Arsenije Jovanović // The Art Of Speech {For Ana} LP
Arsenije Jovanović // The Art Of Speech {For Ana} LP
¥2,398
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1932年にセルビアのベオグラードに生まれ、1960年代から実験的な手法をとったテレビや映画のプロデューサー/ディレクターとして活躍し数々の賞を受賞してきたArsenije Jovanovićの自身初となるヴァイナルがNYのPentimentsからリリース。
本作は、長年録りためた娘の声を使った8チャンネルのインスタレーションを54分2部構成のステレオ作品にミックスダウンしたものです。
マスタリングはRashad Becker。ポスター付属。DLコード付属。
artist : Arsenije Jovanović
label : Pentiments
1932年にセルビアのベオグラードに生まれ、1960年代から実験的な手法をとったテレビや映画のプロデューサー/ディレクターとして活躍し数々の賞を受賞してきたArsenije Jovanovićの自身初となるヴァイナルがNYのPentimentsからリリース。
本作は、長年録りためた娘の声を使った8チャンネルのインスタレーションを54分2部構成のステレオ作品にミックスダウンしたものです。
マスタリングはRashad Becker。ポスター付属。DLコード付属。
artist : Arsenije Jovanović
label : Pentiments
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{"id":8754843123962,"title":"Slow Reading Club and Charlie Usher \/\/ LEARNING 2xCD","handle":"slow-reading-club-and-charlie-usher-learning-2xcd","description":"\u003cp\u003eベルギーの合唱団Slow Reading Clubと作曲家Charlie Usherが、2025年3月に同国実験／アンビエントレーベルEdições CNからリリースした共作2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜エレクトロアコースティック46曲を収録。ポスターとDLコード付属。7\"サイズのケース仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLEARNINGは、『The Great Learning』（1971年）に収録されているコーネリアス・カーデューの合唱曲『Paragraph 7』のカバーヴァージョン。アーロン・スワーツによる『ゲリラ・オープンアクセス宣言』（2008年）のテキストとともに演奏される。LEARNINGは、2024年春にゲントのBOEKSで開催されたSlow Reading Club and Charlie Usherのコラボレーション展の一環として、ゲントにあるKASK芸術学校のアマチュア歌手による合唱団によってリハーサルされた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回のディスク1には、学校の図書館に続く廊下での合唱の録音が収録されている。その長い空間は、歌い手を特定の位置に移動させ、思いがけない音色のクラスターを生み出している。ディスク2は作曲家Charlie Usherによる作品。この不思議な物語の中で、私たちはフェリーニの『オーケストラのプロヴァ』に出てきそうなシーンや、リハーサルを取り巻くランダムな出来事の中にいることに気づく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=427051560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e2 x CD in separate cardstock sleeves, presented in 7\" thick plastic outer sleeve. \u003cbr\u003eIncludes large fold-out poster with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etext, liner notes by Bill Dietz and artwork.\u003cbr\u003eEdition of 280. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Slow Reading Club - LEARNING pt. 1 20:11\u003cbr\u003e2. Slow Reading Club - LEARNING pt. 2 30:30\u003cbr\u003e3. Charlie Usher - Attachment 01:00\u003cbr\u003e4. Charlie Usher - Return 00:59\u003cbr\u003e5. Charlie Usher - Attachment 01:00\u003cbr\u003e6. Charlie Usher - Return 00:29\u003cbr\u003e7. Charlie Usher - Attachment 00:15\u003cbr\u003e8. Charlie Usher - Return 00:44\u003cbr\u003e9. Charlie Usher - Attachment 01:00\u003cbr\u003e10. Charlie Usher - Return 00:59\u003cbr\u003e11. Charlie Usher - Attachment 01:00\u003cbr\u003e12. Charlie Usher - Return 00:29\u003cbr\u003e13. Charlie Usher - Attachment 00:22\u003cbr\u003e14. Charlie Usher - Return 00:37\u003cbr\u003e15. Charlie Usher - Attachment 04:46\u003cbr\u003e16. Charlie Usher - Return 00:42\u003cbr\u003e17. Charlie Usher - Attachment 00:30\u003cbr\u003e18. Charlie Usher - Return 00:57\u003cbr\u003e19. Charlie Usher - Attachment 01:00\u003cbr\u003e20. Charlie Usher - Return 00:31\u003cbr\u003e21. Charlie Usher - Attachment 00:15\u003cbr\u003e22. Charlie Usher - Return 00:30\u003cbr\u003e23. Charlie Usher - Attachment 01:00\u003cbr\u003e24. Charlie Usher - Return 00:29\u003cbr\u003e25. Charlie Usher - Attachment 00:28\u003cbr\u003e26. Charlie Usher - Return 00:16\u003cbr\u003e27. Charlie Usher - Attachment 00:30\u003cbr\u003e28. Charlie Usher - Return 00:29\u003cbr\u003e29. Charlie Usher - Attachment 00:30\u003cbr\u003e30. Charlie Usher - Return 00:29\u003cbr\u003e31. Charlie Usher - Attachment 01:00\u003cbr\u003e32. Charlie Usher - Return 00:29\u003cbr\u003e33. Charlie Usher - Attachment 00:15\u003cbr\u003e34. Charlie Usher - Return 00:29\u003cbr\u003e35. Charlie Usher - Attachment 03:00\u003cbr\u003e36. Charlie Usher - Return 00:14\u003cbr\u003e37. Charlie Usher - Attachment 01:00\u003cbr\u003e38. Charlie Usher - Return 00:39\u003cbr\u003e39. Charlie Usher - Attachment 00:15\u003cbr\u003e40. Charlie Usher - Return 00:34\u003cbr\u003e41. Charlie Usher - Attachment 01:04|\u003cbr\u003e42. Charlie Usher - Return 00:28\u003cbr\u003e43. Charlie Usher - Attachment 00:30\u003cbr\u003e44. Charlie Usher - Return 00:19\u003cbr\u003e45. Charlie Usher - Attachment 02:56\u003cbr\u003e46. Charlie Usher - Return 00:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLEARNING is a cover version of Cornelius Cardew’s choral piece Paragraph 7, from The Great Learning (1971). It is performed with text from The Guerrilla Open Access Manifesto (2008), by Aaron Swartz. LEARNING was rehearsed by a choir of amateur singers at KASK school of the arts in Ghent, Belgium - as part of a collaborative exhibition of Slow Reading Club and composer Charlie Usher, that took place at