000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42303956943098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","public_title":null,"options":["Default Title"],"price":296000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","options":["Title"],"media":[{"alt":null,"id":28986636370170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","width":700},{"alt":null,"id":28986636402938,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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アメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥2,960
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{"id":7923205439738,"title":"Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke \/\/ Tonic 19-01-2001 LP","handle":"tony-conrad-arnold-dreyblatt-jim-orourke-tonic-19-01-2001-lp","description":"\u003cp\u003eTony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。\u003c\/p\u003e\n\u003cp\u003e「作曲からリスニングへ」「音の内側から音に働きかける」という\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConrad\u003c\/span\u003eの欲求を完璧に表現したエゴレス・ミュージックです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2858616682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Celebrating its one hundredth release, Black Truffle is honoured to present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O’Rourke. Across a two-night programme organised by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O’Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt’s ensemble and the second the trio heard here. As Dreyblatt points out in the wonderfully informative and reflective liner notes written for this release, this was a collaboration across generations, reflecting the profound impact of Conrad’s pioneering minimalism on Dreyblatt and O’Rourke. Both Dreyblatt and O’Rourke came to this collaboration armed with a deep appreciation of Conrad’s music and the just intonation principles at its core, Dreyblatt having first encountered the incredible power of Conrad’s precisely tuned violin chords during his tenure as an archivist for La Monte Young in 1975, while O’Rourke had performed with Conrad in various settings since the mid-1990s (as well as admiring, reissuing, and performing Dreyblatt's music).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe flyer for the concert promised ‘massive\u003cspan class=\"bcTruncateMore\"\u003e, ecstatic, pulsating overtones’, and the trio certainly delivered. From the moment this keening stream of bowed strings begins, it is clear, as Dreyblatt writes, that we are in ‘Tony’s sonic universe’, as massively amplified, slowly shifting combinations of precisely chosen pitches fill the room with complex beating patterns and ghostly difference tones. For more than twenty-five minutes, the music operates at a level of intensity comparable to classic recordings such as Conrad’s Four Violins, until the texture thins out slightly in the performance’s final quarter, allowing for the listener’s first recognition of the individual voices that make up this enormous, overwhelming harmonic edifice. The constant stream of bowed tones is broken by a beautifully rich pizzicato from Conrad on monochord, the sliding low tones and metallic shimmer of the other strings taking the set's final moments on an unexpected detour into spacious pastoral psychedelia.\u003cbr\u003e\u003cbr\u003eThough produced by three individuals known for their own distinctive bodies of the work, this is egoless music, the perfect expression of Conrad's desire 'to move away from composing to listening', to 'working \"on\" the sound from \"inside\" the sound'. Historically important and overwhelming in sonic impact, this release also serves as a moving tribute to Tony Conrad from two musicians profoundly marked by the example set by his art and life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-02-22T16:27:21+09:00","created_at":"2023-02-22T13:47:26+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44013323256058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke \/\/ Tonic 19-01-2001 LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","options":["Title"],"media":[{"alt":null,"id":31566120222970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","width":700},{"alt":null,"id":31566120255738,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。\u003c\/p\u003e\n\u003cp\u003e「作曲からリスニングへ」「音の内側から音に働きかける」という\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConrad\u003c\/span\u003eの欲求を完璧に表現したエゴレス・ミュージックです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2858616682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Celebrating its one hundredth release, Black Truffle is honoured to present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O’Rourke. Across a two-night programme organised by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O’Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt’s ensemble and the second the trio heard here. As Dreyblatt points out in the wonderfully informative and reflective liner notes written for this release, this was a collaboration across generations, reflecting the profound impact of Conrad’s pioneering minimalism on Dreyblatt and O’Rourke. Both Dreyblatt and O’Rourke came to this collaboration armed with a deep appreciation of Conrad’s music and the just intonation principles at its core, Dreyblatt having first encountered the incredible power of Conrad’s precisely tuned violin chords during his tenure as an archivist for La Monte Young in 1975, while O’Rourke had performed with Conrad in various settings since the mid-1990s (as well as admiring, reissuing, and performing Dreyblatt's music).