samplelov // As You Are TAPE
samplelov // As You Are TAPE
¥1,680
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オークランドのヒップホップ〜R&BレーベルHot Record Societeを本邦初入荷しました。
本作は、オークランドのドリームポップ作家samplelovが2020年に50本限定でリリースしたカセットです。フォークR&B13曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Hot Record Societe releases available at Tobira.
artist : samplelov
label : Hot Record Societe
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{"id":8859901460730,"title":"Paul Pèrrim \/\/ Itara LP","handle":"paul-perrim-itara-lp","description":"\u003cp\u003eテネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1697106859\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Arkusmaliketus 05:27\u003cbr\u003e2. Furcarkis\u003cbr\u003e3. Xankenofa\u003cbr\u003e4. Olekta 04:02\u003cbr\u003e5. Xileikan\u003cbr\u003e6. Durrisan 01:20\u003cbr\u003e7. Deiman 02:25\u003cbr\u003e8. Barbarchu\u003cbr\u003e9. Mousell\u003cbr\u003e10. Sachsas \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eItara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. \u003cbr\u003e\u003cbr\u003eWith a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experimental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. \u003cbr\u003e\u003cbr\u003eA key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges analog electronics with guitar, using vintage synths and effects. \u003cbr\u003e\u003cbr\u003eIn 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a\u003cspan class=\"bcTruncateMore\"\u003e contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. \u003cbr\u003e\u003cbr\u003eRecorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes: \u003cbr\u003e\u003cbr\u003e“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Pèrrim\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant \/ KEROXEN\u003c\/p\u003e\n\u003cp\u003ecat no : KRXN#049\u003c\/p\u003e","published_at":"2025-07-14T13:03:34+09:00","created_at":"2025-07-14T12:53:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","folk \/ left-field pop","lp","new","recommended"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47510396895482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paul Pèrrim \/\/ Itara LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678","options":["Title"],"media":[{"alt":null,"id":36374729818362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928442199_10.jpg?v=1752465678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eテネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1697106859\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=253041933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen \/ Sucata Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Arkusmaliketus 05:27\u003cbr\u003e2. Furcarkis\u003cbr\u003e3. Xankenofa\u003cbr\u003e4. Olekta 04:02\u003cbr\u003e5. Xileikan\u003cbr\u003e6. Durrisan 01:20\u003cbr\u003e7. Deiman 02:25\u003cbr\u003e8. Barbarchu\u003cbr\u003e9. Mousell\u003cbr\u003e10. Sachsas \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eItara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. \u003cbr\u003e\u003cbr\u003eWith a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experimental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. \u003cbr\u003e\u003cbr\u003eA key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges analog electronics with guitar, using vintage synths and effects. \u003cbr\u003e\u003cbr\u003eIn 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a\u003cspan class=\"bcTruncateMore\"\u003e contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. \u003cbr\u003e\u003cbr\u003eRecorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes: \u003cbr\u003e\u003cbr\u003e“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Pèrrim\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant \/ KEROXEN\u003c\/p\u003e\n\u003cp\u003ecat no : KRXN#049\u003c\/p\u003e"}
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テネリフェ島のギタリスト／人類学者Paul Pèrrimが、2025年7月にリスボンの密林系音楽の大巣窟Discrepant傘下KEROXENからリリースしたレコードです。 アンビエント・ブルース〜アメリカーナ・ドローン10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です "ギタリスト、作曲家、人類学者であるPaul Pèrrimのソロデビューアルバム『Itara』は、幻覚的なアシッドフォーク、アブストラクト・ブルース、突然変異的なイースタン・ジャズ、超現実的なアンビエント、フリーインプロヴィゼーションを融合させ、鮮やかで独特な音のタペストリーに仕上げたギタープレイが特徴的である。 民族音楽学と音楽教育の学位を持つペルリムの作品は、ポピュラー音楽と実験音楽の架け橋となっている。アコースティック・ギターの厳格さとエレクトリック・ギターの広大な可能性を対比させながら、60年代後半のプリミティブ、現代のフィンガースタイル、サウンドコラージュ、ドローン、サイケデリア、即興演奏などを取り入れている。" レーベルその他作品はこちら /// Click here to see more Discrepant...