BOEKS, Ghent, in spring 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Great Learning was one of Cardew‘s most important works. It was a series of seven “paragraphs” with text from the writings of Confucius and scored for large numbers of both trained and untrained performers. It is a critical Marxist thought piece on the rehearsal and the interaction between individual longings and collective decision-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e----\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the exhibition text: The score calls for amateur singers. It functions as an open set of rules and relations between singers, both spatially and vocally. Rhythm is defined by the breath lengths of the singers and harmony is a result of each person adjusting to their neighbours. There is no requirement to read music notation or to be able to accurately sustain a pitch. The rehearsal of\u003cspan class=\"bcTruncateMore\"\u003e Paragraph 7 is not secondary to the piece; the act of gathering to speak and collectively negotiate the score is the piece more so than any specific sound image produced by singing. Sometimes the principal value of a public performance is that it produces the need for rehearsal.\u003cbr\u003e\u003cbr\u003e----\u003cbr\u003e\u003cbr\u003eAt the core of the rehearsal, was the seminal The Guerrilla Open Access Manifesto by Aaron Swartz. Swartz argued for transgressive approaches to achieving the goals of the open access movement through civil disobedience. He took a stand against copyright and contracts that restrict redistribution of knowledge.\u003cbr\u003e\u003cbr\u003eDisc one of this edition holds the recording of the choir in the hallway leading to the school library. The long architecture of the space moves the singers into specific positions, creating unexpected clusters of tones. Disc two is a work by composer Charlie Usher. In 44 radical edits, the composer shuffles moments from the process that led to Disc One—samples of rehearsal bits, location recordings, practice instructions, et al. In this magical story we find ourselves in scenes that could come from Fellini’s Prova d’orchestra, and in random events surrounding the rehearsals.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Slow Reading Club and Charlie Usher\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN46\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-02T09:03:19+09:00","created_at":"2025-04-01T11:22:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Edições CN","new"],"price":356100,"price_min":356100,"price_max":356100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47230325817594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Slow Reading Club and Charlie Usher \/\/ LEARNING 2xCD","public_title":null,"options":["Default Title"],"price":356100,"weight":200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_d83d29e8-9cb5-4c51-a057-0cf74e7f41af.jpg?v=1743473915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914","options":["Title"],"media":[{"alt":null,"id":35817634627834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914","width":700},{"alt":null,"id":35817634660602,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_d83d29e8-9cb5-4c51-a057-0cf74e7f41af.jpg?v=1743473915"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_d83d29e8-9cb5-4c51-a057-0cf74e7f41af.jpg?v=1743473915","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの合唱団Slow Reading Clubと作曲家Charlie Usherが、2025年3月に同国実験／アンビエントレーベルEdições CNからリリースした共作2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜エレクトロアコースティック46曲を収録。ポスターとDLコード付属。7\"サイズのケース仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLEARNINGは、『The Great Learning』（1971年）に収録されているコーネリアス・カーデューの合唱曲『Paragraph 7』のカバーヴァージョン。アーロン・スワーツによる『ゲリラ・オープンアクセス宣言』（2008年）のテキストとともに演奏される。LEARNINGは、2024年春にゲントのBOEKSで開催されたSlow Reading Club and Charlie Usherのコラボレーション展の一環として、ゲントにあるKASK芸術学校のアマチュア歌手による合唱団によってリハーサルされた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回のディスク1には、学校の図書館に続く廊下での合唱の録音が収録されている。その長い空間は、歌い手を特定の位置に移動させ、思いがけない音色のクラスターを生み出している。ディスク2は作曲家Charlie Usherによる作品。この不思議な物語の中で、私たちはフェリーニの『オーケストラのプロヴァ』に出てきそうなシーンや、リハーサルを取り巻くランダムな出来事の中にいることに気づく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=427051560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e2 x CD in separate cardstock sleeves, presented in 7\" thick plastic outer sleeve. \u003cbr\u003eIncludes large fold-out poster with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etext, liner notes by Bill Dietz and artwork.\u003cbr\u003eEdition of 280. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Slow Reading Club - LEARNING pt. 1 20:11\u003cbr\u003e2. Slow Reading Club - LEARNING pt. 2 30:30\u003cbr\u003e3. Charlie Usher - Attachment 01:00\u003cbr\u003e4. Charlie Usher - Return 00:59\u003cbr\u003e5. Charlie Usher - Attachment 01:00\u003cbr\u003e6. Charlie Usher - Return 00:29\u003cbr\u003e7. Charlie Usher - Attachment 00:15\u003cbr\u003e8. Charlie Usher - Return 00:44\u003cbr\u003e9. Charlie Usher - Attachment 01:00\u003cbr\u003e10. Charlie Usher - Return 00:59\u003cbr\u003e11. Charlie Usher - Attachment 01:00\u003cbr\u003e12. Charlie Usher - Return 00:29\u003cbr\u003e13. Charlie Usher - Attachment 00:22\u003cbr\u003e14. Charlie Usher - Return 00:37\u003cbr\u003e15. Charlie Usher - Attachment 04:46\u003cbr\u003e16. Charlie Usher - Return 00:42\u003cbr\u003e17. Charlie Usher - Attachment 00:30\u003cbr\u003e18. Charlie Usher - Return 00:57\u003cbr\u003e19. Charlie Usher - Attachment 01:00\u003cbr\u003e20. Charlie Usher - Return 00:31\u003cbr\u003e21. Charlie Usher - Attachment 00:15\u003cbr\u003e22. Charlie Usher - Return 00:30\u003cbr\u003e23. Charlie Usher - Attachment 01:00\u003cbr\u003e24. Charlie Usher - Return 00:29\u003cbr\u003e25. Charlie Usher - Attachment 00:28\u003cbr\u003e26. Charlie Usher - Return 00:16\u003cbr\u003e27. Charlie Usher - Attachment 00:30\u003cbr\u003e28. Charlie Usher - Return 00:29\u003cbr\u003e29. Charlie Usher - Attachment 00:30\u003cbr\u003e30. Charlie Usher - Return 00:29\u003cbr\u003e31. Charlie Usher - Attachment 01:00\u003cbr\u003e32. Charlie Usher - Return 00:29\u003cbr\u003e33. Charlie Usher - Attachment 00:15\u003cbr\u003e34. Charlie Usher - Return 00:29\u003cbr\u003e35. Charlie Usher - Attachment 03:00\u003cbr\u003e36. Charlie Usher - Return 00:14\u003cbr\u003e37. Charlie Usher - Attachment 01:00\u003cbr\u003e38. Charlie Usher - Return 00:39\u003cbr\u003e39. Charlie Usher - Attachment 00:15\u003cbr\u003e40. Charlie Usher - Return 00:34\u003cbr\u003e41. Charlie Usher - Attachment 01:04|\u003cbr\u003e42. Charlie Usher - Return 00:28\u003cbr\u003e43. Charlie Usher - Attachment 00:30\u003cbr\u003e44. Charlie Usher - Return 00:19\u003cbr\u003e45. Charlie Usher - Attachment 02:56\u003cbr\u003e46. Charlie Usher - Return 00:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLEARNING is a cover version of Cornelius Cardew’s choral piece Paragraph 7, from The Great Learning (1971). It is performed with text from The Guerrilla Open Access Manifesto (2008), by Aaron Swartz. LEARNING was rehearsed by a choir of amateur singers at KASK school of the arts in Ghent, Belgium - as part of a collaborative exhibition of Slow Reading Club and composer Charlie Usher, that took place at BOEKS, Ghent, in spring 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Great Learning was one of Cardew‘s most important works. It was a series of seven “paragraphs” with text from the writings of Confucius and scored for large numbers of both trained and untrained performers. It is a critical Marxist thought piece on the rehearsal and the interaction between individual longings and collective decision-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e----\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the exhibition text: The score calls for amateur singers. It functions as an open set of rules and relations between singers, both spatially and vocally. Rhythm is defined by the breath lengths of the singers and harmony is a result of each person adjusting to their neighbours. There is no requirement to read music notation or to be able to accurately sustain a pitch. The rehearsal of\u003cspan class=\"bcTruncateMore\"\u003e Paragraph 7 is not secondary to the piece; the act of gathering to speak and collectively negotiate the score is the piece more so than any specific sound image produced by singing. Sometimes the principal value of a public performance is that it produces the need for rehearsal.\u003cbr\u003e\u003cbr\u003e----\u003cbr\u003e\u003cbr\u003eAt the core of the rehearsal, was the seminal The Guerrilla Open Access Manifesto by Aaron Swartz. Swartz argued for transgressive approaches to achieving the goals of the open access movement through civil disobedience. He took a stand against copyright and contracts that restrict redistribution of knowledge.\u003cbr\u003e\u003cbr\u003eDisc one of this edition holds the recording of the choir in the hallway leading to the school library. The long architecture of the space moves the singers into specific positions, creating unexpected clusters of tones. Disc two is a work by composer Charlie Usher. In 44 radical edits, the composer shuffles moments from the process that led to Disc One—samples of rehearsal bits, location recordings, practice instructions, et al. In this magical story we find ourselves in scenes that could come from Fellini’s Prova d’orchestra, and in random events surrounding the rehearsals.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Slow Reading Club and Charlie Usher\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN46\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーの合唱団Slow Reading Clubと作曲家Charlie Usherが、2025年3月に同国実験／アンビエントレーベルEdições CNからリリースした共作2枚組CDです。 コンテンポラリー〜エレクトロアコースティック46曲を収録。ポスターとDLコード付属。7"サイズのケース仕様です。 以下、レーベルによる解説です。 LEARNINGは、『The Great Learning』（1971年）に収録されているコーネリアス・カーデューの合唱曲『Paragraph 7』のカバーヴァージョン。アーロン・スワーツによる『ゲリラ・オープンアクセス宣言』（2008年）のテキストとともに演奏される。LEARNINGは、2024年春にゲントのBOEKSで開催されたSlow Reading Club and...
