Guido Gamboa // Music For Tape and Spectral/Granular Processes 2xTAPE
Guido Gamboa // Music For Tape and Spectral/Granular Processes 2xTAPE
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イタリアの実験レーベルSecond Sleepを大量入荷しました。
本作は、NYの実験レーベルPentiments主宰Guido Gamboaが、2021年にリリースした最新カセット2本組みです。物音コラージュ〜ドローンスケープ作品です。
レーベルその他作品はこちら /// Click here to see more Second Sleep releases available at Tobira.
Artist : Guido Gamboa
Label : Second Sleep
イタリアの実験レーベルSecond Sleepを大量入荷しました。
本作は、NYの実験レーベルPentiments主宰Guido Gamboaが、2021年にリリースした最新カセット2本組みです。物音コラージュ〜ドローンスケープ作品です。
tobirarecs2 · Gg 2レーベルその他作品はこちら /// Click here to see more Second Sleep releases available at Tobira.
Artist : Guido Gamboa
Label : Second Sleep
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{"id":15477430157562,"title":"Brief Being s\/t TAPE","handle":"brief-being-s-t-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・ノースカロライナのドローンカルテットBrief Being\u003c\/span\u003eが、2026年9月にノースカロライナの実験／ドローンレーベルSofter Recordingsから100本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eゴングやベル、チャイム、ラトルを用いたサイケデリックなドローン2曲、1時間を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003e ニューエイジ音楽と、それが現在において何を意味するかを考える際、その誕生時に掲げられた崇高な目標――例えば、波動の向上、普遍的意識への目覚め、宇宙的統一、霊的な一体感、内なる平和など――が、大多数のリスナーだけでなく、あらゆる人々にとって、ほとんど達成不可能なままであったという事実を直視せざるを得ない。ニューエイジ音楽が謳ったユートピア的な理想を実現するどころか、我々は皆、不安、孤立、絶望、不安定さ、そして残虐性が渦巻く現代という「肉挽き機」に放り込まれている。波動の上昇は、極めて暗い場所へと導く幻想に過ぎないことが明らかになった。ニューエイジ音楽がもたらすいかなる治療的効果も、現在の恐ろしい重圧によって打ち消されてしまうのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eそこで登場するのが、ノースカロライナ州グリーンビル出身の4人組アンサンブル𝘉𝘳𝘪𝘦𝘧 𝘉𝘦𝘪𝘯𝘨だ。彼らは、この音楽のより即興的な形態を生み出すために歴史的に用いられてきたゴング、ベル、チャイム、ラトルを駆使している。しかし、彼らの同名デビュー作は、甘ったるいニューエイジの定型表現から得られるような安らぎや癒やしを期待するリスナーには、ほとんど何も提供しない。その代わりに、彼らは60分間にわたり、疎らな楽器編成の中に、強烈で不吉なゴングの音、催眠的なハンドドラム、そして異質な響きを持つ不吉なクレッシェンドを散りばめている。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品には、覆い隠されたような音響的な悪意が滲み出ており、聴き手は未来の影から手招きする未知の力に身を委ねざるを得なくなる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eこれは、かつて存在したこともなく、今後も決して存在することのない架空のユートピアに思いを馳せるのではなく、災厄に満ちた現在を肯定するニューエイジ音楽だ。もしこれが未来を予兆するとしても、より良い未来が待っているという保証はない。ただ、「抜け出す唯一の道は、その中を通り抜けることだけだ」という、かすかな確信があるだけだ。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e我々は共に未知の世界へと足を踏み入れるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043652375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003ehere\u003c\/a\u003e to see more Softer Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Side One 29:25 \u003cbr\u003e2. Side Two 29:02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWhen we consider New Age music and whatever it might mean in the present moment, we have to reckon with the fact that the lofty goals of its inception — e.g., vibrational up-shifts, awakening into the universal consciousness, cosmic unity, spiritual oneness, inner peace, etc. — have been largely unattainable for not only the vast majority of listeners, but also everyone. Rather than realizing the utopian ideals heralded by New Age music, we are all forced through the meat grinder of modernity, a maelstrom of anxiety, isolation, desperation, precarity, and brutality. The vibrational up-shift has revealed itself as an illusion leading to a very dark place. Any therapeutic benefit afforded by New Age music is obliterated by the horrific weight of the present.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnter 𝘉𝘳𝘪𝘦𝘧 𝘉𝘦𝘪𝘯𝘨, a four piece ensemble out of Greenville, North Carolina. They wield the gongs, bells, chimes, and rattles that have historically been used to produce the more improvisational iterations of this music. However, their eponymous first recording offers little to listeners who may expect solace or a therapeutic experience typically derived from the more saccharine New Age idioms. Instead, they give us sixty minutes of sparse instrumentation punctuated by intense, foreboding gong work, hypnotic hand drums\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, and portentous crescendos of alien resonance. A veiled sonic malevolence permeates this work, forcing the listener to surrender to an unknown force beckoning from the shadows of the future.\u003cbr\u003e\u003cbr\u003eIt is a New Age music that affirms the calamitous present rather than projecting itself upon some imagined utopia that has never and will never exist. If it does portend a future, there is no guarantee of something better. Only the thin assurance that the only way out is through.\u003cbr\u003e\u003cbr\u003eWe enter the unknown together.