Strange Mountain II // Please Wait For Me, Please Wait Forever CDR
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Strange Mountain II // Please Wait For Me, Please Wait Forever CDR
¥1,518
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50部限定。廃盤です
レーベルその他作品はこちら /// Click here to see more Polar Seas Recordings releases available at Tobira.
-------------------------
Edition of 50.
artist : Strange Mountain II
label : polar seas recordings
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{"id":8788161462522,"title":"Jon Keliehor, Signy Jakobsdottir \/\/ Winds of Change LP","handle":"jon-keliehor-signy-jakobsdottir-winds-of-change-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのJon KeliehorとスコットランドのSigny Jakobsdottirパーカッショニスト2名が、2023年6月にスペインの実験レーベルAbstrakceからリリースした再発レコードです。（オリジナルは1999年にCDリリース）\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eガムランによるエキゾチックなニューエイジ・ストレンジビーツ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3072110737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1105700276\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3072110737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003ehere\u003c\/a\u003e to see more Abstrakce Records \/ B.F.E Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 300.\u003c\/p\u003e\n\u003cp\u003eAbstrakce Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Abstrakce is happy to recover this lost gem recorded in 1999 and published by Keliehor himself in a very short-run CD named \"Create Music\", which had almost no diffusion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn outstanding collection of exotic tracks with a wide range of influences from primitive cultures all over the world. An unexplored region where the Minimalism concepts developed by Steve Reich, La Monte Young, or Terry Riley and renewed by Midori Takada meet Jon Hassell's 4th world ideas.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYou will find here repetitive patterns that evolve and transform the sound space, unlikely instruments gathered together in a perfectly harmonic way, making flow an unusual melodic sense when the uncommon combinations of these instruments interact with one another. Simple instruments, yet exotic, primitive sound makers with complex personalities, timeless sound treasures unchanging a hundred years. Crude or sophisticated, most of the instruments, compel us to listen to them. A more flexible and wider range of tonality is discovered by limiting the number of instruments that play together and choosing those whose tones and harmonics\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resonate together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record results from a didactic project for nursery and primary school environments while searching for ideas to guide children in following the details of music. The music architectures are often transparent, even repetitive, but the culminative effect soon becomes more than that. These pieces are aural landscapes for dreams and adventures, doorways to imaginative worlds. \"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Jon Keliehor and Signy Jakobsdottir performed together in Seattle, Venezuela, and Scotland. During their stay in Seattle, both had studied gamelan music with Gamelan Pacifica under the direction of Jarrad Powell. After returning to Scotland, they continued to study and perform with Gamelan Naga Mas, in Glasgow, in projects directed by dhalang Joko Susilo, dancer\/director Nyoman Wenten, and Professor Matthew Issac Cohen.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Scotland, they created adult and children's workshops under the banner of Luminous Music. Preceding the formation of Luminous Music, Keliehor had worked as percussionist and composer with contemporary dance companies, both in London and Seattle. Following on studies in percussion music at Dartington College of the Arts, Signy moved to Seattle to begin work with Jon. The partnership that ensued brought them to Caracas, Costa Rica, Brazil and Spain to create music for the dance company DanzaHoy. In 1996, they returned to Glasgow, and continued to work together at the newly created Luminous Music Studios. Signy's involvement with musicians\/groups has continued beyond this to include genres in Scottish\/Celtic traditions, in Jazz, as well as music innovations of her own design.