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{"id":8754344591610,"title":"Simon Fisher Turner \/\/ Under The Arches LP","handle":"simon-fisher-turner-under-the-arches-lp","description":"\u003cp\u003eイギリスの作曲家Simon Fisher Turnerが、2024年12月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cspan\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドローン〜サウンドポエトリー〜アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4289959619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bluenow1, Out-Of-Tune Piano, St Mary's Hospital Basement, Electriksnippets 08:23\u003cbr\u003e2. Bluenow2, Virus, Hurricane Bomber 09:29\u003cbr\u003e3. Derek Jarman Reads White Lies 04:11\u003cbr\u003e4. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ, Bertrand Russell Gives Sound Advice 03:11\u003cbr\u003e5. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ 06:49\u003cbr\u003e6. Electriksnippets 02:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton, to name but a few - Turner embodies a distinctly modernist sensibility and boundless curiosity for sound. For us, discovering Deux Filles, his devilishly intriguing, perfectly camp project with Colin Lloyd-Tucker, was a significant moment in shaping our label’s identity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn August 2023, A Colourful Storm presented Turner and Time is Away live at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Jarman’s last feature film, Blue, the recording reveals a lifetime of significant events and influences: a private recording of Jarman reading White Lies; a live reworking of Terre Thaemlitz’s remix of Turner’s Shishapangma; a sample of Bertrand Russell; a room recording of his brother practising the organ for their father’s funeral.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eSome of my earliest musical memories are hearing The Small Faces’ ‘Itchykoo Park’ on mum’s portable transistor radio in\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e Whitsand Bay, Cornwall. I adored Puccini’s ‘La Bohème’. I went to The Marquee Club in Wardour Street all the time and saw everything from King Crimson, Focus, The Faces, Uriah Heep and Patto to The Spiders from Mars. I was a guitar freak but also appreciated minimal American composers, such as Terry Riley, Philip Glass and Steve Reich. The White Noise album was important for me, as was the first Faust LP and Tubular Bells.\u003cbr\u003e\u003cbr\u003e“I love musicals but also new sounds. I love working with The Elysian Collective. Flamenco music was important as I grew up, as was ballet and modern dance. I went to a ballet school at 144 Piccadilly. Moving to London was life-changing. I was dumped in London so I explored and rode my bike everywhere after that. I lived with an odd family on Grape Street. Soho and The West End was my playground. The big smoke.\u003cbr\u003e\u003cbr\u003e“The idea behind this performance was to strip down my recent Blue Live set and use sound textures that were location-driven and not too musical. I found a recording of my brother James playing the organ in my dad's local church in Great Rissington, in preparation for dad's funeral. I was sitting quietly by the alter at the other end of the church, recording away. I also used Derek Jarman tapes and a Terre Thaemlitz remix of a track of mine from The Epic of Everest. I loved the idea of a live remix of a remix. It was a very special evening under the arches for me - I don't often get the chance to make a racket like this and was astonished by the level of concentration in the room. It was a complete surprise.\u003cbr\u003e\u003cbr\u003e“20 years ago, my wife and I lived in Brixton, near the venue, on Coldharbour Lane. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I’m a lucky man.