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brief Being\u003c\/p\u003e\n\u003cp\u003eLabel : Softer Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSFRC011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 4th September 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-11-04T16:22:57+09:00","created_at":"2026-11-03T09:41:47+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","softer recordings","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":68062640931066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Brief Being s\/t TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_07f546d1-36e2-4472-93b5-16ca7eab826a.jpg?v=1793666440","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c083773c-1a5e-4c6f-ad72-60701de99d9d.jpg?v=1793666440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_07f546d1-36e2-4472-93b5-16ca7eab826a.jpg?v=1793666440","options":["Title"],"media":[{"alt":null,"id":46871730749690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_07f546d1-36e2-4472-93b5-16ca7eab826a.jpg?v=1793666440"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_07f546d1-36e2-4472-93b5-16ca7eab826a.jpg?v=1793666440","width":350},{"alt":null,"id":46871730782458,"position":2,"preview_image":{"aspect_ratio":1.121,"height":1070,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c083773c-1a5e-4c6f-ad72-60701de99d9d.jpg?v=1793666440"},"aspect_ratio":1.121,"height":1070,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c083773c-1a5e-4c6f-ad72-60701de99d9d.jpg?v=1793666440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・ノースカロライナのドローンカルテットBrief Being\u003c\/span\u003eが、2026年9月にノースカロライナの実験／ドローンレーベルSofter Recordingsから100本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eゴングやベル、チャイム、ラトルを用いたサイケデリックなドローン2曲、1時間を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003e ニューエイジ音楽と、それが現在において何を意味するかを考える際、その誕生時に掲げられた崇高な目標――例えば、波動の向上、普遍的意識への目覚め、宇宙的統一、霊的な一体感、内なる平和など――が、大多数のリスナーだけでなく、あらゆる人々にとって、ほとんど達成不可能なままであったという事実を直視せざるを得ない。ニューエイジ音楽が謳ったユートピア的な理想を実現するどころか、我々は皆、不安、孤立、絶望、不安定さ、そして残虐性が渦巻く現代という「肉挽き機」に放り込まれている。波動の上昇は、極めて暗い場所へと導く幻想に過ぎないことが明らかになった。ニューエイジ音楽がもたらすいかなる治療的効果も、現在の恐ろしい重圧によって打ち消されてしまうのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eそこで登場するのが、ノースカロライナ州グリーンビル出身の4人組アンサンブル𝘉𝘳𝘪𝘦𝘧 𝘉𝘦𝘪𝘯𝘨だ。彼らは、この音楽のより即興的な形態を生み出すために歴史的に用いられてきたゴング、ベル、チャイム、ラトルを駆使している。しかし、彼らの同名デビュー作は、甘ったるいニューエイジの定型表現から得られるような安らぎや癒やしを期待するリスナーには、ほとんど何も提供しない。その代わりに、彼らは60分間にわたり、疎らな楽器編成の中に、強烈で不吉なゴングの音、催眠的なハンドドラム、そして異質な響きを持つ不吉なクレッシェンドを散りばめている。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品には、覆い隠されたような音響的な悪意が滲み出ており、聴き手は未来の影から手招きする未知の力に身を委ねざるを得なくなる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eこれは、かつて存在したこともなく、今後も決して存在することのない架空のユートピアに思いを馳せるのではなく、災厄に満ちた現在を肯定するニューエイジ音楽だ。もしこれが未来を予兆するとしても、より良い未来が待っているという保証はない。ただ、「抜け出す唯一の道は、その中を通り抜けることだけだ」という、かすかな確信があるだけだ。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e我々は共に未知の世界へと足を踏み入れるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043652375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003ehere\u003c\/a\u003e to see more Softer Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Side One 29:25 \u003cbr\u003e2. Side Two 29:02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWhen we consider New Age music and whatever it might mean in the present moment, we have to reckon with the fact that the lofty goals of its inception — e.g., vibrational up-shifts, awakening into the universal consciousness, cosmic unity, spiritual oneness, inner peace, etc. — have been largely unattainable for not only the vast majority of listeners, but also everyone. Rather than realizing the utopian ideals heralded by New Age music, we are all forced through the meat grinder of modernity, a maelstrom of anxiety, isolation, desperation, precarity, and brutality. The vibrational up-shift has revealed itself as an illusion leading to a very dark place. Any therapeutic benefit afforded by New Age music is obliterated by the horrific weight of the present.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnter 𝘉𝘳𝘪𝘦𝘧 𝘉𝘦𝘪𝘯𝘨, a four piece ensemble out of Greenville, North Carolina. They wield the gongs, bells, chimes, and rattles that have historically been used to produce the more improvisational iterations of this music. However, their eponymous first recording offers little to listeners who may expect solace or a therapeutic experience typically derived from the more saccharine New Age idioms. Instead, they give us sixty minutes of sparse instrumentation punctuated by intense, foreboding gong work, hypnotic hand drums\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, and portentous crescendos of alien resonance. A veiled sonic malevolence permeates this work, forcing the listener to surrender to an unknown force beckoning from the shadows of the future.