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Keliehor, Signy Jakobsdottir\u003c\/p\u003e\n\u003cp\u003eLabel : Abstrakce Records\u003c\/p\u003e","published_at":"2025-05-18T12:40:12+09:00","created_at":"2025-05-18T12:39:46+09:00","vendor":"Tobira Records","type":"","tags":["Abstrakce Records","ambient","lp","new","post newage","strange beats"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47322358776058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jon Keliehor, Signy Jakobsdottir \/\/ Winds of Change LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_3cb7497f-e20e-493d-9eb5-97784b1da66b.jpg?v=1687242372","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_a4d372e4-2cc9-4d62-911c-f8c13e6bdcde.jpg?v=1687242372"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_3cb7497f-e20e-493d-9eb5-97784b1da66b.jpg?v=1687242372","options":["Title"],"media":[{"alt":null,"id":32134024069370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_3cb7497f-e20e-493d-9eb5-97784b1da66b.jpg?v=1687242372"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_3cb7497f-e20e-493d-9eb5-97784b1da66b.jpg?v=1687242372","width":700},{"alt":null,"id":32134024102138,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_a4d372e4-2cc9-4d62-911c-f8c13e6bdcde.jpg?v=1687242372"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_a4d372e4-2cc9-4d62-911c-f8c13e6bdcde.jpg?v=1687242372","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのJon KeliehorとスコットランドのSigny Jakobsdottirパーカッショニスト2名が、2023年6月にスペインの実験レーベルAbstrakceからリリースした再発レコードです。（オリジナルは1999年にCDリリース）\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eガムランによるエキゾチックなニューエイジ・ストレンジビーツ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3072110737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1105700276\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3072110737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abs\"\u003ehere\u003c\/a\u003e to see more Abstrakce Records \/ B.F.E Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 300.\u003c\/p\u003e\n\u003cp\u003eAbstrakce Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Abstrakce is happy to recover this lost gem recorded in 1999 and published by Keliehor himself in a very short-run CD named \"Create Music\", which had almost no diffusion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn outstanding collection of exotic tracks with a wide range of influences from primitive cultures all over the world. An unexplored region where the Minimalism concepts developed by Steve Reich, La Monte Young, or Terry Riley and renewed by Midori Takada meet Jon Hassell's 4th world ideas.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYou will find here repetitive patterns that evolve and transform the sound space, unlikely instruments gathered together in a perfectly harmonic way, making flow an unusual melodic sense when the uncommon combinations of these instruments interact with one another. Simple instruments, yet exotic, primitive sound makers with complex personalities, timeless sound treasures unchanging a hundred years. Crude or sophisticated, most of the instruments, compel us to listen to them. A more flexible and wider range of tonality is discovered by limiting the number of instruments that play together and choosing those whose tones and harmonics\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resonate together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record results from a didactic project for nursery and primary school environments while searching for ideas to guide children in following the details of music. The music architectures are often transparent, even repetitive, but the culminative effect soon becomes more than that. These pieces are aural landscapes for dreams and adventures, doorways to imaginative worlds. \"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Jon Keliehor and Signy Jakobsdottir performed together in Seattle, Venezuela, and Scotland. During their stay in Seattle, both had studied gamelan music with Gamelan Pacifica under the direction of Jarrad Powell. After returning to Scotland, they continued to study and perform with Gamelan Naga Mas, in Glasgow, in projects directed by dhalang Joko Susilo, dancer\/director Nyoman Wenten, and Professor Matthew Issac Cohen.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Scotland, they created adult and children's workshops under the banner of Luminous Music. Preceding the formation of Luminous Music, Keliehor had worked as percussionist and composer with contemporary dance companies, both in London and Seattle. Following on studies in percussion music at Dartington College of the Arts, Signy moved to Seattle to begin work with Jon. The partnership that ensued brought them to Caracas, Costa Rica, Brazil and Spain to create music for the dance company DanzaHoy. In 1996, they returned to Glasgow, and continued to work together at the newly created Luminous Music Studios. Signy's involvement with musicians\/groups has continued beyond this to include genres in Scottish\/Celtic traditions, in Jazz, as well as music innovations of her own design.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Keliehor, Signy Jakobsdottir\u003c\/p\u003e\n\u003cp\u003eLabel : Abstrakce Records\u003c\/p\u003e"}
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アメリカのJon KeliehorとスコットランドのSigny Jakobsdottirパーカッショニスト2名が、2023年6月にスペインの実験レーベルAbstrakceからリリースした再発レコードです。（オリジナルは1999年にCDリリース） ガムランによるエキゾチックなニューエイジ・ストレンジビーツ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Abstrakce Records / B.F.E Records releases...
