Astor // Lina In Nida LP

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オーストラリア／イギリスの実験レーベルpenultimate press主宰Mark Harwood aka Astorが、2015年にリリースしたレコードです。

コラージュ・ドローン7曲を収録。廃盤です。

レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira.

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"Mark Harwood‘s third album under his Astor moniker slips away from the obtuse atmospheres and concrete field recordings of Alcor and Inland (released on Graham Lambkin‘s Kye label in 2012 and 2013 respectively). Lina in Nida sits more in a melodic electronic framework covering a wide range of sonic and emotional states.

“The East” initiates proceedings as a proposed anthem for Britain during a potential invasion by ISIS. Things soon move into the uncomfortably claustrophobic “The Landowners,” where an oblique narrative by Estonian artist Kris Lemsalu spirals into a blurred fantasy of musical roads, nocturnal wanderings, and entrapment under floorboards. The B-side relocates itself further out as “They Cling to Each Other” hovers over uncharted ketamine lows while “The Sleepwalkers” lurches around a spider-like environment. “Amusement” tackles a cosmic music, but one that hurtles itself far beyond the outer regions of the cosmos, while “5:00am” contains within the greatest sound known to mankind. As a further shift from reason, Lina in Nida is a thrilling expose of intense atmospheres, emotional states, and ecstatic physics." - Penultimate Press"

artist : Astor

label : penultimate press

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オーストラリア／イギリスの実験レーベルpenultimate press主宰Mark Harwood aka Astorが、2015年にリリースしたレコードです。
コラージュ・ドローン7曲を収録。廃盤です。

レーベルその他作品はこちら /// Click here to see more Penultimate Press releases available at Tobira.