\u003cbr\u003e\u003cbr\u003eIt is a New Age music that affirms the calamitous present rather than projecting itself upon some imagined utopia that has never and will never exist. If it does portend a future, there is no guarantee of something better. Only the thin assurance that the only way out is through.\u003cbr\u003e\u003cbr\u003eWe enter the unknown together.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brief Being\u003c\/p\u003e\n\u003cp\u003eLabel : Softer Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSFRC011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 4th September 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナのドローンカルテットBrief Beingが、2026年9月にノースカロライナの実験／ドローンレーベルSofter Recordingsから100本限定でリリースしたデビューカセットです。 ゴングやベル、チャイム、ラトルを用いたサイケデリックなドローン2曲、1時間を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 " ニューエイジ音楽と、それが現在において何を意味するかを考える際、その誕生時に掲げられた崇高な目標――例えば、波動の向上、普遍的意識への目覚め、宇宙的統一、霊的な一体感、内なる平和など――が、大多数のリスナーだけでなく、あらゆる人々にとって、ほとんど達成不可能なままであったという事実を直視せざるを得ない。ニューエイジ音楽が謳ったユートピア的な理想を実現するどころか、我々は皆、不安、孤立、絶望、不安定さ、そして残虐性が渦巻く現代という「肉挽き機」に放り込まれている。波動の上昇は、極めて暗い場所へと導く幻想に過ぎないことが明らかになった。ニューエイジ音楽がもたらすいかなる治療的効果も、現在の恐ろしい重圧によって打ち消されてしまうのだ。 そこで登場するのが、ノースカロライナ州グリーンビル出身の4人組アンサンブル𝘉𝘳𝘪𝘦𝘧 𝘉𝘦𝘪𝘯𝘨だ。彼らは、この音楽のより即興的な形態を生み出すために歴史的に用いられてきたゴング、ベル、チャイム、ラトルを駆使している。しかし、彼らの同名デビュー作は、甘ったるいニューエイジの定型表現から得られるような安らぎや癒やしを期待するリスナーには、ほとんど何も提供しない。その代わりに、彼らは60分間にわたり、疎らな楽器編成の中に、強烈で不吉なゴングの音、催眠的なハンドドラム、そして異質な響きを持つ不吉なクレッシェンドを散りばめている。 この作品には、覆い隠されたような音響的な悪意が滲み出ており、聴き手は未来の影から手招きする未知の力に身を委ねざるを得なくなる。 これは、かつて存在したこともなく、今後も決して存在することのない架空のユートピアに思いを馳せるのではなく、災厄に満ちた現在を肯定するニューエイジ音楽だ。もしこれが未来を予兆するとしても、より良い未来が待っているという保証はない。ただ、「抜け出す唯一の道は、その中を通り抜けることだけだ」という、かすかな確信があるだけだ。 我々は共に未知の世界へと足を踏み入れるのだ。" レーベルその他作品はこちら...
¥2,280
クイックビュー
{"id":15477428453626,"title":"Zach Rowden \/\/ Time Unstated, Hues Unseen LP","handle":"zach-rowden-time-unstated-hues-unseen-lp","description":"\u003cp\u003e\u003cspan\u003eアンビエント・フォークバンドOld SawやTongue Depressorとしても活動しているアメリカのドローン作家Zach Rowden\u003c\/span\u003eが、2026年9月にノースカロライナの実験／ドローンレーベルSofter Recordingsから210部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノイズ・コンクレート2曲を収録。\u003c\/p\u003e\n\u003cp\u003e彼の\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tg\"\u003e他作品\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2767174986\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003ehere\u003c\/a\u003e to see more Softer Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 210 copies.\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Delirium Visitations 20:06 \u003cbr\u003e2. It’s Dripping in Here 20:22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA tape loop repeating, posing mundane questions to the listener: \"Am I different because you are different from one moment to the next; or, am I different because I am different from myself from one moment to the next?\" It is hard to tell. The ebb and flow of difference and repetition always produces a psychedelic interrogation. Where were you when you first heard me? Who were you when you first heard me? Are you still there? Are you still the same person? Breathing in and out is sort of similar. Something we do continuously as a matter of survival. One breath is not so different from the next, but each breath is also a seemingly singular event, a repetition bleeding into its own repetition. Is listening any different? One sound bleeding into the next, as if beginnings and endings fail to matter. These cycles have always existed in one way or another. All points of discontinuity are an illusion hiding a fundamental continuity that is also always different from itself. Tape loop as metaphor for Being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZach Rowden’s (Tongue Depressor, Red Yellow Blue Green Black, Lead Mask, Wind Scour, Crazy Doberman, et al) 𝘛𝘪𝘮𝘦 𝘜𝘯𝘴𝘵𝘢𝘵𝘦𝘥, 𝘏𝘶𝘦𝘴 𝘜𝘯𝘴𝘦𝘦𝘯 gestures towards these abstractions. An album of repeating fits and starts; a broken machine of repetition and difference dissolving into infinity. Moments of beauty\u003cspan class=\"bcTruncateMore\"\u003e, imperfection, and vacuity, hanging together like old friends reconnecting after a few years of separation. The friends retell the same stories and jokes over and over; each time it hits a little different. Sometimes laughter. Sometimes tears. The embodiment of a locked groove. These recordings were generated by harnessing previously made recordings from Rowden’s archive or found scraps of other people’s old tapes. Recorded from 2024-2025, it marks a particularly scathing and uncanny period of Rowden’s life. Yet, it exhibits a supreme focus and patience, reflective of his continuous practice and refinement of magnetic tape manipulations.