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{"id":8788161396986,"title":"Anagrams \/\/ Blue Voices LP","handle":"anagrams-blue-voices-lp","description":"\u003cp\u003eアメリカ・アトランタのマルチ奏者\u003cmeta charset=\"utf-8\"\u003eShy Layers（JD Walsh）と\u003cmeta charset=\"utf-8\"\u003eJeff CromptonによるデュオAnagramsが、2023年11月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエチオ・ジャズ〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Balmatの共同設立者である\u003cmeta charset=\"utf-8\"\u003ePhilip SherburneとAlbert SalinasはShy Layersの軽快なバレアリック・ポップの長年のファンだった。だから\u003cmeta charset=\"utf-8\"\u003eShy Layersの\u003cmeta charset=\"utf-8\"\u003eJD Walshが、同じアトランタのマルチインストゥルメンタリストJeff Cromptonと一緒に作っているデモを聴いてほしいと依頼してきたとき、私たちはそのチャンスに飛びついた。そして、彼らの制作中の作品を聴いたとたん、決断はほぼ即決だった。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eWalshとCromptonの2人はAnagramsであり、彼らのデビューアルバム『Blue Voices』は、Balmatのエレクトロニックミュージックとは一線を画している。アンビエントミュージックではないが、完全にアンビエントミュージックではないというわけでもない。2016年にWalshがブルックリンからアトランタに引っ越したときに出会い、数年後にコラボレーションを始めた2人のミュージシャンは、この音楽を同じように曖昧な言葉で捉えている。「ジャズじゃないから好きなんだ」と、ベテランでジャズ奏者としての資格もあるCromptonは冗談めかして言う。そしてJDは「ジャズだから好きなんだ」と言う。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCromptonは、ジョージア州の即興・実験音楽シーンに深く根ざしたミュージシャン（元高校バンド教師）であり、ユージーン・チャドボーンとの共演、ゴッドスピード・ユー．ユージン・チャドボーンとの共演、ゴッドスピード・ユー！ブラック・エンペラーへのゲスト出演、ノックスビルのビッグ・イヤーズでのテルミンとラップ・スティールのデュエットによる12時間に及ぶドローン演奏など。Blue Voicesでは、アルトサックス、テナーサックス、クラリネット、エレクトリックピアノ、オルガンを演奏している。Walshは2015年にBandcampでセルフリリースを始めて以来、Shy Layersとして音楽をリリースしてきた。翌年、ドイツのGrowing Binが彼の最初のEP2枚をセルフタイトルのアルバムとしてパッケージし、2018年にはティム・スウィーニーのレーベルBeats in SpaceがShy Layersの2ndアルバム『Midnight Marker』をリリースした。これらのアルバムでは、Walshの遊び心に満ちたハーモニーの本能が、トロピカルな含みを持つ切ない曲作りに活かされていたが、『Blue Voices』では、実験的な傾向を主役に据えている。アコースティックギター、エレクトリックギター、エレクトリックラップ・スティール、ベース、ムーグマトリアーク、モジュラーシンセ、そしてプログラムされたドラムを演奏し、豊かな質感のレイヤーと抽象的な音色の集合体に力を注いでいる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム全11曲の中には、ダニエル・ラノワのペダルスティールが奏でる「アポロ」のような雰囲気たっぷりの響きや、エチオジャズのような情緒的なモード、風物詩のような晩夏の静けさ、Patrick Shiroishiのような多才なプレイヤーや作曲家など、おなじみの試みがかすかに感じられる。ブルー・ヴォイセズ』が捉えているのは、2人の落ち着きのない音楽的イマジネーションが織り成す奇想天外なサウンドである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2732040501\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black 140gram vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBirds on Clifton 04:32\u003c\/li\u003e\n\u003cli\u003eBlue Voices 03:57\u003c\/li\u003e\n\u003cli\u003eHymn No. 2 03:30\u003c\/li\u003e\n\u003cli\u003eCatch It 03:05\u003c\/li\u003e\n\u003cli\u003eEx Uno Plures 04:36\u003c\/li\u003e\n\u003cli\u003eHidden Hearts 02:50\u003c\/li\u003e\n\u003cli\u003eAnother Cloud 03:59\u003c\/li\u003e\n\u003cli\u003eSong in Six 03:50\u003c\/li\u003e\n\u003cli\u003eInteresting Times 03:02\u003c\/li\u003e\n\u003cli\u003eLet Us Sing Sad Songs Together 03:37\u003c\/li\u003e\n\u003cli\u003eWhat Is Left Is Music 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eBalmat:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eBalmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers’ lilting, Balearic pop for years, so when Shy Layers’ JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTogether, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCrompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Anagrams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Balmat\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-18T12:38:16+09:00","created_at":"2025-05-18T12:37:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","balmat","jazz","lapsus","lp","new"],"price":413000,"price_min":413000,"price_max":413000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47322358677754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anagrams \/\/ Blue Voices LP","public_title":null,"options":["Default Title"],"price":413000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548064681","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_e5f32322-4b16-4b1d-8ec7-b22bacb6f48a.jpg?v=1702967263"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263","options":["Title"],"media":[{"alt":null,"id":32852811022586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_88f53365-a790-4219-93c5-f136ba738cad.jpg?v=1702967263","width":700},{"alt":null,"id":32852811055354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_e5f32322-4b16-4b1d-8ec7-b22bacb6f48a.jpg?v=1702967263"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_e5f32322-4b16-4b1d-8ec7-b22bacb6f48a.jpg?v=1702967263","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・アトランタのマルチ奏者\u003cmeta charset=\"utf-8\"\u003eShy Layers（JD Walsh）と\u003cmeta charset=\"utf-8\"\u003eJeff CromptonによるデュオAnagramsが、2023年11月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエチオ・ジャズ〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Balmatの共同設立者である\u003cmeta charset=\"utf-8\"\u003ePhilip SherburneとAlbert SalinasはShy Layersの軽快なバレアリック・ポップの長年のファンだった。だから\u003cmeta charset=\"utf-8\"\u003eShy Layersの\u003cmeta charset=\"utf-8\"\u003eJD Walshが、同じアトランタのマルチインストゥルメンタリストJeff Cromptonと一緒に作っているデモを聴いてほしいと依頼してきたとき、私たちはそのチャンスに飛びついた。そして、彼らの制作中の作品を聴いたとたん、決断はほぼ即決だった。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eWalshとCromptonの2人はAnagramsであり、彼らのデビューアルバム『Blue Voices』は、Balmatのエレクトロニックミュージックとは一線を画している。アンビエントミュージックではないが、完全にアンビエントミュージックではないというわけでもない。2016年にWalshがブルックリンからアトランタに引っ越したときに出会い、数年後にコラボレーションを始めた2人のミュージシャンは、この音楽を同じように曖昧な言葉で捉えている。「ジャズじゃないから好きなんだ」と、ベテランでジャズ奏者としての資格もあるCromptonは冗談めかして言う。そしてJDは「ジャズだから好きなんだ」と言う。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCromptonは、ジョージア州の即興・実験音楽シーンに深く根ざしたミュージシャン（元高校バンド教師）であり、ユージーン・チャドボーンとの共演、ゴッドスピード・ユー．ユージン・チャドボーンとの共演、ゴッドスピード・ユー！ブラック・エンペラーへのゲスト出演、ノックスビルのビッグ・イヤーズでのテルミンとラップ・スティールのデュエットによる12時間に及ぶドローン演奏など。Blue Voicesでは、アルトサックス、テナーサックス、クラリネット、エレクトリックピアノ、オルガンを演奏している。Walshは2015年にBandcampでセルフリリースを始めて以来、Shy Layersとして音楽をリリースしてきた。翌年、ドイツのGrowing Binが彼の最初のEP2枚をセルフタイトルのアルバムとしてパッケージし、2018年にはティム・スウィーニーのレーベルBeats in SpaceがShy Layersの2ndアルバム『Midnight Marker』をリリースした。これらのアルバムでは、Walshの遊び心に満ちたハーモニーの本能が、トロピカルな含みを持つ切ない曲作りに活かされていたが、『Blue Voices』では、実験的な傾向を主役に据えている。アコースティックギター、エレクトリックギター、エレクトリックラップ・スティール、ベース、ムーグマトリアーク、モジュラーシンセ、そしてプログラムされたドラムを演奏し、豊かな質感のレイヤーと抽象的な音色の集合体に力を注いでいる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム全11曲の中には、ダニエル・ラノワのペダルスティールが奏でる「アポロ」のような雰囲気たっぷりの響きや、エチオジャズのような情緒的なモード、風物詩のような晩夏の静けさ、Patrick Shiroishiのような多才なプレイヤーや作曲家など、おなじみの試みがかすかに感じられる。ブルー・ヴォイセズ』が捉えているのは、2人の落ち着きのない音楽的イマジネーションが織り成す奇想天外なサウンドである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2732040501\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1945515467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black 140gram vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBirds on Clifton 04:32\u003c\/li\u003e\n\u003cli\u003eBlue Voices 03:57\u003c\/li\u003e\n\u003cli\u003eHymn No. 2 03:30\u003c\/li\u003e\n\u003cli\u003eCatch It 03:05\u003c\/li\u003e\n\u003cli\u003eEx Uno Plures 04:36\u003c\/li\u003e\n\u003cli\u003eHidden Hearts 02:50\u003c\/li\u003e\n\u003cli\u003eAnother Cloud 03:59\u003c\/li\u003e\n\u003cli\u003eSong in Six 03:50\u003c\/li\u003e\n\u003cli\u003eInteresting Times 03:02\u003c\/li\u003e\n\u003cli\u003eLet Us Sing Sad Songs Together 03:37\u003c\/li\u003e\n\u003cli\u003eWhat Is Left Is Music 