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe flyer for the concert promised ‘massive\u003cspan class=\"bcTruncateMore\"\u003e, ecstatic, pulsating overtones’, and the trio certainly delivered. From the moment this keening stream of bowed strings begins, it is clear, as Dreyblatt writes, that we are in ‘Tony’s sonic universe’, as massively amplified, slowly shifting combinations of precisely chosen pitches fill the room with complex beating patterns and ghostly difference tones. For more than twenty-five minutes, the music operates at a level of intensity comparable to classic recordings such as Conrad’s Four Violins, until the texture thins out slightly in the performance’s final quarter, allowing for the listener’s first recognition of the individual voices that make up this enormous, overwhelming harmonic edifice. The constant stream of bowed tones is broken by a beautifully rich pizzicato from Conrad on monochord, the sliding low tones and metallic shimmer of the other strings taking the set's final moments on an unexpected detour into spacious pastoral psychedelia.\u003cbr\u003e\u003cbr\u003eThough produced by three individuals known for their own distinctive bodies of the work, this is egoless music, the perfect expression of Conrad's desire 'to move away from composing to listening', to 'working \"on\" the sound from \"inside\" the sound'. Historically important and overwhelming in sonic impact, this release also serves as a moving tribute to Tony Conrad from two musicians profoundly marked by the example set by his art and life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
Tony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。 「作曲からリスニングへ」「音の内側から音に働きかける」というConradの欲求を完璧に表現したエゴレス・ミュージックです。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
¥3,680
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{"id":7830384935162,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-caught-in-the-dilemma-of-being-made-to-choose-this-makes-the-modesty-which-should-never-been-closed-off-itself-continue-to-ask-itself-ready-or-not-2xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-07T13:24:32+09:00","created_at":"2022-11-07T11:45:10+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","strange beats"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622684000506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","options":["Title"],"media":[{"alt":null,"id":30937460539642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","width":700},{"alt":null,"id":30937460572410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。 Keiji Hainoがメタルパーカッション、Jim O'Rourkeがエレクトロニクス、Oren Ambarchiがゴングを演奏したチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。 レーベルその他作品はこちら /// Click here to see more Black...
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{"id":7830388932858,"title":"crys cole \/\/ Other Meetings LP","handle":"crys-cole-other-meetings-lp","description":"\u003cp\u003eカナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1628508021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ePresented with an inner sleeve with photos and liner notes from the composer and remastered audio.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTotalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:12:30+09:00","created_at":"2022-11-07T11:53:30+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622697992442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"crys cole \/\/ Other Meetings LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","options":["Title"],"media":[{"alt":null,"id":30937503760634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","width":700},{"alt":null,"id":30937503793402,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1628508021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ePresented with an inner sleeve with photos and liner notes from the composer and remastered audio.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTotalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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カナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
¥3,580
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{"id":7830387228922,"title":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","handle":"amelia-cuni-mumbai-04-02-1996-2xlp","description":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:19:28+09:00","created_at":"2022-11-07T11:50:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","field recording","lp","new"],"price":508000,"price_min":508000,"price_max":508000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622691733754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","public_title":null,"options":["Default Title"],"price":508000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","options":["Title"],"media":[{"alt":null,"id":30937487606010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","width":700},{"alt":null,"id":30937487638778,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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イタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。 彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥5,080
Quickview
{"id":7677219504378,"title":"Oren Ambarchi \/\/ Live Hubris LP","handle":"oren-ambarchi-live-hubris-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eColoured vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOperating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-07-15T15:03:57+09:00","created_at":"2022-07-15T12:34:19+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","jazz","lp","strange beats"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993224188154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oren Ambarchi \/\/ Live Hubris LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","options":["Title"],"media":[{"alt":null,"id":30124638896378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","width":700},{"alt":null,"id":30124638929146,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eColoured vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOperating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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オーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