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zach Rowden\u003c\/p\u003e\n\u003cp\u003eLabel : Softer Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSFRC010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 4th September 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-11-04T16:12:01+09:00","created_at":"2026-11-03T09:39:25+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","softer recordings"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":68062635983098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zach Rowden \/\/ Time Unstated, Hues Unseen LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_40792533-1487-4762-8936-75aa17c76a89.jpg?v=1793666203","\/\/tobirarecords.com\/cdn\/shop\/files\/tim2_39004e71-1b5c-4fcb-9dbd-203ae9525a73.jpg?v=1793666203"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_40792533-1487-4762-8936-75aa17c76a89.jpg?v=1793666203","options":["Title"],"media":[{"alt":null,"id":46871718887674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_40792533-1487-4762-8936-75aa17c76a89.jpg?v=1793666203"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_40792533-1487-4762-8936-75aa17c76a89.jpg?v=1793666203","width":350},{"alt":null,"id":46871718920442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim2_39004e71-1b5c-4fcb-9dbd-203ae9525a73.jpg?v=1793666203"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim2_39004e71-1b5c-4fcb-9dbd-203ae9525a73.jpg?v=1793666203","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアンビエント・フォークバンドOld SawやTongue Depressorとしても活動しているアメリカのドローン作家Zach Rowden\u003c\/span\u003eが、2026年9月にノースカロライナの実験／ドローンレーベルSofter Recordingsから210部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノイズ・コンクレート2曲を収録。\u003c\/p\u003e\n\u003cp\u003e彼の\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tg\"\u003e他作品\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2767174986\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sofre\"\u003ehere\u003c\/a\u003e to see more Softer Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 210 copies.\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Delirium Visitations 20:06 \u003cbr\u003e2. It’s Dripping in Here 20:22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA tape loop repeating, posing mundane questions to the listener: \"Am I different because you are different from one moment to the next; or, am I different because I am different from myself from one moment to the next?\" It is hard to tell. The ebb and flow of difference and repetition always produces a psychedelic interrogation. Where were you when you first heard me? Who were you when you first heard me? Are you still there? Are you still the same person? Breathing in and out is sort of similar. Something we do continuously as a matter of survival. One breath is not so different from the next, but each breath is also a seemingly singular event, a repetition bleeding into its own repetition. Is listening any different? One sound bleeding into the next, as if beginnings and endings fail to matter. These cycles have always existed in one way or another. All points of discontinuity are an illusion hiding a fundamental continuity that is also always different from itself. Tape loop as metaphor for Being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZach Rowden’s (Tongue Depressor, Red Yellow Blue Green Black, Lead Mask, Wind Scour, Crazy Doberman, et al) 𝘛𝘪𝘮𝘦 𝘜𝘯𝘴𝘵𝘢𝘵𝘦𝘥, 𝘏𝘶𝘦𝘴 𝘜𝘯𝘴𝘦𝘦𝘯 gestures towards these abstractions. An album of repeating fits and starts; a broken machine of repetition and difference dissolving into infinity. Moments of beauty\u003cspan class=\"bcTruncateMore\"\u003e, imperfection, and vacuity, hanging together like old friends reconnecting after a few years of separation. The friends retell the same stories and jokes over and over; each time it hits a little different. Sometimes laughter. Sometimes tears. The embodiment of a locked groove. These recordings were generated by harnessing previously made recordings from Rowden’s archive or found scraps of other people’s old tapes. Recorded from 2024-2025, it marks a particularly scathing and uncanny period of Rowden’s life. Yet, it exhibits a supreme focus and patience, reflective of his continuous practice and refinement of magnetic tape manipulations.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zach Rowden\u003c\/p\u003e\n\u003cp\u003eLabel : Softer Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSFRC010\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 4th September 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アンビエント・フォークバンドOld SawやTongue Depressorとしても活動しているアメリカのドローン作家Zach Rowdenが、2026年9月にノースカロライナの実験／ドローンレーベルSofter Recordingsから210部限定でリリースしたレコードです。 ノイズ・コンクレート2曲を収録。 彼の他作品もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see...