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Fisher Turner\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : A COLOUR05\u003c\/p\u003e","published_at":"2025-04-01T07:43:43+09:00","created_at":"2025-03-31T11:34:35+09:00","vendor":"Tobira Records","type":"","tags":["a colourful storm","ambient","contemporary \/ sound poetry","drone","lp","new"],"price":435000,"price_min":435000,"price_max":435000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47228788769018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Simon Fisher Turner \/\/ Under The Arches LP","public_title":null,"options":["Default Title"],"price":435000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804182058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_0bf38545-ad56-4c27-bcee-ff253d6d0d4f.jpg?v=1743388379"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379","options":["Title"],"media":[{"alt":null,"id":35812694524154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379","width":700},{"alt":null,"id":35812694556922,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_0bf38545-ad56-4c27-bcee-ff253d6d0d4f.jpg?v=1743388379"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_0bf38545-ad56-4c27-bcee-ff253d6d0d4f.jpg?v=1743388379","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの作曲家Simon Fisher Turnerが、2024年12月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cspan\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドローン〜サウンドポエトリー〜アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4289959619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bluenow1, Out-Of-Tune Piano, St Mary's Hospital Basement, Electriksnippets 08:23\u003cbr\u003e2. Bluenow2, Virus, Hurricane Bomber 09:29\u003cbr\u003e3. Derek Jarman Reads White Lies 04:11\u003cbr\u003e4. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ, Bertrand Russell Gives Sound Advice 03:11\u003cbr\u003e5. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ 06:49\u003cbr\u003e6. Electriksnippets 02:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton, to name but a few - Turner embodies a distinctly modernist sensibility and boundless curiosity for sound. For us, discovering Deux Filles, his devilishly intriguing, perfectly camp project with Colin Lloyd-Tucker, was a significant moment in shaping our label’s identity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn August 2023, A Colourful Storm presented Turner and Time is Away live at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Jarman’s last feature film, Blue, the recording reveals a lifetime of significant events and influences: a private recording of Jarman reading White Lies; a live reworking of Terre Thaemlitz’s remix of Turner’s Shishapangma; a sample of Bertrand Russell; a room recording of his brother practising the organ for their father’s funeral.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eSome of my earliest musical memories are hearing The Small Faces’ ‘Itchykoo Park’ on mum’s portable transistor radio in\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e Whitsand Bay, Cornwall. I adored Puccini’s ‘La Bohème’. I went to The Marquee Club in Wardour Street all the time and saw everything from King Crimson, Focus, The Faces, Uriah Heep and Patto to The Spiders from Mars. I was a guitar freak but also appreciated minimal American composers, such as Terry Riley, Philip Glass and Steve Reich. The White Noise album was important for me, as was the first Faust LP and Tubular Bells.\u003cbr\u003e\u003cbr\u003e“I love musicals but also new sounds. I love working with The Elysian Collective. Flamenco music was important as I grew up, as was ballet and modern dance. I went to a ballet school at 144 Piccadilly. Moving to London was life-changing. I was dumped in London so I explored and rode my bike everywhere after that. I lived with an odd family on Grape Street. Soho and The West End was my playground. The big smoke.\u003cbr\u003e\u003cbr\u003e“The idea behind this performance was to strip down my recent Blue Live set and use sound textures that were location-driven and not too musical. I found a recording of my brother James playing the organ in my dad's local church in Great Rissington, in preparation for dad's funeral. I was sitting quietly by the alter at the other end of the church, recording away. I also used Derek Jarman tapes and a Terre Thaemlitz remix of a track of mine from The Epic of Everest. I loved the idea of a live remix of a remix. It was a very special evening under the arches for me - I don't often get the chance to make a racket like this and was astonished by the level of concentration in the room. It was a complete surprise.\u003cbr\u003e\u003cbr\u003e“20 years ago, my wife and I lived in Brixton, near the venue, on Coldharbour Lane. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I’m a lucky man.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Fisher Turner\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : A COLOUR05\u003c\/p\u003e"}
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イギリスの作曲家Simon Fisher Turnerが、2024年12月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベルA Colourful Stormからリリースしたレコードです。 ドローン〜サウンドポエトリー〜アンビエント6曲を収録。 ------------------------------------------------------ 12" black vinyl. Tracklist: 1. Bluenow1, Out-Of-Tune...