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{"id":7677226647802,"title":"Brunhild Ferrari \u0026 Christoph Heemann \/\/ Stürmische Ruhe LP","handle":"brunhild-ferrari-christoph-heemann-sturmische-ruhe-lp","description":"\u003cp\u003eフランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eローエンド・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592241563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning collaboration with Jim O’Rourke (Le Piano Englouti, BT055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBanging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brunhild Ferrari \u0026amp; Christoph Heemann\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-07-21T13:53:18+09:00","created_at":"2022-07-15T12:36:21+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993233461498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brunhild Ferrari \u0026 Christoph Heemann \/\/ Stürmische Ruhe LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","options":["Title"],"media":[{"alt":null,"id":30124649480442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","width":700},{"alt":null,"id":30124649513210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eローエンド・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592241563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning collaboration with Jim O’Rourke (Le Piano Englouti, BT055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBanging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brunhild Ferrari \u0026amp; Christoph Heemann\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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フランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。 ローエンド・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":7788157174010,"title":"Alvin Curran \/\/ Drumming Up Trouble LP","handle":"alvin-curran-drumming-up-trouble-lp","description":"\u003cp\u003e\u003cspan\u003e大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。\u003cmeta charset=\"utf-8\"\u003eCurranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、\u003cmeta charset=\"utf-8\"\u003eCurranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat ThomasとMatt Wand、リスボンのPrincipeレーベルによるKudoro\/Grimeの推進力の間の空間を占めているのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranの作品の幅は驚くほど広いので、彼の作品をよく知るリスナーが、新しい方向に枝分かれしていることに驚くことはまずないでしょう。しかし、彼の作品にどれだけ精通していても、サイドBの壮大で奇妙な「Field it More」に備えることはできません。この狂気と感染力を持った作品については、マエストロ自身の言葉で説明してもらうのが一番でしょう。ジェームス・ブラウンのような8小節のファンキーなミニマル・リフがシンセと調子の悪いピアノで演奏され、ローランドのドラムマシンのプリペイド・パッチと同期しているのが特徴です。ドラムマシーン・ファンク、狂気の即興演奏、息苦しいエレクトロニクス、そして最終的には巨大で重層的なクラスターに分解されたこの荒々しい自家製音楽に、漠然とでも匹敵する参考文献として思い浮かぶのはPekka AiraksinenのBuddha of the Golden Lightだけです。古代と現代、合成と人間、ヒステリックと厳格、Drumming up Troubleは100％\u003cmeta charset=\"utf-8\"\u003eCurranです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1355308266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-10-04T18:46:25+09:00","created_at":"2022-10-02T10:05:15+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","hiphop \/ funk","lp","new","strange beats"],"price":359000,"price_min":359000,"price_max":359000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43471048179962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Drumming Up Trouble LP","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","options":["Title"],"media":[{"alt":null,"id":30621178527994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","width":700},{"alt":null,"id":30621178560762,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。\u003cmeta charset=\"utf-8\"\u003eCurranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、\u003cmeta charset=\"utf-8\"\u003eCurranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat ThomasとMatt Wand、リスボンのPrincipeレーベルによるKudoro\/Grimeの推進力の間の空間を占めているのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranの作品の幅は驚くほど広いので、彼の作品をよく知るリスナーが、新しい方向に枝分かれしていることに驚くことはまずないでしょう。しかし、彼の作品にどれだけ精通していても、サイドBの壮大で奇妙な「Field it More」に備えることはできません。この狂気と感染力を持った作品については、マエストロ自身の言葉で説明してもらうのが一番でしょう。ジェームス・ブラウンのような8小節のファンキーなミニマル・リフがシンセと調子の悪いピアノで演奏され、ローランドのドラムマシンのプリペイド・パッチと同期しているのが特徴です。ドラムマシーン・ファンク、狂気の即興演奏、息苦しいエレクトロニクス、そして最終的には巨大で重層的なクラスターに分解されたこの荒々しい自家製音楽に、漠然とでも匹敵する参考文献として思い浮かぶのはPekka AiraksinenのBuddha of the Golden Lightだけです。古代と現代、合成と人間、ヒステリックと厳格、Drumming up Troubleは100％\u003cmeta charset=\"utf-8\"\u003eCurranです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1355308266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。 Black Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。Curranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。Curranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、Curranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat...
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{"id":6845037805733,"title":"Phew \/ Ambarchi \/ O'Rourke \/\/ Patience Soup LP","handle":"phew-ambarchi-orourke-patience-soup-lp","description":"\u003cp\u003e実験界隈の大御所3名による共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177601561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePresented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phew \/ Ambarchi \/ O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2021-06-18T10:31:28+09:00","created_at":"2021-06-17T18:12:22+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","lp","monooto"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40168179105957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phew \/ Ambarchi \/ O'Rourke \/\/ Patience Soup LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa.jpg?v=1623921144"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa.jpg?v=1623921144","options":["Title"],"media":[{"alt":null,"id":22608400122021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa.jpg?v=1623921144"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa.jpg?v=1623921144","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験界隈の大御所3名による共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177601561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePresented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phew \/ Ambarchi \/ O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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実験界隈の大御所3名による共作レコードです。 Description by Black Truffle: "Patience Soup presents the entirety of a live performance...
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