----------------------

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クイックビュー {"id":9228204572922,"title":"David Torn \/\/ now i imagine a place not the same 2xLP","handle":"david-torn-now-i-imagine-a-place-not-the-same-2x12inch","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/29リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのギタリストDavid Tornが、2026年5月にNYの実験レーベル\u003cspan class=\"title\"\u003eKou Records\u003c\/span\u003eからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるインプロ〜ドローン11曲を収録。ゲートフォルド仕様です。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エレキ・ギタリスト兼作曲家のDavid Tornが、5月29日にKou Recordsよりリリースされる大作ニュー・ダブルLP『now i imagine a place not the same』を発表した。ランドール・ダン（Sunn O)))、サーストン・ムーア）がプロデュースを手掛けた本作は、Tornの初期のエフェクト処理手法が持つ生々しいエネルギーを再訪しつつ、数十年にわたる探求の視点を通じてそれを進化させている。本能的でありながら軽やかで、独自チューニング、ループシステム、タッチセンシティブなエレクトロニクスとの長年にわたる対話をさらに深めている。メロディ、ノイズ、そして雰囲気が、絶えず変化し続ける音響のフィールドの中で互いに交錯し合う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトリックギター・プロセッシングの先駆者であるTornは、映画音楽と現代のエレクトロアコースティック音楽の両方に、静かでありながら広範な影響を与えてきた。自身のスコアに加え、カーター・バーウェル、坂本龍一、クリフ・マルティネス、ハワード・ショア、マーク・アイシャムらの作品にも、形成期における創造的な貢献を果たしている。これらのコラボレーションを通じて、彼のギター・ランゲージは、雰囲気があり、心理的で、質感に満ちた映画的な語彙を形作る一助となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e映画の分野を超えて、Tornの活動はデヴィッド・ボウイ、マドンナ、ジョン・レジェンド、トーリ・エイモス、k.d.ラング、ドン・チェリー、ビル・ブルフォード、トニー・レヴィン、デヴィッド・シルヴィアンなど、異例なほど幅広いアーティストに及んでいる。ECMレコードでの彼の録音は、没入感あふれる空間的なアプローチによるギター・プロセッシングをさらに確立し、その響きは世代を超えて今もなお続いている……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=952357333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kou\"\u003ehere\u003c\/a\u003e to see more Kou Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 29th May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e2 x 12\" black vinyl in gatefold sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes original gatefold artwork by Arik Roper, concrete poem by Stephen O'Malley, writing and notes by David Torn and liner notes by Randall Dunn.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. ice-shock cold of illusion \u003cbr\u003e2. shapes of newborn warming stars \u003cbr\u003e3. the red door #1 \u003cbr\u003e4. its own dimension \u003cbr\u003e5. within dimension behind dimension \u003cbr\u003e6. inconclusive \u003cbr\u003e7. the road (past the beehive) to the river \u003cbr\u003e8. when the birds flock 'round my head \u003cbr\u003e9. gold and its oxide \u003cbr\u003e10. bones of home, fly east... \u003cbr\u003e11. the (once green) red door #2\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectric guitarist and composer David Torn announces \"now i imagine a place not the same,\" an expansive new double LP out May 29 via Kou Records. 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Across these collaborations, his guitar language helped shape a cinematic vocabulary that feels atmospheric, psychological, and texturally alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond film, Torn’s presence spans an unusually broad range of artists, including David Bowie, Madonna, John Legend, Tori Amos, k.d. lang, Don Cherry, Bill Bruford, Tony Levin, and David\u003cspan class=\"bcTruncateMore\"\u003e Sylvian. His recordings for ECM Records further defined an immersive, spatial approach to processed guitar that continues to resonate across generations...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Torn\u003c\/p\u003e\n\u003cp\u003eLabel : Kou Records\u003c\/p\u003e\n\u003cp\u003ecat no : KOU005lp\u003c\/p\u003e","published_at":"2026-05-19T07:55:32+09:00","created_at":"2026-05-16T10:23:32+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","kou records","lp","new"],"price":579600,"price_min":579600,"price_max":579600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894234427642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Torn \/\/ now i imagine a place not the same 2xLP","public_title":null,"options":["Default Title"],"price":579600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"850077743207","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288","\/\/tobirarecords.com\/cdn\/shop\/files\/im2_f5662383-0650-4432-b2e8-d50d91f07070.jpg?v=1778894288"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288","options":["Title"],"media":[{"alt":null,"id":39387855061242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288","width":350},{"alt":null,"id":39387855094010,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im2_f5662383-0650-4432-b2e8-d50d91f07070.jpg?v=1778894288"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im2_f5662383-0650-4432-b2e8-d50d91f07070.jpg?v=1778894288","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/29リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのギタリストDavid Tornが、2026年5月にNYの実験レーベル\u003cspan class=\"title\"\u003eKou Records\u003c\/span\u003eからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるインプロ〜ドローン11曲を収録。