¥4,350
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{"id":8753698144506,"title":"Derek Baron\/Luke Martin \/\/ Distinct and Concealed TAPE","handle":"derek-baron-luke-martin-distinct-and-concealed-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの実験音楽家Derek BaronとLuke Martinが、2024年6月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eピアノとNo inputミキサー、カセットによるコラージュ〜ミュージックコンクレート2曲、1時間以上を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ミニマルでプロセス指向の音楽を実践する2人の思慮深い実践者の出会いが成功したのは、それが機知に富んでいるからではなく、その身振りが明晰だからである。几帳面かつ冷静で、定期的に立ち上がっては道具を選び、集中して作業を続け、足音や衣服のざわめきが聞こえる。作品のタイトルである \"Distinct \"と \"Concealed \"は、公的な自己顕示と私的な自己認識の間の緊張を示唆しているが、これらの録音はライブで行われ、部屋の音やプレーヤーの活動や動きは、両極を複雑にする演劇性を示唆している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Distinct」は、友人同士のキャッチボールのようなもので、真剣さが定期的に現れ、やがて積極的でガラスのようなコミュニケーションに変わる。「Distinct」がキャッチアップだとすれば、「Concealed」は緊迫した2度目のミーティングのようだ。ピアノを中心に、話し言葉のループや長いポーズがあり、やがて満足のいく均衡に陥る。無入力ミキシングのかろうじてコントロールできる性質が、エレクトロニクスやテープの扱いやすい要素と対峙し、キーボードがその関係を複雑にしている。バロンとマーティンの手にかかると、ミニマリズムは常に能動的な探求となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259957719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Distinct 32:01\u003cbr\u003e2. Concealed 31:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis meet-up between two thoughtful practitioners of minimal and process-oriented music succeeds not because it is resourceful but because its gestures are clearheaded. Disciplined and exploratory, it is like observing someone fixing a watch: methodical and calm, periodically getting up and selecting a tool, working for stretches of full concentration, and hearing the footsteps and rustle of clothing. The titles of the pieces – “Distinct” and “Concealed” – suggest tensions between public self-presentation and private self-knowledge, and yet these recordings were made live, with sounds of the room and the activity and movements of the players suggesting a theatricality that complicates both poles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Distinct” plays like a long-delayed catch-up session between friends, seriousness arising periodically before resolving into active and glassy communication. If “Distinct” is a catch-up, “Concealed” plays as a tense second meeting: piano-led, with zipped spoken-word loops and long stretches of pause, eventually falling into a satisfying equilibrium. The barely controlled nature of no-input mixing confronts the more manageable elements of electronics and tape, with keyboards complicating the relationship. In the hands of Baron and Martin, minimalism is a constant and active search.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Derek Baron\/Luke Martin\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003eCAT No : NTR085\u003c\/p\u003e","published_at":"2025-03-29T11:11:51+09:00","created_at":"2025-03-29T11:07:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","monooto","new","notice recordings","tape"],"price":199800,"price_min":199800,"price_max":199800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47226049069306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Derek Baron\/Luke Martin \/\/ Distinct and Concealed TAPE","public_title":null,"options":["Default Title"],"price":199800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_42b76edd-57d8-4261-9607-128861cc85b5.jpg?v=1723181989"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989","options":["Title"],"media":[{"alt":null,"id":34684280242426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989","width":700},{"alt":null,"id":34684280275194,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_42b76edd-57d8-4261-9607-128861cc85b5.jpg?v=1723181989"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_42b76edd-57d8-4261-9607-128861cc85b5.jpg?v=1723181989","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの実験音楽家Derek