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{"id":8857794904314,"title":"Orchestroll \/\/ Corrosiv 2xLP","handle":"orchestroll-corrosiv-2x12inch","description":"\u003cp\u003e過去にNaffなどから発表しているカナダ・モントリオールのエレクトロニックデュオOrchestrollが、2025年6月にアメリカ・NYの実験／ダンスレーベル29 Speedwayからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエントポップ〜ポストインダストリアル・テクノ〜ドローン15曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/orchestroll-hyperwide-lustre-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=880198096\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=783377044\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=882658982\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003ehere\u003c\/a\u003e to see more 29 Speedway releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Patina Shift 05:08\u003cbr\u003e2. Blistex 04:14\u003cbr\u003e3. Rust Halo 04:40\u003cbr\u003e4. Lesio 07:16\u003cbr\u003e5. Sightjacker ft. VISIO 01:38\u003cbr\u003e6. Here Used To Be a Star 04:44\u003cbr\u003e7. Spume (Formerly an Icefield) 06:04\u003cbr\u003e8. Hypnoxia 03:18\u003cbr\u003e9. Astral Trepidation ft. Jiyoung Wi 04:30\u003cbr\u003e10. Spotshadowsphere 03:54\u003cbr\u003e11. Velvet Myst ft. Heith 04:44\u003cbr\u003e12. Cable Eater 07:26\u003cbr\u003e13. Nerveghost 09:54\u003cbr\u003e14. Relaxus 03:00\u003cbr\u003e15. L’ inaperçu nous traverse ft. Bernardino Femminielli and Habib Bardi 06:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCorrosiv, the sophomore album from Orchestroll, reveals the duo at their most mature and vulnerable. Originally conceived as a reflection on hybridity and bastardization, the album deploys New Age and ambient compositional tropes as a launchpad, exposing their trite sanctity to the realities of corrosion. Having come of age in the 1970s and 1980s, the New Age movement perdures today as a domain of contradictions; its promise of transcendence riddled with the very commercialized dogma from which its adherents claim to flee. Healing modalities such as reiki, crystal therapy, and sound baths are simultaneously pathways to solace and sites of exploitation; their sonic counterparts — ethereal synth pads, shimmering textures, celestial drones — claim to facilitate meditation and enlightenment while devolving into empty signifiers of vitality. With Corrosiv, Orchestroll displays neither reverence nor disdain toward New Age: they exhume it instead, revealing the saccharine effervescence and commodified murk undergirding its aesthetics. The result is intoxicating — disquieting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn from a two-week residency at EMS Studios and expanded through a performance at MUTEK Montreal’s 25th anniversary, Corrosiv has since outgrown its original conceptual nucleus\u003cspan class=\"bcTruncateMore\"\u003e, taking on a broader scope. Its inquiry into New Age ideology’s voided rhetoric and aesthetic mysticism now informs a broader interrogation of cultural mediocrity, anti-authoritarianism, gatekeeping, music industry toxicity, and the crumbling edifice of late capitalism and techno-feudalism — all the mechanisms by which meaning is stripped from ceremony, and once-potent forms of knowledge are subsumed into the machinery of economic extraction, severed from their original essence, and transformed into hollow simulacra. Corrosiv distills these themes through a loose narrative: a soul, fixated on wellness as dictated by cosmetic economism, becomes ensnared in an endless afterlife, unable to transcend and shed its dilapidated consciousness.\u003cbr\u003e\u003cbr\u003eFramed as an act of audio dissolution, the album thus engages in an alchemical process, whereby complex waveshaping, morphing synthesis, and distortion enact a ritual of fragmentation. There is also friction: between the rigid, mechanical imposition of systematized order and the untamed, chaotic force of organic metamorphosis. Here corrosion and confinement are not solely conceptual motifs; they are enacted in real time, sculpting the album’s terrain. Scraping, tarnishing, degradation—the languid wear of form and substance — become instruments in their own right: buffing as abrasion, entrapment as transformation, corrosion as a means of reconfiguration. The ‘protagonist,’ if there must be one, is the listener, caught within the throes of structural determinism and the potential for emancipation, unable to pass into something greater as the specters of collapsed futures accumulate in the margins.\u003cbr\u003e\u003cbr\u003eCorrosiv extends its reach through collaborations with familiar voices: Heith (PAN), VISIO (Haunter), Femminielli (Drowned by Locals), Habib Bardi (Interzone), and Jiyoung Wi (Enmossed, Psychic Liberation, Doyenne) each leave their imprint on its sprawling landscape. At 1h16m, it is a procession, dense with earworms that burrow into the listener’s unconscious.\u003cbr\u003e\u003cbr\u003eMisshapen, broken-down metals leach copper into blood, acid reflux burning through the core. Psyche disaggregates into cosmic turmoil, drifting between planes—tongue on rustline, gullet laced with solvent hymns, molars unlatching, bitcrushed to marrowspill. A spasm of brine, ferrous scripture, venomtext blooming in leaden rivulets, cartilage smoldering in phosphor decomposition, synapses drowning in a quicksilver choir. Crest of bile, churning ore, breath clotting into arsenic mist, vein-thread cinched, a corrosive gospel, limb by limb, oxidized to silence.