¥4,480
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{"id":15472085008634,"title":"Allan Bryant \/\/ Space Guitars 2xLP","handle":"allan-bryant-space-guitars-2xlp","description":"\u003cp\u003eイギリスの発掘専門レーベルDeath Is Not The Endが、2026年10月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるエレクトロアコースティック7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003ci\u003eアメリカのアンダーグラウンド・エレクトロニック・ミュージックの先駆者であるAllan Bryantは、アルヴィン・カラン、フレデリック・ジェフスキー、リチャード・タイテルバウムと共に「ムジカ・エレクトロニカ・ヴィヴァ（MEV）」の創設メンバーとして、その境界を押し広げる一翼を担った。1968年にグループを離れた後も、2019年に亡くなるまで、自身のレーベル「IRML」を通じて、独自に作曲、録音を行い、MEVの往年のライブセットをアーカイブし続けた。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1970年代初頭から中期にかけて、Allan Bryantは自作の楽器や生の電気への執着を、本作『Space Guitars』に収録されたソロ作品に注ぎ込んだ。1977年にCRIレーベルから初リリースされた本作は、今回初めてアナログ盤として再発され、改訂・拡張された2枚組LPとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4087827803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Whirling Take-Off 06:35 \u003cbr\u003e2. Bouncing People Planet 06:44 \u003cbr\u003e3. Rocket Is a Drum 06:50 \u003cbr\u003e4. Space Guitars 13:54 \u003cbr\u003e5. Space Storm 10:26 \u003cbr\u003e6. Space Train 12:04 \u003cbr\u003e7. Insect Takeover 14:40\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA pioneer of underground American electronic music, Allan Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring a period in the early to mid 1970s, Bryant channelled his obsession with self-made instrumentation and raw electricity into the solo works collected here on Space Guitars - originally released on the CRI label in 1977 it’s now reissued on vinyl for the first time, revised and expanded on this 2LP.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"One way to find new ideas and to make music a little different from anyone else's, is to make your own instruments. They automatically supply you with sounds and techniques you probably never could have imagined otherwise. The new instruments I use in Space Guitars produce unusual virtuoso effects that are sometimes similar to those of electronic music. They are not electronic instruments however. Aside from amplification, there are no electronics used to produce or modify the sound, and there is no tape manipulation\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e. They might be called \"bridge\" instruments — something between the traditional manual ones and new electronic ones. They are amplified string instruments, each constructed in a different manner in order to make use of varying new and unusual techniques, sounds, and effects.\u003cbr\u003e\u003cbr\u003e\"That many of these effects sound electronic is probably due to the fact that I made these instruments originally for concerts that were billed as Musica Elettronica Viva (Live Electronic Music). In these concerts we purposely created electronic sounding music even when we used normal instruments. But for the last few decades a great deal of music, both pop and serious, has been electronic influenced. For serious music, the electronic influence has provided a valuable exit from '12-tone alley.' There's an entire new organisation and logic made possible with these new sounds. I consider the orchestral music of Penderecki and 2001-Ligeti to be striking examples of this; there are strange new electronic influenced effects and combinations, including blocks of sound that are held for a long time or that slide in different directions, often with a lot of internal movement, with irregular rhythms, tremolos, trills, bubbling, bouncing, waving, wobbling, etc.\u003cbr\u003e\u003cbr\u003e\"This list of effects can give some impression of what these pieces are like. Also, the titles give some clue since they are an attempt to match the sound of the pieces as well as possible with some external sound or program. The titles make space-impressionistic music out of what was originally written as just abstract music, but who knows whether something similar wasn't in my subconscious at the time? From working at Cape Canaveral for a year, I certainly have the magnificent sound of a rocket take-off still in my ears. An earlier piece in this series, Pitch Out, has a beginning that I only recognized later as an attempt to imitate that sound. I wonder how far I can go in equating titles with just finding out what was supposedly there in intent all the time? Whatever the case, the listener is free and welcome to create his or her own titles if they have more suggestive meaning.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allan Bryant\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH137LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th July 2026\u003c\/p\u003e","published_at":"2026-11-01T07:28:03+09:00","created_at":"2026-10-31T13:06:13+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","drone","lp","monooto","new"],"price":677000,"price_min":677000,"price_max":677000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":68032904691962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Allan Bryant \/\/ Space Guitars 2xLP","public_title":null,"options":["Default