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eBalmat:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eBalmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers’ lilting, Balearic pop for years, so when Shy Layers’ JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTogether, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCrompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Anagrams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Balmat\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・アトランタのマルチ奏者Shy Layers（JD Walsh）とJeff CromptonによるデュオAnagramsが、2023年11月にスペイン・バルセロナのIDMレーベルBalmatからリリースしたデビューレコードです。 エチオ・ジャズ〜アンビエント・ジャズ11曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "Balmatの共同設立者であるPhilip SherburneとAlbert SalinasはShy Layersの軽快なバレアリック・ポップの長年のファンだった。だからShy LayersのJD Walshが、同じアトランタのマルチインストゥルメンタリストJeff Cromptonと一緒に作っているデモを聴いてほしいと依頼してきたとき、私たちはそのチャンスに飛びついた。そして、彼らの制作中の作品を聴いたとたん、決断はほぼ即決だった。 WalshとCromptonの2人はAnagramsであり、彼らのデビューアルバム『Blue...
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{"id":8788161265914,"title":"Luke Wyland \/\/ Kuma Cove LP","handle":"luke-wyland-kuma-cove-lp","description":"\u003cp\u003eアメリカ・ポートランドのアンビエント作家Luke Wylandが、2024年11月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたエレクトロニック・アンビエント〜ネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=205400543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1417861496\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=205400543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Grounded 06:59\u003cbr\u003e2. Click Clap 07:46\u003cbr\u003e3. Unwinding 08:23\u003cbr\u003e4. Chimes 03:36\u003cbr\u003e5. Voice Valley 05:13\u003cbr\u003e6. Pitch \u0026amp; Bowed 03:34\u003cbr\u003e7. Be Ya 02:53\u003cbr\u003e8. Pollinators 06:11\u003cbr\u003e9. Kuma Cove 05:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLapsus:\u003c\/p\u003e\n\u003cp\u003e'\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic is my forever cove,” writes Portland, Oregon’s Luke Wyland of the ideas that give shape to Kuma Cove, his latest album under his own name. Though named after a real place on the Oregon coast, Kuma Cove casts its gaze far beyond the sightseer’s line of vision. Recorded live in the studio and blurring obvious lines between computer-based composition and electro-acoustic instrumentation, it is an album about flow, borders, transitory states, and shelter. 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Grounded 06:59\u003cbr\u003e2. Click Clap 07:46\u003cbr\u003e3. Unwinding 08:23\u003cbr\u003e4. Chimes 03:36\u003cbr\u003e5. Voice Valley 05:13\u003cbr\u003e6. Pitch \u0026amp; Bowed 03:34\u003cbr\u003e7. Be Ya 02:53\u003cbr\u003e8. Pollinators 06:11\u003cbr\u003e9. Kuma Cove 05:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLapsus:\u003c\/p\u003e\n\u003cp\u003e'\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic is my forever cove,” writes Portland, Oregon’s Luke Wyland of the ideas that give shape to Kuma Cove, his latest album under his own name. Though named after a real place on the Oregon coast, Kuma Cove casts its gaze far beyond the sightseer’s line of vision. Recorded live in the studio and blurring obvious lines between computer-based composition and electro-acoustic instrumentation, it is an album about flow, borders, transitory states, and shelter. 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アメリカ・ポートランドのアンビエント作家Luke Wylandが、2024年11月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。 ピアノをメインソースにしたエレクトロニック・アンビエント〜ネオクラシカル・アンビエント9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lapsus / Balmat releases available at...