ゲートフォルド仕様です。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エレキ・ギタリスト兼作曲家のDavid Tornが、5月29日にKou Recordsよりリリースされる大作ニュー・ダブルLP『now i imagine a place not the same』を発表した。ランドール・ダン（Sunn O)))、サーストン・ムーア）がプロデュースを手掛けた本作は、Tornの初期のエフェクト処理手法が持つ生々しいエネルギーを再訪しつつ、数十年にわたる探求の視点を通じてそれを進化させている。本能的でありながら軽やかで、独自チューニング、ループシステム、タッチセンシティブなエレクトロニクスとの長年にわたる対話をさらに深めている。メロディ、ノイズ、そして雰囲気が、絶えず変化し続ける音響のフィールドの中で互いに交錯し合う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトリックギター・プロセッシングの先駆者であるTornは、映画音楽と現代のエレクトロアコースティック音楽の両方に、静かでありながら広範な影響を与えてきた。自身のスコアに加え、カーター・バーウェル、坂本龍一、クリフ・マルティネス、ハワード・ショア、マーク・アイシャムらの作品にも、形成期における創造的な貢献を果たしている。これらのコラボレーションを通じて、彼のギター・ランゲージは、雰囲気があり、心理的で、質感に満ちた映画的な語彙を形作る一助となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e映画の分野を超えて、Tornの活動はデヴィッド・ボウイ、マドンナ、ジョン・レジェンド、トーリ・エイモス、k.d.ラング、ドン・チェリー、ビル・ブルフォード、トニー・レヴィン、デヴィッド・シルヴィアンなど、異例なほど幅広いアーティストに及んでいる。ECMレコードでの彼の録音は、没入感あふれる空間的なアプローチによるギター・プロセッシングをさらに確立し、その響きは世代を超えて今もなお続いている……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=952357333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kou\"\u003ehere\u003c\/a\u003e to see more Kou Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 29th May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e2 x 12\" black vinyl in gatefold sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes original gatefold artwork by Arik Roper, concrete poem by Stephen O'Malley, writing and notes by David Torn and liner notes by Randall Dunn.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. ice-shock cold of illusion \u003cbr\u003e2. shapes of newborn warming stars \u003cbr\u003e3. the red door #1 \u003cbr\u003e4. its own dimension \u003cbr\u003e5. within dimension behind dimension \u003cbr\u003e6. inconclusive \u003cbr\u003e7. the road (past the beehive) to the river \u003cbr\u003e8. when the birds flock 'round my head \u003cbr\u003e9. gold and its oxide \u003cbr\u003e10. bones of home, fly east... \u003cbr\u003e11. the (once green) red door #2\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectric guitarist and composer David Torn announces \"now i imagine a place not the same,\" an expansive new double LP out May 29 via Kou Records. Produced by Randall Dunn (Sunn O))), Thurston Moore), the album revisits the raw electricity of Torn’s early processing language while carrying it forward with the perspective of decades of exploration. Visceral yet weightless, it deepens his long-standing dialogue between alternate tunings, looping systems, and touch-sensitive electronics. Melody, noise, and atmosphere move through one another in a continuously shifting field of tone.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA pioneering figure in electric guitar processing, Torn has exerted a quiet but far-reaching influence on both film scoring and contemporary electro-acoustic music. In addition to his own scores, he has made formative creative contributions to works by Carter Burwell, Ryuichi Sakamoto, Cliff Martinez, Howard Shore, and Mark Isham. Across these collaborations, his guitar language helped shape a cinematic vocabulary that feels atmospheric, psychological, and texturally alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond film, Torn’s presence spans an unusually broad range of artists, including David Bowie, Madonna, John Legend, Tori Amos, k.d. lang, Don Cherry, Bill Bruford, Tony Levin, and David\u003cspan class=\"bcTruncateMore\"\u003e Sylvian. His recordings for ECM Records further defined an immersive, spatial approach to processed guitar that continues to resonate across generations...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Torn\u003c\/p\u003e\n\u003cp\u003eLabel : Kou Records\u003c\/p\u003e\n\u003cp\u003ecat no : KOU005lp\u003c\/p\u003e"}

※5/29リリースですアメリカのギタリストDavid Tornが、2026年5月にNYの実験レーベルKou Recordsからリリースした2枚組レコードです。ギターによるインプロ〜ドローン11曲を収録。ゲートフォルド仕様です。ライナーノーツとDLコード付属。以下、レーベルによる解説です。 "エレキ・ギタリスト兼作曲家のDavid Tornが、5月29日にKou Recordsよりリリースされる大作ニュー・ダブルLP『now i imagine a place not...

¥5,796

クイックビュー {"id":9226855547130,"title":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","handle":"nijiumu-when-i-sing","description":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e","published_at":"2026-05-15T07:14:41+09:00","created_at":"2026-05-15T07:13:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","noise"],"price":787000,"price_min":787000,"price_max":787000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890735558906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","public_title":null,"options":["Default Title"],"price":787000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486524","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","options":["Title"],"media":[{"alt":null,"id":37502565581050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","width":700},{"alt":null,"id":37502565613818,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e"}