Title"],"price":677000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580879270","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sp_281fadad-3960-49aa-8c5b-74bd9db4efce.jpg?v=1793419622","\/\/tobirarecords.com\/cdn\/shop\/files\/sp2_6de1a104-d954-4c6a-9127-a9702531898a.jpg?v=1793419621"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp_281fadad-3960-49aa-8c5b-74bd9db4efce.jpg?v=1793419622","options":["Title"],"media":[{"alt":null,"id":46821600723194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp_281fadad-3960-49aa-8c5b-74bd9db4efce.jpg?v=1793419622"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp_281fadad-3960-49aa-8c5b-74bd9db4efce.jpg?v=1793419622","width":350},{"alt":null,"id":46821600755962,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp2_6de1a104-d954-4c6a-9127-a9702531898a.jpg?v=1793419621"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp2_6de1a104-d954-4c6a-9127-a9702531898a.jpg?v=1793419621","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの発掘専門レーベルDeath Is Not The Endが、2026年10月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるエレクトロアコースティック7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003ci\u003eアメリカのアンダーグラウンド・エレクトロニック・ミュージックの先駆者であるAllan Bryantは、アルヴィン・カラン、フレデリック・ジェフスキー、リチャード・タイテルバウムと共に「ムジカ・エレクトロニカ・ヴィヴァ（MEV）」の創設メンバーとして、その境界を押し広げる一翼を担った。1968年にグループを離れた後も、2019年に亡くなるまで、自身のレーベル「IRML」を通じて、独自に作曲、録音を行い、MEVの往年のライブセットをアーカイブし続けた。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1970年代初頭から中期にかけて、Allan Bryantは自作の楽器や生の電気への執着を、本作『Space Guitars』に収録されたソロ作品に注ぎ込んだ。1977年にCRIレーベルから初リリースされた本作は、今回初めてアナログ盤として再発され、改訂・拡張された2枚組LPとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4087827803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Whirling Take-Off 06:35 \u003cbr\u003e2. Bouncing People Planet 06:44 \u003cbr\u003e3. Rocket Is a Drum 06:50 \u003cbr\u003e4. Space Guitars 13:54 \u003cbr\u003e5. Space Storm 10:26 \u003cbr\u003e6. Space Train 12:04 \u003cbr\u003e7. Insect Takeover 14:40\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA pioneer of underground American electronic music, Allan Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring a period in the early to mid 1970s, Bryant channelled his obsession with self-made instrumentation and raw electricity into the solo works collected here on Space Guitars - originally released on the CRI label in 1977 it’s now reissued on vinyl for the first time, revised and expanded on this 2LP.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"One way to find new ideas and to make music a little different from anyone else's, is to make your own instruments. They automatically supply you with sounds and techniques you probably never could have imagined otherwise. The new instruments I use in Space Guitars produce unusual virtuoso effects that are sometimes similar to those of electronic music. They are not electronic instruments however. Aside from amplification, there are no electronics used to produce or modify the sound, and there is no tape manipulation\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e. They might be called \"bridge\" instruments — something between the traditional manual ones and new electronic ones. They are amplified string instruments, each constructed in a different manner in order to make use of varying new and unusual techniques, sounds, and effects.\u003cbr\u003e\u003cbr\u003e\"That many of these effects sound electronic is probably due to the fact that I made these instruments originally for concerts that were billed as Musica Elettronica Viva (Live Electronic Music). In these concerts we purposely created electronic sounding music even when we used normal instruments. But for the last few decades a great deal of music, both pop and serious, has been electronic influenced. For serious music, the electronic influence has provided a valuable exit from '12-tone alley.' There's an entire new organisation and logic made possible with these new sounds. I consider the orchestral music of Penderecki and 2001-Ligeti to be striking examples of this; there are strange new electronic influenced effects and combinations, including blocks of sound that are held for a long time or that slide in different directions, often with a lot of internal movement, with irregular rhythms, tremolos, trills, bubbling, bouncing, waving, wobbling, etc.\u003cbr\u003e\u003cbr\u003e\"This list of effects can give some impression of what these pieces are like. Also, the titles give some clue since they are an attempt to match the sound of the pieces as well as possible with some external sound or program. The titles make space-impressionistic music out of what was originally written as just abstract music, but who knows whether something similar wasn't in my subconscious at the time? From working at Cape Canaveral for a year, I certainly have the magnificent sound of a rocket take-off still in my ears. An earlier piece in this series, Pitch Out, has a beginning that I only recognized later as an attempt to imitate that sound. I wonder how far I can go in equating titles with just finding out what was supposedly there in intent all the time? Whatever the case, the listener is free and welcome to create his or her own titles if they have more suggestive meaning.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allan Bryant\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH137LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th July 2026\u003c\/p\u003e"}
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イギリスの発掘専門レーベルDeath Is Not The Endが、2026年10月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたアルバムです。 自作楽器によるエレクトロアコースティック7曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "アメリカのアンダーグラウンド・エレクトロニック・ミュージックの先駆者であるAllan Bryantは、アルヴィン・カラン、フレデリック・ジェフスキー、リチャード・タイテルバウムと共に「ムジカ・エレクトロニカ・ヴィヴァ（MEV）」の創設メンバーとして、その境界を押し広げる一翼を担った。1968年にグループを離れた後も、2019年に亡くなるまで、自身のレーベル「IRML」を通じて、独自に作曲、録音を行い、MEVの往年のライブセットをアーカイブし続けた。...
