Jeff Parker // Max Brown - Part One 7"
Jeff Parker // Max Brown - Part One 7"
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ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7"。コンテンポラリージャズ2曲を収録。300枚限定です。
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
------------------------------
Edition of 300.
'Max Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.
Artist : Jeff Parker
Label : International Anthem
ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7"。コンテンポラリージャズ2曲を収録。300枚限定です。
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
------------------------------
Edition of 300.
'Max Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.
Artist : Jeff Parker
Label : International Anthem
Related Products
クイックビュー
{"id":8777403465978,"title":"Jeff Parker ETA IVtet \/\/ The Way Out of Easy 2xLP","handle":"jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA IVtetを結成し、2016年から月曜日の定期ギグを開催していた。当時は、それがETAが営業する昨年最初のギグだとは誰も知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパーカーのETAアンサンブルは、そのレジデンスを7年間続けるうちに、主にスタンダードを演奏するバンドから、グルーヴ志向、絵画的、ポリリズム、ミニマル、マントラ即興音楽など、革新的でしばしば未知の領域への超越的で長大な（時には45分以上に及ぶ）旅で知られるグループへと進化した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのような音楽的成長とともに、ETAでのパーカーと彼のバンドの観客も年々増えていった。当初は、平日の夜に酒を飲む人、友人、家族、シカゴの外国人（パーカーが00年代から10年代初頭にかけてローダンで創り上げていた雰囲気を懐かしむためにやってくる）などがまばらに集まっていたのが、今ではロサンゼルスのナイトライフの定番となり、ライブのたびに満員の客席とブロック下まで続く列ができるまでになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIVtetは毎週、スタンダード曲や一曲でライヴを終えるのが慣例となっていた。パーカーも、長い夜を創造的な肢体で駆け抜けた観客に、何か温かく親しみのあるものを持ち帰ってもらいたいと、この習慣を受け入れていた。バート・バカラックの 「This Guy's In Love With You」、エディ・ハリスの 「1974 Blues」、ホレス・シルヴァーの 「Peace 」などが、パーカーがよく演奏した曲である。このセットでは、IVtetはおなじみの曲ではなく、ダブ／レゲエ・グルーヴ（パーカーがポストで 「Chrome Dome 」と命名）という形でおなじみのサウンドで締めくくっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年12月初旬、ETAの共同経営者であるライアン・ジュリオは、年末に同会場を永久閉鎖するという突然の発表を余儀なくされた。12月23日、パーカーとバンドはETAで最後の演奏を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年7月22日、ETA IVtetはロサンゼルスのZebulonで、数百人のソールドアウトした聴衆（その中には笑顔のライアン・ジュリオもいた）のために演奏し、それ以来初めて一緒に演奏するために集まった。ゴンザレスはその場にいて、ステージ上のバンドのすぐ後ろでコンパクトなアナログ・セットアップを使って録音していた。スペースはなくなっても、その精神は生き続け、音楽は新たな器へと前進する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=501070633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" black viny in reverse-board sleeve w\/ OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Freakadelic\u003cbr\u003e2. Late Autumn \u003cbr\u003e3. Easy Way Out\u003cbr\u003e4. Chrome Dome \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003e January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOver seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line of down the block for every show. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIt had become customary for the IVtet to end their shows every week with a standard or a tune – a practice that Parker embraced for wanting to give the audience something warm and familiar to take home after a long night of taking them out on creative limbs. Some of Parker’s more common calls were “This Guy’s In Love With You” by Burt Bacharach, “1974 Blues” by Eddie Harris, or “Peace” by Horace Silver. In this set, the IVtet closes not with a familiar song, but a familiar sound in the form of a dub\/reggae groove (given the name “Chrome Dome” by Parker in post), developing spontaneously out of lyrical ad libs by Johnson on solo saxophone. \u003cbr\u003e\u003cbr\u003eIn early December of 2023, ETA co-owner Ryan Julio was forced to make a sudden announcement that the venue would permanently shutter at the end of the year. On December 23rd, Parker and the band played at ETA for the last time. \u003cbr\u003e\u003cbr\u003eOn July 22nd, 2024, the ETA IVtet gathered to perform together for the first time since then, playing for a sold-out crowd of several hundred listeners – a smiling Ryan Julio among them – at Zebulon in Los Angeles. Gonzales was there, recording with his compact analog setup just behind the band on stage. The space may be gone but its spirit lives and the music moves forward into new vessels.