Giacinto Scelsi // Scelsi Edition 7 - The Works for Double Bass CD

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イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2007年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。

コントラバスのための作品13曲を収録。ジュエルケース、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira.

-----------------------------------------

CD in jewel case.

Tracklist:

Nuits - I. C'Est Bien La Nuit 02:49
Nuits - II. Le Reveil Profond 06:02
Et Maintenant C'Est À Vous De Jouer... 06:21
Ko-Tha "Three Dances Of Shiva" - I. 08:14
Ko-Tha "Three Dances Of Shiva" - II. 02:19
Ko-Tha "Three Dances Of Shiva" - III. 03:38
Dharana 08:54
Maknongon 04:29
Kshara - I. 02:53
Kshara - II. 05:35
Kshara - III. 05:08
Okanagon 09:07
Mantram 04:47

Mode Records:

"This disc contains the first complete recordings of Scelsi’s music for doublebass.
This is volume 7 in Mode’s acclaimed Scelsi Edition.
Scelsi’s infamous KO-THA I, II, III – for string instrument played lying on its back in a percussive manner – is presented for the first time in an adaptation from the original for guitar by legendary bassist Fernando Grillo.
Robert Black, internationally known as one of the leading bassist of our time, has also collaborated or performed with a diverse number of musicians from D.J. Spooky to Meridth Monk to Cecil Taylor, and is a regular member of the Bang on a Can All-Stars."

Artist : Giacinto Scelsi

Label : Mode Records

CAT No.: mode188

Quantity

+ -

イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2007年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。

コントラバスのための作品13曲を収録。ジュエルケース、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira.

-----------------------------------------

CD in jewel case.

Tracklist:

Nuits - I. C'Est Bien La Nuit 02:49
Nuits - II. Le Reveil Profond 06:02
Et Maintenant C'Est À Vous De Jouer... 06:21
Ko-Tha "Three Dances Of Shiva" - I. 08:14
Ko-Tha "Three Dances Of Shiva" - II. 02:19
Ko-Tha "Three Dances Of Shiva" - III. 03:38
Dharana 08:54
Maknongon 04:29
Kshara - I. 02:53
Kshara - II. 05:35
Kshara - III. 05:08
Okanagon 09:07
Mantram 04:47

Mode Records:

Artist : Giacinto Scelsi

Label : Mode Records

CAT No.: mode188

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クイックビュー {"id":8232107901178,"title":"Giacinto Scelsi \/\/ Scelsi Edition 6: The Orchestral Works II CD","handle":"giacinto-scelsi-scelsi-edition-6-the-orchestral-works-ii-cd","description":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2006年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eオーケストラのための作品13曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1335861216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 1st Movement 02:56\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 2nd Movement 04:49\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 3rd Movement 04:26\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 4th Movement 04:40\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 1st Movement 06:13\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 2nd Movement 03:58\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 3rd Movement 03:42\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 4th Movement 03:12\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 5th Movement 04:06\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 1st Movement 06:34\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 2nd Movement 05:59\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 3rd Movement 08:09\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 4th Movement 11:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first recording of his 32-minute grand cantata La nascita del Verbo. Steeped in chromaticism, with hints of Scriabin and a sea of percussion, Nascita boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, “truly written in blood,” left Scelsi “in a deplorable state,” afterwards he stopped composing for several years.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of Scelsi’s infamous pieces is the Quattro Pezzi (su una nota sola). Each piece is limited to one pitch with micro-fluctuations of sound (vibratos, slurs, spectral changes, tremolos…). Because of the nearly total abandonment of harmonics, the listener concentrates on new sonorous subtleties, on the orchestra’s timbre as a whole.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1966, he completed the ferocious, tormented, complex Uaxuctum. The myths and mysteries of this Mayan city is reflected in Scelsi’s compositional process: new instrumental and vocal techniques (breathing noises, nasal sounds, muted or inhaled gutturals…), rhythmic incantations, a petrified flow of time. Few woodwinds, a string section consisting of six double basses, lots of brass, and, in addition to a timpanist, no less than seven percussionists!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode176\u003c\/p\u003e","published_at":"2024-03-21T19:48:04+09:00","created_at":"2024-03-21T16:10:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","mode"],"price":279200,"price_min":279200,"price_max":279200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380131848442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giacinto Scelsi \/\/ Scelsi Edition 6: The Orchestral Works II CD","public_title":null,"options":["Default Title"],"price":279200,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056","options":["Title"],"media":[{"alt":null,"id":33425992384762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/or1.jpg?v=1711005056","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2006年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eオーケストラのための作品13曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1335861216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 1st Movement 02:56\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 2nd Movement 04:49\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 3rd Movement 04:26\u003c\/li\u003e\n\u003cli\u003eQuattro Pezzi (Su Una Nota Sola) - For 25 Musicians - 4th Movement 04:40\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 1st Movement 06:13\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 2nd Movement 03:58\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 3rd Movement 03:42\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 4th Movement 03:12\u003c\/li\u003e\n\u003cli\u003eUaxuctum - The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons - 5th Movement 04:06\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 1st Movement 06:34\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 2nd Movement 05:59\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 3rd Movement 08:09\u003c\/li\u003e\n\u003cli\u003eLa Nascita Del Verbo - For Chorus And Large Orchestra - 4th Movement 11:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first recording of his 32-minute grand cantata La nascita del Verbo. Steeped in chromaticism, with hints of Scriabin and a sea of percussion, Nascita boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, “truly written in blood,” left Scelsi “in a deplorable state,” afterwards he stopped composing for several years.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne of Scelsi’s infamous pieces is the Quattro Pezzi (su una nota sola). Each piece is limited to one pitch with micro-fluctuations of sound (vibratos, slurs, spectral changes, tremolos…). Because of the nearly total abandonment of harmonics, the listener concentrates on new sonorous subtleties, on the orchestra’s timbre as a whole.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1966, he completed the ferocious, tormented, complex Uaxuctum. The myths and mysteries of this Mayan city is reflected in Scelsi’s compositional process: new instrumental and vocal techniques (breathing noises, nasal sounds, muted or inhaled gutturals…), rhythmic incantations, a petrified flow of time. Few woodwinds, a string section consisting of six double basses, lots of brass, and, in addition to a timpanist, no less than seven percussionists!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode176\u003c\/p\u003e"}

イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2006年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。オーケストラのための作品13曲を収録。ジュエルケース、シュリンク仕様です。レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira. ----------------------------------------- CD...