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{"id":15472083665146,"title":"Allan Bryant \/\/ Space Guitars TAPE","handle":"allan-bryant-space-guitars-tape","description":"\u003cp\u003eイギリスの発掘専門レーベルDeath Is Not The Endが、2026年10月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるエレクトロアコースティック7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003ci\u003eアメリカのアンダーグラウンド・エレクトロニック・ミュージックの先駆者であるAllan Bryantは、アルヴィン・カラン、フレデリック・ジェフスキー、リチャード・タイテルバウムと共に「ムジカ・エレクトロニカ・ヴィヴァ（MEV）」の創設メンバーとして、その境界を押し広げる一翼を担った。1968年にグループを離れた後も、2019年に亡くなるまで、自身のレーベル「IRML」を通じて、独自に作曲、録音を行い、MEVの往年のライブセットをアーカイブし続けた。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1970年代初頭から中期にかけて、Allan Bryantは自作の楽器や生の電気への執着を、本作『Space Guitars』に収録されたソロ作品に注ぎ込んだ。1977年にCRIレーベルから初リリースされた本作は、今回初めてアナログ盤として再発され、改訂・拡張された2枚組LPとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4087827803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Whirling Take-Off 06:35 \u003cbr\u003e2. Bouncing People Planet 06:44 \u003cbr\u003e3. Rocket Is a Drum 06:50 \u003cbr\u003e4. Space Guitars 13:54 \u003cbr\u003e5. Space Storm 10:26 \u003cbr\u003e6. Space Train 12:04 \u003cbr\u003e7. Insect Takeover 14:40\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA pioneer of underground American electronic music, Allan Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring a period in the early to mid 1970s, Bryant channelled his obsession with self-made instrumentation and raw electricity into the solo works collected here on Space Guitars - originally released on the CRI label in 1977 it’s now reissued on vinyl for the first time, revised and expanded on this 2LP.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"One way to find new ideas and to make music a little different from anyone else's, is to make your own instruments. They automatically supply you with sounds and techniques you probably never could have imagined otherwise. The new instruments I use in Space Guitars produce unusual virtuoso effects that are sometimes similar to those of electronic music. They are not electronic instruments however. Aside from amplification, there are no electronics used to produce or modify the sound, and there is no tape manipulation\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e. They might be called \"bridge\" instruments — something between the traditional manual ones and new electronic ones. They are amplified string instruments, each constructed in a different manner in order to make use of varying new and unusual techniques, sounds, and effects.\u003cbr\u003e\u003cbr\u003e\"That many of these effects sound electronic is probably due to the fact that I made these instruments originally for concerts that were billed as Musica Elettronica Viva (Live Electronic Music). In these concerts we purposely created electronic sounding music even when we used normal instruments. But for the last few decades a great deal of music, both pop and serious, has been electronic influenced. For serious music, the electronic influence has provided a valuable exit from '12-tone alley.' There's an entire new organisation and logic made possible with these new sounds. I consider the orchestral music of Penderecki and 2001-Ligeti to be striking examples of this; there are strange new electronic influenced effects and combinations, including blocks of sound that are held for a long time or that slide in different directions, often with a lot of internal movement, with irregular rhythms, tremolos, trills, bubbling, bouncing, waving, wobbling, etc.\u003cbr\u003e\u003cbr\u003e\"This list of effects can give some impression of what these pieces are like. Also, the titles give some clue since they are an attempt to match the sound of the pieces as well as possible with some external sound or program. The titles make space-impressionistic music out of what was originally written as just abstract music, but who knows whether something similar wasn't in my subconscious at the time? From working at Cape Canaveral for a year, I certainly have the magnificent sound of a rocket take-off still in my ears. An earlier piece in this series, Pitch Out, has a beginning that I only recognized later as an attempt to imitate that sound. I wonder how far I can go in equating titles with just finding out what was supposedly there in intent all the time? Whatever the case, the listener is free and welcome to create his or her own titles if they have more suggestive meaning.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allan Bryant\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH137\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th July 2026\u003c\/p\u003e","published_at":"2026-11-01T07:26:57+09:00","created_at":"2026-10-31T13:05:46+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","drone","monooto","new","tape"],"price":299500,"price_min":299500,"price_max":299500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":68032902299898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Allan Bryant \/\/ Space Guitars TAPE","public_title":null,"options":["Default