\u003c\/span\u003e \"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0089\u003c\/p\u003e","published_at":"2025-05-03T06:16:05+09:00","created_at":"2025-05-03T06:15:20+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":568000,"price_min":568000,"price_max":568000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47290728415482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ The Way Out of Easy 2xLP","public_title":null,"options":["Default Title"],"price":568000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597897876","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","options":["Title"],"media":[{"alt":null,"id":35131059273978,"position":1,"preview_image":{"aspect_ratio":0.99,"height":3756,"width":3720,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747"},"aspect_ratio":0.99,"height":3756,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","width":3720},{"alt":null,"id":35131059437818,"position":2,"preview_image":{"aspect_ratio":1.316,"height":912,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750"},"aspect_ratio":1.316,"height":912,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA IVtetを結成し、2016年から月曜日の定期ギグを開催していた。当時は、それがETAが営業する昨年最初のギグだとは誰も知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパーカーのETAアンサンブルは、そのレジデンスを7年間続けるうちに、主にスタンダードを演奏するバンドから、グルーヴ志向、絵画的、ポリリズム、ミニマル、マントラ即興音楽など、革新的でしばしば未知の領域への超越的で長大な（時には45分以上に及ぶ）旅で知られるグループへと進化した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのような音楽的成長とともに、ETAでのパーカーと彼のバンドの観客も年々増えていった。当初は、平日の夜に酒を飲む人、友人、家族、シカゴの外国人（パーカーが00年代から10年代初頭にかけてローダンで創り上げていた雰囲気を懐かしむためにやってくる）などがまばらに集まっていたのが、今ではロサンゼルスのナイトライフの定番となり、ライブのたびに満員の客席とブロック下まで続く列ができるまでになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIVtetは毎週、スタンダード曲や一曲でライヴを終えるのが慣例となっていた。パーカーも、長い夜を創造的な肢体で駆け抜けた観客に、何か温かく親しみのあるものを持ち帰ってもらいたいと、この習慣を受け入れていた。バート・バカラックの 「This Guy's In Love With You」、エディ・ハリスの 「1974 Blues」、ホレス・シルヴァーの 「Peace 」などが、パーカーがよく演奏した曲である。このセットでは、IVtetはおなじみの曲ではなく、ダブ／レゲエ・グルーヴ（パーカーがポストで 「Chrome Dome 」と命名）という形でおなじみのサウンドで締めくくっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年12月初旬、ETAの共同経営者であるライアン・ジュリオは、年末に同会場を永久閉鎖するという突然の発表を余儀なくされた。12月23日、パーカーとバンドはETAで最後の演奏を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年7月22日、ETA IVtetはロサンゼルスのZebulonで、数百人のソールドアウトした聴衆（その中には笑顔のライアン・ジュリオもいた）のために演奏し、それ以来初めて一緒に演奏するために集まった。ゴンザレスはその場にいて、ステージ上のバンドのすぐ後ろでコンパクトなアナログ・セットアップを使って録音していた。スペースはなくなっても、その精神は生き続け、音楽は新たな器へと前進する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=501070633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" black viny in reverse-board sleeve w\/ OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Freakadelic\u003cbr\u003e2. Late Autumn \u003cbr\u003e3. Easy Way Out\u003cbr\u003e4. Chrome Dome \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003e January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOver seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line of down the block for every show. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIt had become customary for the IVtet to end their shows every week with a standard or a tune – a practice that Parker embraced for wanting to give the audience something warm and familiar to take home after a long night of taking them out on creative limbs. Some of Parker’s more common calls were “This Guy’s In Love With You” by Burt Bacharach, “1974 Blues” by Eddie Harris, or “Peace” by Horace Silver. In this set, the IVtet closes not with a familiar song, but a familiar sound in the form of a dub\/reggae groove (given the name “Chrome Dome” by Parker in post), developing spontaneously out of lyrical ad libs by Johnson on solo saxophone. \u003cbr\u003e\u003cbr\u003eIn early December of 2023, ETA co-owner Ryan Julio was forced to make a sudden announcement that the venue would permanently shutter at the end of the year. On December 23rd, Parker and the band played at ETA for the last time. \u003cbr\u003e\u003cbr\u003eOn July 22nd, 2024, the ETA IVtet gathered to perform together for the first time since then, playing for a sold-out crowd of several hundred listeners – a smiling Ryan Julio among them – at Zebulon in Los Angeles. Gonzales was there, recording with his compact analog setup just behind the band on stage. The space may be gone but its spirit lives and the music moves forward into new vessels.\u003c\/span\u003e \"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0089\u003c\/p\u003e"}
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アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA...