BaronとLuke Martinが、2024年6月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eピアノとNo inputミキサー、カセットによるコラージュ〜ミュージックコンクレート2曲、1時間以上を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ミニマルでプロセス指向の音楽を実践する2人の思慮深い実践者の出会いが成功したのは、それが機知に富んでいるからではなく、その身振りが明晰だからである。几帳面かつ冷静で、定期的に立ち上がっては道具を選び、集中して作業を続け、足音や衣服のざわめきが聞こえる。作品のタイトルである \"Distinct \"と \"Concealed \"は、公的な自己顕示と私的な自己認識の間の緊張を示唆しているが、これらの録音はライブで行われ、部屋の音やプレーヤーの活動や動きは、両極を複雑にする演劇性を示唆している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Distinct」は、友人同士のキャッチボールのようなもので、真剣さが定期的に現れ、やがて積極的でガラスのようなコミュニケーションに変わる。「Distinct」がキャッチアップだとすれば、「Concealed」は緊迫した2度目のミーティングのようだ。ピアノを中心に、話し言葉のループや長いポーズがあり、やがて満足のいく均衡に陥る。無入力ミキシングのかろうじてコントロールできる性質が、エレクトロニクスやテープの扱いやすい要素と対峙し、キーボードがその関係を複雑にしている。バロンとマーティンの手にかかると、ミニマリズムは常に能動的な探求となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259957719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Distinct 32:01\u003cbr\u003e2. Concealed 31:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis meet-up between two thoughtful practitioners of minimal and process-oriented music succeeds not because it is resourceful but because its gestures are clearheaded. Disciplined and exploratory, it is like observing someone fixing a watch: methodical and calm, periodically getting up and selecting a tool, working for stretches of full concentration, and hearing the footsteps and rustle of clothing. The titles of the pieces – “Distinct” and “Concealed” – suggest tensions between public self-presentation and private self-knowledge, and yet these recordings were made live, with sounds of the room and the activity and movements of the players suggesting a theatricality that complicates both poles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Distinct” plays like a long-delayed catch-up session between friends, seriousness arising periodically before resolving into active and glassy communication. If “Distinct” is a catch-up, “Concealed” plays as a tense second meeting: piano-led, with zipped spoken-word loops and long stretches of pause, eventually falling into a satisfying equilibrium. The barely controlled nature of no-input mixing confronts the more manageable elements of electronics and tape, with keyboards complicating the relationship. In the hands of Baron and Martin, minimalism is a constant and active search.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Derek Baron\/Luke Martin\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003eCAT No : NTR085\u003c\/p\u003e"}
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アメリカの実験音楽家Derek BaronとLuke Martinが、2024年6月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。 ピアノとNo inputミキサー、カセットによるコラージュ〜ミュージックコンクレート2曲、1時間以上を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "ミニマルでプロセス指向の音楽を実践する2人の思慮深い実践者の出会いが成功したのは、それが機知に富んでいるからではなく、その身振りが明晰だからである。几帳面かつ冷静で、定期的に立ち上がっては道具を選び、集中して作業を続け、足音や衣服のざわめきが聞こえる。作品のタイトルである "Distinct "と "Concealed "は、公的な自己顕示と私的な自己認識の間の緊張を示唆しているが、これらの録音はライブで行われ、部屋の音やプレーヤーの活動や動きは、両極を複雑にする演劇性を示唆している。 「Distinct」は、友人同士のキャッチボールのようなもので、真剣さが定期的に現れ、やがて積極的でガラスのようなコミュニケーションに変わる。「Distinct」がキャッチアップだとすれば、「Concealed」は緊迫した2度目のミーティングのようだ。ピアノを中心に、話し言葉のループや長いポーズがあり、やがて満足のいく均衡に陥る。無入力ミキシングのかろうじてコントロールできる性質が、エレクトロニクスやテープの扱いやすい要素と対峙し、キーボードがその関係を複雑にしている。バロンとマーティンの手にかかると、ミニマリズムは常に能動的な探求となる。"...