Title"],"price":299500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580879294","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sp_67255667-f188-4125-a2ea-24d0addcb7a9.jpg?v=1793419454","\/\/tobirarecords.com\/cdn\/shop\/files\/sp3_ce8be31b-9cd2-4baa-8c67-ea303509af84.jpg?v=1793419454"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp_67255667-f188-4125-a2ea-24d0addcb7a9.jpg?v=1793419454","options":["Title"],"media":[{"alt":null,"id":46821529485562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp_67255667-f188-4125-a2ea-24d0addcb7a9.jpg?v=1793419454"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp_67255667-f188-4125-a2ea-24d0addcb7a9.jpg?v=1793419454","width":350},{"alt":null,"id":46821529518330,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp3_ce8be31b-9cd2-4baa-8c67-ea303509af84.jpg?v=1793419454"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sp3_ce8be31b-9cd2-4baa-8c67-ea303509af84.jpg?v=1793419454","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの発掘専門レーベルDeath Is Not The Endが、2026年10月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるエレクトロアコースティック7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003ci\u003eアメリカのアンダーグラウンド・エレクトロニック・ミュージックの先駆者であるAllan Bryantは、アルヴィン・カラン、フレデリック・ジェフスキー、リチャード・タイテルバウムと共に「ムジカ・エレクトロニカ・ヴィヴァ（MEV）」の創設メンバーとして、その境界を押し広げる一翼を担った。1968年にグループを離れた後も、2019年に亡くなるまで、自身のレーベル「IRML」を通じて、独自に作曲、録音を行い、MEVの往年のライブセットをアーカイブし続けた。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1970年代初頭から中期にかけて、Allan Bryantは自作の楽器や生の電気への執着を、本作『Space Guitars』に収録されたソロ作品に注ぎ込んだ。1977年にCRIレーベルから初リリースされた本作は、今回初めてアナログ盤として再発され、改訂・拡張された2枚組LPとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4087827803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Whirling Take-Off 06:35 \u003cbr\u003e2. Bouncing People Planet 06:44 \u003cbr\u003e3. Rocket Is a Drum 06:50 \u003cbr\u003e4. Space Guitars 13:54 \u003cbr\u003e5. Space Storm 10:26 \u003cbr\u003e6. Space Train 12:04 \u003cbr\u003e7. Insect Takeover 14:40\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA pioneer of underground American electronic music, Allan Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring a period in the early to mid 1970s, Bryant channelled his obsession with self-made instrumentation and raw electricity into the solo works collected here on Space Guitars - originally released on the CRI label in 1977 it’s now reissued on vinyl for the first time, revised and expanded on this 2LP.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"One way to find new ideas and to make music a little different from anyone else's, is to make your own instruments. They automatically supply you with sounds and techniques you probably never could have imagined otherwise. The new instruments I use in Space Guitars produce unusual virtuoso effects that are sometimes similar to those of electronic music. They are not electronic instruments however. Aside from amplification, there are no electronics used to produce or modify the sound, and there is no tape manipulation\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e. They might be called \"bridge\" instruments — something between the traditional manual ones and new electronic ones. They are amplified string instruments, each constructed in a different manner in order to make use of varying new and unusual techniques, sounds, and effects.\u003cbr\u003e\u003cbr\u003e\"That many of these effects sound electronic is probably due to the fact that I made these instruments originally for concerts that were billed as Musica Elettronica Viva (Live Electronic Music). In these concerts we purposely created electronic sounding music even when we used normal instruments. But for the last few decades a great deal of music, both pop and serious, has been electronic influenced. For serious music, the electronic influence has provided a valuable exit from '12-tone alley.' There's an entire new organisation and logic made possible with these new sounds. I consider the orchestral music of Penderecki and 2001-Ligeti to be striking examples of this; there are strange new electronic influenced effects and combinations, including blocks of sound that are held for a long time or that slide in different directions, often with a lot of internal movement, with irregular rhythms, tremolos, trills, bubbling, bouncing, waving, wobbling, etc.\u003cbr\u003e\u003cbr\u003e\"This list of effects can give some impression of what these pieces are like. Also, the titles give some clue since they are an attempt to match the sound of the pieces as well as possible with some external sound or program. The titles make space-impressionistic music out of what was originally written as just abstract music, but who knows whether something similar wasn't in my subconscious at the time? From working at Cape Canaveral for a year, I certainly have the magnificent sound of a rocket take-off still in my ears. An earlier piece in this series, Pitch Out, has a beginning that I only recognized later as an attempt to imitate that sound. I wonder how far I can go in equating titles with just finding out what was supposedly there in intent all the time? Whatever the case, the listener is free and welcome to create his or her own titles if they have more suggestive meaning.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allan Bryant\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH137\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th July 2026\u003c\/p\u003e"}
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イギリスの発掘専門レーベルDeath Is Not The Endが、2026年10月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたアルバムです。 自作楽器によるエレクトロアコースティック7曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "アメリカのアンダーグラウンド・エレクトロニック・ミュージックの先駆者であるAllan Bryantは、アルヴィン・カラン、フレデリック・ジェフスキー、リチャード・タイテルバウムと共に「ムジカ・エレクトロニカ・ヴィヴァ（MEV）」の創設メンバーとして、その境界を押し広げる一翼を担った。1968年にグループを離れた後も、2019年に亡くなるまで、自身のレーベル「IRML」を通じて、独自に作曲、録音を行い、MEVの往年のライブセットをアーカイブし続けた。...
¥2,995