\u003cbr\u003e\u003cbr\u003eUltimately, as the music exhales its final breath, its residue refuses to dissipate — and stillness alone remains. There are no conclusions here — no resolution, no collapse —only the slow drift outward of a vessel unmoored, lost in the sea of symbolic souring. Corrosiv sings the song of a world barren of prophecy, littered with aesthetic detritus. Whether this magic has been transfigured or simply worn away is unclear: the last breath dissipates, but the oxidation does not stop. The silence, too, will decay.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Orchestroll\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e","published_at":"2025-07-14T08:41:05+09:00","created_at":"2025-07-11T11:09:24+09:00","vendor":"Tobira Records","type":"","tags":["29 Speedway","ambient","drone","folk \/ left-field pop","lp","new","techno \/ house"],"price":498500,"price_min":498500,"price_max":498500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502301233402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Orchestroll \/\/ Corrosiv 2xLP","public_title":null,"options":["Default Title"],"price":498500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675","\/\/tobirarecords.com\/cdn\/shop\/files\/corr2.jpg?v=1752199675","\/\/tobirarecords.com\/cdn\/shop\/files\/corr3.jpg?v=1752199675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675","options":["Title"],"media":[{"alt":null,"id":36352385646842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr1.jpg?v=1752199675","width":700},{"alt":null,"id":36352385679610,"position":2,"preview_image":{"aspect_ratio":1.016,"height":1181,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr2.jpg?v=1752199675"},"aspect_ratio":1.016,"height":1181,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr2.jpg?v=1752199675","width":1200},{"alt":null,"id":36352385712378,"position":3,"preview_image":{"aspect_ratio":1.016,"height":1181,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr3.jpg?v=1752199675"},"aspect_ratio":1.016,"height":1181,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/corr3.jpg?v=1752199675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNaffなどから発表しているカナダ・モントリオールのエレクトロニックデュオOrchestrollが、2025年6月にアメリカ・NYの実験／ダンスレーベル29 Speedwayからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエントポップ〜ポストインダストリアル・テクノ〜ドローン15曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/orchestroll-hyperwide-lustre-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=880198096\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=783377044\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570381840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=882658982\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/29s\"\u003ehere\u003c\/a\u003e to see more 29 Speedway releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Patina Shift 05:08\u003cbr\u003e2. Blistex 04:14\u003cbr\u003e3. Rust Halo 04:40\u003cbr\u003e4. Lesio 07:16\u003cbr\u003e5. Sightjacker ft. VISIO 01:38\u003cbr\u003e6. Here Used To Be a Star 04:44\u003cbr\u003e7. Spume (Formerly an Icefield) 06:04\u003cbr\u003e8. Hypnoxia 03:18\u003cbr\u003e9. Astral Trepidation ft. Jiyoung Wi 04:30\u003cbr\u003e10. Spotshadowsphere 03:54\u003cbr\u003e11. Velvet Myst ft. Heith 04:44\u003cbr\u003e12. Cable Eater 07:26\u003cbr\u003e13. Nerveghost 09:54\u003cbr\u003e14. Relaxus 03:00\u003cbr\u003e15. L’ inaperçu nous traverse ft. Bernardino Femminielli and Habib Bardi 06:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCorrosiv, the sophomore album from Orchestroll, reveals the duo at their most mature and vulnerable. Originally conceived as a reflection on hybridity and bastardization, the album deploys New Age and ambient compositional tropes as a launchpad, exposing their trite sanctity to the realities of corrosion. Having come of age in the 1970s and 1980s, the New Age movement perdures today as a domain of contradictions; its promise of transcendence riddled with the very commercialized dogma from which its adherents claim to flee. Healing modalities such as reiki, crystal therapy, and sound baths are simultaneously pathways to solace and sites of exploitation; their sonic counterparts — ethereal synth pads, shimmering textures, celestial drones — claim to facilitate meditation and enlightenment while devolving into empty signifiers of vitality. With Corrosiv, Orchestroll displays neither reverence nor disdain toward New Age: they exhume it instead, revealing the saccharine effervescence and commodified murk undergirding its aesthetics. The result is intoxicating — disquieting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn from a two-week residency at EMS Studios and expanded through a performance at MUTEK Montreal’s 25th anniversary, Corrosiv has since outgrown its original conceptual nucleus\u003cspan class=\"bcTruncateMore\"\u003e, taking on a broader scope. Its inquiry into New Age ideology’s voided rhetoric and aesthetic mysticism now informs a broader interrogation of cultural mediocrity, anti-authoritarianism, gatekeeping, music industry toxicity, and the crumbling edifice of late capitalism and techno-feudalism — all the mechanisms by which meaning is stripped from ceremony, and once-potent forms of knowledge are subsumed into the machinery of economic extraction, severed from their original essence, and transformed into hollow simulacra. Corrosiv distills these themes through a loose narrative: a soul, fixated on wellness as dictated by cosmetic economism, becomes ensnared in an endless afterlife, unable to transcend and shed its dilapidated consciousness.