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![Celestial // I Can Hear The Grass Grow LP [COLOR]](http://tobirarecords.com/cdn/shop/files/can1_4852fb0c-c038-4135-ad40-6869f26aee5e_medium.jpg?v=1747530469)
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{"id":8788152779002,"title":"Celestial \/\/ I Can Hear The Grass Grow LP [COLOR]","handle":"celestial-i-can-hear-the-grass-grow-lp-color","description":"\u003cp\u003eイギリスのアンビエント・フォークデュオCelestialが、2025年5月にロンドンのアンビエントレーベルEcstaticからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク8曲を収録。エメラルドグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2229342538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2814768341\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2229342538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3530147237\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" emerald green vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Endless Stair 06:07\u003cbr\u003e2. Skylark 05:23\u003cbr\u003e3. I Can Hear The Grass Grow 04:59\u003cbr\u003e4. Song For The Rainy Season 03:42\u003cbr\u003e5. Sweet Sleep, Angel Mild 05:34\u003cbr\u003e6. Mermaid Boulevard 05:02\u003cbr\u003e7. House Without Windows 05:51\u003cbr\u003e8. Mercy, Pity, Peace 02:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eEcstatic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEcstatic presents I Can Hear The Grass Grow, the transportive new album from Mancunian duo Celestial. Expanding on the bucolic dreamstates of their previous work, this latest release unfurls like dawn mist over dewy fields, steeped in fragile fingerpicking guitar aching with hushed intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere Listen to the Sky traced the heavens, I Can Hear The Grass Grow sinks into the earth—its organic, fungal textures blossoming in layers of acoustic and electric guitar, droning harmoniums, and shimmering synth washes. The album’s hymnal atmosphere evokes a quiet devotion to the natural world, each track a meditation on unseen currents and lysergic reveries carried on the breeze, like the hum of insects at dusk or the slow stretch of ivy over stone.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMermaid Boulevard pairs Celestial with labelmate Romance, weaving crystalline guitar figures through a haze of tape-worn ambience and gently pulsing electronics, like sunlight filtering through leaves. Song For The Rainy Season drifts in a slow-motion waltz of reverberant strings and plangent melodies, evoking the lull of wind through wild grass, while Skylark conjures a spectral chorus of layered harmonics and yearning guitar melodies dissolving into radiant oblivion.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA love letter to the in-between spaces, I Can Hear The Grass Grow is a record of quiet wonder—an invitation to pause, listen, and lose yourself in its tender, translucent glow, where nature breathes through every note.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celestial\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Ecstatic\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELP088\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-19T07:53:23+09:00","created_at":"2025-05-18T10:10:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","ECSTATIC","lp","new","recommended"],"price":527400,"price_min":527400,"price_max":527400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47322314965242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celestial \/\/ I Can Hear The Grass Grow LP [COLOR]","public_title":null,"options":["Default Title"],"price":527400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/can1_4852fb0c-c038-4135-ad40-6869f26aee5e.jpg?v=1747530469"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_4852fb0c-c038-4135-ad40-6869f26aee5e.jpg?v=1747530469","options":["Title"],"media":[{"alt":null,"id":36048836428026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_4852fb0c-c038-4135-ad40-6869f26aee5e.jpg?v=1747530469"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_4852fb0c-c038-4135-ad40-6869f26aee5e.jpg?v=1747530469","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのアンビエント・フォークデュオCelestialが、2025年5月にロンドンのアンビエントレーベルEcstaticからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク8曲を収録。エメラルドグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2229342538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2814768341\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2229342538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3530147237\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" emerald green vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Endless Stair 06:07\u003cbr\u003e2. Skylark 05:23\u003cbr\u003e3. I Can Hear The Grass Grow 04:59\u003cbr\u003e4. Song For The Rainy Season 03:42\u003cbr\u003e5. Sweet Sleep, Angel Mild 05:34\u003cbr\u003e6. Mermaid Boulevard 05:02\u003cbr\u003e7. House Without Windows 05:51\u003cbr\u003e8. Mercy, Pity, Peace 02:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eEcstatic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEcstatic presents I Can Hear The Grass Grow, the transportive new album from Mancunian duo Celestial. Expanding on the bucolic dreamstates of their previous work, this latest release unfurls like dawn mist over dewy fields, steeped in fragile fingerpicking guitar aching with hushed intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere Listen to the Sky traced the heavens, I Can Hear The Grass Grow sinks into the earth—its organic, fungal textures blossoming in layers of acoustic and electric guitar, droning harmoniums, and shimmering synth washes. The album’s hymnal atmosphere evokes a quiet devotion to the natural world, each track a meditation on unseen currents and lysergic reveries carried on the breeze, like the hum of insects at dusk or the slow stretch of ivy over stone.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMermaid Boulevard pairs Celestial with labelmate Romance, weaving crystalline guitar figures through a haze of tape-worn ambience and gently pulsing electronics, like sunlight filtering through leaves. 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