¥2,792

クイックビュー {"id":8232103182586,"title":"Giacinto Scelsi \/\/ Scelsi Edition 8: The Piano Works 4 CD","handle":"giacinto-scelsi-scelsi-edition-8-the-piano-works-4-cd","description":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eピアノのための作品28曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1627843779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHispania - I. 07:11\u003c\/li\u003e\n\u003cli\u003eHispania - II. 10:33\u003c\/li\u003e\n\u003cli\u003eHispania - III. 06:17\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - I. Deciso 02:10\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - II. \"Quarter Note\" = 120 01:40\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - III. Grazioso 01:48\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IV. \"Quarter Note\" = 108 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - V. Spigliato 01:22\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VI. \"Quarter Note\" = 100 02:20\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VII. Iniziando A \"Dotted Quarter Note\" = 132 E Subito Movendo 02:03\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VIII. Con Grazia 02:38\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IX. Giocoso 01:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - X. Molto Ritmato 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - I. Vivace 01:44\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - II. Agitato 01:30\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - III. Quarter Note = 80 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IV. Quarter Note - 66 02:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - V. Mosso 01:41\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VI. Grazioso 00:59\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VII. \"Quarter Note\" = 63 02:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VIII. Energico 01:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IX. Agitato 01:12\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - X. \"Quarter Note\" = 108 01:00\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XI. Capriccioso 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XII. Energico 01:37\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIII. Vivace 00:56\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIV. Vivacissimo 00:45\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XV. Scorrevole 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works. The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHispania is a fascinating work, where passages show some signs of Scelsi’s later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi’s work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of predominantly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome’s Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi’s later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi’s nickname for his wife, Dorothy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis audiophile quality recording was made using high-resolution 96khz\/24-bit technology.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode227\u003c\/p\u003e","published_at":"2024-03-21T19:48:58+09:00","created_at":"2024-03-21T16:05:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":279200,"price_min":279200,"price_max":279200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380121329914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giacinto Scelsi \/\/ Scelsi Edition 8: The Piano Works 4 CD","public_title":null,"options":["Default Title"],"price":279200,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738","options":["Title"],"media":[{"alt":null,"id":33425957060858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/edi1.jpg?v=1711004738","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eピアノのための作品28曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1627843779\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHispania - I. 07:11\u003c\/li\u003e\n\u003cli\u003eHispania - II. 10:33\u003c\/li\u003e\n\u003cli\u003eHispania - III. 06:17\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - I. Deciso 02:10\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - II. \"Quarter Note\" = 120 01:40\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - III. Grazioso 01:48\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IV. \"Quarter Note\" = 108 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - V. Spigliato 01:22\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VI. \"Quarter Note\" = 100 02:20\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VII. Iniziando A \"Dotted Quarter Note\" = 132 E Subito Movendo 02:03\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - VIII. Con Grazia 02:38\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - IX. Giocoso 01:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 5 - X. Molto Ritmato 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - I. Vivace 01:44\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - II. Agitato 01:30\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - III. Quarter Note = 80 02:08\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IV. Quarter Note - 66 02:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - V. Mosso 01:41\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VI. Grazioso 00:59\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VII. \"Quarter Note\" = 63 02:52\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - VIII. Energico 01:49\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - IX. Agitato 01:12\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - X. \"Quarter Note\" = 108 01:00\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XI. Capriccioso 01:39\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XII. Energico 01:37\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIII. Vivace 00:56\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XIV. Vivacissimo 00:45\u003c\/li\u003e\n\u003cli\u003eSuite No. 6 - XV. Scorrevole 03:13\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMode Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works. The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHispania is a fascinating work, where passages show some signs of Scelsi’s later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi’s work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of predominantly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome’s Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi’s later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi’s nickname for his wife, Dorothy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis audiophile quality recording was made using high-resolution 96khz\/24-bit technology.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giacinto Scelsi\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: mode227\u003c\/p\u003e"}

イタリアの作曲家Giacinto Scelsi（1905-1988年）が、2020年にアメリカ・NYのクラシックレーベルModeからリリースしたCDです。バイオリンのための作品17曲を収録。ジュエルケース、シュリンク仕様です。レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira. ----------------------------------------- CD...