\u003cbr\u003e\u003cbr\u003eFramed as an act of audio dissolution, the album thus engages in an alchemical process, whereby complex waveshaping, morphing synthesis, and distortion enact a ritual of fragmentation. There is also friction: between the rigid, mechanical imposition of systematized order and the untamed, chaotic force of organic metamorphosis. Here corrosion and confinement are not solely conceptual motifs; they are enacted in real time, sculpting the album’s terrain. Scraping, tarnishing, degradation—the languid wear of form and substance — become instruments in their own right: buffing as abrasion, entrapment as transformation, corrosion as a means of reconfiguration. The ‘protagonist,’ if there must be one, is the listener, caught within the throes of structural determinism and the potential for emancipation, unable to pass into something greater as the specters of collapsed futures accumulate in the margins.\u003cbr\u003e\u003cbr\u003eCorrosiv extends its reach through collaborations with familiar voices: Heith (PAN), VISIO (Haunter), Femminielli (Drowned by Locals), Habib Bardi (Interzone), and Jiyoung Wi (Enmossed, Psychic Liberation, Doyenne) each leave their imprint on its sprawling landscape. At 1h16m, it is a procession, dense with earworms that burrow into the listener’s unconscious.\u003cbr\u003e\u003cbr\u003eMisshapen, broken-down metals leach copper into blood, acid reflux burning through the core. Psyche disaggregates into cosmic turmoil, drifting between planes—tongue on rustline, gullet laced with solvent hymns, molars unlatching, bitcrushed to marrowspill. A spasm of brine, ferrous scripture, venomtext blooming in leaden rivulets, cartilage smoldering in phosphor decomposition, synapses drowning in a quicksilver choir. Crest of bile, churning ore, breath clotting into arsenic mist, vein-thread cinched, a corrosive gospel, limb by limb, oxidized to silence.\u003cbr\u003e\u003cbr\u003eUltimately, as the music exhales its final breath, its residue refuses to dissipate — and stillness alone remains. There are no conclusions here — no resolution, no collapse —only the slow drift outward of a vessel unmoored, lost in the sea of symbolic souring. Corrosiv sings the song of a world barren of prophecy, littered with aesthetic detritus. Whether this magic has been transfigured or simply worn away is unclear: the last breath dissipates, but the oxidation does not stop. The silence, too, will decay.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Orchestroll\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e"}
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過去にNaffなどから発表しているカナダ・モントリオールのエレクトロニックデュオOrchestrollが、2025年6月にアメリカ・NYの実験／ダンスレーベル29 Speedwayからリリースした2枚組レコードです。 エレクトロニック・アンビエントポップ〜ポストインダストリアル・テクノ〜ドローン15曲を収録。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more 29 Speedway...
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{"id":8857789923578,"title":"Briana Marela \/\/ My Inner Rest TAPE","handle":"briana-marela-my-inner-rest-tape","description":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-13T09:57:37+09:00","created_at":"2025-07-11T10:56:31+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","folk \/ left-field pop","new","tape"],"price":224900,"price_min":224900,"price_max":224900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502277673210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Briana Marela \/\/ My Inner Rest TAPE","public_title":null,"options":["Default Title"],"price":224900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006","\/\/tobirarecords.com\/cdn\/shop\/files\/inn3.jpg?v=1752199006"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006","options":["Title"],"media":[{"alt":null,"id":36352354844922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006","width":700},{"alt":null,"id":36352354877690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn3.jpg?v=1752199006"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn3.jpg?v=1752199006","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e"}
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ペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。 ドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。" レーベルその他作品はこちら /// Click here to see...
¥2,249
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{"id":8857789399290,"title":"Briana Marela \/\/ My Inner Rest CD","handle":"briana-marela-my-inner-rest-cd","description":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-13T09:54:41+09:00","created_at":"2025-07-11T10:55:10+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","cd","folk \/ left-field pop","new"],"price":224900,"price_min":224900,"price_max":224900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502271676666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Briana Marela \/\/ My Inner Rest CD","public_title":null,"options":["Default Title"],"price":224900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731","\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_35486a76-d8ac-459c-92c1-659cd0582157.jpg?v=1752198730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731","options":["Title"],"media":[{"alt":null,"id":36352335577338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731","width":700},{"alt":null,"id":36352335610106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_35486a76-d8ac-459c-92c1-659cd0582157.jpg?v=1752198730"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_35486a76-d8ac-459c-92c1-659cd0582157.jpg?v=1752198730","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e"}
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ペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。 ドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。" レーベルその他作品はこちら /// Click here to see more...
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