¥5,680
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{"id":8758178644218,"title":"Ben LaMar Gay \/\/ Downtown Castles Can Never Block The Sun (IA11 Edition) LP","handle":"ben-lamar-gay-downtown-castles-can-never-block-the-sun-ia11-edition-lp","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3240491247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003eIncludes 4-page insert booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vitus Labrusca 00:32\u003cbr\u003e2. Muhal 03:43\u003cbr\u003e3. Music For 18 Hairdressers: Braids \u0026amp; Fractals 02:25\u003cbr\u003e4. Jubilee 03:22\u003cbr\u003e5. A Seasoning Called Primavera 03:51\u003cbr\u003e6. Miss Nealie Burns 02:48\u003cbr\u003e7. Me, JayVe \u0026amp; The Big Bee 01:45\u003cbr\u003e8. Uvas 04:19\u003cbr\u003e9. Galveston 03:46\u003cbr\u003e10. Swim Swim 03:22\u003cbr\u003e11. Kunni 03:47\u003cbr\u003e12. Melhor Que Tem 03:28\u003cbr\u003e13. Gator Teeth 01:23\u003cbr\u003e14. 7th Stanza 00:56\u003cbr\u003e15. Oh no...not again! 04:53\u003cbr\u003e16. For Marcelo Yuka 02:04\u003cbr\u003e17. Wine and Lemon Soda 02:11\u003cbr\u003e18. Carousel 03:08\u003cbr\u003e19. Super Science 04:11\u003cbr\u003e20. Lapsus (excerpt) 03:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen LaMar Gay’s de facto debut album, 'Downtown Castles Can Never Block The Sun', was our attempt to introduce the legendary Chicago composer \/ improviser \/ renaissance man to the rest of the world with a compilation of tracks from 7 albums he made over 7 years (though he hadn’t yet made the effort to actually release). The material showcases Gay’s penchant for genre-hopping – from Steve Reich-ian soundscape voyages to Don Cherry-esque polyrhythm treks to Jorge Ben-style vocal-and-string earworms – while keeping his singular musical voice in focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the years since its release, this long OOP collection has become a touchstone, foreshadowing the breadth and scope of Gay’s output since. The songs-between-the-songs warped Soul Americana madness and beauty of 'Open Arms To Open Us', the unhinged long form freedom of 'Certain Reveries' – each fresh mode would defy expectation if without the context established by Downtown Castles. To quote our OG announcement of the album: “to call it ‘eclectic’ would only scratch the surface. This music is everything.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe IA11 Edition of this LP comes with an IARC2025 obi strip plus a 4-page insert booklet featuring new (old) photos and new liner notes by musician (and longtime BLG friend\/collaborator) Gira Dahnee.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0017\u003c\/p\u003e","published_at":"2025-04-09T06:44:38+09:00","created_at":"2025-04-07T09:15:56+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","strange beats"],"price":357000,"price_min":357000,"price_max":357000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241488302330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Downtown Castles Can Never Block The Sun (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":357000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457197879","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_53e38a3e-f941-4464-a6fb-08f7c690f924.jpg?v=1743984842","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_f4dbb093-ad0e-440b-9869-6191a4000730.jpg?v=1743984842","\/\/tobirarecords.com\/cdn\/shop\/files\/ca3.jpg?v=1743984842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_53e38a3e-f941-4464-a6fb-08f7c690f924.jpg?v=1743984842","options":["Title"],"media":[{"alt":null,"id":35844210950394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_53e38a3e-f941-4464-a6fb-08f7c690f924.jpg?v=1743984842"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_53e38a3e-f941-4464-a6fb-08f7c690f924.jpg?v=1743984842","width":700},{"alt":null,"id":35844210983162,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_f4dbb093-ad0e-440b-9869-6191a4000730.jpg?v=1743984842"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_f4dbb093-ad0e-440b-9869-6191a4000730.jpg?v=1743984842","width":900},{"alt":null,"id":35844211015930,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3.jpg?v=1743984842"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3.jpg?v=1743984842","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3240491247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003eIncludes 4-page insert booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vitus Labrusca 00:32\u003cbr\u003e2. Muhal 03:43\u003cbr\u003e3. Music For 18 Hairdressers: Braids \u0026amp; Fractals 02:25\u003cbr\u003e4. Jubilee 03:22\u003cbr\u003e5. A Seasoning Called Primavera 03:51\u003cbr\u003e6. Miss Nealie Burns 02:48\u003cbr\u003e7. Me, JayVe \u0026amp; The Big Bee 01:45\u003cbr\u003e8. Uvas 04:19\u003cbr\u003e9. Galveston 03:46\u003cbr\u003e10. Swim Swim 03:22\u003cbr\u003e11. Kunni 03:47\u003cbr\u003e12. Melhor Que Tem 03:28\u003cbr\u003e13. Gator Teeth 01:23\u003cbr\u003e14. 