¥2,792

クイックビュー {"id":7947717738746,"title":"Alvin Lucier \/\/ Swing Bridge; Sizzles CD","handle":"alvin-lucier-swing-bridge-sizzles-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの大御所実験音楽家Alvin Lucierが、2023年1月に同国NYのModeからリリースしたCDです。パイプオルガンによるミニマルドローン3曲を収録。デジパック、シュリンク仕様です。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのリリースでは、ルシエの作曲活動に最適な楽器であるパイプオルガンを中心としたアルヴィン・ルシエの2つの作品を収録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどちらも初録音です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「スウィング・ブリッジ」は、このレコードのアンサンブルであるオーストラリアン・アート・オーケストラが、メルボルン・タウンホール・グランド・オルガンのために委嘱した作品です。この楽譜では、オルガンから特定のパイプを取り外し、それぞれ2本のパイプ（合計6ピッチ）を収納できる、特別に作られた3つのオフセットチェストに通すことが要求されています。これらのパイプは、「パイプ・ウェイバー」と呼ばれる3人以上の演奏者によって操作されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの音楽は、オルガンがその操作をパフォーマンス的かつ内臓的なものにするという現象を探求しています。オルガンが生み出すエネルギーが、演奏・録音された空間を「鳴らす」様子を聴くことができ、また、演奏に立ち会った人たちは、ウェイバーが手で各パイプの調律を微分音的に変化させ、パイプの中を空気が移動する身体性を体験することができました。これは最高級のコンセプチュアルな作品ですが、オルガンが生み出す脈動や部屋の共鳴にアンサンブルの質感が織り込まれ、官能的で美しく、夢中にさせる作品でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオルガンとパイプの揺れには、オルガンと微分音的に関連するロングトーンを作り出すアンサンブルも加わっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSizzlesでは、作曲者は次のように書いています。「さまざまな大きさのドラムが演奏空間のあちこちにランダムに配置されています。ドラムヘッドにはレンズ豆、ひよこ豆、キャンディーハートなどの細かい物質が散りばめられています。オルガンの低い音が鳴ると、ドラムの皮が共鳴して振動し、ドラムが鳴り、素材が動きます。各ドラムは、コンタクトマイクまたはエアマイクと独立したアンプで個別に増幅されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルヴィン・ルシエは、このリリースに掲載されている「Sizzles」のバージョンの最終的な選択を行いました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77947789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes l\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003einer notes by Peter Knight and Alvin Lucier.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth are first recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvin Lucier made the final choices of the versions of “Sizzles” featured on this release.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2023-04-01T14:19:48+09:00","created_at":"2023-04-01T12:27:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","mode"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139589632250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alvin Lucier \/\/ Swing Bridge; Sizzles CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","options":["Title"],"media":[{"alt":null,"id":31764050706682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_52fbeade-4870-4623-8d22-6a5fbadc4bbf.jpg?v=1680319676","width":700},{"alt":null,"id":31764050739450,"position":2,"preview_image":{"aspect_ratio":1.124,"height":1068,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675"},"aspect_ratio":1.124,"height":1068,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_a47a8d4f-1664-48f4-ad4c-6d5df859495b.jpg?v=1680319675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの大御所実験音楽家Alvin Lucierが、2023年1月に同国NYのModeからリリースしたCDです。パイプオルガンによるミニマルドローン3曲を収録。デジパック、シュリンク仕様です。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのリリースでは、ルシエの作曲活動に最適な楽器であるパイプオルガンを中心としたアルヴィン・ルシエの2つの作品を収録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどちらも初録音です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「スウィング・ブリッジ」は、このレコードのアンサンブルであるオーストラリアン・アート・オーケストラが、メルボルン・タウンホール・グランド・オルガンのために委嘱した作品です。この楽譜では、オルガンから特定のパイプを取り外し、それぞれ2本のパイプ（合計6ピッチ）を収納できる、特別に作られた3つのオフセットチェストに通すことが要求されています。これらのパイプは、「パイプ・ウェイバー」と呼ばれる3人以上の演奏者によって操作されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの音楽は、オルガンがその操作をパフォーマンス的かつ内臓的なものにするという現象を探求しています。オルガンが生み出すエネルギーが、演奏・録音された空間を「鳴らす」様子を聴くことができ、また、演奏に立ち会った人たちは、ウェイバーが手で各パイプの調律を微分音的に変化させ、パイプの中を空気が移動する身体性を体験することができました。これは最高級のコンセプチュアルな作品ですが、オルガンが生み出す脈動や部屋の共鳴にアンサンブルの質感が織り込まれ、官能的で美しく、夢中にさせる作品でもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eオルガンとパイプの揺れには、オルガンと微分音的に関連するロングトーンを作り出すアンサンブルも加わっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSizzlesでは、作曲者は次のように書いています。「さまざまな大きさのドラムが演奏空間のあちこちにランダムに配置されています。ドラムヘッドにはレンズ豆、ひよこ豆、キャンディーハートなどの細かい物質が散りばめられています。オルガンの低い音が鳴ると、ドラムの皮が共鳴して振動し、ドラムが鳴り、素材が動きます。各ドラムは、コンタクトマイクまたはエアマイクと独立したアンプで個別に増幅されます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルヴィン・ルシエは、このリリースに掲載されている「Sizzles」のバージョンの最終的な選択を行いました。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77947789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes l\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003einer notes by Peter Knight and Alvin Lucier.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth are first recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvin Lucier made the final choices of the versions of “Sizzles” featured on this release.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}