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{"id":8752443719930,"title":"Various Artists (Folklore Tapes) \/\/ When the frog from the well sees the ocean LP + BOOKLET","handle":"various-artists-folklore-tapes-when-the-frog-from-the-well-sees-the-ocean-lp","description":"\u003cp\u003eイギリスの民俗研究レーベルFolklore Tapesが、2023年3月にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り「井の中の蛙大海を知らず」をコンセプトにしたネオクラシカル〜レフトフィールド・フォーク〜ストレンジビーツ〜サウンドポエトリー17曲を収録。\u003c\/p\u003e\n\u003cp\u003e34ページのブックレット付属。 \u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1458240022\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\" title=\"Folklore Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\/when-the-frog-from-the-well-sees-the-ocean\" title=\"When the Frog from the Well Sees the Ocean (Reports from English UFOlklore)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWhen the Frog from the Well Sees the Ocean (Reports from English UFOlklore)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cspan data-mce-fragment=\"1\"\u003e34x page booklet featuring essay by Jez Winship along with artist research notes and illustrations\u003c\/span\u003e. 12\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e1. DBH - A Sighting\u003cbr\u003e2. Arianne Churchman - The Luminous\u003cbr\u003e3. Thorn Wych - Windy Hill\u003cbr\u003e4. Carl Turney, Brian Campbell \u0026amp; Peter Smyth - July Aitee\u003cbr\u003e5. Ramsey Janini - Signs\u003cbr\u003e6. Dean McPhee - The Second Message\u003cbr\u003e7. Mark O Pilkington - Scoriton\u003cbr\u003e8. Paddy Steer - SOLKA\u003cbr\u003e9. Funz - Transmissions from Earth\u003cbr\u003e10. OG Jigg - The Shape\u003cbr\u003e11. Bridget Hayden - Mysterious Lights of Egryn\u003cbr\u003e12. Otis Jordan - Pembrokeshire Sighting\u003cbr\u003e13. Magpahi - Night Sky Sapphire\u003cbr\u003e14. Jaycock \/ Burge - What Monica Saw\u003cbr\u003e15. Sam McLoughlin - NYMZA\u003cbr\u003e16. David Chatton Barker - Sigil Waves\u003cbr\u003e17. Emily Oldfield - Glorious Green Globes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Artists \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes \/ UFOlklore\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-27T13:05:10+09:00","created_at":"2025-03-27T13:04:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","folklore tapes","lp","neo classical","new","strange beats"],"price":493700,"price_min":493700,"price_max":493700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47222040396026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Folklore Tapes) \/\/ When the frog from the well sees the ocean LP + BOOKLET","public_title":null,"options":["Default Title"],"price":493700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fog2.webp?v=1699087116","\/\/tobirarecords.com\/cdn\/shop\/files\/fog1.jpg?v=1699087116"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fog2.webp?v=1699087116","options":["Title"],"media":[{"alt":null,"id":32642076147962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fog2.webp?v=1699087116"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fog2.webp?v=1699087116","width":1000},{"alt":null,"id":32642076180730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fog1.jpg?v=1699087116"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fog1.jpg?v=1699087116","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの民俗研究レーベルFolklore Tapesが、2023年3月にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り「井の中の蛙大海を知らず」をコンセプトにしたネオクラシカル〜レフトフィールド・フォーク〜ストレンジビーツ〜サウンドポエトリー17曲を収録。\u003c\/p\u003e\n\u003cp\u003e34ページのブックレット付属。 \u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1458240022\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\" title=\"Folklore Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\/when-the-frog-from-the-well-sees-the-ocean\" title=\"When the Frog from the Well Sees the Ocean (Reports from English UFOlklore)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWhen the Frog from the Well Sees the Ocean (Reports from English UFOlklore)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cspan data-mce-fragment=\"1\"\u003e34x page booklet featuring essay by Jez Winship along with artist research notes and illustrations\u003c\/span\u003e. 12\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e1. DBH - A Sighting\u003cbr\u003e2. Arianne Churchman - The Luminous\u003cbr\u003e3. Thorn Wych - Windy Hill\u003cbr\u003e4. Carl Turney, Brian Campbell \u0026amp; Peter Smyth - July Aitee\u003cbr\u003e5. Ramsey Janini - Signs\u003cbr\u003e6. Dean McPhee - The Second Message\u003cbr\u003e7. Mark O Pilkington - Scoriton\u003cbr\u003e8. Paddy Steer - SOLKA\u003cbr\u003e9. Funz - Transmissions from Earth\u003cbr\u003e10. OG Jigg - The Shape\u003cbr\u003e11. Bridget Hayden - Mysterious Lights of Egryn\u003cbr\u003e12. Otis Jordan - Pembrokeshire Sighting\u003cbr\u003e13. Magpahi - Night Sky Sapphire\u003cbr\u003e14. Jaycock \/ Burge - What Monica Saw\u003cbr\u003e15. Sam McLoughlin - NYMZA\u003cbr\u003e16. David Chatton Barker - Sigil Waves\u003cbr\u003e17. Emily Oldfield - Glorious Green Globes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Artists \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes \/ UFOlklore\u003c\/span\u003e\u003c\/p\u003e"}
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