7th Stanza 00:56\u003cbr\u003e15. Oh no...not again! 04:53\u003cbr\u003e16. For Marcelo Yuka 02:04\u003cbr\u003e17. Wine and Lemon Soda 02:11\u003cbr\u003e18. Carousel 03:08\u003cbr\u003e19. Super Science 04:11\u003cbr\u003e20. Lapsus (excerpt) 03:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen LaMar Gay’s de facto debut album, 'Downtown Castles Can Never Block The Sun', was our attempt to introduce the legendary Chicago composer \/ improviser \/ renaissance man to the rest of the world with a compilation of tracks from 7 albums he made over 7 years (though he hadn’t yet made the effort to actually release). The material showcases Gay’s penchant for genre-hopping – from Steve Reich-ian soundscape voyages to Don Cherry-esque polyrhythm treks to Jorge Ben-style vocal-and-string earworms – while keeping his singular musical voice in focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the years since its release, this long OOP collection has become a touchstone, foreshadowing the breadth and scope of Gay’s output since. The songs-between-the-songs warped Soul Americana madness and beauty of 'Open Arms To Open Us', the unhinged long form freedom of 'Certain Reveries' – each fresh mode would defy expectation if without the context established by Downtown Castles. To quote our OG announcement of the album: “to call it ‘eclectic’ would only scratch the surface. This music is everything.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe IA11 Edition of this LP comes with an IARC2025 obi strip plus a 4-page insert booklet featuring new (old) photos and new liner notes by musician (and longtime BLG friend\/collaborator) Gira Dahnee.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0017\u003c\/p\u003e"}
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アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発レコードです。 実験スピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ライナーノーツ付属。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":8758171271418,"title":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole CD","handle":"alabaster-deplume-a-blade-because-a-blade-is-whole-cd","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in 6-panel digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T11:33:03+09:00","created_at":"2025-04-07T09:10:53+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","international anthem","jazz","new"],"price":243000,"price_min":243000,"price_max":243000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241476833530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole CD","public_title":null,"options":["Default Title"],"price":243000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198258","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684","\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_f26187de-5e0e-4a73-928f-204718a73fba.jpg?v=1743984684"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684","options":["Title"],"media":[{"alt":null,"id":35844206461178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684","width":700},{"alt":null,"id":35844206493946,"position":2,"preview_image":{"aspect_ratio":1.594,"height":753,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_f26187de-5e0e-4a73-928f-204718a73fba.jpg?v=1743984684"},"aspect_ratio":1.594,"height":753,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_f26187de-5e0e-4a73-928f-204718a73fba.jpg?v=1743984684","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in 6-panel digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 フォーク・ジャズ11曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥2,430
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{"id":8758171009274,"title":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole LP","handle":"alabaster-deplume-a-blade-because-a-blade-is-whole-lp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T11:31:55+09:00","created_at":"2025-04-07T09:10:41+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","international anthem","jazz","lp","new"],"price":435300,"price_min":435300,"price_max":435300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241476604154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole LP","public_title":null,"options":["Default Title"],"price":435300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198234","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","options":["Title"],"media":[{"alt":null,"id":35844203380986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","width":700},{"alt":null,"id":35844203413754,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 フォーク・ジャズ11曲を収録。ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
¥4,353